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+ "page_name": "Artists with the most number-ones on the U.S. Dance Club Songs ...",
+ "page_url": "https://en.wikipedia.org/wiki/Artists_with_the_most_number-ones_on_the_U.S._Dance_Club_Songs_chart",
+ "page_snippet": "Summer has also hit number one ... has had at least one number-one dance hit during the 1970s, 1990s, 2000s, and 2010s. American singer-songwriter Lady Gaga has achieved fifteen number-one songs, and ranked 16th among the top 100 Dance Club Songs artists in this ...Donna Summer has 16, Lady Gaga has 15, while Dave Aud\u00e9, Enrique Iglesias, Pitbull, Kylie Minogue, David Guetta, and Whitney Houston have attained 14 apiece. Two acts have attained thirteen number-one songs: Deborah Cox and Yoko Ono (aka ONO). American singer-songwriter and producer Madonna has achieved a record-extending 50 number-one songs on the U.S. Billboard Dance Club Songs chart. In addition to this feat, she also holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits (her overall tally as of 2020 is 62 songs placed on this chart). and the most total weeks at number one. This is a list of artists with the most number-ones on the U.S. Billboard Dance Club Songs chart. Madonna currently holds the record for the most number-one songs in the 43-year history of the chart, with 50. The only other artists to have achieved more than 20 chart toppers are Rihanna (33) and Beyonce (22). Janet Jackson has accumulated 20 number-ones during her career, followed by Katy Perry with 19, and Jennifer Lopez with 18. Mariah Carey and Kristine W are tied with 17. Donna Summer has 16, Lady Gaga has 15, while Dave Aud\u00e9, Enrique Iglesias, Pitbull, Kylie Minogue, David Guetta, and Whitney Houston have attained 14 apiece. These two songs were released separately as singles and both were also number-ones on the Billboard Hot 100. Summer has also hit number one twice with \"MacArthur Park\" \u2014 once in 1978 and again with a remix in 2013; her last number one before her passing was in 2010 with \"To Paris with Love.\" She has had at least one number-one dance hit during the 1970s, 1990s, 2000s, and 2010s. American singer-songwriter Lady Gaga has achieved fifteen number-one songs, and ranked 16th among the top 100 Dance Club Songs artists in this category. She has had at least one number-one dance hit during the 1970s, 1990s, 2000s, and 2010s. American singer-songwriter Lady Gaga has achieved fifteen number-one songs, and ranked 16th among the top 100 Dance Club Songs artists in this category. Her first was the second single from her debut album The Fame (2008), \"Poker Face\", in February 2009. She topped the chart three more times in 2009, with \"LoveGame\" in July, \"Paparazzi\" in November, and \"Bad Romance\" in December. Madonna's MDNA gave her three more number-one dance hits: \"Give Me All Your Luvin'\" (featuring Nicki Minaj and M.I.A.), \"Girl Gone Wild\", and \"Turn Up the Radio\". Madonna has collected three number-one songs from her thirteenth studio album, Rebel Heart. \"Living for Love\" became her forty-fourth number-one for the chart issue dated March 7, 2015. Billboard noted that it was a \"historic\" milestone, as Madonna tied with country singer George Strait for the most number-ones of any Billboard chart, who accumulated the same tally on the U.S. Hot Country Songs chart between 1982 and 2009.",
+ "page_result": "\n\n\n\nArtists with the most number-ones on the U.S. Dance Club Songs chart - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
\nMadonna performing during The MDNA Tour in August 2012\n
American singer-songwriter and producer Madonna has achieved a record-extending 50 number-one songs on the U.S. BillboardDance Club Songs chart. In addition to this feat, she also holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits (her overall tally as of 2020 is 62 songs placed on this chart).[1] and the most total weeks at number one.[2] She is the only living and active artist to continue charting at Dance Club Songs (as of the March 28, 2020, issue[update]), spanning 37 years, the longest of any artist on this chart. In its December 10, 2016, issue celebrating the 40th anniversary of the Dance Club Songs chart, Madonna ranked 1st among the top 100 all-time artists in this category.[3] She also became the first Dance Club Songs artists in the history of the charts to have a single reach number one in five decades (1980s, 1990s, 2000s, 2010s, and 2020s).[4]\n
Madonna's first two dance chart entries, \"Everybody\" in 1982 and \"Burning Up\" in 1983, both peaked at number three. Her first chart-topper came later in 1983, when the double-sided 12-inch single \"Holiday\"/\"Lucky Star\" spent five weeks at the summit. This remains as Madonna's longest-running number-one. Her second album Like a Virgin produced three chart-toppers during 1984\u20131985: \"Like a Virgin\", \"Material Girl\", and \"Angel\"/\"Into the Groove\". \"Into the Groove\", originally recorded for the film Desperately Seeking Susan, was later added to the Like a Virgin album when it was re-issued in non-American territories. \"Open Your Heart\", and \"Causing a Commotion\" were both number-ones in 1987. The remix album You Can Dance topped the club songs chart in 1988 (Billboard policy at the time allowed full albums or EPs to chart). Madonna closed out the 1980s with three more number-ones from her album Like a Prayer: The title track, \"Express Yourself\", and \"Keep It Together\" (in early 1990).\n
Madonna's MDNA gave her three more number-one dance hits: \"Give Me All Your Luvin'\" (featuring Nicki Minaj and M.I.A.), \"Girl Gone Wild\", and \"Turn Up the Radio\". Madonna has collected three number-one songs from her thirteenth studio album, Rebel Heart. \"Living for Love\" became her forty-fourth number-one for the chart issue dated March 7, 2015.[5]Billboard noted that it was a \"historic\" milestone, as Madonna tied with country singer George Strait for the most number-ones of any Billboard chart, who accumulated the same tally on the U.S. Hot Country Songs chart between 1982 and 2009.[5] \"Living for Love\" also brought the singer's total amount of U.S. number-ones across all Billboard charts to 173, which includes multiple rankings.[5] \"Ghosttown\" became her record-breaking forty-fifth chart topper for the issue dated May 30, 2015, breaking her tie with Strait and becoming the act with the most number-one hits on a singular Billboard chart.[6] At the time, Madonna had garnered more number-ones on the chart than Rihanna and Beyonc\u00e9 combined (45 total).[6] It ascended to the peak with remixes by Don Diablo, Armand Van Helden and Mindskap.[6] \"Bitch I'm Madonna\" featuring Nicki Minaj became her record-extending forty-sixth chart topper in August 2015.[7] It is Madonna's second collaboration with Minaj to reach the summit, following \"Give Me All Your Luvin'\" in 2012, and Minaj's fifth song in total to hit number-one.[7]\n
The singer's most recent number one entries are the four singles from her Madame X album: 2019's \"Medell\u00edn\", a collaboration with singer Maluma in June; [8] \"I Rise\" in August; and \"Crave\" (featuring Rae Sremmurd member Swae Lee) in November; and February 2020 single \"I Don't Search I Find\". They extended her consecutive streak of number ones to ten, surpassing her two previous seven chart topping streaks (from 1987's \"Causing a Commotion\" to 1991's \"Justify My Love\", and from 1999's \"Nothing Really Matters\" to 2001's \"Impressive Instant\")[9] That feat gave Madonna her ninth number one during the 2010s (2010-2019), and she has earned three number ones each from her last three studio albums, with each triple tallied in a single year.[10][11]\n
Barbadian singer-songwriter Rihanna has achieved 33 number-one songs on the U.S. Billboard Dance Club Songs chart.[12] Rihanna's first number-one song was her debut single \"Pon de Replay\" in October 2005.[13] It was followed by three number-ones from her second album A Girl like Me; \"SOS\" in May 2006, \"Unfaithful\" in July 2006, and \"We Ride\" in February 2007.[13] Her third studio album, Good Girl Gone Bad spawned four number-ones; the lead single, \"Umbrella\" featuring Jay-Z, peaked atop the chart for two consecutive weeks, and was followed by \"Don't Stop the Music\", \"Shut Up and Drive\" and \"Disturbia\".[13] Her fourth album, Rated R charted three number one songs: \"Russian Roulette\", \"Hard\" featuring Jeezy and \"Rude Boy\". With \"Hard\" reaching the top spot, Rihanna logged to shortest time span of reaching ten number-one songs, doing so in four years and five months. However, Lady Gaga broke this record in August 2011, achieving 10 in just two years, five months and three weeks.[14]\n
Rihanna's fifth album, Loud, garnered three number-ones: \"Only Girl (In the World)\", \"S&M\" and \"California King Bed\".[13] In between the release of \"Only Girl (In the World)\" and \"S&M\", \"Who's That Chick?\", a song by David Guetta on which Rihanna features, became her thirteenth chart topper in February 2011.[13] Rihanna's sixth studio album, Talk That Talk, once again produced three number-one songs; \"We Found Love\" featuring Calvin Harris peaked atop the chart for two consecutive weeks, and \"You da One\" and \"Where Have You Been\" in February and June 2012, respectively.[13] \"Diamonds\", the lead single from Rihanna's seventh studio album Unapologetic, gave the singer her nineteenth number-one song in December 2012, placing her in joint second place with Janet Jackson.[13]\n
\"Right Now\", featuring Guetta, became Rihanna's twentieth number-one in August 2013, breaking her tie with Jackson and putting her alone in the position of second place. It also meant that the singer had collected twenty number one songs in less than eight years.[15] \"Right Now\" reached the top spot in its sixteenth week on the chart, and ties for the longest climb to the peak position this century, matching \"Where Have You Been\" as well as \"Most Precious Love\" by Blaze presents U.D.A.U.F.L. featuring Barbara Tucker.[15][16] \"What Now\" became her twenty-first chart-topper in November 2013.[17] \"Can't Remember to Forget You\", a song by Shakira on which Rihanna features, became her twenty-second in total; it became only the second time whereby she was not the lead artist, the other being \"Who's That Chick?\".[18] Rihanna's \"Bitch Better Have My Money\" became her twenty-third chart topper in June 2015.[19]\n
In 2016 Rihanna released Anti. The album produced eight chart toppers chart \u2014 \"Work\" (featuring Drake), \"Kiss It Better\", \"Needed Me\", \"Love on the Brain\", \"Sex with Me\", \"Pose\", \"Desperado\" and \"Consideration\" \u2014 surpassing Katy Perry's Teenage Dream (2010) as the album with the most number-one songs on that chart.[20][21]\nBetween \"Pon de Replay\" and \"Work\", Rihanna had tallied more number-ones than any other artist, besting Beyonc\u00e9 with 20, Katy Perry with 15 and Madonna with 13.[22] \nRihanna earned her twenty-fifth hit with Calvin Harris' song \"This Is What You Came For\" on which she features in July 2016.[23] \nThe second and third singles from Anti, \"Kiss It Better\" and \"Needed Me\", both topped the chart.[24][25] Rihanna became the first lead act in the history of the chart to have two songs in the top three due to \"Needed Me\" charting at number three the same week.[25]\n
