diff --git "a/0f32e852-a24b-4560-b34d-09e2929fe1dd.json" "b/0f32e852-a24b-4560-b34d-09e2929fe1dd.json" new file mode 100644--- /dev/null +++ "b/0f32e852-a24b-4560-b34d-09e2929fe1dd.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "0f32e852-a24b-4560-b34d-09e2929fe1dd", + "search_results": [ + { + "page_name": "Contender \u2013 Composer Alexandre Desplat, The King\u2019s Speech", + "page_url": "https://www.btlnews.com/awards/contender-composer-alexandre-desplat-the-kings-speech/", + "page_snippet": "2010 was rather a busy year for composer Alexandre Desplat, who has been nominated for an Oscar for his score in The King\u2019s Speech. The film led the pack with an impressive 12 nominations \u2013 more th\u20262010 was rather a busy year for composer Alexandre Desplat, who has been nominated for an Oscar for his score in The King\u2019s Speech. The film led the pack with an impressive 12 nominations \u2013 more than any other film released last year. It\u2019s the second film with a \u2018royal motif\u2019 for Desplat. He also scored The Queen in 2006, which brought him his first Academy Award nomination. February 14, 2011 Darby Azalea Wilde Awards, Contender Portfolios, Featured, Sound 0 \u00b7 Peter Cobbin, chief engineer at Abbey Road Studios, discovered the original microphones that were used by King George VI in the EMI Archives. Peter Cobbin, chief engineer at Abbey Road Studios, discovered the original microphones that were used by King George VI in the EMI Archives. (Photo by: Laurie Sparham/The Weinstein Company) 2010 was rather a busy year for composer Alexandre Desplat, who has been nominated for an Oscar for his score in The King\u2019s Speech. He has in fact scored over 50 European films, first becoming known in the U.S. with his evocative score to The Girl with the Pearl Earring in 2003 for which he was nominated for a Golden Globe, a BAFTA Award, and European Film Awards. I asked Desplat what special challenges The King\u2019s Speech presented, and how was it different from his other recent projects (Polanski\u2019s The Ghost Writer, Tamara Drewe by Stephen Frears, and David Yates\u2019 production of Harry Potter and the Deathly Hallows Pt 1)? Desplat is profoundly grateful to be able to work in a field that marries the worlds of film and music \u2013 in effect, the perfect job. \u201cI\u2019m a cinephile. My passion for cinema has been as strong as a passion for music since I was in my teens,\u201d he said.", + "page_result": "\n\n\n \n\nContender \u2013 Composer Alexandre Desplat, The King\u2019s Speech | Below the Line\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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HomeAwardsContender \u2013 Composer Alexandre Desplat, The King\u2019s Speech
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Contender \u2013 Composer Alexandre Desplat, The King\u2019s Speech

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\"Darby
By Darby Azalea Wilde
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Peter Cobbin, chief engineer at Abbey Road Studios, discovered the original microphones that were used by King George VI in the EMI Archives. (Photo by: Laurie Sparham/The Weinstein Company)
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2010 was rather a busy year for composer Alexandre Desplat, who has been nominated for an Oscar for his score in The King\u2019s Speech. The film led the pack with an impressive 12 nominations \u2013 more than any other film released last year. It\u2019s the second film with a \u2018royal motif\u2019 for Desplat. He also scored The Queen in 2006, which brought him his first Academy Award nomination. He\u2019s also scored films about wizards (Harry Potter: The Deathly Hallows Pt 1), vampires (The Twilight Saga: New Moon), and world class chefs (Julie and Julia), to name only a few of the high-profile films from his prodigious output for the past several years. He has in fact scored over 50 European films, first becoming known in the U.S. with his evocative score to The Girl with the Pearl Earring in 2003 for which he was nominated for a Golden Globe, a BAFTA Award, and European Film Awards.

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I asked Desplat what special challenges The King\u2019s Speech presented, and how was it different from his other recent projects (Polanski\u2019s The Ghost Writer, Tamara Drewe by Stephen Frears, and David Yates\u2019 production of Harry Potter and the Deathly Hallows Pt 1)?

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\u201cIn many films you amplify the action or you amplify emotions \u2013 the big landscapes where you can let the horses gallop under your music. On this one it was very, very subtle. The film needed music, but it had to be a very subtle, understated, restrained score.\u00a0 It seems irrational but it is more difficult to make an intimate score than a big score,\u201d he said.

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The very nature of this project demanded a more precise handling of the cues, \u201cso that you don\u2019t intrude into the performances of the actors, which is something that I love and respect so much. I listened to the way they deliver the lines and the pace, so that when the music comes in, it is at the right moment and with the right color, the right tone \u2013 that\u2019s one of the first challenges.\u201d

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Alexandre Desplat
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The King\u2019s Speech is about a man who can\u2019t talk and who eventually, over the course of the film, learns to communicate effectively because his life literally depends on it. How did the story influence how Desplat did the score? \u201cThe music is the voice of Colin Firth, he cannot express himself so the music has to bring it out and bring out his emotions that he can\u2019t show because he\u2019s a Prince and then a King\u2026 And you know the Brits, they never complain. So that\u2019s something that the music can bring out \u2013 the suffering, the pain that he can\u2019t express.\u201d

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Desplat explained that he approached the score by trying to find a theme, or a hook, that wasn\u2019t actually very well formed or shaped, since Colin\u2019s character can\u2019t speak a complete sentence. \u201cSo I suggested to (director) Tom Hooper, a theme that would be a repeated note actually like he\u2019s stuck and the music just loops, he can\u2019t really go anywhere. I think it\u2019s subtly done so that it doesn\u2019t feel obvious, but I think that unconsciously when you watch the film you feel that something is trying to emerge and can\u2019t. There is the impossibility of the theme, of the melody to find a shape, and it only finds a shape actually very late in the film when in the rehearsal at Westminster Abbey \u2013 finally, the two characters (Geoffrey Rush and Colin Firth) become friends. They seal their friendship and their partnership, and that\u2019s where the theme for the first time blows up and gets a real opportunity to have a shape.\u201d

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There were other challenges as well as that of telling the story of a man who can\u2019t speak properly. For instance, having only three to four weeks to compose the score at the same time as serving on the Cannes Film Festival jury in 2010. Desplat laughed as he recalled that director Tom Hooper was a bit concerned when he first saw that he was on the Cannes jury. \u201cI actually explained to him that I had a studio in my hotel room so when I was going back from screenings or parties I would just try for a few hours to nail ideas and colors and instrumentation ideas at night or during the day.\u201d

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Desplat worked with the London Symphony Orchestra for the classical pieces, and he aimed to match the feeling they conveyed in his own material with a studio orchestra for the score. \u201cI used a chamber music orchestra, not too big, not too small, in between, like Mozart would have done or Beethoven, and with a piano because there is a lot of the Beethoven Piano Concerto, so I thought that there should be a continuity there.\u201d To finesse the continuity even further, Desplat\u2019s sound engineer, Peter Cobbin \u2013 the master engineer at the Abbey Road Studios \u2013 had discovered the original microphones that were used by King George VI in the EMI Archives.

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\u201cRecording both the score and the classical pieces with the orchestra through these microphones made it a special blend, a special color, and I think all this together, the choice of the instrumentation and the choice of the recording through these microphones made it a unique sound and a unique piece like if it was one only composer all together,\u201d Desplat commented, clearly still thrilled by the use of these amazing historical treasures for the film. \u201cI say that of course very humbly, I\u2019m not comparing me to Mozart or Beethoven – I\u2019m just saying that there was a way there to make it really strong and together.\u201d When Tom Hooper heard about the discovery, the speeches were then re-recorded under Cobbins\u2019 supervision at Abbey Road, using the royal mics. \u201cI mean, how many movies come to you about a man who has to speak into a microphone and how many opportunities do you have to find the very microphones that this man was using in the ’30s? It\u2019s classic, yeah.\u201d

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Desplat has kept up a nonstop pace for several years now and thrives on it. He admitted that a film like Twilight or Harry Potter requires a big chunk of time and cuts down the other films it\u2019s possible to work with in that period, and is now in fact working on Deathly Hallows Part 2. \u201cBut again, when you\u2019ve been dreaming of working with Polanski, with Stephen Frears, doing a Harry Potter, doing another movie with Chris Weitz \u2013 how can you just say, ‘Mmm, I don\u2019t know.’ It\u2019s now that I have the energy and the desire. I don\u2019t want to be 70 and think, ‘oh maybe I should have done that at that time.’ It\u2019s the best moment of my life, and also I\u2019m writing quicker than before – sometimes. Not every day. (laughter) I do have more abilities and my brain is roaring. I should use my brain now.\u201d

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Desplat is profoundly grateful to be able to work in a field that marries the worlds of film and music \u2013 in effect, the perfect job. \u201cI\u2019m a cinephile. My passion for cinema has been as strong as a passion for music since I was in my teens,\u201d he said.

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Darby Azalea Wilde
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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n", + "page_last_modified": "" + }, + { + "page_name": "Alexandre Desplat - Biography", + "page_url": "https://www.alexandredesplat.net/us/bio-e.php", + "page_snippet": "Alexandre Desplat, composer's official website, biographyComposer, orchestrator and conductor, two times Academy Award winner, Alexandre Desplat, eleven-times Academy Award Nominee, with over hundred scores and numerous awards to his credit is one of the most worthy heirs of the French film scoring masters. A true cinephile, his approach to film composition is not only based on his strong musicality, but also on his understanding of Cinema, which allows him to intimately communicate with directors. The same year, he wrote the music for Twilight-New Moon by Chris Weitz, a platinum record, Anne Fontaine\u2019s Coco Before Chanel and for Tom Hooper\u2019s The King\u2019s Speech for which he won the BAFTA, the Grammy Award and receives his fourth Academy Award nomination and his fifth Golden Globe nomination. In 2010-2011 Alexandre Desplat scored David Yates films Harry Potter and the Deathly Hallows, part 1 and Harry Potter and the Deathly Hallows, part 2, which became the third most successful movie of all time. In 2018, Alexandre Desplat wons for Guillermo del Toro's The Shape of Water his second Academy Award, second Golden Globe and third BAFTA. He was nominated in 2019 for an Oscar and a Golden Globe for Wes Anderson's Isle of Dogs, and in 2020 for an Oscar, a Golden Globe and a BAFTA for Greta Gerwig's Little Women. Alexandre Desplat then started to expand his U.S. career keeping his European collaborations by composing for Stephen Gaghan\u2019s Syriana, Jonathan Glazer\u2019s Birth, Florent Siri\u2019s Hostage, and Jacques Audiard\u2019s A Prophet. In 2007 he received his first Academy Award nomination for Stephen Frears\u2019 The Queen which earned him his first European Film Award.", + "page_result": "\ufeff\r\n\r\n\r\nAlexandre Desplat - Biography \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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Alexandre Desplat\r\n

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Biography

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Composer, orchestrator and conductor, two times Academy Award winner, Alexandre Desplat, eleven-times Academy Award Nominee, with over hundred scores and numerous awards to his credit is one of the most worthy heirs of the French film scoring masters.

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A true cinephile, his approach to film composition is not only based on his strong musicality, but also on his understanding of Cinema, which allows him to intimately communicate with directors. Inspired by the works of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, he expressed his desire to compose for Cinema early on but really made his decision after listening to John Williams’s score to Star Wars.

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Raised in a musical and cultural mix with a Greek mother and French father who studied and were married in California, he grew up listening to the French symphonists Ravel and Debussy, to World Music and to Jazz. He studied piano and trumpet before choosing the flute as main instrument and enriched his classical musical education by studying Brazilian and African Music, which later will lead him to record with Carlinhos Brown and Ray Lema. While composing for Cinema and Television he started writing a lot for Theater companies such as La Comédie Française, which allowed him to understand the importance of dramaturgy and how to adapt carefully his music to actors performances.

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During the recording of his first feature film, he met a rare violinist, Dominique "Solrey" Lemonnier, starting an exceptional artistic exchange. She became his favorite soloist, concertmaster and artistic director. With her special sense of interpretation and her creative spirit, she has inspired Desplat’s compositions, influencing his music at its core. Together they have created a new way of using for the strings in film music.

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After scoring 50 European films, with legendary French directors such as Philippe de Broca or Francis Girod, he burst in 2003 onto the Hollywood scene with his evocative score to Peter Webber’s Girl with a Pearl Earring which earned him nominations at the Golden Globes, BAFTAs and European Film Awards. His singular and remarkable scores for the films of Jacques Audiard showed a new musical voice and his composition for The Beat That My Heart Skipped in 2005 earned him the Silver Bear at the Berlinale as well as his first César.

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Alexandre Desplat then started to expand his U.S. career keeping his European collaborations by composing for Stephen Gaghan’s Syriana, Jonathan Glazer’s Birth, Florent Siri’s Hostage, and Jacques Audiard’s A Prophet.

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In 2007 he received his first Academy Award nomination for Stephen Frears’ The Queen which earned him his first European Film Award. The same year he won the Golden Globe, the Los Angeles Film Critics Association Award and the World Soundtrack Award for his score to John Curran’s The Painted Veil, performed by Lang Lang.

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He composed in 2008 for Florent Siri’s Intimate Enemy, Ang Lee’s Lust, Caution, and David Fincher’s The Curious Case of Benjamin Button, which earned him a second Oscar nomination and a fourth BAFTA and Golden Globe nomination.

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With his score for Roman Polanski’s The Ghost Writer in 2010, starting an inspiring relationship, he won a second César and a second European Film Award. The same year, he wrote the music for Twilight-New Moon by Chris Weitz, a platinum record, Anne Fontaine’s Coco Before Chanel and for Tom Hooper’s The King’s Speech for which he won the BAFTA, the Grammy Award and receives his fourth Academy Award nomination and his fifth Golden Globe nomination.

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In 2010-2011 Alexandre Desplat scored David Yates films Harry Potter and the Deathly Hallows, part 1 and Harry Potter and the Deathly Hallows, part 2, which became the third most successful movie of all time. As eclectic as prolific he wrote nine score in 2011 including Terence Malik’s Tree of Life, Roman Polanski’s Carnage, Wes Anderson’s Fantastic Mr Fox, Daniel Auteuil’s The Well’s Digger Daughter and George Clooney’s The Ides of March.

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In 2012, keeping his artistic exchange with European directors, Alexandre Desplat collaborated with Kathryn Bigelow for Zero Dark Thirty, Matteo Garrone for Reality, Gilles Bourdos for Renoir, Jérôme Salle for Zulu, Wes Anderson for Moonrise Kingdom and Jacques Audiard for Rust And Bone for which he won a third César. He also scored Argo by Ben Affleck, which was awarded the Oscar for best film, and earned Alexandre Desplat a sixth nomination at BAFTA, as well as a fifth nomination at the Golden Globes and the Oscars.

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He signed in 2013 the scores of The Monuments Men by George Clooney, Roman Polanski’s Venus in Fur, Stephen Frears’ Philomena, for which he received his seventh BAFTA and his fifth Oscar nominations.

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In 2014 he scored Gareth Edwards’s blockbuster Godzilla, and received a rare double Academy Award nomination for his scores of Morten Tyldum’s The Imitation Game and Wes Anderson’s The Grand Budapest Hotel, which earned him a BAFTA, a Grammy and his first Oscar.

