diff --git "a/086ab537-b2b2-4561-8fc7-6653a20db0f4.json" "b/086ab537-b2b2-4561-8fc7-6653a20db0f4.json" new file mode 100644--- /dev/null +++ "b/086ab537-b2b2-4561-8fc7-6653a20db0f4.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "086ab537-b2b2-4561-8fc7-6653a20db0f4", + "search_results": [ + { + "page_name": "Deadpool 2 (2018) - Full Cast & Crew - IMDb", + "page_url": "https://www.imdb.com/title/tt5463162/fullcredits", + "page_snippet": "", + "page_result": "\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n \n\n\n\n\n \n\n\n \n Deadpool 2 (2018) - Full Cast & Crew - IMDb\n \n\n\n\n \n \n\n\n \n\n \n \n \n\n \n \n \n \n\n \n\n \n \n \n \n\n\n\n \n \n \n\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n\n \n\n\n \n\n\n\n\n \n \n \n \n\n\n\n\n\n \n \n \n\n \n\n \n\n\n\n\n\n \n \n \n \n\n \n\n\n\n\n\n\n\n\n
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\nDeadpool 2 \n (2018)\n \n

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Full Cast & Crew

\n \n
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\n\n Directed by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n David Leitch\n
\n

Writing Credits\n(WGA)  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Rhett Reese\n ...\n (written by) &\n
\n Paul Wernick\n ...\n (written by) &\n
\n Ryan Reynolds\n ...\n (written by)\n
 
\n Rob Liefeld\n ...\n (based on the character created by) (uncredited)\n
\n Fabian Nicieza\n ...\n (based on the character created by) (uncredited)\n
\n