\"Needed Me\" was her twenty-seventh number-one song; her fourth hit in 2016. The fourth single from Anti, \"Love on the Brain\", became her twenty-eighth number-one song in January 2017,[26] while the non-single track \"Sex with Me\" became her twenty-ninth three months later.[12] It is also the fifth song from Anti to reach number-one, making it the first album to produce as many since Katy Perry's album Prism throughout 2013\u20132014.[12] Between \"Work\" and \"Sex with Me\" (April 2016-April 2017), Rihanna had achieved six number-one songs while no other artist had achieved more than two in the same time span.[12] \"Pose\", another non-single track from Anti, topped the chart in July 2017, becoming her thirtieth in total and her sixth from Anti.[27] The following month, in August 2017, \"Wild Thoughts\" which featured Rihanna topped the dance chart, making her the sole artist to have four number-ones in five calendar years. In January 2018, \"Consideration\" feat. SZA became the record eighth Anti song to hit number one, surpassing the previous record holder: Perry's Teenage Dream with seven.[28]\n
\"Telephone\", a song by Lady Gaga featuring Beyonc\u00e9, became her thirteenth number one in February 2010.[30][44] Additionally, \"Video Phone\" became her sixth consecutive number one, a streak which began with \"Halo\" one year previous, and continued with \"Diva\", \"Sweet Dreams\", \"Why Don't You Love Me\" and \"Telephone\".[30]I Am...Sasha Fierce became the first album to produce six number-ones between in 2010; Kristine W's album The Power of Music matched this record in 2011. However, Katy Perry broke the record when Teenage Dream produced seven chart toppers over 2010\u20132012.[45] Beyonc\u00e9's fourth studio album 4 generated four number-ones: \"Run the World (Girls)\",[46] \"Best Thing I Never Had\",[47] \"Countdown\",[48] and \"Love on Top\".[49] At the time of \"Love on Top\" becoming Beyonc\u00e9's eighteenth chart topper, it placed her one ahead of Rihanna, who had achieved 17, and one behind Jackson, who has 19.[50]\n
\"Blow\" became the singer's nineteenth number-one in March 2014.[51] In May 2014, \"Partition\" ascended to the peak position on the chart, becoming Beyonc\u00e9's twentieth number one song.[52] With this chart entry, she became just the third singer to amass at least 20 number ones in chart's 38-year history, after Madonna and Rihanna.[53] It also meant that Beyonc\u00e9 surpassed Jackson for third-most number ones overall.[53] \"Pretty Hurts\" became her twenty-first number in August 2014;[54] her most recent chart topper is \"7/11\", her twenty-second number in total. Aside from her solo achievement, Beyonc\u00e9 also topped the chart three times between 2003 and 2005 with Destiny's Child.[43]\n
American singer, actress, songwriter, and producer Janet Jackson has achieved 20 number-one songs on the U.S. Billboard Dance Club Songs chart.[29] She also ranks second among the top 100 artists on this chart.\n
Jackson's history at Dance Club Songs goes back to 1983, when her first entry on this chart, \"Come Give Your Love To Me,\" peaked at number 30 in March of that year, the first of 40 entries, of which 34 would all place in the top 10, including four number 2s.\n
Jackson would add her 20th number one tally in 2018, when \"Made for Now\" (featuring Daddy Yankee) reached the top spot in its October 20 issue.[55]\n
American singer-songwriter Katy Perry has achieved 19 number-one singles, of which included a record-holding streak of 18 consecutive number-ones, on this chart. Her first was \"Waking Up in Vegas\" in August 2009,[45] which ranked as the second most spun song on the 2009 year-end chart.[56] Perry's third studio album Teenage Dream (2010) and the songs released from it broke multiple records and garnered several notable achievements on the Dance Club Songs chart. It became the first and only album in the history of the chart to produce seven number-one songs.[45] The recorded was previously jointly held by Beyonc\u00e9 and Kristine W, whose albums I Am... Sasha Fierce (2008) and The Power of Music (2009) had both produced six chart toppers, respectively.[45]\n
The first two singles from Teenage Dream, \"California Gurls\" featuring Snoop Dogg and the title track, became the singer's second and third number-one songs in August and October 2010, respectively.[45] On the 2010 year-end chart, the former finished as the fifth most spun song of the year, while the latter placed at number 34.[57] A non-single track from Teenage Dream titled \"Peacock\" became her fourth hit on the chart in December 2010.[45] The streak continued throughout 2011, with subsequent singles \"Firework\", \"E.T.\" and \"Last Friday Night (T.G.I.F.)\" all topping the chart.[45] \"E.T.\" ranked as the most spun song in bars and clubs across the United States on the 2011 year-end chart, with \"Last Friday Night (T.G.I.F.)\" ranking as the sixth most played and \"Firework\" the nineteenth.[58] In January 2012, \"The One That Got Away\" became Perry's eighth overall number-one, the record breaking seventh from Teenage Dream,[45] and finished as the twenty-first most played song on the 2012 year-end chart.[59]Teenage Dream: The Complete Confection (2012), a re-issue of Teenage Dream, spawned two more chart toppers for Perry in May and August 2012 respectively: \"Part of Me\" and \"Wide Awake\".[60][61]\n
\"Roar\", the lead single from Perry's fourth studio album Prism (2013), became her eleventh number-one in October 2013.[62] With this chart entry, Perry tied with Jennifer Lopez for the most consecutive number-one singles, who also had an active streak of 11.[63] Perry broke out of this tie with Lopez when the second single from Prism, \"Unconditionally\", topped the chart in January 2014, becoming her twelfth.[64] Perry has subsequently continued to extend her own record of consecutive number-songs with each song that she has released since; her thirteenth, \"Dark Horse\" featuring Juicy J, topped the chart just one month later in February.[64] At the time, Perry tied with Lady Gaga and Whitney Houston for the ninth most number-ones on the chart overall.[64] Assisted by remixes from Cash Cash and Mark Picchiotti, \"Birthday\" became her fourteenth consecutive hit in June. As a result, Perry broke out of her tie with Gaga and Houston and entered into a different tie with Lopez, this time for eighth most number-ones overall.[65] \"This Is How We Do\" became Perry's record-holding fifteenth consecutive and most recent number-one song that November, tying her with Donna Summer.[66][67] Additionally, it became her fourth song to reach number-one in 2014, the most among all acts that year.[67] As a result, Perry became one of only four acts to have achieved four number-one songs in a calendar year in the history of the chart, along with Rihanna, Beyonc\u00e9 and Gaga.[24]\n
In October 2016, \"Rise\" became Perry's record extending sixteenth consecutive number-one song.[68] It became her longest span between number-ones, having previously topped the chart in November 2014 with \"This Is How We Do\", and broke her streak of having achieved at least one chart topper every year between 2009 and 2014.[68] Perry broke out of her tie with Summer, and into another with Kristine W and Lopez for the sixth most leaders.[68] \"Chained to the Rhythm\" featuring Skip Marley became her seventeenth consecutive number-one in the chart issue dated April 22, 2017, tying her in fifth place with Mariah Carey.[69] It was followed by \"Swish Swish\" featuring Nicki Minaj in July 2017, becoming her record-extending eighteenth consecutive number-one song, breaking her from her tie in fifth place with Carey, displacing her into sixth, and into sole fifth position.[70]Billboard writer Gordon Murray indicated that the streak may have been broken owing to Perry's previous single \"Bon Appetit\" featuring Migos reaching a peak of 28.[70] In its September 21, 2019, issue, Perry added her 19th number one, \"Never Really Over,\" to her list of Dance Club Song tallies.[71]\n
\nLopez performing during her MTV Video Vanguard Award before accepting in August 2018.\n
American singer Jennifer Lopez has achieved 18 number one songs on the U.S. Billboard Dance Club Songs chart, and ranked ninth among the top 100 Dance Club Songs Artists in this category. She achieved her first number one in 1999 with the song Waiting for Tonight. She has had 11 consecutive number one singles. Lopez's 2019 single Medicine, a collaboration with French Montana, became her 17th number one single, tying her for 6th place with Mariah Carey and Kristine W. In 2020, her song Baila Conmigo became her 18th number one on the chart.\n
During her hit streak Lopez also holds the record for having the most albums to have all singles reach the number one spot, having released 8 number one singles across four albums being Como Ama una Mujer (2007), Brave (2007), Love? (2011), Dance Again... the Hits (2012). The hit streak was broken in 2014 with the release of \"I Luh Ya Papi\" which peaked at number 5 on the chart.\n
American singer-songwriter, actress, and record producer Mariah Carey has achieved seventeen number-one songs on the chart, and ranks seventh overall among top 100 Dance Club Songs artists in this category. \"Someday\" became her first in March 1991, which was followed by \"Emotions\" in November the same year.[72] \"Dreamlover\" and \"Anytime You Need a Friend\" from her third studio album Music Box (1993) became Carey's third and fourth chart-toppers in October 1993 and August 1994, respectively.[72] In October 1995, \"Fantasy\" became her fifth number-one, a position it held for three weeks; it is her only song to have spent more than one week atop the chart.[72] Carey achieved two more number-ones on the chart in the late 1990s; \"Honey\" in October 1997 and \"I Still Believe\" in April 1999.[72] In February 2003, remixes by Maurice Joshua, Hex Hector and Full Intention helped \"Through the Rain\" to become Carey's eighth number-one on the chart, and her first in the 2000s.[72]\n
American singer-songwriter Kristine W has achieved seventeen number-one songs on the chart, and ranks eighth among the top 100 Dance Club Songs Artists overall.[78] She first topped the chart with her debut single, \"Feel What You Want\", in 1994.[78] She followed it up with her second and third hits in 1996: \"One More Try\" in May[79] and \"Land of the Living\" in November, which spent two weeks atop the chart.[80][81] Between 2000 and 2005, the singer achieved six more number-ones: \"Stronger\",[82] \"Lovin' You\",[83] \"Some Lovin'\" (Murk vs. Kristine W),[84] \"Fly Again\",[85] \"Save My Soul\",[86] and \"The Wonder of It All\".[87] As a result, Kristine W achieved nine consecutive number-one songs, a record.[88] This streak ended when \"I'll Be Your Light\" peaked at number two in 2006.[78][88] However, this record was broken by Jennifer Lopez in 2013 who achieved a streak of 11 number-ones,[62] and since has been broken again by Katy Perry, who has achieved a currently unbroken streak of 16.[89] \"Walk Away\", a song by Tony Moran on which Kristine W features, reached number-one in 2007.[45]\n
Kristine W's fourth studio album, The Power of Music (2009), became one of only three albums in the history of the chart to produce at least six number-songs, the others being Beyonc\u00e9's third studio album I Am... Sasha Fierce (2008) which also achieved six, and Katy Perry's second studio album Teenage Dream (2010), which attained a record holding seven.[45] \"The Boss\", \"Never\", \"Love Is the Look\", \"Be Alright\", the title track and \"Fade\" all topped the chart between 2008 and 2011.[45] \"The Boss\" set a record by being the only song in the history of the chart to reach number-one by three different artists; by the original performer Diana Ross in 1979, and by The Braxtons and Kristine W who covered the song in 1997 and 2008, respectively.[90]\n