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Member of the jury at the Festival de Cannes 2012, he became the first composer President of the Jury at the Mostra di Venezia in 2014. Celebrating their longtime partnership he has conducted the London Symphony Orchestra for a concert of his works at the Barbican Theater in London in December 2014.

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In 2018, Alexandre Desplat wons for Guillermo del Toro's The Shape of Water his second Academy Award, second Golden Globe and third BAFTA. \r\n He was nominated in 2019 for an Oscar and a Golden Globe for Wes Anderson's Isle of Dogs, and in 2020 for an Oscar, a Golden Globe and a BAFTA for Greta Gerwig's Little Women.

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Main Awards

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awards in red nominations in black

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Oscars
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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2015The Grand Budapest Hotel

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2015The Imitation Game

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2014Philomena

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2013Argo

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2011The King's Speech

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2010Fantastic Mr Fox

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2009The Curious Case Of Benjamin Button

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2007The Queen

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Golden Globes
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2023Guillermo del Toro\u2019s Pinocchio

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2023Ciao Papa from Guillermo del Toro's Pinocchio

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2022The French Dispatch

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2021The Midnight Sky

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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2016The Danish Girl

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2015The Imitation Game

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2013Argo

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2011The King's Speech

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2009The Curious Case Of Benjamin Button

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2007The Painted Veil

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2006Syriana

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2004Girl with a Pearl Earring

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Baftas
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2023Guillermo del Toro\u2019s Pinocchio

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2022The French Dispatch

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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2015The Grand Budapest Hotel

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2013Argo

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2011The King's Speech

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2010Fantastic Mr Fox

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2009The Curious Case Of Benjamin Button

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2007The Queen

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2004Girl with a Pearl Earring

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Grammies
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2021Plumfield from Little Women

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2019The Shape of Water

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2016The Imitation Game

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2015The Grand Budapest Hotel

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2014Argo and Zero Dark Thirty

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2012The King's Speech

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2012Harry Potter and the Deathly Hallows: Part 2

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2010The Curious Case Of Benjamin Button

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Césars
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2023 Final Cut (Coupez !)

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2020An Officer and a Spy (J'accuse)

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2019The Sisters Brothers (Les Frères Sisters)

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2014Venus in Fur (La Vénus à la fourrure)

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2013Rust and Bone (De Rouille et d'os)

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2011The Ghost Writer

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2010A Prophet (Un prophète)

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2008Intimate Enemies (L'ennemi intime)

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2006The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

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Awards 
and Nominations

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awards in red nominations in black

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2023
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2023Gold Derby Film Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

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2023Gold Derby Film Award, 'Best Original Song', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

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2023Latino Entertainment Journalists Association Film Award, 'Meilleure chanson \u00e9crite pour un film', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

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2023Latino Entertainment Journalists Association Film Award, 'Meilleure musique \u00e9crite pour un film', pour Guillermo del Toro\u2019s Pinocchio

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2023CinEuphoria Award (Portugal), 'Best Original Music', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

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2023CinEuphoria Award (Portugal), 'Meilleure musique originale', pour Guillermo del Toro\u2019s Pinocchio

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2023International Film Music Critics Association, 'Best Original Score for a Comedy Film', for The Lost King

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2023International Film Music Critics Association, 'Best Original Score for an Animated Film', for Guillermo del Toro\u2019s Pinocchio

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2023International Film Music Critics Association, 'Composer of the Year'

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2023César (France), 'Best Original Score', for Final Cut (Coupez !)

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2023Annie Award, 'Best Music - Feature film', for Guillermo del Toro\u2019s Pinocchio

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2023Hollywood Critics Association Creative Arts Award (HCA), 'Best Score', for Guillermo del Toro\u2019s Pinocchio

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2023Houston Film Critics Society Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

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2023Houston Film Critics Society Award, 'Best Original Song', for Ciao,Papa from Guillermo del Toro\u2019s Pinocchio

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2023BAFTA, (British Academy Film Award), 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

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2023Society of Composers & Lyricists Award, 'Outstanding Song for a Musical/Comedy', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

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2023Society of Composers & Lyricists Award, 'Outstanding Score for a Studio Film', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Chicago Indie Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Chicago Indie Critics Award, 'Best Original Song', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023Iowa Film Critics Association Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Portland Film Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Denver Film Critics Society Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

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2023Golden Globe, 'Best Original Score for a Motion Picture', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Golden Globe, 'Best Original Song for a Motion Picture', for Ciao,Papa from Guillermo del Toro\u2019s Pinocchio

\r\n

2023North Dakota Film Society Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023North Dakota Film Society Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Georgia Film Critics Association, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Georgia Film Critics Association, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023San Francisco Bay Area Film Critics Circle Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Capri Hollywood International Film Festival Award (Italy), 'Best Original Score', for Guillermo del Toro's Pinocchio

\r\n

2023DiscussingFilm Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023DiscussingFilm Critics Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Hawaii Film Critics Society Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Music City Film Critics Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Music City Film Critics Association Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Columbus Film Critics Association Award, 'Best Score', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n\r\n
2022
\r\n

2022Greater Western New York Film Critics Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Dallas-Ft. Worth Film Critics Association Award, 'Best Musical Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Critics Choice Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Critics Choice Association Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Phoenix Critics Circle Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Chicago Film Critics Association Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Las Vegas Film Critics Society, Sierra Award, 'Best Score', for Guillermo del Toro's Pinocchio

\r\n

2022Las Vegas Film Critics Society, Sierra Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Washington DC Area Film Critics Association Award, 'Best Original Score', for Guillermo del Toro's Pinocchio

\r\n

2022Sunset Circle Award, 'Best Score', for Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Score for an Animated Film', for Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Song for an Animated Film', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Score for an Independant Film', for The Outfit

\r\n

2022Hollywood Music in Media Award, 'Best Score for a Mobile Video Game', for Honor of Kings

\r\n

2022Fantasia Film Festival Award (Qu\u00e9bec), 'Best Score' (The Sandro Forte Award), for Final Cut (Coupez!)

\r\n

2022International Press Academy\u2019s Satellite Award, 'Best Original Score', for The French Dispatch

\r\n

2022BAFTA (British Academy Film Award), for The French Dispatch

\r\n

2022Society of Composers and Lyricists Award, 'Original Score for a Studio Film', for The French Dispatch

\r\n

2022Online Film and Television Association Award, 'Best Original Score', for The French Dispatch

\r\n

2022Hollywood Critics Association Award, 'Best Score', for The French Dispatch

\r\n

2022International Film Music Critics Association Award, 'Best Original Score for a Comedy Film', for The French Dispatch

\r\n

2022Paris Film Critics Award, 'Best Original Score', for The French Dispatch

\r\n

2022Online Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Houston Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Seattle Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022North Dakota Film Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Iowa Film Critics Association Award, 'Best Score', for The French Dispatch

\r\n

2022San Francisco Bay Area Film Critics Award, 'Best Original Score', for The French Dispatch

\r\n

2022Golden Globe (Hollywood Foreign Press Association), for The French Dispatch

\r\n

2022Columbus Film Critics Award, 'Best Score', for The French Dispatch

\r\n

2022DiscussingFilm Critics Association Award, 'Best Original Score', for The French Dispatch

\r\n\r\n
2021
\r\n

2022Florida Film Critics Circle Award, 'Best Score', for The French Dispatch

\r\n

2022Phoenix Critics Circle Award, 'Best Score', for The French Dispatch

\r\n

2021Hollywood Music in Media Award (HMMA), for The French Dispatch

\r\n

2022Chicago Film Critics Circle Award, 'Best Original Score', for The French Dispatch

\r\n

2021Las Vegas Film Critics Society Award (LVFCS), for The French Dispatch

\r\n

2021The Washington DC Area Film Critics Association Award, for The French Dispatch

\r\n

2022Sunset Film Circle Award (IFMCA), 'Best Score', for The French Dispatch

\r\n

2021The Transcendent Award at Coronado Island Film Festival

\r\n

2021Critics Choice Movie Award (BFCA), for The Midnight Sky

\r\n

2021Grammy Award, for Plumfield from Little Women

\r\n

2021Hollywood Critics Association Award, for The Midnight Sky

\r\n

2021Golden Globe (Hollywood Foreign Press Association), for The Midnight Sky

\r\n

2021International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction/Horror Film', for The Midnight Sky

\r\n

2021Satellite Award (International Press Academy), for The Midnight Sky

\r\n

2021Greater Western New York Film Critics Association Award (GWNYFCA), for The Midnight Sky

\r\n

2021Hollywood Music in Media Award, 'Best Original Score \u2013 Feature Film', for The Midnight Sky

\r\n

2021Houston Film Critics Society Award, for The Midnight Sky

\r\n

2021Denver Film Critics Society Award, for The Midnight Sky

\r\n

2021CinEuphoria Award (Portugal), 'Best Original Music - International Competition', for An Officer and a Spy (J'accuse) and Little Women

\r\n

2021Hawaii Film Critics Society Award, for The Midnight Sky

\r\n

2021Columbus Film Critics Association Award, for The Midnight Sky

\r\n

2021Chicago Indie Critics Award (CIC), for The Midnight Sky

\r\n\r\n
2020
\r\n

2020Florida Film Critics Circle Award, for The Midnight Sky

\r\n

2020World Soundtrack Award, 'Best Film Composer of the Year', for Little Women, An Officer and a Spy (J'accuse) and Adults in the Room (\u0395\u03bd\u03ae\u03bb\u03b9\u03ba\u03bf\u03b9 \u03c3\u03c4\u03b7\u03bd \u0391\u03af\u03b8\u03bf\u03c5\u03c3\u03b1)

\r\n

2020Gold Derby Film Decade Award 2010-2019, 'Best Score of the Decade' for The Shape of Water

\r\n

2020César, for An Officer and a Spy (J'accuse)

\r\n

2020International Film Music Critics Association Award , 'Film Composer of the Year'

\r\n

2020International Film Music Critics Association Award , 'Film Score of the Year' for Little Women

\r\n

2020International Film Music Critics Association Award , 'Best Original Score for a Drama Film', for Little Women

\r\n

2020Oscar (Academy Award), for Little Women

\r\n

2020Gold Derby Film Award, for Little Women

\r\n

2020Online Film & Television Association, for Little Women

\r\n

2020BAFTA (British Academy Film Award), for Little Women

\r\n

2020Lumière de la Presse Internationale (Académie des Lumières), for Adults in the Room (\u0395\u03bd\u03ae\u03bb\u03b9\u03ba\u03bf\u03b9 \u03c3\u03c4\u03b7\u03bd \u0391\u03af\u03b8\u03bf\u03c5\u03c3\u03b1)

\r\n

2020North Dakota Film Society Award, for Little Women

\r\n

2020Latino Entertainment Journalists Association Award, for Little Women

\r\n

2020Denver Film Critics Society Award, for Little Women

\r\n

2020Critics Choice Award (Broadcast Film Critics Association), for Little Women

\r\n

2020Georgia Film Critics Association Award, for Little Women

\r\n

2020Hollywood Critics Association Award (formerly L.A. Online Film Critics Association), for Little Women

\r\n

2020Austin Film Critics Association Award, for Little Women

\r\n

2020Online Film Critics Society Award, for Little Women

\r\n

2020Golden Globe, for Little Women

\r\n

2020Chicago Indie Critics Award, for Little Women

\r\n

2020International Online Cinema Award, for Little Women

\r\n

2020Columbus Film Critics Association Award, for Little Women

\r\n

2020Award Circuit Community Award, for Little Women

\r\n

2020Houston Film Critics Society Award, for Little Women

\r\n\r\n
2019
\r\n

2019Chicago Film Critics Association Award, for Little Women

\r\n

2019Greater Western New York Film Critics Association Award, for Little Women

\r\n

2019Dallas-Fort Worth Film Critics Association Award, for Little Women

\r\n

2019San Francisco Bay Area Film Critics Circle Award, for Little Women

\r\n

2019Indiana Film Journalists Association Film Award, for Little Women

\r\n

2019Boston Society of Film Critics Award, for Little Women

\r\n

2019Phoenix Critics Circle Award, for Little Women

\r\n

2019The Washington DC Area Film Critics Association Award, for Little Women

\r\n

2019Hollywood Music in Media Award, 'Best Original Score for a Feature Film', for Little Women

\r\n

2019Orły (Polish Film Award), for Based on a True Story (D'après une histoire vraie)

\r\n

2019Oscar (Academy Award), for Isle of Dogs

\r\n

2019International Online Cinema Award (INOCA), for Isle of Dogs

\r\n

2019César, for The Sisters Brothers (Les Frères Sisters)

\r\n

2019Satellite Award (International Press Academy), 'Best Original Score', for The Sisters Brothers (Les Frères Sisters)

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for a Comedy Film', for The Sisters Brothers (Les Frères Sisters)

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for an Action/Adventure/Thriller Film', for Operation Finale

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for an Animated film', for Isle of Dogs

\r\n

2019Gold Derby Award, for Isle of Dogs

\r\n

2019BAFTA (British Academy Film Award), for Isle of Dogs

\r\n

2019Grammy Award, 'Best Score', 'Best Instrumental Composition' and 'Best Arrangement', for The Shape of Water

\r\n

2019Lumières de la presse internationale, for The Sisters Brothers (Les Frères Sisters)

\r\n

2019 Online Film & Television Association Award, for Isle of Dogs

\r\n

2019Awards Circuit Community Award (ACCA), for Isle of Dogs

\r\n

2019Denver Film Critics Society Award, for Isle of Dogs

\r\n

2021Hawaii Film Critics Society Award, for Isle of Dogs

\r\n

2019Critic's Choice Award (Broadcast Film Critics Association), for Isle of Dogs

\r\n

2019Georgia Film Critics Association Award, for Isle of Dogs

\r\n

2019France Musique \u2013 Sacem Film Music Award, Lifetime Achievement Award

\r\n

2019Golden Globe, for Isle of Dogs

\r\n

2019Iowa Film Critics Association Award, for Isle of Dogs

\r\n

2019Houston Film Critics Society Award, for Isle of Dogs

\r\n

2019Online Film Critics Society Award, for Isle of Dogs

\r\n

2019CinEuphoria Award (Portugal), for Isle of Dogs

\r\n\r\n
2018
\r\n

2018Dallas-Fort Worth Film Critics Association Award, for Isle of Dogs

\r\n

2018Phoenix Critics Circle Award, for Isle of Dogs

\r\n

2018San Francisco Film Critics Circle Award, for Isle of Dogs

\r\n

2018Los Angeles Online Film Critics Society Award, for Isle of Dogs

\r\n

2018Hollywood Music in Media Award, 'Best Original Score for an Animated Film', for Isle of Dogs

\r\n

2018Hollywood Music in Media Award, 'Best Original Score for a Feature Film', for The Sisters Brothers (Les Frères Sisters)

\r\n

2018World Soundtrack Award, 'Best Film Composer of the Year', for Endangered Species (Espèces menacées), Isle of Dogs, Suburbicon, The Shape of Water and Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018International Online Cinema Award (INOCA), 'Halfway Award', for Isle of Dogs

\r\n

2018Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for The Shape of Water

\r\n

2018Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Shape of Water

\r\n

2018BMI Film Music Award, for The Shape of Water

\r\n

2018Golden Iris (Hellenic Film Academy), 'Honorary Award', for his contribution to the art of cinema

\r\n

2018Oscar (Academy Award), for The Shape of Water

\r\n

2018Gold Derby Award, for The Shape of Water

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Score of the Year', for The Shape of Water

