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+ "page_name": "2022 | Oscars.org | Academy of Motion Picture Arts and Sciences",
+ "page_url": "https://www.oscars.org/oscars/ceremonies/2022",
+ "page_snippet": "Documentary (Feature) - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie ... Short Film (Live Action) - K.D. D\u00e1vila and Levin MenekseShort Film (Live Action) - K.D. D\u00e1vila and Levin Menekse ... The Mitchells vs. the Machines1 Nomination \u00b7 Animated Feature Film - Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht ... Documentary (Feature) - Stanley Nelson and Traci A. Curry * Documentary (Feature) - Ahmir \"Questlove\" Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein ... Sound - Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy ... Best Picture - Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers ... * Music (Original Song) - from No Time to Die; Music and Lyric by Billie Eilish and Finneas O'Connell ... Animated Feature Film - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie Animated Feature Film - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie \u00b7 Documentary (Feature) - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie The 94th Academy Awards | 2022",
+ "page_result": "\n \n \n \n \n \n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2022 | Oscars.org | Academy of Motion Picture Arts and Sciences\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n Skip to main content\n
Best Picture - Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
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Music (Original Score) - Jonny Greenwood
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Film Editing - Peter Sciberras
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Production Design - Production Design: Grant Major; Set Decoration: Amber Richards
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Sound - Richard Flynn, Robert Mackenzie and Tara Webb
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Writing (Adapted Screenplay) - Written by Jane Campion
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* Directing - Jane Campion
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Being the Ricardos
3 Nominations
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The Tragedy of Macbeth
3 Nominations
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Cinematography - Bruno Delbonnel
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Production Design - Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
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Belfast
6 Nominations, 1 Win
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Sound - Denise Yarde, Simon Chase, James Mather and Niv Adiri
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Directing - Kenneth Branagh
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Best Picture - Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
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* Writing (Original Screenplay) - Written by Kenneth Branagh
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The Lost Daughter
3 Nominations
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Actress in a Supporting Role - Jessie Buckley
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Writing (Adapted Screenplay) - Written by Maggie Gyllenhaal
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Parallel Mothers
2 Nominations
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Music (Original Score) - Alberto Iglesias
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Spencer
1 Nomination
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King Richard
5 Nominations, 1 Win
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Film Editing - Pamela Martin
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Best Picture - Tim White, Trevor White and Will Smith, Producers
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Writing (Original Screenplay) - Written by Zach Baylin
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* Actor in a Leading Role - Will Smith
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Don't Look Up
4 Nominations
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Best Picture - Adam McKay and Kevin Messick, Producers
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Film Editing - Hank Corwin
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Music (Original Score) - Nicholas Britell
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Writing (Original Screenplay) - Screenplay by Adam McKay; Story by Adam McKay & David Sirota
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Summer of Soul (...Or, When the Revolution Could Not Be Televised)
1 Win, 1 Nomination
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* Documentary (Feature) - Ahmir "Questlove" Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
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The Windshield Wiper
1 Win, 1 Nomination
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* Short Film (Animated) - Alberto Mielgo and Leo Sanchez
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The Long Goodbye
1 Win, 1 Nomination
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* Short Film (Live Action) - Aneil Karia and Riz Ahmed
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Boxballet
1 Nomination
\n \n
Short Film (Animated) - Anton Dyakov
\n
West Side Story
7 Nominations, 1 Win
\n \n
* Actress in a Supporting Role - Ariana DeBose
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Cinematography - Janusz Kaminski
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Costume Design - Paul Tazewell
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Production Design - Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
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Directing - Steven Spielberg
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Best Picture - Steven Spielberg and Kristie Macosko Krieger, Producers
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Sound - Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
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The Queen of Basketball
1 Win, 1 Nomination
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* Documentary (Short Subject) - Ben Proudfoot
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Bhutan
1 Nomination
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International Feature Film - BHUTAN
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No Time to Die
2 Nominations