The title track became her fifteenth number-one song, tying her with Mariah Carey for third most chart toppers behind Janet Jackson with 19 and Madonna with 40 (at the time), as well as her sixth consecutive number-one since \"I'll Be Your Light\".[88] In an interview with Billboard, the singer commented on being one of four artists to have achieved the most number-ones: \"I am so honored to be in the company of these amazing women. They are so talented.\"[88] \"Fade\" became her sixteenth and most recent number-one song in June 2011 - as well as her sixth from the album - breaking her tie with Carey and assuming sole third position for the most hits behind Jackson and Madonna, at the time of charting.[78] In 2018, Kristine W added her seventeenth number one in the January 27 issue with \u201cStars.\u201d It also meant that up until this point, 16 of her 18 entries on the chart had reached number-one, the exception being the aforementioned \"I'll Be Your Light\".[78]\n
American singer and songwriter Donna Summer achieved 14 number-one songs on the U.S. Billboard Dance Club Songs chart between 1976 and 2010 before her death in May 2012, and ranked sixth among the top 100 Dance Club Songs artists overall. Summer gained her sixteenth number-one posthumously in 2018 with \"Hot Stuff 2018\". Summer's first two chart-toppers (\"Love to Love You Baby\" and \"Try Me, I Know We Can Make It\") occurred in 1975\u20131976, when Billboard published multiple dance charts that were city-specific. During this time, Billboard rival publication Record World compiled a nationwide dance chart. Noted Billboard statistician Joel Whitburn has since \"adopted\" Record Worlds chart data from the weeks between March 29, 1975, and August 21, 1976, into Billboards club play history. Billboard columnists, however, only credit Summer with 16 number-ones.\n
Summer, known widely as the \"Queen of Disco\", charted several full-length albums on the dance chart, as Billboard policy at the time allowed this (a common practice in the disco era was to segue together several cuts on a side of a vinyl album to replicate a night at a discoth\u00e8que). In 1977, Summer hit number one with three different albums: Four Seasons of Love, I Remember Yesterday and Once Upon a Time. Her eighth dance chart number-one was \"Hot Stuff\"/\"Bad Girls\", two songs that were joined together on her album Bad Girls. These two songs were released separately as singles and both were also number-ones on the Billboard Hot 100. Summer has also hit number one twice with \"MacArthur Park\" \u2014 once in 1978 and again with a remix in 2013; her last number one before her passing was in 2010 with \"To Paris with Love.\" She has had at least one number-one dance hit during the 1970s, 1990s, 2000s, and 2010s.\n
American singer-songwriter Lady Gaga has achieved fifteen number-one songs, and ranked 16th among the top 100 Dance Club Songs artists in this category. Her first was the second single from her debut album The Fame (2008), \"Poker Face\", in February 2009.[14][91] She topped the chart three more times in 2009, with \"LoveGame\" in July,[92] \"Paparazzi\" in November,[93] and \"Bad Romance\" in December.[94] \"Bad Romance\" reached number-one in just four weeks following its debut[95] and spent two consecutive weeks atop the chart.[94][96] At the time, Gaga was one of only three acts to have achieved four number-one songs in a single calendar year, along with Beyonc\u00e9 (who also achieved four in 2009) and Rihanna.[24]\n
Throughout 2010, Gaga collected three more number-one songs. Two similarly titled tracks, \"Telephone\" (featuring Beyonc\u00e9) and the remix of \"Video Phone\" (Beyonc\u00e9 featuring Lady Gaga) became her fifth and sixth chart toppers in February and May, respectively.[14][30][44][97] \"Telephone\" topped the chart in its fifth week, becoming Gaga's second fastest ascent to the peak after \"Bad Romance\" which did so in four weeks.[95] In July, \"Alejandro\" became her seventh number-one out of only eight appearances; her 2008 debut single \"Just Dance\" reached a peak of number two.[98][99]\n
In 2011, Gaga scored four number-one songs in a calendar year for a second time.[24] \"Born This Way\" and \"Judas\" became her eighth and ninth chart-toppers in April and June, respectively.[100][101] \"The Edge of Glory\" became Gaga's tenth number-one on August 13; with this chart entry, Gaga broke the record for logging 10 chart toppers in the shortest time span in just two years, five months and three weeks, and became the twelfth artist in the history of the chart to log at least 10.[14] The record was previously held by Rihanna, who had achieved ten number-ones between 2005 and 2009 in four years and five months.[14] It also meant that Gaga had tallied the most number-ones since \"Poker Face\" had done so; Beyonc\u00e9 and Katy Perry had both achieved seven in the same time frame.[14] It was followed up by her eleventh with \"Yo\u00fc and I\" in October.[102]\n
In January 2012, \"Marry the Night\" became Gaga's twelfth number-one.[95] The song became the fifth from Gaga's second studio album Born This Way (2011) to top the Dance Club Songs chart and also matched \"Telephone\" for her second-quickest ascent to the peak following its debut at five weeks.[95] It once again meant that Gaga had logged the most number-one songs on the chart since \"Poker Face\" did so, although Beyonc\u00e9 had since increased her tally from seven to nine.[95] \"Applause\", the lead single from her third studio album Artpop (2013), became her thirteenth to top the chart in October 2013.[103] Gaga's fourteenth number-one was \"Til It Happens to You\" in January 2016.[104] A ballad about sexual assault and rape on college campuses in its original form, it was commissioned with nearly 30 remixes from various remixers and producers including Dave Aud\u00e9, Tracy Young and Dirty Pop, transforming it into a club track.[104] With her 2018 single \"Shallow\" reaching number one, Gaga moved up to number eight on the ranking, amassing a total of 15 chart toppers.[105]\n
American musician, remixer, songwriter, and producer Dave Aud\u00e9 has amassed 14 number ones on the Dance Club Songs chart, making him the only producer on this list to achieve this feat, as well as the only non-singing artist on this list, although if his side project JX Riders is factored in, he actually would have 15 due to having topped the chart with his cover of \"Sweet Dreams\" during the week of September 10, 2016.[106] He joined this threshold during the week of February 25, 2017, when his updated version of the 2006 Bodyrox single \"Yeah Yeah,\" with the song's original vocalist Luciana, reached the top spot. Among his number ones at Dance Club Songs: \"Make It Last\" (2007), \"Grass Is Greener\" (with Sisely Treasure) (2009), \"Figure It Out\" (with Isha Coco) (2010), \"Never Forget\" (featuring Lena Katina) (2012), \"Something For The Weekend\" (with Luciana) (2012), Hold Me (with Yoko Ono) (2012), \"Electricity & Drums (Bad Boy)\" (with Akon & Luciana) (2013), \"Take Me Away\" (with Rokelle) (2014), \"Aftermath (Here We Go)\" (with Erasure singer Andy Bell) (2014), \"Hustlin'\" (with Vassy and Crazibiza) (2014), \"Im Gonna Get You\" (featuring Jessica Sutta) (2015), \"You Have to Believe\" (featuring Olivia Newton-John and Chloe Lattanzi) (2015), and \"True Original,\" (featuring Andy Bell) (2016)[107]\n
In an interview with Billboard, Aud\u00e9 quoted, \"I'm thrilled to have hit No. 1 for the 14th time (with \"Yeah Yeah 2017\"). I'm honored that my original songwriting and production have resonated as strongly as my remixes and am grateful to all of the DJs and music fans who have supported me throughout the years.\"[108]\n
With a total of 14 chart toppers, Enrique Iglesias, who is 14th among the top 100 Dance Club Songs Artist overall, is the only male artist with the most number-one songs on the Dance Club Play chart so far, although Dave Aud\u00e9 would tie him in February 2017.[109]\n
His first entry on this chart was also his first Hot 100 number-one: \"Bailamos\" in 1999 from his Enrique album. The following year \"Be With You\" was the second song from that album to hit the top of the chart. In December 2001 \"Hero\" from his album Insomniac hit number one. \"Escape\" topped the chart in 2002, followed by \"Not In Love\", featuring Kelis, in 2004. Five years later he hit number one with \"Away\" (featuring Sean Garrett). During 2010 he hit number one with \"I Like It\" (featuring Pitbull). In 2011 both \"Tonight (I'm Fuckin' You)\" (featuring Ludacris and DJ Frank E) and \"I Like How It Feels\" (featuring Pitbull and The WAV.s) hit number one. During 2013 \"Turn The Night Up\" extended his record. \"Bailando\", featuring Descemer Bueno and Gente de Zona, became his thirteenth number one in 2014. On the week ending September 17, 2016, Iglesias broke out of a three way tie among male artists with the most number ones at Dance Club songs with his second Spanish-language track \"Duele el Coraz\u00f3n\" featuring Wisin. One of the several \"Duele el Corazon\" remixes that was played in clubs was also remixed by Aud\u00e9. When Billboard asked Iglesias about making history on this chart, the Spanish-born singer/songwriter came up with this explanation: \"No. 1 on the Dance Chart... And I don't dance. Quite amazing, if you ask me!\"[110]\n
American rapper/singer/producer/songwriter Pitbull became the first rap/hip-hop artist to accumulate the most number ones on the Dance Club Songs chart, having reached the top spot fourteen times in his career, although out the 14 songs, eleven had him as a featured artist: five with Jennifer Lopez (including her alias Lola, and as one of two artists along with Iggy Azalea who share separate collaborations on \"Booty\"), three with Enrique Iglesias, one with Ricky Martin, and one with Livvi Franc (as his collaboration as a featured artists on her 2009 single \"Now I'm That Bitch,\" for which he also co-wrote, was his first number-one on this chart). He achieved this feat during the week of June 10, 2017, when his featured collaboration with Austin Mahone on the remake of Modjo's \"Lady\" took the top spot.[111]\n
Australian singer-songwriter and actress Kylie Minogue has achieved 14 number-one songs on the U.S. Billboard Dance Club Songs chart, the most of any artist from Australia to date. Although her US chart run began in 1988 with her debut single \"I Should Be So Lucky\" (which peaked at number 10), it would not be until 2001 when she landed her first number one on the Dance Club Songs chart with \"Can't Get You Out of My Head,\" which also peaked at number 7 on the Hot 100, resulting in her first gold single in the United States. Her nine other number one singles on the Dance Club Songs chart (as a solo artist) included \"Love at First Sight\" in 2002, \"Slow\" in 2003, \"All the Lovers\" and \"Get Outta My Way\" in 2010, \"Better than Today\" and \"Put Your Hands Up (If You Feel Love)\" in 2011, \"Timebomb\" and \"Skirt\" in 2013, and \"Into the Blue\" in 2014. She also has three number one Dance Club Songs singles by way of being a featured artist: \"Higher\" (with Taio Cruz) in 2010, and in 2015 with \"Right Here, Right Now\" (with Giorgio Moroder) and \"The Other Boys\" (with Nervo, Jake Shears and Nile Rodgers).[112] In 2018, Minogue achieved her fourteenth chart topper with \"Dancing\", the lead single from Golden. The single of course would be her best chart topping placement on any of the international charts so far in 2018.[113]\n