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction/Horror Film', for The Shape of Water and for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018BAFTA (British Academy Film Award), for The Shape of Water

\r\n

2018Online Film & Television Association, for The Shape of Water

\r\n

2018Satellite Award (International Press Academy), for The Shape of Water

\r\n

2018Awards Circuit Community Award (ACCA), for The Shape of Water

\r\n

2018Annie Award (International Animated Film Society), 'Outstanding Achievement in Music in an Animated TV/Broadcast Production', for The Secret Life Of Pets

\r\n

2018Annie Award (International Animated Film Society), 'Outstanding Achievement in Music in an Animated Feature Production', for Trollhunters

\r\n

2018Online Film & Television Association Award, for The Shape of Water

\r\n

2018Movie Music UK Award, 'Film Composer of the Year'

\r\n

2018Movie Music UK Award, 'Score of the Year' for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018Movie Music UK Award, 'Best Fantasy/Sc-Fi/Horror Score' for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018Denver Film Critics Society Award, for The Shape of Water

\r\n

2018Hawaii Film Critics Society Award, for The Shape of Water

\r\n

2018Critics' Choice Award (Broadcast Film Critics Association), for The Shape of Water

\r\n

2018Iowa Film Critics Association Award, for The Shape of Water

\r\n

2018Austin Film Critics Award, for The Shape of Water

\r\n

2018Golden Globe (Hollywood Foreign Press Association), for The Shape of Water

\r\n

2018Los Angeles Online Film Critics Society Award, for The Shape of Water

\r\n

2018Houston Film Critics Society Award, for The Shape of Water

\r\n

2018Columbus Film Critics Association Award, 'Best Score' for The Shape of Water

\r\n

2018Variety Artisans Award (Santa Barbara International Film Festival), 'Best Score' for The Shape of Water

\r\n

2018Central Ohio Film Critics Association Award, for The Shape of Water

\r\n\r\n
2017
\r\n

2017Chicago Independent Film Critics Circle Award, for The Shape of Water

\r\n

2017Florida Film Critics Circle Award, for The Shape of Water

\r\n

2017Phoenix Film Critics Society Award, for The Shape of Water

\r\n

2017Sierra Award (Las Vegas Film Critics Society), for The Shape of Water

\r\n

2017St. Louis Film Critics Association Award, for The Shape of Water

\r\n

2017Utah Film Critics Association Award, for The Shape of Water

\r\n

2017Indiana Film Journalists Association Award, for The Shape of Water

\r\n

2017Phoenix Critics Circle Award, for The Shape of Water

\r\n

2017Dallas-Fort Worth Film Critics Association Award, for The Shape of Water

\r\n

2017Chicago Film Critics Association Award, for The Shape of Water

\r\n

2017New Mexico Film Critics Association Award, for The Shape of Water

\r\n

2017San Francisco Film Critics Circle Award, for The Shape of Water

\r\n

2017Boston Online Film Critics Association Award, for The Shape of Water

\r\n

2017Washington, D.C. Area Film Critics Association, for The Shape of Water

\r\n

2017Los Angeles Film Critics Association Award (LAFCA), for The Shape of Water

\r\n

2017Hollywood Music in Media Award, 'Best Original Score \u2014 Sci-Fi/Fantasy/Horror Film', for The Shape of Water

\r\n

2017Soundtrack Stars Award, 'Premio della Critica', at Venice International Film Festival, for The Shape of Water

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Drama Film', for The Light Between Oceans

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Animated Feature Film', for The Secret Life Of Pets

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Archival Release of an Existing Score - Compilation', together with Quincy Jones, Stéphane Lerouge and Toots Thielemans, for the album The Cinema of Quincy Jones

\r\n

2017Georgia Film Critics Association Award, for The Shape of Water

\r\n\r\n
2016
\r\n

2016Hollywood Music in Media Award (HMMA), for The Secret Life Of Pets

\r\n

2016Hollywood in Vienna (Max Steiner Film Music Achievement Award)

\r\n

2016Deutschen Filmpreis (Deutsche Filmakademie), for Every Thing Will Be Fine

\r\n

2016Wojciech Kilar Award 'Lifetime Achievement' at Krakow Film Music Festival (Poland)

\r\n

2016David di Donatello (Accademia del Cinema Italiano), for Tale of Tales (Il racconto dei racconti)

\r\n

2016Satellite Award (International Press Academy), for The Danish Girl

\r\n

2016Grammy Award, for The Imitation Game

\r\n

2016Golden Globe (Hollywood Foreign Press Association), for The Danish Girl

\r\n\r\n\r\n
2015
\r\n

2015Grand Prix du répertoire SACEM à l'export (France)

\r\n

2015Hollywood Film Composer Award, for The Danish Girl and Suffragette

\r\n

2015Siren Award (Music + Sound Award, Australia), for The Grand Budapest Hotel

\r\n

2015World Soundtrack Award, 'Film Composer of the Year', for Unbroken, The Imitation Game, Everything Will Be Fine and for Tale of Tales (Il racconto dei racconti)

\r\n

2015World Soundtrack Award, 'Best Original Film Score of the Year', for The Imitation Game

\r\n

2015GoldSpirit Award (Espagne), 'Best Composer of the Year'

\r\n

2015GoldSpirit Award (Espagne), 'Best Score for a Drama Film', for The Imitation Game

\r\n

2015GoldSpirit Award (Espagne), 'Best Score for a Comedy Film', for The Grand Budapest Hotel

\r\n

2015Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for Godzilla

\r\n

2015Seattle Film Critics Award, for The Grand Budapest Hotel

\r\n

2015Italian Online Movie Award, for The Grand Budapest Hotel

\r\n

2015Cinema Bloggers Award (Portugal), for The Grand Budapest Hotel

\r\n

2015BMI Icon Award, 'for outstanding career achievement'

\r\n

2015Kennedy Center International Committee on the Arts, 'Gold Medal in the Arts'

\r\n

2015Críticos de Cinema Online Portugueses Award, for The Grand Budapest Hotel

\r\n

2015Chlotrudis Award (Chlotrudis Society for Independent Film), for The Grand Budapest Hotel

\r\n

2015Gold Derby Award, for The Grand Budapest Hotel

\r\n

2015Premio ColonneSonore (Italie), 'Migliore compositore straniero'

\r\n

2015Premio ColonneSonore (Italie), 'Migliore musica per film straniero', for Godzilla, The Grand Budapest Hotel, and for The Monuments Men

\r\n

2015International Online Cinema Award (INOCA), for The Grand Budapest Hotel

\r\n

2015Oscar (Academy Award), for The Grand Budapest Hotel

\r\n

2015Oscar (Academy Award), for The Imitation Game

\r\n

2015International Cinephile Society Award, for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Film Score Of the Year', for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Drama Film', for The Imitation Game and The Monuments Men

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Comedy Film', for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Godzilla

\r\n

2015Satellite Award (International Press Academy), for The Imitation Game

\r\n

2015Grammy Award, for The Grand Budapest Hotel

\r\n

2015BAFTA (British Academy Film Award), for The Grand Budapest Hotel

\r\n

2015Online Film & Television Association Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2015International Online Film Critics' Poll, for The Grand Budapest Hotel

\r\n

2015International Online Film Critics' Poll, for The Imitation Game

\r\n

2015Movie Music UK Award, 'Composer of the Year'

\r\n

2015Denver Film Critics Society Award, for The Grand Budapest Hotel

\r\n

2015Critics' Choice Award, for The Imitation Game

\r\n

2015Eda Award (Alliance of Women Film Journalists), for The Grand Budapest Hotel

\r\n

2015Golden Globe, for The Imitation Game

\r\n

2015Houston Film Critics Society Award, for The Grand Budapest Hotel

\r\n

2015Houston Film Critics Society Award, for The Imitation Game

\r\n

2015Central Ohio Film Critics Association Award, for The Grand Budapest Hotel

\r\n

2015Iowa Film Critics Award, for The Imitation Game

\r\n\r\n
2014
\r\n

2014Phoenix Film Critics Society Award, for The Imitation Game

\r\n

2014Chicago Film Critics Association Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2014IndieWire Critics' Poll, for The Grand Budapest Hotel

\r\n

2014Indiana Film Journalists Association Award, for The Grand Budapest Hotel

\r\n

2014San Diego Film Critics Society Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2014St. Louis Film Critics Association Award, for The Grand Budapest Hotel

\r\n

2014Sammy Award, 'Best New Film Score CD Release', for The Grand Budapest Hotel

\r\n

2014Hollywood Film Composer Award, for The Imitation Game

\r\n

2014Hollywood Music In Media Award, for The Imitation Game

\r\n

2014World Soundtrack Award, 'Film Composer of the Year', for The Grand Budapest Hotel, Godzilla, The Monuments Men, Venus in Fur (La Vénus à la fourrure), Philomena, Zulu, Marius

\r\n

2014World Soundtrack Award, 'Best Original Film Score of the Year', for The Grand Budapest Hotel

\r\n

2014Soundtrack Stars Award, 'Premio della Critica', au Festival International du Film de Venise

\r\n

2014Orły (Polish Film Award), for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Oscar (Academy Award), for Philomena

\r\n

2014Etoile d'Or du Cinema Français, for Renoir, Marius, Fanny, and Zulu

\r\n

2014Premio ColonneSonore (Italie), for Godzilla, The Grand Budapest Hotel and The Monuments men

\r\n

2014César (French Académie des Arts et Techniques du Cinéma), for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Awards Circuit Community Award (ACCA), for The Grand Budapest Hotel

\r\n

2014Satellite Award (International Press Academy), for Philomena

\r\n

2014International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Online Film & Television Association Award, 'Best Score Soundtrack For Visual Media', for Philomena

\r\n

2014Grammy Award, for Argo and Zero Dark Thirty

\r\n\r\n
2013
\r\n

2013Prix France Musique - Sacem de la musique de film, for The Tree of Life

\r\n

2013World Soundtrack Award, 'Film Composer of the Year', for Argo, Reality, Renoir, Rise of the Guardians, and Zero Dark Thirty

\r\n

2013David di Donatello (Accademia del Cinema Italiano), for Reality

\r\n

2013Italian Online Movie Award, for Argo, and Moonrise Kingdom

\r\n

2013BMI Film Music Award, for Argo, Zero Dark Thirty and Rise of the Guardians

\r\n

2013Orły (Polish Film Award), for Carnage

\r\n

2013Oscar (Academy Award), for Argo

\r\n

2013César (French Académie des Arts et Techniques du Cinéma), for Rust and Bone (De Rouille et d'os)

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for Argo, Moonrise Kingdom, Rust and Bone (De Rouille et d'os), Rise of the Guardians, and Zero Dark Thirty

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Moonrise Kingdom

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure/Thriller Film', for Zero dark Thirty

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Animated Feature Film', for Rise of the Guardians

\r\n

2013Etoile d'Or du Cinema Français, for Rust and Bone (De Rouille et d'os) and My Way (Cloclo)

\r\n

2013International Cinephile Society Award (Accademia del Cinema Italiano), for Moonrise Kingdom

\r\n

2013BAFTA (British Academy Film Award), for Argo

\r\n

2013Annie Award (International Animated Film Society - Holywood), for Rise of the Guardians

\r\n

2013Online Film & Television Association Award, for Argo, Moonrise Kingdom, and Zero Dark Thirty

\r\n

2013Gold Derby Award, for Argo

\r\n

2013London Critics Circle Film Award, for Rust and Bone (De Rouille et d'os)

\r\n

2013Georgia Film Critics Association Award, for Argo

\r\n

2013Golden Globe, for Argo

\r\n

2013Critics' Choice Award, for Argo and Moonrise Kingdom

\r\n

2013Denver Film Critics Society Award, for Argo

\r\n

2013Eda Award (Alliance of Women Film Journalists), for Argo and Zero Dark Thirty

\r\n

2013Central Ohio Film Critics Association Award, for Moonrise Kingdom

\r\n

2013Central Ohio Film Critics Association Award, for Argo

\r\n\r\n
2012
\r\n

2012International Online Film Critics' Poll, for The King's Speech

\r\n

2012IndieWire Critics' Poll (ICP), for Monrise Kingdom and Zero Dark Thirty

\r\n

2012Satellite Award (International Press Academy), for Argo

\r\n

2012Chicago Film Critics Association Award for Argo, Zero Dark Thirty and Moonrise Kingdom

\r\n

2012St Louis Film Critics Association Award, for Moonrise Kingdom

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2012San Diego Film Critics Society Award, for Argo and Moonrise Kingdom

\r\n

2012Washington DC Area Film Critics Association Award, for Moonrise Kingdom

\r\n

2012Sammy Film Music Award, 'Best New Film Score CD', for Rise of the Guardians

\r\n

2012Sammy Film Music Award, 'Best New Film Song', for Still Dream du film Rise of the Guardians

\r\n

2012World Soundtrack Award, 'Soundtrack Composer of the Year', for A Better Life, Carnage, The King's Speech, Rust and Bones (De rouille et d'os), Extremely Loud & Incredibly Close, Moonrise Kingdom, and The Ides of March

\r\n

2012World Soundtrack Award, 'Best Original Soundtrack of the Year', for The Ides of March

\r\n

2012BMI Film Music Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Italian Online Movie Award (IOMA), for The Tree Of Life

\r\n

2012International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for A Better Life, Carnage, Extremely Loud & Incredibly Close, Harry Potter and the Deathly Hallows: Part 2, The Ides of March, and The Tree of Life

\r\n

2012International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Grammy Award, for The King's Speech

\r\n

2012Grammy Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Soundtrack Geek Award, for Moonrise Kingdom

\r\n

2012Gold Derby Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Award Circuit Community Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Denver Film Critics Society Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Central Ohio Film Critics Association Award, for The Tree Of Life

\r\n\r\n
2011
\r\n

2011Phoenix Film Critics Society Award, for Extremely Loud and Incredibly Close

\r\n

2011Satellite Award (International Press Academy), for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011San Diego Film Critics Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011San Diego Film Critics Society Award, for Extremely Loud and Incredibly Close and The Tree Of Life

\r\n

2011Houston Film Critics Society Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011St. Louis Film Critics Association Award, for The Tree Of Life

\r\n

2011Harry Warren Award (Sonora International Awards, Italie), for The King's Speech

\r\n

2011European Film Award, for The King's Speech

\r\n

2011Hollywood Music In Media Award, for The Ides Of March

\r\n

2011Prix France Musique-Sacem de la musique de film, for The Ghost Writer

\r\n

2011World Soundtrack Award, 'Soundtrack Composer of the Year'

\r\n

2011World Soundtrack Award, 'Best Original Soundtrack of the Year', for The King's Speech

\r\n

2011BMI London Award, for Harry Potter and les reliques de la mort: 1ere partie and for The King's Speech

\r\n

2011Italian Online Movie Award, for The King's Speech

\r\n

2011Etoile d'Or du Cinéma Français, for The Ghost Writer

\r\n

2011Oscar (Academy Award), for The King's Speech

\r\n

2011César (French Académie des Arts et Techniques du Cinéma), for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for The Ghost Writer, Harry Potter and the Deathly Hallows: Part 1, The King's Speech, The Special Relationship, and Tamara Drewe

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The King's Speech and for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For a Drama Film', for The King's Speech

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For an Action/Adventure/Thriller Film', for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Harry Potter and the Deathly Hallows: Part 1

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Music Composition of the Year', for \"The Truth About Ruth\" from the film The Ghost Writer