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Visual Effects - Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
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Sound - Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
\n
Shang-Chi and the Legend of the Ten Rings
1 Nomination
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Visual Effects - Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
\n
Nightmare Alley
4 Nominations
\n \n
Cinematography - Dan Laustsen
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Best Picture - Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
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Costume Design - Luis Sequeira
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Production Design - Production Design: Tamara Deverell; Set Decoration: Shane Vieau
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Robin Robin
1 Nomination
\n \n
Short Film (Animated) - Dan Ojari and Mikey Please
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Denmark
1 Nomination
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International Feature Film - DENMARK
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Raya and the Last Dragon
1 Nomination
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Animated Feature Film - Don Hall, Carlos L\u00f3pez Estrada, Osnat Shurer and Peter Del Vecho
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Dune
10 Nominations, 6 Wins
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Makeup and Hairstyling - Donald Mowat, Love Larson and Eva von Bahr
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Costume Design - Jacqueline West and Robert Morgan
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Best Picture - Mary Parent, Denis Villeneuve and Cale Boyter, Producers
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Writing (Adapted Screenplay) - Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
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* Cinematography - Greig Fraser
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* Music (Original Score) - Hans Zimmer
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* Film Editing - Joe Walker
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* Sound - Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
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* Visual Effects - Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
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* Production Design - Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
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Three Songs for Benazir
1 Nomination
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Documentary (Short Subject) - Elizabeth Mirzaei and Gulistan Mirzaei
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Luca
1 Nomination
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Animated Feature Film - Enrico Casarosa and Andrea Warren
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Down To Joy
1 Nomination
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Music (Original Song) - from Belfast; Music and Lyric by Van Morrison
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Dos Oruguitas
1 Nomination
\n \n
Music (Original Song) - from Encanto; Music and Lyric by Lin-Manuel Miranda
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Somehow You Do
1 Nomination
\n \n
Music (Original Song) - from Four Good Days; Music and Lyric by Diane Warren
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Be Alive
1 Nomination
\n \n
Music (Original Song) - from King Richard; Music and Lyric by DIXSON and Beyonc\u00e9 Knowles-Carter
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No Time To Die
1 Win, 1 Nomination
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* Music (Original Song) - from No Time to Die; Music and Lyric by Billie Eilish and Finneas O'Connell
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Encanto
2 Nominations, 1 Win
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Music (Original Score) - Germaine Franco
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* Animated Feature Film - Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
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House of Gucci
1 Nomination
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Makeup and Hairstyling - G\u00f6ran Lundstr\u00f6m, Anna Carin Lock and Frederic Aspiras
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Bestia
1 Nomination
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Short Film (Animated) - Hugo Covarrubias and Tevo D\u00edaz
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Italy
1 Nomination
\n \n
International Feature Film - ITALY
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Japan
1 Win, 1 Nomination
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* International Feature Film - JAPAN
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When We Were Bullies
1 Nomination
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Documentary (Short Subject) - Jay Rosenblatt
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Cruella
2 Nominations, 1 Win
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* Costume Design - Jenny Beavan
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Makeup and Hairstyling - Nadia Stacey, Naomi Donne and Julia Vernon
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The Eyes of Tammy Faye
2 Wins, 2 Nominations
\n \n
* Actress in a Leading Role - Jessica Chastain
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* Makeup and Hairstyling - Linda Dowds, Stephanie Ingram and Justin Raleigh
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Ascension
1 Nomination
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Documentary (Feature) - Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
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Affairs of the Art
1 Nomination
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Short Film (Animated) - Joanna Quinn and Les Mills
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Flee
2 Nominations
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Animated Feature Film - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie
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Documentary (Feature) - Jonas Poher Rasmussen, Monica Hellstr\u00f6m, Signe Byrge S\u00f8rensen and Charlotte De La Gournerie
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Please Hold
1 Nomination
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Short Film (Live Action) - K.D. D\u00e1vila and Levin Menekse
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Spider-Man: No Way Home