American singer Whitney Houston achieved 14 number-one songs on the U.S. Billboard Hot Dance Club Songs. Achieving her first in 1987 and her most recent, posthumously in 2019, with an EDM version of \u201cHigher Love\u201d.[114]\n
Houston's second studio album, Whitney, produced her first three number-one songs on the chart. Her first was with the 12\" remix of \"I Wanna Dance with Somebody (Who Loves Me)\" in July 1987, spending two consecutive weeks at the peak. She topped the chart five months later on December 26, with a remix of \"So Emotional\", which also spent two consecutive weeks atop the chart. \"Love Will Save the Day\" became her third chart-topper in August 1988, and was her last song to reach the peak in the 1980s. In March 1993, Houston returned to the top of the chart with \"I'm Every Woman\" which spent two consecutive weeks at number one. On January 29, 1994, \"Queen of the Night\" became her fifth number one song, and her second to reach the peak from The Bodyguard soundtrack album, following \"I'm Every Woman\". Her forth studio album, My Love Is Your Love, produced four number-one toppers \u2014 \"Heartbreak Hotel\", \"My Love Is Your Love\", \"I Learned from the Best\" and \"It's Not Right but It's Okay\".\n
Houston released Just Whitney in 2002, the album scored three chart toppers \u2014 \"Love That Man\", \"On My Own\" and \"Whatchalookinat\". In 2019, ten years after her previous Billboard Dance number-one, \u201cMillion Dollar Bill\", Houston posthumously scored her 14th. Norwegian DJ Kygo remixed Houston's Japan-exclusive 1990 version of \u201cHigher Love\u201d, which entered the top spot on issue date August 24, 2019.\n
French musician, producer, remixer, and television presenter David Guetta has a total of 14 number one hits on Billboard's Dance Club Songs chart, the most of any artist from France to date. Ranked as the number one DJ in the 2011 DJ Mag Top 100 DJs poll,[115] and considered by his peers as the \"grandfather of EDM,\"[116] the Grammy-award winner has placed 36 singles on the Dance Club Songs chart since 2004, when \"Just A Little More Love\" peaked at number 15 in February of that year.\n
Guetta's first number one on this chart would come the week of June 20, 2009, with \"When Love Takes Over\" featuring Kelly Rowland. In addition to the 11 number ones under his real name, Guetta also records under the alias Jack Back, and has placed 3 number ones under that project: \"Wild One Two\", \"(It Happens) Sometimes,\" and \"Put Your Phone Down (Low)\". He can also claim the most charted songs on Dance/Mix Show Airplay with 43 titles, eight of them having reached number one since that chart's 2003 inception (only Calvin Harris and Rihanna, both of whom have also worked with Guetta, both lead that chart with 12 number ones each).[117][118] His most recent number-one hit (at both Dance Club Songs and Dance/Mix Show Airplay) was \"Stay (Don't Go Away)\" featuring British singer Raye in 2019.[119]\n
\n\n\n\n",
+ "page_last_modified": " Mon, 11 Mar 2024 15:11:14 GMT"
+ },
+ {
+ "page_name": "LADY GAGA songs and albums | full Official Chart history",
+ "page_url": "https://www.officialcharts.com/artist/5334/lady-gaga/",
+ "page_snippet": "As soon as she released her kinetic debut single Just Dance in 2008, Lady Gaga changed pop music, ushering a new age of electronic dominance on the dancefloor and charts. Since her debutante days on The Fame, Stefani Germanotta has experimented with dark Europop (The Fame Monster), stadium-sized ...As soon as she released her kinetic debut single Just Dance in 2008, Lady Gaga changed pop music, ushering a new age of electronic dominance on the dancefloor and charts. Since her debutante days on The Fame, Stefani Germanotta has experimented with dark Europop (The Fame Monster), stadium-sized hair metal (Born This Way), chaotic EDM (ARTPOP), confessional country (Joanne, A Star Is Born) and synthesised sci-fi club pop (Chromatica), turning each and every release into an expansive, ever-evolving world for her fans to explore. LADY GAGA songs and albums, peak chart positions, career stats, week-by-week chart runs and latest news. Had it been allowed in, it would have been No.1 for about 8 or 9 Weeks. Instead it was No.1, in the Compilation Chart, for 11 Weeks. It was an odd decision, (to exclude it), as 'Evita' was allowed into the Main Chart, and it was allowed to be credited as a Madonna No.1 Album, even though she no more sings every Track on it, than Whitney did on 'The Bodyguard'. In the USA, Billboard allowed Whitney to be credited with 'The Bodyguard'. Why isn't \"A Star is Born\" OST considered a Gaga album? (\"The Bodyguard\" is counted as a Whitney Houston album and \"Evita\" is counted as a Madonna album). ... \"The Bodyguard\" is not even on Whitney's chart history, it didn't even chart AT ALL on the UK's album charts. It did on the COMPILATION CHART. So, learn your facts. ... 'The Bodyguard' was not allowed into the Main UK Album Chart. Had it been allowed in, it would have been No.1 for about 8 or 9 Weeks.",
+ "page_result": "\n\n\nLADY GAGA songs and albums | full Official Chart history\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
As soon as she released her kinetic debut single Just Dance in 2008, Lady Gaga changed pop music, ushering a new age of electronic dominance on the dancefloor and charts. Since her debutante days on The Fame, Stefani Germanotta has experimented with dark Europop (The Fame Monster), stadium-sized hair metal (Born This Way), chaotic EDM (ARTPOP), confessional country (Joanne, A Star Is Born) and synthesised sci-fi club pop (Chromatica), turning each and every release into an expansive, ever-evolving world for her fans to explore.
the fact that 911, G.U.Y & John Wayne didn't even chart :/
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EDB
Ed Derek Bo
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they did chart. In the top 200 that is lol
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NIHILISZT
2
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With Lady Gaga we are somewhere between high talent and genius. Phenomenon of our times.
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Chillycat
-1
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Hardly....you dont get out much do you
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Edward D\u0430rko
3
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A star is born should be on this list!
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Carl Meehan
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Literally came here to see how that album did on the chart
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Nu No
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Why isn't \"A Star is Born\" OST considered a Gaga album? (\"The Bodyguard\" is counted as a Whitney Houston album and \"Evita\" is counted as a Madonna album).
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EDB
Ed Derek Bo
2
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\"The Bodyguard\" is not even on Whitney's chart history, it didn't even chart AT ALL on the UK's album charts. It did on the COMPILATION CHART. So, learn your facts.
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Marcus777
2
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'The Bodyguard' was not allowed into the Main UK Album Chart. Had it been allowed in, it would have been No.1 for about 8 or 9 Weeks. Instead it was No.1, in the Compilation Chart, for 11 Weeks. It was an odd decision, (to exclude it), as 'Evita' was allowed into the Main Chart, and it was allowed to be credited as a Madonna No.1 Album, even though she no more sings every Track on it, than Whitney did on 'The Bodyguard'. In the USA, Billboard allowed Whitney to be credited with 'The Bodyguard'.
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EDB
Ed Derek Bo
2
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Madonna sings in 23 of Evita's 31 total tracks. She is only absent in 25% of the material (which includes instrumental interludes and only 5 or so numbers where another cast member sings and not her). Whitney, on the other hand, sings 6 out of 13 songs from The Bodyguard's soundtrack. That is more than 53% of her absent from the soundtrack.
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\u2020D\u2020
\u2020 Diarmaid \u2020
7
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Queen! \ud83d\udc97
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Not bad... but not that good either (but better than most girls during this past 12 years) ;)
5 #01 singles and 12 Top 10 singles (from 24 TOP 75) is half of them peaking TOP 10... plus 3 #01 albums and 6 Top 10's (in 7 TOP 100 releases) is not bad either.
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\n",
+ "page_last_modified": ""
+ },
+ {
+ "page_name": "Madonna\u2019s 40 Biggest Billboard Hits",
+ "page_url": "https://www.billboard.com/lists/madonnas-40-biggest-billboard-hits/",
+ "page_snippet": "She's the Queen of Pop and royalty on Billboard's charts. Here's an exclusive ranking of her 40 biggest Hot 100 hits.The lead single from 2005\u2019s Confessions on a Dance Floor boogied its way to No. 7 on the Hot 100 in 2005 and was the first of two chart hits from her discofied album. (A second hit, \u201cSorry,\u201d reached No. 58.) \u201cHung Up\u201d featured a galloping sample from ABBA\u2019s \u201cGimme! Gimme! Gimme! (A Man After Midnight)\u201d while its video had Madonna channeling Saturday Night Fever and clubbing in London. Perhaps the ultimate slow-dance song, \u201cCrazy for You\u201d proved to be so popular upon its release that it bumped the all-star charity single \u201cWe Are the World\u201d by USA for Africa out of the No. 1 slot. Before \u201cCrazy for You\u201d had reached the top, though, it had sat in the No. 2 position for three straight weeks, biding its time until it could push \u201cWe Are the World\u201d aside. ... It\u2019s somehow appropriate that Madonna\u2019s first No. The lead single from the Ray Of Light album marked a sonic change in Madonna\u2019s career, thanks to its co-producer, William Orbit. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The week that \u201cFrozen\u201d zoomed from No. 5 to No. 2, the R&B duo\u2019s \u201cAll My Life\u201d raced up the chart from No. 15 to No. 1 \u2013 blocking Madonna from the penthouse.",
+ "page_result": "\n\n\n\n\n\n\n\n\t\n\t\n\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\n\n\nMadonna's 40 Biggest Billboard Hits\n\t\t\n\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\n\n\n\n\t\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\t\t\n\t\t\n\t\t\t\t\n\n\t\t\t\t\n\t\t\n\t\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\t\t\n\t\t\t\n\n\n\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\t\t\t\n\t\t\t\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\t\t\n\t\t\n\t\t\n\n\n\n\n\n\n\n\n\n\n\t\t\n\t\t\n\t\t\n\n\t\t\t\n\n\t\n\n\n
\n\t\n\t\t\t\t\tMadonna performs at Feijenoord Stadium on July 24 1990 in Rotterdam, Netherlands.\n\t\t\n\t\t\t\t\t\t\t\t\tFrans Schellekens/Redferns\n\t\t\t\t\t\n\t\t\t\t\t
She’s the Queen of Pop and royalty on the Billboard charts. To celebrate Madonna‘s career, we’ve compiled an exclusive ranking of the diva’s 40 biggest Billboard Hot 100 hit singles. (Incidentally, Madonna was born the same month as the Hot 100, in August 1958.)
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Since arriving on the Hot 100 the week of Oct. 29, 1983, with “Holiday,” she has earned a total of 58 chart hits, including 38 top 10s. Plus, she’s logged top 10s in the 1980s, ’90s, 2000s and ’10s.