\r\n

2011International Cinephile Society Award, for The Ghost Writer

\r\n

2011Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Harry Potter and the Deathly Hallows: Part 1

\r\n

2011BAFTA (British Academy Film Award), for The King's Speech

\r\n

2011International Online Cinema Award (INOCA), for The Ghost Writer

\r\n

2011Online Film & Television Association Award, for The Ghost Writer

\r\n

2011Gold Derby Award, for The Ghost Writer and The King's Speech

\r\n

2011Awards Circuit Community Award (ACCA), for Harry Potter and the Deathly Hallows - Part 2

\r\n

2011Movie Music UK Award, 'Composer of the Year'

\r\n

2011Golden Globe, for The King's Speech

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2011Critics' Choice Award (BFCA), for The King's Speech

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2010
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2010Phoenix Film Critics Society Award, for The Ghost Writer

\r\n

2010Satellite Award (International Press Academy), for Harry Potter and the Deathly Hallows: Part 1

\r\n

2010European Film Award, for The Ghost Writer

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2010Los Angeles Film Critics Association Award (LAFCA), for The Ghost Writer

\r\n

2010Sammy Award, 'Best New Film Score CD', for The King's Speech

\r\n

2010World Soundtrack Award, 'Best Original Soundtrack of the Year', for Fantastic Mr Fox

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2010World Soundtrack Award, 'Soundtrack Composer of the Year', for Fantastic Mr Fox, The Twilight Saga: New Moon, Julie & Julia, and The Ghost Writer

\r\n

2010Prix France Musique-Sacem de la musique de film, for The Army of Crime (L'armée du crime)\r\n

2010Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Ghost Writer

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2010BMI Film Music Award, pourFantastic Mr Fox, Julie & Julia, The Twilight Saga: New Moon

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2010Etoile d'Or du Cinéma Français, for A Prophet (Un Prophète), The Army of Crime (L'armée du crime), Afterwards, Coco Before Chanel (Coco avant Chanel), and Chéri

\r\n

2010Oscar (Academy Award), for Fantastic Mr Fox

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2010César (French Académie des Arts et Techniques du Cinéma), for A Prophet (Un Prophète)

\r\n

2010BAFTA (British Academy Film Award), for Fantastic Mr Fox

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The Twilight Saga: New Moon

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2010International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Julie & Julia

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2010International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction Film', for The Twilight Saga: New Moon

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2010International Film Music Critics Association Award (IFMCA), 'Best Original Score For An Animated Feature', for Fantastic Mr Fox

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2010Gold Derby Award, for Fantastic Mr Fox

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2010International Cinephile Society Award, for Fantastic Mr Fox

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2010Grammy Award, for The Curious Case Of Benjamin Button

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2010Movie Music UK Award, 'Composer of the Year'

\r\n

2010CinEuphoria Award (Portugal), for The Curious Case Of Benjamin Button, and Intimate Enemies (L'ennemi intime)

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2010Frederick Loewe Award for Film Composing (Palm Springs International Film Festival), for The Curious Case Of Benjamin Button and Intimate Enemies (L'ennemi intime)

\r\n

2010Online Film Critics Society Award, for Fantastic Mr Fox

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2010Central Ohio Film Critics Association Award, for The Curious Case Of Benjamin Button

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2009
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2009Houston Film Critics Society Award, for Fantastic Mr. Fox

\r\n

2009Chicago Film Critics Association Award, for Fantastic Mr Fox

\r\n

2009European Film Award, for Coco Before Chanel (Coco avant Chanel)

\r\n

2009Los Angeles Film Critics Association Award (LAFCA), for Fantastic Mr Fox

\r\n

2009Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Coco Before Chanel (Coco avant Chanel)

\r\n

2009Hollywood Film Festival Award

\r\n

2009World Soundtrack Academy Award 'Best Film Score of the Year', for The Curious Case Of Benjamin Button

\r\n

2009World Soundtrack Academy Award, 'Film Composer of the Year', for The Curious Case Of Benjamin Button, Coco Before Chanel (Coco avant Chanel), Largo Winch, and Chéri

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2009Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for The Curious Case Of Benjamin Button

\r\n

2009Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Curious Case Of Benjamin Button

\r\n

2009BMI Film Music Award, for The Curious Case Of Benjamin Button

\r\n

2009Golden Alexander at Thessalonique International Film Festival (Greece), 'Life Achievement Award'

\r\n

2009Oscar (Academy Award), for The Curious Case Of Benjamin Button

\r\n

2009International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The Curious Case Of Benjamin Button

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for The Curious Case Of Benjamin Button

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2009Movie Music UK Award, 'Composer of the Year'

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2009Movie Music UK Award, 'Score of the Year', for The Curious Case Of Benjamin Button

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2009Movie Music UK Award, 'Best Score - Drama', for The Curious Case Of Benjamin Button

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2009Movie Music UK Award, 'Best Score \u2013 Thriller, Action or Adventure', for Largo Winch

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2009Movie Music UK Award, 'Best score / fantasy, science fiction or horror' for Mr Magorium's Wonder Emporium (with Aaron Zigman)

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2009International Online Cinema Award (INOCA), for The Curious Case Of Benjamin Button

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2009BAFTA, for The Curious Case Of Benjamin Button

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2009Gold Derby Award, for The Curious Case Of Benjamin Button

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2009Online Film & Television Association Award, for The Curious Case Of Benjamin Button

\r\n

2009International Cinephile Society Award, for The Curious Case Of Benjamin Button

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2009Award Circuit Community Award, for The Curious Case Of Benjamin Button

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2009Golden Globe, for The Curious Case Of Benjamin Button

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2009Central Ohio Film Critics Association Award, for The Curious Case Of Benjamin Button

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2009Critics' Choice Award, for The Curious Case Of Benjamin Button

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2009Sammy Film Music Award, for The Curious Case Of Benjamin Button

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2009Online Film Critics Society Award, for The Curious Case Of Benjamin Button

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2008
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20082e Houston Film Critics Society Award, 'Best Original Score', for The Curious Case Of Benjamin Button

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2008Phoenix Film Critics Society Award, for The Curious Case Of Benjamin Button

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2008Chicago Film Critics Association Award, for The Curious Case Of Benjamin Button

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2008Los Angeles Film Critics Association Award (LAFCA), for The Curious Case Of Benjamin Button

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2008World Soundtrack Award, 'Soundtrack Composer of the Year', for The Golden Compass

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2008SACEM, 'Grand Prix de la Musique for l'Audiovisuel'

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2008Asian Films Award, for Lust, Caution (Se, Jie)

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2008César (French Académie des Arts et Techniques du Cinéma), for Intimate Ennemies (L'ennemi intime)

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for Lust, Caution (Se, jie), and for The Golden Compass

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for Lust, Caution (Se, Jie)

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2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy-Science Fiction Film', for The Golden Compass

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2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction Film', for Mr Magorium's Wonder Emporium (with Aaron Zigman)

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2008International Film Music Critics Association Award (IFMCA), 'Film Music Composition of the Year', for \u201cWong Chia Chi\u2019s Theme\u201d from the film Lust, Caution (Se, jie)

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2008International Online Cinema Award (INOCA), for Lust, Caution (Se, jie)

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2008Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Lust, Caution (Se, Jie)

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2008Online Film & Television Association Award, for Lust, Caution (Se, Jie)

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2008Gold Derby Award, for The Queen et for The Painted Veil

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2008Etoile d'Or du Cinéma Français, for Intimate Ennemies (L'ennemi intime)

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2008Movie Music UK Award), 'Composer of the Year'

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2008Movie Music UK Award, 'Score of the Year', for The Golden Compass

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2008Movie Music UK Award, 'Best Original Score Fantasy/Science Fiction', for The Golden Compass

\r\n

2008Critics' Choice Award, for Lust, Caution (Se, Jie)

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20081er Houston Film Critics Society Award, for Lust, Caution (Se, Jie)

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2007
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2007Chicago Film Critics Association Award, for Lust, Caution (Se, Jie)

\r\n

2007European Film Award, for The Queen

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2007Golden Horse Award (Taiwan), for Lust, Caution

\r\n

2007World Soundtrack Award, 'Soundtrack Composer of the Year', for The Queen and The Painted Veil

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2007Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Queen

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2007BMI London Film Music Award for The Queen and The Painted Veil

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2007Oscar (Academy Award), for The Queen

\r\n

2007International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2007International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for The Painted Veil and The Queen

\r\n

2005International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure Film', for Firewall

\r\n

2007BAFTA (British Academy Award), for The Queen

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2007International Online Cinema Award (INOCA), for The Painted Veil

\r\n

2007International Online Cinema Award (INOCA), for The Queen

\r\n

2007International Cinephile Society Award, for The Painted Veil

\r\n

2007International Cinephile Society Award, for The Queen

\r\n

2007Gold Derby Award, for The Queen, et The Painted Veil

\r\n

2007Online Film & Television Association Award (OFTA), for Lust, Caution (Se, jie), et The Painted Veil

\r\n

2007Movie Music UK Award, 'Film Composer of the Year'

\r\n

2007Golden Globe, for The Painted Veil

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2006
\r\n

2006Chicago Film Critics Association Award, for The Queen

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2006Los Angeles Film Critics Association Award (LAFCA), for The Queen and The Painted Veil

\r\n

2006Etoile D'Or (Académie de la Presse du Cinéma Français), for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

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2006César, for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

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2006International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

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2006International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure Film', for Hostage

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2006Golden Globe, for Syriana

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2005
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2005Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Birth

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2005Ours d'Argent (Festival International du Film de Berlin), for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

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2005International Online Cinema Award (INOCA), for Birth

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2005Gold Derby Award, for Birth

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2005International Cinephile Society Award, for Birth

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2005Online Film & Television Association Award, for Birth

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2005Online Film Critics Society Award, for Birth

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2004
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2004Los Angeles Film Critics Association Award (LAFCA), for Birth

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2004European Film Award, for Girl with a Pearl Earring

\r\n

2004Société des Auteurs et Compositeurs Dramatiques (SACD), Nouveau Talent Musique

\r\n

2004BAFTA (British Academy Award), for Girl with a Pearl Earring

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2004Golden Globe, for Girl with a Pearl Earring

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2002
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2001César (Académie des Arts et Techniques du Cinéma), for Read My Lips (Sur mes lèvres)

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1997
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1997César (Académie des Arts et Techniques du Cinéma), for A Self-Made Hero (Un héros très discret)

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\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n", + "page_last_modified": "" + }, + { + "page_name": "Alexandre Desplat - Biography", + "page_url": "https://www.alexandredesplat.net/us/bio-e.php", + "page_snippet": "Alexandre Desplat, composer's official website, biographyComposer, orchestrator and conductor, two times Academy Award winner, Alexandre Desplat, eleven-times Academy Award Nominee, with over hundred scores and numerous awards to his credit is one of the most worthy heirs of the French film scoring masters. A true cinephile, his approach to film composition is not only based on his strong musicality, but also on his understanding of Cinema, which allows him to intimately communicate with directors. The same year, he wrote the music for Twilight-New Moon by Chris Weitz, a platinum record, Anne Fontaine\u2019s Coco Before Chanel and for Tom Hooper\u2019s The King\u2019s Speech for which he won the BAFTA, the Grammy Award and receives his fourth Academy Award nomination and his fifth Golden Globe nomination. In 2010-2011 Alexandre Desplat scored David Yates films Harry Potter and the Deathly Hallows, part 1 and Harry Potter and the Deathly Hallows, part 2, which became the third most successful movie of all time. In 2018, Alexandre Desplat wons for Guillermo del Toro's The Shape of Water his second Academy Award, second Golden Globe and third BAFTA. He was nominated in 2019 for an Oscar and a Golden Globe for Wes Anderson's Isle of Dogs, and in 2020 for an Oscar, a Golden Globe and a BAFTA for Greta Gerwig's Little Women. Alexandre Desplat then started to expand his U.S. career keeping his European collaborations by composing for Stephen Gaghan\u2019s Syriana, Jonathan Glazer\u2019s Birth, Florent Siri\u2019s Hostage, and Jacques Audiard\u2019s A Prophet. In 2007 he received his first Academy Award nomination for Stephen Frears\u2019 The Queen which earned him his first European Film Award.", + "page_result": "\ufeff\r\n\r\n\r\nAlexandre Desplat - Biography \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n\r\n\ufeff

Alexandre Desplat\r\n

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Biography

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Composer, orchestrator and conductor, two times Academy Award winner, Alexandre Desplat, eleven-times Academy Award Nominee, with over hundred scores and numerous awards to his credit is one of the most worthy heirs of the French film scoring masters.

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A true cinephile, his approach to film composition is not only based on his strong musicality, but also on his understanding of Cinema, which allows him to intimately communicate with directors. Inspired by the works of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, he expressed his desire to compose for Cinema early on but really made his decision after listening to John Williams’s score to Star Wars.

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Raised in a musical and cultural mix with a Greek mother and French father who studied and were married in California, he grew up listening to the French symphonists Ravel and Debussy, to World Music and to Jazz. He studied piano and trumpet before choosing the flute as main instrument and enriched his classical musical education by studying Brazilian and African Music, which later will lead him to record with Carlinhos Brown and Ray Lema. While composing for Cinema and Television he started writing a lot for Theater companies such as La Comédie Française, which allowed him to understand the importance of dramaturgy and how to adapt carefully his music to actors performances.

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During the recording of his first feature film, he met a rare violinist, Dominique "Solrey" Lemonnier, starting an exceptional artistic exchange. She became his favorite soloist, concertmaster and artistic director. With her special sense of interpretation and her creative spirit, she has inspired Desplat’s compositions, influencing his music at its core. Together they have created a new way of using for the strings in film music.

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After scoring 50 European films, with legendary French directors such as Philippe de Broca or Francis Girod, he burst in 2003 onto the Hollywood scene with his evocative score to Peter Webber’s Girl with a Pearl Earring which earned him nominations at the Golden Globes, BAFTAs and European Film Awards. His singular and remarkable scores for the films of Jacques Audiard showed a new musical voice and his composition for The Beat That My Heart Skipped in 2005 earned him the Silver Bear at the Berlinale as well as his first César.

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Alexandre Desplat then started to expand his U.S. career keeping his European collaborations by composing for Stephen Gaghan’s Syriana, Jonathan Glazer’s Birth, Florent Siri’s Hostage, and Jacques Audiard’s A Prophet.

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In 2007 he received his first Academy Award nomination for Stephen Frears’ The Queen which earned him his first European Film Award. The same year he won the Golden Globe, the Los Angeles Film Critics Association Award and the World Soundtrack Award for his score to John Curran’s The Painted Veil, performed by Lang Lang.

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He composed in 2008 for Florent Siri’s Intimate Enemy, Ang Lee’s Lust, Caution, and David Fincher’s The Curious Case of Benjamin Button, which earned him a second Oscar nomination and a fourth BAFTA and Golden Globe nomination.

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With his score for Roman Polanski’s The Ghost Writer in 2010, starting an inspiring relationship, he won a second César and a second European Film Award. The same year, he wrote the music for Twilight-New Moon by Chris Weitz, a platinum record, Anne Fontaine’s Coco Before Chanel and for Tom Hooper’s The King’s Speech for which he won the BAFTA, the Grammy Award and receives his fourth Academy Award nomination and his fifth Golden Globe nomination.