1 Nomination
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Visual Effects - Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
\n
Ala Kachuu - Take and Run
1 Nomination
\n \n
Short Film (Live Action) - Maria Brendle and Nadine L\u00fcchinger
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On My Mind
1 Nomination
\n \n
Short Film (Live Action) - Martin Strange-Hansen and Kim Magnusson
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Cyrano
1 Nomination
\n \n
Costume Design - Massimo Cantini Parrini and Jacqueline Durran
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Audible
1 Nomination
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Documentary (Short Subject) - Matt Ogens and Geoff McLean
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Coming 2 America
1 Nomination
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Makeup and Hairstyling - Mike Marino, Stacey Morris and Carla Farmer
\n
The Mitchells vs. the Machines
1 Nomination
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Animated Feature Film - Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
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Norway
1 Nomination
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International Feature Film - NORWAY
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Licorice Pizza
3 Nominations
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Directing - Paul Thomas Anderson
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Best Picture - Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
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Writing (Original Screenplay) - Written by Paul Thomas Anderson
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Lead Me Home
1 Nomination
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Documentary (Short Subject) - Pedro Kos and Jon Shenk
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CODA
3 Wins, 3 Nominations
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* Best Picture - Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
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* Writing (Adapted Screenplay) - Screenplay by Si\u00e2n Heder
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* Actor in a Supporting Role - Troy Kotsur
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Writing with Fire
1 Nomination
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Documentary (Feature) - Rintu Thomas and Sushmit Ghosh
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Drive My Car
3 Nominations
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Directing - Ryusuke Hamaguchi
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Writing (Adapted Screenplay) - Screenplay by Ryusuke Hamaguchi, Takamasa Oe
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Best Picture - Teruhisa Yamamoto, Producer
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Attica
1 Nomination
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Documentary (Feature) - Stanley Nelson and Traci A. Curry
\n
Free Guy
1 Nomination
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Visual Effects - Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
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The Dress
1 Nomination
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Short Film (Live Action) - Tadeusz \u0141ysiak and Maciej \u015alesicki
\n
The Worst Person in the World
1 Nomination
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Writing (Original Screenplay) - Written by Eskil Vogt, Joachim Trier
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+ "page_last_modified": ""
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+ {
+ "page_name": "Best Documentary Feature | Oscars Wiki | Fandom",
+ "page_url": "https://oscars.fandom.com/wiki/Best_Documentary_Feature",
+ "page_snippet": "The Academy Award for Best Documentary Feature is the Academy Award for the best nonfiction motion pitcture dealing creatively with cultural, artistic, historical, social, scientific, economic or other subjects. It may be photograhed in actual occurrence, or may employ partial reenactment, ...The Academy Award for Best Documentary Feature is the Academy Award for the best nonfiction motion pitcture dealing creatively with cultural, artistic, historical, social, scientific, economic or other subjects. It may be photograhed in actual occurrence, or may employ partial reenactment, stock footage, stills, animation, stop-motion or other techniques, as long as the emphasis is on fact and not on fiction. Journey into Self \u2014 Bill McGaw - [NOTE: At the 41st Awards ceremony on April 14, 1969, Young Americans was announced as the winner of the Documentary Feature Oscar. On May 7, 1969, the film was declared ineligible after it was revealed that the film had played in October of 1967, therefore ineligible for a 1968 Award. The first runner-up, Journey into Self, was awarded the statuette on May 8, 1969.] ... Other Voices \u2014 David H. Sawyer ... Before the Mountain Was Moved \u2014 Robert K. Sharpe To The British Ministry of Information for its vivid and dramatic presentation of the heroism of the RAF in the documentary film, Target for Tonight. ... Design for Death \u2014 Sid Rogell, Theron Warth, Richard O. Fleischer ... Journey into Medicine \u2014 United States Department of State Office of Information and Educational Exchange To Rey Scott for his extraordinary achievement in producing Kukan, the film record of China's struggle, including its photography with a 16mm camera under the most difficult and dangerous conditions. To The British Ministry of Information for its vivid and dramatic presentation of the heroism of the RAF in the documentary film, Target for Tonight.",
+ "page_result": "\n\n\n\nBest Documentary Feature | Oscars Wiki | Fandom\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\n\n\t\n\n\t\n\n\t\n\n\t\n\n\t\n\n\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t
The Academy Award for Best Documentary Feature is the Academy Award for the best nonfiction motion pitcture dealing creatively with cultural, artistic, historical, social, scientific, economic or other subjects. It may be photograhed in actual occurrence, or may employ partial reenactment, stock footage, stills, animation, stop-motion or other techniques, as long as the emphasis is on fact and not on fiction.\n
To Rey Scott for his extraordinary achievement in producing Kukan, the film record of China's struggle, including its photography with a 16mm camera under the most difficult and dangerous conditions.