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Madonna earned her first top 10 hit on the Hot 100 with “Borderline” in June 1984, beginning a streak of 17 consecutive top 10 hits on through 1989’s “Cherish.” The diva’s first Hot 100 No. 1 came in December of 1984, when “Like a Virgin” began its six-week reign atop the list dated Dec. 22, 1984. She’s collected a total of 12 No. 1s in her career thus far, reaching the top seven times in the ’80s (“Virgin,” “Crazy for You,” “Live to Tell,” “Papa Don’t Preach,” “Open Your Heart,” “Who’s That Girl” and “Like a Prayer”), four times in the ’90s (“Vogue,” “Justify My Love,” “This Used To Be My Playground” and “Take a Bow”) and once in the ’00s (“Music”).
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Notably, all 32 of her official singles from “Holiday” (1983) through “Take a Bow” (1995) reached the top 40 of the Hot 100.
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Madonna’s 40 Biggest Billboard Hits is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.
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\"Rain\"
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Hot 100 Peak Position: 14
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Peak Year: 1993
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“Rain,” the fourth single from 1992’s Erotica album, comes in at No. 40 on Madonna’s all-time biggest hits list. The commercial release of the maxi-single (and 12″ vinyl) was bolstered by the previously unreleased track “Up Down Suite” as well as a jazzy/hip-hip remix of the Erotica album cut “Waiting” (featuring Everlast).
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\"Oh Father\"
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Hot 100 Peak Position: 20
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Peak Year: 1990
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Accompanied by a stunning black and white music video, the haunting ballad “Oh Father” was the fourth single from the Like a Prayer album. At the time, “Oh Father” had the unfortunate distinction of ending Madonna’s string of 17 consecutive top 10 hits. “Oh Father” stalled out at No. 20 while all 17 Madonna singles from “Borderline” (1984) through “Cherish” (1989) had reached the top 10.
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\"Don't Cry for Me Argentina\" (From \"Evita\")
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Hot 100 Peak Position: 8
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Peak Year: 1997
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“Don’t Cry for Me Argentina” took an unconventional route to the top 10 on the Billboard Hot 100. Recorded as the sweeping centerpiece to the movie Evita, the song wasn’t necessarily a made-for-radio hit single. However, uptempo dance mixes of the song were produced (which included new vocals from Madonna) and promoted to radio stations. The so-called “Miami Mix” (by producers Pablo Flores and Javier Garza) soon became a smash on the radio and led to a commercial release as a maxi-single and 12″ vinyl. Pent-up demand for the remixes sparked a No. 17 debut on the Hot 100 for the single on Feb. 22, 1997. The following week it sailed to its No. 8 peak.
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\"Holiday\"
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Hot 100 Peak Position: 16
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Peak Year: 1984
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Madonna’s first Billboard Hot 100 hit (though not her first single), debuted at No. 88 on Oct. 29, 1983 – and the chart hasn’t been the same ever since. The cut would eventually rise to No. 16 on Jan. 18, 1984 and was the first of three top 20 singles from Madonna’s self-titled debut album. “Holiday” is also the third and final non-top-10 hit (with Nos. 37, 39 and 40) on this round-up of Madonna’s biggest singles. Every other tune on this tally reached the top 10.
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\"Hanky Panky\"
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Hot 100 Peak Position: 10
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Peak Year: 1990
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In 1990, Madonna could have released pretty much anything and it would have been a hit single. Take for example this goofy (but catchy!) ditty about having a “good spanky.” It reached No. 10 on July 28 of that year, as Madonna’s massive Blond Ambition Tour was winding its way around the globe. “Hanky Panky” was the second, and final, single from the I’m Breathless album (a sort of companion set to the Dick Tracy film, in which she co-starred). The first Breathless release was “Vogue” – but more on that single in a little bit.
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\"Erotica\"
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Hot 100 Peak Position: 3
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Peak Year: 1992
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The dark and sexy single – the lead-off track from her 1992 album of the same name – launched with a bang at No. 13 on the Hot 100 dated Oct. 17, 1992. It zoomed to its peak of No. 3 the following week, kept out of the top two slots by Boyz II Men’s “End of the Road” (No. 1) and Patty Smyth’s “Sometimes Love Just Ain’t Enough,” featuring Don Henley (No. 2).
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\"Don't Tell Me\"
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Hot 100 Peak Position: 4
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Peak Year: 2001
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“Don’t Tell Me” was the second single from the Music album and was co-written by Madonna’s brother-in-law, recording artist Joe Henry. He would later release his own version of the track, re-titled “Stop,” on his 2001 album Scar.
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\"Lucky Star\"
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Hot 100 Peak Position: 4
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Peak Year: 1984
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“Lucky Star” is the lone Hot 100 hit in Madonna’s catalog that was composed entirely by the diva herself. The uptempo number riffs a bit on the old nursery rhyme “Star Light, Star Bright” and has endured as one of Madonna’s most beloved dance tracks.
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\"Dress You Up\"
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Hot 100 Peak Position: 5
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Peak Year: 1985
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“Dress You Up” is the first of four singles on this tally from Madonna’s Like a Virgin album. The plucky dance track was produced by Chic’s Nile Rodgers (as was the rest of the Virgin album) and was the final single released from the set.
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\"Rescue Me\"
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Hot 100 Peak Position: 9
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Peak Year: 1991
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“Rescue Me” was one of two new songs recorded for Madonna’s first greatest hits album, 1990’s The Immaculate Collection. When it debuted at No. 15 on the March 2, 1991 Hot 100 chart, it marked the highest-ever bow for a single by a woman. Further, it was – at the time – one of only four titles to debut in the top 20. The song had been an airplay hit for a full three months before it finally arrived on the Hot 100, as the single had been held back from commercial release. As “Rescue Me’s” release was delayed until it had reached its peak of popularity on the radio, it had an artificially short run – eight weeks – on the Hot 100.
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\"Hung Up\"
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Hot 100 Peak Position: 7
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Peak Year: 2005
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The lead single from 2005’s Confessions on a Dance Floor boogied its way to No. 7 on the Hot 100 in 2005 and was the first of two chart hits from her discofied album. (A second hit, “Sorry,” reached No. 58.) “Hung Up” featured a galloping sample from ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight)” while its video had Madonna channeling Saturday Night Fever and clubbing in London.
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\"Die Another Day\"
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Hot 100 Peak Position: 8
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Peak Year: 2002
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The title track from the James Bond film, released in 2002, became the first Bond tune to reach the top 10 on the Hot 100 since Duran Duran’s A View to a Kill hit No. 1 in 1985. Further, “Die Another Day” was the first official Bond theme song to even make the chart since “A View to a Kill.” The electro-hued single would go on to appear on Madonna’s 2003 album, American Life.
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\"Ray of Light\"
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Hot 100 Peak Position: 5
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Peak Year: 1998
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“Ray of Light” continues to hold the record for Madonna’s highest-debuting single ever, as it started at No. 5 on the Hot 100 chart dated July 11, 1998. The single was the title track (and second single) from Madonna’s 1998 album, and went on to win a Grammy Award for best dance recording. Its corresponding music video, directed by Jonas Akerlund, also won a Grammy for best short form music video, and earned five MTV Video Music Awards (including Video of the Year).
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\"Deeper and Deeper\"
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Hot 100 Peak Position: 7
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Peak Year: 1993
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The Erotica album’s swirling second single, “Deeper and Deeper,” topped out at No. 7 on the Hot 100, spending 17 weeks on the list. Its retro music video is riddled with cameos, including her now manager Guy Oseary, Sire Records chief Seymour Stein, longtime friend and actress Debi Mazar and adult film director/DJ/drag diva Chi Chi LaRue.
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\"Keep It Together\"
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Hot 100 Peak Position: 8
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Peak Year: 1990
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“Keep It Together” was the fifth commercial single from Madonna’s 1989 Like a Prayer album and was initially planned to carry with it a previously unreleased b-side. The b-side in question? “Vogue.” Luckily, that anthem would go on to have its own single release. Instead, “Keep It Together” set sail on its own – without a sexy b-side to spice up sales. However, “Keep It Together” was remixed to become slightly more radio-friendly. Its redux was reminiscent of the then-popular track “Back to Life” by Soul II Soul.
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\"4 Minutes\"
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Hot 100 Peak Position: 3
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Peak Year: 2008
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“4 Minutes” is notable in that it was only the second single release in the U.S. from Madonna on which she shares credit with another artist. Justin Timberlake and Timbaland joined forces with her on the track – a little under five years after Madonna had first paired with Timberlake’s former flame, Britney Spears, for “Me Against the Music.”
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\"Secret\"
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Hot 100 Peak Position: 3
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Peak Year: 1994
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Co-produced and co-written with Dallas Austin, “Secret” was the first single from Madonna’s R&B-hued Bedtime Stories album in 1994. The strummy, hip-hop-lite song reached No. 3 on the Billboard Hot 100 – stuck behind Boyz II Men’s “I’ll Make Love to You” (No. 1) and Sheryl Crow’s “All I Wanna Do.”
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\"La Isla Bonita\"
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Hot 100 Peak Position: 4
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Peak Year: 1987
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The Spanish-flavored track seems to be a favorite of Madonna’s, as it has been included on the setlists of many of her concert tours. She also performed it at the 2007 Live Earth benefit show in London. “La Isla Bonita” was the fifth and final single from her True Blue album, and the cut reached No. 4 on the Hot 100.
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\"You'll See\"
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Hot 100 Peak Position: 6
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Peak Year: 1995
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Composed and produced with David Foster, “You’ll See” was one of a handful of new tunes Madonna recorded for her 1995 ballads collection Something to Remember. The ballad, which showcased Madonna’s newly-trained vocal abilities, would prepare audiences for her lead role in the following year’s Evita. The “You’ll See” music video became Madonna’s first sequel clip – as it followed the story set in motion in the dramatic “Take a Bow” short.
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\"Borderline\"
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Hot 100 Peak Position: 10
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Peak Year: 1984
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Madonna’s first top 10 single was the first of a staggering 17 consecutive top 10s for the singer from 1984 through 1989. The “Borderline” music video was the first collaboration between Madonna and director Mary Lambert, who would go on to helm her clips “Like a Virgin,” “Material Girl,” “La Isla Bonita” and “Like a Prayer.”
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\"Frozen\"
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Hot 100 Peak Position: 2
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Peak Year: 1998
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The lead single from the Ray Of Light album marked a sonic change in Madonna’s career, thanks to its co-producer, William Orbit. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The week that “Frozen” zoomed from No. 5 to No. 2, the R&B duo’s “All My Life” raced up the chart from No. 15 to No. 1 – blocking Madonna from the penthouse.
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\"This Used to Be My Playground\"
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Hot 100 Peak Position: 1
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Peak Year: 1992
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Written for the film A League of the Their Own, co-starring Madonna, this delicate ballad became her 10th No. 1 single in the summer of 1992. It spent a week at No. 1 – sandwiched between two monster hits. It followed a five-week No. 1 run by Sir Mix-a-Lot’s “Baby Got Back” and immediately preceded a 13-week reign by Boyz II Men’s “End of the Road.” Curiously, Madonna has yet to perform “This Used to Be My Playground” live – either on tour or during a promotional appearance.
