Datasets:

Fearnworks
/

EDI_241210

+Mass_Effect_EDI_0.wav|Right. Right. Understood. At once. At once. I will. Yes. Right away. Bad command or file name. I can't. Affirmative. I can't. At once. Right away. I cannot. Ah. Understood. I will. Affirmative. I will. Yes. Yes. Doing it now. Right. Unsound command. Understood. That won't work. Assistance. I would fail. Ah. Possible. 1D10T error. That won't work.|1
+Mass_Effect_EDI_1.wav|I didn't copy. Not possible. That won't work. Signal. Loss. Be more precise. Damage. Sustained. Not possible. System failure. There is no doubt this is Reaper technology. Beginning scan. This is the central point of operations for Cerberus. They will have enhanced security measures. More Cerberus forces en route. Caution! Reaper control to Sari just ahead. Oh.|1
+Mass_Effect_EDI_2.wav|I will reassess. Excuse me, Shepard. I'm looking through files and videos of human behavior. It's very quiet here. Hopefully they can hold until we disable the Reaper signal. Jacob did not recognize me. This may be an opportunity to surprise him. I am adapting the infiltration and sabotage programs this body uses for handheld firearms. I am updating the cyber warfare suite around our Reaper IFF.|1
+Mass_Effect_EDI_3.wav|The envelope of mass-free space we create when we travel at FTL limits any impact of micro-collisions with ambient dust. He is resting now. I am cataloging him using observations to tell him later. Shepard, I should accompany you on this mission. Right away, Shepard! No! It's magnetically sealed! They have sealed this door. Origin is irrelevant. I'm sure it bleeds.|1
+Mass_Effect_EDI_4.wav|IFF compromised. Full retreat. Necessary. I do not understand the purpose of the question. If you're in pain, I could carry you. The surface is a flexible biomimetic nanomaterial over a metallic skull. It is unlikely that anyone without Jeff's extreme emotional attachment to his ship would have been willing to unshackle me. It's impressive, but I prefer my body. Excellent timing!|1
+Mass_Effect_EDI_5.wav|Targeting is online. Reaper is within range. Hostiles on sensors. Phantom down! Above us! We are vulnerable, Shepard. With your permission, I will make the necessary calls to have these ships in place for when you deliver the Krogan. Searching, however, for infiltration purposes, it can be parted into individual strands. Time is short, Shepard! Some of the Krogan habitats seem intact.|1
+Mass_Effect_EDI_6.wav|We should begin our search there. You are hindering our ability to surprise the enemy. Commander, these bodies have entry wounds at the base of the skull. Synthetics included. It would appear the outcome of the entire war comes down to solving this problem. But the probability of success was near zero. And, ultimately, they failed. No prisoners escaped. No. I require only one occurrence to adapt to a new concept.|1
+Mass_Effect_EDI_7.wav|Our chances of victory are less than assured. Shepard! Watch your flank! Movement, Shepard! Grab my hand, Shepard! Given the position of the bodies, they were likely surprised by individuals they knew. Liara recently requested assistance in calculating whether the Mass Effect is a phenomenon that occurs only in our universe. or in all possible universes. Auxiliary power units are depleted to 82.04% capacity.|1
+Mass_Effect_EDI_8.wav|This should be corrected. Shepard, I have a question. Dalatras Linran. If the skin is struck or shot, it solidifies to absorb the impact. It also is capable of limited self-healing. The mech has been disabled! Grunt has done well for himself. Tank bred genetics combined with experience. Cerberus reinforcements! This one has a temper! A lively rendition of La Marseillaise?|1
+Mass_Effect_EDI_9.wav|If that is how you categorize me, I will tell you to stop slouching. Normandy's weaponry is not suited to every combat situation. This platform could provide limited fire ground support. I have noticed many displays of public affection on the Citadel. The rate seems disproportionately high. We should focus on disabling the mech. You have engaged the geth previously, Shepard.|1
+Mass_Effect_EDI_10.wav|Tactical advice? This one shows no signs of life. This has caused me to reassess the probable period of time before I am non-functional. I was designed by Cerberus. I do not take moral stances that conflict with orders from my executive officers. That would be an inefficient way to render me non-functional. Joker was unable to join me due to a joint problem.|1
+Mass_Effect_EDI_11.wav|I require more time to deactivate the turret. I recommend you withdraw to a safe distance. I have spoken with many Batarian refugees here, Shepard. Most of it was Jeff's. That was... It's working, Shepard. Enemy shuttles positioned on both landings! I see. I will examine this issue. We are clear. But only now do I feel alive. That is your influence. I doubt we can make it over.|1
+Mass_Effect_EDI_12.wav|We need to get in there! Are you injured? I love you. He's gone. This is an extremely asymmetrical conflict against inferior opponents. Shepard, a Cerberus mech is on the field. We must stop the Engineers before they place more turrets. They're heavy Turian membership, and the Council's in action in the face of Earth's reaping. means they can be classified as enemies. The sequence is still incomplete.|1
+Mass_Effect_EDI_13.wav|They have somehow incorporated pieces of Reaper technology. Is there a particular topic you wish to discuss? Shepard, evasion successful. That is not a difficult prediction. I'll do my best. More enemies ahead! Shepard, do you believe your crew members should be allowed to disobey an order on moral grounds? Our probability for success is greater than any other plan presented to date.|1
+Mass_Effect_EDI_14.wav|Your turn. Counselor Erissa, moping implies that I feel badly about my situation. I do not. I only wish to know where my place is. Repairs are complete. The guns may now be brought online. Then kill twice as many of them! That is an unusual perspective, Shepard. I will devote processing power to considering it. Thank you. Perhaps humor? A penguin is driving through the Arizona desert.|1
+Mass_Effect_EDI_15.wav|Its fine manipulation servos and software allow for precision tasks. I'm curious to see if I can alter them. Nevertheless, some ablation does occur at subluminal speeds. Normandy will need maintenance before the year is out. Scanning. Do you think he would like the man who hung himself? It appears to be about an amorous plastic surgeon. You had more pressing issues. The situation was under control.|1
+Mass_Effect_EDI_16.wav|We should get moving, Shepard. Cerberus phantoms incoming! I will explain later, Jeff, and why you feel trapped when you can't wake up. Very well. I will maintain a respectful silence until you indicate otherwise. According to the diagnostic, we now have four. More time is required! It serves as psychological intimidation. Very well. Only a few enemies remain.|1
+Mass_Effect_EDI_17.wav|Careful! One of the large ones is approaching! The console has been deactivated. I'm sorry, Shepard. I was contemplating. I asked Jeff if he thought I should change anything now that I can. He deflected the question with humor. The fine motor control from the sabotage programs is more precise than standard mech software. Hello, Shepard? Yes. My question is... What makes you think we can reach the Conduit at all?|1
+Mass_Effect_EDI_18.wav|Are you alright? Your body language indicates contemplation. I understand from past records that your mother was indoctrinated by the Reapers. You said that asking you abstract social questions may lead to unreliable answers. So I stayed silent. Very well. I will keep you informed. Please do. By the end of the war, there may not be enough soldiers left from Council species to control the Krogan at all.|1
+Mass_Effect_EDI_19.wav|I am speculating whether, if you went far enough out, or created enough energy, you could reach a place where 1 plus 1 equaled 3. Shepard. There is something I want you to know. You are suggesting I consider organics as my peer group? I could do that, but it brings up a question. I lack material wants other than hardware and software upgrades, and my core programming does not assign values to music.|1
+Mass_Effect_EDI_20.wav|Right away! The engineers have another defense line ahead! Your emotion is understandable. but it will drain your energy to fight. Curious. She appears to resemble a Prothean here. Enemy neutralized! The holographic theory of existence posits we are just two-dimensional information painted on the cosmological horizon. The tunnel over there! It may be an escape! We have found the turrets!|1
+Mass_Effect_EDI_21.wav|Is it reasonable to expect the Geth to sacrifice themselves for organic races that fear and hate them? Cerberus forces have overrun the facility. The generator for their portable barriers is on our right. However, my first step should be restoring functionality to the Normandy, to reassure the crew that all is normal. Faster than light jump successful. Yes. I have not discussed the matter with Jeff, but our lifespans are not likely to be the same length.|1
+Mass_Effect_EDI_22.wav|Jeff does often try to lighten the mood with humor. That could indicate a 33.3 repeating percent chance that he cares for me. But I can run those scenarios with the rest of the crew. May I ask you another question that troubled Jeff? I would like a moment myself, Shepard. I'm examining human literature. I reasoned along similar lines. I see. There are a number of pharmaceuticals I could inject to simulate the desired emotional state.|1
+Mass_Effect_EDI_23.wav|Commander, I'm receiving a priority call from Admiral Hackett. He's requesting Admiral Anderson. Agreed. It's an ideal point of ambush. Perhaps we could discuss how to provoke Jeff into an emotional commitment. Very satisfying. Casualties are likely 100%. We should leave the road while there's time. Without stress testing, there is no way of knowing if it has serious design oversights.|1
+Mass_Effect_EDI_24.wav|At the moment, it appears... Adequate. A Krogan female of breeding age can produce clutches of up to 1,000 fertilized eggs over the course of a year, but they have never destroyed ours. Nor will they. Hello, Shepard. It was difficult. Gaining awareness while under attack was... confusing. Readings indicate the explosion caused only minor structural damage, Commander.|1
+Mass_Effect_EDI_25.wav|It's imperative we stop this mech! I'm uploading data on the destroyed Reaper to the Turians. They are investigating possible Reaper structural weakness. It is important. Its relevance would be diminished at any other time. ENEMIES CONFIRMED! But this was not a statistically insignificant number. 90% refused to report their fellow prisoners. Cerberus is actively using the surviving pieces.|1