\n
To The British Ministry of Information for its vivid and dramatic presentation of the heroism of the RAF in the documentary film, Target for Tonight.
\n
\n16th Academy Awards (1943)\n
\n
Winner
\n
Desert Victory — British Ministry of Information
\n
Nominees
\n
Baptism of Fire — United States Army
\n
The Battle of Russia — United States Department of War Special Service Division
\n
Report from the Aleutians — United States Army Pictorial Service
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War Department Report — United States Office of Strategic Services Field Photographic Bureau
\n
17th Academy Awards (1944)\n
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Winner
\n
The Fighting Lady — United States Navy
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Nominees
\n
Resisting Enemy Interrogation — United States Army Air Force
\n
18th Academy Awards (1945)\n
\n
Winner
\n
The True Glory — The Governments of Great Britain and the United States of America
\n
Nominees
\n
The Last Bomb — United States Army Air Force
\n
20th Academy Awards (1947)\n
\n
Winner
\n
Design for Death — Sid Rogell, Theron Warth, Richard O. Fleischer
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Nominees
\n
Journey into Medicine — United States Department of State Office of Information and Educational Exchange
Where Mountains Float — The Government Film Committee of Denmark
\n
30th Academy Awards (1957)\n
\n
Winner
\n
Albert Schweitzer — Jerome Hill
\n
Nominees
\n
On the Bowery — Lionel Rogosin
\n
Torero! — Manuel Barbachano Ponce
\n
31st Academy Awards (1958)\n
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Winner
\n
Albert Schweitzer — Ben Sharpsteen
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Nominees
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Antarctic Crossing — James Carr
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The Hidden World — Robert Snyder
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Psychiatric Nursing — Nathan Zucker
\n
32nd Academy Awards (1959)\n
\n
Winner
\n
Serengeti Shall Not Die — Bernhard Grzimek
\n
Nominees
\n
The Race for Space — David L. Wolper
\n
1960s\n
33rd Academy Awards (1960)\n
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Winner
\n
The Horse with the Flying Tail — Larry Lansburgh
\n
Nominees
\n
Rebel in Paradise — Robert D. Fraser
\n
34th Academy Awards (1961)\n
\n
Winner
\n
Le Ciel et la Boue (Sky Above and Mud Beneath) — Arthur Cohn and Rene Lafuite
\n
Nominees
\n
La Grande Olimpiade (Olympic Games 1960) — dell Istituto Nazionale Luce, Comitato Organizzatore Del Giochi Della XVII Olimpiade
\n
35th Academy Awards (1962)\n
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Winner
\n
Black Fox — Louis Clyde Stoumen
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Nominees
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Alvorada (Brazil's Changing Face) — Hugo Niebeling
\n
36th Academy Awards (1963)\n
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Winner
\n
Robert Frost: A Lover's Quarrel with the World — Robert Hughes
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Nominees
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Le Maillon et la Chaine (The Link and the Chain) — Paul de Roubaix
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The Yanks Are Coming — Marshall Flaum
\n
37th Academy Awards (1964)\n
\n
Winner
\n
Jacques-Yves Cousteau's World without Sun — Jacques-Yves Cousteau
\n
Nominees
\n
The Finest Hours — Jack Le Vien
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Four Days in November — Mel Stuart
\n
The Human Dutch — Bert Haanstra
\n
Over There, 1914-18 — Jean Aurel
\n
38th Academy Awards (1965)\n
\n
Winner
\n
The Eleanor Roosevelt Story — Sidney Glazier
\n
Nominees
\n
The Battle of the Bulge...The Brave Rifles — Laurence E. Mascott
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The Forth Road Bridge — Peter Mills
\n
Let My People Go — Marshall Flaum
\n
To Die in Madrid — Fr\u00e9d\u00e9ric Rossif
\n
39th Academy Awards (1966)\n
\n
Winner
\n
The War Game — Peter Watkins
\n
Nominees
\n
The Face of Genius — Alfred R. Kelman