\n \n Cast\n (in credits order)\n verified as complete \n  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n \n Ryan Reynolds\n \n ...\n \n Wade Wilson / \n Deadpool / \n Voice of Juggernaut \n \n
\n \n Josh Brolin\n \n ...\n \n Cable \n \n
\n \n Morena Baccarin\n \n ...\n \n Vanessa \n \n
\n \n Julian Dennison\n \n ...\n \n Firefist \n \n
\n \n Zazie Beetz\n \n ...\n \n Domino \n \n
\n \n T.J. Miller\n \n ...\n \n Weasel \n \n
\n \n Leslie Uggams\n \n ...\n \n Blind Al \n \n
\n \n Karan Soni\n \n ...\n \n Dopinder \n \n
\n \n Brianna Hildebrand\n \n ...\n \n Negasonic Teenage Warhead \n \n
\n \n Jack Kesy\n \n ...\n \n Black Tom \n \n
\n \n Eddie Marsan\n \n ...\n \n Headmaster \n \n
\n \n Shioli Kutsuna\n \n ...\n \n Yukio \n \n
\n \n Stefan Kapicic\n \n ...\n \n Colossus \n \n \n (voice)\n \n \n
\n \n Randal Reeder\n \n ...\n \n Buck \n \n
\n \n Nikolai Witschl\n \n ...\n \n Head Orderly Frye \n \n
\n \n Thayr Harris\n \n ...\n \n Sergei Valishnikov \n \n
\n \n Rob Delaney\n \n ...\n \n Peter \n \n
\n \n Lewis Tan\n \n ...\n \n Shatterstar \n \n
\n \n Bill Skarsg\u00e5rd\n \n ...\n \n Zeitgeist \n \n \n (as Bill Skarsgard)\n \n \n
\n \n Terry Crews\n \n ...\n \n Bedlam \n \n
\n \n Brad Pitt\n \n ...\n \n Vanisher \n \n
\n \n Paul Wu\n \n ...\n \n Hong Kong Boss \n \n
\n \n Robert Maillet\n \n ...\n \n Sluggo \n \n
\n \n Alan Tudyk\n \n ...\n \n Luke - Redneck #1 \n \n
\n \n Matt Damon\n \n ...\n \n Redneck #2 \n \n \n (as Dickie Greenleaf)\n \n \n
\n \n Michasha Armstrong\n \n ...\n \n Swat Captain (School) \n \n
\n\"Joe \n Joe Doserro\n \n ...\n \n Bus Driver \n \n
\n \n Hayley Sales\n \n ...\n \n Cable's Wife \n \n
\n \n Islie Hirvonen\n \n ...\n \n Cable's Daughter \n \n
\n\"Jagua \n Jagua Arneja\n \n ...\n \n Tree Trimmer #1 \n \n \n (as Jag Arneja)\n \n \n
\n \n Gerry South\n \n ...\n \n Tree Trimmer #2 \n \n
\n \n Mike Dopud\n \n ...\n \n Prison Guard \n \n
\n \n Luke Roessler\n \n ...\n \n Cereal Kid \n \n
\n \n Andy Canete\n \n ...\n \n Neighbour #1 \n \n
\n \n Tanis Dolman\n \n ...\n \n Neighbour #2 \n \n
\n \n Eleanor Walker\n \n ...\n \n Neighbour #3 \n \n
\n \n Hunter Dillon\n \n ...\n \n Branding Boy \n \n
\n \n Sala Baker\n \n ...\n \n Older Firefist \n \n
\n\"Sonia \n Sonia Sunger\n \n ...\n \n News Reporter (Irene) \n \n
\n \n Paul Wernick\n \n ...\n \n News Cameraman \n \n
\n \n Rhett Reese\n \n ...\n \n News Helicopter Pilot \n \n
\n\"Abiola \n Abiola Uthman\n \n ...\n \n Chinook Pilot \n \n
\n \n Tony Bailey\n \n ...\n \n Black Tom Gang Member \n \n
\n\"David \n David Cook\n \n ...\n \n Priest \n \n
\n \n Alex Kliner\n \n ...\n \n Park Bench Couple \n \n
\n\"Elaine \n Elaine Kliner\n \n ...\n \n Park Bench Couple \n \n
\n \n David Leitch\n \n ...\n \n Ground Church Mutant \n \n
\n\"Alicia \n Alicia Morton\n \n ...\n \n Vocalist on 'Tomorrow' \n \n \n (singing voice)\n \n \n
Rest of cast listed alphabetically:
\n \n Fred Savage\n \n ...\n \n Fred Savage \n \n
\n\"Sheila \n Sheila Atienza\n \n ...\n \n Lab Worker \n \n \n (uncredited)\n \n \n
\n \n Noah Beggs\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n \n Mike Bhangu\n \n ...\n \n Inmate \n \n \n (uncredited)\n \n \n
\n \n Valencia Budijanto\n \n ...\n \n Zoo Kid \n \n \n (uncredited)\n \n \n
\n \n Lisa Bunting\n \n ...\n \n Child Protection Worker \n \n \n (uncredited)\n \n \n
\n \n Elliot Chandler\n \n ...\n \n Orphan \n \n \n (uncredited)\n \n \n
\n \n Paul Cheng\n \n ...\n \n Scoutmaster Kevin Osaka Thug \n \n \n (uncredited)\n \n \n
\n\"Sean \n Sean Connolly\n \n ...\n \n Orderly \n \n \n (uncredited)\n \n \n
\n\"Jordan \n Jordan Davis\n \n ...\n \n Riot Prisoner \n \n \n (uncredited)\n \n \n
\n \n Cassandra Ebner\n \n ...\n \n Meth Lab Gangster \n \n \n (uncredited)\n \n \n
\n \n Miles Ellis\n \n ...\n \n Waving Prisoner \n \n \n (uncredited)\n \n \n
\n \n Glenn Ennis\n \n ...\n \n Mob Thug \n \n \n (uncredited)\n \n \n
\n\"Joerg \n Joerg Everding\n \n ...\n \n Civilian / \n Tourist \n \n \n (uncredited)\n \n \n
\n\"Sean \n Sean Gislingham\n \n ...\n \n Sammy \n \n \n (uncredited)\n \n \n
\n\"Rex \n Rex Go\n \n ...\n \n Business Passerby / \n Convention Goer \n \n \n (uncredited)\n \n \n
\n \n Lars Grant\n \n ...\n \n Prison Guard 96S \n \n \n (uncredited)\n \n \n
\n \n Ryan Handley\n \n ...\n \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Sam Hargrave\n \n ...\n \n DMC Guard \n \n \n (uncredited)\n \n \n
\n \n Nicholas Hoult\n \n ...\n \n Beast \n \n \n (uncredited)\n \n \n
\n \n Stefania Indelicato\n \n ...\n \n Bystander \n \n \n (uncredited)\n \n \n
\n \n Hugh Jackman\n \n ...\n \n Wolverine \n \n \n (archive footage) (uncredited)\n \n \n
\n \n Todd Allen Johnson\n \n ...\n \n Peter \n \n \n (uncredited)\n \n \n
\n \n Janvier Katabarwa\n \n ...\n \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Andrei Kovski\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"Larry \n Larry Lam\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n \n Paul Lazenby\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"David \n David Le\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n\"Simon \n Simon MacIntyre\n \n ...\n \n Business Passerby \n \n \n (uncredited)\n \n \n
\n \n Peter Marcin\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n\"Lionel \n Lionel Marye\n \n ...\n \n Dead Orderly \n \n \n (uncredited)\n \n \n
\n \n James McAvoy\n \n ...\n \n Charles Xavier \n \n \n (uncredited)\n \n \n
\n \n Stuart Murray\n \n ...\n \n Shocked Onlooker \n \n \n (uncredited)\n \n \n
\n\"Danny \n Danny Ocean\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"Paul \n Paul Oostergo\n \n ...\n \n Passerby \n \n \n (uncredited)\n \n \n
\n \n Evan Peters\n \n ...\n \n Quicksilver \n \n \n (uncredited)\n \n \n
\n\"Richard \n Richard Rigby\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n \n Shawn Robidoux\n \n ...\n \n Orderly / \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Mitchell Saddleback\n \n ...\n \n Cowboy at Bar \n \n \n (uncredited)\n \n \n
\n\"Dakoda \n Dakoda Shepley\n \n ...\n \n Omega Red Prisoner \n \n \n (uncredited)\n \n \n
\n \n Tye Sheridan\n \n ...\n \n Cyclops \n \n \n (uncredited)\n \n \n
\n \n Alexandra Shipp\n \n ...\n \n Storm \n \n \n (uncredited)\n \n \n
\n\"Toshi \n Toshi Sinha\n \n ...\n \n Vanessa \n \n \n (uncredited)\n \n \n
\n \n Kodi Smit-McPhee\n \n ...\n \n Nightcrawler \n \n \n (uncredited)\n \n \n
\n \n Linley Subryan\n \n ...\n \n City Passerby \n \n \n (uncredited)\n \n \n
\n \n Taylor Tai\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n \n Scott Vickaryous\n \n ...\n \n Thug \n \n \n (uncredited)\n \n \n
\n\"Robert \n Robert Wellman\n \n ...\n \n Toad \n \n \n (uncredited)\n \n \n
\n\"Myfanwy \n Myfanwy Williams\n \n ...\n \n Strip Club Dancer \n \n \n (uncredited)\n \n \n
\n \n Dan Zachary\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n Produced by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Simon Kinberg\n ...\n producer (produced by) (p.g.a.)\n
\n Stan Lee\n ...\n executive producer\n
\n Jonathon Komack Martin\n ...\n executive producer\n
\n Kelly McCormick\n ...\n executive producer\n
\n Rhett Reese\n ...\n executive producer\n
\n Ryan Reynolds\n ...\n producer (produced by) (p.g.a.)\n
\n Lauren Shuler Donner\n ...\n producer\n
\n Ethan Smith\n ...\n executive producer\n
\n Aditya Sood\n ...\n executive producer\n
\n Paul Wernick\n ...\n executive producer\n
\n Music by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Tyler Bates\n ...\n (music by)\n
\n Cinematography by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jonathan Sela\n ...\n director of photography\n
\n Editing by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Craig Alpert\n ...\n film editor\n
\n Michael McCusker\n
\n El\u00edsabet Ronaldsd\u00f3ttir\n ...\n film editor\n
\n Dirk Westervelt\n ...\n film editor\n
\n Casting By \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Marisol Roncali\n
\n Mary Vernieu\n
\n Production Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n David Scheunemann\n
\n Art Direction by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Roger Fires\n
\n Dan Hermansen\n ...\n supervising art director\n
\n Peter Ochotta\n
\n Set Decoration by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Sandy Walker\n
\n Costume Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kurt and Bart\n ...\n (as Kurt Swanson) (as Bart Mueller)\n
\n Makeup Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Lilia Afsahi\n ...\n first assistant hair stylist\n
\n Richard Alonzo\n ...\n key makeup artist: CCE (as Richie Alonzo)\n
\n Lesley Becerra\n ...\n makeup coordinator: CCE\n
\n Lynnea Board\n ...\n first assistant hair stylist\n
\n Anne Carroll\n ...\n hair department head (as S. Anne Carroll)\n
\n Marie Clancy\n ...\n first assistant hair stylist: additional photography\n
\n Andy Clement\n ...\n co-makeup designer: CCE (as Andrew Clement)\n
\n Bill Corso\n ...\n makeup designer / makeup supervisor\n
\n Rebeccah Delchambre\n ...\n special makeup effects artist\n
\n Davina Faye\n ...\n first assistant makeup artist / first assistant makeup artist: additional photography\n
\n Mike Fields\n ...\n special makeup effects artist (as Michael Fields)\n
\n Felix Fox\n ...\n special makeup effects artist\n
\n Cayley Giene\n ...\n special makeup effects artist\n
\n Katie Goett\n ...\n special makeup effects artist\n
\n Sven Granlund\n ...\n assistant makeup artist\n
\n Lee Gren\n ...\n tattoo designer specialty tattoos: Tinsley Studio\n
\n Monica Huppert\n ...\n makeup department head\n
\n Akihito Ikeda\n ...\n key makeup artist: CCE\n
\n Richard Kohlen\n ...\n hair stylist\n
\n Howard Lau\n ...\n specialty tattoo designer\n
\n Toby Tzu-Jung Lee\n ...\n makeup artist\n
\n Manny Lemus\n ...\n silicone prosthetics\n
\n Harlow MacFarlane\n ...\n special makeup effects artist\n
\n Holland Miller\n ...\n special makeup effects artist\n
\n Pepe Mora\n ...\n key makeup artist: CCE\n
\n Geoff Redknap\n ...\n special makeup effects artist\n
\n Bronwyne Sloley\n ...\n special makeup effects artist\n
\n Mike Smithson\n ...\n makeup artist: Mr. Brolin\n
\n Debra Wiebe\n ...\n hair department head: additional photography\n
\n Darah Wyant\n ...\n first assistant makeup artist\n
\n Rebeccah Delchambre\n ...\n key makeup artist: second unit (uncredited)\n
\n Tibor Farkas\n ...\n special makeup effects artist (uncredited)\n
\n Wendy Fisher\n ...\n Special makeup effects technician (uncredited)\n
\n Brittany Fontaine\n ...\n prosthetic technician (uncredited)\n
\n Audrey Himmer-Jude\n ...\n assistant makeup artist (uncredited)\n
\n Beverly Hoy\n ...\n assistant makeup artist (uncredited)\n
\n Jennifer Machnee\n ...\n assistant makeup artist (uncredited)\n
\n Ailsa Macmillan\n ...\n hair stylist (uncredited)\n
\n Ryan Nicholson\n ...\n special makeup effects artist (uncredited)\n
\n Karly Paranich\n ...\n key makeup: second unit (uncredited)\n
\n Holly Pearson\n ...\n assistant makeup artist (uncredited)\n
\n Mary Phan\n ...\n assistant makeup artist (uncredited)\n
\n Leanne Rae Podavin\n ...\n special makeup effects artist (uncredited)\n
\n Matt Sprunger\n ...\n special makeup effects artist: Nicholas Hoult, Legacy Effects (uncredited)\n
\n Scott Stoddard\n ...\n special makeup effects artist: Nicholas Hoult, Legacy Effects (uncredited)\n
\n Jaala Leis Wanless\n ...\n hair stylist (uncredited)\n
\n Tray Willis\n ...\n assistant makeup artist (uncredited)\n
\n Production Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stewart Bethune\n ...\n production manager\n
\n Aaron Downing\n ...\n executive in charge of post production\n
\n Gregory Earls\n ...\n post-production manager\n
\n Vickie M. Hsieh\n ...\n production supervisor\n
\n Ashish Kukian\n ...\n production manager\n
\n Prashant Sharan\n ...\n production manager\n
\n Sainath Shinde\n ...\n stereo production manager\n
\n Ethan Smith\n ...\n unit production manager\n
\n Adrienne Sol\n ...\n production manager: additional photography\n
\n Second Unit Director or Assistant Director \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Paul Barry\n ...\n first assistant director\n
\n Benjamin Cairns\n ...\n second assistant director: additional photography\n
\n Iain Carson-Huggins\n ...\n trainee assistant director: second unit\n
\n Michael Collins\n ...\n additional second assistant director: additional photography\n
\n Jonathan Eusebio\n ...\n second unit director\n
\n Sam Hargrave\n ...\n second unit director: additional photography\n
\n Meaghan Irene Johnson\n ...\n third assistant director: additional photography\n
\n Joel Kennedy\n ...\n background coordinator\n
\n Regan Kosior\n ...\n third assistant director\n
\n Scott Kukurudz\n ...\n second assistant director: second unit\n
\n Haley Lauten\n ...\n trainee assistant director\n
\n Victor Matanawi\n ...\n trainee assistant director\n
\n Brad Medhurst\n ...\n second assistant director: second unit\n
\n Jayson Merrill\n ...\n first assistant director: second unit\n
\n Philip Nee Nee\n ...\n first assistant director: additional photography / key second assistant director\n
\n Amanda Petura\n ...\n third assistant director\n
\n Darrin Prescott\n ...\n second unit director\n
\n Matthew D. Smith\n ...\n second assistant director: second unit (as Matt Smith)\n
\n Robert S. Weber\n ...\n second assistant director: second unit\n
\n James Forrester\n ...\n background coordinator (uncredited)\n
\n Dan Glass\n ...\n second unit director (uncredited)\n
\n Alecia Maslechko\n ...\n background wrangler (uncredited)\n
\n Art Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mohamed AbouAhmed\n ...\n automotive spray painter\n
\n Jennifer Abrams\n ...\n set dec buyer\n
\n Aaron Alexander\n ...\n assistant property master\n
\n Cristian Arizaga\n ...\n set designer\n
\n Kris Bergthorson\n ...\n assistant art director\n
\n Marc Bitz\n ...\n concept artist\n
\n Amber Boorman\n ...\n set decoration buyer / sets buyer\n
\n Ester Bovard\n ...\n set decoration buyer\n
\n Katharina Brand\n ...\n set dresser\n
\n Christopher Br\u00e4ndstr\u00f6m\n ...\n concept artist\n
\n Chad Calder\n ...\n construction foreman\n
\n Niki Charalambopoulos\n ...\n paint foreman\n
\n Matthew Lego Chater\n ...\n scenic carpenter\n
\n Jason Claridge\n ...\n paint boss\n
\n Daniel Columbie\n ...\n prop designer\n
\n Fiorino Corsi\n ...\n props\n
\n Jadrien Cousens\n ...\n concept designer\n
\n Kelton Cram\n ...\n concept artist\n
\n Stian Dahlslett\n ...\n concept artist\n
\n Darian Deering\n ...\n set dresser\n
\n Jace Delnea\n ...\n set dresser\n
\n Jordan Dobbie\n ...\n Truck propsman\n
\n Marcus Endean\n ...\n storyboard artist\n
\n Houman Eshraghi\n ...\n set designer\n
\n Clayton Flagg\n ...\n assistant property master: second unit\n
\n Andrew Garcia-Price\n ...\n storyboard artist\n
\n Sophie Graham\n ...\n set decorator coordinator\n
\n William Groebe\n ...\n storyboard artist\n
\n Joel Hansen\n ...\n lead carpenter\n
\n Todd Harris\n ...\n storyboard artist\n
\n Eliza Hooker\n ...\n set decoration buyer\n
\n Melina Humphries\n ...\n graphic designer (as Melina Neufeld)\n
\n Kyle Irwin\n ...\n carpenter\n
\n Paul Jenkinson\n ...\n lead set dresser\n
\n Sean Johnson\n ...\n lead metal fabricator\n
\n Kevin Kasper\n ...\n set dresser: additional photography\n
\n Tani Kunitake\n ...\n illustrator\n
\n Ray Lai\n ...\n concept illustrator\n
\n Cody Larson\n ...\n on set dresser\n
\n Benjamin Last\n ...\n concept artist\n
\n Doug Lefler\n ...\n head of story: the third floor\n
\n Terry Lewis\n ...\n lead dresser\n
\n Jocelyne Lous\n ...\n set dec buyer\n
\n Ali Macrae\n ...\n prop buyer\n
\n Russell Mastine\n ...\n scenic artist\n
\n Aaron McBride\n ...\n concept artist\n
\n Kayla Meadows\n ...\n art department assistant\n
\n Uzair Merchant\n ...\n art department assistant\n
\n Wolfgang Metschan\n ...\n concept artist\n
\n Natalie Michalchyshyn\n ...\n construction buyer\n
\n Ashe Morrison\n ...\n assistant art director\n
\n Robert Murphy\n ...\n set dresser\n
\n David R. Murray\n ...\n construction foreman\n
\n Heather Murray\n ...\n props\n
\n Katharina Nimmervoll\n ...\n art dept coordinator\n
\n Jeremy Nitsch\n ...\n props: Builder: Truck Supervisor for reshoots\n
\n Brandt Noel\n ...\n art department\n
\n Sasha Odesse\n ...\n graphic designer\n
\n Tina Ok\n ...\n art department assistant: additional photography\n
\n Fred Palacio\n ...\n concept artist: I.L.M.\n
\n Eduardo Pena\n ...\n concept artist\n
\n Peter Rzazewski\n ...\n set designer\n
\n Daniel Scarcello\n ...\n prop builder\n
\n Beatrix Schalk\n ...\n set designer\n
\n Dennis Simard\n ...\n set dresser: additional photography\n
\n Jeremy Simser\n ...\n storyboard artist\n
\n Dan Sissons\n ...\n property master\n
\n Jerry Staar\n ...\n property master: second unit\n
\n Mark Stainthorpe\n ...\n construction lead\n
\n Kouji Tajima\n ...\n concept artist\n
\n Paul Wagner\n ...\n prop buyer\n
\n Jake Warren\n ...\n props\n
\n Marcos Weiss\n ...\n concept artist\n
\n Dayo Williams\n ...\n uncredited\n
\n Greg Winter\n ...\n construction first aid (as Greg Winder)\n
\n Glenn Woodruff\n ...\n construction coordinator\n
\n Sanford Worth\n ...\n props\n
\n Jennifer Yee\n ...\n set designer\n
\n Christopher Lee Zammit\n ...\n concept artist: Double Negative\n
\n Ken Palkow\n ...\n prop fabricator (uncredited)\n
\n Fraser Stepanick\n ...\n scenic artist (uncredited)\n
\n Sarah Vallim\n ...\n scenic artist (uncredited)\n
\n Sound Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jedediah Barton\n ...\n audio description narrator\n
\n David Betancourt\n ...\n adr mixer\n
\n Donald D. Brown\n ...\n boom operator\n
\n Paul Timothy Carden\n ...\n adr/dialog supervisor\n
\n Cary Clark\n ...\n engineer\n
\n Smokey Cloud\n ...\n first assistant sound editor\n
\n Jack Cucci\n ...\n foley mixer\n
\n John T. Cucci\n ...\n foley artist\n
\n Deborah Dom\u00ednguez\n ...\n DUB Supervisor\n
\n Aidan Dykes\n ...\n adr recordist\n
\n Ronald Eng\n ...\n dialogue editor\n
\n Scott Jason Farr\n ...\n sound mixer: mocap unit\n
\n Ian Ferguson\n ...\n sound assistant\n
\n Tim Gomillion\n ...\n sound recordist\n
\n David Grimaldi\n ...\n sound effects editor\n
\n Matthew Harrison\n ...\n foley editor\n
\n Rachel Johnston\n ...\n sound assistant 2nd unit / sound assistant\n
\n Mark Kenna\n ...\n dolby atmos consultant\n
\n Allister Mann\n ...\n boom operator: mocap unit\n
\n Paul Massey\n ...\n re-recording mixer\n
\n Sean Massey\n ...\n supervising dialogue editor\n
\n Chuck Michael\n ...\n sound designer\n
\n John Morris\n ...\n foley supervisor\n
\n Gina Mueller\n ...\n adr supervisor: Vancouver\n
\n Mark Noda\n ...\n sound mixer\n
\n Dan O'Connell\n ...\n foley artist\n
\n Mark Pappas\n ...\n foley editor\n
\n Brian Peterson\n ...\n sound transfer qc\n
\n Yung Q\n ...\n sound mixer\n
\n Alan Rankin\n ...\n sound designer\n
\n Erin Michael Rettig\n ...\n sound engineering\n
\n Cale Rozett\n ...\n foreign language mixer: Mandarin / foreign language mixer: Thai\n
\n John Soukup\n ...\n sound transfer recordist\n
\n Mark P. Stoeckinger\n ...\n supervising sound editor (as Mark Stoeckinger)\n
\n Jerrell Suelto\n ...\n adr mixer\n
\n Ian Tarasoff\n ...\n sound mixer: second unit\n
\n Jon Vogl\n ...\n adr mixer\n
\n Dan Walsh\n ...\n adr recordist\n
\n Paul Williams\n ...\n foreign re-recording mixer\n
\n Allen Yang\n ...\n boom operator: second unit\n
\n Art Young\n ...\n sound mixer: behind the scenes\n
\n Martyn Zub\n ...\n re-recording mixer / sound designer\n
\n Special Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Chris Baer\n ...\n moldmaker\n
\n Justin Bertges\n ...\n mold maker: Creative character engineering\n
\n Ryan Bilodeau\n ...\n special effects rigger\n
\n Roberta Cenedese\n ...\n cast water safety\n
\n Willard Cochrane\n ...\n special effects technician\n
\n Kelly Coe\n ...\n fabricator\n
\n Dylan Broughton Cole\n ...\n special effects assistant\n
\n Nicole Connelly\n ...\n buyer\n
\n Jerami Cruise\n ...\n specialty costumes\n
\n Herb DeWaal\n ...\n special effects diver\n
\n Kevin Dykstra\n ...\n special effects assistant\n
\n Max Gloeckler\n ...\n special effects technician\n
\n Ryan Harms\n ...\n fabricator\n
\n Heath Hood\n ...\n special effects set supervisor\n
\n Tony Kenny\n ...\n special effects\n
\n Ben Lawson\n ...\n special effects assistant\n
\n Raine Lemay\n ...\n fabricator\n
\n Tevin Maker\n ...\n special effects technician\n
\n Adam Tayler\n ...\n special effects technician\n
\n Andrew Verhoeven\n ...\n Design Supervisor / special effects coordinator for additional photography\n
\n Tucker Vezina\n ...\n special effects assistant\n
\n Mike V\u00e9zina\n ...\n special effects supervisor\n
\n Jolon Warrior\n ...\n special effects assistant\n
\n Amos Wong\n ...\n special effects electronics\n
\n Robert Martin Luther Carter\n ...\n special effects assistant (uncredited)\n
\n Brett Yavis\n ...\n special effects (uncredited)\n
\n Visual Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n 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\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Lisa Abbate\n ...\n controller: Image Engine\n
\n Nadarajan Usha Abheesh\n ...\n senior prep artist: DNEG\n
\n Sushant Acharekar\n ...\n lighting td: Double Negative\n
\n Keith Acheson\n ...\n visual effects artist\n
\n Tasmin Adams\n ...\n production assistant: double negative\n
\n Rohit Agarwal\n ...\n visual effects: double negative\n
\n Anton Agerbo\n ...\n visual effects producer: DNEG\n
\n Jose Gregorio Aguilar\n ...\n matchmove artist\n
\n Martha Aguilar\n ...\n digital compositor\n
\n Fazil Ahmed\n ...\n lead creature effects technical director: Double Negative\n
\n Frank Akrong\n ...\n senior compositor\n
\n Balakrishnan Alagarsamy\n ...\n digital compositor: double negative\n
\n Ashar Alam\n ...\n texture artist: DNEG\n
\n Amer Alameddine\n ...\n rigging td: Method Studios\n
\n Mohite Alankar\n ...\n visual effects artist\n
\n Laura Aldridge\n ...\n VFX production manager\n
\n Kaevski Aleksandar\n ...\n rotomation artist\n
\n Andrew Alevizos\n ...\n digital compositor\n
\n Daniil Alikov\n ...\n senior texture/lookdev artist: Double Negative\n
\n Lee Allan\n ...\n lead compositor\n
\n Alexandre Allman\n ...\n matchmove artist: Framestore\n
\n Antoine Ambert\n ...\n digital compositor\n
\n Jill Ambrosino\n ...\n previsualization producer\n
\n Mauricio Amezcua Arregui\n ...\n rotopaint artist: method studios\n
\n Ohkba Ameziane-Hassani\n ...\n senior digital groomer: method studios\n
\n Abhishek Amin\n ...\n look development td\n
\n Sneha Amin\n ...\n digital compositor: double negative / lead compositor / sequence lead compositor\n
\n Chris Anderson\n ...\n visual effects producer: Method studios\n
\n Keith Anderson\n ...\n digital compositor\n
\n Kanika Andrew\n ...\n digital compositor: double negative\n
\n Monifa Andrew\n ...\n vfx production manager\n
\n Mario Anger\n ...\n character modeler: Method Studios\n
\n Shawn Annets\n ...\n artist manager\n
\n Fabricio de Vasconcellos Baessa Antonio\n ...\n cg lead\n
\n Alfredo Octavio Arango\n ...\n matchmove artist: Double Negative\n
\n Paul Arion\n ...\n global head of layout: Double Negative\n
\n Chris Armsden\n ...\n lookdev r&d pipeline: Weta Digital\n
\n Jyoti Arora\n ...\n department coordinator: roto paint and outsource\n
\n Jahan Arsi\n ...\n roto artist\n
\n Arunvignesh\n ...\n digital artist\n
\n Sujay Raj As\n ...\n BodyTracking TD: DNEG Chennai\n
\n Ruth Asensio\n ...\n head of layout department: Double Negative, Vancouver\n
\n Daniel Ashton\n ...\n digital imaging technician: WETA Digital\n
\n Dan Ayling\n ...\n camera td\n
\n Abhijith Azhikkara\n ...\n matchmove artist: DNEG\n
\n Joshua Bailor\n ...\n compositor: Crafty Apes\n
\n Alexandre Bain\n ...\n digital compositor\n
\n Aakash Bairi\n ...\n visual effects coordinator\n
\n Sanjay Baliga\n ...\n supervisor\n
\n Balu V\n ...\n matchmove and rotoanim artist\n
\n Santosh Barad\n ...\n visual effects artist\n
\n Swapnil Baravalia\n ...\n digital artist\n
\n Mar\u00eda Barbadillo\n ...\n visual effects\n
\n Andra Bard\n ...\n senior visual effects producer: Trace VFX\n
\n Ron Barr\n ...\n digital opticals: Outback Post\n
\n Pharoah Barrett\n ...\n visual effects artist: the third floor\n
\n D\u00e1niel Bartha\n ...\n lead compositor\n
\n Tanner Bartlett\n ...\n compositor\n
\n Ryan Basaraba\n ...\n on-set data: DNEG VFX\n
\n Maxime Bastonnais\n ...\n visual effects artist\n
\n Addison Bath\n ...\n head of pipeline: The Third Floor\n
\n Claire Baudean\n ...\n texture artist\n
\n Scott E. Baxter\n ...\n digital compositor\n
\n Rohan Bediskar\n ...\n prep supervisor: Double Negative\n
\n Maxime Beliveau\n ...\n fx artist: Framestore\n
\n Marianne Bell\n ...\n visualization artist: the third floor\n
\n Martin Belleau\n ...\n lead lighting artist: Framestore\n
\n Gregory Bellis\n ...\n camera technical director: Weta Digital\n
\n Jean Bennamias\n ...\n visual effects artist: framestore\n
\n Damien Bent\n ...\n assistant colourist: visual effects\n
\n Chiranjit Bera\n ...\n visual effects artist: Vfx Roto Artist\n
\n Ian Berg\n ...\n data i/o: Double Negative\n
\n Cody Bergeron\n ...\n compositor: Method Studios\n
\n Lara Berners\n ...\n compositing department manager\n
\n John Berri\n ...\n supervising visual effects editor\n
\n Alex Betancourt\n ...\n lead lighting artist: DNEG\n
\n Ashley Bettini\n ...\n associate visual effects producer\n
\n Nitesh Bhalerao\n ...\n digital compositor: visual effects\n
\n Vijay Bharadwaj\n ...\n fx artist\n
\n Rasghania Bharat\n ...\n visual effects coordinator\n
\n Prateek Kumar Bhardwaj\n ...\n digital compositor\n
\n Jatin Bhavsar\n ...\n visual effects production manager\n
\n Yogesh Bhavsar\n ...\n creature technical director\n
\n Akshay Bhosale\n ...\n senior prep artist: Trace VFX\n
\n Dalbir Bhurji\n ...\n cg supervisor\n
\n Cameron Billingham\n ...\n pipeline td: Double Negative\n
\n Steven Bills\n ...\n lead creature technical director: DNEG\n
\n Jonathan Bird\n ...\n creature technical director\n
\n Yannick Bissonnette\n ...\n roto/paint artist\n
\n Kunal Biswas\n ...\n digital compositor\n
\n Prasanjit Biswas\n ...\n prep artist\n
\n Jourdan Biziou\n ...\n post visualization supervisor / visualization supervisor: the third floor\n
\n Yasmin Blake\n ...\n vfx production assistant\n
\n Matt Blouin\n ...\n visual effects editor\n
\n Rapha\u00ebl Boisvert-Desrochers\n ...\n paint & roto artist\n
\n Jacquelyn Booth\n ...\n digital compositor: Weta Digital\n
\n Peter Bowmar\n ...\n effects technical supervisor\n
\n Christopher Bozzetto\n ...\n visual effects artist\n
\n Adam Bradley\n ...\n rotoscope head of department: Weta Digital\n
\n Neal Bradshaw\n ...\n 3d scan technician: Gentle Giant Studios\n
\n Michael Brazelton\n ...\n visual effects supervisor: DNEG\n
\n Dan Breckwoldt\n ...\n compositing supervisor: DNEG\n
\n James Matthew Brettell\n ...\n facial motion editor: DI4D\n
\n Pankaj Brijlani\n ...\n senior match move\n
\n Andrew Brooks\n ...\n compositing supervisor: Method Studios\n
\n Ryan Brooks\n ...\n digital artist\n
\n Bruce Buckley\n ...\n cg build supervisor\n
\n Bruce Buechner\n ...\n visualization artist: The Third Floor\n
\n Yogendra Bundela\n ...\n visual effects artist: Lookdev TD\n
\n Justin Bunt\n ...\n digital compositor\n
\n Duncan Burbidge\n ...\n vp of global operations: the third floor\n
\n Andy Burmeister\n ...\n lead camera technical director: weta digital\n
\n Bertrand Cabrol\n ...\n fx artist\n
\n Miguel Diaz Cachero\n ...\n lead compositor: weta digital\n
\n Daniel Cairnie\n ...\n digital compositor: Double Negative\n
\n John Caldwell\n ...\n previs editor: the third floor\n
\n Doug Campbell\n ...\n senior compositor\n
\n Andy Campion\n ...\n camera department manager: Weta Digital\n
\n Alex Cannon\n ...\n senior postvis artist: the third floor\n
\n Axel Caparros\n ...\n creature fx td: Framestore\n
\n Tobias Caparros\n ...\n visual effects artist\n
\n Tiago Caribe\n ...\n render technician: Method Studios\n
\n Jordan Cario\n ...\n effects technical director: Framestore\n
\n Christopher Gonzalez Caro\n ...\n digital matte painter\n
\n Marc-Andr\u00e9 Carrier\n ...\n roto/paint artist\n
\n Marcello P. Carvalho\n ...\n lighting artist\n
\n Paco Castillo\n ...\n digital compositor: method studios\n
\n Gerardo Castro\n ...\n roto & paint artist\n
\n Jordan Catracchia\n ...\n digital compositor: Method Studios\n
\n Maxime Cazaly\n ...\n creature effects technical director: Double Negative\n
\n Lesly Cazares\n ...\n visual effects coordinator: method studios\n
\n Angelique Cecere\n ...\n virtual production coordinator: the third floor\n
\n Martin Chabannes\n ...\n visual effects artist\n
\n Amit Kumar Chahal\n ...\n texture artist: double negative\n
\n Gregory Chalenko\n ...\n lead compositor: Double Negative\n
\n Miguel Chan\n ...\n tracking & matchmove lead\n
\n Vikram Chandran\n ...\n digital compositor\n
\n Shyamsundar Chandrasekaran\n ...\n lead roto and paint artist: double negative\n
\n Yashvhanth Chandrasekaran\n ...\n digital compositor\n
\n Srikanth Chandu\n ...\n lighting td (as Srikanth Y.S.)\n
\n Hakyung Chang\n ...\n visual effects coordinator\n
\n Michael Chang\n ...\n visual effects artist\n
\n Diane Charlery\n ...\n environment artist\n
\n Abhishek Chaturvedi\n ...\n digital compositor\n
\n Priyank Chauhan\n ...\n senior prep artist: Double Negative\n
\n Nicolas Chavigny\n ...\n digital matte painter: framestore\n
\n Jason Chee\n ...\n layout td: double negative\n
\n Teddy Cheong\n ...\n compositor\n
\n Daniele Chindamo\n ...\n lead environment artist\n
\n Kunal Chindarkar\n ...\n lead compositor: Double Negative Visual Effects\n
\n Murali Krishna Chintapalli\n ...\n effects technical director: Double Negative (as Chintapalli MuraliKrishna)\n
\n Jee-Sung Cho\n ...\n creature fx td: Framestore\n
\n Milind Chogle\n ...\n lighting td: Double Negative\n
\n Nilansh Chopra\n ...\n digital compositor\n
\n Deepak Choudhary\n ...\n lighting td: DNEG\n
\n Ishwar Chougule\n ...\n prep artist / prep artist: visual effects\n
\n Ann Chow\n ...\n visual effects department manager\n
\n Alan Chuck\n ...\n artist management\n
\n Haejung Chun\n ...\n visual effects artist\n
\n Leslie Chung\n ...\n compositing supervisor\n
\n Tiffany Chung\n ...\n digital compositor: Crafty Apes\n
\n Carlos Cidrais\n ...\n lead lighting technical director: double negative\n
\n James G. Clark\n ...\n modeling td/lighting td: Double Negative (as James Galen Clark)\n
\n Jimi Clark\n ...\n department manager roto/paint & outsource\n
\n Pascal Clement\n ...\n modeller: Framestore\n
\n Emma Clifton\n ...\n digital compositor: Weta Digital\n
\n Rachel Hannah Cohen\n ...\n visual effects production manager: Weta Digital\n
\n David Conley\n ...\n visual effects executive producer: Weta Digital\n
\n Robert Connor\n ...\n lookdev technical director: Double Negative\n
\n Rory Coomey\n ...\n cyber and lidar scanning\n
\n Gemma Cooper\n ...\n digital compositor: Weta Digital\n
\n Claire Copland\n ...\n lead facial motion editor: DI4D\n
\n Barry Corcoran\n ...\n motion graphics supervisor\n
\n Cat Counsell\n ...\n crew production manager: Method Studios\n
\n Jadrien Cousens\n ...\n concept artist\n
\n Evelyn Cover\n ...\n virtual production manager: the third floor\n
\n Marlon Cowan\n ...\n data i/o: DNEG\n
\n Ben Cowell-Thomas\n ...\n dfx supervisor: double negative\n
\n Lucas Manuel Cuenca\n ...\n visual effects artist\n
\n David Cunningham\n ...\n FX Technical Director\n
\n Nick Curdy\n ...\n facial performance capture technician\n
\n Sonia D'Costa\n ...\n line producer\n
\n DeeJay Daljeet Singh\n ...\n senior prep artist: Worked with Dneg\n
\n Subhash Dalke\n ...\n lighting artist\n
\n Yuki Danura\n ...\n creature td: DNEG\n
\n Anais Dappe\n ...\n visual effects artist\n
\n Avijit Das\n ...\n creature td: double negative\n
\n Markus Daum\n ...\n senior creature technical director: Double Negative\n
\n Lalit Madhukar Dawale\n ...\n visual effects\n
\n Gayanath Dayasundara\n ...\n compositor\n
\n Jose L. De Juan\n ...\n lighting artist\n
\n Lucas De La Torre\n ...\n tv campaign graphics\n
\n Mat\u00edas De Rose\n ...\n fx td: framestore\n
\n Mathieu De Saint Jores\n ...\n assistant technical director: framestore\n
\n Lisa Deaner\n ...\n digital supervisor: Digital Makeup Group\n
\n Mitchell Deeming\n ...\n pipeline td\n
\n Lauren Degrain\n ...\n roto/paint artist\n
\n Vance Dehne\n ...\n roto/paint artist\n
\n Valerie Delahaye\n ...\n vfx producer: make vfx inc\n
\n Michael Deliso\n ...\n visualization artist: The Third Floor\n
\n Francesco Dell'Anna\n ...\n lead artist: double negative (as Francesco Dellanna)\n
\n Damien Delrue\n ...\n digital compositor\n
\n Quentin Delsart\n ...\n digital compositor: Framestore\n
\n Jonathan Desaulniers\n ...\n digital compositor: Framestore\n
\n Nicolas Desmet\n ...\n digital compositor: framestore\n
\n Gopinath Devendran\n ...\n roto paint artist\n
\n Christopher DeVito\n ...\n character td\n
\n Shirish Dhadve\n ...\n texturing artist: double negative\n
\n Dhananjayan\n ...\n bodytracking Artist\n
\n Belen Diaz Ripa\n ...\n assistant technical director\n
\n Steve DiNozzi\n ...\n digital compositor\n
\n James Donald\n ...\n Camera Technical Director: Weta FX\n
\n Steven Donnet\n ...\n asset lead: Framestore\n
\n Thomas Dotheij\n ...\n effects technical director: Framestore\n
\n Matthew Dravitzki\n ...\n visual effects producer: Weta Digital\n
\n Laurence Drouilly\n ...\n paint & roto artist: Framestore\n
\n Nelson Dsouza\n ...\n visual effects production manager\n
\n Sean Dsouza\n ...\n Senior lighting artist: Method Studios\n
\n Sophie Duchesne\n ...\n digital compositor\n
\n Eamon Samuel Duncan\n ...\n camera technical director: Weta Digital\n
\n Santosh Dwivedi\n ...\n lighting td: Double Negative\n
\n Wesley Ebelhar\n ...\n animator: Main on End Titles: Method Studios\n
\n Rafael Echegaray\n ...\n digital compositor\n
\n Gregory Ecklund\n ...\n previsualization artist\n
\n Kade Eckstein\n ...\n digital compositor: Method Studios\n
\n Christopher Edwards\n ...\n previs executive producer: The Third Floor\n
\n Nadav Ehrlich\n ...\n animation supervisor: Soho VFX\n
\n Olivia Eichenseer\n ...\n previs coordinator: The Third Floor\n
\n Jack Elder\n ...\n technical documentation\n
\n Thomas Elder-Groebe\n ...\n visual effects producer\n
\n Tosh Elliott\n ...\n senior character modeller: Double Negative\n
\n Jack Elworthy\n ...\n capture lab td: Framestore\n
\n Christian Emond\n ...\n digital effects\n
\n Kristin Engdahl\n ...\n visual effects coordinator: Method Studios\n
\n Lars Erik Eriksen\n ...\n head of paint and roto: Framestore\n
\n Vladislav Ermakov\n ...\n digital compositor\n
\n David Ertsinian\n ...\n visual effects artist: Soho VFX\n
\n Andrea Espinal\n ...\n senior compositor\n
\n YiMin Fan\n ...\n pipeline td\n
\n Giuseppe Faro\n ...\n it support: Dneg\n
\n Phylicia Feldman\n ...\n compositor\n
\n Cranston Fernandes\n ...\n roto prep artist: DNEG\n
\n Aaron Fickling\n ...\n creature td: DNEG\n
\n Nicolas Fillion\n ...\n texturing artist\n
\n Jesse Forsey\n ...\n rotoscope artist\n
\n Jerome Fortin\n ...\n digital compositor: Framestore\n
\n Dave Freeman\n ...\n concept artist: double negative\n
\n Tomohiko Fukuda\n ...\n digital compositor\n
\n Anthony Fung\n ...\n visualization artist: the third floor\n
\n Albert Gabriel\n ...\n lighting TD: Framestore: [Albert Gabriel] III\n
\n Jean-Francois Gagne\n ...\n lead digital compositor\n
\n Dave Gagnon\n ...\n lead texture artist: Framestore\n
\n Sabrina Gagnon\n ...\n visual effects producer: Framestore\n
\n Adam Gailey\n ...\n fx supervisor: double negative\n
\n Vikas Ganer\n ...\n roto and paint lead: Method studios\n
\n Nacho Gasco\n ...\n lighting td\n
\n Chetan Gaur\n ...\n visual effects supervisor: Trace VFX\n
\n Vivek Gaur\n ...\n compositor: method studios\n
\n Sanchit S. Gavale\n ...\n lead compositor\n
\n Jack Geckler\n ...\n previs artist: the third floor\n
\n Shivesh Gehlot\n ...\n compositing supervisor\n
\n Sotiris Georghiou\n ...\n visual effects artist\n
\n Christina Georgieva\n ...\n senior modeler\n
\n Bhupesh Ghagare\n ...\n prep/paint artist\n
\n Roshan Ghatkar\n ...\n lighting td\n
\n Muhammad Ghifary\n ...\n visual effects\n
\n Nick Ghizas\n ...\n visual effects production manager\n