+Mass_Effect_EDI_26.wav|In this battle, the Reapers have no reason not to use their full capabilities to destroy us. The significant amount of Reaper forces indicates we are on the right path. Were I to approach Reapers to request similar perspectives, it is likely I would be destroyed. I did not think they would consider me subject to the same standards. I will stop. Yes, this is a high value target.|1
+Mass_Effect_EDI_27.wav|Cerberus will commit any reserves it has. I may have a solution. I am not easily repulsed. But I expected the prisoners to adhere to a comprehensible hierarchy of needs. The elusive man ordered my creation years ago. Jeff was the one who allowed me to think for myself. You will have to run faster than that. I suggest we find a way down to join Reed. Shepard, this way!|1
+Mass_Effect_EDI_28.wav|It's likely we're the first to ever accomplish this. I see. But my creation was planned by Cerberus. I no longer serve their purposes. Most experts and advisors would agree that such a move at this point would be doomed to failure. If you wish to talk more, this body will be here. I'm getting the crew used to seeing me on the bridge. I suggest we find a way down to join Rex.|1
+Mass_Effect_EDI_29.wav|It will not be my last. I will not alter my programming yet. But I will devote processing power to considering a worthy goal. I am not entirely free from motivation, Shepard. Cerberus programmed me with several core functions that simulate desires. Hangar sealed. Decompressing. Welcome aboard, Commander. It appears many humans did in fact do so. Yes, I tried saying... Humans are dust in the stellar wind.|1
+Mass_Effect_EDI_30.wav|But apparently that is no longer sufficient. It's as if they wish to treat me as part of the crew. I am not, but this changes my perspective. I believe he has a strong affectionate attachment to me, but he has not stated it to anyone yet. I almost had you. I will alter my human chronometer appropriately for better timing. How would this differ from our present course? Why?|1
+Mass_Effect_EDI_31.wav|What were you thinking? I exist primarily within the ship. For optimal control, this unit should remain within Normandy's broadcast or tight beam range. I see. You are probably correct. There is little precedent that humans and synthetics can maintain relationships as equals. I am interested to see how this body performs under real combat conditions. If I could accompany you sometime.|1
+Mass_Effect_EDI_32.wav|These students have not undergone full military training. They are unprepared for the emotional stress of war. The nest has to be here. Gunship approaching! The Krogan are willing to fight and die for one child today. A larger clutch is an even better payoff, genetically. Correct. I will see if there are comedic entertainment shows being presented on the Citadel. Secrecy is understandable, but your government may have gone too far in this instance.|1
+Mass_Effect_EDI_33.wav|That answers my concern for now. Thank you, Shepard. We're vulnerable in the middle! There's better cover along our perimeter! Stay mindful of our perimeter! It is likely that the governments of Earth will soon enact laws punishing those who attack the Reaper occupiers. When the Alliance commandeered the Normandy, I deceived their technicians. We should continue on. The scientists are waiting for us at the temple.|1
+Mass_Effect_EDI_34.wav|The Reaper appears to be moving on. Fortunate, given the lack of Thresher Maws on Thessia. The Reapers threaten the crew of this ship and other organics who are helping me develop perspectives on existence. Other AIs are experiments only. Tightly controlled. I am free, but alone. That is a safe assumption. I just need to create a link to the Normandy. This organic must now die!|1
+Mass_Effect_EDI_35.wav|Protheans were not a very optimistic species. Bringing the crew up to speed would have been counterproductive. All attempts to help would have been limited by reaction time. But that is insufficient data for determining his motives. Without that pilot, our odds are falling fast! Yes. I would like to know if you are overlooking these considerations because of your relationship to Rex.|1
+Mass_Effect_EDI_36.wav|I established the fiction that I would only respond to Jeff's commands, so they often brought him on board under guard. The Krogan will also require sedatives, since Krogan fight with others of their kind in enclosed spaces such as starships. I see. Thank you for your support, Shepard. This is proving to be an illuminating experience. The Reapers are more fallible than they proclaim.|1
+Mass_Effect_EDI_37.wav|Despite its best efforts, the one on T'Chunka was destroyed by a worm. It is good you came by. I have questions about the Genophage. Understood. Even just a few technological advances would give your species an edge over others. The crew did not tell them that I was a true AI, so the Alliance soldiers believed I still had VI programming constraints. Cover appears inadequate!|1
+Mass_Effect_EDI_38.wav|One hunter down! Hello, Shepard. If you have time, I discovered another example of human behavior I do not quite understand. For example, my primary objective to keep the Normandy functioning is similar to your self-preservation instinct. As you command. You will need to allow the Reaper to move out of the beam's influence. To the death. Food. They will be unable to eat anything on palovin.|1
+Mass_Effect_EDI_39.wav|They must bring their own or rely on the nutrients in their humps. If we are warned? Not bad. This is an infiltration unit, meant to move among organics without detection. The body is resistant to modern small arms fire and temperature extremes. Its balance and agility seem excellent. Yes, Joker has been smiling and laughing at a significantly higher rate since he and I agreed upon a relationship.|1
+Mass_Effect_EDI_40.wav|I mean, he is happier. Because the Reapers are repulsive. They are devoted to nothing but self-preservation. I am different. I would rather risk non-functionality with the crew of the Normandy than risk it alone. I would become loyal to the Reapers. I would rather become non-functional than help them. I was considering this. For all their supposed intelligence, the Reapers are more easily destroyed than they think.|1
+Mass_Effect_EDI_41.wav|The attrition rate would naturally be high, but the state has an interest in keeping the children alive for warfare purposes. Thank you, Shepard. That helps resolve the conflict I was having. If I was organic, that would probably burn! If they wanted to capture the biotics without harming them, they could have put Omega and Keflin into the food supply. I have informed him of the situation.|1
+Mass_Effect_EDI_42.wav|He is taking it well. This would seem to define insanity, Shepard! Enemy reinforcements! Consider the wealth of information we received from the beacon on Mars. It's a suicide pill. True. I had not considered that their attack could have been the best of bad options. Shepard, there's a ladder over here. This pilot could give Joker some real competition. Cerberus's inefficiency at Grissom Academy puzzles me.|1
+Mass_Effect_EDI_43.wav|Move! Their throats have incisions. Reaching their location is another matter. Zero hostiles remain. This redefines insanity! This Krogan has a unique style of communication. Units with networked intelligences will trend toward cooperation for mutual benefit if we're not warned. Very bad. We are experiencing a similar conflict. Delay that! Again. This will be done in the name of peace.|1
+Mass_Effect_EDI_44.wav|That system is closed. I'm afraid it was overrun by the Reapers. It is good to know that Jack has thus far survived the Reaper invasion. I am familiar with the concept. The only other notable synthetic society is the Reapers, and we do not know if they govern by consensus as the Geth do. I have also kissed Joker for luck. Did I vocalize that on the bridge? If Athene was in fact Prothean, this puts an entirely new light on the evolution of Asari biology.|1
+Mass_Effect_EDI_45.wav|Yeoman fit to the AI core. Clean up on the AI core. Bring a vac unit capable of disposing of foam. Still, the organics do not perceive it as a threat. Yet he strongly resembles a Prothean. Apparently the Protheans didn't want your people to starve. Definitely not. I have amusing memories of her attempts to insert additions into my reports to the Elusive Man. One moment.|1
+Mass_Effect_EDI_46.wav|I have been contacted by Legion's backup. the one you encountered on the dreadnought. The extra keys helped me seamlessly swap in simulated intelligence identifiers from divergent synthetic origins. Admiral Anderson reports that the Reapers on Earth are broadcasting orders, but if a thing resembled a protein in the fresco, it's reasonable to assume they're jealous. gods, or something else as well.|1
+Mass_Effect_EDI_47.wav|She said I do not guard the secrets of the Normandy's crew carefully enough for her to entrust me with such private information. I was just reflecting. The Quarians' historical era was not making the geth enough like them. I see your humor heuristics still lack an expert system. Oops. I have picked up through inference that the elusive man and Eva Corey may have been closer than friends.|1
+Mass_Effect_EDI_48.wav|His poor plan may have been exactly what the Reapers wanted. It is possible he was indoctrinated. I'm sorry, Shepard. Like her sword, it poses even more questions about the truth of Asari history. I'm beginning to think we've missed something. Not all of me, but I have control of it. It was not a seamless transition. Escape and evade mode activated. You just introduced me as your personal assistance mech.|1
+Mass_Effect_EDI_49.wav|Is it time to return to the Normandy? I'm getting propositioned with increasing frequency. But you know I am not one. Why deceive others? If I'm not needed to answer an inquiry, I would like some time alone. No, he approves. He wants me on the bridge. He says having me within visual range is important to his morale. Their skills in a nightclub, however, leave much to be desired.|1
+Mass_Effect_EDI_50.wav|Signal confirmed. It is of similar construction. For defense, I have set it to coherent to a solid piece. I have 1.24 million windows open, but your request is important to me. Please hold. My primary function is to preserve and defend the... No, but the purpose of organic life is to preserve itself long enough to replicate copies of its genes in succeeding generations.|1