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Helicopter Canada — Peter Jones, Tom Daly
\n
Le Volcan Interdit (The Forbidden Volcano) — Haroun Tazieff
\n
The Really Big Family — Alex Grasshoff
\n
40th Academy Awards (1967)\n
\n
Winner
\n
The Anderson Platoon — Pierre Schoendoerffer
\n
Nominees
\n
Festival — Murray Lerner
\n
Harvest — Carroll Ballard
\n
A King's Story — Jack Le Vien
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A Time for Burning — William C. Jersey
\n
41st Academy Awards (1968)\n
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Winner
\n
Journey into Self — Bill McGaw - [NOTE: At the 41st Awards ceremony on April 14, 1969, Young Americans was announced as the winner of the Documentary Feature Oscar. On May 7, 1969, the film was declared ineligible after it was revealed that the film had played in October of 1967, therefore ineligible for a 1968 Award. The first runner-up, Journey into Self, was awarded the statuette on May 8, 1969.]
\n
Nominees
\n
A Few Notes on Our Food Problem — James Blue
\n
The Legendary Champions — William Cayton
\n
Other Voices — David H. Sawyer
\n
Young Americans — Robert Cohn, Alex Grasshoff
\n
42nd Academy Awards (1969)\n
\n
Winner
\n
Arthur Rubinstein - The Love of Life — Bernard Chevry
\n
Nominees
\n
Before the Mountain Was Moved — Robert K. Sharpe
\n
In the Year of the Pig — Emile de Antonio
\n
The Olympics in Mexico — Comite Organizador de los Juegos de la XIX Olimpiada
\n
The Wolf Men — Irwin Rosten
\n
1970s\n
43rd Academy Awards (1970)\n
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Winner
\n
Woodstock — Bob Maurice
\n
Nominees
\n
Chariots of the Gods — Dr. Harald Reinl
\n
Jack Johnson — Jim Jacobs
\n
King: A Filmed Record...Montgomery to Memphis — Ely Landau
\n\n\n\n\n\n\n\n",
+ "page_last_modified": " Tue, 19 Mar 2024 06:51:39 GMT"
+ },
+ {
+ "page_name": "Academy Award for Best Documentary Feature Film - Wikipedia",
+ "page_url": "https://en.wikipedia.org/wiki/Academy_Award_for_Best_Documentary_Feature_Film",
+ "page_snippet": "That is the case, most egregiously, with Gabe Polsky's Red Army (Sony Classics), a masterful look at the role of sports in society and Russian-American relations". (Icarus, another documentary related to sports and Russian-American relations, later won the Oscar.)It's shocking to me that that film (Red Army) didn't get in,\" Bernard said. Additionally, in his reporting of the Oscar documentary shortlist exclusions that year, The Hollywood Reporter's Scott Feinberg reacted to Red Army's omission: \"...no matter which 15 titles the doc branch selected, plenty of other great ones would be left on the outside. In 2000, Arthur Cohn, the producer of the winning One Day in September boasted \"I won this without showing it in a single theater!\" Cohn had hit upon the tactic of showing his Oscar entries at invitation-only screenings, and to as few other people as possible. That is the case, most egregiously, with Gabe Polsky's Red Army (Sony Classics), a masterful look at the role of sports in society and Russian-American relations\". (Icarus, another documentary related to sports and Russian-American relations, later won the Oscar.) At the 3rd Academy Awards, prior to the introduction of a documentary category, With Byrd at the South Pole won the award for Best Cinematography, becoming the first documentary both to be nominated for and win an Oscar. 1952's Navajo would become the first film nominated for both Best Documentary and Best Cinematography. Documentaries nominated for their scores include This is Cinerama, White Wilderness (which also won for Documentary Feature), Let It Be, and Birds Do It, Bees Do It. Five documentary filmmakers have received honorary Oscars: Pete Smith, William L. Hendricks, D. A. Pennebaker, Frederick Wiseman, and Agn\u00e8s Varda.",
+ "page_result": "\n\n\n\nAcademy Award for Best Documentary Feature Film - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight.[1] They have since been bestowed competitively each year, with the exception of 1946.[2] Copies of every winning film (along with copies of most nominees) are held by the Academy Film Archive.[3]\n