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In 2010-2011 Alexandre Desplat scored David Yates films Harry Potter and the Deathly Hallows, part 1 and Harry Potter and the Deathly Hallows, part 2, which became the third most successful movie of all time. As eclectic as prolific he wrote nine score in 2011 including Terence Malik’s Tree of Life, Roman Polanski’s Carnage, Wes Anderson’s Fantastic Mr Fox, Daniel Auteuil’s The Well’s Digger Daughter and George Clooney’s The Ides of March.

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In 2012, keeping his artistic exchange with European directors, Alexandre Desplat collaborated with Kathryn Bigelow for Zero Dark Thirty, Matteo Garrone for Reality, Gilles Bourdos for Renoir, Jérôme Salle for Zulu, Wes Anderson for Moonrise Kingdom and Jacques Audiard for Rust And Bone for which he won a third César. He also scored Argo by Ben Affleck, which was awarded the Oscar for best film, and earned Alexandre Desplat a sixth nomination at BAFTA, as well as a fifth nomination at the Golden Globes and the Oscars.

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He signed in 2013 the scores of The Monuments Men by George Clooney, Roman Polanski’s Venus in Fur, Stephen Frears’ Philomena, for which he received his seventh BAFTA and his fifth Oscar nominations.

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In 2014 he scored Gareth Edwards’s blockbuster Godzilla, and received a rare double Academy Award nomination for his scores of Morten Tyldum’s The Imitation Game and Wes Anderson’s The Grand Budapest Hotel, which earned him a BAFTA, a Grammy and his first Oscar.

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Member of the jury at the Festival de Cannes 2012, he became the first composer President of the Jury at the Mostra di Venezia in 2014. Celebrating their longtime partnership he has conducted the London Symphony Orchestra for a concert of his works at the Barbican Theater in London in December 2014.

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In 2018, Alexandre Desplat wons for Guillermo del Toro's The Shape of Water his second Academy Award, second Golden Globe and third BAFTA. \r\n He was nominated in 2019 for an Oscar and a Golden Globe for Wes Anderson's Isle of Dogs, and in 2020 for an Oscar, a Golden Globe and a BAFTA for Greta Gerwig's Little Women.

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Main Awards

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awards in red nominations in black

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Oscars
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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2015The Grand Budapest Hotel

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2015The Imitation Game

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2014Philomena

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2013Argo

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2011The King's Speech

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2010Fantastic Mr Fox

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2009The Curious Case Of Benjamin Button

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2007The Queen

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Golden Globes
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2023Guillermo del Toro\u2019s Pinocchio

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2023Ciao Papa from Guillermo del Toro's Pinocchio

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2022The French Dispatch

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2021The Midnight Sky

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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2016The Danish Girl

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2015The Imitation Game

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2013Argo

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2011The King's Speech

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2009The Curious Case Of Benjamin Button

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2007The Painted Veil

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2006Syriana

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2004Girl with a Pearl Earring

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Baftas
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2023Guillermo del Toro\u2019s Pinocchio

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2022The French Dispatch

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2020Little Women

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2019Isle of Dogs

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2018The Shape of Water

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2015The Grand Budapest Hotel

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2013Argo

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2011The King's Speech

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2010Fantastic Mr Fox

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2009The Curious Case Of Benjamin Button

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2007The Queen

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2004Girl with a Pearl Earring

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Grammies
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2021Plumfield from Little Women

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2019The Shape of Water

\r\n

2016The Imitation Game

\r\n

2015The Grand Budapest Hotel

\r\n

2014Argo and Zero Dark Thirty

\r\n

2012The King's Speech

\r\n

2012Harry Potter and the Deathly Hallows: Part 2

\r\n

2010The Curious Case Of Benjamin Button

\r\n\r\n
Césars
\r\n

2023 Final Cut (Coupez !)

\r\n

2020An Officer and a Spy (J'accuse)

\r\n

2019The Sisters Brothers (Les Frères Sisters)

\r\n

2014Venus in Fur (La Vénus à la fourrure)

\r\n

2013Rust and Bone (De Rouille et d'os)

\r\n

2011The Ghost Writer

\r\n

2010A Prophet (Un prophète)

\r\n

2008Intimate Enemies (L'ennemi intime)

\r\n

2006The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

\r\n\r\n
\r\n\r\n\r\n\r\n
\r\n

Awards 
and Nominations

\r\n

awards in red nominations in black

\r\n\r\n
2023
\r\n

2023Gold Derby Film Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Gold Derby Film Award, 'Best Original Song', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023Latino Entertainment Journalists Association Film Award, 'Meilleure chanson \u00e9crite pour un film', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023Latino Entertainment Journalists Association Film Award, 'Meilleure musique \u00e9crite pour un film', pour Guillermo del Toro\u2019s Pinocchio

\r\n

2023CinEuphoria Award (Portugal), 'Best Original Music', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023CinEuphoria Award (Portugal), 'Meilleure musique originale', pour Guillermo del Toro\u2019s Pinocchio

\r\n

2023International Film Music Critics Association, 'Best Original Score for a Comedy Film', for The Lost King

\r\n

2023International Film Music Critics Association, 'Best Original Score for an Animated Film', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023International Film Music Critics Association, 'Composer of the Year'

\r\n

2023César (France), 'Best Original Score', for Final Cut (Coupez !)

\r\n

2023Annie Award, 'Best Music - Feature film', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Hollywood Critics Association Creative Arts Award (HCA), 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Houston Film Critics Society Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Houston Film Critics Society Award, 'Best Original Song', for Ciao,Papa from Guillermo del Toro\u2019s Pinocchio

\r\n

2023BAFTA, (British Academy Film Award), 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Society of Composers & Lyricists Award, 'Outstanding Song for a Musical/Comedy', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023Society of Composers & Lyricists Award, 'Outstanding Score for a Studio Film', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Chicago Indie Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Chicago Indie Critics Award, 'Best Original Song', for Ciao,Papa, from Guillermo del Toro\u2019s Pinocchio

\r\n

2023Iowa Film Critics Association Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Portland Film Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Denver Film Critics Society Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Golden Globe, 'Best Original Score for a Motion Picture', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Golden Globe, 'Best Original Song for a Motion Picture', for Ciao,Papa from Guillermo del Toro\u2019s Pinocchio

\r\n

2023North Dakota Film Society Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023North Dakota Film Society Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Georgia Film Critics Association, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Georgia Film Critics Association, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023San Francisco Bay Area Film Critics Circle Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Capri Hollywood International Film Festival Award (Italy), 'Best Original Score', for Guillermo del Toro's Pinocchio

\r\n

2023DiscussingFilm Critics Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023DiscussingFilm Critics Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Hawaii Film Critics Society Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Music City Film Critics Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Music City Film Critics Association Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2023Columbus Film Critics Association Award, 'Best Score', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n\r\n
2022
\r\n

2022Greater Western New York Film Critics Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Dallas-Ft. Worth Film Critics Association Award, 'Best Musical Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Critics Choice Association Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2023Critics Choice Association Award, 'Best Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Phoenix Critics Circle Award, 'Best Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Chicago Film Critics Association Award, 'Best Original Score', for Guillermo del Toro\u2019s Pinocchio

\r\n

2022Las Vegas Film Critics Society, Sierra Award, 'Best Score', for Guillermo del Toro's Pinocchio

\r\n

2022Las Vegas Film Critics Society, Sierra Award, 'Best Original Song', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Washington DC Area Film Critics Association Award, 'Best Original Score', for Guillermo del Toro's Pinocchio

\r\n

2022Sunset Circle Award, 'Best Score', for Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Score for an Animated Film', for Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Song for an Animated Film', for Ciao Papa from Guillermo del Toro's Pinocchio

\r\n

2022Hollywood Music in Media Award, 'Best Score for an Independant Film', for The Outfit

\r\n

2022Hollywood Music in Media Award, 'Best Score for a Mobile Video Game', for Honor of Kings

\r\n

2022Fantasia Film Festival Award (Qu\u00e9bec), 'Best Score' (The Sandro Forte Award), for Final Cut (Coupez!)

\r\n

2022International Press Academy\u2019s Satellite Award, 'Best Original Score', for The French Dispatch

\r\n

2022BAFTA (British Academy Film Award), for The French Dispatch

\r\n

2022Society of Composers and Lyricists Award, 'Original Score for a Studio Film', for The French Dispatch

\r\n

2022Online Film and Television Association Award, 'Best Original Score', for The French Dispatch

\r\n

2022Hollywood Critics Association Award, 'Best Score', for The French Dispatch

\r\n

2022International Film Music Critics Association Award, 'Best Original Score for a Comedy Film', for The French Dispatch

\r\n

2022Paris Film Critics Award, 'Best Original Score', for The French Dispatch

\r\n

2022Online Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Houston Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Seattle Film Critics Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022North Dakota Film Society Award, 'Best Original Score', for The French Dispatch

\r\n

2022Iowa Film Critics Association Award, 'Best Score', for The French Dispatch

\r\n

2022San Francisco Bay Area Film Critics Award, 'Best Original Score', for The French Dispatch

\r\n

2022Golden Globe (Hollywood Foreign Press Association), for The French Dispatch

\r\n

2022Columbus Film Critics Award, 'Best Score', for The French Dispatch

\r\n

2022DiscussingFilm Critics Association Award, 'Best Original Score', for The French Dispatch

\r\n\r\n
2021
\r\n

2022Florida Film Critics Circle Award, 'Best Score', for The French Dispatch

\r\n

2022Phoenix Critics Circle Award, 'Best Score', for The French Dispatch

\r\n

2021Hollywood Music in Media Award (HMMA), for The French Dispatch

\r\n

2022Chicago Film Critics Circle Award, 'Best Original Score', for The French Dispatch

\r\n

2021Las Vegas Film Critics Society Award (LVFCS), for The French Dispatch

\r\n

2021The Washington DC Area Film Critics Association Award, for The French Dispatch

\r\n

2022Sunset Film Circle Award (IFMCA), 'Best Score', for The French Dispatch

\r\n

2021The Transcendent Award at Coronado Island Film Festival

\r\n

2021Critics Choice Movie Award (BFCA), for The Midnight Sky

\r\n

2021Grammy Award, for Plumfield from Little Women

\r\n

2021Hollywood Critics Association Award, for The Midnight Sky

\r\n

2021Golden Globe (Hollywood Foreign Press Association), for The Midnight Sky

\r\n

2021International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction/Horror Film', for The Midnight Sky

\r\n

2021Satellite Award (International Press Academy), for The Midnight Sky

\r\n

2021Greater Western New York Film Critics Association Award (GWNYFCA), for The Midnight Sky

\r\n

2021Hollywood Music in Media Award, 'Best Original Score \u2013 Feature Film', for The Midnight Sky

\r\n

2021Houston Film Critics Society Award, for The Midnight Sky

\r\n

2021Denver Film Critics Society Award, for The Midnight Sky

\r\n

2021CinEuphoria Award (Portugal), 'Best Original Music - International Competition', for An Officer and a Spy (J'accuse) and Little Women

\r\n

2021Hawaii Film Critics Society Award, for The Midnight Sky

\r\n

2021Columbus Film Critics Association Award, for The Midnight Sky

\r\n

2021Chicago Indie Critics Award (CIC), for The Midnight Sky

\r\n\r\n
2020
\r\n

2020Florida Film Critics Circle Award, for The Midnight Sky

\r\n

2020World Soundtrack Award, 'Best Film Composer of the Year', for Little Women, An Officer and a Spy (J'accuse) and Adults in the Room (\u0395\u03bd\u03ae\u03bb\u03b9\u03ba\u03bf\u03b9 \u03c3\u03c4\u03b7\u03bd \u0391\u03af\u03b8\u03bf\u03c5\u03c3\u03b1)

\r\n

2020Gold Derby Film Decade Award 2010-2019, 'Best Score of the Decade' for The Shape of Water

\r\n

2020César, for An Officer and a Spy (J'accuse)

\r\n

2020International Film Music Critics Association Award , 'Film Composer of the Year'

\r\n

2020International Film Music Critics Association Award , 'Film Score of the Year' for Little Women

\r\n

2020International Film Music Critics Association Award , 'Best Original Score for a Drama Film', for Little Women

\r\n

2020Oscar (Academy Award), for Little Women

\r\n

2020Gold Derby Film Award, for Little Women

\r\n

2020Online Film & Television Association, for Little Women

\r\n

2020BAFTA (British Academy Film Award), for Little Women

\r\n

2020Lumière de la Presse Internationale (Académie des Lumières), for Adults in the Room (\u0395\u03bd\u03ae\u03bb\u03b9\u03ba\u03bf\u03b9 \u03c3\u03c4\u03b7\u03bd \u0391\u03af\u03b8\u03bf\u03c5\u03c3\u03b1)

\r\n

2020North Dakota Film Society Award, for Little Women

\r\n

2020Latino Entertainment Journalists Association Award, for Little Women

\r\n

2020Denver Film Critics Society Award, for Little Women

\r\n

2020Critics Choice Award (Broadcast Film Critics Association), for Little Women

\r\n

2020Georgia Film Critics Association Award, for Little Women

\r\n

2020Hollywood Critics Association Award (formerly L.A. Online Film Critics Association), for Little Women

\r\n

2020Austin Film Critics Association Award, for Little Women

\r\n

2020Online Film Critics Society Award, for Little Women

\r\n

2020Golden Globe, for Little Women

\r\n

2020Chicago Indie Critics Award, for Little Women

\r\n

2020International Online Cinema Award, for Little Women

\r\n

2020Columbus Film Critics Association Award, for Little Women

\r\n

2020Award Circuit Community Award, for Little Women

\r\n

2020Houston Film Critics Society Award, for Little Women

\r\n\r\n
2019
\r\n

2019Chicago Film Critics Association Award, for Little Women

\r\n

2019Greater Western New York Film Critics Association Award, for Little Women

\r\n

2019Dallas-Fort Worth Film Critics Association Award, for Little Women

\r\n

2019San Francisco Bay Area Film Critics Circle Award, for Little Women

\r\n

2019Indiana Film Journalists Association Film Award, for Little Women

\r\n

2019Boston Society of Film Critics Award, for Little Women

\r\n

2019Phoenix Critics Circle Award, for Little Women

\r\n

2019The Washington DC Area Film Critics Association Award, for Little Women

\r\n

2019Hollywood Music in Media Award, 'Best Original Score for a Feature Film', for Little Women

\r\n

2019Orły (Polish Film Award), for Based on a True Story (D'après une histoire vraie)

\r\n

2019Oscar (Academy Award), for Isle of Dogs

\r\n

2019International Online Cinema Award (INOCA), for Isle of Dogs

\r\n

2019César, for The Sisters Brothers (Les Frères Sisters)

\r\n

2019Satellite Award (International Press Academy), 'Best Original Score', for The Sisters Brothers (Les Frères Sisters)

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for a Comedy Film', for The Sisters Brothers (Les Frères Sisters)

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for an Action/Adventure/Thriller Film', for Operation Finale

\r\n

2019International Film Music Critics Award (IFMCA), 'Best Original Score for an Animated film', for Isle of Dogs

\r\n

2019Gold Derby Award, for Isle of Dogs

\r\n

2019BAFTA (British Academy Film Award), for Isle of Dogs

\r\n

2019Grammy Award, 'Best Score', 'Best Instrumental Composition' and 'Best Arrangement', for The Shape of Water

\r\n

2019Lumières de la presse internationale, for The Sisters Brothers (Les Frères Sisters)