\n Thomas Gillet\n ...\n lead texture\n
\n Derek Gillingham\n ...\n cg builds: DNEG\n
\n K.G. Ginu\n ...\n modeling artist\n
\n S\u00e9bastien Girard\n ...\n rigger\n
\n Florian Girardot\n ...\n compositor\n
\n Dan Glass\n ...\n production visual effects supervisor\n
\n Jose Gloria\n ...\n creature technical director: DNEG\n
\n Victor Utku Gocer\n ...\n digital compositor\n
\n Fr\u00e9d\u00e9ric Godbout\n ...\n matchmove artist\n
\n Yoel Godo\n ...\n compositor: Framestore\n
\n Blake Goedde\n ...\n digital compositor\n
\n Emanuele Goffredo\n ...\n effects technical director: DNeg\n
\n Ketki Gokhale\n ...\n character td\n
\n J. Gokulakrishnan\n ...\n digital compositor: double negative\n
\n Mahendra Golay\n ...\n digital compositor\n
\n Oleksiy Golovchenko\n ...\n lead digital matte painter: DNEG\n
\n Moises Gomez Gonzalez\n ...\n layout artist / matchmove artist\n
\n Hanna Goodman\n ...\n compositor: framestore\n
\n Namita Gotephode\n ...\n visual effects artist manager\n
\n Andrea Grappis\n ...\n fx td: DNEG\n
\n Vanessa Gray\n ...\n marketing coordinator: weta digital\n
\n Frank Grecco\n ...\n lighting td: title sequence\n
\n Anthony Greco\n ...\n matchmove artist: Framestore\n
\n Douglas Green\n ...\n DI4D: facial performance capture supervisor\n
\n Kyle Greenberg\n ...\n digital compositor: Framestore\n
\n Erik Gronfeldt\n ...\n senior look development artist\n
\n Zach Groves\n ...\n visual effects coordinator\n
\n Jack Grundy\n ...\n digital compositor\n
\n Eric Guaglione\n ...\n animation supervisor: Framestore\n
\n Ivan Andres Guerrero\n ...\n cg supervisor: method studios\n
\n Carlos Guill\u00e9n\n ...\n digital compositor: double negative\n
\n Rohit Prakash Gujar\n ...\n visual effects supervisor\n
\n Sian Gunningham\n ...\n studio assistant: double negative\n
\n Xin Steve Guo\n ...\n layout td: double negative\n
\n Vikas Gusain\n ...\n digital compositor: double negative\n
\n Nicolas Guyon\n ...\n digital compositor\n
\n Gabriel G\u00fceiros\n ...\n compositor\n
\n Charlie Habanananda\n ...\n digital grading artist: framestore\n
\n Matthew Hackett\n ...\n senior animator: main title sequence Method NYC\n
\n Joe Hagg\n ...\n vfx marketing executive\n
\n Bryan Haines\n ...\n digital compositor\n
\n Joshua Hakim\n ...\n video playback\n
\n Tyler Halarewich\n ...\n ncam operator\n
\n Siddharghya Haldar\n ...\n digital artist\n
\n Jason Michael Hall\n ...\n previsualization artist\n
\n Patrick Hall\n ...\n digital compositor: Framestore\n
\n Nicholas Hampshire\n ...\n pipeline technical director\n
\n Maverick Han\n ...\n digital compositor\n
\n Guy Hancock\n ...\n screen graphics designer\n
\n Nikhilesh Hardas\n ...\n texturing artist: visual effects\n
\n Brett Harding\n ...\n digital compositor\n
\n Krishnadev Hariprasad\n ...\n vfx line producer\n
\n Jonathan Harkes\n ...\n digital compositor\n
\n Jiten Harkhani\n ...\n compositor\n
\n Dylan Harris\n ...\n visualization artist: The Third Floor\n
\n Peter Hart\n ...\n head of matchmove and layout: Method Studios\n
\n Ehsan Hassani Moghaddam\n ...\n lead rigger\n
\n Jason Heapy\n ...\n visual effects producer\n
\n Quentin Hema\n ...\n digital paint hod: Weta Digital\n
\n Yasemin Hepguler\n ...\n digital compositor\n
\n Sebastian Hingston\n ...\n matchmove artist: Framestore\n
\n Yan Caspar Hirschbuehl\n ...\n visual effects artist\n
\n Chad Hofteig\n ...\n post visualization artist: Unit Eleven\n
\n Andrew Hogden\n ...\n compositor\n
\n Rob Holland\n ...\n visual effects producer\n
\n Rosemma Hollis\n ...\n roto/paint artist\n
\n Mark L. Holmes\n ...\n camera td\n
\n Justin Holt\n ...\n texture supervisor: Method Studios\n
\n Karrina Hooper\n ...\n previs artist\n
\n Eric Horton\n ...\n supervisor\n
\n Shailey Horton\n ...\n roto/paint artist\n
\n Tushar Hote\n ...\n lighting td: Dneg\n
\n Konstantin Hubmann\n ...\n lead artist: DNEG\n
\n Joshua Kiyoshi Huestis\n ...\n digital compositor: Soho VFX\n
\n Lauren Hulsey\n ...\n compositor\n
\n Ryan Hussain\n ...\n visual effects artist\n
\n Megan Hutchison\n ...\n roto/prep supervisor: DNEG Vancouver\n
\n Chrismac Hwang\n ...\n matchmove/layout artist: Soho VFX\n
\n Seung Rok Hwang\n ...\n matchmove artist: Method Studios\n
\n Sean Hyunin Lee\n ...\n senior digital compositor: Double Negative\n
\n Sachin Ilamkar\n ...\n digital artist\n
\n Brett Ineson\n ...\n virtual production supervisor: Animatrik Film Design\n
\n Rusty Ippolito\n ...\n visual effects artist: makevfx\n
\n Dhuha Isa\n ...\n visual effects editor: DNEG\n
\n Hans Olov Alexander Isaksson\n ...\n digital matte painter: Framestore (as Alexander Isaksson)\n
\n Balakrishna Isunuri\n ...\n matchmove artist: Dneg\n
\n Anirudh Iyengar\n ...\n render technician\n
\n Carl Jackson\n ...\n fx technical director\n
\n Christopher Jackson\n ...\n assistant technical director: DNEG\n
\n Sujit Jain\n ...\n paint/prep lead at dneg studios\n
\n Sujit Jain\n ...\n prep lead: Double Negative (as Sujit Tone)\n
\n Prerana Jaiswal\n ...\n visual effects artist: weta digital\n
\n Amit Jaiswar\n ...\n visual effects artist\n
\n Santosh Jakkam\n ...\n matchmove: Double negative visual effects\n
\n Stephen James\n ...\n compositing supervisor\n
\n Grzegorz Jankowski\n ...\n grooming artist: Method Studios\n
\n Shruti Janu\n ...\n animator: Framestore\n
\n Digger Jensen\n ...\n layout artist: DNEG\n
\n Jin Ji\n ...\n visual effects artist\n
\n Inki Jo\n ...\n lighting td: double negative\n
\n Adam Johannesson\n ...\n data i/o: DNEG\n
\n Katie Johnson\n ...\n production coordinator: dneg / visual effects coordinator\n
\n Steven Johnson\n ...\n visual effects data wrangler\n
\n Bradley Jordan\n ...\n visual effects coordinator (as Bradley D. Jordan)\n
\n Menard Jordane\n ...\n modeling artist\n
\n Josephnixon\n ...\n visual effects\n
\n Akshay Joshi\n ...\n prep artist\n
\n Deepak A. Joshi\n ...\n fx td: Dneg\n
\n Quentin Juhel\n ...\n tracking/matchmove artist\n
\n Sai Prashanth K\n ...\n lighting td\n
\n Trilok Singh Kachhawa\n ...\n lead artist: DNEG / texturing lead\n
\n Koustubha Kaloti\n ...\n digital compositor\n
\n Patrick Kalyn\n ...\n animator\n
\n Megumi Kanazawa\n ...\n senior compositor: double negative\n
\n Curtis Kang\n ...\n facial motion editor\n
\n Gareth Kanter\n ...\n visual effects coordinator: Crafty Apes\n
\n Jeevith Kanth\n ...\n digital artist: Double Negative Visual Effects\n
\n Chien-i Kao\n ...\n visual effects artist\n
\n Stephen Karl\n ...\n matchmove artist\n
\n Anastazja Karolewska\n ...\n compositor\n
\n Kotamraju Karthik\n ...\n visual effects coordinator\n
\n Khitish Shekhar Karua\n ...\n rotoscoping: visual effects\n
\n Adithya Kashyap\n ...\n matchmove artist\n
\n Hiral Kawa\n ...\n digital compositor: visual effects\n
\n Christopher Kerr\n ...\n digital compositor\n
\n Duncan Key\n ...\n digital compositor\n
\n Hemant Khairnar\n ...\n lead compositor\n
\n Rahul Khambre\n ...\n senior compositor\n
\n Sagar Khorasia\n ...\n roto artist\n
\n Eddie Kim\n ...\n visualization artist: the third floor\n
\n Banu Kiran\n ...\n lead digital compositor\n
\n Aren Kittilsen\n ...\n compositor\n
\n MacDuff Knox\n ...\n visual effects artist\n
\n Mihajlo Kocevski\n ...\n matchmove artist\n
\n Matthew Koehler\n ...\n bidding producer: THE THIRD FLOOR, inc\n
\n Mischa Kolbe\n ...\n creature technical director: Double Negative\n
\n Alyssa Koncelik-Diemer\n ...\n visual effects artist\n
\n Srinivasa Raghavendra Kondapuram\n ...\n bodytrack artist\n
\n Yuliia Kondratova\n ...\n cg artist: Framestore\n
\n Sean Konrad\n ...\n visual effects supervisor\n
\n Allie Koppel\n ...\n head of finance: The Third Floor\n
\n Michelle Korczak\n ...\n compositor: Method Studios\n
\n Andrei Korovkin\n ...\n model & texture artist: Method Studios\n
\n Lucas Kot\n ...\n ncam technician\n
\n Sowmithri Sai Koutha\n ...\n texture artist: Dneg\n
\n Aaron Kramer\n ...\n environment td: double negative\n
\n Lars Kramer\n ...\n senior camera technical director\n
\n Tesa Kubicek\n ...\n visual effects coordinator\n
\n Tanya Kular\n ...\n digital compositor\n
\n Annurup Kumaar\n ...\n matchmove and rotoanimation technical director: Double Negative Visual Effects\n
\n Sujay Kumar G.\n ...\n matchmove artist: Double Negative\n
\n Karuppasamy Kumar\n ...\n body track artist\n
\n Dan Kunz\n ...\n vfx photographer: DNEG\n
\n Balendu Kurup\n ...\n department production manager: Dneg\n
\n Kushank Tikku\n ...\n cg lighting lead: Double Negative\n
\n Wanda Kwok\n ...\n compositor\n
\n Daniel Kwon\n ...\n motion capture specialist\n
\n Gabriel K\u00f6erner\n ...\n digital compositor\n
\n Arnaud Laberge\n ...\n paint & roto artist\n
\n Dave Ladner\n ...\n compositor\n
\n Bruno-Olivier Laflamme\n ...\n lead LookDev artist: Framestore\n
\n Lakshmanakumar\n ...\n digital compositor\n
\n Christophe Lalonde-Lavergne\n ...\n compositor / paint & roto artist\n
\n Marc Landrain\n ...\n visual effects artist\n
\n Nathan Lane\n ...\n camera technical director: Weta Digital\n
\n Morgan Lang\n ...\n matte painter: Framestore\n
\n Josh Lange\n ...\n visualization artist: the third floor\n
\n Peter Lasrado\n ...\n lead look development\n
\n Claudia Law\n ...\n concept artist: ILM\n
\n Cedric Le Poullennec\n ...\n cfx artist\n
\n Mike Leben\n ...\n motion control operator\n
\n Patricia Leblanc\n ...\n visual effects coordinator: framestore\n
\n Mark LeDoux\n ...\n visual effects supervisor: Crafty Apes\n
\n Christie Lee\n ...\n lighting td: framestore\n
\n Gaeun Lee\n ...\n lighting artist\n
\n Gong Myung Lee\n ...\n vfx supervisor: method studios NY\n
\n Minguk Lee\n ...\n digital matte painter\n
\n Phoenix Woung-Bi Lee\n ...\n effects technical director: Framestore\n
\n Matta Leelakranthi\n ...\n matchmove (as Leela Kranthi)\n
\n Julien Lefebvre\n ...\n visual effects artist\n
\n Raphael Legros\n ...\n digital compositor\n
\n Erik Lehmann\n ...\n senior build td: Double Negative\n
\n Ryan Leonard\n ...\n compositing supervisor: opening title sequence - Method Studios\n
\n Xuelian Liane Li\n ...\n digital matte painter\n
\n John Likens\n ...\n creative director: Opening Title Sequence: Method Studios\n
\n Frederik Lillelund\n ...\n lighting supervisor: Double Negative\n
\n Edy Susanto Lim\n ...\n creature supervisor: method studios\n
\n Wayne Lim\n ...\n layout td: DNEG\n
\n Tong Jason Lin\n ...\n senior effects artist: Method Studios LA\n
\n Antony Lingard\n ...\n facial motion editor: DI4D\n
\n Jules Lister\n ...\n digital compositor\n
\n Rachel Litz\n ...\n assistant visual effects editor: Method Studios\n
\n Julia Llanos\n ...\n visual effects coordinator\n
\n Caroline Lobato\n ...\n creature fx td\n
\n Jacob Victor Lobo\n ...\n texturing artist\n
\n Jason Locke\n ...\n matchmove lead\n
\n Rajavel Loganathan\n ...\n digital compositor\n
\n Simon Loisel\n ...\n visual effects artist\n
\n Joe Long\n ...\n fx lead\n
\n Philippe Lord-Durocher\n ...\n creature fx TD\n
\n Sylvain Lorgeou\n ...\n visual development\n
\n Daniel Lu\n ...\n lead modeler and rigger: Soho VFX\n
\n Trent Lundquist\n ...\n previs coordinator: the third floor\n
\n Bruno L\u00e9v\u00eaque\n ...\n environment generalist td: Double Negative\n
\n Susan Ma\n ...\n integration department manager: method studios\n
\n Daniel Macarin\n ...\n visual effects supervisor: Weta Digital\n
\n Melaina Mace\n ...\n environment supervisor: Double Negative\n
\n Laura Macfadyen\n ...\n matte painter: Double Negative\n
\n Melanie Mack\n ...\n matchmove artist: Method Studios\n
\n Tiana Mackenzie\n ...\n lighting technical director\n
\n St-Jean Ledoux Magalie\n ...\n creature fx td\n
\n Benjamin Maga\u00f1a\n ...\n cg supervisor\n
\n Allan Magled\n ...\n visual effects supervisor: Soho VFX\n
\n Sanjay Mahajan\n ...\n senior texture artist\n
\n Gowtham Mahalingam\n ...\n production coordinator\n
\n Abhishek Maheshwari\n ...\n compositor\n
\n Alarich Alvarez Mahl\n ...\n visual effects artist\n
\n Liam Major\n ...\n paint artist\n
\n Stephanie Malicdem\n ...\n compositor: DNEG\n
\n Siddharth Malviya\n ...\n prep artist (as Siddharthmalviyaa)\n
\n Alessandro Mameli\n ...\n roto/paint artist\n
\n Amir Manavi\n ...\n effects technical director\n
\n Ranadeep Mandal\n ...\n lead artist: DNEG / lead fx td\n
\n Paul Maples\n ...\n motion control operator\n
\n Josimar Altamirano Marquez\n ...\n lighting td\n
\n Andrew George Marshall\n ...\n senior facial motion editor: DI4D\n
\n Carolyne Martin\n ...\n paint and roto artist: Framestore\n
\n Jonathan D. Martin\n ...\n visual effects editor: Weta Digital\n
\n Daniel James Mason\n ...\n matchmove artist: Method Studios\n
\n Charles Masse\n ...\n tracking/matchmove artist: Framestore\n
\n Riley Massender\n ...\n visual effects artist\n
\n Vibhas Mathkar\n ...\n digital matte painter: Double Negative\n
\n Varnica Mathur\n ...\n lead artist: DNEG (as Varnica Mathur Nair)\n
\n Manmath Matondkar\n ...\n modeling artist: DNEG\n
\n Leelakranthi Matta\n ...\n Matchmove artist\n
\n Laurent Maynard\n ...\n groom td\n
\n Kevin McAllister\n ...\n visual effects production supervisor\n
\n Kelly McCarthy\n ...\n visual effects producer: Soho VFX\n
\n Andrew McCartney\n ...\n previsualization artist\n
\n Riley McDougall\n ...\n technology projects manager: Method Studios\n
\n Chris McLaughlin\n ...\n DFX supervisor: Double Negative\n
\n Josh McLaughlin\n ...\n digital compositor: method studios\n
\n Portia McLean\n ...\n paint artist\n
\n Jamal McLemore\n ...\n visual effects assistant editor\n
\n Steve McLeod\n ...\n visual effect editor: Method Studios, Vancouver\n
\n Jim McVay\n ...\n head of lighting department\n
\n Mario Mediavilla\n ...\n technical animator: Method Studios\n
\n Himanshu Meena\n ...\n lead layout artist: Double Negative\n
\n Dharmik Sanjay Mehta\n ...\n compositor: double negative\n
\n Philip Melancon\n ...\n animator: Framestore\n
\n Jeremy Meltzer\n ...\n digital compositor: DNEG\n
\n Alex Melville\n ...\n animator (as Alexander Melville)\n
\n Massimo Meo\n ...\n visual effects line producer: Framestore\n
\n Rahul Mhaskar\n ...\n production coordinator\n
\n Voja Milosevic\n ...\n ATD\n
\n Ankur Mishra\n ...\n visual effect artist: Double Negative\n
\n Vishal Mishra\n ...\n software developer\n
\n Chirag Mistry\n ...\n senior technical animator: Method Studios Vancouver\n
\n Harsh Mistry\n ...\n effects technical director: Method Studios Vancouver\n
\n Harshal Mistry\n ...\n digital compositor\n
\n Sean A. Mockler\n ...\n creature effects td: Framestore\n
\n Kobi Moldavski\n ...\n digital matte painter/environment artist: Double Negative\n
\n Eric Moliner\n ...\n creature td: double negative\n
\n Damiano Moltisanti\n ...\n effects technical director: Double Negative\n
\n Siddhartha S. Mondal\n ...\n digital compositor\n
\n Lauren Moore\n ...\n head of marketing: The Third Floor (as Lauren Puntillo)\n
\n Sara Moore\n ...\n visual effects producer\n
\n Vinayak More\n ...\n visual effects\n
\n Jessica Moreau\n ...\n visual effects artist\n
\n Neil Roy Moss\n ...\n shotgun project manager: Weta Digital\n
\n Emily C. Moye\n ...\n visual effects coordinator\n
\n Bryant Mudd\n ...\n visual effects production assistant\n
\n Matt Mueller\n ...\n senior head of optical department: Weta Digital\n
\n Deep Mukherjee\n ...\n digital compositor\n
\n Davide Munisso\n ...\n rigging td: Method Studios\n
\n Arwen Munro\n ...\n vfx production manager: Weta Digital\n
\n Muruganantham\n ...\n matchmove artist: Double Negative\n
\n Prakash Murughendra\n ...\n matchmove artist\n
\n Jayaraj Muthukumar\n ...\n matchmove and rotoanim artist\n
\n Jason G. Myers\n ...\n technical resource manager: DNEG\n
\n Albin Mynatty\n ...\n compositor\n
\n Jeff Nadwidny\n ...\n roto/paint department lead: method studios\n
\n Rajakanna Nagarajan\n ...\n compositor\n
\n Saurabh Nandedkar\n ...\n lead artist: DNEG (as Saurabh S. Nandekar) / lead compositor\n
\n Patrick Nanton\n ...\n lighting\n
\n Buchi Ramulu Narsingoju\n ...\n texture artist: DNEG\n
\n Amit Narwani\n ...\n matchmove supervisor: Double Negative\n
\n Sianoosh Nasiriziba\n ...\n lead artist: DNEG\n
\n Swarnadeep Nath\n ...\n visual effects artist\n
\n Gabriel Naveau\n ...\n digital compositor: framestore\n
\n Amber Marie Naveira\n ...\n data manager: Weta Digital (as Amber Marie Smith)\n
\n Stephane Naze\n ...\n visual effects supervisor: Framestore\n
\n Shenouda Isaac Nazer\n ...\n paint & roto artist: framestore (as Shenouda Nazer)\n
\n Salima Needham\n ...\n digital compositor\n
\n C. Michael Neely\n ...\n previs supervisor\n
\n Charlotte Nelson\n ...\n head of production: The Third Floor\n
\n Yashwanth Noogala\n ...\n matchmove artist: DNEG\n
\n Victor Norberg\n ...\n lead compositor: Double Negative\n
\n Jeremy Oddo\n ...\n head of it: The Third Floor\n
\n Arunabha Ghosh Official\n ...\n visual effects artist\n
\n Goran Ognjanovic\n ...\n senior animator: Method Studios\n
\n Hideki Okano\n ...\n cg artist: Double Negative\n
\n Miguel Angel Ortiz Rivera\n ...\n fx td: Double Negative\n
\n Anne-Marie Ouellet\n ...\n visual effects coordinator\n
\n Mohamed A\u00eft Ouyahia\n ...\n visual effects coordinator\n
\n Naoki Oyagi\n ...\n digital compositor\n
\n Guillaume Palegie\n ...\n senior digital compositor: Framestore\n
\n Camille Paleni\n ...\n digital compositor: framestore\n
\n Tim Palgut\n ...\n lighting artist\n
\n Amey Panchal\n ...\n matchmove lead: Double Negative\n
\n Richard Pang\n ...\n generalist/environment TD: double negative\n
\n Om Parab\n ...\n matchmove technical director: Double Negative\n
\n Bintu Kharolia Parjapati\n ...\n matchmove artist: Double Negative\n
\n James Park\n ...\n layout artist\n
\n Junaid Parmar\n ...\n rigging td: double negative\n
\n Rohan Parmar\n ...\n matchmove artist\n
\n James Parsons\n ...\n assistant technical director: framestore\n
\n Asma Parvin\n ...\n matchmove and rotoanim artist\n
\n Daniel J. Pastor\n ...\n digital compositor\n
\n Tejas Patade\n ...\n lighting technical director: DNEG\n
\n Irshad Patel\n ...\n visual effects artist: DNEG (as Patel Irshad)\n
\n Marzun Patel\n ...\n line producer\n
\n Mitul Patel\n ...\n Layout TD\n
\n Ratnesh Patel\n ...\n roto artist\n
\n Saurabh Patel\n ...\n lead matchmove artist: Double Negative\n
\n Rahul Patil\n ...\n texturing: visual effects\n
\n Rodgers Paul\n ...\n matte painter: Method Studios\n
\n Uppu Pavanrajesh\n ...\n digital artist: double negative\n
\n Chris Paxson\n ...\n motion control technician\n
\n Leo Pean de Ponfilly\n ...\n digital compositor: Framestore\n
\n Adam Pere\n ...\n visual effects producer: crafty apes\n
\n Angelica Perez\n ...\n digital compositor\n
\n Rafael Perez\n ...\n digital compositor\n
\n William Perreault\n ...\n visual effects artist\n
\n Linda Petch\n ...\n visualization artist\n
\n Ignat Petrov\n ...\n rotomation artist\n
\n Dojchin Petrovski\n ...\n paint artist\n
\n Leo Pettersson\n ...\n lighting technical director: Double Negative\n
\n Huan Phan\n ...\n previsualization artist\n
\n Jeffy Mathew Philip\n ...\n fx artist: Soho vfx\n
\n Bethany D. Phillips\n ...\n vfx recruiter\n
\n Kate Phillips\n ...\n head of production: Framestore Montreal\n
\n Tananuch Phosri\n ...\n BG Prep Artist\n
\n Dziewanna Picazo\n ...\n vfx coordinator: Animarik Film Design\n
\n Dominic Pileggi\n ...\n compositor\n
\n Greg Pilon\n ...\n in house lead compositor\n
\n Emrys Plaisted\n ...\n compositor: weta digital\n
\n Nilesh Pobatti\n ...\n modeling artist: double negative\n
\n Alex Poei\n ...\n animation supervisor: Method Studios\n
\n Melvin Polayah\n ...\n visual effects artist: Method Studios\n
\n Felix Pomeranz\n ...\n supervisor: 2nd unit\n
\n Eric Ponton\n ...\n senior compositor: Double Negative\n
\n Sebastien Potet\n ...\n visual effects artist\n
\n Christian Poullay\n ...\n camera technical director: Weta Digital\n
\n Kristin Pratt\n ...\n layout supervisor\n
\n Troy Provencal\n ...\n motion capture specialist\n
\n Jaime Provido\n ...\n technology resource administrator: Method Studios\n
\n Laurence Provost\n ...\n matte artist: Framestore\n
\n Rakesh Pusuluri\n ...\n digital compositor\n
\n Simon Quach\n ...\n digital compositor\n
\n Cesar Quijada\n ...\n senior digital paint artist: Weta Digital\n
\n Ricardo Quintero\n ...\n digital compositor\n
\n Radhakrishnan\n ...\n compositor\n
\n Immanuel Rajan\n ...\n visual effects artist\n
\n Sabari Rajan\n ...\n matchmove\n
\n Jagannadham Rajana\n ...\n prep artist\n
\n Gaurav Rane\n ...\n senior lighting technical director: DNEG\n
\n Pushpa Ranjan\n ...\n cfx artist: double negative\n
\n Rohit Ranjan\n ...\n visual effects\n
\n Arka Ray\n ...\n compositor\n
\n Jorge Razon\n ...\n senior fx td: Soho VFX\n
\n George David Reagh\n ...\n visual effects production coordinator\n
\n Matthias Reiche\n ...\n animator: Double Negative\n
\n Fraser Reid\n ...\n facial motion editor: DI4D\n
\n G\u00e1bor Reikort\n ...\n environment artist\n
\n Shinichi Rembutsu\n ...\n fx td: Double Negative\n
\n Stephan Remstedt\n ...\n senior camera td: Weta Digital\n
\n Jordan Rice\n ...\n 2d visual effects runner\n
\n Romain Rico\n ...\n compositing supervisor\n
\n Tim Riley\n ...\n crowds supervisor: method studios\n
\n Bastien Rivas\n ...\n visual effects coordinator\n
\n Ali Rizvi\n ...\n fx td: Method Studios\n
\n Grant Roa\n ...\n visual effects production runner: Weta Digital\n
\n Sharon Roberts\n ...\n visual effects line producer: DNEG\n
\n Lovell Rodricks\n ...\n modelling td\n
\n Sari Rodrig\n ...\n texture artist: opening sequence\n
\n Vanessa Romero\n ...\n digital compositor\n
\n Gabriela Roque L\u00f3pez\n ...\n software developer: weta digital\n
\n Philip Rosado\n ...\n lead layout artist\n
\n Marc-Olivier Rouleau\n ...\n pipeline technical director\n
\n Samuel Rousseau\n ...\n digital compositor\n
\n Selvamuthukumarasamy RT\n ...\n compositor\n
\n Christopher Rucinski\n ...\n additional visual effects editor\n
\n Angel Gil Ruiz\n ...\n senior matchmover\n
\n Jake Rusch\n ...\n senior fx td: DNEG\n
\n Vijayakumar S\n ...\n matchmove and rotoanim artist (as Vijayakumar.S)\n
\n Thirumoorthy S.\n ...\n visual effects artist\n
\n Richard Saade\n ...\n visual effects producer\n
\n Jha Sachin\n ...\n animation lead: Dneg\n
\n Jamshid Sadat\n ...\n lighting artist\n
\n Deorukhkar Sagar\n ...\n digital compositor\n
\n Dusyant Sahu\n ...\n sr. prep artist: double negative\n
\n Stephanie Saillard\n ...\n senior vfx compositor\n
\n Sneha Saji\n ...\n matchmove: DNEG\n
\n Petr Sajner\n ...\n digital compositor\n
\n Mahmoud Salah\n ...\n modeling & texturing\n
\n Ruben I. Salazar\n ...\n digital compositor (as Ruben Salazar)\n
\n Anurag Salekar\n ...\n visual effects artist\n
\n Clement Saliba\n ...\n digital compositor: Framestore\n
\n Peter Salter\n ...\n camera technical director: weta digital\n
\n Jorge Sanchez Fresno\n ...\n digital compositor: Framestore\n
\n Sandeepchoudhary\n ...\n visual effects: Prep lead (as Choudharysandeep)\n
\n Allen Sanders\n ...\n Data I/O Coordinator\n
\n Caroline Sandgren\n ...\n environment generalist td: DNEG\n
\n Jason Sanford\n ...\n visual effects executive producer: Crafty Apes\n
\n Tiago Santos\n ...\n lead compositor: double negative\n
\n A.K. Saravanan\n ...\n body tracking artist\n
\n Ashwin Sareen\n ...\n render technician/data io: Method Studios Vancouver\n
\n Sathishbabu\n ...\n bodytrack artist\n
\n Michel Satorra\n ...\n cfx artist\n
\n Khushnuma Savai\n ...\n digital compositor\n
\n Rahul Saxena\n ...\n tracking & matchmove\n
\n Caterina Schiffers\n ...\n digital compositor: Weta Digital\n
\n Florian Schroeder\n ...\n compositing supervisor: Weta Digital\n
\n Sean Schur\n ...\n dfx supervisor: method studios\n
\n Sven Schwarz\n ...\n lookdev artist: Weta Digital\n
\n Angelika Schweitzer\n ...\n technology resource lead: Method Studios\n
\n Sam Scott\n ...\n compositor\n
\n Sebinsaji\n ...\n roto artist: Bot vfx (as Saji Sebin)\n
\n Taruna Sehgal\n ...\n visual effects coordinator: Double Negative\n
\n Andres Sempronii\n ...\n creature fx td: Framestore\n
\n Balasubramaniam Senthil Kumar\n ...\n bodytrack artist: double negative\n
\n SenthilBalu\n ...\n senior matchmove artist\n
\n Seshaprasad\n ...\n head of production: Dneg - India\n
\n Fulvio Sestito\n ...\n previsualization: Blur Studios\n
\n Rasoul Shafeazadeh\n ...\n matte painting supervisor: Method Studios\n
\n Nashrat Shahi\n ...\n fx td.dneg / visual effects artist (as Nashrat Shani)\n
\n Sabiha Shaikh\n ...\n visual effects coordinator\n
\n Aurora Shannon\n ...\n colourist: visual effects\n
\n Sanjeev Kumar Sharma\n ...\n vfx compositor (as Sanjeev Kumar Sharma 2087)\n
\n Brock Shekelton\n ...\n visual effects editor: Crafty Apes\n
\n Gary Shelley\n ...\n Roto/Paint Show Lead: credited\n
\n Drew Shields\n ...\n tracking lead: method studios\n
\n Deepak Shinde\n ...\n paint artist\n
\n Sachin Shivkar\n ...\n Layout TD\n
\n Javed Siddiqui\n ...\n senior modeler: DNEG\n
\n Leonardo Sierra\n ...\n digital compositor: Framestore\n
\n Abhay Singh\n ...\n lighting td: Double Negative\n
\n Nitin Singh\n ...\n vfx department production manager\n
\n Hitesh Singhani\n ...\n sr. prep artist: double negative\n
\n Korn Singprasong\n ...\n compositor: DNEG / data i/o: Double Negative / digital compositor\n
\n Miro Skandera\n ...\n previs artist\n
\n Connor Smith\n ...\n vfx production coordinator\n
\n Dane Allan Smith\n ...\n global head of business development: The Third Floor\n
\n Marc Smith\n ...\n senior camera td: Weta Digital\n
\n Michael Smith-Kennard\n ...\n lead artist: DNEG\n
\n Nikki Snider\n ...\n visual effects artist: DNEG\n
\n Robert Snyder\n ...\n senior in house compositor\n
\n Aakash Praful Solanki\n ...\n fx technical director\n
\n Paul Song\n ...\n visual effects\n
\n Srikrishna\n ...\n line producer: Double Negative\n
\n Jitendravijay Srinivasagan\n ...\n matchmove artist\n
\n Tatampudi SrinivasaRaju\n ...\n sr texturing td: Double Negative\n
\n Anshul Kumar Srivastava\n ...\n texture artist: DNEG\n
\n Daniel St-Amant\n ...\n matte painter\n
\n William Steiner\n ...\n visual effects artist\n
\n Albrecht Steinmetz\n ...\n matchmove hod: weta digital\n
\n Bernard Stock\n ...\n camera matchmove artist\n
\n Cody Stoof\n ...\n fx td\n
\n Naomi Stopa\n ...\n head of production: Method Studios Vancouver\n
\n Grant Storrie\n ...\n assistant visual effect editor: double negative\n
\n Euan Strachan\n ...\n facial performance capture engineer: DI4D\n
\n Leon Su\n ...\n visual effects artist\n
\n Ben Sumner\n ...\n digital compositor\n
\n Sundar\n ...\n Dneg\n
\n Ashutosh Surawshi\n ...\n roto artist: prime focus\n
\n Saie Surendra\n ...\n Marketing: Create Advertising London\n
\n Veena Suresh\n ...\n visual effects artist (as Ps Veena)\n
\n Khushroo Surveyor\n ...\n lighting artist\n
\n Adrian Sutherland\n ...\n senior compositor\n
\n Swarnadeep\n ...\n visual effects artist\n
\n Sonny Sy\n ...\n lead artist: DNEG / visual effects artist\n
\n Srikalyan Tallapragada\n ...\n digital artist (as Kalyan Tallapragada)\n
\n Avadhoot Tambe\n ...\n senior matchmove artist: Double Negative\n
\n Simon J. Taua'i\n ...\n rotoscope artist\n
\n Kenzo Tee\n ...\n layout technical director: Double Negative\n
\n Michelle Teefey-Lee\n ...\n visual effects line producer: Framestore\n
\n Jamie Telfer\n ...\n camera technical director: Weta Digital\n
\n Lewis Telfer\n ...\n senior facial motion editor: DI4D\n
\n Mike Terrigno\n ...\n compositor: Soho VFX\n
\n Steven Tether\n ...\n lead data wrangler\n
\n Huy Thai\n ...\n lead facial motion editor\n
\n Gauri Thakur\n ...\n lighting td\n
\n Siddharth Thakur\n ...\n digital compositor: Double Negative\n
\n Olivier Thibaut\n ...\n head of software: Method Studios\n
\n Raphael Thiery\n ...\n camera technical director: weta digital\n
\n Pawan Thorat\n ...\n lead artist: DNEG (as Pavan Thorat)\n
\n Kire Timov\n ...\n digital compositor\n
\n Sterling Azure Tipton\n ...\n compositor: Framestore\n
\n Pawan Tiwari\n ...\n digital artist\n
\n Steven Tom\n ...\n virtual production supervisor: the third floor\n
\n Tyler Tometich\n ...\n tv campaign graphics: mOcean\n
\n Joshua Toonen\n ...\n compositor\n
\n Manuel Tordera Beltran\n ...\n creature fx (as Manu Tordera)\n
\n Alan Torres\n ...\n digital compositor\n
\n Kiran Totre\n ...\n visual effects artist\n
\n Vincent Touache\n ...\n creature td\n
\n Christine Troianello\n ...\n compositor: double negative\n
\n Genevieve Trottier\n ...\n visual effects artist\n
\n Denis Trutanic\n ...\n senior camera technical director: Weta Digital\n
\n Hans Tsai\n ...\n visualization artist: the third floor\n
\n Donald Tse\n ...\n compositor\n
\n Miquel Ubeda\n ...\n digital compositor: Method Studios\n
\n Ed Ulbrich\n ...\n visual effects executive\n
\n Emily Unruh\n ...\n previs production manager: the third floor\n
\n Patryk Urbaniak\n ...\n look development td: Method Studios\n
\n Tanzir Uzzaman\n ...\n digital compositor\n
\n Thiyagarajan V.\n ...\n lighting td: Dneg\n
\n Viral Vadalia\n ...\n technical support: Double Negative\n
\n Johan Vagstedt\n ...\n lead compositor\n
\n Tangi Vaillant\n ...\n effects technical director: framestore\n
\n Mauricio Valderrama\n ...\n compositor\n
\n Elisa Valenzisi\n ...\n fx td: Double Negative\n
\n Andrew Van Midde\n ...\n visual effects coordinator: Roto/Prep dept coord\n
\n Jack Van Nuis\n ...\n compositor\n
\n Liana van Rensburg\n ...\n visual effects artist\n
\n Anandan Vasudevan\n ...\n SR Matchmove and rotomation\n
\n Rohan Vaz\n ...\n lead artist: DNEG\n
\n Oliver Velichkovski\n ...\n paint\n
\n Maegan Veloso\n ...\n layout artist: method studios\n
\n Saphir Vendroux\n ...\n environment artist - double negative\n
\n Sudhakar Venkat\n ...\n SR Modeling artist and Lead\n
\n Helga Victoria\n ...\n lighting artist: Method Studios\n
\n Sukumaran Lalithambika Vijin\n ...\n compositor: Double Negative\n
\n Patel Vikas\n ...\n senior matchmove artist: Double Negative\n
\n VikramSampath\n ...\n line producer: Dneg\n
\n Joseph Villa\n ...\n roto/paint lead\n
\n Vinay.isetti\n ...\n matchmove artist\n
\n Shiv Kumar Vishwakarma\n ...\n visual effects artist: double negative\n
\n Sachin Vishwas\n ...\n digital compositor: double negative / lead compositor: double negative\n
\n Vivekanandan\n ...\n visual effects artist\n
\n Tarquin Vosper\n ...\n paint artist\n
\n Louis Vottero\n ...\n character fx\n
\n Michael Wachniak\n ...\n digital matte painter/environment artist: Double Negative\n
\n Vikas Wadekar\n ...\n digital compositor: Trace VFX India Pvt. Ltd.\n
\n Will Wallace\n ...\n visual effects artist\n
\n Jiayin Wang\n ...\n fx lead: DNEG\n
\n Jonny Wang\n ...\n fx td: Double Negative\n
\n Joshua Wassung\n ...\n creative supervisor: the third floor\n
\n Grant Douglas Watters\n ...\n facial motion editor: DI4D\n
\n Glenn Wells\n ...\n camera technical director\n
\n Christoph Westphal\n ...\n visual effects artist\n
\n Barnes Wheeler\n ...\n vfx editor\n
\n Josh White\n ...\n senior rigger (as Josh Hagley)\n
\n Marc Whitelaw\n ...\n digital compositor\n
\n Cameron Widen\n ...\n previsualization supervisor\n
\n Michael Wilde\n ...\n modelling and texturing TD: DNeg\n
\n Scott Wilkinson\n ...\n layout td: dneg\n
\n Martin Wiseman\n ...\n visual effects producer: Weta Digital\n
\n Paul Wojdylo\n ...\n lighting artist\n
\n Jeff Wolverton\n ...\n visual effects artist\n
\n Christine Wong\n ...\n finance director: Image Engine\n
\n Seungjin Woo\n ...\n concept artist: double negative\n
\n Tabitha Woodman\n ...\n visual effects coordinator\n
\n Saxson Xavier\n ...\n matchmove artist: Dneg\n
\n Shridhar Yadav\n ...\n animator: Double Negative\n
\n Casey Yahnke\n ...\n compositor: Double Negative\n
\n Steve Yamamoto\n ...\n previsualization supervisor\n
\n Joshua Young\n ...\n compositor\n
\n Phil Young\n ...\n senior texture artist: Double Negative\n
\n Asia Youngman\n ...\n visual effects artist\n
\n Sophia Yu\n ...\n visualization artist: the third floor\n
\n Jun Xian Yue\n ...\n paint & rotoscope artist: doube negative\n
\n Christopher Lee Zammit\n ...\n concept artist: Double Negative\n
\n Alexandra Zedalis\n ...\n visualization artist: The Third Floor\n
\n Yu Zehai\n ...\n model/texture artist: Method Studios\n
\n Jingyi Zhang\n ...\n cyberscanning/photogrammetry services: Pixel Light Effects\n
\n Lee Zhu\n ...\n compositor: Soho VFX\n
\n Alexandra Zyrina\n ...\n Digital compositor\n
\n Rehan Abdulovski\n ...\n visual effects artist (uncredited)\n
\n Akhil_kp\n ...\n double negative (uncredited)\n
\n Najdovski Aleksandar\n ...\n paint artist (uncredited)\n
\n Anbarasu\n ...\n matchmove artist (uncredited)\n
\n Rajesh Babu\n ...\n production manager (uncredited)\n
\n John-Michael Bills\n ...\n compositor: Weta Digital (uncredited)\n
\n Peter Bowmar\n ...\n fx technical supervisor (uncredited)\n
\n Christophe Clermont\n ...\n data ops/software/systems support (uncredited)\n
\n Jeff Colclough\n ...\n vfx assistant (uncredited)\n
\n Joseph B. Conmy IV\n ...\n visual effects executive (uncredited)\n
\n Rhys Deacon\n ...\n camera matchmove artist: Weta Digital (uncredited)\n
\n Francesco Dell'Anna\n ...\n lead compositor: double negative (uncredited)\n
\n Clym Dodds\n ...\n Data Operator: Framestore (uncredited)\n
\n Brock Ennion\n ...\n wrangler (uncredited)\n
\n Javier J. Espinoza\n ...\n previs artist: the third floor (uncredited)\n
\n Biagio Figliuzzi\n ...\n senior technical director (uncredited)\n
\n Lou Gatti\n ...\n visual effects production assistant (uncredited)\n
\n Paul Harling\n ...\n data wrangler: Weta Digital (uncredited)\n
\n Alex Conor Harrison\n ...\n visual effects coordinator (uncredited)\n
\n Thomas Scott Holland\n ...\n visual effects coordinator (uncredited)\n
\n Dayna Kelly\n ...\n layout artist: method studios (uncredited)\n
\n Roberto Lapuente Romo\n ...\n information systems developer: Weta Digital (uncredited)\n
\n Stephanie Lawrence\n ...\n visual effects coordinator (uncredited)\n
\n Lazetutkovski\n ...\n visual effects (uncredited)\n
\n Krishnakant Mishra\n ...\n visual effects artist (uncredited)\n
\n Mile Petrushevski\n ...\n visual effects artist (uncredited)\n
\n Vijin Ravindran\n ...\n software developer: Double Negative Visual Effects (uncredited)\n
\n Max T. Schwartz\n ...\n visual effects editor: Framestore (uncredited)\n
\n Sammy Shikaze\n ...\n visual effects coordinator (uncredited)\n
\n Alex Shvartzman\n ...\n lidar scanning: industrial pixel vfx (uncredited)\n
\n Jacob Telleen\n ...\n pipeline technical director: DNEG (uncredited)\n
\n Joseph Towe\n ...\n digital artist (uncredited)\n
\n Maurizio Vanolo\n ...\n digital compositor: Weta Digital (uncredited)\n
\n Vanessa Velasquez\n ...\n technology: Double Negative (uncredited)\n
\n Gallois-Montbrun Volcy\n ...\n previs supervisor: Les Andro\u00efds Associ\u00e9s (uncredited)\n
\n Shawna Zegarra\n ...\n technical support: Double Negative (uncredited)\n
\n Stunts \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Fraser Aitcheson\n ...\n stunts\n
\n Ed Anders\n ...\n stunt performer\n
\n Pete Antico\n ...\n stunts\n
\n Scott J. Ateah\n ...\n stunt coordinator (as Scott Ateah)\n
\n Marcus Aurelio\n ...\n stunt performer\n
\n Tony Bailey\n ...\n stunts\n
\n Sala Baker\n ...\n stunts\n
\n Krista Bell\n ...\n stunt driver\n
\n Matt Berberi\n ...\n stunt performer\n
\n Daniel Bernhardt\n ...\n stunts\n
\n Rob 'Sluggo' Boyce\n ...\n stunt performer\n
\n Bryce Branagan\n ...\n stunts: Motion Capture Previz\n
\n Eric Brown\n ...\n stunts\n
\n Steve Brown\n ...\n stunts: motion capture previz\n
\n Mig Buenacruz\n ...\n stunts\n
\n Jason Calder\n ...\n stunt performer\n
\n Wyatt Cameron\n ...\n stunt performer\n
\n Clint Carleton\n ...\n stunt performer\n
\n Janene Carleton\n ...\n stunt driver\n
\n Raymond Chan\n ...\n stunt performer\n
\n Nesta Chapman\n ...\n stunt performer\n
\n Paul Cheng\n ...\n stunt performer (as Paul Chih-Ping Cheng)\n
\n Jimmy Chhiu\n ...\n stunts: Motion Capture Previz\n
\n Alex Chiang\n ...\n stunt performer\n
\n Leo Chiang\n ...\n stunt performer\n
\n Andrew Chin\n ...\n stunt performer\n
\n Simon Chin\n ...\n stunt performer\n
\n Mike Ching\n ...\n stunt performer\n
\n Tommy Clarke\n ...\n stunts\n
\n Andrew Comrie-Picard\n ...\n stunts\n
\n Fraser Corbett\n ...\n stunt performer\n
\n Garvin Cross\n ...\n stunt driver\n
\n Lateef Crowder\n ...\n stunts: motion capture previz\n
\n Lloyd Cunningham\n ...\n stunt double / stunt double: TJ miller / stunt double: rob delaney\n