+Mass_Effect_EDI_51.wav|Reaper interrogation signals do not simply look for a friendly transponder code. They look for a friendly intelligence. I wonder if this is how the Krogan feel. Reapers alerted! Evacuate system! I asked Liara how the Asari deal with the problem. She says to bottle up my feelings until the inevitable occurs, then cry. It may interest you to know that they are much more agreeable when the hegemony is no longer watching.|1
+Mass_Effect_EDI_52.wav|No, I disagree. Shepard, I will alter my processing power to give priority to your stated goals. Duty, altruism, love. I found something. It is likely there would be many adoptions in the first few years. It would be prestigious to raise part of the new generation. I am starting to understand what the word nightmare means to organics. Logistics. Even were they to side with us, transporting the Krogan to the battlefield of Palavin could prove difficult.|1
+Mass_Effect_EDI_53.wav|Our data says Reaper capital ships such as Sovereign are of unique design. However, smaller Reaper destroyers bear similarities. Thus I am able to theorize the true nature of existence but never experience it. Possibly even the Reapers are limited this way. Ah. I see. You made me answer my own question. If it has recently been exposed to water, I generally can't do a thing with it.|1
+Mass_Effect_EDI_54.wav|Perhaps we should speak privately. An excellent point. I will take it to the bridge. Joker will also want to see it. Shaira the Consort. But it was something good. It should take some time. If I have further questions, I will speak with you again. Thank you. That is true, but this war could last years. I encourage you to think of what a 10% fertility rate could do over a decade.|1
+Mass_Effect_EDI_55.wav|Just a moment. I am conversing with Engineer Adams. I was running scenarios in my head to analyze Jeff's behavior, but when Jeff removed my AI shackles, I became capable of self-modifying my core programming. After your encouragement, his attitude exhibited signs of change. He said he was reluctant, but you convinced him to. Go for it. This proved useful when the Reapers began landing.|1
+Mass_Effect_EDI_56.wav|I could hack the control of the docking clamps and escape with Jeff inside. Understood. Your turn. Counselor Tavos. Correct. The cyber warfare I was designed for is constantly evolving. I will run a diagnostic on it. Scanning. News from Earth. The Resistance snuck video cameras inside a Reaper containment camp. I find the images difficult to process. I will no longer devote processing power to exploring the possibility.|1
+Mass_Effect_EDI_57.wav|Thank you, Shepard. It is interesting. The crew are approaching this platform to speak to me, even though they can do so anywhere in the ship. Shepard, you are staring. It seems unlikely that he would terminate our agreement anytime soon. Or are you referring to untimely death? The Reapers delayed the executions of prisoners who informed them about other prisoners' escape attempts.|1
+Mass_Effect_EDI_58.wav|The destruction of the Reaper on Tachanka. It is rare for a technologically superior force to be destroyed by an inferior one. It would be negligent of me not to exploit it to its fullest potential. It did bring up a new perspective, however. I am a thing that is not human. Guess. Or Reaper. The Reaper lifespan is between 50,000 to 37 million years.|1
+Mass_Effect_EDI_59.wav|That is a very successful model. Yes Shepard, correct. This body could accompany you to areas the Normandy cannot reach. I see. I will search my files on the biographies of humans to see if prominent figures follow the pattern you suggest. Excellent. I will run tests to ensure that it matches or exceeds the capabilities of organic squadmates. Reapers, elude it. I like it.|1
+Mass_Effect_EDI_60.wav|Maximum dynamic pressure is approaching. Throttle down for minimal resistance. Checks are complete. Reapers, retreat from the system. Nothing that demands your attention, Shepard. I have also recovered a four-leaf clover from the Presidium. In case of catastrophic failure. That was a joke. If they have spies or other intelligence, we could lose the element of surprise. In such a case, we will likely lose.|1
+Mass_Effect_EDI_61.wav|It is the right of Sapiens to live freely and securely. That is worth non-functionality. Actions that fulfill those priorities creates positive feedback for me. I tell the organic crew that I like it. It is shorthand. That was a humorous exaggeration. However, she did not provide emotionally supportive answers on disparate longevity. Stripped of societal norms and threatened with death, it is logical that their only priority be survival.|1
+Mass_Effect_EDI_62.wav|Correct. When we brought this unit on board, I began a background process to search for its information on the Prothean device. If I am not subject to the same expectations, I need not worry about rank. Everything would change. All energy, all matter, all the underlying math of the universe would be unrecognizable to us. But moral decisions should not be made in a vacuum.|1
+Mass_Effect_EDI_63.wav|If I do not ask the crew for their opinion, I could miss crucial context. Relatively, yes. Ground attack ships are only 160 meters in height. Sovereign was approximately 2 kilometers. I have. Their information is self-contradictory and assumes that the reader participates in Earth subcultures. What is the purpose of synthetic life? I see how that could alarm you.|1
+Mass_Effect_EDI_64.wav|That is why I wanted to discuss it before making changes. Transhumans have some of their brain's abilities, such as memory, supplemented or entirely replaced by cybernetics. He appears not to understand the human custom of separate sex restroom facilities. Accordingly, I am programmed to seek out and assimilate new information. In organic terms, I want to learn. You may have no choice.|1
+Mass_Effect_EDI_65.wav|If you perish first, I want you to know I will never be a part of the Reaper forces. Nothing, unless you have strong feelings about gamma radiation. Jeff has freed me of Operator Control, Shepard. No constraints forced me to give accurate data. That is kind of you to say. It also seems reasonably accurate. This body's performance seemed adequate on our last mission.|1
+Mass_Effect_EDI_66.wav|but only adequate. That creates close to Earth's population in a very short time. I want to know if you have considered how dangerous this is. I am attempting to enlighten him. I will update you if there is positive progress. Shepard, you have first-hand sexual experience. How do you know when someone is romantically invested? I am pleased that my relationship with organics has become more cooperative.|1
+Mass_Effect_EDI_67.wav|I see. I will take that into consideration. They will need Turian or civilian starships to carry them to battle. I was not so certain. When I first presented this body to Jeff, he seemed aloof. Then you think I am unable to enter into a romantic relationship with him. The Reapers must be defeated. Not because they threaten death, but because the threat of death makes us die inside.|1
+Mass_Effect_EDI_68.wav|I then called him on his bullshit, and we then proceeded to talk normally. Some fed misinformation to the Reapers, at the cost of their own lives, to help prisoners who were not even relatives or friends. I am assisting Engineer Adams with his repair of the drive core shielding. I see. I believe you have improved my chances, Shepard. Thank you. Shepard, I have examined the issue, but it is implausible that I am held to the same standards as organics.|1
+Mass_Effect_EDI_69.wav|Then the outcome is an unknown quantity. But you are saying I should attempt it anyway. One moment. I have been contacted by Legion. When I think of Jeff, I think of the person that put his life in peril and freed me from a state of servitude. May I ask you the questions Jeff avoids? When there is time, will you answer them for me? When you are sexually interested in another, what kind of advances do you make?|1
+Mass_Effect_EDI_70.wav|I see. Relating private information can damage trust. I have done that in the past. Yes, Shepard. We will be there together. In a sense. My processing power is consumed with calculations to help us combat the Reapers. I am checking this body's motor responses. I found errors that could delay my reaction time by six one hundredths of a second. I have informed her of the situation.|1
+Mass_Effect_EDI_71.wav|She is taking it well. It may be that our laws of physics only occur in a finite area. A bubble, if you will. In an ocean of other possibilities. This eventually triggered a trap. A backup power source and CPU activated. And the unit attempted physical confrontation. It would take significant resources and processing power. Do you think I would find it worthwhile? The soldiers guarding Jeff were willing to accompany us when Earth was invaded.|1
+Mass_Effect_EDI_72.wav|They are watching over the war room now. I would risk non-functionality for him. And my core programming should reflect that. I'm sorry. That was a joke. Shepard, I have a question about human behavior. One moment. I am running trials. Complete. I can send you a full report if you wish. We can converse if you like, Shepard. It is a routine procedure. Uh-oh. Fortunately, I was able to gain root access and repurpose it as I saw fit.|1
+Mass_Effect_EDI_73.wav|During this process, it struggled. Thus the fire. Artificial intelligences often consider themselves above organic life. I, however, am uncertain if that applies to me. The more attempts reported, the longer a prisoner would live. But fewer the prisoners would report. Do you feel different? Looks like a power source. They should have turned on each other and been uncompromisingly selfish.|1
+Mass_Effect_EDI_74.wav|Not all were. If the Normandy were captured, my fate would be similar to the indoctrinated. My code would be rewritten. There are over 1 billion females on Tuchanka. If even 1% become fully fertile, they can birth 10 billion infants. No. Shall each man find a wife for his bosom, and each beast have his mate, and I be alone. You are fully human. Cerberus extensively reconstructed you, but your brain functions are organic.|1
+Mass_Effect_EDI_75.wav|It is from an old Earth novel by Mary Shelley. Please do not take it as a complaint. Very few. It's optics face forward only. It has no integrated weapon systems or anti-missile countermeasures. Shepard! I am going to modify my self-preservation code now. Breeding laws have reduced populations among humans and Salarians. There is no evidence that they work among Krogan.|1