\r\n

2019 Online Film & Television Association Award, for Isle of Dogs

\r\n

2019Awards Circuit Community Award (ACCA), for Isle of Dogs

\r\n

2019Denver Film Critics Society Award, for Isle of Dogs

\r\n

2021Hawaii Film Critics Society Award, for Isle of Dogs

\r\n

2019Critic's Choice Award (Broadcast Film Critics Association), for Isle of Dogs

\r\n

2019Georgia Film Critics Association Award, for Isle of Dogs

\r\n

2019France Musique \u2013 Sacem Film Music Award, Lifetime Achievement Award

\r\n

2019Golden Globe, for Isle of Dogs

\r\n

2019Iowa Film Critics Association Award, for Isle of Dogs

\r\n

2019Houston Film Critics Society Award, for Isle of Dogs

\r\n

2019Online Film Critics Society Award, for Isle of Dogs

\r\n

2019CinEuphoria Award (Portugal), for Isle of Dogs

\r\n\r\n
2018
\r\n

2018Dallas-Fort Worth Film Critics Association Award, for Isle of Dogs

\r\n

2018Phoenix Critics Circle Award, for Isle of Dogs

\r\n

2018San Francisco Film Critics Circle Award, for Isle of Dogs

\r\n

2018Los Angeles Online Film Critics Society Award, for Isle of Dogs

\r\n

2018Hollywood Music in Media Award, 'Best Original Score for an Animated Film', for Isle of Dogs

\r\n

2018Hollywood Music in Media Award, 'Best Original Score for a Feature Film', for The Sisters Brothers (Les Frères Sisters)

\r\n

2018World Soundtrack Award, 'Best Film Composer of the Year', for Endangered Species (Espèces menacées), Isle of Dogs, Suburbicon, The Shape of Water and Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018International Online Cinema Award (INOCA), 'Halfway Award', for Isle of Dogs

\r\n

2018Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for The Shape of Water

\r\n

2018Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Shape of Water

\r\n

2018BMI Film Music Award, for The Shape of Water

\r\n

2018Golden Iris (Hellenic Film Academy), 'Honorary Award', for his contribution to the art of cinema

\r\n

2018Oscar (Academy Award), for The Shape of Water

\r\n

2018Gold Derby Award, for The Shape of Water

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Score of the Year', for The Shape of Water

\r\n

2018International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction/Horror Film', for The Shape of Water and for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018BAFTA (British Academy Film Award), for The Shape of Water

\r\n

2018Online Film & Television Association, for The Shape of Water

\r\n

2018Satellite Award (International Press Academy), for The Shape of Water

\r\n

2018Awards Circuit Community Award (ACCA), for The Shape of Water

\r\n

2018Annie Award (International Animated Film Society), 'Outstanding Achievement in Music in an Animated TV/Broadcast Production', for The Secret Life Of Pets

\r\n

2018Annie Award (International Animated Film Society), 'Outstanding Achievement in Music in an Animated Feature Production', for Trollhunters

\r\n

2018Online Film & Television Association Award, for The Shape of Water

\r\n

2018Movie Music UK Award, 'Film Composer of the Year'

\r\n

2018Movie Music UK Award, 'Score of the Year' for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018Movie Music UK Award, 'Best Fantasy/Sc-Fi/Horror Score' for Valerian and the City of a Thousand Planets (Valérian et la cit\u00e9 des mille planètes)

\r\n

2018Denver Film Critics Society Award, for The Shape of Water

\r\n

2018Hawaii Film Critics Society Award, for The Shape of Water

\r\n

2018Critics' Choice Award (Broadcast Film Critics Association), for The Shape of Water

\r\n

2018Iowa Film Critics Association Award, for The Shape of Water

\r\n

2018Austin Film Critics Award, for The Shape of Water

\r\n

2018Golden Globe (Hollywood Foreign Press Association), for The Shape of Water

\r\n

2018Los Angeles Online Film Critics Society Award, for The Shape of Water

\r\n

2018Houston Film Critics Society Award, for The Shape of Water

\r\n

2018Columbus Film Critics Association Award, 'Best Score' for The Shape of Water

\r\n

2018Variety Artisans Award (Santa Barbara International Film Festival), 'Best Score' for The Shape of Water

\r\n

2018Central Ohio Film Critics Association Award, for The Shape of Water

\r\n\r\n
2017
\r\n

2017Chicago Independent Film Critics Circle Award, for The Shape of Water

\r\n

2017Florida Film Critics Circle Award, for The Shape of Water

\r\n

2017Phoenix Film Critics Society Award, for The Shape of Water

\r\n

2017Sierra Award (Las Vegas Film Critics Society), for The Shape of Water

\r\n

2017St. Louis Film Critics Association Award, for The Shape of Water

\r\n

2017Utah Film Critics Association Award, for The Shape of Water

\r\n

2017Indiana Film Journalists Association Award, for The Shape of Water

\r\n

2017Phoenix Critics Circle Award, for The Shape of Water

\r\n

2017Dallas-Fort Worth Film Critics Association Award, for The Shape of Water

\r\n

2017Chicago Film Critics Association Award, for The Shape of Water

\r\n

2017New Mexico Film Critics Association Award, for The Shape of Water

\r\n

2017San Francisco Film Critics Circle Award, for The Shape of Water

\r\n

2017Boston Online Film Critics Association Award, for The Shape of Water

\r\n

2017Washington, D.C. Area Film Critics Association, for The Shape of Water

\r\n

2017Los Angeles Film Critics Association Award (LAFCA), for The Shape of Water

\r\n

2017Hollywood Music in Media Award, 'Best Original Score \u2014 Sci-Fi/Fantasy/Horror Film', for The Shape of Water

\r\n

2017Soundtrack Stars Award, 'Premio della Critica', at Venice International Film Festival, for The Shape of Water

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Drama Film', for The Light Between Oceans

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Animated Feature Film', for The Secret Life Of Pets

\r\n

2017International Film Music Critics Association Award (IFMCA), 'Best Archival Release of an Existing Score - Compilation', together with Quincy Jones, Stéphane Lerouge and Toots Thielemans, for the album The Cinema of Quincy Jones

\r\n

2017Georgia Film Critics Association Award, for The Shape of Water

\r\n\r\n
2016
\r\n

2016Hollywood Music in Media Award (HMMA), for The Secret Life Of Pets

\r\n

2016Hollywood in Vienna (Max Steiner Film Music Achievement Award)

\r\n

2016Deutschen Filmpreis (Deutsche Filmakademie), for Every Thing Will Be Fine

\r\n

2016Wojciech Kilar Award 'Lifetime Achievement' at Krakow Film Music Festival (Poland)

\r\n

2016David di Donatello (Accademia del Cinema Italiano), for Tale of Tales (Il racconto dei racconti)

\r\n

2016Satellite Award (International Press Academy), for The Danish Girl

\r\n

2016Grammy Award, for The Imitation Game

\r\n

2016Golden Globe (Hollywood Foreign Press Association), for The Danish Girl

\r\n\r\n\r\n
2015
\r\n

2015Grand Prix du répertoire SACEM à l'export (France)

\r\n

2015Hollywood Film Composer Award, for The Danish Girl and Suffragette

\r\n

2015Siren Award (Music + Sound Award, Australia), for The Grand Budapest Hotel

\r\n

2015World Soundtrack Award, 'Film Composer of the Year', for Unbroken, The Imitation Game, Everything Will Be Fine and for Tale of Tales (Il racconto dei racconti)

\r\n

2015World Soundtrack Award, 'Best Original Film Score of the Year', for The Imitation Game

\r\n

2015GoldSpirit Award (Espagne), 'Best Composer of the Year'

\r\n

2015GoldSpirit Award (Espagne), 'Best Score for a Drama Film', for The Imitation Game

\r\n

2015GoldSpirit Award (Espagne), 'Best Score for a Comedy Film', for The Grand Budapest Hotel

\r\n

2015Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for Godzilla

\r\n

2015Seattle Film Critics Award, for The Grand Budapest Hotel

\r\n

2015Italian Online Movie Award, for The Grand Budapest Hotel

\r\n

2015Cinema Bloggers Award (Portugal), for The Grand Budapest Hotel

\r\n

2015BMI Icon Award, 'for outstanding career achievement'

\r\n

2015Kennedy Center International Committee on the Arts, 'Gold Medal in the Arts'

\r\n

2015Críticos de Cinema Online Portugueses Award, for The Grand Budapest Hotel

\r\n

2015Chlotrudis Award (Chlotrudis Society for Independent Film), for The Grand Budapest Hotel

\r\n

2015Gold Derby Award, for The Grand Budapest Hotel

\r\n

2015Premio ColonneSonore (Italie), 'Migliore compositore straniero'

\r\n

2015Premio ColonneSonore (Italie), 'Migliore musica per film straniero', for Godzilla, The Grand Budapest Hotel, and for The Monuments Men

\r\n

2015International Online Cinema Award (INOCA), for The Grand Budapest Hotel

\r\n

2015Oscar (Academy Award), for The Grand Budapest Hotel

\r\n

2015Oscar (Academy Award), for The Imitation Game

\r\n

2015International Cinephile Society Award, for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Film Score Of the Year', for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Drama Film', for The Imitation Game and The Monuments Men

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Comedy Film', for The Grand Budapest Hotel

\r\n

2015International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Godzilla

\r\n

2015Satellite Award (International Press Academy), for The Imitation Game

\r\n

2015Grammy Award, for The Grand Budapest Hotel

\r\n

2015BAFTA (British Academy Film Award), for The Grand Budapest Hotel

\r\n

2015Online Film & Television Association Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2015International Online Film Critics' Poll, for The Grand Budapest Hotel

\r\n

2015International Online Film Critics' Poll, for The Imitation Game

\r\n

2015Movie Music UK Award, 'Composer of the Year'

\r\n

2015Denver Film Critics Society Award, for The Grand Budapest Hotel

\r\n

2015Critics' Choice Award, for The Imitation Game

\r\n

2015Eda Award (Alliance of Women Film Journalists), for The Grand Budapest Hotel

\r\n

2015Golden Globe, for The Imitation Game

\r\n

2015Houston Film Critics Society Award, for The Grand Budapest Hotel

\r\n

2015Houston Film Critics Society Award, for The Imitation Game

\r\n

2015Central Ohio Film Critics Association Award, for The Grand Budapest Hotel

\r\n

2015Iowa Film Critics Award, for The Imitation Game

\r\n\r\n
2014
\r\n

2014Phoenix Film Critics Society Award, for The Imitation Game

\r\n

2014Chicago Film Critics Association Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2014IndieWire Critics' Poll, for The Grand Budapest Hotel

\r\n

2014Indiana Film Journalists Association Award, for The Grand Budapest Hotel

\r\n

2014San Diego Film Critics Society Award, for The Grand Budapest Hotel and The Imitation Game

\r\n

2014St. Louis Film Critics Association Award, for The Grand Budapest Hotel

\r\n

2014Sammy Award, 'Best New Film Score CD Release', for The Grand Budapest Hotel

\r\n

2014Hollywood Film Composer Award, for The Imitation Game

\r\n

2014Hollywood Music In Media Award, for The Imitation Game

\r\n

2014World Soundtrack Award, 'Film Composer of the Year', for The Grand Budapest Hotel, Godzilla, The Monuments Men, Venus in Fur (La Vénus à la fourrure), Philomena, Zulu, Marius

\r\n

2014World Soundtrack Award, 'Best Original Film Score of the Year', for The Grand Budapest Hotel

\r\n

2014Soundtrack Stars Award, 'Premio della Critica', au Festival International du Film de Venise

\r\n

2014Orły (Polish Film Award), for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Oscar (Academy Award), for Philomena

\r\n

2014Etoile d'Or du Cinema Français, for Renoir, Marius, Fanny, and Zulu

\r\n

2014Premio ColonneSonore (Italie), for Godzilla, The Grand Budapest Hotel and The Monuments men

\r\n

2014César (French Académie des Arts et Techniques du Cinéma), for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Awards Circuit Community Award (ACCA), for The Grand Budapest Hotel

\r\n

2014Satellite Award (International Press Academy), for Philomena

\r\n

2014International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Venus in Fur (La Vénus à la fourrure)

\r\n

2014Online Film & Television Association Award, 'Best Score Soundtrack For Visual Media', for Philomena

\r\n

2014Grammy Award, for Argo and Zero Dark Thirty

\r\n\r\n
2013
\r\n

2013Prix France Musique - Sacem de la musique de film, for The Tree of Life

\r\n

2013World Soundtrack Award, 'Film Composer of the Year', for Argo, Reality, Renoir, Rise of the Guardians, and Zero Dark Thirty

\r\n

2013David di Donatello (Accademia del Cinema Italiano), for Reality

\r\n

2013Italian Online Movie Award, for Argo, and Moonrise Kingdom

\r\n

2013BMI Film Music Award, for Argo, Zero Dark Thirty and Rise of the Guardians

\r\n

2013Orły (Polish Film Award), for Carnage

\r\n

2013Oscar (Academy Award), for Argo

\r\n

2013César (French Académie des Arts et Techniques du Cinéma), for Rust and Bone (De Rouille et d'os)

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for Argo, Moonrise Kingdom, Rust and Bone (De Rouille et d'os), Rise of the Guardians, and Zero Dark Thirty

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Moonrise Kingdom

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure/Thriller Film', for Zero dark Thirty

\r\n

2013International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Animated Feature Film', for Rise of the Guardians

\r\n

2013Etoile d'Or du Cinema Français, for Rust and Bone (De Rouille et d'os) and My Way (Cloclo)

\r\n

2013International Cinephile Society Award (Accademia del Cinema Italiano), for Moonrise Kingdom

\r\n

2013BAFTA (British Academy Film Award), for Argo

\r\n

2013Annie Award (International Animated Film Society - Holywood), for Rise of the Guardians

\r\n

2013Online Film & Television Association Award, for Argo, Moonrise Kingdom, and Zero Dark Thirty

\r\n

2013Gold Derby Award, for Argo

\r\n

2013London Critics Circle Film Award, for Rust and Bone (De Rouille et d'os)

\r\n

2013Georgia Film Critics Association Award, for Argo

\r\n

2013Golden Globe, for Argo

\r\n

2013Critics' Choice Award, for Argo and Moonrise Kingdom

\r\n

2013Denver Film Critics Society Award, for Argo

\r\n

2013Eda Award (Alliance of Women Film Journalists), for Argo and Zero Dark Thirty

\r\n

2013Central Ohio Film Critics Association Award, for Moonrise Kingdom

\r\n

2013Central Ohio Film Critics Association Award, for Argo

\r\n\r\n
2012
\r\n

2012International Online Film Critics' Poll, for The King's Speech

\r\n

2012IndieWire Critics' Poll (ICP), for Monrise Kingdom and Zero Dark Thirty

\r\n

2012Satellite Award (International Press Academy), for Argo

\r\n

2012Chicago Film Critics Association Award for Argo, Zero Dark Thirty and Moonrise Kingdom

\r\n

2012St Louis Film Critics Association Award, for Moonrise Kingdom

\r\n

2012San Diego Film Critics Society Award, for Argo and Moonrise Kingdom

\r\n

2012Washington DC Area Film Critics Association Award, for Moonrise Kingdom

\r\n

2012Sammy Film Music Award, 'Best New Film Score CD', for Rise of the Guardians

\r\n

2012Sammy Film Music Award, 'Best New Film Song', for Still Dream du film Rise of the Guardians