\n Wayne Dalglish\n ...\n stunt coordinator: Motion Capture Previz\n
\n Jordan Davis\n ...\n stunt prisoner riot\n
\n Ken Do\n ...\n stunt performer\n
\n Joe Doserro\n ...\n stunt driver\n
\n Jayson Dumenigo\n ...\n supervising rigging coordinator: motion capture previz\n
\n Stephen Dunlevy\n ...\n stunt rigger previz / stunts: mocap\n
\n Cassandra Ebner\n ...\n stunt performer: Meth Lab Gangster\n
\n Matt Emig\n ...\n fight team\n
\n Tommy Europe\n ...\n stunt performer\n
\n Jonathan Eusebio\n ...\n stunt coordinator\n
\n Becky Ferguson\n ...\n stunt performer\n
\n Carl Fortin\n ...\n stunt performer\n
\n Jean Frenette\n ...\n stunt performer\n
\n Tim Garris\n ...\n stunts: Motion Capture Previz\n
\n Lars Grant\n ...\n stunt performer\n
\n Kory Grim\n ...\n stunts\n
\n Ryan Handley\n ...\n prison guard\n
\n Daniel Hargrave\n ...\n stunts\n
\n Sam Hargrave\n ...\n stunt coordinator: additional photography\n
\n Joi Harris\n ...\n stunt performer: Zazie Beetz (as Sequana Harris)\n
\n Thayr Harris\n ...\n utility stunts\n
\n Leif Havdale\n ...\n stunt double: Ryan Reynolds\n
\n Robert Hayley\n ...\n stunt actor\n
\n Cameron Hilts\n ...\n stunt performer\n
\n Brian Ho\n ...\n stunt performer\n
\n Louise Hradsky\n ...\n stunt double: Negasonic Teenage Warhead\n
\n Michael Hugghins\n ...\n stunt rigger\n
\n Megan Hui\n ...\n stunt performer\n
\n Robert Zen Humpage\n ...\n stunt performer\n
\n Thekla Hutyrova\n ...\n stunts: Motion Capture Previz (as Thekla Hutyra)\n
\n Landon Jackle\n ...\n stunt performer\n
\n Brian Jagersky\n ...\n stunt performer\n
\n Charles Jarman\n ...\n stunt performer\n
\n Amy Johnston\n ...\n stunts: Motion Capture Previz\n
\n Micah Karns\n ...\n stunt performer\n
\n Brad Kelly\n ...\n stunts\n
\n Zandara Kennedy\n ...\n stunt driver\n
\n Ralf Koch\n ...\n utility stunts: additional photography\n
\n Sean Kohnke\n ...\n stunt performer\n
\n Andrei Kovski\n ...\n stunt performer\n
\n Alex Kyshkovych\n ...\n stunt double: Josh Brolin / stunts: Motion Capture Previz\n
\n Keanu Lam\n ...\n stunt performer\n
\n Larry Lam\n ...\n stunt performer\n
\n Paul Lazenby\n ...\n stunt performer\n
\n Tony Lazzara\n ...\n stunt performer\n
\n David Le\n ...\n stunt performer\n
\n Jaeson Lee\n ...\n stunt performer\n
\n Irma Leong\n ...\n stunt double: Shioli Kutsuna\n
\n Don Lew\n ...\n stunt performer\n
\n Eric Linden\n ...\n Stunts: Motion Capture Previz\n
\n Brent Lister\n ...\n stunt rigger/double\n
\n Nick Longhurst\n ...\n stunt performer / stunt rigger\n
\n Mik Luxon\n ...\n live action previsualization / motion capture previsualization\n
\n Maya Macatumpag\n ...\n stunts\n
\n Shaun Magee\n ...\n stunt rigger\n
\n Xander Martel\n ...\n stand in: Ryan Reynolds\n
\n Tom McComas\n ...\n stunt double: Deadpool / stunt driver\n
\n Joel McGowan\n ...\n stunt double: Nikolai Witschi\n
\n Kyle Mclean\n ...\n stunts\n
\n Reg Milne\n ...\n key stunt rigger\n
\n Atlin Mitchell\n ...\n stunt double: Morena Baccarin\n
\n Tammy Nera\n ...\n stunt double: Zazie Beetz\n
\n J.J. Park\n ...\n stunt performer\n
\n Adrian Persad\n ...\n stunts\n
\n Andrew Prest\n ...\n stunt performer\n
\n Yung Q\n ...\n stunts\n
\n Darryl Quon\n ...\n stunt performer\n
\n Dan Redford\n ...\n stunt performer\n
\n Matt Reimer\n ...\n stunt performer\n
\n Greg Rementer\n ...\n stunts\n
\n Jason Reynolds\n ...\n stunt rigger\n
\n Daniel Joseph Rizzuto\n ...\n stunt performer (as Dan Rizzuto)\n
\n Shawn Robidoux\n ...\n stunt core team\n
\n Joe Ross\n ...\n Stunts: Motion Capture Previz\n
\n Shahaub Roudbari\n ...\n utility stunts\n
\n S\u00e9bastien Rouleau\n ...\n stunt coordinator: motion capture\n
\n Sharlene Royer\n ...\n stunt performer\n
\n Jeff Sanca\n ...\n stunt driver\n
\n Darryl Scheelar\n ...\n stunt performer\n
\n Cale Schultz\n ...\n stunt performer\n
\n Philip J Silvera\n ...\n Stunt Coordinator: Motion Capture Previz\n
\n Grant Smith\n ...\n stunt rigger\n
\n Kimani Ray Smith\n ...\n stunt driver / stunt performer\n
\n Jackson Spidell\n ...\n assistant stunt coordinator / stunt double: Ryan Reynolds/Deadpool\n
\n Chad Stahelski\n ...\n stunts\n
\n Hugo Steele\n ...\n stunt performer\n
\n John Stoneham Jr.\n ...\n stunt performer\n
\n Sunny Sun\n ...\n fight coordinator (as Nuo Sun)\n
\n Taylor Tai\n ...\n utility stunts\n
\n Monte Thompson\n ...\n stunt rigger\n
\n Ty Trand\n ...\n stunt rigger\n
\n Andre Tricoteux\n ...\n stunt double: Colossus\n
\n Dimitri Tsoy\n ...\n stunt performer\n
\n Angela Uyeda\n ...\n stunts\n
\n Jon Valera\n ...\n utility stunts: motion capture\n
\n Lauro David Chartrand-Del Valle\n ...\n stunt performer (as Lauro David Chartrand-DelValle)\n
\n Clay Virtue\n ...\n stunts\n
\n Marshall Virtue\n ...\n stunt driver\n
\n Mark Aaron Wagner\n ...\n stunt driver\n
\n Brennan Walstrom\n ...\n stunt driver\n
\n Kye Walstrom\n ...\n stunt driver\n
\n Owen Walstrom\n ...\n stunt coordinator: second unit / stunt driver\n
\n Breanna Watkins\n ...\n stunt performer\n
\n Chris Webb\n ...\n stunt driver\n
\n Emerson Wong\n ...\n stunt performer\n
\n Mathew Yanagiya\n ...\n stunt performer\n
\n Kainoa Young\n ...\n stunt player\n
\n Jean-Jacques Dumonceau\n ...\n stunt performer (uncredited)\n
\n Sam Hargrave\n ...\n stunt coordinator: 2nd unit (uncredited)\n
\n Chad Sayn\n ...\n stunt double (uncredited)\n
\n Rorelee Tio\n ...\n stunts (uncredited)\n
\n Camera and Electrical Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Maria Aceves Varela\n ...\n lighting technician\n
\n Scott Antifave\n ...\n second unit 1st assistant camera\n
\n Stephen Arnott\n ...\n underwater key grip\n
\n Amrit Bawa\n ...\n grip\n
\n Mitch Bax\n ...\n d.i.t. 2nd unit\n
\n Riley Bell\n ...\n video assist\n
\n Justin Bergler\n ...\n 1st assistant camera: daily\n
\n Yves Bernadet\n ...\n gaffer: second unit\n
\n Lucas Bielan\n ...\n camera operator: \"a\" camera\n
\n Brian Bjerkness\n ...\n rigging grip\n
\n Dane Bjerno\n ...\n aerial camera technician\n
\n Hans Bjerno\n ...\n aerial director of photography\n
\n Jeffery Bjorgum\n ...\n video assistant\n
\n Kevin Black\n ...\n key grip: second unit\n
\n Matt Bonin\n ...\n lead rigging grip\n
\n Rob Brady\n ...\n lighting technician\n
\n Tess Bukowsky\n ...\n lighting technician: second unit\n
\n Xavier Callamand\n ...\n digital utility\n
\n Scott Campbell\n ...\n lead rigging grip\n
\n William Cash\n ...\n lighting technician\n
\n Phillip Chadwick\n ...\n lighting technician\n
\n Cary Cooper\n ...\n libra head technician\n
\n Marco Correia\n ...\n grip\n
\n Rob Cotroneo\n ...\n best boy electric: additional photography\n
\n Drew Davidson\n ...\n gaffer\n
\n Virgile Dean\n ...\n grip\n
\n Nicholas Dent\n ...\n dolly grip: \"b\" camera\n
\n Herb DeWaal\n ...\n rigging grip\n
\n Dave Dibdin\n ...\n telescopic camera crane technician\n
\n David Dolsen\n ...\n still photographer: second unit\n
\n Barrett Donner\n ...\n rf coordinator\n
\n Tommy Douglas\n ...\n camera operator\n
\n Cameron Drinkle\n ...\n motion picture video coordinator\n
\n Mackenzie Dupuy\n ...\n 2nd Unit Camera Trainee\n
\n Sean Edmiston\n ...\n rigging lighting best boy\n
\n Ryan Elliott\n ...\n technocrane\n
\n Spencer Ennis\n ...\n second assistant camera: \"a\" camera\n
\n Tyson Esau\n ...\n lighting technician\n
\n Kevin Estrada\n ...\n still photographer los angeles unit\n
\n Jordan Ewan\n ...\n remote head tech: second unit\n
\n Yared Gebrekidan\n ...\n lighting technician\n
\n Casey Gemma\n ...\n rigging electrician\n
\n Amie Gibbins\n ...\n a camera second assistant\n
\n Lee Gibeau\n ...\n camera crane technician\n
\n Evan Gradillas\n ...\n camera operator: b camera EPK/BTS\n
\n Ken Gurney\n ...\n rigging grip\n
\n Aaron Haesler\n ...\n first assistant camera: \"a\" camera, second unit\n
\n Rod Haney\n ...\n rigging grip best boy\n
\n Clyde Harrelson\n ...\n lighting technician: additional photography\n
\n Jesse Harris\n ...\n camera operator\n
\n Bj\u00f6rn Hermannes\n ...\n 2nd Unit B Dolly\n
\n Ronald Hersey\n ...\n additional photography\n
\n Christopher Hingston\n ...\n lighting technician\n
\n Jason Hooper\n ...\n rf technician\n
\n Tatiana Hopcraft\n ...\n camera trainee\n
\n Junichi Hosoi\n ...\n camera operator: \"a\" camera, second unit\n
\n Mark Hyde\n ...\n key grip: main unit\n
\n Tony Hyland\n ...\n rigging grip best boy\n
\n Jimmy E. Jensen\n ...\n first assistant camera: \"a\" camera (as a different name)\n
\n Justin Johns\n ...\n digital video assist coordinator: additional photography\n
\n Charles Johnson\n ...\n b dolly grip: second unit\n
\n Simon Jori\n ...\n digital imaging technician\n
\n Andrew Kearney\n ...\n rigging grip\n
\n Dubin Kim\n ...\n second company grip: additional photography\n
\n Cat Kitellis\n ...\n lighting technician\n
\n Shane Kjar\n ...\n Aircover consultant\n
\n Joshua Kjorven\n ...\n first assistant camera: \"b\" camera, second unit\n
\n David Klassen\n ...\n lighting consultant\n
\n Geoff Knight\n ...\n electrician\n
\n Scott Kozak\n ...\n rigging grip lead\n
\n Jeff Kuzyk\n ...\n lighting technician / splinter unit gaffer\n
\n Machio Lall\n ...\n loader: second unit\n
\n Joseph Lederer\n ...\n still photographer\n
\n Raylene Ledgerwood\n ...\n digital utility technician: 2nd unit\n
\n Patrick Loungway\n ...\n director of photography: second unit\n
\n David Lourie\n ...\n \"b\" camera first assistant camera\n
\n Matthew Love\n ...\n digital imaging technician: additional photography\n
\n Denis Marcotte\n ...\n grip\n
\n Todd Martin\n ...\n lighting technician\n
\n Brad McGregor\n ...\n camera operator: aerial & ultimate arm\n
\n Ryan McGregor\n ...\n digital imaging technician: second unit\n
\n David McIntosh\n ...\n key rigging grip\n
\n Shawn McLaughlin\n ...\n best boy rigging gaffer\n
\n Steve McLean\n ...\n lighting technician\n
\n Kyle Meakes\n ...\n 2nd unit\n
\n Alex Miller\n ...\n camera trainee\n
\n Greg Milton\n ...\n underwater electrician\n
\n Jason Misewich\n ...\n rigging grip\n
\n T. Michael Morris\n ...\n lighting technician: additional\n
\n Jared Nickel\n ...\n camera trainee: second unit\n
\n Joern Christian Novotny\n ...\n balloon light technician: second unit\n
\n Daniel Obedi\n ...\n assistant camera\n
\n Lawrence Ogden\n ...\n grip\n
\n Peter Pacula\n ...\n best boy rigging grip\n
\n Andrew Pedley\n ...\n digital video assist operator: second unit\n
\n Borislav Penchev\n ...\n second unit 2nd ac: dayplayer\n
\n Daniel Pierce\n ...\n rigging grip\n
\n Sasha Proctor\n ...\n b camera/steadicam operator\n
\n Alex Reno\n ...\n rigging grip\n
\n Mighty Dan Robinson\n ...\n \"b\" camera second assistant camera\n
\n Colin Robson\n ...\n grip\n
\n Jason J. Rodriguez\n ...\n rigging electrician\n
\n Alister Ross\n ...\n grip\n
\n Kat Ruston\n ...\n rigging electric: day player\n
\n Michael Andrew Salisbury\n ...\n set wireman\n
\n Steve Savard\n ...\n grip: second unit\n
\n Jeff Schellenberg\n ...\n grip: second unit\n
\n Morgan Schmidt\n ...\n a dolly grip: 2nd Unit\n
\n Karl Schoepp\n ...\n rigging lamp operator: Victoria\n
\n Ian Seabrook\n ...\n underwater camera operator / underwater director of photography\n
\n Anton Seaman\n ...\n camera trainee: second unit\n
\n Leon Serginson\n ...\n bestboy grip\n
\n Refah Seyed Mahmoud\n ...\n additional digital utility: second unit\n
\n Frankie Sharpe\n ...\n second assistant camera\n
\n Bryce Shaw\n ...\n camera crane technician / crane operator\n
\n Kathie Singh\n ...\n digital loader\n
\n Keyon Slowly\n ...\n grip\n
\n Troy James Sobotka\n ...\n leadman grip\n
\n Shaun Stander\n ...\n additional photography\n
\n Vincent Stander\n ...\n digital loader: re-shoots\n
\n Sam Stoessiger\n ...\n grip\n
\n Jason Tidsbury\n ...\n lighting technician\n
\n Ed Turner\n ...\n gaffer: special effects\n
\n Chris Unsworth\n ...\n lighting technician\n
\n Mark Weinhaupl\n ...\n underwater first assistant camera\n
\n Patrick Weir\n ...\n drone pilot\n
\n James Pat Whelan\n ...\n grip\n
\n Lance White\n ...\n video coordinator\n
\n Adrian Wilcocks\n ...\n grip\n
\n Darin Wong\n ...\n dolly grip: \"a\" camera\n
\n Keith Woods\n ...\n rigging gaffer\n
\n Andrew Wunder\n ...\n lighting technician\n
\n Jessica Yi\n ...\n grip\n
\n Brad Zacharias\n ...\n rigging lamp operator\n
\n Rohit Ajitkumar\n ...\n grip (uncredited)\n
\n Marco Bossow\n ...\n second assistant camera: second unit, \"b\" camera, day player (uncredited)\n
\n Animation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Teju Aloysius\n ...\n animator\n
\n Bernd Angerer\n ...\n animation supervisor: Framestore\n
\n Dimitrios Aspros\n ...\n animator\n
\n Chris Bacon\n ...\n animator\n
\n Eric Bates\n ...\n animation supervisor: DNEG\n
\n Srikanth Bhogi\n ...\n animator\n
\n Leonardo Bonisolli\n ...\n animator\n
\n Ivan Cadena Ayala\n ...\n animator\n
\n Diego Collell\n ...\n animator\n
\n Cheryl Darbey\n ...\n animator\n
\n Joseph Davis\n ...\n animator\n
\n Cecile Dubois-Herry\n ...\n animator\n
\n Danielle Dumont\n ...\n animator\n
\n Maree Fletcher\n ...\n animator: Method Studios\n
\n Gabriel Gagn\u00e9\n ...\n animator\n
\n Gabriel Giroux-Veilleux\n ...\n animator\n
\n Jonathan Gomez\n ...\n animator\n
\n Syed Arif Hasan\n ...\n animator: Framestore\n
\n Bassem Hawili\n ...\n animator: Framestore\n
\n Simon Irvine\n ...\n animator\n
\n Shajo John\n ...\n senior animator\n
\n Carlo Loffredo\n ...\n animator\n
\n Parth Malhotra\n ...\n animator\n
\n Emmanuel Margoux\n ...\n animator\n
\n William Marsh\n ...\n animator\n
\n Luis Martinez\n ...\n animator\n
\n Agata Matuszak\n ...\n animator\n
\n Martin Moch\n ...\n animator\n
\n Aju Mohan\n ...\n animator\n
\n Phil Morris\n ...\n lead animator\n
\n Sianoosh Nasiriziba\n ...\n lead animator\n
\n Goran Ognjanovic\n ...\n senior animator: title sequence: Method Studios\n
\n Suresh Padmaraj\n ...\n animator\n
\n Andrew Park\n ...\n lead animator\n
\n Marie Pillier\n ...\n animator\n
\n Juan Ram\u00f3n Pou\n ...\n animator\n
\n Florian Sauzet\n ...\n animator\n
\n Stuart Michael Shaw\n ...\n senior facial motion editor: DI4D\n
\n Suku Sibi.K.\n ...\n animator\n
\n Panda Smitaranjan\n ...\n animator\n
\n Heather Stockwell\n ...\n animator (as Heather Garrow)\n
\n Abhinav Swamy\n ...\n animator\n
\n Stephanie Tomoana\n ...\n animator\n
\n Sandeep Kalathil\n ...\n technical animator (uncredited)\n
\n Casting Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Andrea Brown\n ...\n extras casting director\n
\n Riva Cahn-Thompson\n ...\n casting associate\n
\n Corinne Clark\n ...\n casting: Canada\n
\n Rebecca Davidson\n ...\n casting assistant\n
\n Johnny Gidcomb\n ...\n adr voice casting\n
\n Nina Henninger\n ...\n search casting director: San Francisco\n
\n Ko Iwagami\n ...\n casting consultant: Japan\n
\n Jennifer Page\n ...\n casting: Canada\n
\n Holly Pinder\n ...\n background coordinator\n
\n Raylin Sabo\n ...\n casting associate (as Raylin Smith)\n
\n Lory Shaye\n ...\n casting assistant\n
\n Natalie Sutcliffe\n ...\n extras casting assistant\n
\n Yumi Takada\n ...\n casting consultant: Japan\n
\n Costume and Wardrobe Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Holly Anderson\n ...\n seamstress\n
\n Sadife Bakar Carne\n ...\n costume shopper\n
\n Derek J. Baskerville\n ...\n b.g./stunts costume coordinator\n
\n Kimberley Bejar\n ...\n truck costumer\n
\n Carolyn Bentley\n ...\n costume set supervisor 2nd unit / set costumer\n
\n Isabel Bloor\n ...\n set supervisor-key\n
\n Andre Brouwer\n ...\n costumer: Mr. Reynolds (as Andr\u00e9 Brouwer)\n
\n Cora Burnette\n ...\n costumer\n
\n Lanny Campbell\n ...\n Key breakdown artist and dyer\n
\n Suzanne Sisi Chan\n ...\n stitcher\n
\n Christina Dietterle\n ...\n costume ager/dyer\n
\n Vanessa Driveness\n ...\n additional background costumer\n
\n Beverlee June Fix\n ...\n assistant costume designer\n
\n Tannis Hegan\n ...\n specialty costumer (as Tannis Heagan)\n
\n Kathy Houghton\n ...\n prep costumer (as Kathy 'Kertesz' Houghton)\n
\n Tina Ning Hsu\n ...\n specialty costumer (as Tina Hsu)\n
\n Brenda Knight\n ...\n costume cutter\n
\n Lana S. Krause\n ...\n costume coordinator\n
\n Megan Leson\n ...\n set costumer\n
\n Janice MacIsaac\n ...\n costume supervisor\n
\n Jerad Marantz\n ...\n costume concept artist\n
\n Laszlo Marton\n ...\n cutter\n
\n Ayla McIninch\n ...\n costume buyer\n
\n Monique McRae\n ...\n assistant costume designer\n
\n Laurel Morgan\n ...\n set costumer\n
\n Brittany Morrow\n ...\n ager/dyer\n
\n Cat Mudryk\n ...\n set costumer\n
\n Farrahlyn Owen\n ...\n set costumer\n
\n Amie Payne\n ...\n costumer\n
\n Tim Phoenix\n ...\n fx costume\n
\n Katelyn Rodgers\n ...\n key specialty costumer\n
\n Nicola Ryall\n ...\n set costumer\n
\n Nadine Schaefer\n ...\n costume department assistant\n
\n Ellie Schultz\n ...\n costume breakdown artist\n
\n Morgan Spry-Young\n ...\n seamstress\n
\n Samantha Stroman\n ...\n breakdown artist\n
\n Gwendolyn Stukely\n ...\n assistant costume designer: Los Angeles\n
\n Taryn Thumath\n ...\n stunts and background supervisor\n
\n Jenn Touchie\n ...\n breakdown artist\n
\n Sekyiwa Wi-Afedzi\n ...\n costume assistant\n
\n Petra Wright\n ...\n seamstress\n
\n Zoe Zhou\n ...\n assistant costume designer\n
\n Carlos East Jr.\n ...\n specialty costume crew: Film Illusions (uncredited)\n
\n Editorial Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Matt Absher\n ...\n first assistant editor\n
\n Adoma Ananeh-Firempong\n ...\n second assistant editor\n
\n A.R. Bj\u00f6rklund\n ...\n editorial production assistant\n
\n Nina Byrne\n ...\n post-production coordinator\n
\n Brandon Cano-Errecart\n ...\n apprentice editor\n
\n Jim Carretta\n ...\n first assistant editor\n
\n Hunter Clancey\n ...\n feature mastering producer\n
\n Jonathan Cyga\n ...\n dailies assistant: montreal shoot\n
\n Cole Doran\n ...\n editorial production assistant\n
\n Jameson Duggan\n ...\n BTS Editor: DVD Special Feature - The Deadpool Prison Experiment\n
\n Emma Escamilla\n ...\n post-production assistant\n
\n Sam Gilling\n ...\n dailies colorist and assist\n
\n Sheryl Goodhead\n ...\n finishing executive: Company 3\n
\n Rob Grant\n ...\n assistant editor\n
\n Nathan Hurlburt\n ...\n on-line editor\n
\n Skip Kimball\n ...\n digital intermediate colorist\n
\n Kyle Lawrence\n ...\n post production consulting technician\n
\n Tali Litmanovitz\n ...\n post-production assistant\n
\n Adam Michna\n ...\n assistant editor: EPK and BTS / bts editor\n
\n Daniel M. Nussbaum\n ...\n first assistant editor\n
\n Tyler Ruocco\n ...\n first assistant editor: Vancouver\n
\n John St. Laurent\n ...\n colorist: dailies: additional photography\n
\n Tashi Trieu\n ...\n digital intermediate editor\n
\n Chris Van Duyn\n ...\n dailies operations: Technicolor\n
\n Matthew Wells\n ...\n post-production coordinator\n
\n Denise Woodgerd\n ...\n dailies producer\n
\n Alex Coleman\n ...\n post-production assistant (uncredited)\n
\n Kody Troy Davidson\n ...\n editorial teardown (uncredited)\n
\n Kaylee Karlik\n ...\n additional assistant editor (uncredited)\n
\n Location Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Beth Charlesworth\n ...\n trainee assistant location manager\n
\n Abdulla Daiani\n ...\n location assistant\n
\n Boris Detvaj\n ...\n location production assistant\n
\n Kevin Duckett\n ...\n production assistant\n
\n Sean Patrick Finnan\n ...\n assistant location manager (as Sean Finnan)\n
\n Paul Giordano\n ...\n assistant location manager\n
\n Ann Goobie\n ...\n location manager\n
\n Joel Hurley\n ...\n location scout\n
\n Bret Jolliffe\n ...\n location production assistant\n
\n Geshe Mancini\n ...\n location production assistant\n
\n Bob McQuarrie\n ...\n assistant location manager\n
\n Music Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Eun-Mee Ahn\n ...\n musician: violin\n
\n Juan Alderete\n ...\n musician: electric bass\n
\n Helen Z. Altenbach\n ...\n musician\n
\n Jeff Babko\n ...\n musician: keyboards\n
\n Mateo Barragan\n ...\n score editor\n
\n Tyler Bates\n ...\n musician: guitars/guitarviol\n
\n Nick Baxter\n ...\n scoring mixer\n
\n Joan Beal\n ...\n score singer\n
\n Josh Bedlion\n ...\n singer\n
\n Gustavo Borner\n ...\n scoring mixer\n
\n Eric Bradley\n ...\n musician: singer\n
\n Jacob Braun\n ...\n musician: cello\n
\n Rob Brophy\n ...\n musician: viola\n
\n Reid Bruton\n ...\n score vocalist\n
\n Ted Caplan\n ...\n music editor\n
\n Elin Carlson\n ...\n singer\n
\n Alvin Chea\n ...\n singer\n
\n Kenton Chen\n ...\n score vocalist\n
\n Meredith Crawford\n ...\n musician: viola\n
\n Nick Daley\n ...\n musician: trombone\n
\n Victor De Almeida\n ...\n musician: viola\n
\n Jonathan DeRoche\n ...\n music preparation\n
\n Monique Donnelly\n ...\n singer\n
\n Steve Dress\n ...\n musician\n
\n Andrew Duckles\n ...\n musician: viola\n
\n Paul Edmund-Davies\n ...\n musician: flute\n
\n Jarryd Elias\n ...\n orchestrator/audio takedown\n
\n Allen Fogle\n ...\n musician: french horn\n
\n Ross Gasworth\n ...\n musician: cello\n
\n Dylan Gentile\n ...\n singer\n
\n Abdiel Gonzalez\n ...\n singer\n
\n Jenny Graham\n ...\n singer\n
\n Opie Gruves\n ...\n music re-mixing coordinator\n
\n Christine Guter\n ...\n score vocalist\n
\n Dylan S. Hart\n ...\n musician: french horn\n
\n Thomas Harte\n ...\n musician: bass\n
\n Ayana Haviv\n ...\n singer: soloist\n
\n Joanne Higginbottom\n ...\n musician: percussion / programming\n
\n Luanne Homzy\n ...\n musician: violin\n
\n Todd Honeycutt\n ...\n singer: choir\n
\n John Houlihan\n ...\n music supervisor\n
\n Benjamin Jacobson\n ...\n musician: violin\n
\n Trevon Jefferson\n ...\n musician\n
\n Christian Kollgaard\n ...\n musician: bass\n
\n Drew Krassowski\n ...\n orchestrator\n
\n Matt Lange\n ...\n sound designer\n
\n Songa Lee\n ...\n musician: violin\n
\n Edie Lehmann Boddicker\n ...\n vocalist\n
\n Michael Lichtenauer\n ...\n score vocalist\n
\n Guy Maeda\n ...\n singer\n
\n Whitney Martin\n ...\n assistant orchestra contractor\n
\n Luke Maurer\n ...\n musician: viola\n
\n Baraka May\n ...\n singer\n
\n Jonathan Moerschel\n ...\n musician: viola\n
\n Justin Moshkevich\n ...\n digital recordist\n
\n Peter Nelson\n ...\n stage manager\n
\n Gil Novak\n ...\n musician: percussion\n
\n Joel Pargman\n ...\n musician: violin\n
\n Lorena Perez Batista\n ...\n music assistant / musician: percussion (as Lorena Perez-Batista)\n
\n Ben Powell\n ...\n musician: violin\n
\n Jasper Randall\n ...\n vocal contractor\n
\n Diane Freiman Reynolds\n ...\n singer: choir\n
\n Mark Robertson\n ...\n music contractor\n
\n Julie Rogers\n ...\n musician: violin\n
\n Erik Rynearson\n ...\n musician: viola\n
\n Rob Schaer\n ...\n musician: trumpet\n
\n Ilya Serov\n ...\n singer\n
\n Gil Sharone\n ...\n musician: drums/percussion\n
\n Fletcher Sheridan\n ...\n score vocalist\n
\n Eric Shetzen\n ...\n musician: bass\n
\n Derek Snyder\n ...\n score editor\n
\n Leslie A. Soultanian\n ...\n score vocalist (as Leslie)\n
\n Del Spiva\n ...\n additional music editor\n
\n Tereza Stanislav\n ...\n musician: violin\n
\n Sally Stevens\n ...\n vocal contractor/singer / vocal contractor/vocalist\n
\n Todd Strange\n ...\n score vocalist\n
\n A.J. Teshin\n ...\n singer: ensemble\n
\n Charlie Tyler\n ...\n musician: cello\n
\n Suzanne Waters\n ...\n singer: choir\n
\n Tim Williams\n ...\n conductor / orchestrator / programming\n
\n Yelena Yegoryan\n ...\n musician: violin\n
\n Gina Zimmitti\n ...\n music contractor\n
\n Thomas Cavanaugh\n ...\n music business & legal affairs (uncredited)\n
\n Danielle Diego\n ...\n executive in charge of music (uncredited)\n
\n Ellen Ginsburg\n ...\n music clearance (uncredited)\n
\n The Hollywood Studio Symphony\n ...\n music performed by (uncredited)\n
\n Patrick Houlihan\n ...\n music executive (uncredited)\n
\n Alan Kaplan\n ...\n musician: trombone (uncredited)\n
\n Kieran Kiely\n ...\n orchestrator (uncredited)\n
\n Rebecca Morellato\n ...\n music production executive (uncredited)\n
\n Damon Tedesco\n ...\n stage manager (uncredited)\n
\n Greg Whipple\n ...\n singer (uncredited)\n
\n Gerald White\n ...\n singer (uncredited)\n
\n Script and Continuity Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stephanie Rossel\n ...\n script supervisor: additional photography / script supervisor: second unit\n
\n Ana Oparnica Sebal\n ...\n script supervisor\n
\n Keilah Boyle\n ...\n continuity (uncredited)\n
\n Transportation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Victor Formosa\n ...\n automobile maintenance\n
\n Louie Hausner\n ...\n wardrobe driver\n
\n Triple Back Flip Kick\n ...\n transportation captain\n
\n Karin Korchinski\n ...\n Office Coordinator: Picture Car Department\n
\n Aaron McClean\n ...\n picture car driver\n
\n Rick Rasmussen\n ...\n picture car coordinator\n
\n Ryan Sangha\n ...\n transportation captain\n
\n Duane Shearer\n ...\n unit driver\n
\n Matthew Talamantes\n ...\n transportation coordinator: additional photography\n
\n Paul Talbot\n ...\n 2nd unit\n
\n Tana Tocher\n ...\n driver\n
\n Rob Vreugde\n ...\n transportation coordinator\n
\n Additional Crew \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Ishtiak Ahmed\n ...\n key production assistant 2nd unit\n
\n Andie Aichholz\n ...\n assistant accountant: reshoots\n
\n Anne Angeles\n ...\n production assistant\n
\n Steve Apostolina\n ...\n voice actor (as Stephen Apostolina)\n
\n Ethan Attrell\n ...\n production assistant\n
\n David Baach\n ...\n stand-in\n
\n Nikki Baida\n ...\n assistant: Aditya Sood\n
\n Kirk Baily\n ...\n adr loop group\n
\n Aman Bassi\n ...\n AC\n
\n Aaron Beardmore\n ...\n production assistant\n
\n Paul Becker\n ...\n choreographer\n
\n David Ber\u00f3n\n ...\n adr loop group (as David Beron)\n
\n Paul Bois\n ...\n production assistant\n
\n Daniel Booko\n ...\n adr voice cast\n
\n Holly Brown\n ...\n production assistant\n
\n Jennifer Cain\n ...\n adr loop group\n
\n Sophie Caird\n ...\n assistant: Ethan Smith (as Sophie Naima Caird)\n
\n Jim Carretta\n ...\n adr voice actor\n
\n Zach Chamberlin\n ...\n production assistant: development\n
\n Vic Chao\n ...\n Actor\n
\n Pierre Cheminat\n ...\n construction accountant\n
\n Eudora Chu\n ...\n 1st assistant production coordinator: additional photography\n
\n James Clark\n ...\n production assistant\n
\n Mitchell Clark\n ...\n stand in: Brad Pitt\n
\n Liam Collinson\n ...\n production assistant\n
\n Benjamin Coster\n ...\n assistant to d. leitch and k. mccormick\n
\n Chris Crawford\n ...\n production assistant\n
\n Joel Cyr\n ...\n key production assistant\n
\n Frederic Dagmey\n ...\n set production assistant\n
\n Ramona Diaz Sanchez\n ...\n financial controller (as Ramona S\u00e1nchez-Waggoner)\n
\n Deborah Dom\u00ednguez\n ...\n SUB Supervisor\n
\n Maxime Dubuc\n ...\n junior systems administrator: Framestore\n
\n Samantha Ellison\n ...\n assistant: Simon Kinberg\n
\n Assis Eloy\n ...\n assistant: Simon Kinberg (as Assis 'AJ' Eloy)\n
\n Richard Epcar\n ...\n adr loop group\n
\n Kevin Estrada\n ...\n studio portrait photographer\n
\n Michael Fenske\n ...\n key production assistant\n
\n Carole Fleming\n ...\n on set tutor\n
\n Rob Fournier\n ...\n armourer\n
\n Byron Fudge\n ...\n assistant production coordinator\n
\n Selena Ginger\n ...\n payroll accountant\n
\n Jeremy Glazer\n ...\n voiceover actor\n
\n Jane Grasby\n ...\n payroll clerk\n
\n Steve Gray\n ...\n helicopter pilot\n
\n Christopher J. Green\n ...\n assistant accountant\n
\n Matthew Haddon\n ...\n previs artist\n
\n Alice Gledhill Hall\n ...\n press international\n
\n Caity Hardy\n ...\n 2nd assistant production coordinator\n
\n Alex Hartel\n ...\n production assistant: pg-13 shoot (as Alexander Hartl)\n
\n Danielle Hartnett\n ...\n adr loop group\n
\n Jake Head\n ...\n adr loop group\n
\n Rosmarie Heimbach\n ...\n assistant accountant\n
\n Matt Hughes\n ...\n production accountant: Method Studios\n
\n Samy Iguertsira\n ...\n system support\n
\n Farrell Ingle\n ...\n assistant: David Leitch\n
\n Mayank Jain\n ...\n hindi transcription\n
\n Lorraine Jamison\n ...\n unit publicist\n
\n Wal\u00e9ra Kanischtscheff\n ...\n voice actor\n
\n Jeff Kent\n ...\n production assistant\n
\n Dohee Kim\n ...\n production assistant: second unit\n
\n Hideo Kimura\n ...\n adr loop group\n
\n Michael Lafuente\n ...\n director of technology: 20th Century Fox\n
\n Janet Lane\n ...\n payroll accountant\n
\n Lex Lang\n ...\n adr loop group\n
\n Raphael Lanouette\n ...\n system support\n
\n Andrew Learmonth\n ...\n paramedic\n
\n Darron Leiren-Young\n ...\n travel coordinator\n
\n Christa Lenk\n ...\n development accountant\n
\n Susan Leslie\n ...\n adr voice cast\n
\n Peter Lim\n ...\n production assistant\n
\n Laura Livingstone\n ...\n production coordinator: additional photography\n
\n Geshe Mancini\n ...\n production assistant\n
\n Rachel Markus\n ...\n production assistant\n
\n Kurt Martinez\n ...\n systems coordinator\n
\n Wendy Martinez\n ...\n second assistant accountant\n
\n Oksana Maslechko\n ...\n production assistant\n
\n Richard Mayencourt\n ...\n assistant: David Leitch\n
\n Mauricio Mendoza\n ...\n adr loop group\n
\n Mark Mensink\n ...\n parachute tech adviser\n
\n Chris Mentillo\n ...\n production executive (credit only)\n
\n David Michie\n ...\n adr loop group\n
\n Markelle Miller\n ...\n key office production assistant\n
\n Patrick J Miller\n ...\n armourer\n
\n Andrew Morgado\n ...\n adr loop group\n
\n Eva Morgan\n ...\n production coordinator\n
\n Kevin Moyer\n ...\n business affairs: partner promotion\n
\n Chrissy Mozylisky\n ...\n production assistant\n
\n Jeremy Muir\n ...\n armourer\n
\n Alana Murray\n ...\n clearance co-ordinator\n
\n Joey Naber\n ...\n adr loop group\n
\n Justin J. Nelson\n ...\n production assistant\n
\n David Nguyen\n ...\n production assistant\n
\n Matt Nolan\n ...\n adr voice cast\n
\n Arthur Ortiz\n ...\n adr loop group\n
\n Juan Pacheco\n ...\n adr loop group\n
\n Paul Pape\n ...\n adr loop group\n
\n Kalpesh Parekh\n ...\n hindi dubbing director\n
\n Devika Parikh\n ...\n adr loop group\n
\n Jessica Pennington\n ...\n adr loop group\n
\n Jerami Pergel\n ...\n production coordinator: additional photography\n
\n Chrystee Pharris\n ...\n adr loop group\n
\n Heather Phillips\n ...\n EVP: Publicity- 20th Century Fox\n
\n Dylan Pittman\n ...\n production assistant\n
\n Juan Pope\n ...\n adr loop group\n
\n Ben Pronsky\n ...\n adr loop group / adr voice actor\n
\n Michael Ralph\n ...\n adr loop group\n
\n Rebecca Rees\n ...\n first assistant accountant\n
\n Lisa Rhyne\n ...\n legal affairs\n
\n Lauraine Richardson\n ...\n production assistant\n
\n Al Rodrigo\n ...\n adr loop group\n
\n Alex Rowley\n ...\n production assistant\n
\n Cooper Rummell\n ...\n voice actor\n
\n Don Saladino\n ...\n trainer: Ryan Reynolds\n
\n Rodney Saulsberry\n ...\n adr/voice talent\n
\n Clay Savage\n ...\n adr loop group\n
\n Brodi-Jo Scalise\n ...\n assistant production coordinator\n
\n James T. Schlegel\n ...\n stand-in: Ryan Reynolds\n
\n Jo Scott\n ...\n key production office assistant - additional photography / office production assistant: additional photography\n
\n Doug Scroggins III\n ...\n chinook helicopter technical advisor\n
\n Rhonda Scroggins\n ...\n operations & logistics: Scroggins Aviation\n
\n Frank Sharp\n ...\n voice actor\n
\n Justin Shenkarow\n ...\n adr loop group\n
\n Misha Shumaker\n ...\n set production assistant: block captain\n
\n Zac Siewert\n ...\n intern\n
\n Daniele Simone\n ...\n production assistant: additional\n
\n Dennis Singletary\n ...\n adr loop group\n
\n Jason Grant Smith\n ...\n adr loop group\n
\n Michelle Stefani\n ...\n production assistant\n
\n Jon Stephenson\n ...\n water tank coordinator/diving supervisor\n
\n Kimberley Sutton\n ...\n content security\n
\n Shane Sweet\n ...\n ADR voice cast\n
\n Regan K. Taylor\n ...\n assistant: Josh Brolin (as Regan Taylor)\n
\n Gladys Tong\n ...\n computer/ video playback supervisor\n
\n Donne Torr\n ...\n on set teacher\n
\n Sophia Travaglia\n ...\n assistant: Ryan Reynolds\n
\n Abiola Uthman\n ...\n stand-in\n
\n Michael Vasquez\n ...\n accountant\n
\n Ric Walkington\n ...\n armorer\n
\n Jesse Watts\n ...\n accounts clerk\n
\n Dean Wein\n ...\n adr loop group\n
\n Aimie Willemse\n ...\n production assistant\n
\n Max Wittig\n ...\n production assistant\n
\n Corey J. Wood\n ...\n production assistant\n
\n Regie Yogamoorthy\n ...\n production assistant\n
\n Ruth Zalduondo\n ...\n adr loop group\n
\n David Zyler\n ...\n adr loop group (as Dave Zyler)\n
\n Rory Bedward\n ...\n it support (uncredited)\n
\n Andre Ike\n ...\n stunts safety (uncredited)\n
\n Justin Latimer\n ...\n 4D Motion Editor (uncredited)\n
\n Michael Martinez\n ...\n 4D motion editor (uncredited)\n
\n Andrew McIlroy\n ...\n acting coach (uncredited)\n
\n Ryan Reynolds\n ...\n facial motion capture: Juggernaut (uncredited)\n
\n Conor Sawyer\n ...\n Prep production assistant (uncredited)\n
\n Howard R. Schuster\n ...\n financing (uncredited)\n
\n David A. Starke\n ...\n production executive (uncredited)\n
\n Brandon Wheeler\n ...\n stand-in (uncredited)\n
\n Aiden Zanini\n ...\n dive supervisor: underwater unit (uncredited)\n
\n Thanks \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Joi Harris\n ...\n in memory of (as Joi 'SJ' Harris) / in memory of (as Sequana Harris)\n
\n Hugh Jackman\n ...\n the producers wish to thank\n
\n Joe Kelly\n ...\n the producers wish to thank\n
\n Rob Liefeld\n ...\n the producers wish to thank\n
\n James Mangold\n ...\n the producers wish to thank\n
\n Ed McGuinness\n ...\n the producers wish to thank\n
\n Fabian Nicieza\n ...\n the producers wish to thank\n
\n Angry Rantman\n ...\n the producers wish to thank\n
\n Jim Schramm\n ...\n thanks\n
\n Louise Simonson\n ...\n the producers wish to thank\n
\n\n
\n
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\n\n\n\n\n \n \n\n", + "page_last_modified": "" + }, + { + "page_name": "Deadpool 2 - Wikipedia", + "page_url": "https://en.wikipedia.org/wiki/Deadpool_2", + "page_snippet": "By the first film's release, 20th Century Fox had green-lit a sequel, with writers Rhett Reese and Paul Wernick returning to write the screenplay. Though director Tim Miller and producer/star Ryan Reynolds were not confirmed for the sequel at the time, Fox was "intent on keeping the creative ...Plans for a sequel to Deadpool began before the original film's release, and were confirmed in February 2016. Though the original creative team of Reynolds, Reese, Wernick, and director Tim Miller were set to return for the second film, Miller left the project in October 2016 due to creative differences with Reynolds and was soon replaced by Leitch. Cable's inclusion in the potential sequel was confirmed by the character Deadpool while breaking the fourth wall in the post-credits scene of the first film. Domino, a character with connections to Cable in the comics, was also believed to be featured in the sequel. By the first film's release, 20th Century Fox had green-lit a sequel, with writers Rhett Reese and Paul Wernick returning to write the screenplay. Though director Tim Miller and producer/star Ryan Reynolds were not confirmed for the sequel at the time, Fox was \"intent on keeping the creative team together\". Fox ultimately backed \"its marketable star\" over Miller, who had made his directorial debut with the first film. Miller denied this report, while Reynolds said he could only add that \"I'm sad to see him off the film. Tim's brilliant and nobody worked harder on Deadpool than he did.\" He also felt that introducing Domino gave the film unique opportunities for action sequences taking advantage of her luck-based abilities, as well as focusing on Deadpool's healing abilities and trying to use those interestingly. Darrin Prescott served as second-unit director on the film, and Jonathan Eusebio was the stunt-coordinator for the film, both having worked on John Wick previously. Darrin Prescott served as second-unit director on the film, and Jonathan Eusebio was the stunt-coordinator for the film, both having worked on John Wick previously. Domino's abilities were envisioned as a Rube Goldberg machine \"on steroids\", while Deadpool allowing his arm to be broken during a fight was an example of his abilities being used.", + "page_result": "\n\n\n\nDeadpool 2 - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
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Deadpool 2