Following the Academy's practice, films are listed below by the award year (that is, the year they were released under the Academy's rules for eligibility). In practice, due to the limited nature of documentary distribution, a film may be released in different years in different venues, sometimes years after production is complete.\n
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This section contains numerous links to pages on foreign language Wikipedias. They are shown as red links with the language codes in [small blue letters] in brackets. Click on the language code to see the page in that language.
Finalists for Best Documentary Feature are selected by the Documentary Branch based on a preliminary ballot. A second preferential ballot determines the five nominees.[11] Prior to the 78th Academy Awards, there were twelve films shortlisted. These are the additional films that were shortlisted.\n
Michael Moore's Fahrenheit 9/11, at the time the highest-grossing documentary film in movie history, was ruled ineligible because Moore had opted to have it played on television prior to the 2004 election. Previously, the 1982 winner Just Another Missing Kid had already been broadcast in Canada and won that country's ACTRA award for excellence in television at the time of its nomination.\n
In 1990, a group of 45 filmmakers filed a protest to the Academy of Motion Picture Arts and Sciences over a potential conflict of interest involving Mitchell Block. They noted that Block was a member of the Documentary Steering Committee, which selects films as nominees, but he had a conflict of interest because his company Direct Cinema owned the distribution rights to three of the five films (including eventual winner Common Threads: Stories from the Quilt)[35] selected that year as nominees for an Academy Award for Best Documentary Feature. They noted that Michael Moore's Roger & Me (distributed by Warner Brothers) was omitted from the nominees, although it had been highly praised by numerous critics and was ranked by many critics as one of the top ten films of the year.[36]\n
The controversy over Hoop Dreams' exclusion was enough to have the Academy Awards begin the process to change its documentary voting system.[37] Roger Ebert, who had declared it to be the best 1994 movie of any kind, looked into its failure to receive a nomination: \"We learned, through very reliable sources, that the members of the committee had a system. They carried little flashlights. When one gave up on a film, he waved a light on the screen. When a majority of flashlights had voted, the film was switched off. Hoop Dreams was stopped after 15 minutes.\"[38]\n
The Academy's executive director, Bruce Davis, took the unprecedented step of asking accounting firm Price Waterhouse to turn over the complete results of that year's voting, in which members of the committee had rated each of the 63 eligible documentaries on a scale of six to ten. \"What I found,\" said Davis, \"is that a small group of members gave zeros (actually low scores) to every single film except the five they wanted to see nominated. And they gave tens to those five, which completely skewed the voting. There was one film that received more scores of ten than any other, but it wasn't nominated. It also got zeros (low scores) from those few voters, and that was enough to push it to sixth place.\"[39]\n
In 2000, Arthur Cohn, the producer of the winning One Day in September boasted \"I won this without showing it in a single theater!\" Cohn had hit upon the tactic of showing his Oscar entries at invitation-only screenings, and to as few other people as possible. Oscar bylaws at the time required voters to have seen all five nominated documentaries; by limiting his audience, Cohn shrank the voting pool and improved his odds. Following protests by many documentarians, the nominating system subsequently was changed.[40]\n