\r\n

2012World Soundtrack Award, 'Soundtrack Composer of the Year', for A Better Life, Carnage, The King's Speech, Rust and Bones (De rouille et d'os), Extremely Loud & Incredibly Close, Moonrise Kingdom, and The Ides of March

\r\n

2012World Soundtrack Award, 'Best Original Soundtrack of the Year', for The Ides of March

\r\n

2012BMI Film Music Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Italian Online Movie Award (IOMA), for The Tree Of Life

\r\n

2012International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for A Better Life, Carnage, Extremely Loud & Incredibly Close, Harry Potter and the Deathly Hallows: Part 2, The Ides of March, and The Tree of Life

\r\n

2012International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Grammy Award, for The King's Speech

\r\n

2012Grammy Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Soundtrack Geek Award, for Moonrise Kingdom

\r\n

2012Gold Derby Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Award Circuit Community Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Denver Film Critics Society Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2012Central Ohio Film Critics Association Award, for The Tree Of Life

\r\n\r\n
2011
\r\n

2011Phoenix Film Critics Society Award, for Extremely Loud and Incredibly Close

\r\n

2011Satellite Award (International Press Academy), for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011San Diego Film Critics Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011San Diego Film Critics Society Award, for Extremely Loud and Incredibly Close and The Tree Of Life

\r\n

2011Houston Film Critics Society Award, for Harry Potter and the Deathly Hallows: Part 2

\r\n

2011St. Louis Film Critics Association Award, for The Tree Of Life

\r\n

2011Harry Warren Award (Sonora International Awards, Italie), for The King's Speech

\r\n

2011European Film Award, for The King's Speech

\r\n

2011Hollywood Music In Media Award, for The Ides Of March

\r\n

2011Prix France Musique-Sacem de la musique de film, for The Ghost Writer

\r\n

2011World Soundtrack Award, 'Soundtrack Composer of the Year'

\r\n

2011World Soundtrack Award, 'Best Original Soundtrack of the Year', for The King's Speech

\r\n

2011BMI London Award, for Harry Potter and les reliques de la mort: 1ere partie and for The King's Speech

\r\n

2011Italian Online Movie Award, for The King's Speech

\r\n

2011Etoile d'Or du Cinéma Français, for The Ghost Writer

\r\n

2011Oscar (Academy Award), for The King's Speech

\r\n

2011César (French Académie des Arts et Techniques du Cinéma), for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year', for The Ghost Writer, Harry Potter and the Deathly Hallows: Part 1, The King's Speech, The Special Relationship, and Tamara Drewe

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The King's Speech and for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For a Drama Film', for The King's Speech

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For an Action/Adventure/Thriller Film', for The Ghost Writer

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Best Original Score For A Fantasy/Science Fiction/Horror Film', for Harry Potter and the Deathly Hallows: Part 1

\r\n

2011International Film Music Critics Association Award (IFMCA), 'Film Music Composition of the Year', for \"The Truth About Ruth\" from the film The Ghost Writer

\r\n

2011International Cinephile Society Award, for The Ghost Writer

\r\n

2011Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Harry Potter and the Deathly Hallows: Part 1

\r\n

2011BAFTA (British Academy Film Award), for The King's Speech

\r\n

2011International Online Cinema Award (INOCA), for The Ghost Writer

\r\n

2011Online Film & Television Association Award, for The Ghost Writer

\r\n

2011Gold Derby Award, for The Ghost Writer and The King's Speech

\r\n

2011Awards Circuit Community Award (ACCA), for Harry Potter and the Deathly Hallows - Part 2

\r\n

2011Movie Music UK Award, 'Composer of the Year'

\r\n

2011Golden Globe, for The King's Speech

\r\n

2011Critics' Choice Award (BFCA), for The King's Speech

\r\n\r\n\r\n
2010
\r\n

2010Phoenix Film Critics Society Award, for The Ghost Writer

\r\n

2010Satellite Award (International Press Academy), for Harry Potter and the Deathly Hallows: Part 1

\r\n

2010European Film Award, for The Ghost Writer

\r\n

2010Los Angeles Film Critics Association Award (LAFCA), for The Ghost Writer

\r\n

2010Sammy Award, 'Best New Film Score CD', for The King's Speech

\r\n

2010World Soundtrack Award, 'Best Original Soundtrack of the Year', for Fantastic Mr Fox

\r\n

2010World Soundtrack Award, 'Soundtrack Composer of the Year', for Fantastic Mr Fox, The Twilight Saga: New Moon, Julie & Julia, and The Ghost Writer

\r\n

2010Prix France Musique-Sacem de la musique de film, for The Army of Crime (L'armée du crime)\r\n

2010Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Ghost Writer

\r\n

2010BMI Film Music Award, pourFantastic Mr Fox, Julie & Julia, The Twilight Saga: New Moon

\r\n

2010Etoile d'Or du Cinéma Français, for A Prophet (Un Prophète), The Army of Crime (L'armée du crime), Afterwards, Coco Before Chanel (Coco avant Chanel), and Chéri

\r\n

2010Oscar (Academy Award), for Fantastic Mr Fox

\r\n

2010César (French Académie des Arts et Techniques du Cinéma), for A Prophet (Un Prophète)

\r\n

2010BAFTA (British Academy Film Award), for Fantastic Mr Fox

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Composer of the Year'

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The Twilight Saga: New Moon

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Comedy Film', for Julie & Julia

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction Film', for The Twilight Saga: New Moon

\r\n

2010International Film Music Critics Association Award (IFMCA), 'Best Original Score For An Animated Feature', for Fantastic Mr Fox

\r\n

2010Gold Derby Award, for Fantastic Mr Fox

\r\n

2010International Cinephile Society Award, for Fantastic Mr Fox

\r\n

2010Grammy Award, for The Curious Case Of Benjamin Button

\r\n

2010Movie Music UK Award, 'Composer of the Year'

\r\n

2010CinEuphoria Award (Portugal), for The Curious Case Of Benjamin Button, and Intimate Enemies (L'ennemi intime)

\r\n

2010Frederick Loewe Award for Film Composing (Palm Springs International Film Festival), for The Curious Case Of Benjamin Button and Intimate Enemies (L'ennemi intime)

\r\n

2010Online Film Critics Society Award, for Fantastic Mr Fox

\r\n

2010Central Ohio Film Critics Association Award, for The Curious Case Of Benjamin Button

\r\n\r\n
2009
\r\n

2009Houston Film Critics Society Award, for Fantastic Mr. Fox

\r\n

2009Chicago Film Critics Association Award, for Fantastic Mr Fox

\r\n

2009European Film Award, for Coco Before Chanel (Coco avant Chanel)

\r\n

2009Los Angeles Film Critics Association Award (LAFCA), for Fantastic Mr Fox

\r\n

2009Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Coco Before Chanel (Coco avant Chanel)

\r\n

2009Hollywood Film Festival Award

\r\n

2009World Soundtrack Academy Award 'Best Film Score of the Year', for The Curious Case Of Benjamin Button

\r\n

2009World Soundtrack Academy Award, 'Film Composer of the Year', for The Curious Case Of Benjamin Button, Coco Before Chanel (Coco avant Chanel), Largo Winch, and Chéri

\r\n

2009Saturn Award (Academy of Science Fiction, Fantasy & Horror Films), for The Curious Case Of Benjamin Button

\r\n

2009Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Curious Case Of Benjamin Button

\r\n

2009BMI Film Music Award, for The Curious Case Of Benjamin Button

\r\n

2009Golden Alexander at Thessalonique International Film Festival (Greece), 'Life Achievement Award'

\r\n

2009Oscar (Academy Award), for The Curious Case Of Benjamin Button

\r\n

2009International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for The Curious Case Of Benjamin Button

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for The Curious Case Of Benjamin Button

\r\n

2009Movie Music UK Award, 'Composer of the Year'

\r\n

2009Movie Music UK Award, 'Score of the Year', for The Curious Case Of Benjamin Button

\r\n

2009Movie Music UK Award, 'Best Score - Drama', for The Curious Case Of Benjamin Button

\r\n

2009Movie Music UK Award, 'Best Score \u2013 Thriller, Action or Adventure', for Largo Winch

\r\n

2009Movie Music UK Award, 'Best score / fantasy, science fiction or horror' for Mr Magorium's Wonder Emporium (with Aaron Zigman)

\r\n

2009International Online Cinema Award (INOCA), for The Curious Case Of Benjamin Button

\r\n

2009BAFTA, for The Curious Case Of Benjamin Button

\r\n

2009Gold Derby Award, for The Curious Case Of Benjamin Button

\r\n

2009Online Film & Television Association Award, for The Curious Case Of Benjamin Button

\r\n

2009International Cinephile Society Award, for The Curious Case Of Benjamin Button

\r\n

2009Award Circuit Community Award, for The Curious Case Of Benjamin Button

\r\n

2009Golden Globe, for The Curious Case Of Benjamin Button

\r\n

2009Central Ohio Film Critics Association Award, for The Curious Case Of Benjamin Button

\r\n

2009Critics' Choice Award, for The Curious Case Of Benjamin Button

\r\n

2009Sammy Film Music Award, for The Curious Case Of Benjamin Button

\r\n

2009Online Film Critics Society Award, for The Curious Case Of Benjamin Button

\r\n\r\n
2008
\r\n

20082e Houston Film Critics Society Award, 'Best Original Score', for The Curious Case Of Benjamin Button

\r\n

2008Phoenix Film Critics Society Award, for The Curious Case Of Benjamin Button

\r\n

2008Chicago Film Critics Association Award, for The Curious Case Of Benjamin Button

\r\n

2008Los Angeles Film Critics Association Award (LAFCA), for The Curious Case Of Benjamin Button

\r\n

2008World Soundtrack Award, 'Soundtrack Composer of the Year', for The Golden Compass

\r\n

2008SACEM, 'Grand Prix de la Musique for l'Audiovisuel'

\r\n

2008Asian Films Award, for Lust, Caution (Se, Jie)

\r\n

2008César (French Académie des Arts et Techniques du Cinéma), for Intimate Ennemies (L'ennemi intime)

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Score of the Year', for Lust, Caution (Se, jie), and for The Golden Compass

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for Lust, Caution (Se, Jie)

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy-Science Fiction Film', for The Golden Compass

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Fantasy/Science Fiction Film', for Mr Magorium's Wonder Emporium (with Aaron Zigman)

\r\n

2008International Film Music Critics Association Award (IFMCA), 'Film Music Composition of the Year', for \u201cWong Chia Chi\u2019s Theme\u201d from the film Lust, Caution (Se, jie)

\r\n

2008International Online Cinema Award (INOCA), for Lust, Caution (Se, jie)

\r\n

2008Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Lust, Caution (Se, Jie)

\r\n

2008Online Film & Television Association Award, for Lust, Caution (Se, Jie)

\r\n

2008Gold Derby Award, for The Queen et for The Painted Veil

\r\n

2008Etoile d'Or du Cinéma Français, for Intimate Ennemies (L'ennemi intime)

\r\n

2008Movie Music UK Award), 'Composer of the Year'

\r\n

2008Movie Music UK Award, 'Score of the Year', for The Golden Compass

\r\n

2008Movie Music UK Award, 'Best Original Score Fantasy/Science Fiction', for The Golden Compass

\r\n

2008Critics' Choice Award, for Lust, Caution (Se, Jie)

\r\n

20081er Houston Film Critics Society Award, for Lust, Caution (Se, Jie)

\r\n\r\n
2007
\r\n

2007Chicago Film Critics Association Award, for Lust, Caution (Se, Jie)

\r\n

2007European Film Award, for The Queen

\r\n

2007Golden Horse Award (Taiwan), for Lust, Caution

\r\n

2007World Soundtrack Award, 'Soundtrack Composer of the Year', for The Queen and The Painted Veil

\r\n

2007Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album The Queen

\r\n

2007BMI London Film Music Award for The Queen and The Painted Veil

\r\n

2007Oscar (Academy Award), for The Queen

\r\n

2007International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2007International Film Music Critics Association Award (IFMCA), 'Best Original Score for a Drama Film', for The Painted Veil and The Queen

\r\n

2005International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure Film', for Firewall

\r\n

2007BAFTA (British Academy Award), for The Queen

\r\n

2007International Online Cinema Award (INOCA), for The Painted Veil

\r\n

2007International Online Cinema Award (INOCA), for The Queen

\r\n

2007International Cinephile Society Award, for The Painted Veil

\r\n

2007International Cinephile Society Award, for The Queen

\r\n

2007Gold Derby Award, for The Queen, et The Painted Veil

\r\n

2007Online Film & Television Association Award (OFTA), for Lust, Caution (Se, jie), et The Painted Veil

\r\n

2007Movie Music UK Award, 'Film Composer of the Year'

\r\n

2007Golden Globe, for The Painted Veil

\r\n\r\n
2006
\r\n

2006Chicago Film Critics Association Award, for The Queen

\r\n

2006Los Angeles Film Critics Association Award (LAFCA), for The Queen and The Painted Veil

\r\n

2006Etoile D'Or (Académie de la Presse du Cinéma Français), for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

\r\n

2006César, for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

\r\n

2006International Film Music Critics Association Award (IFMCA), 'Film Composer of the Year'

\r\n

2006International Film Music Critics Association Award (IFMCA), 'Best Original Score for an Action/Adventure Film', for Hostage

\r\n

2006Golden Globe, for Syriana

\r\n\r\n
2005
\r\n

2005Preis der Deutschen Schallplattenkritik (German Record Critics Award), for the album Birth

\r\n

2005Ours d'Argent (Festival International du Film de Berlin), for The Beat That My Heart Skipped (De battre mon cœur s'est arrêté)

\r\n

2005International Online Cinema Award (INOCA), for Birth

\r\n

2005Gold Derby Award, for Birth

\r\n

2005International Cinephile Society Award, for Birth

\r\n

2005Online Film & Television Association Award, for Birth

\r\n

2005Online Film Critics Society Award, for Birth

\r\n\r\n
2004
\r\n

2004Los Angeles Film Critics Association Award (LAFCA), for Birth

\r\n

2004European Film Award, for Girl with a Pearl Earring

\r\n

2004Société des Auteurs et Compositeurs Dramatiques (SACD), Nouveau Talent Musique

\r\n

2004BAFTA (British Academy Award), for Girl with a Pearl Earring

\r\n

2004Golden Globe, for Girl with a Pearl Earring

\r\n\r\n
2002
\r\n

2001César (Académie des Arts et Techniques du Cinéma), for Read My Lips (Sur mes lèvres)

\r\n\r\n
1997
\r\n

1997César (Académie des Arts et Techniques du Cinéma), for A Self-Made Hero (Un héros très discret)