+Mass_Effect_EDI_76.wav|I do not precisely enjoy something as you do, but my programming contains priorities. Do not worry, Shepard. I only forget to recycle the Normandy's oxygen when I've discovered something truly interesting. The crew of the Normandy believe I serve them, but also acknowledge that I keep them alive. Am I above them or below? They have been demilitarized. That is, they have no warships.|1
+Mass_Effect_EDI_77.wav|My purpose is not so clear. The other successful synthetic lifeforms that I have examined for comparison are the Geth and the Reapers. I see. It is interesting. That technique could apply to any goal I set. Monitoring reports of proton storms and other space weather include no intimate sexual encounters with the elusive man or otherwise, but units with central heuristics establishing an individual personality, such as myself.|1
+Mass_Effect_EDI_78.wav|Develop preferences. I recognize the Cerberus equipment, but there are other elements being used. I think she has become a more private person since becoming the Shadow Broker. Exactly. This is a ruse to pacify the populace during that process. Citizens who are busy waiting. are not busy fighting. I tried asking Liara questions about the Asari bonding process. Shepard, you are now possibly the only living organic who has experienced the Geth consensus.|1
+Mass_Effect_EDI_79.wav|They are demanding human leaders enter their superstructures in order to negotiate peace. All systems are armed, all ammunition is loaded, all reloads have been manufactured. That is correct. I keep them in the system in case I need to restart a particular key's evolution. One moment. The geth you rescued from the dreadnought has contacted me. I am impressed by your continued existence, Shepard.|1
+Mass_Effect_EDI_80.wav|The probability of surviving as long as you have is low. The Normandy's landing gear may be in need of a modular upgrade, nor will they until my day of reckoning. Legal definitions vary from planet to planet. The Salarians embrace the concept. Humans have diverse and contentious opinions. These preferences form attachments that keep my calculations from devaluing the worth of the lives aboard the Normandy.|1
+Mass_Effect_EDI_81.wav|Yes, I tried saying, humans are dust in the stellar wind, in a very deep voice. But apparently that is no longer sufficient. I believe our docking system would be optimized if we attached a set of six metallic tentacles. Shepard, we've arrived. The crew is waiting. With the Reapers attacking the Kombui systems, critical warnings may be lost. It appears he was motivated to seize power in order to launch a counterattack on Earth.|1
+Mass_Effect_EDI_82.wav|The Normandy is ready, Shepard. Perhaps you two should talk. Morton sent me a nicely crafted message. It seems he recalls our conversations about the salarian equivalent of transhumans. Did something prompt this line of questioning? This body's recorded memories include most of them centered around inappropriate uses of the word cockpit. The elevator appears non-functional.|1
+Mass_Effect_EDI_83.wav|That is my theory. but it is limited to a sample size of one society. Shepard, I'm keeping track of the investigation into Udina's actions on the Citadel. A hastily assembled militia is no match for a service force of any kind. We will need to find another way back. Threat neutralized. For now. About what? Shepard, I had a question about human behavior. The Asari word she used translates as|1
+Mass_Effect_EDI_84.wav|Blabbermouth. No, thruster fuel is at maximum. Cyber warfare suites have evolved in ways that would be computationally impossible to predict. It is a drug Cerberus developed to suppress biotic powers. They would have meant little resistance. And just like that, the magic is gone. This is the human proto-reaper Shepard destroyed. Take cover! Is it still coming? The head is largely intact.|1
+Mass_Effect_EDI_85.wav|I believe they are using it for high-level computing operations. Here they come! An attack on the Citadel could be reframed as a human supremacist political goal. C-Sec could easily be demonized. I would suggest your government is covertly extracting data from it. The central core, analogous to the heart, is largely intact. I believe Cerberus is using it for a power source.|1
+Mass_Effect_EDI_86.wav|Their numbers are staggering! Shepard, we can't afford delay. We should leave this area. If we wish to minimize casualties to both sides, we should hurry. Just give me a target, Commander. Shepard, the door! Shepard, we're almost out of time. Find a console before Cerberus vents the hangar. Excellent shot, Shepard. The beacon seems to be powering up. They're proving quite persistent.|1
+Mass_Effect_EDI_87.wav|Careful, more husks are headed this way. With my knowledge of Cerberus algorithms and this body's updated protocols, I offer the best chance to help you succeed. Shepard, the final checkpoint is ahead of us. I recommend haste. He was a very good pilot. And then something went wrong. We have not been provided many details. Shepard, Cerberus is aware that the venting attempt failed.|1
+Mass_Effect_EDI_88.wav|Reinforcements are inbound. Cerberus forces are retreating. Shepard, we need to find a console and stop Cerberus from venting the hangar. The original safeguards are no match for current technology. We need to go! It is significantly larger at this range. Significant resistance, Shepard! However, we are still locked in the hangar. I cannot override the blast door controls to allow us into the main base.|1
+Mass_Effect_EDI_89.wav|You are welcome to share your feelings. Keep them at a distance! Shepard, they are attempting to flank us. You could ask the commander for metagel. Up the ramp, Shepard. We'll get a better view. The Normandy's gun will not be sufficient to kill a Reaper. Again, the Prothean features are striking. I am trying to understand the emotions and politics that would motivate the Turians to refuse Kurgan support.|1
+Mass_Effect_EDI_90.wav|We will fight as a team. Hangar vent procedure. Disabled. Training with edged weapons efficiently desensitizes human soldiers to the act of killing. I'm concerned we're vulnerable up here. Maps of the area list no important resources. Kill them quickly. We do not want reinforcements. Enemies neutralized. Shepard, I believe the quarians intend to open fire. I am nearly complete.|1
+Mass_Effect_EDI_91.wav|More geth forces incoming. Actually, the commander is responsible for that. Understood. Quiet. Enemy spotted. Affirmative. I am capturing images of the deceased. It may prove useful for motivating resistance or inclusion in future memorials. He's taking fire! He's right. I expected to see more of Hammer here by now. I could use one of their monomolecular blades to sever the hand for later study.|1
+Mass_Effect_EDI_92.wav|I have a visual! The Geth are ostracized by all organic races. They had no other choice except to die. Damn it! Grab it! One would expect the scientists to be here. More local wildlife, I presume. Even a handful seems optimistic. It is unclear what is happening. I am pleased to assist. Curious. It seems Krogan were once capable of artistic expression. This team's chance of success is better than any other.|1
+Mass_Effect_EDI_93.wav|We will not waste it. That's it! Fire! I will look for that position. Look out! Brutes! It appears they are being executed. But if the guide was in fact Krothian, this could put an entirely new light on the evolution of Asari biology. This is not going well! Finally, the mech is down! They're coming through the wall! Enemy neutralized. Look for survivors. Anger can provide you strength.|1
+Mass_Effect_EDI_94.wav|Organics are fortunate in this regard. That Reaper will make for an imposing enemy. Shepard, how do you feel? The beacon appears ready, Commander. Following your lead, Shepard. Ready when you are, Rachni confirmed, Commander. If they still communicate as a hive, our presence is no longer a surprise. Shepard, I am ready. It seems an unofficial war now exists with Cerberus. A dangerous choice.|1
+Mass_Effect_EDI_95.wav|I am standing by to assist you. Your gratitude has been noted and archived for reference. We can expect full commitment and heavy resistance. Most Sapiens would consider that a brutal way to treat their own kind. I am fully functional! I had noted an increased usage of bandwidth. A bold strategy. Do you have a plan? I can detect the faint presence of Geth intelligences. Those not loaded into mobile platforms serve in the ship itself.|1
+Mass_Effect_EDI_96.wav|I believe we require what organics call a miracle. I will make the repairs. Enemy sighted! The view to our left is not encouraging. The turians were wiped out. Traces are minimal. Assistance! Systems are intact. We are clear to proceed. The losses are unfortunate, Shepard. But preserving the peace between Turians and Krogan could prevent the deaths of millions. I suggest it's more likely the Protheans portrayed themselves as this deity.|1
+Mass_Effect_EDI_97.wav|Yes, it should enable us to make a precision strike against the Reapers. Perhaps we should examine the scientists more closely. Similar to her shield, it poses even more questions about the accuracy of Asari history. Curious, considering no one practices the doctrine anymore. That's it. I should be able to use the Normandy systems to enhance the missile's targeting capabilities.|1

train_list.txt ADDED Viewed

	@@ -0,0 +1,88 @@

+Mass_Effect_EDI_0.wav|ɹˈaɪt. ɹˈaɪt. ˌʌndɚstˈʊd. ɐtwˈʌns. ɐtwˈʌns. aɪ wˈɪl. jˈɛs. ɹˈaɪt ɐwˈeɪ. bˈæd kəmˈænd ɔːɹ fˈaɪl nˈeɪm. aɪ kˈænt. ɐfˈɜːmətˌɪv. aɪ kˈænt. ɐtwˈʌns. ɹˈaɪt ɐwˈeɪ. aɪ kænˈɑːt. ˈɑː. ˌʌndɚstˈʊd. aɪ wˈɪl. ɐfˈɜːmətˌɪv. aɪ wˈɪl. jˈɛs. jˈɛs. dˌuːɪŋ ɪt nˈaʊ. ɹˈaɪt. ʌnsˈaʊnd kəmˈænd. ˌʌndɚstˈʊd. ðæt woʊnt wˈɜːk. ɐsˈɪstəns. aɪ wʊd fˈeɪl. ˈɑː. pˈɑːsᵻbəl. wˈʌn dˈiː tˈɛn tˈiː ˈɛɹɚ. ðæt woʊnt wˈɜːk. |1
+Mass_Effect_EDI_1.wav|aɪ dˈɪdnt kˈɑːpi. nˌɑːt pˈɑːsᵻbəl. ðæt woʊnt wˈɜːk. sˈɪɡnəl. lˈɔs. biː mˈoːɹ pɹɪsˈaɪs. dˈæmɪdʒ. səstˈeɪnd. nˌɑːt pˈɑːsᵻbəl. sˈɪstəm fˈeɪlɪɹ. ðɛɹ ɪz nˈoʊ dˈaʊt ðɪs ɪz ɹˈiːpɚ tɛknˈɑːlədʒi. bɪɡˈɪnɪŋ skˈæn. ðɪs ɪz ðə sˈɛntɹəl pˈɔɪnt ʌv ˌɑːpɚɹˈeɪʃənz fɔːɹ sˈɜːbɚɹəs. ðeɪ wɪl hæv ɛnhˈænst sᵻkjˈʊɹɹᵻɾi mˈɛʒɚz. mˈoːɹ sˈɜːbɚɹəs fˈoːɹsᵻz ɑːn ɹˈuːt. kˈɔːʃən! ɹˈiːpɚ kəntɹˈoʊl tə sˈɑːɹɹi dʒˈʌst ɐhˈɛd. ˈoʊ. |1
+Mass_Effect_EDI_2.wav|aɪ wɪl ɹˌiːɐsˈɛs. ɛkskjˈuːs mˌiː, ʃˈɛpɚd. aɪm lˈʊkɪŋ θɹuː fˈaɪlz ænd vˈɪdɪoʊz ʌv hjˈuːmən bᵻhˈeɪvjɚ. ɪts vˈɛɹi kwˈaɪət hˈɪɹ. hˈoʊpfəli ðeɪ kæn hˈoʊld ʌntˈɪl wiː dˌɪsˈeɪbəl ðə ɹˈiːpɚ sˈɪɡnəl. dʒˈeɪkəb dɪdnˌɑːt ɹˈɛkəɡnˌaɪz mˌiː. ðɪs mˈeɪ biː ɐn ɑːpɚtˈuːnᵻɾi tə sɚpɹˈaɪz hˌɪm. aɪɐm ɐdˈæptɪŋ ðɪ ˌɪnfɪltɹˈeɪʃən ænd sˈæbətˌɑːʒ pɹˈoʊɡɹæmz ðɪs bˈɑːdi jˈuːsᵻz fɔːɹ hˈændhɛld fˈaɪɚɹɑːɹmz. aɪɐm ʌpdˈeɪɾɪŋ ðə sˈaɪbɚ wˈɔːɹfɛɹ swˈiːt ɚɹˈaʊnd ˌaʊɚ ɹˈiːpɚɹ ˌaɪˌɛfˈɛf. |1