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From Wikipedia, the free encyclopedia
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2018 film by David Leitch
\n

\n\n

\n
Deadpool 2
\"Deadpool
Theatrical release poster
Directed byDavid Leitch
Written by
\n\n
Based on
Produced by
\n\n
Starring
\n\n
CinematographyJonathan Sela
Edited by
\n
  • Dirk Westervelt
    • \n
  • Craig Alpert
    • \n
  • El\u00edsabet Ronaldsd\u00f3ttir
\n
Music byTyler Bates
Production
companies
Distributed by20th Century Fox
Release dates
\n
  • May 10, 2018 (2018-05-10) (Leicester Square)
    • \n
  • May 18, 2018 (2018-05-18) (United States)
\n
Running time
119 minutes
CountryUnited States
LanguageEnglish
Budget$110 million[1]
Box office$785.8 million[1]
\n

Deadpool 2 is a 2018 American superhero film based on the Marvel Comics character Deadpool. Distributed by 20th Century Fox, it is the sequel to Deadpool (2016) and the eleventh installment in the X-Men film series. The film was directed by David Leitch and written by Rhett Reese, Paul Wernick, and Ryan Reynolds, who stars in the title role alongside Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T. J. Miller, Brianna Hildebrand, and Jack Kesy. In the film, Deadpool forms the X-Force to protect a young mutant from the time-traveling soldier Cable.\n

Plans for a sequel to Deadpool began before the original film's release, and were confirmed in February 2016. Though the original creative team of Reynolds, Reese, Wernick, and director Tim Miller were set to return for the second film, Miller left the project in October 2016 due to creative differences with Reynolds and was soon replaced by Leitch. An extensive casting search took place to fill the role of Cable, with Brolin ultimately cast. Principal photography took place in British Columbia from June to October 2017. \n

Deadpool 2 premiered at the Leicester Square in London on May 10, 2018, and was released in the United States on May 18. The film outgrossed its predecessor, earning \t$785.8 million worldwide, becoming the ninth-highest-grossing film of 2018, the highest-grossing film in the X-Men series, and the highest-grossing R-rated film at the time. The film received positive reviews from critics, with some considering it superior to the first film and praising its humor, cast performances, story, and action sequences, while others criticized its tone, script, and recycled jokes. A PG-13-rated version of the film, titled Once Upon a Deadpool, was released on December 12, 2018, to mixed reviews. Following the acquisition of 21st Century Fox by Disney, Deadpool's film rights were returned to Marvel Studios alongside the X-Men and the Fantastic Four. A sequel, Deadpool & Wolverine, starring Reynolds and Hugh Jackman, which will integrate their characters into the Marvel Cinematic Universe (MCU), is scheduled for release on July 26, 2024, as part of Phase Five of the MCU.\n

\n
\n

Plot[edit]

\n

After fighting organized crime as Deadpool for two years, Wade Wilson fails to kill one of his targets on his anniversary with his girlfriend, Vanessa. That night, after the pair decides to start a family together, the target tracks Wade down and inadvertently kills Vanessa; Wade then kills him in revenge. Six weeks later, Wade is still wallowing in self hate. He visits Blind Al, where she warns him not to do anything stupid. He rejects this advice, and attempts suicide by blowing himself up. Wade has a vision of Vanessa in the afterlife, but remains alive due to his healing abilities. Colossus brings Wade to the X-Mansion to recruit him. Wade is left with only a Skee-Ball token, an anniversary gift, as a final memento of Vanessa.\n