\r\n\r\n
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\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n", + "page_last_modified": "" + }, + { + "page_name": "List of awards and nominations received by Alexandre Desplat - ...", + "page_url": "https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Alexandre_Desplat", + "page_snippet": "This is a list of awards and nominations received by Alexandre Desplat, the French film composer. It includes two Academy Awards, three BAFTA Awards and two Golden Globe Awards. The Academy Awards are a set of awards given annually for excellence of cinematic achievements.The Academy Awards are a set of awards given annually for excellence of cinematic achievements. The awards, organized by the Academy of Motion Picture Arts and Sciences, were first held in 1929 at the Hollywood Roosevelt Hotel. Desplat has received two awards from eleven nominations. The BAFTA Award is an annual award show presented by the British Academy of Film and Television Arts. The BAFTA Award is an annual award show presented by the British Academy of Film and Television Arts. The awards were founded in 1947 as The British Film Academy, by David Lean, Alexander Korda, Carol Reed, Charles Laughton, Roger Manvell and others. Desplat has received three awards from eleven nominations. The Golden Globe Award is an accolade bestowed by the 93 members of the Hollywood Foreign Press Association (HFPA) recognizing excellence in film and television, both domestic and foreign. Desplat has received two awards from twelve nominations. The Grammy Awards are presented by The Recording Academy to recognize achievements in the music industry. Desplat has received ten nominations and won two awards. 2011 World Soundtrack Award for Film Composer of the Year \u2013 A Better Life, The Burma Conspiracy, The King's Speech, The Tree of Life, The Well Digger's Daughter, Harry Potter and the Deathly Hallows \u2013 Part 1, and Harry Potter and the Deathly Hallows \u2013 Part 2", + "page_result": "\n\n\n\nList of awards and nominations received by Alexandre Desplat - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
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List of awards and nominations received by Alexandre Desplat

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Alexandre Desplat
\n

This is a list of awards and nominations received by Alexandre Desplat, the French film composer.\n

It includes two Academy Awards, three BAFTA Awards and two Golden Globe Awards.\n

\n\n

Major Associations[edit]

\n

Academy Awards[edit]

\n

The Academy Awards are a set of awards given annually for excellence of cinematic achievements. The awards, organized by the Academy of Motion Picture Arts and Sciences, were first held in 1929 at the Hollywood Roosevelt Hotel.[1] Desplat has received two awards from eleven nominations.\n

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Year\nNominated work\nCategory\nResult\nRef\n
2007\nThe Queen\nBest Original Score\nNominated\n[2]\n
2009\nThe Curious Case of Benjamin Button\nNominated\n
2010\nFantastic Mr. Fox\nNominated\n
2011\nThe King's Speech\nNominated\n
2013\nArgo\nNominated\n
2014\nPhilomena\nNominated\n
2015\nThe Grand Budapest Hotel\nWon\n
The Imitation Game\nNominated\n
2018\nThe Shape of Water\nWon\n
2019\nIsle of Dogs\nNominated\n
2020\nLittle Women\nNominated\n
\n

BAFTA Awards[edit]

\n

The BAFTA Award is an annual award show presented by the British Academy of Film and Television Arts. The awards were founded in 1947 as The British Film Academy, by David Lean, Alexander Korda, Carol Reed, Charles Laughton, Roger Manvell and others.[3] Desplat has received three awards from eleven nominations.\n

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Year\nNominated work\nCategory\nResult\nRef\n
2003\nGirl with a Pearl Earring\nBest Film Music\nNominated\n
2006\nThe Queen\nNominated\n
2009\nThe Curious Case of Benjamin Button\nNominated\n
2010\nFantastic Mr. Fox\nNominated\n
2011\nThe King's Speech\nWon\n
2013\nArgo\nNominated\n
2015\nThe Grand Budapest Hotel\nWon\n
2018\nThe Shape of Water\nWon\n
2019\nIsle of Dogs\nNominated\n
2020\nLittle Women\nNominated\n
2022\nThe French Dispatch\nNominated\n
2023\nGuillermo del Toro's Pinocchio\nNominated\n
\n

C\u00e9sar Awards[edit]

\n

The C\u00e9sar Awards are France's national film awards. With three awards out of ten nominations, Desplat is both the most nominated and most rewarded composer.\n

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Year\nNominated work\nCategory\nResult\nRef\n
1997\nUn h\u00e9ros tr\u00e8s discret\nBest Music Written for a Film\nNominated\n
2002\nSur mes l\u00e8vres\nNominated\n
2006\nThe Beat That My Heart Skipped\nWon\n
2008\nL'Ennemi intime\nNominated\n
2010\nA Prophet\nNominated\n
2011\nThe Ghost Writer\nWon\n
2013\nRust and Bone\nWon\n
2014\nVenus in Fur\nNominated\n
2019\nThe Sisters Brothers\nNominated\n
2020\nAn Officer and a Spy\nNominated\n
\n

Golden Globe Awards[edit]

\n

The Golden Globe Award is an accolade bestowed by the 93 members of the Hollywood Foreign Press Association (HFPA) recognizing excellence in film and television, both domestic and foreign.[4] Desplat has received two awards from twelve nominations.\n

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Year\nNominated work\nCategory\nResult\nRef\n
2004\nGirl with a Pearl Earring\nBest Original Score \u2013 Motion Picture\nNominated\n
2006\nSyriana\nNominated\n
2007\nThe Painted Veil\nWon\n
2009\nThe Curious Case of Benjamin Button\nNominated\n
2011\nThe King's Speech\nNominated\n
2013\nArgo\nNominated\n
2015\nThe Imitation Game\nNominated\n
2016\nThe Danish Girl\nNominated\n
2018\nThe Shape of Water\nWon\n
2019\nIsle of Dogs\nNominated\n
2020\nLittle Women\nNominated\n
2021\nThe Midnight Sky\nNominated\n
2022\nThe French Dispatch\nNominated\n
2023\nGuillermo del Toro's Pinocchio\nNominated\n
Best Original Song\nNominated\n
\n

Grammy Awards[edit]

\n

The Grammy Awards are presented by The Recording Academy to recognize achievements in the music industry. Desplat has received ten nominations and won two awards.\n

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Year\nNominated work\nCategory\nResult\nRef\n
2009\nThe Curious Case of Benjamin Button\nBest Score Soundtrack for Visual Media\nNominated\n
2011\nThe King's Speech\nWon\n
2012\nHarry Potter and the Deathly Hallows \u2013 Part 2\nNominated\n
2013\nArgo\nNominated\n
Zero Dark Thirty\nNominated\n
2015\nThe Grand Budapest Hotel\nWon\n
2016\nThe Imitation Game\nNominated\n
2019\nThe Shape of Water\nNominated\n
\"The Shape of Water\"\nBest Arrangement, Instrumental or A Capella\nNominated\n
Best Instrumental Composition\nNominated\n
2021\n\"Plumfield\"\nNominated\n
\n

Other Awards[edit]

\n

Annie Awards[edit]

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Year\nNominee / work\nAward\nResult\n
40th Annie Awards\nRise of the Guardians\nOutstanding Achievement for Music in an Animated Feature Production\nNominated\n
44th Annie Awards\nThe Secret Life of Pets\nBest Music in an Animated Feature Production\nNominated\n
44th Annie Awards\nTrollhunters\nBest Music in an Animated TV/Broadcast Production\nNominated\n
50th Annie Awards\nPinocchio\nBest Music in an Animated Feature Production\nWon\n
\n

Lumi\u00e8res Awards[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Year\nNominee / work\nAward\nResult\n
2019\nThe Sisters Brothers\nBest Music\nNominated\n
2020\nAdults in the Room\nBest Music\nWon\n
\n

Satellite Awards[edit]

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\n
Year\nNominee / work\nAward\nResult\n
2010\nHarry Potter and the Deathly Hallows \u2013 Part 1\nBest Score\nNominated\n
2011\nHarry Potter and the Deathly Hallows \u2013 Part 2\nNominated\n
2012\nArgo\nWon\n
2013\nPhilomena\nNominated\n
2014\nThe Imitation Game\nNominated\n
2015\nThe Danish Girl\nNominated\n
2017\nThe Shape of Water\nNominated\n
2018\nThe Sisters Brothers\nNominated\n
2020\nThe Midnight Sky\nWon\n
2021\nThe French Dispatch\nNominated\n
\n

Critics and Music Groups[edit]

\n

Won[edit]

\n\n

Nominations[edit]

\n\n

References[edit]

\n
\n
    \n
  1. ^ \"About the Academy Awards\". Academy of Motion Picture Arts and Sciences. Archived from the original on December 19, 2008. Retrieved January 19, 2015.\n
    2. \n
  2. ^ \"Browser Unsupported - Academy Awards Search | Academy of Motion Picture Arts & Sciences\". Archived from the original on 2016-11-16. Retrieved 2019-01-22.\n
    3. \n
  3. ^ Newcomb, Horace (February 19, 2019). Encyclopedia of Television. Taylor & Francis. p. 320. ISBN 978-1-135-19479-6.\n
    4. \n
  4. ^ \"History of the Golden Globes\". Hollywood Foreign Press Association. Archived from the original on March 10, 2016. Retrieved January 19, 2019.\n
    5. \n
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Retrieved from \"https://en.wikipedia.org/w/index.php?title=List_of_awards_and_nominations_received_by_Alexandre_Desplat&oldid=1141672064\"
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\n\n\n\n", + "page_last_modified": " Wed, 13 Mar 2024 21:17:29 GMT" + }, + { + "page_name": "Will Smith Wins Best-Actor Oscar, Shortly After Slapping Chris ...", + "page_url": "https://www.vanityfair.com/hollywood/2022/03/will-smith-best-actor-oscar-king-richard-chris-rock", + "page_snippet": "\u201cIn this business, you gotta be able to have people disrespecting you,\u201d a teary Smith said, accepting his award for \u2018King Richard.\u2019 \u201cAnd you gotta smile and you gotta pretend like that\u2019s okay.\u201dWill Smith accepts the Actor in a Leading Role award for \u2018King Richard\u2019 from John Travolta onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood, California. By Neilson Barnard/Getty Images. ... After the slap seen around the world, the Fresh Prince was anointed King. Will Smith was crowned the victor in the best-actor race, taking home the trophy for his performance as Richard Williams\u2014father and tennis coach to tennis phenoms Serena and Venus Williams\u2014in the biopic King Richard. King Richard marked Smith\u2019s third best-actor nomination and first win. Smith is also nominated tonight for producing the biopic. Smith is only the fifth Black man to win the Academy Award for best actor, following in the footsteps of the late Sidney Poitier, Washington, Forest Whitaker, and Jamie Foxx. \u201cIn this business, you gotta be able to have people disrespecting you,\u201d a teary Smith said, accepting his award for King Richard. \u201cAnd you gotta smile and you gotta pretend like that\u2019s okay.\u201d ... Will Smith accepts the Actor in a Leading Role award for \u2018King Richard\u2019 from John Travolta onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood, California.", + "page_result": "Will Smith Wins Best-Actor Oscar, Shortly After Slapping Chris Rock | Vanity Fair
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Oscars 2022

Will Smith Wins Best-Actor Oscar, Shortly After Slapping Chris Rock

\u201cIn this business, you gotta be able to have people disrespecting you,\u201d a teary Smith said, accepting his award for King Richard. \u201cAnd you gotta smile and you gotta pretend like that\u2019s okay.\u201d
\"\"

By Chris Murphy

\"Will
Will Smith accepts the Actor in a Leading Role award for \u2018King Richard\u2019 from John Travolta onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood, California.\u00a0By Neilson Barnard/Getty Images.

After the slap seen around the world, the Fresh Prince was anointed King. Will Smith was crowned the victor in the best-actor race, taking home the trophy for his performance as Richard Williams\u2014father and tennis coach to tennis phenoms Serena and Venus Williams\u2014in the biopic King Richard.

Earlier in the evening, Will Smith shocked audiences within and outside of the Dolby Theatre by storming the stage to slap presenter Chris Rock in the face after Rock made a joke about Smith\u2019s wife, actor Jada Pinkett Smith. In a tearful speech, Smith subtly referenced the slap, opening with, \u201cRichard Williams was a fierce defender of his family.\u201d

He continued: \u201cIn this time in my life, in this moment, I am overwhelmed by what God is calling on me to do and be in this world. Making this film, I got to protect Aunjanue Ellis, who is one of the most strongest, most delicate people I\u2019ve ever met. I got to protect Saniyya [Sidney] and Demi [Singleton], the two actors who played Venus and Serena. I\u2019m being called on in my life to love people and to protect people. And to be a river to my people. I know to do what we do, you gotta be able to take abuse you gotta be able to have people talk crazy about you. In this business you gotta be able to have people disrespecting you. And you gotta smile and you gotta pretend like that\u2019s okay.\u201d

Smith was the heavy favorite to take home the Oscar going into the night, having picked up almost every major precursor award for best actor, including the Golden Globe, Critics Choice Award, BAFTA, and SAG Award. Still, he faced stiff competition from Benedict Cumberbatch, who fronted the most nominated film of the evening, Netflix\u2019s The Power of the Dog, and Andrew Garfield, whose performance as Rent composer Jonathan Larson in Tick, Tick\u2026Boom! earned him a surging swell of support. Denzel Washington and Javier Bardem rounded out the category for their performances in The Tragedy of Macbeth and Being the Ricardos, respectively. Ultimately, it was Smith\u2019s fierce yet vulnerable performance as the determined tennis coach that won the day.

Earlier in the evening, Queen Bey, a.k.a. Beyonc\u00e9, performed a much-buzzed-about rendition of her Oscar-nominated song, \u201cBe Alive,\u201d from a tennis court in Compton, California, where the Williams sisters used to practice.\u00a0

A titan of the entertainment industry for decades now, Smith has had an enormous impact that is only further cemented by this Oscar win. He burst onto the scene as a rapper and comedian, starring in the beloved \u201990s sitcom The Fresh Prince of Bel-Air as a fictionalized version of himself. His film career soon took off, seeing him star in iconic films such as Men in Black, Bad Boys, Independence Day, and Hitch. Smith received his first best-actor Oscar nomination for his portrayal of legendary boxer Muhammad Ali in the 2001 biopic Ali, losing to Washington for Training Day.

Smith\u2019s next best-actor nomination came in 2007, when he was once again nominated for bringing a true story to life\u2014this time that of homeless salesman Chris Gardner in the biopic The Pursuit of Happyness, in which he acted opposite his son Jaden Smith. King Richard marked Smith\u2019s third best-actor nomination and first win. Smith is also nominated tonight for producing the biopic.

Smith is only the fifth Black man to win the Academy Award for best actor, following in the footsteps of the late Sidney Poitier, Washington, Forest Whitaker, and Jamie Foxx. Smith name-checked Washington in his speech, referencing the slap.\u00a0

\u201cDenzel said to me a few minutes ago, at your\u00a0 highest moment, that\u2019s when the devil comes for you. I want to be a vessel for love. I want to say, thank you to Venus and Serena,\u201d Smith said. The image of the actor briefly cut out as a very emotional Smith reportedly spit on stage. Smith ended his speech by apologizing to the Academy. \u201cThank you for this honor,\u201d he said. \u201cThank you for this moment, and thank you on behalf of Richard and Oracene and the entire Williams family. Thank you. I hope the academy invites me back.\u201d

More Great Oscars Content From Vanity Fair

\u2014 Oscars 2022 Live Updates: Follow Every Twist and Turn of the Race
\u2014 All the Outfits and Looks From the Oscars Red Carpet
\u2014 Oscars 2022 Winners: See the Full List Here
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\u2014 Sign up for the \u201cHWD Daily\u201d newsletter for must-read industry and awards coverage\u2014plus a special weekly edition of \u201cAwards Insider.\u201d

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Chris Murphy

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Chris Murphy is a staff writer at Vanity Fair, covering entertainment and popular culture for the HWD section. Prior to joining VF, he wrote for Vulture/New York magazine. Chris is also an actor and comedian who performs all over New York, where he resides. Follow him on Twitter at... Read more
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", + "page_last_modified": "" + } + ] +} \ No newline at end of file