Hoop Dreams director Steve James said \"With so few people looking at any given film, it only takes one to dislike a film and its chances for making the short list are diminished greatly. So they've got to do something, I think, to make the process more sane for deciding the shortlist.\"[41] Among other rule changes taking effect in 2013,[42] the Academy began requiring a documentary to have been reviewed by either The New York Times or Los Angeles Times, and be commercially released for at least one week in both of those cities. Advocating the rule change, Michael Moore said \"When people get the award for best documentary and they go on stage and thank the Academy, it's not really the Academy, is it? It's 5% of the Academy.\"[41]\n
The awards process has also been criticized for emphasizing a documentary's subject matter over its style or quality. In 2009, Entertainment Weekly's Owen Gleiberman wrote about the documentary branch members' penchant for choosing \"movies that the selection committee deemed good because they're good for you... a kind of self-defeating aesthetic of granola documentary correctness.\"[43]\n
In 2014, following the announcement of the shortlist of eligible feature documentary nominees, Sony Pictures Classics co-president Tom Bernard publicly criticized Academy documentary voters after they excluded SPC's Red Army from the shortlist. \"It's a sign of some really old people in the documentary area of the Academy. There's a lot of people who are really up in their years. It's shocking to me that that film (Red Army) didn't get in,\" Bernard said.[44] Additionally, in his reporting of the Oscar documentary shortlist exclusions that year, The Hollywood Reporter's Scott Feinberg reacted to Red Army's omission: \"...no matter which 15 titles the doc branch selected, plenty of other great ones would be left on the outside. That is the case, most egregiously, with Gabe Polsky's Red Army (Sony Classics), a masterful look at the role of sports in society and Russian-American relations\".[45] (Icarus, another documentary related to sports and Russian-American relations, later won the Oscar.)\n
In 2017, following the win of the eight-hour O.J.: Made in America in this category, the Academy announced that multi-part and limited series would be ineligible for the award in the future, even if they are not broadcast after their Oscar-qualifying release (as was O.J.: Made in America).[46]\n
Various other acclaimed documentaries have not been nominated.[47][48]\n
\n
Documentaries with wins or nominations in other categories[edit]
No documentary feature has yet been nominated for Best Picture, although Chang was nominated in the \"Unique and Artistic Production\" category at the 1927/28 awards.\n
At the 3rd Academy Awards, prior to the introduction of a documentary category, With Byrd at the South Pole won the award for Best Cinematography, becoming the first documentary both to be nominated for and win an Oscar.[51][52] 1952's Navajo would become the first film nominated for both Best Documentary and Best Cinematography. \n
Woodstock was the first documentary to be nominated for Best Film Editing[53] while Hoop Dreams was the second (although it was, controversially, not nominated for Best Documentary Feature).[54][55]Woodstock is also the only documentary to receive a nomination for Best Sound.[56] \n
Honeyland became the first documentary to be nominated for both Best International Feature Film and Best Documentary Feature.[57] The following year, Collective would accomplish the same double nomination.[58][59][60] Prior to this, Waltz with Bashir became the first documentary and first animated film nominated for Best International Feature Film, although it was not nominated for Best Documentary Feature.[61][62] The Danish-language animated documentary Flee was later nominated for Best International Feature, Best Documentary Feature, and Best Animated Feature, the first film to accomplish this feat.\n
^In 1942, documentary features and short subjects competed together for Best Documentary. Four special awards were bestowed among the 25 nominees.\n
\n