Recovering at the X-Mansion, Wade reluctantly agrees to join the X-Men because he believes Vanessa would have wanted him to. He, Colossus, and Negasonic Teenage Warhead respond to a standoff between authorities and the unstable young mutant Russell Collins at an orphanage owned by the Essex Corporation, labeled a \"Mutant Re-education Center\". Realizing that Russell has been abused by the orphanage staff, Wade kills one of the staff members before being restrained by Colossus, and both Wade and Russell are arrested. Fitted with power-suppressing collars, they are taken to the Ice Box, an isolated prison for mutant criminals. Meanwhile, Cable, a cybernetic soldier from the future, travels back in time to kill Russell.\n

Cable storms the Ice Box and attacks Russell. Wade, whose collar breaks in the ensuing melee, attempts to protect Russell. After Cable takes Vanessa's token, Wade forces himself and Cable out of the prison, but not before Russell overhears Wade denying that he cares for him. Near death again, Wade has another vision of Vanessa in which she convinces him to help Russell. He organizes a team called X-Force to free Russell from a prison-transfer convoy and protect him from Cable. The team launches its assault on the convoy by parachute, but all members die during the landing except for Wade and Domino, whose main superpower is claimed to be pure luck. While a fight with Cable distracts them, Russell frees fellow inmate Juggernaut, who agrees to help him kill the abusive orphanage headmaster. Juggernaut destroys the convoy, rips Wade in half, and escapes alongside Russell.\n

While Wade recovers, Cable offers to work with him and Domino to stop Russell from killing the headmaster, as Russell will then become a serial killer who slaughters his family. Wade accepts on the condition that Cable gives him a chance to talk Russell down. At the orphanage, they are overpowered by Juggernaut while Russell pursues the headmaster. Colossus, having initially refused to help due to Wade's murderous ways, arrives to distract Juggernaut. Wade fails to placate Russell, forcing Cable to shoot at Russell. Wade leaps in front of the bullet while wearing the Ice Box collar and dies, reuniting with Vanessa in the afterlife. His sacrifice manages to stop Russell from killing the headmaster, and consequently saves Cable's family. Cable uses the last charge reserved for his return to warp back several minutes, strapping Vanessa's token in front of Wade's heart so he survives the bullet. Cable then decides to stay in the present for a while, to help improve the world, knowing that his family will be safe in the future. Afterward, the headmaster is run over and killed by Wade's taxi driver friend Dopinder.\n

In a mid-credits sequence, Negasonic and her girlfriend Yukio repair Cable's time-traveling device for Wade. He uses it to save the lives of Vanessa and X-Force member Peter, as well as to kill both an alternate version of Deadpool[a] and Ryan Reynolds after he finishes reading the screenplay for Green Lantern.\n

\n

Cast[edit]

\n
Reynolds at the Tokyo premiere of the film.
\n
  • Ryan Reynolds as Wade Wilson / Deadpool:
    A wisecracking mercenary with accelerated healing but severe scarring over his body after undergoing an experimental regenerative mutation.[2] He forms the X-Force, a team of mutants,[3] after finding himself at his \"lowest point\" at the beginning of the film.[4] The film makes several references to Deadpool's pansexuality after the first film was criticized for ignoring it.[5] As a co-writer on the film, Reynolds ad-libbed much of his dialogue throughout the production process.[6] For the film's mid-credits sequence, archive footage of Reynolds portraying Deadpool in X-Men Origins: Wolverine is used, and Reynolds also portrays himself before he acted in the film Green Lantern.[7]
    • \n
  • Josh Brolin as Cable:
    A time-traveling cybernetic soldier, \"in many ways the opposite of Deadpool\".[8] Director David Leitch called the dynamic between Cable and Deadpool \"sort of classic buddy-cop fare\", and compared them to the characters portrayed by Nick Nolte and Eddie Murphy, respectively, in 48 Hrs. (1982).[9] Leitch added that the character as written in the script was mostly just an \"action character\", and he relied on Brolin to add nuance to the role and explore the character's internal pain to avoid it becoming a caricature.[10] Brolin signed a four-film deal,[8] and described his appearance here as just the introduction for the character, with \"three more movies to reveal more\".[11]
    • \n
  • Morena Baccarin as Vanessa:
    Wilson's fianc\u00e9e.[12] The character is killed at the beginning of the film in an example of \"fridging\"\u2014the killing of a female character to forward the development of a male character. This happens to Cable's wife and daughter as motivation for his story arc as well. Leitch and the writers said they were unaware of the term \"fridging\" and that they were not being \"consciously sexist\". Earlier versions of the film simply had Vanessa breaking up with Wilson, but the writers wanted to use the opportunity to \"engender great suffering for him by having his line of work be the thing that costs Vanessa her life\". They were also more comfortable with the deaths due to the increased number of strong female characters in the film and because the deaths are reversed by the end of the film with time travel; screenwriter Rhett Reese stated, \"Maybe that's a sexist thing. I don't know. And maybe some women will have an issue with that. I don't know. I don't think that that'll be a large concern, but it didn't even really occur to us.\"[4] Baccarin said she trusted the storyline was necessary for the film and emphasized the fact that Vanessa is saved at the end of the film.[13]
    • \n
  • Julian Dennison as Russell Collins / Firefist:
    A young mutant with pyrokinetic abilities who is being hunted by Cable.[14][15] Reynolds insisted on casting Dennison after seeing him in Hunt for the Wilderpeople (2016),[15] with the character \"tailor-made\" for him, and no other actors considered for the role.[9][16] Leitch thought the character was an \"interesting take on the whole angle of the villain\".[9] Dennison felt the role was particularly special because, being \"chubby\", he would watch superhero films and \"never see anyone like me. I am excited to be that for other kids who look like me.\"[17] Sala Baker plays the character at an older age, in Cable's future.[18]
    • \n
  • Zazie Beetz as Domino:
    A mercenary with the mutant ability to manipulate luck,[19][20] who joins Deadpool's X-Force team.[21] Leitch described the film's version of the character as Beetz' own \"real fun interesting take\",[9] with the actress interpreting Domino as an only child who forms a \"sibling sort of relationship\" with Deadpool, with \"that back-and-forth banter where she is not dealing with his\".[22] Beetz began \"working out every day\" when she got the role, which required her to shoot guns and use \"full body\" physicality,[23] and chose not to shave her armpits to match the changing perception of the practice among the general public and to prove that it is \"not something that is gross or shameful\".[24]
    • \n
  • T. J. Miller as Weasel:
    Wilson's best friend and the owner of a bar frequented by mercenaries.[25]
    • \n
  • Brianna Hildebrand as Negasonic Teenage Warhead:
    A teenage X-Man with the mutant power to detonate atomic bursts from her body,[26] she is now a \"new level of X-Men\" after being a trainee in the first film.[27] Hildebrand felt that \"it's cool that she's grown and matured and she still has so much of this essence of a punk kid\" from the first film, and added that the character would have a \"cooler\" costume in the sequel.[28] The filmmakers intended to have Hildebrand shave her head to indicate that her abilities burned off her hair, but she was unable to do so due to a television series commitment.[29] The film also reveals that Negasonic is in a same-sex relationship, which is the first openly LGBTQ relationship depicted in a Marvel film.[5] When Reynolds asked Hildebrand how she felt about the potential storyline during development, the actress\u2014a member of the LGBTQ community herself\u2014responded positively with the stipulation that the film not make \"a big deal\" about the relationship.[30] In a statement, GLAAD President and CEO Sarah Kate Ellis praised the relationship as \"a milestone in a genre that too often renders LGBTQ people invisible, and should send a message to other studios to follow this example of inclusive and smart storytelling\".[31]
    • \n
  • Jack Kesy as Black Tom Cassidy:
    A mutant inmate of the facility where Deadpool and Firefist are imprisoned.[32] He was originally written as a more prominent antagonist, acting as a \"devil on Firefist's shoulder\", but his role was reduced when the writers decided there were too many antagonists in the story and the budget would be better spent on a character such as Juggernaut.[33]
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Reprising their roles from Deadpool include Leslie Uggams as Blind Al, Deadpool's blind elderly roommate;[34] Karan Soni as Dopinder, Deadpool's admirer and taxi driver, serving as Deadpool's de facto chauffeur;[35] and Stefan Kapi\u010di\u0107 as the voice of Colossus, a member of the X-Men with the mutant ability to transform his entire body into organic steel.[26] Kapi\u010di\u0107 described Colossus as one of the most important characters in the film, requiring a more intense process for Kapi\u010di\u0107 during recording for the character. He explained that Colossus would continue to try making Deadpool a better person and potential X-Men after doing so in the first film.[36] Unlike the first film, Kapi\u010di\u0107 also provided performance capture for the character's face on the sequel, while Andre Tricoteux returned to stand-in for the character on set.[37]\n

Additionally, Eddie Marsan stars as the Headmaster, who is the brutal headmaster of the Essex Home for Mutant Rehabilitation, an orphanage;[38][39] Shioli Kutsuna as Yukio, Negasonic Teenage Warhead's girlfriend and fellow X-Men.[40][41] A version of Yukio previously appeared in the 2013 film The Wolverine, portrayed by Rila Fukushima.[42] Randal Reeder cameos as Buck, A huge \"biker-type\" who hangs out at Weasel's bar, whom Deadpool only allows to have one line.\n

In addition to portraying Deadpool and himself, Reynolds provided the voice for the Juggernaut. Juggernaut is credited as being voiced by \"himself\", and was previously portrayed by Vinnie Jones in the 2006 film X-Men: The Last Stand. According to Reese, the creative team on Deadpool 2 felt that appearance did not do justice to the character. Wanting an additional villain for the film to support Firefist for the final fight with X-Force, the writers chose Juggernaut because he is \"a force of nature [who] was probably the coolest character never to be used ... in the right way\".[16] The character's face was modeled on Leitch's, with Reynolds providing facial capture and his voice.[43] The latter was digitally modulated to make it deeper. Reese added that the character \"didn't have many lines, he's a man of few words, but he's a man of great anger and forcefulness\".[16]\n

Additionally, Robert Maillet briefly appears as Sluggo, an inmate of the Ice Box who originally had a more prominent antagonistic role alongside Black Tom before both roles were reduced due to the number of villains in the film;[44][45] Hayley Sales and Islie Hirvonen respectively appear as Cable's wife and Hope, their daughter, during a flashforward;[46] and the film's version of the X-Force team also includes Terry Crews as Bedlam,[47][3] Lewis Tan as Shatterstar,[21] Bill Skarsg\u00e5rd as Zeitgeist,[48] Rob Delaney as Peter,[3] and Brad Pitt as Vanisher. Pitt was considered for the role of Cable before scheduling issues prevented him from taking it; he filmed his Vanisher cameo in two hours during postproduction.[49]\n

Reprising their roles as the X-Men for a brief cameo are James McAvoy as Professor X, Nicholas Hoult as Beast, Evan Peters as Quicksilver, Tye Sheridan as Cyclops, Alexandra Shipp as Storm, and Kodi Smit-McPhee as Nightcrawler.[50][51] Archive footage of Hugh Jackman as Logan / Wolverine from X-Men Origins: Wolverine is used in the mid-credits sequence, with Jackman's permission.[52] This was re-edited for the sequence, and included raw footage shot for that film.[7] Luke Roessler, who portrays a young David Haller in the X-Men based television series Legion, appears as a young mutant credited as \"Cereal Kid\".[53] When Cable travels to the present day, he comes across two \"rednecks\" discussing a toilet paper manifesto. This was inspired by a real manifesto written by Reese, which the writers wanted to be discussed in the film by a certain \"calibre\" of actor: the characters are portrayed by Alan Tudyk and a disguised Matt Damon, with the latter credited as \"Dickie Greenleaf\" (a reference to the 1999 film The Talented Mr. Ripley in which Damon stars).[49][54] Leitch and writers Reese and Paul Wernick respectively cameo as Ice Box inmate \"Ground Chuck Mutant\", a news helicopter pilot, a news cameraman.[49] Stan Lee was unable to cameo in the sequel, as he did in the first film and the short No Good Deed, but his likeness was used for a bust in the X-Mansion and for graffiti on a wall.[55][56]\n

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Production[edit]

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Development[edit]

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Producer Simon Kinberg revealed in September 2015 that discussions had begun regarding ideas for a sequel to Deadpool, which was set to be released in February 2016. One idea was for the film to introduce the character Cable, who had previously been looked at to appear in the first Deadpool and X-Men: Days of Future Past (2014) before that.[57] Cable's inclusion in the potential sequel was confirmed by the character Deadpool while breaking the fourth wall in the post-credits scene of the first film. Domino, a character with connections to Cable in the comics, was also believed to be featured in the sequel.[58] By the first film's release, 20th Century Fox had green-lit a sequel, with writers Rhett Reese and Paul Wernick returning to write the screenplay. Though director Tim Miller and producer/star Ryan Reynolds were not confirmed for the sequel at the time, Fox was \"intent on keeping the creative team together\".[2] Miller and Reynolds' involvement was confirmed at the 2016 CinemaCon that April,[59] though Miller had still not formally signed on to direct the sequel. He began work developing the script with the writers, while Reynolds had signed a new contract granting him \"casting approval and other creative controls\".[60]\n

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It has to tonally and stylistically be as fresh and original [as the first film]. That's a big challenge especially because they had 10 years to gestate on the first movie and we don't have that kind of time on the second movie. That's the biggest mandate [for the sequel] ... we have to resist the temptation to make it bigger.\n

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\u2014Producer Simon Kinberg on approaching Deadpool 2[61]

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In June 2016, Kinberg expected filming to begin at the beginning of 2017.[62] By August, Kyle Chandler was believed to be in the running to portray Cable.[63] After being mentioned in the post credits of the first film, Dolph Lundgren expressed interest in playing the role. He took to his social media to share concept imagery created by poster artist Justin Paul.[64] Testing of actresses for Domino had also begun by October, with the shortlist of actresses under consideration including Lizzy Caplan, Mary Elizabeth Winstead, Sienna Miller, Sofia Boutella, Stephanie Sigman, Sylvia Hoeks, Mackenzie Davis, Ruby Rose, Eve Hewson, and Kelly Rohrbach.[20] The producers were particularly interested in casting a black or Latina actress in the role.[19] Aubrey Plaza auditioned for the role.[65]\n

At the end of October, Miller left the film over \"mutual creative differences\" with Reynolds,[66] reportedly based on several factors, including Reynolds' expanded creative control over the sequel; Miller's wish for a more stylized follow-up than the first film, versus Reynolds' focus \"on the raunchy comedy style that earned the first movie its R rating\"; and Miller's intention to cast Chandler as Cable, which Reynolds opposed. Fox ultimately backed \"its marketable star\" over Miller, who had made his directorial debut with the first film.[60] Miller denied this report,[67] while Reynolds said he could only add that \"I'm sad to see him off the film. Tim's brilliant and nobody worked harder on Deadpool than he did.\"[68] Miller's plans for the film included introducing the young mutant Rusty and a comic book-accurate portrayal of Cable, having Vanessa embrace her Copycat persona from the comics, and featuring a fight between Juggernaut and the Thing. The latter is a member of the Fantastic Four, and the studio had approved crossing the character over from that franchise before Miller's exit.[69] A week after Miller's departure, Fox was looking at David Leitch, Drew Goddard, Magnus Martens, and Rupert Sanders as potential replacements for the director.[70][71] Leitch was the \"strong frontrunner\" for the role,[72] and signed on a month later.[71] Reynolds, a fan of Leitch's John Wick, said the director \"really understands those Deadpool sensibilities and where we need to take the franchise\", and \"can make a movie on an ultra tight minimal budget look like it was shot for 10\u201315 times what it cost\".[61]\n

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Writing[edit]

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The first completed draft from Wernick and Reese was expected around June 2016;[62] multiple had been completed by January 2017.[73] The pair felt a responsibility to explore the team X-Force, which includes Deadpool, Cable, and Domino in the comics, but to also keep the film focused on Deadpool.[74][73] By the next month, the studio was still not happy with the script, with Reynolds and the writers \"bunkered down ... trying to cross the finish line and create something everyone is excited to make\". Goddard joined them as a consultant.[75] Reese, Wernick, and Reynolds were credited for the script, the three having split the film's scenes between them before passing them around to be re-written by the others. Reese felt they were able to maintain \"one voice\" because of their long history with the character during development on the first film.[55]\n

Deadpool 2 is set \"more or less\" when the first film ends, and focuses on \"an existential crisis and a deeply personal cause\" for Deadpool. Leitch felt that retaining these personal stakes was more compelling for audiences than trying to build the film around global stakes.[76] The writers felt that the sequel was tonally similar to the first film, but wanted to explore a different theme by focusing on a group of individuals (X-Force) and their need for family,[77] with Reynolds explaining that \"the first movie is a love story masquerading as a comic-book movie, and this one is kind of a family film masquerading as a comic-book film again.\" Deadpool spends around half of the film unmasked, which the writers wanted for exploring the more emotional scenes, though Reynolds was reluctant to do this because he found the make-up required to portray an unmasked Deadpool \"time consuming and really uncomfortable\".[55] An early idea was to have the film begin five years after the first and explore Deadpool being a father, but the writers quickly decided that this was \"never, ever going to work\" and reworked the idea to explore the character wanting to have a child but being unable to.[78]\n

Earlier versions of the script included prominent roles for the characters Black Tom Cassidy and Sluggo, but they ultimately had a supporting role and a brief appearance, respectively. The villain Mr. X was also included in early drafts, but was cut due to the number of villains already in the film. The mutant inmates of the Ice Box were going to be explored more by having Cable breaking into the prison cause their power dampening collars to malfunction. This was removed from the script due to it not being feasible within the film's budget.[45] Leitch fought to include more aspects of Cable's backstory in the film after the writers chose to mostly ignore it due to it being convoluted;[79][80] a painting of Cyclops which would have acknowledged that character as Cable's father was ultimately cut, but the Techno-Organic Virus that Cable is inflicted with and his daughter Hope are depicted.[79] The film features contradictory connections to the various films of the franchise, which Leitch acknowledged as confusing but said that the issue had not really been discussed during development since the Deadpool films are considered their own \"entity\" in a way, and the character of Deadpool allows them to be \"flexible with the timeline, per se\".[81]\n

Reese and Wernick preferred to use jokes in the film that only certain members of the audience would understand, though Reynolds would not allow some to be used if he thought not enough people would enjoy them (including a reference to golfer Davis Love III).[77] Following the announcement of the proposed acquisition of 21st Century Fox by Disney in December 2017, the film includes several Disney-related jokes including a running gag about the Disney film Frozen (2013). However, Fox did make the producers remove a joke from the film that directly acknowledged the deal, which Reynolds said \"was a wise decision\".[82] Other cut jokes included many \"bizarre\" characters interviewing to join the X-Force, such as an idea to have Chris Evans reprise his role as the Human Torch from Tim Story's Fantastic Four films.[77]\n

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Pre-production[edit]

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Reese and Wernick confirmed in January 2017 that Stefan Kapi\u010di\u0107's Colossus, Brianna Hildebrand's Negasonic Teenage Warhead, and Karan Soni's Dopinder would be returning from the first film to \"make at least an appearance\".[26][35] By the beginning of March 2017, Michael Shannon had been in the running to portray Cable, but no longer could due to a scheduling conflict.[83] David Harbour had screen-tested for the role,[84] and Pierce Brosnan was believed to be in negotiations for a part in the film, potentially Cable.[85] Reynolds announced shortly after that Zazie Beetz had been cast as Domino.[19] Shannon was in the running to portray Cable again later in the month, and was considered the frontrunner ahead of a shortlist that also included Harbour.[86] Brad Pitt was also considered for the role, but had \"moved on\".[87] Leitch soon addressed the potential casting of these actors, saying Shannon \"would make an incredible Cable ... If that happens, I would be through the roof\";[88] and on Pitt, \"We had a great meeting with Brad, he was incredibly interested in the property. Things didn't work out schedule-wise [but] I think he would've made an amazing Cable\".[89] Aaron Taylor-Johnson was also approached by Leitch to appear in the film, even meeting together to discuss a role, but Taylor-Johnson declined it; Leitch and Taylor-Johnson would later go to collaborate in Leitch's Bullet Train (2022).[90] At the end of March, Morena Baccarin confirmed her return from the first film as Vanessa and expressed interest in exploring the character's Copycat persona from the comics in the sequel.[12] Josh Brolin emerged as a \"surprise contender\" to play Cable in April, ahead of Shannon and Harbour, and was officially cast in the role. Brolin also portrays the Marvel Comics character Thanos, in the Marvel Cinematic Universe.[8]\n

Also in April, Leslie Uggams confirmed that she would be reprising her role of Blind Al from the first film,[34] while Fox gave the sequel a June 1, 2018 release date.[91] Noting the release date, Leitch wanted to ensure that the film \"was worthy of a summer tentpole movie, and we knew we were going to be wedged in between some big films\", specifically wanting to expand the action and make the general feeling of the film \"bigger\" than the first one. However, he wanted the film to have the same DNA as the original \"in terms of the tone, and the fun ... I love that challenge\" of combining that with the increased scope. The film uses Deadpool's fourth wall-breaking to reference this release period, with Leitch calling these comments \"definitely fresh and timely when they come up\".[9] In May 2017, Fox was reportedly looking to use a post-credits scene at the end of Deadpool 2 to introduce several other members of X-Force who would go on to star alongside Reynolds, Brolin, and Beetz in an X-Force film. Casting for the characters\u2014Sunspot, Feral, and Shatterstar\u2014would take place over the coming months, though Reese denied the accuracy of this report.[92] Later, T.J. Miller confirmed that he would return from the first film as Weasel, and described the sequel as \"even more weaselicious\" than the first. He noted that Reynolds and the writers had \"really put the time in on the script\" to meet their own expectations for the sequel as well as those of fans.[25] Jack Kesy also joined the cast, as Black Tom Cassidy.[32] In June, Shioli Kutsuna was cast in a key role for the film,[40] Negasonic Teenage Warhead's girlfriend Yukio. The writers felt free to use the character in whatever way the film needed due to her having only a minor role in the comics.[41]\n

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Filming[edit]

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Riverview Hospital in Coquitlam served as the location for the initial and final battle scenes.
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Initial filming had begun by June 17, 2017, at Hatley Castle in Victoria, British Columbia, Canada, which is used to portray the X-Mansion in the X-Men films.[93] Principal photography began in Vancouver, on June 26, under the working title Love Machine.[94][95][96] The East Lawn building of Riverview Hospital in Coquitlam served as the location for the initial and final battle sequences.[97] Jonathan Sela served as cinematographer for the film.[96] At the end of June, Reynolds revealed that Julian Dennison had been cast in the film.[14] The next month, T.J. Miller said that he found the sequel to be funnier than the first film, and that \"it's not going to be the same movie in a different location [like The Hangover Part II]. It's got different stakes, different things happen, some pretty tragic, dark shit happens in the first part of the film, in the beginning, and the rest of the film is kind of dealing with that.\"[98] By then, Kapi\u010di\u0107 had been working with Leitch on set, and expected to continue contributing to Colossus through to April 2018.[99] Production on the X-Men film Dark Phoenix was taking place in Montreal concurrently with the filming of Deadpool 2, with Kinberg directing that film. He directed a brief moment where the X-Men are seen through an open door in the X-Mansion, which was added to Deadpool 2 with the aid of green screen to allow those characters to appear in this film.[50]\n

Leitch worked closely with Sela, the pair having previously collaborated on Leitch's earlier films, to acknowledge the aesthetic of the first film while expanding the look of the sequel to match the new situations and characters introduced. The pair created specific shot lists and plans for blocking out scenes before they arrived on set, and were very particular about the colors they used; they planned the color palette of the entire film, and also produced color wheels detailing specific palettes for each set piece. These color wheels were sometimes adjusted several days into the filming of a sequence after digital intermediate work revealed a different look than Leitch and Sela had been anticipating. Elements that were carried over from the first film included the \"moodiness\" and saturation of scenes set in Deadpool's apartment, and the contrast with blacks in action sequences, while Cable's future had a new aesthetic unlike anything in the first film. Another example of these color wheels was the sequence in which Firefist is introduced, with Leitch taking advantage of the scene being set during day to overemphasize the lighting and create a general sepia/orange tone that represented the fire abilities the character displays. This aesthetic met the storytelling needs of the scene as well as the practicalities of the filmmaking process.[100] Because the film was shot digitally, Sela worked with Vantage Film to develop custom lenses that created the \"texture and flavor\" he wanted for it where he otherwise would have manipulated the exposure and development of film stock to achieve the same effect.[101]\n

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An accident during filming on location at Shaw Tower in Vancouver caused the death of stunt woman Joi \"SJ\" Harris.
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On August 14, stunt woman Joi \"SJ\" Harris died in a motorcycle accident after losing control and crashing into Shaw Tower. Harris was working on the film as a stunt performer for the first time and had only joined the production a week before. Harris was not wearing a helmet because the character she was portraying, Domino, does not wear one in the scene, and there had not been time since she joined the film to create one for her to fit underneath the Domino wig. She had two full days of rehearsing the stunt as well as five more attempts on the day of the accident.[102][103] Veteran stunt double Melissa Stubbs had been available and willing to do the stunt, but the inexperienced Harris was preferred due to her skin color being a match for Beetz. This decision was criticized by multiple stunt professionals, with many noting that Harris' experiences racing motorcycles did not necessarily qualify her as an able stunt performer.[104] Production was shut down immediately after the incident, but resumed two days later. With this news also came reports that the film's crew were \"enduring very long hours\" and were \"exhausted by the schedule\", with the studio confirming that some days had increased from the scheduled 12\u201313 hours filming to over 15 hours.[102][103] The film's credits includes a dedication to the stuntwoman that reads \"In memory of Sequana Harris\".[105]\n

Earlier in August, Reynolds revealed that Rob Delaney was at the film's set,[106] and Eddie Marsan revealed later in the month that he was also on set for a role in the film.[38] Filming in Vancouver was expected to last until October 6,[94] with production on Deadpool 2 being officially completed on October 14.[107] Discussing the film's action, having previously worked as a stunt coordinator, Leitch said that all stunts are \"variations on a theme\" with the same basic elements, but Deadpool allows you to \"subvert those basics, and there's an expectation for a classic gag, but oops, maybe you get something else\". He also felt that introducing Domino gave the film unique opportunities for action sequences taking advantage of her luck-based abilities, as well as focusing on Deadpool's healing abilities and trying to use those interestingly.[9] Darrin Prescott served as second-unit director on the film,[108] and Jonathan Eusebio was the stunt-coordinator for the film,[109] both having worked on John Wick previously.[108][109] Domino's abilities were envisioned as a Rube Goldberg machine \"on steroids\", while Deadpool allowing his arm to be broken during a fight was an example of his abilities being used.[100] Unlike the first film, for which Fox was unwilling to pay for the writers to be on set,[110] the studio did pay for Reese and Wernick to be on set for the sequel. Leitch was happy for this to happen, Reynolds wanted them to be there, and it allowed the pair to continue contributing to the script and suggest new jokes and ideas throughout the filming process.[111] Scroggins Aviation Mockup & Effects was hired to supply a CH-47 Chinook (s/n 90-00204) in the film. Scroggins made modification to the CH-47 and worked with SFX to rig it to a motion base (Gimbal), It would be the first time a real Chinook was placed on a motion base in a motion picture.[112]\n

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Post-production[edit]

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Fox revealed in November that the film was technically untitled at that point, and not officially known as Deadpool 2 as had been assumed; the studio was temporarily referring to the film as The Untitled Deadpool Sequel.[113] Sexual misconduct allegations against T.J. Miller surfaced a month later, and by January 2018 some commentators had called for Miller to be replaced in the film in a similar manner to how Kevin Spacey was replaced by Christopher Plummer through reshoots in All the Money in the World (2017). Producer Lauren Shuler Donner addressed whether this would be possible, saying \"We're in the final editing. I don't think so.\"[114] Miller was later arrested for calling in a false bomb threat; Reynolds would not comment on either issue, but stated that Miller would not be appearing in the X-Force film.[76] Also in January, the film's release was moved up to May 18, 2018.[115]\n