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\"Angel\"
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Hot 100 Peak Position: 5
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Peak Year: 1985
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One of Madonna’s many singles which she co-wrote with Stephen Bray, “Angel” reached No. 5 on the Hot 100 in 1985. Rather famously, the “Angel” 12″ vinyl single contains one of the most famous b-sides in U.S. history: “Into the Groove.” While “Into the Groove” received a proper release in other countries, in America, it was relegated to b-side status despite its enormous popularity both on the radio and on MTV.
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\"Cherish\"
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Hot 100 Peak Position: 2
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Peak Year: 1989
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The light, lovey-dovey pop song was a throwback to ’60s girl groups and doo-wop music, with couplets like “Romeo and Juliet they never felt this way, I bet” and “You are my destiny, I can’t let go, baby, can’t you see.” The song’s companion video clip was the first directed by photographer Herb Ritts. He had previously shot Madonna’s album covers for True Blue and Like a Prayer.
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\"Express Yourself\"
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Hot 100 Peak Position: 2
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Peak Year: 1989
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“Come on girls, do you believe in love?” Well, Madonna had something to say about it in 1989, when “Express Yourself” was released as the second single from the Like a Prayer album. The single’s video was directed by a pre-super-stardom David Fincher and was the first of four video collaborations between the two artists.
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\"Material Girl\"
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Hot 100 Peak Position: 2
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Peak Year: 1985
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“Material Girl” is one of those singles that some people might assume was a No. 1 hit for Madonna. However, it topped out at No. 2 on the Hot 100 tally in 1985. As the second hit from the Like a Virgin album, the song would also become a nickname for the diva herself (whether she liked it or not).
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\"Who's That Girl\"
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Hot 100 Peak Position: 1
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Peak Year: 1987
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We’re entering rarified air now, as every one of Madonna’s top 11 hits of all time on the Hot 100 chart are No. 1s. “Who’s That Girl” was the title track of the Madonna film and doubled as the lead single from its companion soundtrack.
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\"True Blue\"
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Hot 100 Peak Position: 3
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Peak Year: 1986
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“True Blue,” the title track from Madonna’s 1986 album, spent three weeks stuck at No. 3 on the Billboard Hot 100. All about “true love, oh baby,” the single is an unabashed peppy love song. Perhaps an indication of Madonna’s (lack of) fondness of the track – it has only been performed on two of her concert tours: 1987’s Who’s That Girl trek and the 2015-2016 Rebel Heart Tour.
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\"Causing a Commotion\"
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Hot 100 Peak Position: 2
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Peak Year: 1987
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“Causing a Commotion” was the second single from Madonna’s Who’s That Girl soundtrack, peaking at No. 2 for three straight weeks. (It was prevented from reaching the top by Michael Jackson’s “Bad,” which jumped to No. 1 the same week “Commotion” hit No. 2 for the first time.) “Commotion” also ranks as Madonna’s biggest Hot 100 hit without an official music video.
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\"I'll Remember\" (From \"With Honors\")
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Hot 100 Peak Position: 2
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Peak Year: 1994
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“I’ll Remember,” from the film With Honors, is one of six Madonna singles that have peaked at No. 2 on the Billboard Hot 100. Madonna held the record for the most No. 2 hits in Hot 100 history, until Drake surpassed her by landing a seventh No. 2 hit.\u00a0This particular track was lodged in the runner-up position for four weeks, behind All-4-One’s “I Swear.”
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\"Open Your Heart\"
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Hot 100 Peak Position: 1
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Peak Year: 1987
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Madonna’s third single from True Blue shot to No. 1 on the Hot 100 on Feb. 7, 1987, marking the singer’s fifth chart-topper. Its video caused a stir as Madonna starred as an exotic dancer who becomes friends with a boy (played by dancer Felix Howard).
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\"Music\"
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Hot 100 Peak Position: 1 (four weeks)
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Peak Year: 2000
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Madonna’s most recent Billboard Hot 100 No. 1 is “Music,” which spent four weeks atop the tally in September/October 2000. The cut was the lead single of the Music album, which again teamed her with William Orbit (Ray of Light). The single itself, like a fair portion of the album, was co-written and co-produced by Madonna and Mirwais.
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\"Live to Tell\"
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Hot 100 Peak Position: 1
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Peak Year: 1986
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After the madness of the boy toy era of Madonna’s career (1983-85), she surprised many with “Live to Tell,” the lead track from her 1986 album True Blue. The haunting ballad was written partially for the film At Close Range (which starred her then-husband Sean Penn) and found the No. 1 target on the Hot 100. The song was accompanied by a music video that introduced a decidedly toned-down Madonna to the public – one of the diva’s first major so-called reinventions.
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\"Papa Don't Preach\"
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Hot 100 Peak Position: 1 (two weeks)
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Peak Year: 1986
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“Papa Don’t Preach” was one of the few songs that even Madonna’s most conservative critics could find reason to champion. The song tells the story of a young woman who confesses to her father that she’s become pregnant, however, she’s opting to keep her baby.
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\"Justify My Love\"
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Hot 100 Peak Position: 1 (two weeks)
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Peak Year: 1991
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“Justify My Love,” like so many of Madonna’s singles, spawned a music video that garnered more attention than perhaps the song itself. Its clip was so racy, MTV declined to air it entirely. Luckily for the buying public, Madonna opted to sell the video as the first-ever commercially-available video single.
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\"Vogue\"
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Hot 100 Peak Position: 1 (three weeks)
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Peak Year: 1990
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Initially planned as the b-side of “Keep It Together,” Madonna’s tribute to the fierceness that is vogueing was thankfully released as a single on its own. The thumping dance number is as iconic as its glamorous black-and-white music video, which was directed by David Fincher.
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\"Like a Prayer\"
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Hot 100 Peak Position: 1 (three weeks)
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Peak Year: 1989
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Would anyone have thought that “Like a Prayer” – which caused so much controversy in 1989 upon its release – would ultimately end up being performed at the Super Bowl halftime show in 2012? Yeah, we didn’t think so. The song premiered in a two-minute Pepsi commercial that aired during The Cosby Show on March 2, 1989. (Pepsi was set to sponsor Madonna’s then-upcoming Blond Ambition Tour.) The next day, the “Like a Prayer” music video debuted … you know, the one with the burning crosses, stigmata and so on? Yes, well, Pepsi high-tailed it away from Madonna and she – again – outraged the masses.
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\"Take a Bow\"
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Hot 100 Peak Position: 1 (seven weeks)
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Peak Year: 1995
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It may surprise some, but “Take a Bow” spent more weeks at No. 1 than any other Madonna single. (However, on this list, it ultimately ranks at No. 3.) With a seven-week run atop the Hot 100, 1995’s “Take a Bow” returned her to the top of the chart for the first time since 1992 (“This Used to Be My Playground”). Co-written and co-produced with Babyface, “Take a Bow” was surprisingly never performed in concert until 2016, during the Rebel Heart Tour.
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\"Crazy for You\"
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Hot 100 Peak Position: 1
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Peak Year: 1985
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Perhaps the ultimate slow-dance song, “Crazy for You” proved to be so popular upon its release that it bumped the all-star charity single “We Are the World” by USA for Africa out of the No. 1 slot. Before “Crazy for You” had reached the top, though, it had sat in the No. 2 position for three straight weeks, biding its time until it could push “We Are the World” aside.
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\"Like a Virgin\"
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Hot 100 Peak Position: 1 (six weeks)
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Peak Year: 1984
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It’s somehow appropriate that Madonna’s first No. 1, “Like a Virgin,” tops our list of her 40 biggest Hot 100 hit singles. The title track and lead single from her 1984 album spent six weeks atop the chart and became one of the diva’s signature songs. It was written by Billy Steinberg and Tom Kelly and produced by Nile Rodgers.
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+ "page_name": "Madonna\u2019s 40 Biggest Billboard Hits",
+ "page_url": "https://www.billboard.com/lists/madonnas-40-biggest-billboard-hits/",
+ "page_snippet": "She's the Queen of Pop and royalty on Billboard's charts. Here's an exclusive ranking of her 40 biggest Hot 100 hits.The lead single from 2005\u2019s Confessions on a Dance Floor boogied its way to No. 7 on the Hot 100 in 2005 and was the first of two chart hits from her discofied album. (A second hit, \u201cSorry,\u201d reached No. 58.) \u201cHung Up\u201d featured a galloping sample from ABBA\u2019s \u201cGimme! Gimme! Gimme! (A Man After Midnight)\u201d while its video had Madonna channeling Saturday Night Fever and clubbing in London. Perhaps the ultimate slow-dance song, \u201cCrazy for You\u201d proved to be so popular upon its release that it bumped the all-star charity single \u201cWe Are the World\u201d by USA for Africa out of the No. 1 slot. Before \u201cCrazy for You\u201d had reached the top, though, it had sat in the No. 2 position for three straight weeks, biding its time until it could push \u201cWe Are the World\u201d aside. ... It\u2019s somehow appropriate that Madonna\u2019s first No. The lead single from the Ray Of Light album marked a sonic change in Madonna\u2019s career, thanks to its co-producer, William Orbit. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The week that \u201cFrozen\u201d zoomed from No. 5 to No. 2, the R&B duo\u2019s \u201cAll My Life\u201d raced up the chart from No. 15 to No. 1 \u2013 blocking Madonna from the penthouse.",
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\n\t\n\t\t\t\t\tMadonna performs at Feijenoord Stadium on July 24 1990 in Rotterdam, Netherlands.\n\t\t\n\t\t\t\t\t\t\t\t\tFrans Schellekens/Redferns\n\t\t\t\t\t\n\t\t\t\t\t
She’s the Queen of Pop and royalty on the Billboard charts. To celebrate Madonna‘s career, we’ve compiled an exclusive ranking of the diva’s 40 biggest Billboard Hot 100 hit singles. (Incidentally, Madonna was born the same month as the Hot 100, in August 1958.)
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Since arriving on the Hot 100 the week of Oct. 29, 1983, with “Holiday,” she has earned a total of 58 chart hits, including 38 top 10s. Plus, she’s logged top 10s in the 1980s, ’90s, 2000s and ’10s.
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Madonna earned her first top 10 hit on the Hot 100 with “Borderline” in June 1984, beginning a streak of 17 consecutive top 10 hits on through 1989’s “Cherish.” The diva’s first Hot 100 No. 1 came in December of 1984, when “Like a Virgin” began its six-week reign atop the list dated Dec. 22, 1984. She’s collected a total of 12 No. 1s in her career thus far, reaching the top seven times in the ’80s (“Virgin,” “Crazy for You,” “Live to Tell,” “Papa Don’t Preach,” “Open Your Heart,” “Who’s That Girl” and “Like a Prayer”), four times in the ’90s (“Vogue,” “Justify My Love,” “This Used To Be My Playground” and “Take a Bow”) and once in the ’00s (“Music”).