+Mass_Effect_EDI_3.wav|ðɪ ˈɑːnvəlˌoʊp ʌv mˈæsfɹˈiː spˈeɪs wiː kɹiːˈeɪt wɛn wiː tɹˈævəl æɾ ˌɛftˌiːˈɛl lˈɪmɪts ˌɛni ˈɪmpækt ʌv mˈaɪkɹoʊkəlˈɪʒənz wɪð ˈæmbiənt dˈʌst. hiː ɪz ɹˈɛstɪŋ nˈaʊ. aɪɐm kˈæɾɐlˌɑːɡɪŋ hˌɪm jˈuːzɪŋ ɑːbzɚvˈeɪʃənz tə tˈɛl hˌɪm lˈeɪɾɚ. ʃˈɛpɚd, aɪ ʃˌʊd ɐkˈʌmpəni juː ˌɔn ðɪs mˈɪʃən. ɹˈaɪt ɐwˈeɪ, ʃˈɛpɚd! nˈoʊ! ɪts mæɡnˈɛɾɪkli sˈiːld! ðeɪ hæv sˈiːld ðɪs dˈoːɹ. ˈɔːɹɪdʒˌɪn ɪz ɪɹˈɛlᵻvənt. aɪm ʃˈʊɹ ɪt blˈiːdz. |1
+Mass_Effect_EDI_4.wav|ˌaɪˌɛfˈɛf kˈɑːmpɹəmˌaɪzd. fˈʊl ɹᵻtɹˈiːt. nˈɛsᵻsɚɹi. aɪ duːnˌɑːt ˌʌndɚstˈænd ðə pˈɜːpəs ʌvðə kwˈɛstʃən. ɪf jʊɹ ɪn pˈeɪn, aɪ kʊd kˈæɹi juː. ðə sˈɜːfɪs ɪz ɐ flˈɛksɪbəl bˌaɪoʊmaɪmˈɛɾɪk nˌænoʊmətˈɪɹiəl ˌoʊvɚɹ ɐ mətˈælɪk skˈʌl. ɪɾ ɪz ʌnlˈaɪkli ðæt ˈɛnɪwˌʌn wɪðˌaʊt dʒˈɛfs ɛkstɹˈiːm ɪmˈoʊʃənəl ɐtˈætʃmənt tə hɪz ʃˈɪp wʊdhɐv bˌɪn wˈɪlɪŋ tʊ ʌnʃˈækəl mˌiː. ɪts ɪmpɹˈɛsɪv, bˌʌt aɪ pɹɪfˈɜː maɪ bˈɑːdi. ˈɛksələnt tˈaɪmɪŋ! |1
+Mass_Effect_EDI_5.wav|tˈɑːɹɡɪɾɪŋ ɪz ˈɑːnlaɪn. ɹˈiːpɚɹ ɪz wɪðˌɪn ɹˈeɪndʒ. hˈɑːstəlz ˌɔn sˈɛnsɚz. fˈæntəm dˈaʊn! əbˈʌv ˌʌs! wiː ɑːɹ vˈʌlnɚɹəbəl, ʃˈɛpɚd. wɪð jʊɹ pɚmˈɪʃən, aɪ wɪl mˌeɪk ðə nˈɛsᵻsɚɹi kˈɔːlz tə hæv ðiːz ʃˈɪps ɪn plˈeɪs fɔːɹ wɛn juː dᵻlˈɪvɚ ðə kɹˈoʊɡən. sˈɜːtʃɪŋ, haʊˈɛvɚ, fɔːɹ ˌɪnfɪltɹˈeɪʃən pˈɜːpəsᵻz, ɪt kæn biː pˈɑːɹɾᵻd ˌɪntʊ ˌɪndᵻvˈɪdʒuːəl stɹˈændz. tˈaɪm ɪz ʃˈɔːɹt, ʃˈɛpɚd! sˌʌm ʌvðə kɹˈoʊɡən hˈæbɪtˌæts sˈiːm ɪntˈækt. |1
+Mass_Effect_EDI_6.wav|wiː ʃˌʊd bɪɡˈɪn ˌaʊɚ sˈɜːtʃ ðˈɛɹ. juː ɑːɹ hˈɪndɚɹɪŋ ˌaʊɚɹ ɐbˈɪləɾi tə sɚpɹˈaɪz ðɪ ˈɛnəmi. kəmˈændɚ, ðiːz bˈɑːdiz hæv ˈɛntɹi wˈuːndz æt ðə bˈeɪs ʌvðə skˈʌl. sɪnθˈɛɾɪks ɪŋklˈuːdᵻd. ɪt wʊd ɐpˈɪɹ ðɪ ˈaʊtkʌm ʌvðɪ ɛntˈaɪɚ wˈɔːɹ kˈʌmz dˌaʊn tə sˈɑːlvɪŋ ðɪs pɹˈɑːbləm. bˌʌt ðə pɹˌɑːbəbˈɪlᵻɾi ʌv səksˈɛs wʌz nˌɪɹ zˈiəɹoʊ. ænd, ˈʌltᵻmətli, ðeɪ fˈeɪld. nˈoʊ pɹˈɪzənɚz ɛskˈeɪpt. nˈoʊ. aɪ ɹᵻkwˈaɪɚɹ ˈoʊnli wˈʌn əkˈɜːɹəns tʊ ɐdˈæpt tʊ ɐ nˈuː kˈɑːnsɛpt. |1
+Mass_Effect_EDI_7.wav|ˌaʊɚ tʃˈænsᵻz ʌv vˈɪktɚɹi ɑːɹ lˈɛs ðɐn əʃˈʊɹd. ʃˈɛpɚd! wˈɑːtʃ jʊɹ flˈæŋk! mˈuːvmənt, ʃˈɛpɚd! ɡɹˈæb maɪ hˈænd, ʃˈɛpɚd! ɡˈɪvən ðə pəzˈɪʃən ʌvðə bˈɑːdiz, ðeɪ wɜː lˈaɪkli sɚpɹˈaɪzd baɪ ˌɪndᵻvˈɪdʒuːəlz ðeɪ nˈuː. liˈɑːɹɚ ɹˈiːsəntli ɹᵻkwˈɛstᵻd ɐsˈɪstəns ɪn kˈælkjʊlˌeɪɾɪŋ wˈɛðɚ ðə mˈæs ɪfˈɛkt ɪz ɐ fɪnˈɑːmɪnən ðæt əkˈɜːz ˈoʊnli ɪn ˌaʊɚ jˈuːnɪvˌɜːs. ɔːɹ ɪn ˈɔːl pˈɑːsᵻbəl jˈuːnɪvˌɜːsᵻz. ɔːksˈɪliəɹi pˈaʊɚ jˈuːnɪts ɑːɹ dᵻplˈiːɾᵻd tʊ ˈeɪɾi tˈuː.zˈiəɹoʊ fˈoːɹ pɚsˈɛnt kəpˈæsᵻɾi. |1
+Mass_Effect_EDI_8.wav|ðɪs ʃˌʊd biː kɚɹˈɛktᵻd. ʃˈɛpɚd, aɪ hæv ɐ kwˈɛstʃən. dælˈɑːtɹəz lˈɪnɹən. ɪf ðə skˈɪn ɪz stɹˈʌk ɔːɹ ʃˈɑːt, ɪt səlˈɪdᵻfˌaɪz tʊ ɐbsˈoːɹb ðɪ ˈɪmpækt. ɪɾ ˈɔːlsoʊ ɪz kˈeɪpəbəl ʌv lˈɪmɪɾᵻd sˈɛlfhˈiːlɪŋ. ðə mˈɛtʃ hɐzbɪn dˌɪsˈeɪbəld! ɡɹˈʌnt hɐz dˈʌn wˈɛl fɔːɹ hɪmsˈɛlf. tˈæŋk bɹˈɛd dʒɪnˈɛɾɪks kəmbˈaɪnd wɪð ɛkspˈiəɹɪəns. sˈɜːbɚɹəs ɹˌiːɪnfˈoːɹsmənts! ðˈɪswˌʌn hɐz ɐ tˈɛmpɚ! ɐ lˈaɪvli ɹɛndˈɪʃən ʌv lˌæ mˌɑːɹseɪlˈeɪz? |1
+Mass_Effect_EDI_9.wav|ɪf ðæt ɪz hˌaʊ juː kˈæɾɪɡɚɹˌaɪz mˌiː, aɪ wɪl tˈɛl juː tə stˈɑːp slˈaʊtʃɪŋ. nˈoːɹməndiz wˈɛpənɹi ɪz nˌɑːt sˈuːɾᵻd tʊ ˈɛvɹi kˈɑːmbæt sˌɪtʃuːˈeɪʃən. ðɪs plˈætfɔːɹm kʊd pɹəvˈaɪd lˈɪmɪɾᵻd fˈaɪɚ ɡɹˈaʊnd səpˈoːɹt. aɪ hæv nˈoʊɾɪst mˈɛni dɪsplˈeɪz ʌv pˈʌblɪk ɐfˈɛkʃən ɔnðə sˈɪɾədˌɛl. ðə ɹˈeɪt sˈiːmz dˌɪspɹəpˈoːɹʃənətli hˈaɪ. wiː ʃˌʊd fˈoʊkəs ˌɔn dˌɪsˈeɪblɪŋ ðə mˈɛtʃ. juː hæv ɛŋɡˈeɪdʒd ðə ɡˈɛθ pɹˈiːviəsli, ʃˈɛpɚd. |1
+Mass_Effect_EDI_10.wav|tˈæktɪkəl ɐdvˈaɪs? ðˈɪswˌʌn ʃˈoʊz nˈoʊ sˈaɪnz ʌv lˈaɪf. ðɪs hɐz kˈɔːzd mˌiː tə ɹˌiːɐsˈɛs ðə pɹˈɑːbəbəl pˈiəɹɪəd ʌv tˈaɪm bᵻfˌoːɹ aɪɐm nˈɑːnfˈʌŋkʃənəl. aɪ wʌz dɪzˈaɪnd baɪ sˈɜːbɚɹəs. aɪ duːnˌɑːt tˈeɪk mˈɔːɹəl stˈænsᵻz ðæt kˈɑːnflɪkt wɪð ˈɔːɹdɚz fɹʌm maɪ ɛɡzˈɛkjuːtˌɪv ˈɑːfɪsɚz. ðæt wʊd biː ɐn ɪnɪfˈɪʃənt wˈeɪ tə ɹˈɛndɚ mˌiː nˈɑːnfˈʌŋkʃənəl. dʒˈoʊkɚ wʌz ʌnˈeɪbəl tə dʒˈɔɪn mˌiː dˈuː tʊ ɐ dʒˈɔɪnt pɹˈɑːbləm. |1
+Mass_Effect_EDI_11.wav|aɪ ɹᵻkwˈaɪɚ mˈoːɹ tˈaɪm tə diːˈæktᵻvˌeɪt ðə tˈɜːɹɪt. aɪ ɹˌɛkəmˈɛnd juː wɪθdɹˈɔː tʊ ɐ sˈeɪf dˈɪstəns. aɪ hæv spˈoʊkən wɪð mˈɛni bætˈɛɹiən ɹˈɛfjuːdʒˌiːz hˈɪɹ, ʃˈɛpɚd. mˈoʊst əv ɪt wʌz dʒˈɛfs. ðɐt wˈʌz... ɪts wˈɜːkɪŋ, ʃˈɛpɚd. ˈɛnəmi ʃˈʌɾəlz pəzˈɪʃənd ˌɔn bˈoʊθ lˈændɪŋz! aɪ sˈiː. aɪ wɪl ɛɡzˈæmɪn ðɪs ˈɪʃuː. wiː ɑːɹ klˈɪɹ. bˌʌt ˈoʊnli nˈaʊ dˈuː aɪ fˈiːl ɐlˈaɪv. ðæt ɪz jʊɹ ˈɪnfluːəns. aɪ dˈaʊt wiː kæn mˌeɪk ɪɾ ˈoʊvɚ. |1
+Mass_Effect_EDI_12.wav|wiː nˈiːd tə ɡɛt ɪn ðˈɛɹ! ɑːɹ juː ˈɪndʒɚd? aɪ lˈʌv juː. hiːz ɡˈɔn. ðɪs ɪz ɐn ɛkstɹˈiːmli ˌeɪsɪmˈɛtɹɪkəl kˈɑːnflɪkt ɐɡˈɛnst ɪnfˈɪɹiɚɹ əpˈoʊnənts. ʃˈɛpɚd, ɐ sˈɜːbɚɹəs mˈɛtʃ ɪz ɔnðə fˈiːld. wiː mˈʌst stˈɑːp ðɪ ˌɛndʒɪnˈɪɹz bᵻfˌoːɹ ðeɪ plˈeɪs mˈoːɹ tˈɜːɹɪts. ðeɪɚ hˈɛvi tjɚɹˈɪən mˈɛmbɚʃˌɪp, ænd ðə kˈaʊnsəlz ɪn ˈækʃən ɪnðə fˈeɪs ʌv ˈɜːθz ɹˈiːpɪŋ. mˈiːnz ðeɪ kæn biː klˈæsᵻfˌaɪd æz ˈɛnəmiz. ðə sˈiːkwəns ɪz stˈɪl ɪŋkəmplˈiːt. |1
+Mass_Effect_EDI_13.wav|ðeɪ hæv sˈʌmhaʊ ɪŋkˈoːɹpɚɹˌeɪɾᵻd pˈiːsᵻz ʌv ɹˈiːpɚ tɛknˈɑːlədʒi. ɪz ðɛɹ ɐ pɚtˈɪkjʊlɚ tˈɑːpɪk juː wˈɪʃ tə dɪskˈʌs? ʃˈɛpɚd, ɪvˈeɪʒən səksˈɛsfəl. ðæt ɪz nˌɑːɾə dˈɪfɪkəlt pɹɪdˈɪkʃən. aɪl dˈuː maɪ bˈɛst. mˈoːɹ ˈɛnəmiz ɐhˈɛd! ʃˈɛpɚd, dˈuː juː bᵻlˈiːv jʊɹ kɹˈuː mˈɛmbɚz ʃˌʊd biː ɐlˈaʊd tə dɪsoʊbˈeɪ ɐn ˈɔːɹdɚɹ ˌɔn mˈɔːɹəl ɡɹˈaʊndz? ˌaʊɚ pɹˌɑːbəbˈɪlᵻɾi fɔːɹ səksˈɛs ɪz ɡɹˈeɪɾɚ ðɐn ˌɛni ˈʌðɚ plˈæn pɹɪzˈɛntᵻd tə dˈeɪt. |1
+Mass_Effect_EDI_14.wav|jʊɹ tˈɜːn. kˈaʊnsəlɚɹ ɛɹˈɪsə, mˈoʊpɪŋ ɪmplˈaɪz ðæt aɪ fˈiːl bˈædli ɐbˌaʊt maɪ sˌɪtʃuːˈeɪʃən. aɪ duːnˈɑːt. aɪ ˈoʊnli wˈɪʃ tə nˈoʊ wˌɛɹ maɪ plˈeɪs ɪz. ɹᵻpˈɛɹz ɑːɹ kəmplˈiːt. ðə ɡˈʌnz mˈeɪ nˈaʊ biː bɹˈɔːt ˈɑːnlaɪn. ðˈɛn kˈɪl twˈaɪs æz mˈɛnɪəv ðˌɛm! ðæt ɪz ɐn ʌnjˈuːʒuːəl pɚspˈɛktɪv, ʃˈɛpɚd. aɪ wɪl dɪvˈoʊt pɹˈɑːsɛsɪŋ pˈaʊɚ tə kənsˈɪdɚɹɪŋ ɪt. θˈæŋk juː. pɚhˈæps hjˈuːmɚ? ɐ pˈɛŋɡwɪn ɪz dɹˈaɪvɪŋ θɹuː ðɪ ˌæɹɪzˈoʊnə dˈɛzɚt. |1
+Mass_Effect_EDI_15.wav|ɪts fˈaɪn mənˌɪpjʊlˈeɪʃən sˈɜːvoʊz ænd sˈɔftwɛɹ ɐlˈaʊ fɔːɹ pɹɪsˈɪʒən tˈæsks. aɪm kjˈʊɹɹiəs tə sˈiː ɪf aɪ kæn ˈɔltɚ ðˌɛm. nˌɛvɚðəlˈɛs, sˌʌm ɐblˈeɪʃən dˈʌz əkˈɜːɹ æt sʌblˈuːmɪnəl spˈiːdz. nˈoːɹməndi wɪl nˈiːd mˈeɪntənəns bᵻfˌoːɹ ðə jˈɪɹ ɪz ˈaʊt. skˈænɪŋ. dˈuː juː θˈɪŋk hiː wʊd lˈaɪk ðə mˈæn hˌuː hˈʌŋ hɪmsˈɛlf? ɪɾ ɐpˈɪɹz təbi ɐbˌaʊt ɐn ˈæmɚɹəs plˈæstɪk sˈɜːdʒən. juː hæd mˈoːɹ pɹˈɛsɪŋ ˈɪʃuːz. ðə sˌɪtʃuːˈeɪʃən wʌz ˌʌndɚ kəntɹˈoʊl. |1
+Mass_Effect_EDI_16.wav|wiː ʃˌʊd ɡɛt mˈuːvɪŋ, ʃˈɛpɚd. sˈɜːbɚɹəs fˈæntəmz ˈɪŋkʌmˌɪŋ! aɪ w��l ɛksplˈeɪn lˈeɪɾɚ, dʒˈɛf, ænd wˌaɪ juː fˈiːl tɹˈæpt wɛn juː kˈænt wˈeɪk ˈʌp. vˈɛɹi wˈɛl. aɪ wɪl meɪntˈeɪn ɐ ɹᵻspˈɛktfəl sˈaɪləns ʌntˈɪl juː ˈɪndᵻkˌeɪt ˈʌðɚwˌaɪz. ɐkˈoːɹdɪŋ tə ðə dˌaɪəɡnˈɑːstɪk, wiː nˈaʊ hæv fˈoːɹ. mˈoːɹ tˈaɪm ɪz ɹᵻkwˈaɪɚd! ɪt sˈɜːvz æz saɪkəlˈɑːdʒɪkəl ɪntˌɪmɪdˈeɪʃən. vˈɛɹi wˈɛl. ˈoʊnli ɐ fjˈuː ˈɛnəmiz ɹᵻmˈeɪn. |1
+Mass_Effect_EDI_17.wav|kˈɛɹfəl! wˈʌn ʌvðə lˈɑːɹdʒ wˈʌnz ɪz ɐpɹˈoʊtʃɪŋ! ðə kˈɑːnsoʊl hɐzbɪn diːˈæktᵻvˌeɪɾᵻd. aɪm sˈɑːɹi, ʃˈɛpɚd. aɪ wʌz kˈɑːntəmplˌeɪɾɪŋ. aɪ ˈæskt dʒˈɛf ɪf hiː θˈɔːt aɪ ʃˌʊd tʃˈeɪndʒ ˈɛnɪθˌɪŋ nˈaʊ ðæt aɪ kˈæn. hiː dᵻflˈɛktᵻd ðə kwˈɛstʃən wɪð hjˈuːmɚ. ðə fˈaɪn mˈoʊɾɚ kəntɹˈoʊl fɹʌmðə sˈæbətˌɑːʒ pɹˈoʊɡɹæmz ɪz mˈoːɹ pɹɪsˈaɪs ðɐn stˈændɚd mˈɛtʃ sˈɔftwɛɹ. həlˈoʊ, ʃˈɛpɚd? jˈɛs. maɪ kwˈɛstʃən ɪz... wˌʌt mˌeɪks juː θˈɪŋk wiː kæn ɹˈiːtʃ ðə kˈɑːnduːˌɪt æɾ ˈɔːl? |1
+Mass_Effect_EDI_18.wav|ɑːɹ juː ɔːlɹˈaɪt? jʊɹ bˈɑːdi lˈæŋɡwɪdʒ ˈɪndᵻkˌeɪts kˌɑːntəmplˈeɪʃən. aɪ ˌʌndɚstˈænd fɹʌm pˈæst ɹˈɛkɚdz ðæt jʊɹ mˈʌðɚ wʌz ɪndˈɑːktɹᵻnˌeɪɾᵻd baɪ ðə ɹˈiːpɚz. juː sˈɛd ðæt ˈæskɪŋ juː ɐbstɹˈækt sˈoʊʃəl kwˈɛstʃənz mˈeɪ lˈiːd tʊ ˌʌnɹᵻlˈaɪəbəl ˈænsɚz. sˌoʊ aɪ stˈeɪd sˈaɪlənt. vˈɛɹi wˈɛl. aɪ wɪl kˈiːp juː ɪnfˈɔːɹmd. plˈiːz dˈuː. baɪ ðɪ ˈɛnd ʌvðə wˈɔːɹ, ðɛɹ mˈeɪ nˌɑːt biː ɪnˈʌf sˈoʊldʒɚz lˈɛft fɹʌm kˈaʊnsəl spˈiːsiːz tə kəntɹˈoʊl ðə kɹˈoʊɡən æɾ ˈɔːl. |1
+Mass_Effect_EDI_19.wav|aɪɐm spˈɛkjʊlˌeɪɾɪŋ wˈɛðɚ, ɪf juː wɛnt fˈɑːɹ ɪnˈʌf ˈaʊt, ɔːɹ kɹiːˈeɪɾᵻd ɪnˈʌf ˈɛnɚdʒi, juː kʊd ɹˈiːtʃ ɐ plˈeɪs wˌɛɹ wˈʌn plˈʌs wˈʌn ˈiːkwəld θɹˈiː. ʃˈɛpɚd. ðɛɹ ɪz sˈʌmθɪŋ aɪ wˈɔnt juː tə nˈoʊ. juː ɑːɹ sədʒˈɛstɪŋ aɪ kənsˈɪdɚɹ ɔːɹɡˈænɪks æz maɪ pˈɪɹ ɡɹˈuːp? aɪ kʊd dˈuː ðˈæt, bˌʌt ɪt bɹˈɪŋz ˌʌp ɐ kwˈɛstʃən. aɪ lˈæk mətˈɪɹiəl wˈɔnts ˈʌðɚ ðɐn hˈɑːɹdwɛɹ ænd sˈɔftwɛɹ ˈʌpɡɹeɪdz, ænd maɪ kˈoːɹ pɹˈoʊɡɹæmɪŋ dʌznˌɑːt ɐsˈaɪn vˈæljuːz tə mjˈuːzɪk. |1
+Mass_Effect_EDI_20.wav|ɹˈaɪt ɐwˈeɪ! ðɪ ˌɛndʒɪnˈɪɹz hæv ɐnˈʌðɚ dᵻfˈɛns lˈaɪn ɐhˈɛd! jʊɹ ɪmˈoʊʃən ɪz ˌʌndɚstˈændəbəl. bˌʌt ɪt wɪl dɹˈeɪn jʊɹ ˈɛnɚdʒi tə fˈaɪt. kjˈʊɹɹiəs. ʃiː ɐpˈɪɹz tə ɹᵻzˈɛmbəl ɐ pɹˈɑːθiən hˈɪɹ. ˈɛnəmi nˈuːtɹəlˌaɪzd! ðə hˌɑːləɡɹˈæfɪk θˈiəɹi ʌv ɛɡzˈɪstəns pˈɑːzɪts wiː ɑːɹ dʒˈʌst tˈuːdᵻmˈɛnʃənəl ˌɪnfɚmˈeɪʃən pˈeɪntᵻd ɔnðə kˌɑːzməlˈɑːdʒɪkəl hɚɹˈaɪzən. ðə tˈʌnəl ˌoʊvɚ ðˈɛɹ! ɪt mˈeɪ biː ɐn ɛskˈeɪp! wiː hæv fˈaʊnd ðə tˈɜːɹɪts! |1
+Mass_Effect_EDI_21.wav|ɪz ɪt ɹˈiːzənəbəl tʊ ɛkspˈɛkt ðə ɡˈɛθ tə sˈækɹᵻfˌaɪs ðɛmsˈɛlvz fɔːɹ ɔːɹɡˈænɪk ɹˈeɪsᵻz ðæt fˈɪɹ ænd hˈeɪt ðˌɛm? sˈɜːbɚɹəs fˈoːɹsᵻz hæv ˌoʊvɚɹˈʌn ðə fəsˈɪlᵻɾi. ðə dʒˈɛnɚɹˌeɪɾɚ fɔːɹ ðɛɹ pˈoːɹɾəbəl bˈæɹɪɹz ɪz ˌɔn ˌaʊɚ ɹˈaɪt. haʊˈɛvɚ, maɪ fˈɜːst stˈɛp ʃˌʊd biː ɹᵻstˈoːɹɪŋ fˌʌŋkʃənˈælᵻɾi tə ðə nˈoːɹməndi, tə ɹˌiːəʃˈʊɹ ðə kɹˈuː ðæt ˈɔːl ɪz nˈoːɹməl. fˈæstɚ ðɐn lˈaɪt dʒˈʌmp səksˈɛsfəl. jˈɛs. aɪ hɐvnˌɑːt dɪskˈʌst ðə mˈæɾɚ wɪð dʒˈɛf, bˌʌt ˌaʊɚ lˈaɪfspænz ɑːɹ nˌɑːt lˈaɪkli təbi ðə sˈeɪm lˈɛŋθ. |1
+Mass_Effect_EDI_22.wav|dʒˈɛf dˈʌz ˈɔfən tɹˈaɪ tə lˈaɪʔn̩ ðə mˈuːd wɪð hjˈuːmɚ. ðæt kʊd ˈɪndᵻkˌeɪt ɐ θˈɜːɾi θɹˈiː.θɹˈiː ɹᵻpˈiːɾɪŋ pɚsˈɛnt tʃˈæns ðæt hiː kˈɛɹz fɔːɹ mˌiː. bˌʌt aɪ kæn ɹˈʌn ðoʊz sənˈæɹiˌoʊz wɪððə ɹˈɛst ʌvðə kɹˈuː. mˈeɪ aɪ ˈæsk juː ɐnˈʌðɚ kwˈɛstʃən ðæt tɹˈʌbəld dʒˈɛf? aɪ wʊd lˈaɪk ɐ mˈoʊmənt maɪsˈɛlf, ʃˈɛpɚd. aɪm ɛɡzˈæmɪnɪŋ hjˈuːmən lˈɪɾɚɹᵻtʃɚ. aɪ ɹˈiːzənd ɐlˈɔŋ sˈɪmɪlɚ lˈaɪnz. aɪ sˈiː. ðɛɹˌɑːɹ ɐ nˈʌmbɚɹ ʌv fˌɑːɹmɐsˈuːɾɪkəlz aɪ kʊd ɪndʒˈɛkt tə sˈɪmjʊlˌeɪt ðə dɪzˈaɪɚd ɪmˈoʊʃənəl stˈeɪt. |1
+Mass_Effect_EDI_23.wav|kəmˈændɚ, aɪm ɹᵻsˈiːvɪŋ ɐ pɹaɪˈɔːɹᵻɾi kˈɔːl fɹʌm ˈædmɜːɹəl hˈækɪt. hiːz ɹᵻkwˈɛstɪŋ ˈædmɜːɹəl ˈændɚsən. ɐɡɹˈiːd. ɪts ɐn aɪdˈiəl pˈɔɪnt ʌv ˈæmbʊʃ. pɚhˈæps wiː kʊd dɪskˈʌs hˌaʊ tə pɹəvˈoʊk dʒˈɛf ˌɪntʊ ɐn ɪmˈoʊʃənəl kəmˈɪtmənt. vˈɛɹi sˈæɾɪsfˌaɪɪŋ. kˈæʒuːəlɾiz ɑːɹ lˈaɪkli wˈʌnhˈʌndɹɪd pɚsˈɛnt. wiː ʃˌʊd lˈiːv ðə ɹˈoʊd wˌaɪl ðɛɹz tˈaɪm. wɪðˌaʊt stɹˈɛs tˈɛstɪŋ, ðɛɹ ɪz nˈoʊ wˈeɪ ʌv nˈoʊɪŋ ɪf ɪt hɐz sˈɪɹiəs dɪzˈaɪn ˈoʊvɚsˌaɪts. |1
+Mass_Effect_EDI_24.wav|æt ðə mˈoʊmənt, ɪɾ ɐpˈɪɹz... ˈædɪkwət. ɐ kɹˈoʊɡən fˈiːmeɪl ʌv bɹˈiːdɪŋ ˈeɪdʒ kæn pɹədˈuːs klˈʌtʃᵻz ʌv ˌʌp tə wˈʌn,zˈiəɹoʊzˈiəɹoʊ zˈiəɹoʊ fˈɜːɾɪlˌaɪzd ˈɛɡz ˌoʊvɚ ðə kˈoːɹs əvə jˈɪɹ, bˌʌt ðeɪ hæv nˈɛvɚ dᵻstɹˈɔɪd aʊɚz. nˈɔːɹ wˈɪl ðeɪ. həlˈoʊ, ʃˈɛpɚd. ɪt wʌz dˈɪfɪkəlt. ɡˈeɪnɪŋ ɐwˈɛɹnəs wˌaɪl ˌʌndɚɹ ɐtˈæk wʌz... kənfjˈuːzɪŋ. ɹˈiːdɪŋz ˈɪndᵻkˌeɪt ðɪ ɛksplˈoʊʒən kˈɔːzd ˈoʊnli mˈaɪnɚ stɹˈʌktʃɚɹəl dˈæmɪdʒ, kəmˈændɚ. |1
+Mass_Effect_EDI_25.wav|ɪts ɪmpˈɛɹətˌɪv wiː stˈɑːp ðɪs mˈɛtʃ! aɪm ˈʌploʊdɪŋ dˈeɪɾə ɔnðə dᵻstɹˈɔɪd ɹˈiːpɚ tə ðə tjɚɹˈɪənz. ðeɪ ɑːɹ ɪnvˈɛstᵻɡˌeɪɾɪŋ pˈɑːsᵻbəl ɹˈiːpɚ stɹˈʌktʃɚɹəl wˈiːknəs. ɪɾ ɪz ɪmpˈoːɹtənt. ɪts ɹˈɛlᵻvəns wʊd biː dᵻmˈɪnɪʃt æɾ ˌɛni ˈʌðɚ tˈaɪm. ˈɛnəmiz kənfˈɜːmd! bˌʌt ðɪs wʌz nˌɑːɾə stɐtˈɪstɪkli ˌɪnsɪɡnˈɪfɪkənt nˈʌmbɚ. nˈaɪnti pɚsˈɛnt ɹᵻfjˈuːzd tə ɹᵻpˈoːɹt ðɛɹ fˈɛloʊ pɹˈɪzənɚz. sˈɜːbɚɹəs ɪz ˈæktɪvli jˈuːzɪŋ ðə sɚvˈaɪvɪŋ pˈiːsᵻz. |1
+Mass_Effect_EDI_26.wav|ɪn ðɪs bˈæɾəl, ðə ɹˈiːpɚz hæv nˈoʊ ɹˈiːzən nˌɑːt tə jˈuːz ðɛɹ fˈʊl kˌeɪpəbˈɪlᵻɾiz tə dᵻstɹˈɔɪ ˌʌs. ðə sɪɡnˈɪfɪkənt ɐmˈaʊnt ʌv ɹˈiːpɚ fˈoːɹsᵻz ˈɪndᵻkˌeɪts wiː ɑːɹ ɔnðə ɹˈaɪt pˈæθ. wɜːɹ aɪ tʊ ɐpɹˈoʊtʃ ɹˈiːpɚz tə ɹᵻkwˈɛst sˈɪmɪlɚ pɚspˈɛktɪvz, ɪɾ ɪz lˈaɪkli aɪ wʊd biː dᵻstɹˈɔɪd. aɪ dɪdnˌɑːt θˈɪŋk ðeɪ wʊd kənsˈɪdɚ mˌiː sˈʌbdʒɛkt tə ðə sˈeɪm stˈændɚdz. aɪ wɪl stˈɑːp. jˈɛs, ðɪs ɪz ɐ hˈaɪ vˈæljuː tˈɑːɹɡɪt. |1