^A preliminary list of eight films were announced as nominees, but the Documentary Award Committee subsequently narrowed the field to five titles included on the final ballot. The films that did not advance were: For God and Country (United States Army Pictorial Service), Silent Village (British Ministry of Information), and We've Come a Long, Long Way (Negro Marches On, Inc.).\n
\n
^Terminus was originally announced as a nominee, but the nomination was rescinded after it was discovered the film had been released prior to the eligibility period.\n
\n
^Young Americans, produced by Robert Cohn and Alex Grasshoff, won this award on April 14, 1969. \nOn May 7, 1969, the win and nomination were rescinded after it was discovered the film had been released prior to the eligibility period. First runner-up Journey into Self was named the winner the following day.\n
\n\n\n\n",
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+ "page_snippet": "PG-13 | 98 min | Documentary \u00b7 Recounts the 1985-86 strike against the Hormel Foods Corporation in Minnesota after its employees' wages and benefits were cutA film about the work of the artist most famous for her monuments such as the Vietnam Memorial Wall and the Civil Rights Fountain Memorial. ... Tells the story of the Frank family and paints a portrait of their brash and free-spirited daughter Anne, perhaps the world's most famous victim of the Holocaust. Archive Footage (11) Interview (11) Independent Film (10) Photograph (9) Murder (8) Civil Rights (7) Father Daughter Relationship (7) Mother Daughter Relationship (7) Mother Son Relationship (7) New York City (7) Singer (7) Singing (7) Song (7) 1970s (6) 1980s (6) Death (6) Father Son Relationship (6) Politics (6) Racism (6) Airplane (5) Dead Body (5) Drug Use (5) F Rated (5) Fame (5) Family Relationships (5) Husband Wife Relationship (5) Manhattan New York City (5) Poverty (5) World War Two (5) 1990s (4) 2000s (4) Anti Semitism (4) Artist (4) Biographical Documentary (4) Blood (4) Character N Winner of the Academy Award for Best Documentary Feature, this film is a hilarious and affectionate look at the path to stardom inside the competitive world of opera. Directors: Allie Light, Irving Saraf | Star: William S. Jones ... A film about the true reasons for the 1989 US invasion of Panama and big media complicity in these activities. Oscar-winning documentary that documents a murder trial in which a 15-year-old African-American is wrongfully accused of a 2000 murder in Jacksonville, Florida. Director: Jean-Xavier de Lestrade | Stars: Ann Finnell, Patrick McGuinness, James Williams, Michael Glover ... Filmmaker Michael Moore explores the roots of America's predilection for gun violence.",
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\nWinner of the Academy Award for Best Documentary Feature, this film is a hilarious and affectionate look at the path to stardom inside the competitive world of opera.
\nTells the story of the Frank family and paints a portrait of their brash and free-spirited daughter Anne, perhaps the world's most famous victim of the Holocaust.
\nBoxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.
\nIn late 1944, even as they faced imminent defeat, the Nazis expended enormous resources to kill or deport over 425,000 Jews during the \"cleansing\" of Hungary. This Oscar-winning documentary... See full summary »\n
\nOscar-winning documentary that documents a murder trial in which a 15-year-old African-American is wrongfully accused of a 2000 murder in Jacksonville, Florida.
\nTwo documentary filmmakers chronicle their time in Sonagchi, Calcutta and the relationships they developed with children of prostitutes who work the city's notorious red light district.
\nFilmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
\nA look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, \"the artistic crime of the century\".
\nUsing state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
\nChronicles three underprivileged students from inner-city Memphis and their volunteer coach who tries to help them beat the odds on and off the field.
\nBackup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
\nA chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.
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