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Notably, all 32 of her official singles from “Holiday” (1983) through “Take a Bow” (1995) reached the top 40 of the Hot 100.
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Madonna’s 40 Biggest Billboard Hits is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.
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\"Rain\"
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Hot 100 Peak Position: 14
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Peak Year: 1993
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“Rain,” the fourth single from 1992’s Erotica album, comes in at No. 40 on Madonna’s all-time biggest hits list. The commercial release of the maxi-single (and 12″ vinyl) was bolstered by the previously unreleased track “Up Down Suite” as well as a jazzy/hip-hip remix of the Erotica album cut “Waiting” (featuring Everlast).
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\"Oh Father\"
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Hot 100 Peak Position: 20
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Peak Year: 1990
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Accompanied by a stunning black and white music video, the haunting ballad “Oh Father” was the fourth single from the Like a Prayer album. At the time, “Oh Father” had the unfortunate distinction of ending Madonna’s string of 17 consecutive top 10 hits. “Oh Father” stalled out at No. 20 while all 17 Madonna singles from “Borderline” (1984) through “Cherish” (1989) had reached the top 10.
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\"Don't Cry for Me Argentina\" (From \"Evita\")
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Hot 100 Peak Position: 8
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Peak Year: 1997
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“Don’t Cry for Me Argentina” took an unconventional route to the top 10 on the Billboard Hot 100. Recorded as the sweeping centerpiece to the movie Evita, the song wasn’t necessarily a made-for-radio hit single. However, uptempo dance mixes of the song were produced (which included new vocals from Madonna) and promoted to radio stations. The so-called “Miami Mix” (by producers Pablo Flores and Javier Garza) soon became a smash on the radio and led to a commercial release as a maxi-single and 12″ vinyl. Pent-up demand for the remixes sparked a No. 17 debut on the Hot 100 for the single on Feb. 22, 1997. The following week it sailed to its No. 8 peak.
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\"Holiday\"
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Hot 100 Peak Position: 16
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Peak Year: 1984
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Madonna’s first Billboard Hot 100 hit (though not her first single), debuted at No. 88 on Oct. 29, 1983 – and the chart hasn’t been the same ever since. The cut would eventually rise to No. 16 on Jan. 18, 1984 and was the first of three top 20 singles from Madonna’s self-titled debut album. “Holiday” is also the third and final non-top-10 hit (with Nos. 37, 39 and 40) on this round-up of Madonna’s biggest singles. Every other tune on this tally reached the top 10.
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\"Hanky Panky\"
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Hot 100 Peak Position: 10
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Peak Year: 1990
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In 1990, Madonna could have released pretty much anything and it would have been a hit single. Take for example this goofy (but catchy!) ditty about having a “good spanky.” It reached No. 10 on July 28 of that year, as Madonna’s massive Blond Ambition Tour was winding its way around the globe. “Hanky Panky” was the second, and final, single from the I’m Breathless album (a sort of companion set to the Dick Tracy film, in which she co-starred). The first Breathless release was “Vogue” – but more on that single in a little bit.
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\"Erotica\"
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Hot 100 Peak Position: 3
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Peak Year: 1992
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The dark and sexy single – the lead-off track from her 1992 album of the same name – launched with a bang at No. 13 on the Hot 100 dated Oct. 17, 1992. It zoomed to its peak of No. 3 the following week, kept out of the top two slots by Boyz II Men’s “End of the Road” (No. 1) and Patty Smyth’s “Sometimes Love Just Ain’t Enough,” featuring Don Henley (No. 2).
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\"Don't Tell Me\"
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Hot 100 Peak Position: 4
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Peak Year: 2001
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“Don’t Tell Me” was the second single from the Music album and was co-written by Madonna’s brother-in-law, recording artist Joe Henry. He would later release his own version of the track, re-titled “Stop,” on his 2001 album Scar.
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\"Lucky Star\"
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Hot 100 Peak Position: 4
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Peak Year: 1984
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“Lucky Star” is the lone Hot 100 hit in Madonna’s catalog that was composed entirely by the diva herself. The uptempo number riffs a bit on the old nursery rhyme “Star Light, Star Bright” and has endured as one of Madonna’s most beloved dance tracks.
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\"Dress You Up\"
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Hot 100 Peak Position: 5
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Peak Year: 1985
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“Dress You Up” is the first of four singles on this tally from Madonna’s Like a Virgin album. The plucky dance track was produced by Chic’s Nile Rodgers (as was the rest of the Virgin album) and was the final single released from the set.
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\"Rescue Me\"
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Hot 100 Peak Position: 9
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Peak Year: 1991
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“Rescue Me” was one of two new songs recorded for Madonna’s first greatest hits album, 1990’s The Immaculate Collection. When it debuted at No. 15 on the March 2, 1991 Hot 100 chart, it marked the highest-ever bow for a single by a woman. Further, it was – at the time – one of only four titles to debut in the top 20. The song had been an airplay hit for a full three months before it finally arrived on the Hot 100, as the single had been held back from commercial release. As “Rescue Me’s” release was delayed until it had reached its peak of popularity on the radio, it had an artificially short run – eight weeks – on the Hot 100.
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\"Hung Up\"
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Hot 100 Peak Position: 7
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Peak Year: 2005
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The lead single from 2005’s Confessions on a Dance Floor boogied its way to No. 7 on the Hot 100 in 2005 and was the first of two chart hits from her discofied album. (A second hit, “Sorry,” reached No. 58.) “Hung Up” featured a galloping sample from ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight)” while its video had Madonna channeling Saturday Night Fever and clubbing in London.
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\"Die Another Day\"
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Hot 100 Peak Position: 8
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Peak Year: 2002
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The title track from the James Bond film, released in 2002, became the first Bond tune to reach the top 10 on the Hot 100 since Duran Duran’s A View to a Kill hit No. 1 in 1985. Further, “Die Another Day” was the first official Bond theme song to even make the chart since “A View to a Kill.” The electro-hued single would go on to appear on Madonna’s 2003 album, American Life.
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\"Ray of Light\"
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Hot 100 Peak Position: 5
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Peak Year: 1998
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“Ray of Light” continues to hold the record for Madonna’s highest-debuting single ever, as it started at No. 5 on the Hot 100 chart dated July 11, 1998. The single was the title track (and second single) from Madonna’s 1998 album, and went on to win a Grammy Award for best dance recording. Its corresponding music video, directed by Jonas Akerlund, also won a Grammy for best short form music video, and earned five MTV Video Music Awards (including Video of the Year).
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\"Deeper and Deeper\"
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Hot 100 Peak Position: 7
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Peak Year: 1993
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The Erotica album’s swirling second single, “Deeper and Deeper,” topped out at No. 7 on the Hot 100, spending 17 weeks on the list. Its retro music video is riddled with cameos, including her now manager Guy Oseary, Sire Records chief Seymour Stein, longtime friend and actress Debi Mazar and adult film director/DJ/drag diva Chi Chi LaRue.
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\"Keep It Together\"
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Hot 100 Peak Position: 8
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Peak Year: 1990
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“Keep It Together” was the fifth commercial single from Madonna’s 1989 Like a Prayer album and was initially planned to carry with it a previously unreleased b-side. The b-side in question? “Vogue.” Luckily, that anthem would go on to have its own single release. Instead, “Keep It Together” set sail on its own – without a sexy b-side to spice up sales. However, “Keep It Together” was remixed to become slightly more radio-friendly. Its redux was reminiscent of the then-popular track “Back to Life” by Soul II Soul.
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\"4 Minutes\"
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Hot 100 Peak Position: 3
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Peak Year: 2008
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“4 Minutes” is notable in that it was only the second single release in the U.S. from Madonna on which she shares credit with another artist. Justin Timberlake and Timbaland joined forces with her on the track – a little under five years after Madonna had first paired with Timberlake’s former flame, Britney Spears, for “Me Against the Music.”
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\"Secret\"
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Hot 100 Peak Position: 3
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Peak Year: 1994
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Co-produced and co-written with Dallas Austin, “Secret” was the first single from Madonna’s R&B-hued Bedtime Stories album in 1994. The strummy, hip-hop-lite song reached No. 3 on the Billboard Hot 100 – stuck behind Boyz II Men’s “I’ll Make Love to You” (No. 1) and Sheryl Crow’s “All I Wanna Do.”
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\"La Isla Bonita\"
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Hot 100 Peak Position: 4
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Peak Year: 1987
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The Spanish-flavored track seems to be a favorite of Madonna’s, as it has been included on the setlists of many of her concert tours. She also performed it at the 2007 Live Earth benefit show in London. “La Isla Bonita” was the fifth and final single from her True Blue album, and the cut reached No. 4 on the Hot 100.
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\"You'll See\"
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Hot 100 Peak Position: 6
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Peak Year: 1995
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Composed and produced with David Foster, “You’ll See” was one of a handful of new tunes Madonna recorded for her 1995 ballads collection Something to Remember. The ballad, which showcased Madonna’s newly-trained vocal abilities, would prepare audiences for her lead role in the following year’s Evita. The “You’ll See” music video became Madonna’s first sequel clip – as it followed the story set in motion in the dramatic “Take a Bow” short.
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\"Borderline\"
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Hot 100 Peak Position: 10
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Peak Year: 1984
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Madonna’s first top 10 single was the first of a staggering 17 consecutive top 10s for the singer from 1984 through 1989. The “Borderline” music video was the first collaboration between Madonna and director Mary Lambert, who would go on to helm her clips “Like a Virgin,” “Material Girl,” “La Isla Bonita” and “Like a Prayer.”
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\"Frozen\"
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Hot 100 Peak Position: 2
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Peak Year: 1998
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The lead single from the Ray Of Light album marked a sonic change in Madonna’s career, thanks to its co-producer, William Orbit. The track was heavily influenced by electronic dance music and peaked at No. 2 on the Hot 100. It would have perhaps reached the top of the chart, had it not been for K-Ci & JoJo. The week that “Frozen” zoomed from No. 5 to No. 2, the R&B duo’s “All My Life” raced up the chart from No. 15 to No. 1 – blocking Madonna from the penthouse.
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\"This Used to Be My Playground\"
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Hot 100 Peak Position: 1
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Peak Year: 1992
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Written for the film A League of the Their Own, co-starring Madonna, this delicate ballad became her 10th No. 1 single in the summer of 1992. It spent a week at No. 1 – sandwiched between two monster hits. It followed a five-week No. 1 run by Sir Mix-a-Lot’s “Baby Got Back” and immediately preceded a 13-week reign by Boyz II Men’s “End of the Road.” Curiously, Madonna has yet to perform “This Used to Be My Playground” live – either on tour or during a promotional appearance.
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\"Angel\"
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Hot 100 Peak Position: 5
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Peak Year: 1985
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One of Madonna’s many singles which she co-wrote with Stephen Bray, “Angel” reached No. 5 on the Hot 100 in 1985. Rather famously, the “Angel” 12″ vinyl single contains one of the most famous b-sides in U.S. history: “Into the Groove.” While “Into the Groove” received a proper release in other countries, in America, it was relegated to b-side status despite its enormous popularity both on the radio and on MTV.