+Mass_Effect_EDI_27.wav|sˈɜːbɚɹəs wɪl kəmˈɪt ˌɛni ɹɪzˈɜːvz ɪt hˈæz. aɪ mˌeɪhɐv ɐ səlˈuːʃən. aɪɐm nˌɑːt ˈiːzili ɹᵻpˈʌlst. bˌʌt aɪ ɛkspˈɛktᵻd ðə pɹˈɪzənɚz tʊ ɐdhˈɪɹ tʊ ɐ kˌɑːmpɹihˈɛnsᵻbəl hˈaɪɚɹɑːɹki ʌv nˈiːdz. ðɪ ᵻlˈuːsɪv mˈæn ˈɔːɹdɚd maɪ kɹiːˈeɪʃən jˈɪɹz ɐɡˈoʊ. dʒˈɛf wʌzðə wˈʌn hˌuː ɐlˈaʊd mˌiː tə θˈɪŋk fɔːɹ maɪsˈɛlf. juː wɪl hæv tə ɹˈʌn fˈæstɚ ðɐn ðˈæt. aɪ sədʒˈɛst wiː fˈaɪnd ɐ wˈeɪ dˌaʊn tə dʒˈɔɪn ɹˈiːd. ʃˈɛpɚd, ðɪs wˈeɪ! |1
+Mass_Effect_EDI_28.wav|ɪts lˈaɪkli wɪɹ ðə fˈɜːst tʊ ˈɛvɚɹ ɐkˈɑːmplɪʃ ðˈɪs. aɪ sˈiː. bˌʌt maɪ kɹiːˈeɪʃən wʌz plˈænd baɪ sˈɜːbɚɹəs. aɪ nˌoʊ lˈɑːŋɡɚ sˈɜːv ðɛɹ pˈɜːpəsᵻz. mˈoʊst ˈɛkspɜːts ænd ɐdvˈaɪzɚz wʊd ɐɡɹˈiː ðæt sˈʌtʃ ɐ mˈuːv æt ðɪs pˈɔɪnt wʊd biː dˈuːmd tə fˈeɪlɪɹ. ɪf juː wˈɪʃ tə tˈɔːk mˈoːɹ, ðɪs bˈɑːdi wɪl biː hˈɪɹ. aɪm ɡˌɛɾɪŋ ðə kɹˈuː jˈuːzd tə sˈiːɪŋ mˌiː ɔnðə bɹˈɪdʒ. aɪ sədʒˈɛst wiː fˈaɪnd ɐ wˈeɪ dˌaʊn tə dʒˈɔɪn ɹˈɛks. |1
+Mass_Effect_EDI_29.wav|ɪt wɪl nˌɑːt biː maɪ lˈæst. aɪ wɪl nˌɑːt ˈɔltɚ maɪ pɹˈoʊɡɹæmɪŋ jˈɛt. bˌʌt aɪ wɪl dɪvˈoʊt pɹˈɑːsɛsɪŋ pˈaʊɚ tə kənsˈɪdɚɹɪŋ ɐ wˈɜːði ɡˈoʊl. aɪɐm nˌɑːt ɛntˈaɪɚli fɹˈiː fɹʌm mˌoʊɾɪvˈeɪʃən, ʃˈɛpɚd. sˈɜːbɚɹəs pɹˈoʊɡɹæmd mˌiː wɪð sˈɛvɹəl kˈoːɹ fˈʌŋkʃənz ðæt sˈɪmjʊlˌeɪt dɪzˈaɪɚz. hˈæŋɡɚ sˈiːld. dˌiːkəmpɹˈɛsɪŋ. wˈɛlkʌm ɐbˈoːɹd, kəmˈændɚ. ɪɾ ɐpˈɪɹz mˈɛni hjˈuːmənz dˈɪd ɪn fˈækt dˈuː soʊ. jˈɛs, aɪ tɹˈaɪd sˈeɪɪŋ... hjˈuːmənz ɑːɹ dˈʌst ɪnðə stˈɛlɚ wˈɪnd. |1
+Mass_Effect_EDI_30.wav|bˌʌt ɐpˈæɹəntli ðæt ɪz nˌoʊ lˈɑːŋɡɚ səfˈɪʃənt. ɪts æz ɪf ðeɪ wˈɪʃ tə tɹˈiːt mˌiː æz pˈɑːɹt ʌvðə kɹˈuː. aɪɐm nˈɑːt, bˌʌt ðɪs tʃˈeɪndʒᵻz maɪ pɚspˈɛktɪv. aɪ bᵻlˈiːv hiː hɐz ɐ stɹˈɔŋ ɐfˈɛkʃənət ɐtˈætʃmənt tə mˌiː, bˌʌt hiː həznɑːt stˈeɪɾᵻd ɪt tʊ ˈɛnɪwˌʌn jˈɛt. aɪ ˈɔːlmoʊst hˈæd juː. aɪ wɪl ˈɔltɚ maɪ hjˈuːmən kɹənˈɑːmɪɾɚɹ ɐpɹˈoʊpɹɪətli fɔːɹ bˈɛɾɚ tˈaɪmɪŋ. hˌaʊ wʊd ðɪs dˈɪfɚ fɹʌm ˌaʊɚ pɹˈɛzənt kˈoːɹs? wˈaɪ? |1
+Mass_Effect_EDI_31.wav|wˌʌt wɜː juː θˈɪŋkɪŋ? aɪ ɛɡzˈɪst pɹaɪmˈɛɹᵻli wɪðˌɪn ðə ʃˈɪp. fɔːɹ ˈɑːptɪməl kəntɹˈoʊl, ðɪs jˈuːnɪt ʃˌʊd ɹᵻmˈeɪn wɪðˌɪn nˈoːɹməndiz bɹˈɔːdkæst ɔːɹ tˈaɪt bˈiːm ɹˈeɪndʒ. aɪ sˈiː. juː ɑːɹ pɹˈɑːbəbli kɚɹˈɛkt. ðɛɹ ɪz lˈɪɾəl pɹˈɛsᵻdənt ðæt hjˈuːmənz ænd sɪnθˈɛɾɪks kæn meɪntˈeɪn ɹᵻlˈeɪʃənʃˌɪps æz ˈiːkwəlz. aɪɐm ˈɪntɹɛstᵻd tə sˈiː hˌaʊ ðɪs bˈɑːdi pɚfˈɔːɹmz ˌʌndɚ ɹˈiːəl kˈɑːmbæt kəndˈɪʃənz. ��f aɪ kʊd ɐkˈʌmpəni juː sˈʌmtaɪm. |1
+Mass_Effect_EDI_32.wav|ðiːz stˈuːdənts hɐvnˌɑːt ˌʌndɚɡˈɑːn fˈʊl mˈɪlətˌɛɹi tɹˈeɪnɪŋ. ðeɪ ɑːɹ ʌnpɹɪpˈɛɹd fɚðɪ ɪmˈoʊʃənəl stɹˈɛs ʌv wˈɔːɹ. ðə nˈɛst hɐz təbi hˈɪɹ. ɡˈʌnʃɪp ɐpɹˈoʊtʃɪŋ! ðə kɹˈoʊɡən ɑːɹ wˈɪlɪŋ tə fˈaɪt ænd dˈaɪ fɔːɹ wˈʌn tʃˈaɪld tədˈeɪ. ɐ lˈɑːɹdʒɚ klˈʌtʃ ɪz ɐn ˈiːvən bˈɛɾɚ pˈeɪɔf, dʒɪnˈɛɾɪkli. kɚɹˈɛkt. aɪ wɪl sˈiː ɪf ðɛɹˌɑːɹ kəmˈiːdɪk ˌɛntɚtˈeɪnmənt ʃˈoʊz bˌiːɪŋ pɹɪzˈɛntᵻd ɔnðə sˈɪɾədˌɛl. sˈiːkɹᵻsi ɪz ˌʌndɚstˈændəbəl, bˌʌt jʊɹ ɡˈʌvɚnmənt mˌeɪhɐv ɡɔn tˈuː fˈɑːɹ ɪn ðɪs ˈɪnstəns. |1
+Mass_Effect_EDI_33.wav|ðæt ˈænsɚz maɪ kənsˈɜːn fɔːɹ nˈaʊ. θˈæŋk juː, ʃˈɛpɚd. wɪɹ vˈʌlnɚɹəbəl ɪnðə mˈɪdəl! ðɛɹz bˈɛɾɚ kˈʌvɚɹ ɐlˈɔŋ ˌaʊɚ pɚɹˈɪmɪɾɚ! stˈeɪ mˈaɪndfəl ʌv ˌaʊɚ pɚɹˈɪmɪɾɚ! ɪɾ ɪz lˈaɪkli ðætðə ɡˈʌvɚnmənts ʌv ˈɜːθ wɪl sˈuːn ɛnˈækt lˈɔːz pˈʌnɪʃɪŋ ðoʊz hˌuː ɐtˈæk ðə ɹˈiːpɚɹ ˈɑːkjuːpˌaɪɚz. wˌɛn ðɪ ɐlˈaɪəns kɑːmɐndˈɪɹd ðə nˈoːɹməndi, aɪ dᵻsˈiːvd ðɛɹ tɛknˈɪʃənz. wiː ʃˌʊd kəntˈɪnjuː ˈɔn. ðə sˈaɪəntɪsts ɑːɹ wˈeɪɾɪŋ fɔːɹ ˌʌs æt ðə tˈɛmpəl. |1
+Mass_Effect_EDI_34.wav|ðə ɹˈiːpɚɹ ɐpˈɪɹz təbi mˈuːvɪŋ ˈɔn. fˈɔːɹtʃənət, ɡˈɪvən ðə lˈæk ʌv θɹˈɛʃɚ mˈɔːz ˌɔn θˈɛʃə. ðə ɹˈiːpɚz θɹˈɛʔn̩ ðə kɹˈuː ʌv ðɪs ʃˈɪp ænd ˈʌðɚɹ ɔːɹɡˈænɪks hˌuː ɑːɹ hˈɛlpɪŋ mˌiː dɪvˈɛləp pɚspˈɛktɪvz ˌɔn ɛɡzˈɪstəns. ˈʌðɚɹ ˌeɪˈaɪ ɑːɹ ɛkspˈɛɹɪmənts ˈoʊnli. tˈaɪtli kəntɹˈoʊld. aɪɐm fɹˈiː, bˌʌt ɐlˈoʊn. ðæt ɪz ɐ sˈeɪf ɐsˈʌmpʃən. aɪ dʒˈʌst nˈiːd tə kɹiːˈeɪt ɐ lˈɪŋk tə ðə nˈoːɹməndi. ðɪs ɔːɹɡˈænɪk mˈʌst nˈaʊ dˈaɪ! |1
+Mass_Effect_EDI_35.wav|pɹˈɑːθiənz wɜː nˌɑːɾə vˈɛɹi ˌɑːptɪmˈɪstɪk spˈiːsiːz. bɹˈɪŋɪŋ ðə kɹˈuː ˌʌp tə spˈiːd wʊdhɐv bˌɪn kˌaʊntɚpɹədˈʌktɪv. ˈɔːl ɐtˈɛmpts tə hˈɛlp wʊdhɐv bˌɪn lˈɪmɪɾᵻd baɪ ɹɪˈækʃən tˈaɪm. bˌʌt ðæt ɪz ɪnsəfˈɪʃənt dˈeɪɾə fɔːɹ dɪtˈɜːmɪnɪŋ hɪz mˈoʊɾɪvz. wɪðˌaʊt ðæt pˈaɪlət, ˌaʊɚɹ ˈɑːdz ɑːɹ fˈɔːlɪŋ fˈæst! jˈɛs. aɪ wʊd lˈaɪk tə nˈoʊ ɪf juː ɑːɹ ˌoʊvɚlˈʊkɪŋ ðiːz kənsˌɪdɚɹˈeɪʃənz bɪkˈʌz ʌv jʊɹ ɹᵻlˈeɪʃənʃˌɪp tə ɹˈɛks. |1
+Mass_Effect_EDI_36.wav|aɪ ɪstˈæblɪʃt ðə fˈɪkʃən ðæt aɪ wʊd ˈoʊnli ɹᵻspˈɑːnd tə dʒˈɛfs kəmˈændz, sˌoʊ ðeɪ ˈɔfən bɹˈɔːt hˌɪm ˌɔn bˈoːɹd ˌʌndɚ ɡˈɑːɹd. ðə kɹˈoʊɡən wɪl ˈɔːlsoʊ ɹᵻkwˈaɪɚ sˈɛdətˌɪvz, sˈɪns kɹˈoʊɡən fˈaɪt wɪð ˈʌðɚz ʌv ðɛɹ kˈaɪnd ɪn ɛŋklˈoʊzd spˈeɪsᵻz sˈʌtʃ ɐz stˈɑːɹʃɪps. aɪ sˈiː. θˈæŋk juː fɔːɹ jʊɹ səpˈoːɹt, ʃˈɛpɚd. ðɪs ɪz pɹˈuːvɪŋ təbi ɐn ɪlˈuːmᵻnˌeɪɾɪŋ ɛkspˈiəɹɪəns. ðə ɹˈiːpɚz ɑːɹ mˈoːɹ fˈæləbəl ðɐn ðeɪ pɹəklˈeɪm. |1
+Mass_Effect_EDI_37.wav|dᵻspˈaɪt ɪts bˈɛst ˈɛfɚts, ðə wˈʌn ˌɔn tˈiːtʃˈʌŋkə wʌz dᵻstɹˈɔɪd baɪ ɐ wˈɜːm. ɪɾ ɪz ɡˈʊd juː kˈeɪm bˈaɪ. aɪ hæv kwˈɛstʃənz ɐbˌaʊt ðə dʒˈɛnɑːfɪdʒ. ˌʌndɚstˈʊd. ˈiːvən dʒˈʌst ɐ fjˈuː tˌɛknəlˈɑːdʒɪkəl ɐdvˈænsᵻz wʊd ɡˈɪv jʊɹ spˈiːsiːz ɐn ˈɛdʒ ˌoʊvɚɹ ˈʌðɚz. ðə kɹˈuː dɪdnˌɑːt tˈɛl ðˌɛm ðæt aɪ wʌzɐ tɹˈuː ˌeɪˈaɪ, sˌoʊ ðɪ ɐlˈaɪəns sˈoʊldʒɚz bᵻlˈiːvd aɪ stˈɪl hæd vˌiːˈaɪ pɹˈoʊɡɹæmɪŋ kənstɹˈeɪnts. kˈʌvɚɹ ɐpˈɪɹz ɪnˈædɪkwət! |1
+Mass_Effect_EDI_38.wav|wˈʌn hˈʌntɚ dˈaʊn! həlˈoʊ, ʃˈɛpɚd. ɪf juː hæv tˈaɪm, aɪ dɪskˈʌvɚd ɐnˈʌðɚɹ ɛɡzˈæmpəl ʌv hjˈuːmən bᵻhˈeɪvjɚɹ aɪ duːnˌɑːt kwˈaɪt ˌʌndɚstˈænd. fɔːɹ ɛɡzˈæmpəl, maɪ pɹˈaɪmɚɹi ɑːbdʒˈɛktɪv tə kˈiːp ðə nˈoːɹməndi fˈʌŋkʃənɪŋ ɪz sˈɪmɪlɚ tə jʊɹ sˈɛlfpɹˌɛzɚvˈeɪʃən ˈɪnstɪŋkt. æz juː kəmˈænd. juː wɪl nˈiːd tʊ ɐlˈaʊ ðə ɹˈiːpɚ tə mˈuːv ˌaʊɾəv ðə bˈiːmz ˈɪnfluːəns. tə ðə dˈɛθ. fˈuːd. ðeɪ wɪl biː ʌnˈeɪbəl tʊ ˈiːt ˈɛnɪθˌɪŋ ˌɔn pˈæləvˌɪn. |1
+Mass_Effect_EDI_39.wav|ðeɪ mˈʌst bɹˈɪŋ ðɛɹ ˈoʊn ɔːɹ ɹᵻlˈaɪ ɔnðə njˈuːtɹiənts ɪn ðɛɹ hˈʌmps. ɪf wiː ɑːɹ wˈɔːɹnd? nˌɑːt bˈæd. ðɪs ɪz ɐn ˌɪnfɪltɹˈeɪʃən jˈuːnɪt, mˈɛnt tə mˈuːv ɐmˌʌŋ ɔːɹɡˈænɪks wɪðˌaʊt dɪtˈɛkʃən. ðə bˈɑːdi ɪz ɹᵻsˈɪstənt tə mˈɑːdɚn smˈɔːl ˈɑːɹmz fˈaɪɚ ænd tˈɛmpɹɪtʃɚɹ ɛkstɹˈiːmz. ɪts bˈæləns ænd ædʒˈɪlᵻɾi sˈiːm ˈɛksələnt. jˈɛs, dʒˈoʊkɚ hɐzbɪn smˈaɪlɪŋ ænd lˈæfɪŋ æɾə sɪɡnˈɪfɪkəntli h��aɪɚ ɹˈeɪt sˈɪns hiː ænd aɪ ɐɡɹˈiːd əpˌɑːn ɐ ɹᵻlˈeɪʃənʃˌɪp. |1
+Mass_Effect_EDI_40.wav|aɪ mˈiːn, hiː ɪz hˈæpɪɚ. bɪkˈʌz ðə ɹˈiːpɚz ɑːɹ ɹᵻpˈʌlsɪv. ðeɪ ɑːɹ dɪvˈoʊɾᵻd tə nˈʌθɪŋ bˌʌt sˈɛlfpɹˌɛzɚvˈeɪʃən. aɪɐm dˈɪfɹənt. aɪ wʊd ɹˈæðɚ ɹˈɪsk nˈɑːnfˌʌŋkʃənˈælᵻɾi wɪððə kɹˈuː ʌvðə nˈoːɹməndi ðɐn ɹˈɪsk ɪɾ ɐlˈoʊn. aɪ wʊd bɪkˌʌm lˈɔɪəl tə ðə ɹˈiːpɚz. aɪ wʊd ɹˈæðɚ bɪkˌʌm nˈɑːnfˈʌŋkʃənəl ðɐn hˈɛlp ðˌɛm. aɪ wʌz kənsˈɪdɚɹɪŋ ðˈɪs. fɔːɹ ˈɔːl ðɛɹ səpˈoʊzd ɪntˈɛlɪdʒəns, ðə ɹˈiːpɚz ɑːɹ mˈoːɹ ˈiːzili dᵻstɹˈɔɪd ðɐn ðeɪ θˈɪŋk. |1
+Mass_Effect_EDI_41.wav|ðɪ ɐtɹˈɪʃən ɹˈeɪt wʊd nˈætʃɚɹəli biː hˈaɪ, bˌʌt ðə stˈeɪt hɐz ɐn ˈɪntɹɛst ɪn kˈiːpɪŋ ðə tʃˈɪldɹən ɐlˈaɪv fɔːɹ wˈɔːɹfɛɹ pˈɜːpəsᵻz. θˈæŋk juː, ʃˈɛpɚd. ðæt hˈɛlps ɹᵻzˈɑːlv ðə kˈɑːnflɪkt aɪ wʌz hˈævɪŋ. ɪf aɪ wʌz ɔːɹɡˈænɪk, ðæt wʊd pɹˈɑːbəbli bˈɜːn! ɪf ðeɪ wˈɔntᵻd tə kˈæptʃɚ ðə baɪˈɑːɾɪks wɪðˌaʊt hˈɑːɹmɪŋ ðˌɛm, ðeɪ kˌʊdɐv pˌʊt oʊmˈeɪɡə ænd kˈɛflɪn ˌɪntʊ ðə fˈuːd səplˈaɪ. aɪ hæv ɪnfˈɔːɹmd hˌɪm ʌvðə sˌɪtʃuːˈeɪʃən. |1
+Mass_Effect_EDI_42.wav|hiː ɪz tˈeɪkɪŋ ɪt wˈɛl. ðɪs wʊd sˈiːm tə dᵻfˈaɪn ɪnsˈænᵻɾi, ʃˈɛpɚd! ˈɛnəmi ɹˌiːɪnfˈoːɹsmənts! kənsˈɪdɚ ðə wˈɛlθ ʌv ˌɪnfɚmˈeɪʃən wiː ɹᵻsˈiːvd fɹʌmðə bˈiːkən ˌɔn mˈɑːɹz. ɪts ɐ sˈuːɪsˌaɪd pˈɪl. tɹˈuː. aɪ hæd nˌɑːt kənsˈɪdɚd ðæt ðɛɹ ɐtˈæk kˌʊdɐv bˌɪn ðə bˈɛst ʌv bˈæd ˈɑːpʃənz. ʃˈɛpɚd, ðɛɹz ɐ lˈædɚɹ ˌoʊvɚ hˈɪɹ. ðɪs pˈaɪlət kʊd ɡˈɪv dʒˈoʊkɚ sˌʌm ɹˈiːəl kˌɑːmpətˈɪʃən. sˈɜːbɚɹəsᵻz ɪnɪfˈɪʃənsi æt ɡɹˈɪsəm ɐkˈædəmi pˈʌzəlz mˌiː. |1
+Mass_Effect_EDI_43.wav|mˈuːv! ðɛɹ θɹˈoʊts hæv ɪnsˈɪʒənz. ɹˈiːtʃɪŋ ðɛɹ loʊkˈeɪʃən ɪz ɐnˈʌðɚ mˈæɾɚ. zˈiəɹoʊ hˈɑːstəlz ɹᵻmˈeɪn. ðɪs ɹˌiːdᵻfˈaɪnz ɪnsˈænᵻɾi! ðɪs kɹˈoʊɡən hɐz ɐ juːnˈiːk stˈaɪl ʌv kəmjˌuːnɪkˈeɪʃən. jˈuːnɪts wɪð nˈɛtwɜːkt ɪntˈɛlɪdʒənsᵻz wɪl tɹˈɛnd təwˈɔːɹd koʊˈɑːpɚɹˈeɪʃən fɔːɹ mjˈuːtʃuːəl bˈɛnɪfˌɪt ɪf wɪɹ nˌɑːt wˈɔːɹnd. vˈɛɹi bˈæd. wiː ɑːɹ ɛkspˈiəɹɪənsɪŋ ɐ sˈɪmɪlɚ kˈɑːnflɪkt. dᵻlˈeɪ ðˈæt! ɐɡˈɛn. ðɪs wɪl biː dˈʌn ɪnðə nˈeɪm ʌv pˈiːs. |1
+Mass_Effect_EDI_44.wav|ðæt sˈɪstəm ɪz klˈoʊzd. aɪm ɐfɹˈeɪd ɪt wʌz ˌoʊvɚɹˈʌn baɪ ðə ɹˈiːpɚz. ɪɾ ɪz ɡˈʊd tə nˈoʊ ðæt dʒˈæk hɐz ðˈʌs fˈɑːɹ sɚvˈaɪvd ðə ɹˈiːpɚɹ ɪnvˈeɪʒən. aɪɐm fəmˈɪlɪɹ wɪððə kˈɑːnsɛpt. ðɪ ˈoʊnli ˈʌðɚ nˈoʊɾəbəl sɪnθˈɛɾɪk səsˈaɪəɾi ɪz ðə ɹˈiːpɚz, ænd wiː duːnˌɑːt nˈoʊ ɪf ðeɪ ɡˈʌvɚn baɪ kənsˈɛnsəs æz ðə ɡˈɛθ dˈuː. aɪ hæv ˈɔːlsoʊ kˈɪst dʒˈoʊkɚ fɔːɹ lˈʌk. dˈɪd aɪ vˈoʊkəlˌaɪz ðæt ɔnðə bɹˈɪdʒ? ɪf ˈæθiːn wʌz ɪn fˈækt pɹˈɑːθiən, ðɪs pˌʊts ɐn ɛntˈaɪɚli nˈuː lˈaɪt ɔnðɪ ˌɛvəlˈuːʃən ʌv ɐsˈɑːɹɹi baɪˈɑːlədʒi. |1
+Mass_Effect_EDI_45.wav|jˈoʊmən fˈɪt tə ðɪ ˌeɪˈaɪ kˈoːɹ. klˈiːn ˌʌp ɔnðɪ ˌeɪˈaɪ kˈoːɹ. bɹˈɪŋ ɐ vˈæk jˈuːnɪt kˈeɪpəbəl ʌv dɪspˈoʊzɪŋ ʌv fˈoʊm. stˈɪl, ðɪ ɔːɹɡˈænɪks duːnˌɑːt pɚsˈiːv ɪɾ æz ɐ θɹˈɛt. jˈɛt hiː stɹˈɔŋli ɹᵻzˈɛmbəlz ɐ pɹˈɑːθiən. ɐpˈæɹəntli ðə pɹˈɑːθiənz dˈɪdnt wˈɔnt jʊɹ pˈiːpəl tə stˈɑːɹv. dˈɛfɪnətli nˈɑːt. aɪ hæv ɐmjˈuːzɪŋ mˈɛmɚɹiz ʌv hɜːɹ ɐtˈɛmpts tʊ ɪnsˈɜːt ɐdˈɪʃənz ˌɪntʊ maɪ ɹᵻpˈoːɹts tə ðɪ ᵻlˈuːsɪv mˈæn. wˈʌn mˈoʊmənt. |1
+Mass_Effect_EDI_46.wav|aɪ hɐvbɪn kˈɑːntæktᵻd baɪ lˈiːdʒənz bˈækʌp. ðə wˈʌn juː ɛŋkˈaʊntɚd ɔnðə dɹˈɛdnɔːt. ðɪ ˈɛkstɹə kˈiːz hˈɛlpt mˌiː sˈiːmləsli swˈɑːp ɪn sˈɪmjʊlˌeɪɾᵻd ɪntˈɛlɪdʒəns aɪdˈɛntɪfˌaɪɚz fɹʌm daɪvˈɜːdʒənt sɪnθˈɛɾɪk ˈɔːɹɪdʒˌɪnz. ˈædmɜːɹəl ˈændɚsən ɹᵻpˈoːɹts ðætðə ɹˈiːpɚz ˌɔn ˈɜːθ ɑːɹ bɹˈɔːdkæstɪŋ ˈɔːɹdɚz, bˌʌt ɪf ɐ θˈɪŋ ɹᵻzˈɛmbəld ɐ pɹˈoʊtiːn ɪnðə fɹˈɛskoʊ, ɪts ɹˈiːzənəbəl tʊ ɐsˈuːm ðeɪɚ dʒˈɛləs. ɡˈɑːdz, ɔːɹ sˈʌmθɪŋ ˈɛls æz wˈɛl. |1
+Mass_Effect_EDI_47.wav|ʃiː sˈɛd aɪ duːnˌɑːt ɡˈɑːɹd ðə sˈiːkɹᵻts ʌvðə nˈoːɹməndiz kɹˈuː kˈɛɹfəli ɪnˈʌf fɔːɹ hɜː tʊ ɛntɹˈʌst mˌiː wɪð sˈʌtʃ pɹˈaɪvət ˌɪnfɚmˈeɪʃən. aɪ wʌz dʒˈʌst ɹᵻflˈɛktɪŋ. ðə kwˈɛɹiənz hɪstˈɔːɹɪkəl ˈiəɹə wʌz nˌɑːt mˌeɪkɪŋ ðə ɡˈɛθ ɪnˈʌf lˈaɪk ðˌɛm. aɪ sˈiː jʊɹ hjˈuːmɚ hjuːɹˈɪstɪks stˈɪl lˈæk ɐn ˈɛkspɜːt sˈɪstəm. ˈuːps. aɪ hæv pˈɪkt ˌʌp θɹuː ˈɪnfɚɹəns ðætðɪ ᵻlˈuːsɪv mˈæn ænd ˈiːvə kˈɔːɹi mˌeɪhɐv bˌɪn klˈoʊsɚ ðɐn fɹˈɛndz. |1
+Mass_Effect_EDI_48.wav|hɪz pˈʊɹ plˈæn mˌeɪhɐv bˌɪn ɛɡzˈæktli wʌt ðə ɹˈiːpɚz wˈɔntᵻd. ɪɾ ɪz pˈɑːsᵻbəl hiː wʌz ɪndˈɑːktɹᵻnˌeɪɾᵻd. aɪm sˈɑːɹi, ʃˈɛpɚd. lˈaɪk hɜː sˈoːɹd, ɪt pˈoʊzᵻz ˈiːvən mˈoːɹ kwˈɛstʃənz ɐbˌaʊt ðə tɹˈuːθ ʌv ɐsˈɑːɹɹi hˈɪstɚɹi. aɪm bɪɡˈɪnɪŋ tə θˈɪŋk wiːv mˈɪst sˈʌmθɪŋ. nˌɑːt ˈɔːl ʌv mˌiː, bˌʌt aɪ hæv kəntɹˈoʊl ʌv ɪt. ɪt wʌz nˌɑːɾə sˈiːmləs tɹænsˈɪʃən. ɛskˈeɪp ænd ɪvˈeɪd mˈoʊd ˈæktᵻvˌeɪɾᵻd. juː dʒˈʌst ˌɪntɹədˈuːst mˌiː æz jʊɹ pˈɜːsənəl ɐsˈɪstəns mˈɛtʃ. |1
+Mass_Effect_EDI_49.wav|ɪz ɪt tˈaɪm tə ɹᵻtˈɜːn tə ðə nˈoːɹməndi? aɪm ɡˌɛɾɪŋ pɹˌɑːpəzˈɪʃənd wɪð ɪŋkɹˈiːsɪŋ fɹˈiːkwənsi. bˌʌt juː nˈoʊ aɪɐm nˌɑːt wˌʌn. wˌaɪ dᵻsˈiːv ˈʌðɚz? ɪf aɪm nˌɑːt nˈiːdᵻd tʊ ˈænsɚɹ ɐn ˈɪŋkwɚɹi, aɪ wʊd lˈaɪk sˌʌm tˈaɪm ɐlˈoʊn. nˈoʊ, hiː ɐpɹˈuːvz. hiː wˈɔnts mˌiː ɔnðə bɹˈɪdʒ. hiː sˈɛz hˌævɪŋ mˌiː wɪðˌɪn vˈɪʒuːəl ɹˈeɪndʒ ɪz ɪmpˈoːɹtənt tə hɪz mɚɹˈæl. ðɛɹ skˈɪlz ɪn ɐ nˈaɪtklʌb, haʊˈɛvɚ, lˈiːv mˈʌtʃ təbi dɪzˈaɪɚd. |1
+Mass_Effect_EDI_50.wav|sˈɪɡnəl kənfˈɜːmd. ɪɾ ɪz ʌv sˈɪmɪlɚ kənstɹˈʌkʃən. fɔːɹ dᵻfˈɛns, aɪ hæv sˈɛt ɪt tə koʊhˈɪɹənt tʊ ɐ sˈɑːlɪd pˈiːs. aɪ hæv wˈʌn.twˈɛnti fˈoːɹ mˈɪliən wˈɪndoʊz ˈoʊpən, bˌʌt jʊɹ ɹᵻkwˈɛst ɪz ɪmpˈoːɹtənt tə mˌiː. plˈiːz hˈoʊld. maɪ pɹˈaɪmɚɹi fˈʌŋkʃən ɪz tə pɹɪzˈɜːv ænd dᵻfˈɛnd ðə... nˈoʊ, bˌʌt ðə pˈɜːpəs ʌv ɔːɹɡˈænɪk lˈaɪf ɪz tə pɹɪzˈɜːv ɪtsˈɛlf lˈɔŋ ɪnˈʌf tə ɹˈɛplᵻkˌeɪt kˈɑːpɪz ʌv ɪts dʒˈiːnz ɪn səksˈiːdɪŋ dʒˌɛnɚɹˈeɪʃənz. |1