In February 2018, Terry Crews was revealed to have a role in the film,[47] the character Shatterstar was confirmed to be appearing,[36] and the production returned to Vancouver for six days of reshoots under a new working title, Daisy.[116][117] Some reports emerged by mid-March claiming that these reshoots were due to poor audience responses during test screenings of the film, and consisted of sweeping changes.[118] However, the film was soon confirmed to be testing better than the original did, up to 98 out of 100 over three different tests (compared to a maximum score of 91 during tests of the first film). Because of this, the reshoots were adding more of the elements that audiences responded positively to, including additional material featuring Cable and Domino.[118][117] Sam Hargrave joined the film as a stunt coordinator for the reshoots, trying to \"breathe some new life in a couple of sequences\". He highlighted a car chase which combines vehicles, actors, and green screen.[119] By the end of the month, Pitt filmed a secret cameo appearance as the X-Force team member Vanisher during two hours of filming in Los Angeles,[117][49] having been asked to shoot the part by Reynolds and agreeing to be paid \"scale\", which Reese described as the equivalent of a Starbucks coffee. This was the final photography work done for the film.[120] The film's first full trailer officially titled the film Deadpool 2,[121][3] and revealed that Crews was portraying Bedlam; confirmed that Delaney would appear, portraying Peter; and that Bill Skarsg\u00e5rd also had a role.[3] The film's final trailer, released a month later, confirmed that Lewis Tan would portray Shatterstar, joining Domino, Bedlam, and Peter as members of X-Force.[21] The group also includes Skarsg\u00e5rd's character, revealed to be Zeitgeist.[48]\n

One scene that was cut from the film following test screenings was a post-credits scene featuring Deadpool traveling back in time to kill a baby Adolf Hitler. It was decided that the scene made audiences too \"squeamish\", which was not the feeling that the creative team wanted people to be leaving the film with.[77] The film originally did not have any post- or mid- credits scenes, with the Hitler scene and the film's other time-traveling mid-credits scenes shot during additional photography. The latter came about when someone suggested the time travel device be used to fix real-world mistakes like Reynolds' role in Green Lantern which the writers felt was \"the funniest idea ever, and what a great idea to end the movie\".[33] Additional footage of the X-Force team was shot for the film's marketing to hide the fact that the majority of the X-Force are immediately killed as a joke in the film.[122] Due to Deadpool's mask, the creative team was able to change the character's dialogue up to the film being officially completed; Reynolds took this opportunity to keep adding new jokes to the film as long as possible.[6]\n

Visual effects for the characters of Colossus and Juggernaut were provided by Framestore. The model for Colossus was altered from the first film to make him more \"chiseled and angular\", and his movements were based on motion capture performed by Andre Tricoteux on set. Tricoteux wore several metallic pieces, including a helmet and chest piece, as reference. Kapi\u010di\u0107 provided the character's facial performance. The character's \"iconic metal ridges\" were live textured by animators for the first film, but Framestore changed this to use a combination of shape movement and distortion so they could be more precise with the geometry of the lines. Juggernaut was represented on set by a 6 feet 8 inches (2.03 m) stand-in, who wore a helmet extension to match the character's 9 feet 6 inches (2.90 m) height. A full-scale replica of the character's metal helmet was built for interacting with stunts on set, but the final version was completely digital along with the rest of the character. Framestore animators found it challenging to move the helmet in a way that the character could still move his head underneath it, and studied the movement of bodybuilders for the character. Juggernaut's face was modeled on Leitch's, and Reynolds provided facial capture for the character, but this was modified during the animation process. For the final fight between the two characters, two stuntmen who matched the height difference between the two were filmed on a motion capture stage for reference; this footage was edited into a previsualization.[43] Other VFX companies like DNEG, Method Studios and Weta Digital contributed to the film with supervision by Mike Brazelton, Stephen Naze, Sean Konrad, Dan Macarin, and Dan Glass.[123][better source needed]\n

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Music[edit]

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Main article: Deadpool 2 (soundtrack)
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Junkie XL chose not to return for Deadpool 2 after composing the score for the first film, given that Miller was \"the driving force behind\" him working on that film in the first place.[124] In October 2017, it was confirmed that Tyler Bates would be writing the score for Deadpool 2 after doing the same for Leitch's previous films.[125] Bates approached the music with a slight rock sensibility,[6] and used a distorted guitar run through a wah-wah pedal, microsynths to add \"unique colors\", and a choir.[6] The choir originally sings lyrics such as \"you can't stop this motherfucker\" and \"holy shit balls!\", which ultimately earned the score a parental advisory warning. It is the first score album to receive such a warning. Bates felt this was not \"merit-less debauchery, it was just fun. It's very rare that we can work on something at such a high professional level that embraces the irreverence of Deadpool.\"[126]\n

Leitch wanted to create an original song for the film that served as an emotional through-line for all of the film's characters; the song \"Ashes\" was ultimately produced, as recorded by C\u00e9line Dion. Leitch directed a music video to go with the release of the song, and Reynolds both wanted to produce a music video to accompany the song; Leitch was initially conflicted about this, as he wanted audiences to discover the song,[127] which was filmed in The Colosseum at Caesars Palace.[128] It features dancer Yanis Marshall performing as Deadpool in high heels while Dion sings the song.[129] The song was released as a single with the music video on May 3, 2018,[130][127] before Sony Classical Records released a score album on May 11,[126] and Columbia Records released an album featuring the songs from the film\u2014including \"Ashes\"\u2014on May 18.[131][132]\n

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Marketing[edit]

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For the Fox presentation at CineEurope 2017 in June, Reynolds made a video message featuring himself in costume as Deadpool from the film's set.[133] The first teaser poster, which pays homage to Norman Rockwell's 1943 painting Freedom from Want, was released that November. Justin Carter of Comic Book Resources found it \"oddly appropriate for Deadpool 2 to co-opt [this] iconic work for a modern pop culture audience\" as it is \"true to Deadpool's incredibly referential nature\".[134] Eric Diaz of Nerdist said, \"It strikes exactly the irreverent tone you'd expect for the Deadpool sequel.\"[135] The first footage from the film debuted the following week, at the end of a video where Reynolds (in-character as Deadpool) parodies Bob Ross and his television show The Joy of Painting.[136][27] The video was described by The Hollywood Reporter's Ryan Parker as \"completely out of left field\" and setting the tone perfectly for the film, though his colleague Graeme McMillan was less positive due to not knowing of Ross (Deadpool co-creator Fabian Nicieza thought the fact that many in the audience would not know of Ross made the video \"exactly the kind of quirky pop culture choice that works perfectly for Deadpool\"). Parker added, \"This trailer only showed a few seconds from the film, but fans will be talking about it all day\" because of the presentation, unlike \"any other trailer which would have shown so little of the product\".[137]\n

Rather than pay for an expensive advertisement spot during Super Bowl LII, the film's official Twitter account was used to \"live tweet\" the event with in-character commentary from Deadpool.[138] A new trailer for the film was released later that week, focusing on introducing Cable. Parker felt that \"Reynolds and company have completely changed the trailer game. The formula of just showing some of the actual movie, but with a tiny story thrown in is such an incredible marketing idea.\" McMillan and their colleague Aaron Couch praised the trailer playing on the visual effects for Cable's arm not being finished, noting it as a joke about the visual effects to remove Henry Cavill's mustache from Justice League. The group collectively praised the overall marketing for the franchise, with McMillan suggesting that the campaign for the sequel may surpass that of the first Deadpool.[47] A full trailer for the film, explaining its general plot, was released at the end of March. Forbes contributor Scott Mendelson called it \"pretty funny and mostly entertaining\", but was disappointed in it being a \"conventional\" trailer compared to the more out-there videos previously released for the film. He explained that he thought the first film \"had a winning lead character and fine character-centric jokes, but a pretty generic origin story plot that eventually became the thing it was critiquing\", and was concerned that the sequel would turn out to be \"a more standard 'superhero sequel' sell\". Mendelson also noted the inclusion of T.J. Miller in the trailer following the reveal of sexual misconduct allegations against the actor in late 2017, calling it \"inevitable no matter how tarnished his reputation might be these days\".[139] The Hollywood Reporter group also noted the more traditional style of the trailer, but remained generally positive about the film and highlighted the supporting cast for the film as appearing in the trailer, including Brolin, Beetz, Kutsuna, and Crews.[140]\n

Also in March, a Twitter account was established for the character Peter and began to be regularly updated with tweets about his interests, including photos of the character beekeeping and preparing for his role in the X-Force team (as seen in the film).[141][142] A month later, Fox released the final trailer for the film, with Mendelson lamenting that it was as \"conventional\" as the previous trailer but finding it understandable that Fox not be seen to be hiding the film, and ultimately felt that the trailer indicated the film would be \"a pretty solid comic book sequel\".[143] The group at The Hollywood Reporter praised the final trailer as well, highlighting its references to X-Men Origins: Wolverine and the DC universe as well as its introduction of Peter.[144] At the end of April, Leitch stated that alternate versions of jokes that had been cut from the film were included in the trailers, since \"only one can live in the movie, so we might have snuck a couple in sort of additional materials that people can discover.\"[9] As part of a promotion for the film with beverage company Mike's Harder, the Sister Margaret's School for Wayward Girls fictional bar from the film was emulated in pop-ups at the Alligator Lounge in New York from April 26 through 28, and the Slipper Clutch in Los Angeles from May 10 through 12. The pop-ups respectively served pizza and chimichangas, traditionally Deadpool's favorite food, as well as Deadpool-inspired Harder drinks. The campaign also included the chance to win a trip to the film's premiere through Harder, and the Los Angeles pop-up benefited the nonprofit DTLA Film Festival.[145] All-in-all, the studio spent $135 million on promotions and advertisements for the film.[146]\n

\n

Release[edit]

\n

Theatrical[edit]

\n

Initial[edit]

\n

Deadpool 2 premiered at Leicester Square in London on May 10, 2018.[citation needed] It was released in the United States on May 18, 2018, having been previously scheduled for release on June 1 of that year.[91][113]\n

\n

Extended[edit]

\n

Leitch's initial cut of the film was around two hours and twelve minutes, with \"nips and tucks\" done to it to get the run time down to the final two hours. By May 2018, Leitch was working on an official extended edition of the film with Fox wanting to \"spin that out as a special thing\". He said it would be closer to his initial runtime and would include a cut montage of Deadpool trying to commit suicide in various ways, an extended sequence in the X-Mansion, and alternate versions of jokes that were not chosen for the film's theatrical version.[147] The extended cut, known as The Super Duper Cut or The Super Duper $@%!#& Cut was screened at San Diego Comic-Con 2018 at an event titled Deadpool 2: Uncut Screening.[148] Ahead of the screening, a panel was held at the convention moderated by Soni and featuring other cast members. Some of the scenes cut from the theatrical version of the film were debuted at the panel.[149] The Super Duper Cut also changed and added some post-credits scenes, including Deadpool preventing Peter's death, referencing Wolverine's death in Logan, and extending the \"Baby Hitler\" post-credits scene from the theatrical release.[150] The Super Duper Cut received mixed reviews from critics, who said that the extended version did not add sufficient new material to the film, and that viewers were likely to retain their same opinions from the film's theatrical release.[151] Mike Sorrentino from CNET noted that many of the new jokes in the extended cut were not as good as the original material, and that one of his favorite jokes was edited out.[152]\n

\n

Once Upon a Deadpool[edit]

\n

At the end of September 2018, Fox announced that it would release an untitled Deadpool film in theaters on December 21 in place of Alita: Battle Angel, which was moved to February 2019. The studio suggested that press and fans \"guess away\" as to what this new film would be, but it was believed to be a re-cut version of Deadpool 2 that would carry a PG-13 rating rather than being R-rated like the initial theatrical release.[153] Reynolds hinted that the version of the film would feature Deadpool telling the story of the film to Fred Savage, parodying The Princess Bride (1987) (also a 20th Century Fox film) in which a young Savage was told a bedtime story by Peter Falk who avoided \"the scary parts that were a bit too adult for the youngster\".[154] Reese and Wernick revealed in October that the idea for the new version of the film was raised by Reynolds during a general discussion about the character following the film's initial release, and that Reynolds also suggested the framing device for the story. Reese and Wernick wrote new scenes for the new version, and Leitch returned to direct them during a single day in August.[155][156] Wernick said the version would not just be for children who were unable to watch the R-rated release, as \"it's subversive enough and fun and creative and something that only Deadpool could do. So I think it's going to be a real joy for not only a whole new audience, but also an audience that has seen and loved the Deadpool movies.\" They added that the film's story would not change \"appreciably\" between versions.[155] The majority of the version is the same as the theatrical release, but edited to \"meet PG-13 thresholds of violence and language\".[156] Despite the edits, the British Board of Film Classification rated Once Upon a Deadpool with a 15 certificate, the same as had been given to the original release of Deadpool 2.[157]\n

Fox officially announced Once Upon a Deadpool in November, and changed the release schedule to run from December 12 to 24. The studio considered the release to be a chance of a \"Christmas bonus\", and it also had the potential to be released in China unlike the R-rated version. After spending the entire development process of both Deadpool and Deadpool 2 insisting to Fox that the films must be R-rated, Reynolds only agreed to support a PG-13 version of the film if a portion of the release's profit went to charity; Fox agreed to donate $1 for every ticket purchased for the film to the Fuck Cancer charity campaign, which would be temporarily renamed \"Fudge Cancer\" for the fundraising tie-in.[156] At the end of November, writer and artist Michael Vincent Bramley noted that he had pitched the exact framing device that was being used for this version of the film to Reynolds on Twitter in December 2017.[158] Within a day, Bramley had been contacted by Reynolds to discuss the issue and said, \"It seems like this may all just have been a big, insane coincidence and I'm happy to leave it at that.\"[159]\n

Once Upon a Deadpool received mixed reviews from critics. On review aggregation website Rotten Tomatoes, this version of the film has an approval rating of 57% based on 60 reviews, with an average rating of 6/10. The website's critical consensus reads, \"Once Upon a Deadpool retains enough of the franchise's anarchic spirit to entertain, but doesn't add enough to Deadpool 2 to justify its own existence.\"[160] On Metacritic, the film has a weighted average score of 53 out of 100, based on 14 critics, indicating \"mixed or average reviews\".[161] PostTrak reported filmgoers gave it a 77% overall positive score and a 53% \"definite recommend\".[162]\n

\n

Home media[edit]

\n

Deadpool 2 was released digitally on August 7, 2018, and physically on August 21. The latter release covered the Ultra HD Blu-ray, Blu-ray, and DVD formats, including both the theatrical version and Super Duper $@%!#& Cut unrated extended edition. The physical release includes an audio commentary for the theatrical version in 4K and Blu-ray formats, from Reynolds, Leitch, Reese, and Wernick. The Blu-ray format also includes a gag reel, deleted and extended scenes, alternate takes, featurettes on Easter eggs, the cast and characters, Leitch's directing, and the action and stunts, and more.[163] Once Upon a Deadpool was released on digital and on a Blu-ray/DVD combo pack, but was not given a standalone DVD release, on January 15, 2019, with Fox giving $1 for every purchase or digital rental of Once Upon a Deadpool between January 1 and 28 to Fuck Cancer.[164] The film became available to stream on Disney+ on July 22, 2022, alongside Deadpool and Logan.[165]\n

\n

Reception[edit]

\n

Box office[edit]

\n

Deadpool 2 grossed $324.6 million in the United States and Canada, and $460.5 million in other territories, for a worldwide total of $785.8 million, against a production budget of $110 million.[1] Deadline Hollywood calculated the net profit of the film to be $235.4 million, when factoring together all expenses and revenues, making it the seventh most profitable release of 2018.[146]\n

On April 20, 2018, both Fandango and Regal Cinemas announced that Deadpool 2 was the best pre-selling R-rated film in their respective histories.[166] The film opened in 4,332 theaters, setting the record for widest R-rated release ever (beating the 4,103 count by It in September 2017). It made $18.6 million from Thursday night previews and $53.3 million on its first day, setting records for both by an R-rated film, surpassing It's $13.5 million and $50.4 million, respectively. Additionally, Deadpool 2 had the highest opening day for a 20th Century Fox film, beating Star Wars: Episode III \u2013 Revenge of the Sith.[167] It sold a total of 5.8 million tickets on its first day of release, making it the second-highest number of opening day tickets being sold for any R-rated film, after The Matrix Reloaded, which sold 6.2 million tickets during its first day.[168] The film went on to debut to $125.5 million, the second-best opening for an R-rated film behind the original, and became the first film to dethrone Avengers: Infinity War atop the box office.[169] It fell 65.4% in its second weekend, grossing $43.5 million and finishing second behind newcomer Solo: A Star Wars Story.[170] The film made $23.2 million in its third weekend, remaining in second behind Solo.[171] It dropped 39% in both its fourth and fifth weekends, making a respective $14.1 million and $8.7 million.[172][173]\n

Worldwide, the film had a global debut of $300.4 million, including $174.9 million internationally, the largest-ever for an R-rated film or Fox release. It opened in 81 markets and finished first in all of them, including the United Kingdom ($18 million), Korea ($17 million), Russia ($11.8 million) and Australia ($11.7 million).[174] It remained number one in 27 markets in its second weekend, making $57 million and bringing its foreign total through its first full week to $279.7 million.[175] In its third week of international release the film made $47 million, including a $5.5 million debut in Japan (26% better than the first film), bringing its foreign total to $344 million.[176] In China, where the PG-13 Once Upon a Deadpool version was released, it had earned $42 million, as of February 7, 2019.[177][178]\n

Deadpool 2 superseded its predecessor to become the highest-grossing R-rated film of all time, until Joker, with a global gross of over $1 billion, surpassed it in 2019.[179]\n

\n

Critical response[edit]

\n

On review aggregator Rotten Tomatoes, the film holds an approval rating of 84% based on 422 reviews, with an average rating of 7.1/10. The website's critical consensus reads, \"Though it threatens to buckle under the weight of its meta gags, Deadpool 2 is a gory, gleeful lampoon of the superhero genre buoyed by Ryan Reynolds' undeniable charm.\"[180] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 66 out of 100, based on reviews from 51 critics, indicating \"generally favorable reviews\".[181] Audiences polled by CinemaScore gave the film an average grade of \"A\" on an A+ to F scale, the same score as the first film; audiences were 59% male and 41% female.[169]\n

Richard Roeper of the Chicago Sun-Times gave the film 3.5 out of 4 stars, jokingly calling it the best sequel since The Godfather Part II and saying: \"Deadpool 2 is wicked, dark fun from start to finish, with some twisted and very funny special effects, cool production elements [and] terrific ensemble work.\"[182] Mike McGranaghan from The Aisle Seat gave it a score of 3.5 out of 4, explaining that \"Deadpool 2 is a better superhero sequel than Superman IV: The Quest for Peace, Ghost Rider: Spirit of Vengeance, and Batman & Robin. It's also better than the original Deadpool.\"[183] PopMatters writer J.R. Kinnard wrote: \"If you enjoyed the guilty pleasures of Deadpool, it's an immutable law of physics that you will love Deadpool 2. The second verse may be the same as the first, but that verse is a dirty limerick of childish goodness.\"[184] Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, \"Deadpool 2 is just like Deadpool only more so. It's actually a fair bit better\u2014funnier, more inventive than the 2016 smash...and more consistent in its chosen tone and style: ultraviolent screwball comedy.\"[185]\n

A.O. Scott of The New York Times was critical of the cynical tone of the film, writing \"something ever so slightly dishonest about this character, something false about the boundaries drawn around his sadism and his rage. Deadpool 2 dabbles in ugliness and transgression, but takes no real creative risks.\"[186] New York writer David Edelstein wrote that the film was tedious and predictable, noting \"A superhero movie with the looseness of a Mad magazine parody remains a viable idea, as demonstrated by the underrated Mystery Men and, of course, Deadpool. But a film that spits one-liners as mechanically as a tennis-ball launcher is even more tediously predictable than one with no sense of humor at all.\"[187]\n

\n

Accolades[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Award\nYear\nCategory\nRecipient(s)\nResult\nRef.\n
American Cinema Editors\n2019\nBest Edited Feature Film \u2013 Comedy\nCraig Alpert, El\u00edsabet Ronaldsd\u00f3ttir, Dirk Westervelt\nNominated\n[188]\n
Artios Awards\n2019\nFeature (Big Budget, Comedy)\nMary Vernieu, Marisol Roncali, Corinne Clark, Jennifer Page, Yumi Takada, Nina Henninger, and Raylin Sabo\nNominated\n[189]\n
Critics' Choice Movie Awards\n2019\nBest Actor in a Comedy\nRyan Reynolds\nNominated\n[190]\n
Best Comedy\nDeadpool 2\nNominated\n
Best Action Movie\nDeadpool 2\nNominated\n
Dragon Awards\n2018\nBest Science Fiction or Fantasy Movie\nDeadpool 2\nNominated\n[191]\n
GLAAD Media Award\n2019\nOutstanding Film \u2013 Wide Release\nDeadpool 2\nNominated\n[192]\n
Golden Trailer Awards\n2018\nBest Summer Blockbuster Trailer\n\"Comeback\"\nNominated\n[193]
[194]\n
Best Teaser\n\"Cable Red\"\nWon\n
Most Original Trailer\n\"Paintings \u2013 Bob Ross Trailer\"\nWon\n
Best Action TV Spot (for a Feature Film)\n\"Save Me / Tea\"\nNominated\n
Best Summer Blockbuster TV Spot (for a Feature Film)\n\"Save Me / Tea\"\nNominated\n
\"Selfless\"\nNominated\n
2019\nBest Action\n\"Friends\"\nNominated\n[195]
[196]\n
Best Home Ent Comedy\n\"Never Imagined :30\"\nNominated\n
\"Baby Legs\"\nNominated\n
Best Comedy TV Spot (for a Feature Film)\n\"Friends\"\nWon\n
Best Graphics in a TV Spot (for a Feature Film)\n\"Kittens/DMV\"\nNominated\n
Most Original TV Spot (for a Feature Film)\n\"Friends\"\nWon\n
\"Baby Legs\"\nNominated\n
Best Motion Poster\n\"Piccadilly Lights\"\nNominated\n
Most Innovative Advertising for a Feature Film\n\"Ashes\"\nNominated\n
Grammy Award\n2019\nBest Compilation Soundtrack for Visual Media\nDeadpool 2\nNominated\n[197]\n
Hollywood Music in Media Awards\n2018\nOutstanding Music Supervision \u2013 Film\nJohn Houlihan\nNominated\n[198]\n
Best Original Score \u2013 Sci-Fi/Fantasy/Horror Film\nTyler Bates\nNominated\n
Best Soundtrack Album\nDeadpool 2\nNominated\n
Best Original Song \u2013 Sci-Fi/Fantasy/Horror Film\nDeadpool 2 for \"Ashes\"\nNominated\n
Houston Film Critics Society Awards\n2019\nBest Original Song\nDeadpool 2 for \"Ashes\"\nNominated\n[199]\n
Hollywood Critics Association Awards\n2018\nBest Blockbuster\nDeadpool 2\nNominated\n[200]\n
Best Action Film\nDeadpool 2\nNominated\n
Best Stunt Work\nDeadpool 2\nNominated\n
Motion Picture Sound Editors Awards\n2019\nOutstanding Achievement in Sound Editing \u2013 Sound Effects and Foley for Feature Film\nDeadpool 2\nNominated\n[201]\n
People's Choice Awards\n2018\nFavorite Action Movie\nDeadpool 2\nNominated\n[202]\n
Favorite Action Movie Star\nRyan Reynolds\nNominated\n
San Diego Film Critics Society\n2018\nBest Comedic Performance\nRyan Reynolds\nNominated\n[203]\n
St. Louis Film Critics Association\n2018\nBest Comedy Film\nDeadpool 2\nNominated\n[204]\n
Teen Choice Awards\n2018\nChoice Summer Movie Star: Male\nJulian Dennison\nNominated\n[205]\n
Ryan Reynolds\nNominated\n
Choice Summer Movie Star: Female\nZazie Beetz\nNominated\n
\n

Further films[edit]

\n

Canceled Fox sequel and spin-off[edit]

\n

By November 2016, with development underway on Deadpool 2, Fox was also planning Deadpool 3, which was said to include the X-Force team.[206] With the confirmation that Leitch would direct Deadpool 2, Fox was looking for a separate filmmaker to direct Deadpool 3.[71] In March 2017, Reese clarified that though Deadpool 2 sets up the X-Force team, a future film focused on the team would be separate from Deadpool 3: \"[X-Force] is where we're launching something bigger, but then [Deadpool 3 is] where we're contracting and staying personal and small.\"[207]\n

In May 2018, Reynolds stated that a third Deadpool film might not be made, given the franchise's shift of focus to X-Force,[208] though Reese and Wernick felt a third film would \"absolutely\" be happening after Reynolds took a break from the character and X-Force was released, which they compared to the Iron Man franchise releasing Iron Man 3 (2013) after the crossover film The Avengers (2012).[7] Also, Leitch expressed interest in returning to the franchise.[209] In January 2021, Reynolds revealed that the plot of the film would have involved Deadpool and Wolverine going on a road trip, in the style of the film Rashomon.[210][211]\n

After the acquisition of 21st Century Fox by The Walt Disney Company in 2019, all planned X-Men films in development were cancelled, including X-Force and Fox's Deadpool 3, with Marvel Studios taking control of the franchise, alongside the Fantastic Four.[212][213]\n

\n

Marvel Cinematic Universe[edit]

\n
Main article: Deadpool & Wolverine
\n

Disney CEO Bob Iger said that Deadpool would be integrated with the Marvel Cinematic Universe (MCU) under Disney,[214] and the character's films could remain R-rated \"as long as we let the audiences know what's coming\".[215] The Once Upon a Deadpool version of the film was being watched carefully by Disney and Marvel Studios to see whether it might inform how they could approach the character and integrate him into the PG-13 MCU.[156] In December 2019, Reynolds confirmed that a third Deadpool film was in development at Marvel Studios.[212][216]\n

Shawn Levy directs, after previously working with Reynolds on Free Guy and The Adam Project, with Reese and Wernick returning to write the screenplay,[217][218] along with Zeb Wells, Reynolds, and Levy also co-writing.[219] Reynolds and Levy also produce, with Reynolds doing so through his production company Maximum Effort.[220][221] Hugh Jackman will appear as James \"Logan\" Howlett / Wolverine, reprising his role from the X-Men film series.[222] Karan Soni, Leslie Uggams, Morena Baccarin, Stefan Kapi\u010di\u0107, Rob Delaney, Brianna Hildebrand and Shioli Kutsuna will reprise their respective roles as Dopinder, Blind Al, Vanessa, the voice of Colossus, Peter, Negasonic Teenage Warhead, and Yukio from the previous Deadpool films.[223] Emma Corrin has been cast in an undisclosed villain lead role,[221] while Matthew Macfadyen is cast in an undisclosed role.[224] Filming began on May 23, 2023, in London.[225][226] It is scheduled to be released on July 26, 2024,[227] as the fourth film of the MCU's Phase Five.[228]\n

\n

Notes[edit]

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    \n
  1. ^ As shown in X-Men Origins: Wolverine.\n
    2. \n
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References[edit]