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\"Cherish\"
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Hot 100 Peak Position: 2
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Peak Year: 1989
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The light, lovey-dovey pop song was a throwback to ’60s girl groups and doo-wop music, with couplets like “Romeo and Juliet they never felt this way, I bet” and “You are my destiny, I can’t let go, baby, can’t you see.” The song’s companion video clip was the first directed by photographer Herb Ritts. He had previously shot Madonna’s album covers for True Blue and Like a Prayer.
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\"Express Yourself\"
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Hot 100 Peak Position: 2
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Peak Year: 1989
\n
“Come on girls, do you believe in love?” Well, Madonna had something to say about it in 1989, when “Express Yourself” was released as the second single from the Like a Prayer album. The single’s video was directed by a pre-super-stardom David Fincher and was the first of four video collaborations between the two artists.
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\"Material Girl\"
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Hot 100 Peak Position: 2
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Peak Year: 1985
\n
“Material Girl” is one of those singles that some people might assume was a No. 1 hit for Madonna. However, it topped out at No. 2 on the Hot 100 tally in 1985. As the second hit from the Like a Virgin album, the song would also become a nickname for the diva herself (whether she liked it or not).
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\"Who's That Girl\"
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Hot 100 Peak Position: 1
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Peak Year: 1987
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We’re entering rarified air now, as every one of Madonna’s top 11 hits of all time on the Hot 100 chart are No. 1s. “Who’s That Girl” was the title track of the Madonna film and doubled as the lead single from its companion soundtrack.
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\"True Blue\"
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Hot 100 Peak Position: 3
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Peak Year: 1986
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“True Blue,” the title track from Madonna’s 1986 album, spent three weeks stuck at No. 3 on the Billboard Hot 100. All about “true love, oh baby,” the single is an unabashed peppy love song. Perhaps an indication of Madonna’s (lack of) fondness of the track – it has only been performed on two of her concert tours: 1987’s Who’s That Girl trek and the 2015-2016 Rebel Heart Tour.
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\"Causing a Commotion\"
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Hot 100 Peak Position: 2
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Peak Year: 1987
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“Causing a Commotion” was the second single from Madonna’s Who’s That Girl soundtrack, peaking at No. 2 for three straight weeks. (It was prevented from reaching the top by Michael Jackson’s “Bad,” which jumped to No. 1 the same week “Commotion” hit No. 2 for the first time.) “Commotion” also ranks as Madonna’s biggest Hot 100 hit without an official music video.
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\"I'll Remember\" (From \"With Honors\")
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Hot 100 Peak Position: 2
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Peak Year: 1994
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“I’ll Remember,” from the film With Honors, is one of six Madonna singles that have peaked at No. 2 on the Billboard Hot 100. Madonna held the record for the most No. 2 hits in Hot 100 history, until Drake surpassed her by landing a seventh No. 2 hit.\u00a0This particular track was lodged in the runner-up position for four weeks, behind All-4-One’s “I Swear.”
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\"Open Your Heart\"
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Hot 100 Peak Position: 1
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Peak Year: 1987
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Madonna’s third single from True Blue shot to No. 1 on the Hot 100 on Feb. 7, 1987, marking the singer’s fifth chart-topper. Its video caused a stir as Madonna starred as an exotic dancer who becomes friends with a boy (played by dancer Felix Howard).
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\"Music\"
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Hot 100 Peak Position: 1 (four weeks)
\n
Peak Year: 2000
\n
Madonna’s most recent Billboard Hot 100 No. 1 is “Music,” which spent four weeks atop the tally in September/October 2000. The cut was the lead single of the Music album, which again teamed her with William Orbit (Ray of Light). The single itself, like a fair portion of the album, was co-written and co-produced by Madonna and Mirwais.
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\"Live to Tell\"
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Hot 100 Peak Position: 1
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Peak Year: 1986
\n
After the madness of the boy toy era of Madonna’s career (1983-85), she surprised many with “Live to Tell,” the lead track from her 1986 album True Blue. The haunting ballad was written partially for the film At Close Range (which starred her then-husband Sean Penn) and found the No. 1 target on the Hot 100. The song was accompanied by a music video that introduced a decidedly toned-down Madonna to the public – one of the diva’s first major so-called reinventions.
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\"Papa Don't Preach\"
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Hot 100 Peak Position: 1 (two weeks)
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Peak Year: 1986
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“Papa Don’t Preach” was one of the few songs that even Madonna’s most conservative critics could find reason to champion. The song tells the story of a young woman who confesses to her father that she’s become pregnant, however, she’s opting to keep her baby.
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\"Justify My Love\"
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Hot 100 Peak Position: 1 (two weeks)
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Peak Year: 1991
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“Justify My Love,” like so many of Madonna’s singles, spawned a music video that garnered more attention than perhaps the song itself. Its clip was so racy, MTV declined to air it entirely. Luckily for the buying public, Madonna opted to sell the video as the first-ever commercially-available video single.
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\"Vogue\"
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Hot 100 Peak Position: 1 (three weeks)
\n
Peak Year: 1990
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Initially planned as the b-side of “Keep It Together,” Madonna’s tribute to the fierceness that is vogueing was thankfully released as a single on its own. The thumping dance number is as iconic as its glamorous black-and-white music video, which was directed by David Fincher.
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\"Like a Prayer\"
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Hot 100 Peak Position: 1 (three weeks)
\n
Peak Year: 1989
\n
Would anyone have thought that “Like a Prayer” – which caused so much controversy in 1989 upon its release – would ultimately end up being performed at the Super Bowl halftime show in 2012? Yeah, we didn’t think so. The song premiered in a two-minute Pepsi commercial that aired during The Cosby Show on March 2, 1989. (Pepsi was set to sponsor Madonna’s then-upcoming Blond Ambition Tour.) The next day, the “Like a Prayer” music video debuted … you know, the one with the burning crosses, stigmata and so on? Yes, well, Pepsi high-tailed it away from Madonna and she – again – outraged the masses.
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\"Take a Bow\"
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Hot 100 Peak Position: 1 (seven weeks)
\n
Peak Year: 1995
\n
It may surprise some, but “Take a Bow” spent more weeks at No. 1 than any other Madonna single. (However, on this list, it ultimately ranks at No. 3.) With a seven-week run atop the Hot 100, 1995’s “Take a Bow” returned her to the top of the chart for the first time since 1992 (“This Used to Be My Playground”). Co-written and co-produced with Babyface, “Take a Bow” was surprisingly never performed in concert until 2016, during the Rebel Heart Tour.
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\"Crazy for You\"
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Hot 100 Peak Position: 1
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Peak Year: 1985
\n
Perhaps the ultimate slow-dance song, “Crazy for You” proved to be so popular upon its release that it bumped the all-star charity single “We Are the World” by USA for Africa out of the No. 1 slot. Before “Crazy for You” had reached the top, though, it had sat in the No. 2 position for three straight weeks, biding its time until it could push “We Are the World” aside.
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\"Like a Virgin\"
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Hot 100 Peak Position: 1 (six weeks)
\n
Peak Year: 1984
\n
It’s somehow appropriate that Madonna’s first No. 1, “Like a Virgin,” tops our list of her 40 biggest Hot 100 hit singles. The title track and lead single from her 1984 album spent six weeks atop the chart and became one of the diva’s signature songs. It was written by Billy Steinberg and Tom Kelly and produced by Nile Rodgers.
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+ "page_snippet": "Explore Madonna's music on Billboard. Get the latest news, biography, and updates on the artist.Madonna (real name Madonna Louise Veronica Ciccone) was born in Bay City, Mich., and raised in the suburbs of Detroit. Her birthday is Aug. 16, 1958, and her height is 5'4 1/2\". Industry legend Sey\u2026 Madonna (real name Madonna Louise Veronica Ciccone) was born in Bay City, Mich., and raised in the suburbs of Detroit. Her birthday is Aug. 16, 1958, and her height is 5'4 1/2\". Industry legend Seymour Stein signed her to Sire records in 1982, and she released her self-titled studio debut album in July 1983; the set debuted on the Billboard 200 in September that year, and peaked at No. 8. The album's third single, \"Holiday,\" became her first Hot 100 song, peaking at No. 8. The album's third single, \"Holiday,\" became her first Hot 100 song, peaking at No. 16. The Material Girl has since gone on to have numerous top 10 tracks over the decades, including \"Like a Virgin\" (No. 1 in 1984), \"Vogue\" (No. 1 in 1990), \"Music\" (No. 1 in 2000) and \"Give Me All Your Luvin'\" with Nicki Minaj and M.I.A. (No. 10 in 2012). The music icon has also released multiple No. 1 albums, including 'Like a Virgin' in 1984, 'Like a Prayer' in 1989, 'Confessions on a Dance Floor' in 2005 and 'Madame X' in 2019. The Queen of Pop has won numerous Grammys, including best pop album and best dance recording (both for 'Ray of Light' in 1999, which also earned a nod for album of the year) and best electronic/dance album for 'Confessions on a Dance Floor' in 2007. In addition to her music career, she starred in films including 'A League of Their Own,' 'Dick Tracy,' and 'Evita,' with the last one earning her the best actress in a motion picture musical/comedy Golden Globe for her portrayal of Eva Peron.",
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\n\t\t\t\t\t\n\n\n\tMadonna (real name Madonna Louise Veronica Ciccone) was born in Bay City, Mich., and raised in the suburbs of Detroit. Her birthday is Aug. 16, 1958, and her height is 5'4 1/2". Industry legend Seymour Stein signed her to Sire records in 1982, and she released her self-titled studio debut album in July 1983; the set debuted on the Billboard 200 in September that year, and peaked at No. 8. The album's third single, "Holiday," became her first Hot 100 song, peaking at No. 16. The Material Girl has since gone on to have numerous top 10 tracks over the decades, including "Like a Virgin" (No. 1 in 1984), "Vogue" (No. 1 in 1990), "Music" (No. 1 in 2000) and "Give Me All Your Luvin'" with Nicki Minaj and M.I.A. (No. 10 in 2012). The music icon has also released multiple No. 1 albums, including 'Like a Virgin' in 1984, 'Like a Prayer' in 1989, 'Confessions on a Dance Floor' in 2005 and 'Madame X' in 2019. She counts Justin Timberlake, Britney Spears and The Weeknd among her many collaborators. The Queen of Pop has won numerous Grammys, including best pop album and best dance recording (both for 'Ray of Light' in 1999, which also earned a nod for album of the year) and best electronic/dance album for 'Confessions on a Dance Floor' in 2007. In addition to her music career, she starred in films including 'A League of Their Own,' 'Dick Tracy,' and 'Evita,' with the last one earning her the best actress in a motion picture musical/comedy Golden Globe for her portrayal of Eva Peron.\n\n\t\t\t\t
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