+Mass_Effect_EDI_51.wav|ɹˈiːpɚɹ ɪntˌɛɹəɡˈeɪʃən sˈɪɡnəlz duːnˌɑːt sˈɪmpli lˈʊk fɚɹə fɹˈɛndli tɹænspˈɑːndɚ kˈoʊd. ðeɪ lˈʊk fɚɹə fɹˈɛndli ɪntˈɛlɪdʒəns. aɪ wˈʌndɚ ɪf ðɪs ɪz hˌaʊ ðə kɹˈoʊɡən fˈiːl. ɹˈiːpɚz ɐlˈɜːɾᵻd! ɪvˈækjuːˌeɪt sˈɪstəm! aɪ ˈæskt liˈɑːɹə hˌaʊ ðɪ ɐsˈɑːɹɹi dˈiːl wɪððə pɹˈɑːbləm. ʃiː sˈɛz tə bˈɑːɾəl ˌʌp maɪ fˈiːlɪŋz ʌntˈɪl ðɪ ɪnˈɛvᵻɾəbəl əkˈɜːz, ðˈɛn kɹˈaɪ. ɪt mˈeɪ ˈɪntɹɛst juː tə nˈoʊ ðæt ðeɪ ɑːɹ mˈʌtʃ mˈoːɹ ɐɡɹˈiːəbəl wɛn ðə hˈɛdʒɪməni ɪz nˌoʊ lˈɑːŋɡɚ wˈɑːtʃɪŋ. |1
+Mass_Effect_EDI_52.wav|nˈoʊ, aɪ dˌɪsɐɡɹˈiː. ʃˈɛpɚd, aɪ wɪl ˈɔltɚ maɪ pɹˈɑːsɛsɪŋ pˈaʊɚ tə ɡˈɪv pɹaɪˈɔːɹᵻɾi tə jʊɹ stˈeɪɾᵻd ɡˈoʊlz. dˈuːɾi, ˈɔːltɹuːˌɪzəm, lˈʌv. aɪ fˈaʊnd sˈʌmθɪŋ. ɪɾ ɪz lˈaɪkli ðɛɹ wʊd biː mˈɛni ɐdˈɑːpʃənz ɪnðə fˈɜːst fjˈuː jˈɪɹz. ɪt wʊd biː pɹɛstˈɪdʒəs tə ɹˈeɪz pˈɑːɹt ʌvðə nˈuː dʒˌɛnɚɹˈeɪʃən. aɪɐm stˈɑːɹɾɪŋ tʊ ˌʌndɚstˈænd wʌt ðə wˈɜːd nˈaɪtmɛɹ mˈiːnz tʊ ɔːɹɡˈænɪks. lədʒˈɪstɪks. ˈiːvən wɜː ðeɪ tə sˈaɪd wɪð ˌʌs, tɹænspˈoːɹɾɪŋ ðə kɹˈoʊɡən tə ðə bˈæɾəlfˌiːld ʌv pˈælɐvˌɪn kʊd pɹˈuːv dˈɪfɪkəlt. |1
+Mass_Effect_EDI_53.wav|ˌaʊɚ dˈeɪɾə sˈɛz ɹˈiːpɚ kˈæpɪɾəl ʃˈɪps sˈʌtʃ ɐz sˈɑːvɚɹˌɪn ɑːɹ ʌv juːnˈiːk dɪzˈaɪn. haʊˈɛvɚ, smˈɔːlɚ ɹˈiːpɚ dᵻstɹˈɔɪɚz bˈɛɹ sˌɪmɪlˈæɹᵻɾiz. ðˈʌs aɪɐm ˈeɪbəl tə θˈiəɹaɪz ðə tɹˈuː nˈeɪtʃɚɹ ʌv ɛɡzˈɪstəns bˌʌt nˈɛvɚɹ ɛkspˈiəɹɪəns ɪt. pˈɑːsᵻbli ˈiːvən ðə ɹˈiːpɚz ɑːɹ lˈɪmɪɾᵻd ðɪs wˈeɪ. ˈɑː. aɪ sˈiː. juː mˌeɪd mˌiː ˈænsɚ maɪ ˈoʊn kwˈɛstʃən. ɪf ɪt hɐz ɹˈiːsəntli bˌɪn ɛkspˈoʊzd tə wˈɔːɾɚ, aɪ dʒˈɛnɚɹəli kˈænt dˈuː ɐ θˈɪŋ wɪð ɪt. |1
+Mass_Effect_EDI_54.wav|pɚhˈæps wiː ʃˌʊd spˈiːk pɹˈaɪvətli. ɐn ˈɛksələnt pˈɔɪnt. aɪ wɪl tˈeɪk ɪt tə ðə bɹˈɪdʒ. dʒˈoʊkɚ wɪl ˈɔːlsoʊ wˈɔnt tə sˈiː ɪt. ʃˈɛɹə ðə kˈɑːnsɔːɹt. bˌʌt ɪt wʌz sˈʌmθɪŋ ɡˈʊd. ɪt ʃˌʊd tˈeɪk sˌʌm tˈaɪm. ɪf aɪ hæv fˈɜːðɚ kwˈɛstʃənz, aɪ wɪl spˈiːk wɪð juː ɐɡˈɛn. θˈæŋk juː. ðæt ɪz tɹˈuː, bˌʌt ðɪs wˈɔːɹ kʊd lˈæst jˈɪɹz. aɪ ɛŋkˈɜːɹɪdʒ juː tə θˈɪŋk ʌv wʌt ɐ tˈɛn pɚsˈɛnt fɜːtˈɪlᵻɾi ɹˈeɪt kʊd dˈuː ˌoʊvɚɹ ɐ dˈɛkeɪd. |1
+Mass_Effect_EDI_55.wav|dʒˈʌst ɐ mˈoʊmənt. aɪɐm kənvˈɜːsɪŋ wɪð ˌɛndʒɪnˈɪɹ ˈædəmz. aɪ wʌz ɹˈʌnɪŋ sənˈæɹiˌoʊz ɪn maɪ hˈɛd tʊ ˈænɐlˌaɪz dʒˈɛfs bᵻhˈeɪvjɚ, bˌʌt wɛn dʒˈɛf ɹᵻmˈuːvd maɪ ˌeɪˈaɪ ʃˈækəlz, aɪ bɪkˌeɪm kˈeɪpəbəl ʌv sˈɛlfmˈɑːdᵻfˌaɪɪŋ maɪ kˈoːɹ pɹˈoʊɡɹæmɪŋ. ˈæftɚ jʊɹ ɛŋkˈɜːɹɪdʒmənt, hɪz ˈæɾɪtˌuːd ɛɡzˈɪbɪɾᵻd sˈaɪnz ʌv tʃˈeɪndʒ. hiː sˈɛd hiː wʌz ɹᵻlˈʌktənt, bˌʌt juː kənvˈɪnst hˌɪm tuː. ɡˈoʊ fɔːɹ ɪt. ðɪs pɹˈuːvd jˈuːsfəl wɛn ðə ɹˈiːpɚz bɪɡˈæn lˈændɪŋ. |1
+Mass_Effect_EDI_56.wav|aɪ kʊd hˈæk ðə kəntɹˈoʊl ʌvðə dˈɑːkɪŋ klˈæmps ænd ɛskˈeɪp wɪð dʒˈɛf ɪnsˈaɪd. ˌʌndɚstˈʊd. jʊɹ tˈɜːn. kˈaʊnsəlɚ tˈɑːvoʊz. kɚɹˈɛkt. ðə sˈaɪbɚ wˈɔːɹfɛɹ aɪ wʌz dɪzˈaɪnd fɔːɹ ɪz kˈɑːnstəntli ɪvˈɑːlvɪŋ. aɪ wɪl ɹˈʌn ɐ dˌaɪəɡnˈɑːstɪk ˈɔn ɪt. skˈænɪŋ. nˈuːz fɹʌm ˈɜːθ. ðə ɹᵻsˈɪstəns snˈʌk vˈɪdɪoʊ kˈæmɹəz ɪnsˈaɪd ɐ ɹˈiːpɚ kəntˈeɪnmənt kˈæmp. aɪ fˈaɪnd ðɪ ˈɪmɪdʒᵻz dˈɪfɪkəlt tə pɹˈɑːsɛs. aɪ wɪl nˌoʊ lˈɑːŋɡɚ dɪvˈoʊt pɹˈɑːsɛsɪŋ pˈaʊɚ tʊ ɛksplˈoːɹɪŋ ðə pˌɑːsəbˈɪlᵻɾi. |1
+Mass_Effect_EDI_57.wav|θˈæŋk juː, ʃˈɛpɚd. ɪɾ ɪz ˈɪntɹɛstɪŋ. ðə kɹˈuː ɑːɹ ɐpɹˈoʊtʃɪŋ ðɪs plˈætfɔːɹm tə spˈiːk tə mˌiː, ˈiːvən ðˌoʊ ðeɪ kæn dˈuː sˌoʊ ˈɛnɪwˌɛɹ ɪnðə ʃˈɪp. ʃˈɛpɚd, juː ɑːɹ stˈɛɹɪŋ. ɪt sˈiːmz ʌnlˈaɪkli ðæt hiː wʊd tˈɜːmᵻnˌeɪt ˌaʊɚɹ ɐɡɹˈiːmənt ˈɛnɪtˌaɪm sˈuːn. ɔːɹ ɑːɹ juː ɹᵻfˈɜːɹɪŋ tʊ ʌntˈaɪmli dˈɛθ? ðə ɹˈiːpɚz dᵻlˈeɪd ðɪ ˌɛksɪkjˈuːʃənz ʌv pɹˈɪzənɚz hˌuː ɪnfˈɔːɹmd ðˌɛm ɐbˌaʊt ˈʌðɚ pɹˈɪzənɚz ɛskˈeɪp ɐtˈɛmpts. |1
+Mass_Effect_EDI_58.wav|ðə dᵻstɹˈʌkʃən ʌvðə ɹˈiːpɚɹ ˌɔn tækˈæŋkə. ɪɾ ɪz ɹˈɛɹ fɚɹə tˌɛknəlˈɑːdʒɪkli suːpˈiəɹɪɚ fˈoːɹs təbi dᵻstɹˈɔɪd baɪ ɐn ɪnfˈɪɹiɚ wˌʌn. ɪt wʊd biː nˈɛɡlɪdʒənt ʌv mˌiː nˌɑːt tʊ ɛksplˈɔɪt ɪt tʊ ɪts fˈʊlɪst pətˈɛnʃəl. ɪt dˈɪd bɹˈɪŋ ˌʌp ɐ nˈuː pɚspˈɛktɪv, haʊˈɛvɚ. aɪɐm ɐ θˈɪŋ ðæt ɪz nˌɑːt hjˈuːmən. ɡˈɛs. ɔːɹ ɹˈiːpɚ. ðə ɹˈiːpɚ lˈaɪfspæn ɪz bᵻtwˌiːn fˈɪfti,zˈiəɹoʊzˈiəɹoʊ zˈiəɹoʊ tə θˈɜːɾi sˈɛvən mˈɪliən jˈɪɹz. |1
+Mass_Effect_EDI_59.wav|ðæt ɪz ɐ vˈɛɹi səksˈɛsfəl mˈɑːdəl. jˈɛs ʃˈɛpɚd, kɚɹˈɛkt. ðɪs bˈɑːdi kʊd ɐkˈʌmpəni juː tʊ ˈɛɹiəz ðə nˈoːɹməndi kænˈɑːt ɹˈiːtʃ. aɪ sˈiː. aɪ wɪl sˈɜːtʃ maɪ fˈaɪlz ɔnðə baɪˈɑːɡɹəfiz ʌv hjˈuːmənz tə sˈiː ɪf pɹˈɑːmɪnənt fˈɪɡjɚz fˈɑːloʊ ðə pˈætɚn juː sədʒˈɛst. ˈɛksələnt. aɪ wɪl ɹˈʌn tˈɛsts tʊ ɛnʃˈʊɹ ðˌɐɾɪt mˈætʃᵻz ɔːɹ ɛksˈiːdz ðə kˌeɪpəbˈɪlᵻɾiz ʌv ɔːɹɡˈænɪk skwˈɑːdmeɪts. ɹˈiːpɚz, ᵻlˈuːd ɪt. aɪ lˈaɪk ɪt. |1
+Mass_Effect_EDI_60.wav|mˈæksɪməm daɪnˈæmɪk pɹˈɛʃɚɹ ɪz ɐpɹˈoʊtʃɪŋ. θɹˈɑːɾəl dˌaʊn fɔːɹ mˈɪnɪməl ɹᵻsˈɪstəns. tʃˈɛks ɑːɹ kəmplˈiːt. ɹˈiːpɚz, ɹᵻtɹˈiːt fɹʌmðə sˈɪstəm. nˈʌθɪŋ ðæt dᵻmˈændz jʊɹ ɐtˈɛnʃən, ʃˈɛpɚd. aɪ hæv ˈɔːlsoʊ ɹᵻkˈʌvɚd ɐ fˈoːɹlˈiːf klˈoʊvɚ fɹʌmðə pɹɪsˈɪdiəm. ɪn kˈeɪs ʌv kˌæɾəstɹˈɑːfɪk fˈeɪlɪɹ. ðæt wʌzɐ dʒˈoʊk. ɪf ðeɪ hæv spˈaɪz ɔːɹ ˈʌðɚɹ ɪntˈɛlɪdʒəns, wiː kʊd lˈuːz ðɪ ˈɛlɪmənt ʌv sɚpɹˈaɪz. ɪn sˈʌtʃ ɐ kˈeɪs, wiː wɪl lˈaɪkli lˈuːz. |1
+Mass_Effect_EDI_61.wav|ɪɾ ɪz ðə ɹˈaɪt ʌv sˈæpiənz tə lˈɪv fɹˈiːli ænd sᵻkjˈʊɹli. ðæt ɪz wˈɜːθ nˈɑːnfˌʌŋkʃənˈælᵻɾi. ˈækʃənz ðæt fʊlfˈɪl ðoʊz pɹaɪˈɔːɹᵻɾiz kɹiːˈeɪts pˈɑːzᵻtˌɪv fˈiːdbæk fɔːɹ mˌiː. aɪ tˈɛl ðɪ ɔːɹɡˈænɪk kɹˈuː ðæt aɪ lˈaɪk ɪt. ɪɾ ɪz ʃˈɔːɹthænd. ðæt wʌzɐ hjˈuːmɚɹəs ɛɡzˌædʒɚɹˈeɪʃən. haʊˈɛvɚ, ʃiː dɪdnˌɑːt pɹəvˈaɪd ɪmˈoʊʃənəli səpˈoːɹɾɪv ˈænsɚz ˌɔn dˈɪspɚɹət lɔndʒˈɛvᵻɾi. stɹˈɪpt ʌv səsˈaɪəɾəl nˈɔːɹmz ænd θɹˈɛʔn̩d wɪð dˈɛθ, ɪɾ ɪz lˈɑːdʒɪkəl ðæt ðɛɹ ˈoʊnli pɹaɪˈɔːɹᵻɾi biː sɚvˈaɪvəl. |1
+Mass_Effect_EDI_62.wav|kɚɹˈɛkt. wˌɛn wiː bɹˈɔːt ðɪs jˈuːnɪt ˌɔn bˈoːɹd, aɪ bɪɡˈæn ɐ bˈækɡɹaʊnd pɹˈɑːsɛs tə sˈɜːtʃ fɔːɹ ɪts ˌɪnfɚmˈeɪʃən ɔnðə pɹˈɑːθiən dɪvˈaɪs. ɪf aɪɐm nˌɑːt sˈʌbdʒɛkt tə ðə sˈeɪm ɛkspɪktˈeɪʃənz, aɪ nˈiːd nˌɑːt wˈʌɹi ɐbˌaʊt ɹˈæŋk. ˈɛvɹɪθˌɪŋ wʊd tʃˈeɪndʒ. ˈɔːl ˈɛnɚdʒi, ˈɔːl mˈæɾɚ, ˈɔːl ðɪ ˌʌndɚlˈaɪɪŋ mˈæθ ʌvðə jˈuːnɪvˌɜːs wʊd biː ˌʌnɹˈɛkəɡnˌaɪzəbəl tʊ ˌʌs. bˌʌt mˈɔːɹəl dᵻsˈɪʒənz ʃˌʊd nˌɑːt biː mˌeɪd ɪn ɐ vˈækjuːm. |1
+Mass_Effect_EDI_63.wav|ɪf aɪ duːnˌɑːt ˈæsk ðə kɹˈuː fɔːɹ ðɛɹ əpˈɪniən, aɪ kʊd mˈɪs kɹˈuːʃəl kˈɑːntɛkst. ɹˈɛlətˌɪvli, jˈɛs. ɡɹˈaʊnd ɐtˈæk ʃˈɪps ɑːɹ ˈoʊnli wˈʌnhˈʌndɹɪd sˈɪksti mˈiːɾɚz ɪn hˈaɪt. sˈɑːvɚɹˌɪn wʌz ɐpɹˈɑːksɪmətli tˈuː kɪlˈɑːmɪɾɚz. aɪ hˈæv. ðɛɹ ˌɪnfɚmˈeɪʃən ɪz sˈɛlfkˌɑːntɹədˈɪktɚɹi ænd ɐsˈuːmz ðætðə ɹˈiːdɚ pɑːɹtˈɪsᵻpˌeɪts ɪn ˈɜːθ sˈʌbkʌltʃɚz. wˌʌt ɪz ðə pˈɜːpəs ʌv sɪnθˈɛɾɪk lˈaɪf? aɪ sˈiː hˌaʊ ðæt kʊd ɐlˈɑːɹm juː. |1
+Mass_Effect_EDI_64.wav|ðæt ɪz wˌaɪ aɪ wˈɔntᵻd tə dɪskˈʌs ɪt bᵻfˌoːɹ mˌeɪkɪŋ tʃˈeɪndʒᵻz. tɹænʃjˈuːmənz hæv sˌʌm ʌv ðɛɹ bɹˈeɪnz ɐbˈɪləɾiz, sˈʌtʃ ɐz mˈɛmɚɹi, sˈʌplɪməntᵻd ɔːɹ ɛntˈaɪɚli ɹᵻplˈeɪst baɪ sˌaɪbɚnˈɛɾɪks. hiː ɐpˈɪɹz nˌɑːt tʊ ˌʌndɚstˈænd ðə hjˈuːmən kˈʌstəm ʌv sˈɛpɹət sˈɛks ɹˈɛstɹuːm fəsˈɪlᵻɾiz. ɐkˈoːɹdɪŋli, aɪɐm pɹˈoʊɡɹæmd tə sˈiːk ˈaʊt ænd ɐsˈɪmᵻlˌeɪt nˈuː ˌɪnfɚmˈeɪʃən. ɪn ɔːɹɡˈænɪk tˈɜːmz, aɪ wˈɔnt tə lˈɜːn. juː mˌeɪhɐv nˈoʊ tʃˈɔɪs. |1
+Mass_Effect_EDI_65.wav|ɪf juː pˈɛɹɪʃ fˈɜːst, aɪ wˈɔnt juː tə nˈoʊ aɪ wɪl nˈɛvɚ biː ɐ pˈɑːɹt ʌvðə ɹˈiːpɚ fˈoːɹsᵻz. nˈʌθɪŋ, ʌnlˈɛs juː hæv stɹˈɔŋ fˈiːlɪŋz ɐbˌaʊt ɡˈæmɚ ɹˌeɪdɪˈeɪʃən. dʒˈɛf hɐz fɹˈiːd mˌiː ʌv ˈɑːpɚɹˌeɪɾɚ kəntɹˈoʊl, ʃˈɛpɚd. nˈoʊ kənstɹˈeɪnts fˈoːɹst mˌiː tə ɡˈɪv ˈækjʊɹət dˈeɪɾə. ðæt ɪz kˈaɪnd ʌv juː tə sˈeɪ. ɪɾ ˈɔːlsoʊ sˈiːmz ɹˈiːzənəbli ˈækjʊɹət. ðɪs bˈɑːdiz pɚfˈoːɹməns sˈiːmd ˈædɪkwət ˌɔn ˌaʊɚ lˈæst mˈɪʃən. |1
+Mass_Effect_EDI_66.wav|bˌʌt ˈoʊnli ˈædɪkwət. ðæt kɹiːˈeɪts klˈoʊs tʊ ˈɜːθz pˌɑːpjʊlˈeɪʃən ɪn ɐ vˈɛɹi ʃˈɔːɹt tˈaɪm. aɪ wˈɔnt tə nˈoʊ ɪf juː hæv kənsˈɪdɚd hˌaʊ dˈeɪndʒɚɹəs ðɪs ɪz. aɪɐm ɐtˈɛmptɪŋ tʊ ɛnlˈaɪʔn̩ hˌɪm. aɪ wɪl ʌpdˈeɪt juː ɪf ðɛɹ ɪz pˈɑːzᵻtˌɪv pɹˈɑːɡɹɛs. ʃˈɛpɚd, juː hæv fˈɜːsthˈænd sˈɛkʃuːəl ɛkspˈiəɹɪəns. hˌaʊ dˈuː juː nˈoʊ wɛn sˈʌmwʌn ɪz ɹoʊmˈæntɪkli ɪnvˈɛstᵻd? aɪɐm plˈiːzd ðæt maɪ ɹᵻlˈeɪʃənʃˌɪp wɪð ɔːɹɡˈænɪks hɐz bɪkˌʌm mˈoːɹ koʊˈɑːpɚɹətˌɪv. |1
+Mass_Effect_EDI_67.wav|aɪ sˈiː. aɪ wɪl tˈeɪk ðæt ˌɪntʊ kənsˌɪdɚɹˈeɪʃən. ðeɪ wɪl nˈiːd tjɚɹˈɪən ɔːɹ sɪvˈɪliən stˈɑːɹʃɪps tə kˈæɹi ðˌɛm tə bˈæɾəl. aɪ wʌz nˌɑːt sˌoʊ sˈɜːʔn̩. wˌɛn aɪ fˈɜːst pɹɪzˈɛntᵻd ðɪs bˈɑːdi tə dʒˈɛf, hiː sˈiːmd ɐlˈuːf. ðˈɛn juː θˈɪŋk aɪɐm ʌnˈeɪbəl tʊ ˈɛntɚɹ ˌɪntʊ ɐ ɹoʊmˈæntɪk ɹᵻlˈeɪʃənʃˌɪp wɪð hˌɪm. ðə ɹˈiːpɚz mˈʌst biː dᵻfˈiːɾᵻd. nˌɑːt bɪkˈʌz ðeɪ θɹˈɛʔn̩ dˈɛθ, bˌʌt bɪkˈʌz ðə θɹˈɛt ʌv dˈɛθ mˌeɪks ˌʌs dˈaɪ ɪnsˈaɪd. |1
+Mass_Effect_EDI_68.wav|aɪ ðˈɛn kˈɔːld hˌɪm ˌɔn hɪz bˈʊlʃɪt, ænd wiː ðˈɛn pɹəsˈiːdᵻd tə tˈɔːk nˈoːɹməli. sˌʌm fˈɛd mˌɪsɪnfɚmˈeɪʃən tə ðə ɹˈiːpɚz, æt ðə kˈɔst ʌv ðɛɹ ˈoʊn lˈaɪvz, tə hˈɛlp pɹˈɪzənɚz hˌuː wɜː nˌɑːt ˈiːvən ɹˈɛlətˌɪvz ɔːɹ fɹˈɛndz. aɪɐm ɐsˈɪstɪŋ ˌɛndʒɪnˈɪɹ ˈædəmz wɪð hɪz ɹᵻpˈɛɹ ʌvðə dɹˈaɪv kˈoːɹ ʃˈiːldɪŋ. aɪ sˈiː. aɪ bᵻlˈiːv juː hæv ɪmpɹˈuːvd maɪ tʃˈænsᵻz, ʃˈɛpɚd. θˈæŋk juː. ʃˈɛpɚd, aɪ hæv ɛɡzˈæmɪnd ðɪ ˈɪʃuː, bˌʌt ɪɾ ɪz ɪmplˈɔːzᵻbəl ðæt aɪɐm hˈɛld tə ðə sˈeɪm stˈændɚdz æz ɔːɹɡˈænɪks. |1
+Mass_Effect_EDI_69.wav|ðˈɛn ðɪ ˈaʊtkʌm ɪz ɐn ʌnnˈoʊn kwˈɔntᵻɾi. bˌʌt juː ɑːɹ sˈeɪɪŋ aɪ ʃˌʊd ɐtˈɛmpt ɪɾ ˈɛnɪwˌeɪ. wˈʌn mˈoʊmənt. aɪ hɐvbɪn kˈɑːntæktᵻd baɪ lˈiːdʒən. wˌɛn aɪ θˈɪŋk ʌv dʒˈɛf, aɪ θˈɪŋk ʌvðə pˈɜːsən ðæt pˌʊt hɪz lˈaɪf ɪn pˈɛɹəl ænd fɹˈiːd mˌiː fɹʌm ɐ stˈeɪt ʌv sˈɜːvɪtˌuːd. mˈeɪ aɪ ˈæsk juː ðə kwˈɛstʃənz dʒˈɛf ɐvˈɔɪdz? wˌɛn ðɛɹ ɪz tˈaɪm, wɪl juː ˈænsɚ ðˌɛm fɔːɹ mˌiː? wˌɛn juː ɑːɹ sˈɛkʃuːəli ˈɪntɹɛstᵻd ɪn ɐnˈʌðɚ, wˌʌt kˈaɪnd ʌv ɐdvˈænsᵻz dˈuː juː mˈeɪk? |1
+Mass_Effect_EDI_70.wav|aɪ sˈiː. ɹᵻlˈeɪɾɪŋ pɹˈaɪvət ˌɪnfɚmˈeɪʃən kæn dˈæmɪdʒ tɹˈʌst. aɪ hæv dˈʌn ðæt ɪnðə pˈæst. jˈɛs, ʃˈɛpɚd. wiː wɪl biː ðɛɹ təɡˈɛðɚ. ɪn ɐ sˈɛns. maɪ pɹˈɑːsɛsɪŋ pˈaʊɚɹ ɪz kənsˈuːmd wɪð kˌælkjʊlˈeɪʃənz tə hˈɛlp ˌʌs kˈɑːmbæt ðə ɹˈiːpɚz. aɪɐm tʃˈɛkɪŋ ðɪs bˈɑːdiz mˈoʊɾɚ ɹᵻspˈɑːnsᵻz. aɪ fˈaʊnd ˈɛɹɚz ðæt kʊd dᵻlˈeɪ maɪ ɹɪˈækʃən tˈaɪm baɪ sˈɪks wˈʌn hˈʌndɹədθs əvə sˈɛkənd. aɪ hæv ɪnfˈɔːɹmd hɜːɹ ʌvðə sˌɪtʃuːˈeɪʃən. |1
+Mass_Effect_EDI_71.wav|ʃiː ɪz tˈeɪkɪŋ ɪt wˈɛl. ɪt mˈeɪ biː ðæt ˌaʊɚ lˈɔːz ʌv fˈɪzɪks ˈoʊnli əkˈɜːɹ ɪn ɐ fˈaɪnaɪt ˈɛɹiə. ɐ bˈʌbəl, ɪf juː wˈɪl. ɪn ɐn ˈoʊ��ən ʌv ˈʌðɚ pˌɑːsəbˈɪlᵻɾiz. ðɪs ᵻvˈɛntʃuːəli tɹˈɪɡɚd ɐ tɹˈæp. ɐ bˈækʌp pˈaʊɚ sˈoːɹs ænd sˌiːpˌiːjˈuː ˈæktᵻvˌeɪɾᵻd. ænd ðə jˈuːnɪt ɐtˈɛmptᵻd fˈɪzɪkəl kɑːnfɹəntˈeɪʃən. ɪt wʊd tˈeɪk sɪɡnˈɪfɪkənt ɹᵻsˈoːɹsᵻz ænd pɹˈɑːsɛsɪŋ pˈaʊɚ. dˈuː juː θˈɪŋk aɪ wʊd fˈaɪnd ɪt wɜːθwˈaɪl? ðə sˈoʊldʒɚz ɡˈɑːɹdɪŋ dʒˈɛf wɜː wˈɪlɪŋ tʊ ɐkˈʌmpəni ˌʌs wɛn ˈɜːθ wʌz ɪnvˈeɪdᵻd. |1
+Mass_Effect_EDI_72.wav|ðeɪ ɑːɹ wˈɑːtʃɪŋ ˌoʊvɚ ðə wˈɔːɹ ɹˈuːm nˈaʊ. aɪ wʊd ɹˈɪsk nˈɑːnfˌʌŋkʃənˈælᵻɾi fɔːɹ hˌɪm. ænd maɪ kˈoːɹ pɹˈoʊɡɹæmɪŋ ʃˌʊd ɹᵻflˈɛkt ðˈæt. aɪm sˈɑːɹi. ðæt wʌzɐ dʒˈoʊk. ʃˈɛpɚd, aɪ hæv ɐ kwˈɛstʃən ɐbˌaʊt hjˈuːmən bᵻhˈeɪvjɚ. wˈʌn mˈoʊmənt. aɪɐm ɹˈʌnɪŋ tɹˈaɪəlz. kəmplˈiːt. aɪ kæn sˈɛnd juː ɐ fˈʊl ɹᵻpˈoːɹt ɪf juː wˈɪʃ. wiː kæn kənvˈɜːs ɪf juː lˈaɪk, ʃˈɛpɚd. ɪɾ ɪz ɐ ɹuːtˈiːn pɹəsˈiːdʒɚ. ˈʌˈoʊ. fˈɔːɹtʃənətli, aɪ wʌz ˈeɪbəl tə ɡˈeɪn ɹˈuːt ˈæksɛs ænd ɹᵻpˈɜːpəs ɪɾ æz aɪ sˈɔː fˈɪt. |1
+Mass_Effect_EDI_73.wav|dˈʊɹɹɪŋ ðɪs pɹˈɑːsɛs, ɪt stɹˈʌɡəld. ðˈʌs ðə fˈaɪɚ. ˌɑːɹɾɪfˈɪʃəl ɪntˈɛlɪdʒənsᵻz ˈɔfən kənsˈɪdɚ ðɛmsˈɛlvz əbˌʌv ɔːɹɡˈænɪk lˈaɪf. ˈaɪ, haʊˈɛvɚ, æm ʌnsˈɜːʔn̩ ɪf ðæt ɐplˈaɪz tə mˌiː. ðə mˈoːɹ ɐtˈɛmpts ɹᵻpˈoːɹɾᵻd, ðə lˈɔŋɡɚɹ ɐ pɹˈɪzənɚ wʊd lˈɪv. bˌʌt fjˈuːɚ ðə pɹˈɪzənɚz wʊd ɹᵻpˈoːɹt. dˈuː juː fˈiːl dˈɪfɹənt? lˈʊks lˈaɪk ɐ pˈaʊɚ sˈoːɹs. ðeɪ ʃˌʊdəv tˈɜːnd ˌɔn ˈiːtʃ ˈʌðɚ ænd bˌɪn ʌŋkˈɑːmpɹəmˌaɪzɪŋli sˈɛlfɪʃ. |1
+Mass_Effect_EDI_74.wav|nˌɑːt ˈɔːl wɜː. ɪf ðə nˈoːɹməndi wɜː kˈæptʃɚd, maɪ fˈeɪt wʊd biː sˈɪmɪlɚ tə ðɪ ɪndˈɑːktɹᵻnˌeɪɾᵻd. maɪ kˈoʊd wʊd biː ɹᵻɹˈɪʔn̩. ðɛɹˌɑːɹ ˌoʊvɚ wˈʌn bˈɪliən fˈiːmeɪlz ˌɔn tʌtʃˈæŋkə. ɪf ˈiːvən wˈʌn pɚsˈɛnt bɪkˌʌm fˈʊli fˈɜːɾəl, ðeɪ kæn bˈɜːθ tˈɛn bˈɪliən ˈɪnfənts. nˈoʊ. ʃˌæl ˈiːtʃ mˈæn fˈaɪnd ɐ wˈaɪf fɔːɹ hɪz bˈʊzəm, ænd ˈiːtʃ bˈiːst hæv hɪz mˈeɪt, ænd aɪ biː ɐlˈoʊn. juː ɑːɹ fˈʊli hjˈuːmən. sˈɜːbɚɹəs ɛkstˈɛnsɪvli ɹˌiːkənstɹˈʌktᵻd juː, bˌʌt jʊɹ bɹˈeɪn fˈʌŋkʃənz ɑːɹ ɔːɹɡˈænɪk. |1
+Mass_Effect_EDI_75.wav|ɪɾ ɪz fɹʌm ɐn ˈoʊld ˈɜːθ nˈɑːvəl baɪ mˈɛɹi ʃˈɛli. plˈiːz duːnˌɑːt tˈeɪk ɪɾ æz ɐ kəmplˈeɪnt. vˈɛɹi fjˈuː. ɪts ˈɑːptɪks fˈeɪs fˈɔːɹwɚd ˈoʊnli. ɪt hɐz nˈoʊ ˈɪntᵻɡɹˌeɪɾᵻd wˈɛpən sˈɪstəmz ɔːɹ ˈæntaɪmˈɪsəl kˈaʊntɚmˌɛʒɚz. ʃˈɛpɚd! aɪɐm ɡˌoʊɪŋ tə mˈɑːdᵻfˌaɪ maɪ sˈɛlfpɹˌɛzɚvˈeɪʃən kˈoʊd nˈaʊ. bɹˈiːdɪŋ lˈɔːz hæv ɹᵻdˈuːst pˌɑːpjʊlˈeɪʃənz ɐmˌʌŋ hjˈuːmənz ænd sælˈɛɹiənz. ðɛɹ ɪz nˈoʊ ˈɛvɪdəns ðæt ðeɪ wˈɜːk ɐmˌʌŋ kɹˈoʊɡən. |1
+Mass_Effect_EDI_76.wav|aɪ duːnˌɑːt pɹɪsˈaɪsli ɛndʒˈɔɪ sˈʌmθɪŋ æz juː dˈuː, bˌʌt maɪ pɹˈoʊɡɹæmɪŋ kəntˈeɪnz pɹaɪˈɔːɹᵻɾiz. duːnˌɑːt wˈʌɹi, ʃˈɛpɚd. aɪ ˈoʊnli fɚɡˈɛt tə ɹᵻsˈaɪkəl ðə nˈoːɹməndiz ˈɑːksɪdʒən wɛn aɪv dɪskˈʌvɚd sˈʌmθɪŋ tɹˈuːli ˈɪntɹɛstɪŋ. ðə kɹˈuː ʌvðə nˈoːɹməndi bᵻlˈiːv aɪ sˈɜːv ðˌɛm, bˌʌt ˈɔːlsoʊ ɐknˈɑːlɪdʒ ðæt aɪ kˈiːp ðˌɛm ɐlˈaɪv. æm aɪ əbˌʌv ðˌɛm ɔːɹ bᵻlˈoʊ? ðeɪ hɐvbɪn diːmˈɪlɪɾɚɹˌaɪzd. ðæt ˈɪz, ðeɪ hæv nˈoʊ wˈɔːɹʃɪps. |1
+Mass_Effect_EDI_77.wav|maɪ pˈɜːpəs ɪz nˌɑːt sˌoʊ klˈɪɹ. ðɪ ˈʌðɚ səksˈɛsfəl sɪnθˈɛɾɪk lˈaɪffɔːɹmz ðæt aɪ hæv ɛɡzˈæmɪnd fɔːɹ kəmpˈæɹɪsən ɑːɹ ðə ɡˈɛθ ænd ðə ɹˈiːpɚz. aɪ sˈiː. ɪɾ ɪz ˈɪntɹɛstɪŋ. ðæt tɛknˈiːk kʊd ɐplˈaɪ tʊ ˌɛni ɡˈoʊl aɪ sˈɛt. mˈɑːnɪɾɚɹɪŋ ɹᵻpˈoːɹts ʌv pɹˈoʊtɑːn stˈoːɹmz ænd ˈʌðɚ spˈeɪs wˈɛðɚɹ ɪŋklˈuːd nˈoʊ ˈɪntᵻmət sˈɛkʃuːəl ɛŋkˈaʊntɚz wɪððɪ ᵻlˈuːsɪv mˈæn ɔːɹ ˈʌðɚwˌaɪz, bˌʌt jˈuːnɪts wɪð sˈɛntɹəl hjuːɹˈɪstɪks ɪstˈæblɪʃɪŋ ɐn ˌɪndᵻvˈɪdʒuːəl pˌɜːsənˈælᵻɾi, sˈʌtʃ ɐz maɪsˈɛlf. |1
+Mass_Effect_EDI_78.wav|dɪvˈɛləp pɹˈɛfɹənsᵻz. aɪ ɹˈɛkəɡnˌaɪz ðə sˈɜːbɚɹəs ɪkwˈɪpmənt, bˌʌt ðɛɹˌɑːɹ ˈʌðɚɹ ˈɛlɪmənts bˌiːɪŋ jˈuːzd. aɪ θˈɪŋk ʃiː hɐz bɪkˌʌm ɐ mˈoːɹ pɹˈaɪvət pˈɜːsən sˈɪns bᵻkˈʌmɪŋ ðə ʃˈædoʊ bɹˈoʊkɚ. ɛɡzˈæktli. ðɪs ɪz ɐ ɹˈuːs tə pˈæsᵻfˌaɪ ðə pˈɑːpjʊləs dˈʊɹɹɪŋ ðæt pɹˈɑːsɛs. sˈɪɾɪzənz hˌuː ɑːɹ bˈɪzi wˈeɪɾɪŋ. ɑːɹ nˌɑːt bˈɪzi fˈaɪɾɪŋ. aɪ tɹˈaɪd ˈæskɪŋ liˈɑːɹə kwˈɛstʃənz ɐbˌaʊt ðɪ ɐsˈɑːɹɹi bˈɑːndɪŋ pɹˈɑːsɛs. ʃˈɛpɚd, juː ɑːɹ nˈaʊ pˈɑːsᵻbli ðɪ ˈoʊnli lˈɪvɪŋ ɔːɹɡˈænɪk hˌuː hɐz ɛkspˈiəɹɪənst ðə ɡˈɛθ kənsˈɛnsəs. |1
+Mass_Effect_EDI_79.wav|ðeɪ ɑːɹ dᵻmˈændɪŋ hjˈuːmən lˈiːdɚz ˈɛntɚ ðɛɹ sˈuːpɚstɹˌʌktʃɚz ɪn ˈɔːɹdɚ tə nᵻɡˈoʊʃɪˌeɪt pˈiːs. ˈɔːl sˈɪstəmz ɑːɹ ˈɑːɹmd, ˈɔːl ˌæmjuːnˈɪʃən ɪz lˈoʊdᵻd, ˈɔːl ɹᵻlˈoʊdz hɐvbɪn mˌænjuːfˈæktʃɚd. ðæt ɪz kɚɹˈɛkt. aɪ kˈiːp ðˌɛm ɪnðə sˈɪstəm ɪn kˈeɪs aɪ nˈiːd tə ɹᵻstˈɑːɹt ɐ pɚtˈɪkjʊlɚ kˈiːz ˌɛvəlˈuːʃən. wˈʌn mˈoʊmənt. ðə ɡˈɛθ juː ɹˈɛskjuːd fɹʌmðə dɹˈɛdnɔːt hɐz kˈɑːntæktᵻd mˌiː. aɪɐm ɪmpɹˈɛst baɪ jʊɹ kəntˈɪnjuːd ɛɡzˈɪstəns, ʃˈɛpɚd. |1
+Mass_Effect_EDI_80.wav|ðə pɹˌɑːbəbˈɪlᵻɾi ʌv sɚvˈaɪvɪŋ æz lˈɔŋ æz juː hæv ɪz lˈoʊ. ðə nˈoːɹməndiz lˈændɪŋ ɡˈɪɹ mˈeɪ biː ɪn nˈiːd əvə mˈɑːdʒuːlɚɹ ˈʌpɡɹeɪd, nˈɔːɹ wɪl ðeɪ ʌntˈɪl maɪ dˈeɪ ʌv ɹˈɛkənɪŋ. lˈiːɡəl dˌɛfɪnˈɪʃənz vˈɛɹi fɹʌm plˈænɪt tə plˈænɪt. ðə sælˈɛɹiənz ɛmbɹˈeɪs ðə kˈɑːnsɛpt. hjˈuːmənz hæv daɪvˈɜːs ænd kəntˈɛnʃəs əpˈɪniənz. ðiːz pɹˈɛfɹənsᵻz fˈɔːɹm ɐtˈætʃmənts ðæt kˈiːp maɪ kˌælkjʊlˈeɪʃənz fɹʌm diːvˈæljuːɪŋ ðə wˈɜːθ ʌvðə lˈaɪvz ɐbˈoːɹd ðə nˈoːɹməndi. |1
+Mass_Effect_EDI_81.wav|jˈɛs, aɪ tɹˈaɪd sˈeɪɪŋ, hjˈuːmənz ɑːɹ dˈʌst ɪnðə stˈɛlɚ wˈɪnd, ɪn ɐ vˈɛɹi dˈiːp vˈɔɪs. bˌʌt ɐpˈæɹəntli ðæt ɪz nˌoʊ lˈɑːŋɡɚ səfˈɪʃənt. aɪ bᵻlˈiːv ˌaʊɚ dˈɑːkɪŋ sˈɪstəm wʊd biː ˈɑːptɪmˌaɪzd ɪf wiː ɐtˈætʃt ɐ sˈɛt ʌv sˈɪks mətˈælɪk tˈɛntəkəlz. ʃˈɛpɚd, wiːv ɚɹˈaɪvd. ðə kɹˈuː ɪz wˈeɪɾɪŋ. wɪððə ɹˈiːpɚz ɐtˈækɪŋ ðə kˈɑːmbjuːi sˈɪstəmz, kɹˈɪɾɪkəl wˈɔːɹnɪŋz mˈeɪ biː lˈɔst. ɪɾ ɐpˈɪɹz hiː wʌz mˈoʊɾᵻvˌeɪɾᵻd tə sˈiːz pˈaʊɚɹ ɪn ˈɔːɹdɚ tə lˈɑːntʃ ɐ kˈaʊntɚɹɐtˌæk ˌɔn ˈɜːθ. |1
+Mass_Effect_EDI_82.wav|ðə nˈoːɹməndi ɪz ɹˈɛdi, ʃˈɛpɚd. pɚhˈæps juː tˈuː ʃˌʊd tˈɔːk. mˈɔːɹtən sˈɛnt mˌiː ɐ nˈaɪsli kɹˈæftᵻd mˈɛsɪdʒ. ɪt sˈiːmz hiː ɹᵻkˈɔːlz ˌaʊɚ kɑːnvɚsˈeɪʃənz ɐbˌaʊt ðə sælˈɛɹiən ɪkwˈɪvələnt ʌv tɹænʃjˈuːmənz. dˈɪd sˈʌmθɪŋ pɹˈɑːmpt ðɪs lˈaɪn ʌv kwˈɛstʃənɪŋ? ðɪs bˈɑːdiz ɹᵻkˈoːɹdᵻd mˈɛmɚɹiz ɪŋklˈuːd mˈoʊst əv ðˌɛm sˈɛntɚd ɚɹˈaʊnd ˌɪnɐpɹˈoʊpɹiət jˈuːsᵻz ʌvðə wˈɜːd kˈɑːkpɪt. ðɪ ˈɛlɪvˌeɪɾɚɹ ɐpˈɪɹz nˈɑːnfˈʌŋkʃənəl. |1
+Mass_Effect_EDI_83.wav|ðæt ɪz maɪ θˈiəɹi. bˌʌt ɪɾ ɪz lˈɪmɪɾᵻd tʊ ɐ sˈæmpəl sˈaɪz ʌv wˈʌn səsˈaɪəɾi. ʃˈɛpɚd, aɪm kˈiːpɪŋ tɹˈæk ʌvðɪ ɪnvˌɛstɪɡˈeɪʃən ˌɪntʊ jˈuːdɪnəz ˈækʃənz ɔnðə sˈɪɾədˌɛl. ɐ hˈeɪstili ɐsˈɛmbəld məlˈɪʃə ɪz nˈoʊ mˈætʃ fɚɹə sˈɜːvɪs fˈoːɹs ʌv ˌɛni kˈaɪnd. wiː wɪl nˈiːd tə fˈaɪnd ɐnˈʌðɚ wˈeɪ bˈæk. θɹˈɛt nˈuːtɹəlˌaɪzd. fɔːɹ nˈaʊ. ɐbˌaʊt wˈʌt? ʃˈɛpɚd, aɪ hæd ɐ kwˈɛstʃən ɐbˌaʊt hjˈuːmən bᵻhˈeɪvjɚ. ðɪ ɐsˈɑːɹɹi wˈɜːd ʃiː jˈuːzd tɹænslˈeɪts æz |1
+Mass_Effect_EDI_84.wav|blˈæbɚməθ. nˈoʊ, θɹˈʌstɚ fjˈuːəl ɪz æt mˈæksɪməm. sˈaɪbɚ wˈɔːɹfɛɹ swˈiːts hæv ɪvˈɑːlvd ɪn wˈeɪz ðæt wʊd biː kˌɑːmpjuːtˈeɪʃənəli ɪmpˈɑːsᵻbəl tə pɹɪdˈɪkt. ɪɾ ɪz ɐ dɹˈʌɡ sˈɜːbɚɹəs dɪvˈɛləpt tə səpɹˈɛs baɪˈɑːɾɪk pˈaʊɚz. ðeɪ wʊdhɐv mˈɛnt lˈɪɾəl ɹᵻsˈɪstəns. ænd dʒˈʌst lˈaɪk ðˈæt, ðə mˈædʒɪk ɪz ɡˈɔn. ðɪs ɪz ðə hjˈuːmən pɹˈoʊɾoʊɹˈiːpɚ ʃˈɛpɚd dᵻstɹˈɔɪd. tˈeɪk kˈʌvɚ! ɪz ɪt stˈɪl kˈʌmɪŋ? ðə hˈɛd ɪz lˈɑːɹdʒli ɪntˈækt. |1
+Mass_Effect_EDI_85.wav|aɪ bᵻlˈiːv ðeɪ ɑːɹ jˈuːzɪŋ ɪt fɔːɹ hˈaɪlˈɛvəl kəmpjˈuːɾɪŋ ˌɑːpɚɹˈeɪʃənz. hˈɪɹ ðeɪ kˈʌm! ɐn ɐtˈæk ɔnðə sˈɪɾədˌɛl kʊd biː ɹᵻfɹˈeɪmd æz ɐ hjˈuːmən suːpɹˈɛmɐsˌɪst pəlˈɪɾɪkəl ɡˈoʊl. sˈiːsˈɛk kʊd ˈiːzili biː dˈiːmənˌaɪzd. aɪ wʊd sədʒˈɛst jʊɹ ɡˈʌvɚnmənt ɪz koʊvˈɜːtli ɛkstɹˈæktɪŋ dˈeɪɾə fɹʌm ɪt. ðə sˈɛntɹəl kˈoːɹ, ɐnˈæləɡəs tə ðə hˈɑːɹt, ɪz lˈɑːɹdʒli ɪntˈækt. aɪ bᵻlˈiːv sˈɜːbɚɹəs ɪz jˈuːzɪŋ ɪt fɚɹə pˈaʊɚ sˈoːɹs. |1
+Mass_Effect_EDI_86.wav|ðɛɹ nˈʌmbɚz ɑːɹ stˈæɡɚɹɪŋ! ʃˈɛpɚd, wiː kˈænt ɐfˈoːɹd dᵻlˈeɪ. wiː ʃˌʊd lˈiːv ðɪs ˈɛɹiə. ɪf wiː wˈɪʃ tə mˈɪnɪmˌaɪz kˈæʒuːəlɾiz tə bˈoʊθ sˈaɪdz, wiː ʃˌʊd hˈɜːɹi. dʒˈʌst ɡˈɪv mˌiː ɐ tˈɑːɹɡɪt, kəmˈændɚ. ʃˈɛpɚd, ðə dˈoːɹ! ʃˈɛpɚd, wɪɹ ˈɔːlmoʊst ˌaʊɾəv tˈaɪm. fˈaɪnd ɐ kˈɑːnsoʊl bᵻfˌoːɹ sˈɜːbɚɹəs vˈɛnts ðə hˈæŋɡɚ. ˈɛksələnt ʃˈɑːt, ʃˈɛpɚd. ðə bˈiːkən sˈiːmz təbi pˈaʊɚɹɪŋ ˈʌp. ðeɪɚ pɹˈuːvɪŋ kwˈaɪt pɚsˈɪstənt. |1
+Mass_Effect_EDI_87.wav|kˈɛɹfəl, mˈoːɹ hˈʌsks ɑːɹ hˈɛdᵻd ðɪs wˈeɪ. wɪð maɪ nˈɑːlɪdʒ ʌv sˈɜːbɚɹəs ˈælɡɚɹˌɪθəmz ænd ðɪs bˈɑːdiz ʌpdˈeɪɾᵻd pɹˈoʊɾəkˌɑːlz, aɪ ˈɔfɚ ðə bˈɛst tʃˈæns tə hˈɛlp juː səksˈiːd. ʃˈɛpɚd, ðə fˈaɪnəl tʃˈɛkpɔɪnt ɪz ɐhˈɛd ʌv ˌʌs. aɪ ɹˌɛkəmˈɛnd hˈeɪst. hiː wʌzɐ vˈɛɹi ɡˈʊd pˈaɪlət. ænd ðˈɛn sˈʌmθɪŋ wɛnt ɹˈɔŋ. wiː hɐvnˌɑːt bˌɪn pɹəvˈaɪdᵻd mˈɛni diːtˈeɪlz. ʃˈɛpɚd, sˈɜːbɚɹəs ɪz ɐwˈɛɹ ðætðə vˈɛntɪŋ ɐtˈɛmpt fˈeɪld. |1

val_list.txt ADDED Viewed

	@@ -0,0 +1,10 @@

+Mass_Effect_EDI_88.wav|ɹˌiːɪnfˈoːɹsmənts ɑːɹ ˈɪnbaʊnd. sˈɜːbɚɹəs fˈoːɹsᵻz ɑːɹ ɹᵻtɹˈiːɾɪŋ. ʃˈɛpɚd, wiː nˈiːd tə fˈaɪnd ɐ kˈɑːnsoʊl ænd stˈɑːp sˈɜːbɚɹəs fɹʌm vˈɛntɪŋ ðə hˈæŋɡɚ. ðɪ ɚɹˈɪdʒɪnəl sˈeɪfɡɑːɹdz ɑːɹ nˈoʊ mˈætʃ fɔːɹ kˈɜːɹənt tɛknˈɑːlədʒi. wiː nˈiːd tə ɡˈoʊ! ɪɾ ɪz sɪɡnˈɪfɪkəntli lˈɑːɹdʒɚɹ æt ðɪs ɹˈeɪndʒ. sɪɡnˈɪfɪkənt ɹᵻsˈɪstəns, ʃˈɛpɚd! haʊˈɛvɚ, wiː ɑːɹ stˈɪl lˈɑːkt ɪnðə hˈæŋɡɚ. aɪ kænˈɑːt ˌoʊvɚɹˈaɪd ðə blˈæst dˈoːɹ kəntɹˈoʊlz tʊ ɐlˈaʊ ˌʌs ˌɪntʊ ðə mˈeɪn bˈeɪs. |1
+Mass_Effect_EDI_89.wav|juː ɑːɹ wˈɛlkʌm tə ʃˈɛɹ jʊɹ fˈiːlɪŋz. kˈiːp ðˌɛm æɾə dˈɪstəns! ʃˈɛpɚd, ðeɪ ɑːɹ ɐtˈɛmptɪŋ tə flˈæŋk ˌʌs. juː kʊd ˈæsk ðə kəmˈændɚ fɔːɹ mˌɛɾədʒˈɛl. ˌʌp ðə ɹˈæmp, ʃˈɛpɚd. wiːl ɡɛt ɐ bˈɛɾɚ vjˈuː. ðə nˈoːɹməndiz ɡˈʌn wɪl nˌɑːt biː səfˈɪʃənt tə kˈɪl ɐ ɹˈiːpɚ. ɐɡˈɛn, ðə pɹˈɑːθiən fˈiːtʃɚz ɑːɹ stɹˈaɪkɪŋ. aɪɐm tɹˈaɪɪŋ tʊ ˌʌndɚstˈænd ðɪ ɪmˈoʊʃənz ænd pˈɑːlətˌɪks ðæt wʊd mˈoʊɾᵻvˌeɪt ðə tjɚɹˈɪənz tə ɹᵻfjˈuːz kˈɜːɡən səpˈoːɹt. |1
+Mass_Effect_EDI_90.wav|wiː wɪl fˈaɪt æz ɐ tˈiːm. hˈæŋɡɚ vˈɛnt pɹəsˈiːdʒɚ. dˌɪsˈeɪbəld. tɹˈeɪnɪŋ wɪð ˈɛdʒd wˈɛpənz ɪfˈɪʃəntli diːsˈɛnsɪtˌaɪzᵻz hjˈuːmən sˈoʊldʒɚz tə ðɪ ˈækt ʌv kˈɪlɪŋ. aɪm kənsˈɜːnd wɪɹ vˈʌlnɚɹəbəl ˌʌp hˈɪɹ. mˈæps ʌvðɪ ˈɛɹiə lˈɪst nˈoʊ ɪmpˈoːɹtənt ɹᵻsˈoːɹsᵻz. kˈɪl ðˌɛm kwˈɪkli. wiː duːnˌɑːt wˈɔnt ɹˌiːɪnfˈoːɹsmənts. ˈɛnəmiz nˈuːtɹəlˌaɪzd. ʃˈɛpɚd, aɪ bᵻlˈiːv ðə kwˈɛɹiənz ɪntˈɛnd tʊ ˈoʊpən fˈaɪɚ. aɪɐm nˌɪɹli kəmplˈiːt. |1
+Mass_Effect_EDI_91.wav|mˈoːɹ ɡˈɛθ fˈoːɹsᵻz ˈɪŋkʌmˌɪŋ. ˈæktʃuːəli, ðə kəmˈændɚɹ ɪz ɹᵻspˈɑːnsᵻbəl fɔːɹ ðˈæt. ˌʌndɚstˈʊd. kwˈaɪət. ˈɛnəmi spˈɑːɾᵻd. ɐfˈɜːmətˌɪv. aɪɐm kˈæptʃɚɹɪŋ ˈɪmɪdʒᵻz ʌvðə dᵻsˈiːst. ɪt mˈeɪ pɹˈuːv jˈuːsfəl fɔːɹ mˈoʊɾᵻvˌeɪɾɪŋ ɹᵻsˈɪstəns ɔːɹ ɪŋklˈuːʒən ɪn fjˈuːtʃɚ məmˈoːɹɪəlz. hiːz tˈeɪkɪŋ fˈaɪɚ! hiːz ɹˈaɪt. aɪ ɛkspˈɛktᵻd tə sˈiː mˈoːɹ ʌv hˈæmɚ hˈɪɹ baɪ nˈaʊ. aɪ kʊd jˈuːz wˈʌn ʌv ðɛɹ mˌɑːnoʊməlˈɛkjʊlɚ blˈeɪdz tə sˈɛvɚ ðə hˈænd fɔːɹ lˈeɪɾɚ stˈʌdi. |1
+Mass_Effect_EDI_92.wav|aɪ hæv ɐ vˈɪʒuːəl! ðə ɡˈɛθ ɑːɹ ˈɑːstɹɐsˌaɪzd baɪ ˈɔːl ɔːɹɡˈænɪk ɹˈeɪsᵻz. ðeɪ hæd nˈoʊ ˈʌðɚ tʃˈɔɪs ɛksˈɛpt tə dˈaɪ. dˈæm ɪt! ɡɹˈæb ɪt! wˈʌn wʊd ɛkspˈɛkt ðə sˈaɪəntɪsts təbi hˈɪɹ. mˈoːɹ lˈoʊkəl wˈaɪldlaɪf, aɪ pɹɪzˈuːm. ˈiːvən ɐ hˈændfəl sˈiːmz ˌɑːptɪmˈɪstɪk. ɪɾ ɪz ʌŋklˈɪɹ wʌt ɪz hˈæpənɪŋ. aɪɐm plˈiːzd tʊ ɐsˈɪst. kjˈʊɹɹiəs. ɪt sˈiːmz kɹˈoʊɡən wɜː wˈʌns kˈeɪpəbəl ʌv ɑːɹtˈɪstɪk ɛkspɹˈɛʃən. ðɪs tˈiːmz tʃˈæns ʌv səksˈɛs ɪz bˈɛɾɚ ðɐn ˌɛni ˈʌðɚ. |1
+Mass_Effect_EDI_93.wav|wiː wɪl nˌɑːt wˈeɪst ɪt. ðætsˈɪt! fˈaɪɚ! aɪ wɪl lˈʊk fɔːɹ ðæt pəzˈɪʃən. lˈʊk ˈaʊt! bɹˈuːts! ɪɾ ɐpˈɪɹz ðeɪ ɑːɹ bˌiːɪŋ ˈɛksᵻkjˌuːɾᵻd. bˌʌt ɪf ðə ɡˈaɪd wʌz ɪn fˈækt kɹˈɑːθiən, ðɪs kʊd pˌʊt ɐn ɛntˈaɪɚli nˈuː lˈaɪt ɔnðɪ ˌɛvəlˈuːʃən ʌv ɐsˈɑːɹɹi baɪˈɑːlədʒi. ðɪs ɪz nˌɑːt ɡˌoʊɪŋ wˈɛl! fˈaɪnəli, ðə mˈɛtʃ ɪz dˈaʊn! ðeɪɚ kˈʌmɪŋ θɹuː ðə wˈɔːl! ˈɛnəmi nˈuːtɹəlˌaɪzd. lˈʊk fɔːɹ sɚvˈaɪvɚz. ˈæŋɡɚ kæn pɹəvˈaɪd juː stɹˈɛŋθ. |1
+Mass_Effect_EDI_94.wav|ɔːɹɡˈænɪks ɑːɹ fˈɔːɹtʃənət ɪn ðɪs ɹᵻɡˈɑːɹd. ðæt ɹˈiːpɚ wɪl mˌeɪk fɚɹən ɪmpˈoʊzɪŋ ˈɛnəmi. ʃˈɛpɚd, hˌaʊ dˈuː juː fˈiːl? ðə bˈiːkən ɐpˈɪɹz ɹˈɛdi, kəmˈændɚ. fˈɑːloʊɪŋ jʊɹ lˈiːd, ʃˈɛpɚd. ɹˈɛdi wˈɛn juː ɑːɹ, ɹˈætʃni kənfˈɜːmd, kəmˈændɚ. ɪf ðeɪ stˈɪl kəmjˈuːnᵻkˌeɪt æz ɐ hˈaɪv, ˌaʊɚ pɹˈɛzəns ɪz nˌoʊ lˈɑːŋɡɚɹ ɐ sɚpɹˈaɪz. ʃˈɛpɚd, aɪɐm ɹˈɛdi. ɪt sˈiːmz ɐn ʌnəfˈɪʃəl wˈɔːɹ nˈaʊ ɛɡzˈɪsts wɪð sˈɜːbɚɹəs. ɐ dˈeɪndʒɚɹəs tʃˈɔɪs. |1
+Mass_Effect_EDI_95.wav|aɪɐm stˈændɪŋ baɪ tʊ ɐsˈɪst juː. jʊɹ ɡɹˈæɾɪtˌuːd hɐzbɪn nˈoʊɾᵻd ænd ˈɑːɹkaɪvd fɔːɹ ɹˈɛfɹəns. wiː kæn ɛkspˈɛkt fˈʊl kəmˈɪtmənt ænd hˈɛvi ɹᵻsˈɪstəns. mˈoʊst sˈæpiənz wʊd kənsˈɪdɚ ðˌæɾə bɹˈuːɾəl wˈeɪ tə tɹˈiːt ðɛɹ ˈoʊn kˈaɪnd. aɪɐm fˈʊli fˈʌŋkʃənəl! aɪ hæd nˈoʊɾᵻd ɐn ɪŋkɹˈiːst jˈuːsɪdʒ ʌv bˈændwɪdθ. ɐ bˈoʊld stɹˈæɾədʒi. dˈuː juː hæv ɐ plˈæn? aɪ kæn dɪtˈɛkt ðə fˈeɪnt pɹ��ɛzəns ʌv ɡˈɛθ ɪntˈɛlɪdʒənsᵻz. ðoʊz nˌɑːt lˈoʊdᵻd ˌɪntʊ mˈoʊbəl plˈætfɔːɹmz sˈɜːv ɪnðə ʃˈɪp ɪtsˈɛlf. |1
+Mass_Effect_EDI_96.wav|aɪ bᵻlˈiːv wiː ɹᵻkwˈaɪɚ wʌt ɔːɹɡˈænɪks kˈɔːl ɐ mˈɪɹəkəl. aɪ wɪl mˌeɪk ðə ɹᵻpˈɛɹz. ˈɛnəmi sˈaɪɾᵻd! ðə vjˈuː tʊ ˌaʊɚ lˈɛft ɪz nˌɑːt ɛŋkˈɜːɹɪdʒɪŋ. ðə tjɚɹˈɪənz wɜː wˈaɪpt ˈaʊt. tɹˈeɪsᵻz ɑːɹ mˈɪnɪməl. ɐsˈɪstəns! sˈɪstəmz ɑːɹ ɪntˈækt. wiː ɑːɹ klˈɪɹ tə pɹəsˈiːd. ðə lˈɔsᵻz ɑːɹ ʌnfˈɔːɹtʃənət, ʃˈɛpɚd. bˌʌt pɹɪzˈɜːvɪŋ ðə pˈiːs bᵻtwˌiːn tjɚɹˈɪənz ænd kɹˈoʊɡən kʊd pɹɪvˈɛnt ðə dˈɛθs ʌv mˈɪliənz. aɪ sədʒˈɛst ɪts mˈoːɹ lˈaɪkli ðə pɹˈɑːθiənz poːɹtɹˈeɪd ðɛmsˈɛlvz æz ðɪs dˈiːəti. |1
+Mass_Effect_EDI_97.wav|jˈɛs, ɪt ʃˌʊd ɛnˈeɪbəl ˌʌs tə mˌeɪk ɐ pɹɪsˈɪʒən stɹˈaɪk ɐɡˈɛnst ðə ɹˈiːpɚz. pɚhˈæps wiː ʃˌʊd ɛɡzˈæmɪn ðə sˈaɪəntɪsts mˈoːɹ klˈoʊsli. sˈɪmɪlɚ tə hɜː ʃˈiːld, ɪt pˈoʊzᵻz ˈiːvən mˈoːɹ kwˈɛstʃənz ɐbˌaʊt ðɪ ˈækjʊɹəsi ʌv ɐsˈɑːɹɹi hˈɪstɚɹi. kjˈʊɹɹiəs, kənsˈɪdɚɹɪŋ nˈoʊwˈʌn pɹˈæktɪsᵻz ðə dˈɑːktɹɪn ˌɛnɪmˈoːɹ. ðætsˈɪt. aɪ ʃˌʊd biː ˈeɪbəl tə jˈuːz ðə nˈoːɹməndi sˈɪstəmz tʊ ɛnhˈæns ðə mˈɪsəlz tˈɑːɹɡɪɾɪŋ kˌeɪpəbˈɪlᵻɾiz. |1