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    \n
  1. ^ a b c \"Deadpool 2 (2018)\". Box Office Mojo. Archived from the original on October 25, 2019. Retrieved February 23, 2019.\n
    2. \n
  2. ^ a b Kit, Borys (February 9, 2016). \"'Deadpool' Sequel Already in the Works\". The Hollywood Reporter. Archived from the original on June 11, 2017. Retrieved February 10, 2016.\n
    3. \n
  3. ^ a b c d e Anderton, Ethan (March 22, 2018). \"'Deadpool 2' Trailer Breakdown: What the F*cksicle Is This?\". /Film. Archived from the original on March 23, 2018. Retrieved March 23, 2018.\n
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  4. ^ a b Riesman, Abraham (May 18, 2018). \"Deadpool 2 Writers Defend Treatment of Female Characters\". Vulture. Archived from the original on May 18, 2018. Retrieved May 19, 2018.\n
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  5. ^ a b Romano, Nick (May 18, 2018). \"What Deadpool 2 gets right and wrong about Hollywood's first LGBTQ Marvel heroes\". Entertainment Weekly. Archived from the original on May 23, 2018. Retrieved May 21, 2018.\n
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  7. ^ a b c Vejvoda, Jim (May 18, 2018). \"Deadpool 2 End Credits Scenes Explained\". IGN. Archived from the original on May 18, 2018. Retrieved May 19, 2018.\n
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  9. ^ a b c d e f g Davis, Eric (April 19, 2018). \"Interview: Director David Leitch on 'Deadpool 2' and Building Out an R-Rated Cinematic Universe\". Fandango. Archived from the original on April 20, 2018. Retrieved April 20, 2018.\n
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  14. ^ a b Erao, Matthew (June 28, 2017). \"Deadpool 2 Casts Hunt for the Wilderpeople Star\". Screen Rant. Archived from the original on June 28, 2017. Retrieved June 29, 2017.\n
    15. \n
  15. ^ a b McGrane, Danielle (May 7, 2018). \"Julian Dennison makes fiery Deadpool debut\". The Australian. Archived from the original on May 18, 2018. Retrieved May 19, 2018.\n
    16. \n
  16. ^ a b c Vejvoda, Jim (May 18, 2018). \"Here's Who Voices Juggernaut in Deadpool 2\". IGN. Archived from the original on May 18, 2018. Retrieved May 19, 2018.\n
    17. \n
  17. ^ Galuppo, Mia (May 24, 2018). \"How 'Deadpool 2' Star Julian Dennison Pushed Superhero Representation Forward\". The Hollywood Reporter. Archived from the original on May 24, 2018. Retrieved May 27, 2018.\n
    18. \n
  18. ^ Philip, Tom (May 22, 2018). \"Deadpool 2's Julian Dennison Isn't in a Hurry to Grow Up\". GQ. Archived from the original on May 22, 2018. Retrieved May 23, 2018.\n
    19. \n
  19. ^ a b c Galuppo, Mia (March 9, 2017). \"'Deadpool 2' Casts 'Atlanta' Breakout Zazie Beetz as Domino\". The Hollywood Reporter. Archived from the original on May 17, 2017. Retrieved May 24, 2017.\n
    20. \n
  20. ^ a b Chitwood, Adam (October 19, 2016). \"Exclusive: 'Deadpool 2' Domino Shortlist Includes Mary Elizabeth Winstead, Ruby Rose [UPDATED]\". Collider. Archived from the original on May 30, 2017. Retrieved May 24, 2017.\n
    21. \n
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    22. \n
  22. ^ Lovece, Frank (May 17, 2018). \"Don't mess with the women of Deadpool 2\". Toronto Star. Archived from the original on May 21, 2018. Retrieved May 21, 2018.\n
    23. \n
  23. ^ Massabrook, Nicole (May 23, 2017). \"Zazie Beetz Talks 'Deadpool 2' Training; Domino Actress Wants To Be in Donald Glover's Cartoon\". International Business Times. Archived from the original on June 3, 2017. Retrieved May 25, 2017.\n
    24. \n
  24. ^ Loughrey, Clarisse (May 16, 2018). \"Deadpool 2 interview: Zazie Beetz on why Domino embraces armpit hair\". The Independent. Archived from the original on May 27, 2018. Retrieved May 27, 2018.\n
    25. \n
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\nDeadpool 2 \n (2018)\n \n

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Full Cast & Crew

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\n David Leitch\n
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Writing Credits\n(WGA)  \n

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\n Rhett Reese\n ...\n (written by) &\n
\n Paul Wernick\n ...\n (written by) &\n
\n Ryan Reynolds\n ...\n (written by)\n
 
\n Rob Liefeld\n ...\n (based on the character created by) (uncredited)\n
\n Fabian Nicieza\n ...\n (based on the character created by) (uncredited)\n
\n

\n \n Cast\n (in credits order)\n verified as complete \n  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n \n Ryan Reynolds\n \n ...\n \n Wade Wilson / \n Deadpool / \n Voice of Juggernaut \n \n
\n \n Josh Brolin\n \n ...\n \n Cable \n \n
\n \n Morena Baccarin\n \n ...\n \n Vanessa \n \n
\n \n Julian Dennison\n \n ...\n \n Firefist \n \n
\n \n Zazie Beetz\n \n ...\n \n Domino \n \n
\n \n T.J. Miller\n \n ...\n \n Weasel \n \n
\n \n Leslie Uggams\n \n ...\n \n Blind Al \n \n
\n \n Karan Soni\n \n ...\n \n Dopinder \n \n
\n \n Brianna Hildebrand\n \n ...\n \n Negasonic Teenage Warhead \n \n
\n \n Jack Kesy\n \n ...\n \n Black Tom \n \n
\n \n Eddie Marsan\n \n ...\n \n Headmaster \n \n
\n \n Shioli Kutsuna\n \n ...\n \n Yukio \n \n
\n \n Stefan Kapicic\n \n ...\n \n Colossus \n \n \n (voice)\n \n \n
\n \n Randal Reeder\n \n ...\n \n Buck \n \n
\n \n Nikolai Witschl\n \n ...\n \n Head Orderly Frye \n \n
\n \n Thayr Harris\n \n ...\n \n Sergei Valishnikov \n \n
\n \n Rob Delaney\n \n ...\n \n Peter \n \n
\n \n Lewis Tan\n \n ...\n \n Shatterstar \n \n
\n \n Bill Skarsg\u00e5rd\n \n ...\n \n Zeitgeist \n \n \n (as Bill Skarsgard)\n \n \n
\n \n Terry Crews\n \n ...\n \n Bedlam \n \n
\n \n Brad Pitt\n \n ...\n \n Vanisher \n \n
\n \n Paul Wu\n \n ...\n \n Hong Kong Boss \n \n
\n \n Robert Maillet\n \n ...\n \n Sluggo \n \n
\n \n Alan Tudyk\n \n ...\n \n Luke - Redneck #1 \n \n
\n \n Matt Damon\n \n ...\n \n Redneck #2 \n \n \n (as Dickie Greenleaf)\n \n \n
\n \n Michasha Armstrong\n \n ...\n \n Swat Captain (School) \n \n
\n\"Joe \n Joe Doserro\n \n ...\n \n Bus Driver \n \n
\n \n Hayley Sales\n \n ...\n \n Cable's Wife \n \n
\n \n Islie Hirvonen\n \n ...\n \n Cable's Daughter \n \n
\n\"Jagua \n Jagua Arneja\n \n ...\n \n Tree Trimmer #1 \n \n \n (as Jag Arneja)\n \n \n
\n \n Gerry South\n \n ...\n \n Tree Trimmer #2 \n \n
\n \n Mike Dopud\n \n ...\n \n Prison Guard \n \n
\n \n Luke Roessler\n \n ...\n \n Cereal Kid \n \n
\n \n Andy Canete\n \n ...\n \n Neighbour #1 \n \n
\n \n Tanis Dolman\n \n ...\n \n Neighbour #2 \n \n
\n \n Eleanor Walker\n \n ...\n \n Neighbour #3 \n \n
\n \n Hunter Dillon\n \n ...\n \n Branding Boy \n \n
\n \n Sala Baker\n \n ...\n \n Older Firefist \n \n
\n\"Sonia \n Sonia Sunger\n \n ...\n \n News Reporter (Irene) \n \n
\n \n Paul Wernick\n \n ...\n \n News Cameraman \n \n
\n \n Rhett Reese\n \n ...\n \n News Helicopter Pilot \n \n
\n\"Abiola \n Abiola Uthman\n \n ...\n \n Chinook Pilot \n \n
\n \n Tony Bailey\n \n ...\n \n Black Tom Gang Member \n \n
\n\"David \n David Cook\n \n ...\n \n Priest \n \n
\n \n Alex Kliner\n \n ...\n \n Park Bench Couple \n \n
\n\"Elaine \n Elaine Kliner\n \n ...\n \n Park Bench Couple \n \n
\n \n David Leitch\n \n ...\n \n Ground Church Mutant \n \n
\n\"Alicia \n Alicia Morton\n \n ...\n \n Vocalist on 'Tomorrow' \n \n \n (singing voice)\n \n \n
Rest of cast listed alphabetically:
\n \n Fred Savage\n \n ...\n \n Fred Savage \n \n
\n\"Sheila \n Sheila Atienza\n \n ...\n \n Lab Worker \n \n \n (uncredited)\n \n \n
\n \n Noah Beggs\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n \n Mike Bhangu\n \n ...\n \n Inmate \n \n \n (uncredited)\n \n \n
\n \n Valencia Budijanto\n \n ...\n \n Zoo Kid \n \n \n (uncredited)\n \n \n
\n \n Lisa Bunting\n \n ...\n \n Child Protection Worker \n \n \n (uncredited)\n \n \n
\n \n Elliot Chandler\n \n ...\n \n Orphan \n \n \n (uncredited)\n \n \n
\n \n Paul Cheng\n \n ...\n \n Scoutmaster Kevin Osaka Thug \n \n \n (uncredited)\n \n \n
\n\"Sean \n Sean Connolly\n \n ...\n \n Orderly \n \n \n (uncredited)\n \n \n
\n\"Jordan \n Jordan Davis\n \n ...\n \n Riot Prisoner \n \n \n (uncredited)\n \n \n
\n \n Cassandra Ebner\n \n ...\n \n Meth Lab Gangster \n \n \n (uncredited)\n \n \n
\n \n Miles Ellis\n \n ...\n \n Waving Prisoner \n \n \n (uncredited)\n \n \n
\n \n Glenn Ennis\n \n ...\n \n Mob Thug \n \n \n (uncredited)\n \n \n
\n\"Joerg \n Joerg Everding\n \n ...\n \n Civilian / \n Tourist \n \n \n (uncredited)\n \n \n
\n\"Sean \n Sean Gislingham\n \n ...\n \n Sammy \n \n \n (uncredited)\n \n \n
\n\"Rex \n Rex Go\n \n ...\n \n Business Passerby / \n Convention Goer \n \n \n (uncredited)\n \n \n
\n \n Lars Grant\n \n ...\n \n Prison Guard 96S \n \n \n (uncredited)\n \n \n
\n \n Ryan Handley\n \n ...\n \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Sam Hargrave\n \n ...\n \n DMC Guard \n \n \n (uncredited)\n \n \n
\n \n Nicholas Hoult\n \n ...\n \n Beast \n \n \n (uncredited)\n \n \n
\n \n Stefania Indelicato\n \n ...\n \n Bystander \n \n \n (uncredited)\n \n \n
\n \n Hugh Jackman\n \n ...\n \n Wolverine \n \n \n (archive footage) (uncredited)\n \n \n
\n \n Todd Allen Johnson\n \n ...\n \n Peter \n \n \n (uncredited)\n \n \n
\n \n Janvier Katabarwa\n \n ...\n \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Andrei Kovski\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"Larry \n Larry Lam\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n \n Paul Lazenby\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"David \n David Le\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n\"Simon \n Simon MacIntyre\n \n ...\n \n Business Passerby \n \n \n (uncredited)\n \n \n
\n \n Peter Marcin\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n\"Lionel \n Lionel Marye\n \n ...\n \n Dead Orderly \n \n \n (uncredited)\n \n \n
\n \n James McAvoy\n \n ...\n \n Charles Xavier \n \n \n (uncredited)\n \n \n
\n \n Stuart Murray\n \n ...\n \n Shocked Onlooker \n \n \n (uncredited)\n \n \n
\n\"Danny \n Danny Ocean\n \n ...\n \n Strip Club Baddie \n \n \n (uncredited)\n \n \n
\n\"Paul \n Paul Oostergo\n \n ...\n \n Passerby \n \n \n (uncredited)\n \n \n
\n \n Evan Peters\n \n ...\n \n Quicksilver \n \n \n (uncredited)\n \n \n
\n\"Richard \n Richard Rigby\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n \n Shawn Robidoux\n \n ...\n \n Orderly / \n Prison Guard \n \n \n (uncredited)\n \n \n
\n \n Mitchell Saddleback\n \n ...\n \n Cowboy at Bar \n \n \n (uncredited)\n \n \n
\n\"Dakoda \n Dakoda Shepley\n \n ...\n \n Omega Red Prisoner \n \n \n (uncredited)\n \n \n
\n \n Tye Sheridan\n \n ...\n \n Cyclops \n \n \n (uncredited)\n \n \n
\n \n Alexandra Shipp\n \n ...\n \n Storm \n \n \n (uncredited)\n \n \n
\n\"Toshi \n Toshi Sinha\n \n ...\n \n Vanessa \n \n \n (uncredited)\n \n \n
\n \n Kodi Smit-McPhee\n \n ...\n \n Nightcrawler \n \n \n (uncredited)\n \n \n
\n \n Linley Subryan\n \n ...\n \n City Passerby \n \n \n (uncredited)\n \n \n
\n \n Taylor Tai\n \n ...\n \n Hong Kong Thug \n \n \n (uncredited)\n \n \n
\n \n Scott Vickaryous\n \n ...\n \n Thug \n \n \n (uncredited)\n \n \n
\n\"Robert \n Robert Wellman\n \n ...\n \n Toad \n \n \n (uncredited)\n \n \n
\n\"Myfanwy \n Myfanwy Williams\n \n ...\n \n Strip Club Dancer \n \n \n (uncredited)\n \n \n
\n \n Dan Zachary\n \n ...\n \n Mutant Prisoner \n \n \n (uncredited)\n \n \n
\n Produced by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Simon Kinberg\n ...\n producer (produced by) (p.g.a.)\n
\n Stan Lee\n ...\n executive producer\n
\n Jonathon Komack Martin\n ...\n executive producer\n
\n Kelly McCormick\n ...\n executive producer\n
\n Rhett Reese\n ...\n executive producer\n
\n Ryan Reynolds\n ...\n producer (produced by) (p.g.a.)\n
\n Lauren Shuler Donner\n ...\n producer\n
\n Ethan Smith\n ...\n executive producer\n
\n Aditya Sood\n ...\n executive producer\n
\n Paul Wernick\n ...\n executive producer\n
\n Music by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Tyler Bates\n ...\n (music by)\n
\n Cinematography by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jonathan Sela\n ...\n director of photography\n
\n Editing by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Craig Alpert\n ...\n film editor\n
\n Michael McCusker\n
\n El\u00edsabet Ronaldsd\u00f3ttir\n ...\n film editor\n
\n Dirk Westervelt\n ...\n film editor\n
\n Casting By \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Marisol Roncali\n
\n Mary Vernieu\n
\n Production Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n David Scheunemann\n
\n Art Direction by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Roger Fires\n
\n Dan Hermansen\n ...\n supervising art director\n
\n Peter Ochotta\n
\n Set Decoration by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Sandy Walker\n
\n Costume Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kurt and Bart\n ...\n (as Kurt Swanson) (as Bart Mueller)\n
\n Makeup Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Lilia Afsahi\n ...\n first assistant hair stylist\n
\n Richard Alonzo\n ...\n key makeup artist: CCE (as Richie Alonzo)\n
\n Lesley Becerra\n ...\n makeup coordinator: CCE\n
\n Lynnea Board\n ...\n first assistant hair stylist\n
\n Anne Carroll\n ...\n hair department head (as S. Anne Carroll)\n
\n Marie Clancy\n ...\n first assistant hair stylist: additional photography\n
\n Andy Clement\n ...\n co-makeup designer: CCE (as Andrew Clement)\n
\n Bill Corso\n ...\n makeup designer / makeup supervisor\n
\n Rebeccah Delchambre\n ...\n special makeup effects artist\n
\n Davina Faye\n ...\n first assistant makeup artist / first assistant makeup artist: additional photography\n
\n Mike Fields\n ...\n special makeup effects artist (as Michael Fields)\n
\n Felix Fox\n ...\n special makeup effects artist\n
\n Cayley Giene\n ...\n special makeup effects artist\n
\n Katie Goett\n ...\n special makeup effects artist\n
\n Sven Granlund\n ...\n assistant makeup artist\n
\n Lee Gren\n ...\n tattoo designer specialty tattoos: Tinsley Studio\n
\n Monica Huppert\n ...\n makeup department head\n
\n Akihito Ikeda\n ...\n key makeup artist: CCE\n
\n Richard Kohlen\n ...\n hair stylist\n
\n Howard Lau\n ...\n specialty tattoo designer\n
\n Toby Tzu-Jung Lee\n ...\n makeup artist\n
\n Manny Lemus\n ...\n silicone prosthetics\n
\n Harlow MacFarlane\n ...\n special makeup effects artist\n
\n Holland Miller\n ...\n special makeup effects artist\n
\n Pepe Mora\n ...\n key makeup artist: CCE\n
\n Geoff Redknap\n ...\n special makeup effects artist\n
\n Bronwyne Sloley\n ...\n special makeup effects artist\n
\n Mike Smithson\n ...\n makeup artist: Mr. Brolin\n
\n Debra Wiebe\n ...\n hair department head: additional photography\n
\n Darah Wyant\n ...\n first assistant makeup artist\n
\n Rebeccah Delchambre\n ...\n key makeup artist: second unit (uncredited)\n
\n Tibor Farkas\n ...\n special makeup effects artist (uncredited)\n
\n Wendy Fisher\n ...\n Special makeup effects technician (uncredited)\n
\n Brittany Fontaine\n ...\n prosthetic technician (uncredited)\n
\n Audrey Himmer-Jude\n ...\n assistant makeup artist (uncredited)\n
\n Beverly Hoy\n ...\n assistant makeup artist (uncredited)\n
\n Jennifer Machnee\n ...\n assistant makeup artist (uncredited)\n
\n Ailsa Macmillan\n ...\n hair stylist (uncredited)\n
\n Ryan Nicholson\n ...\n special makeup effects artist (uncredited)\n
\n Karly Paranich\n ...\n key makeup: second unit (uncredited)\n
\n Holly Pearson\n ...\n assistant makeup artist (uncredited)\n
\n Mary Phan\n ...\n assistant makeup artist (uncredited)\n
\n Leanne Rae Podavin\n ...\n special makeup effects artist (uncredited)\n
\n Matt Sprunger\n ...\n special makeup effects artist: Nicholas Hoult, Legacy Effects (uncredited)\n
\n Scott Stoddard\n ...\n special makeup effects artist: Nicholas Hoult, Legacy Effects (uncredited)\n
\n Jaala Leis Wanless\n ...\n hair stylist (uncredited)\n
\n Tray Willis\n ...\n assistant makeup artist (uncredited)\n
\n Production Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stewart Bethune\n ...\n production manager\n
\n Aaron Downing\n ...\n executive in charge of post production\n
\n Gregory Earls\n ...\n post-production manager\n
\n Vickie M. Hsieh\n ...\n production supervisor\n
\n Ashish Kukian\n ...\n production manager\n
\n Prashant Sharan\n ...\n production manager\n
\n Sainath Shinde\n ...\n stereo production manager\n
\n Ethan Smith\n ...\n unit production manager\n
\n Adrienne Sol\n ...\n production manager: additional photography\n
\n Second Unit Director or Assistant Director \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Paul Barry\n ...\n first assistant director\n
\n Benjamin Cairns\n ...\n second assistant director: additional photography\n
\n Iain Carson-Huggins\n ...\n trainee assistant director: second unit\n
\n Michael Collins\n ...\n additional second assistant director: additional photography\n
\n Jonathan Eusebio\n ...\n second unit director\n
\n Sam Hargrave\n ...\n second unit director: additional photography\n
\n Meaghan Irene Johnson\n ...\n third assistant director: additional photography\n
\n Joel Kennedy\n ...\n background coordinator\n
\n Regan Kosior\n ...\n third assistant director\n
\n Scott Kukurudz\n ...\n second assistant director: second unit\n
\n Haley Lauten\n ...\n trainee assistant director\n
\n Victor Matanawi\n ...\n trainee assistant director\n
\n Brad Medhurst\n ...\n second assistant director: second unit\n
\n Jayson Merrill\n ...\n first assistant director: second unit\n
\n Philip Nee Nee\n ...\n first assistant director: additional photography / key second assistant director\n
\n Amanda Petura\n ...\n third assistant director\n
\n Darrin Prescott\n ...\n second unit director\n
\n Matthew D. Smith\n ...\n second assistant director: second unit (as Matt Smith)\n
\n Robert S. Weber\n ...\n second assistant director: second unit\n
\n James Forrester\n ...\n background coordinator (uncredited)\n
\n Dan Glass\n ...\n second unit director (uncredited)\n
\n Alecia Maslechko\n ...\n background wrangler (uncredited)\n
\n Art Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mohamed AbouAhmed\n ...\n automotive spray painter\n
\n Jennifer Abrams\n ...\n set dec buyer\n
\n Aaron Alexander\n ...\n assistant property master\n
\n Cristian Arizaga\n ...\n set designer\n
\n Kris Bergthorson\n ...\n assistant art director\n
\n Marc Bitz\n ...\n concept artist\n
\n Amber Boorman\n ...\n set decoration buyer / sets buyer\n
\n Ester Bovard\n ...\n set decoration buyer\n
\n Katharina Brand\n ...\n set dresser\n
\n Christopher Br\u00e4ndstr\u00f6m\n ...\n concept artist\n
\n Chad Calder\n ...\n construction foreman\n
\n Niki Charalambopoulos\n ...\n paint foreman\n
\n Matthew Lego Chater\n ...\n scenic carpenter\n
\n Jason Claridge\n ...\n paint boss\n
\n Daniel Columbie\n ...\n prop designer\n
\n Fiorino Corsi\n ...\n props\n
\n Jadrien Cousens\n ...\n concept designer\n
\n Kelton Cram\n ...\n concept artist\n
\n Stian Dahlslett\n ...\n concept artist\n
\n Darian Deering\n ...\n set dresser\n
\n Jace Delnea\n ...\n set dresser\n
\n Jordan Dobbie\n ...\n Truck propsman\n
\n Marcus Endean\n ...\n storyboard artist\n
\n Houman Eshraghi\n ...\n set designer\n
\n Clayton Flagg\n ...\n assistant property master: second unit\n
\n Andrew Garcia-Price\n ...\n storyboard artist\n
\n Sophie Graham\n ...\n set decorator coordinator\n
\n William Groebe\n ...\n storyboard artist\n
\n Joel Hansen\n ...\n lead carpenter\n
\n Todd Harris\n ...\n storyboard artist\n
\n Eliza Hooker\n ...\n set decoration buyer\n
\n Melina Humphries\n ...\n graphic designer (as Melina Neufeld)\n
\n Kyle Irwin\n ...\n carpenter\n
\n Paul Jenkinson\n ...\n lead set dresser\n
\n Sean Johnson\n ...\n lead metal fabricator\n
\n Kevin Kasper\n ...\n set dresser: additional photography\n
\n Tani Kunitake\n ...\n illustrator\n
\n Ray Lai\n ...\n concept illustrator\n
\n Cody Larson\n ...\n on set dresser\n
\n Benjamin Last\n ...\n concept artist\n
\n Doug Lefler\n ...\n head of story: the third floor\n
\n Terry Lewis\n ...\n lead dresser\n
\n Jocelyne Lous\n ...\n set dec buyer\n
\n Ali Macrae\n ...\n prop buyer\n
\n Russell Mastine\n ...\n scenic artist\n
\n Aaron McBride\n ...\n concept artist\n
\n Kayla Meadows\n ...\n art department assistant\n
\n Uzair Merchant\n ...\n art department assistant\n
\n Wolfgang Metschan\n ...\n concept artist\n
\n Natalie Michalchyshyn\n ...\n construction buyer\n
\n Ashe Morrison\n ...\n assistant art director\n
\n Robert Murphy\n ...\n set dresser\n
\n David R. Murray\n ...\n construction foreman\n
\n Heather Murray\n ...\n props\n
\n Katharina Nimmervoll\n ...\n art dept coordinator\n
\n Jeremy Nitsch\n ...\n props: Builder: Truck Supervisor for reshoots\n
\n Brandt Noel\n ...\n art department\n
\n Sasha Odesse\n ...\n graphic designer\n
\n Tina Ok\n ...\n art department assistant: additional photography\n
\n Fred Palacio\n ...\n concept artist: I.L.M.\n
\n Eduardo Pena\n ...\n concept artist\n
\n Peter Rzazewski\n ...\n set designer\n
\n Daniel Scarcello\n ...\n prop builder\n
\n Beatrix Schalk\n ...\n set designer\n
\n Dennis Simard\n ...\n set dresser: additional photography\n
\n Jeremy Simser\n ...\n storyboard artist\n
\n Dan Sissons\n ...\n property master\n
\n Jerry Staar\n ...\n property master: second unit\n
\n Mark Stainthorpe\n ...\n construction lead\n
\n Kouji Tajima\n ...\n concept artist\n
\n Paul Wagner\n ...\n prop buyer\n
\n Jake Warren\n ...\n props\n
\n Marcos Weiss\n ...\n concept artist\n
\n Dayo Williams\n ...\n uncredited\n
\n Greg Winter\n ...\n construction first aid (as Greg Winder)\n
\n Glenn Woodruff\n ...\n construction coordinator\n
\n Sanford Worth\n ...\n props\n
\n Jennifer Yee\n ...\n set designer\n
\n Christopher Lee Zammit\n ...\n concept artist: Double Negative\n
\n Ken Palkow\n ...\n prop fabricator (uncredited)\n
\n Fraser Stepanick\n ...\n scenic artist (uncredited)\n
\n Sarah Vallim\n ...\n scenic artist (uncredited)\n
\n Sound Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jedediah Barton\n ...\n audio description narrator\n
\n David Betancourt\n ...\n adr mixer\n
\n Donald D. Brown\n ...\n boom operator\n
\n Paul Timothy Carden\n ...\n adr/dialog supervisor\n
\n Cary Clark\n ...\n engineer\n
\n Smokey Cloud\n ...\n first assistant sound editor\n
\n Jack Cucci\n ...\n foley mixer\n
\n John T. Cucci\n ...\n foley artist\n
\n Deborah Dom\u00ednguez\n ...\n DUB Supervisor\n
\n Aidan Dykes\n ...\n adr recordist\n
\n Ronald Eng\n ...\n dialogue editor\n
\n Scott Jason Farr\n ...\n sound mixer: mocap unit\n
\n Ian Ferguson\n ...\n sound assistant\n
\n Tim Gomillion\n ...\n sound recordist\n
\n David Grimaldi\n ...\n sound effects editor\n
\n Matthew Harrison\n ...\n foley editor\n
\n Rachel Johnston\n ...\n sound assistant 2nd unit / sound assistant\n
\n Mark Kenna\n ...\n dolby atmos consultant\n
\n Allister Mann\n ...\n boom operator: mocap unit\n
\n Paul Massey\n ...\n re-recording mixer\n
\n Sean Massey\n ...\n supervising dialogue editor\n
\n Chuck Michael\n ...\n sound designer\n
\n John Morris\n ...\n foley supervisor\n
\n Gina Mueller\n ...\n adr supervisor: Vancouver\n
\n Mark Noda\n ...\n sound mixer\n
\n Dan O'Connell\n ...\n foley artist\n
\n Mark Pappas\n ...\n foley editor\n
\n Brian Peterson\n ...\n sound transfer qc\n
\n Yung Q\n ...\n sound mixer\n
\n Alan Rankin\n ...\n sound designer\n
\n Erin Michael Rettig\n ...\n sound engineering\n
\n Cale Rozett\n ...\n foreign language mixer: Mandarin / foreign language mixer: Thai\n
\n John Soukup\n ...\n sound transfer recordist\n
\n Mark P. Stoeckinger\n ...\n supervising sound editor (as Mark Stoeckinger)\n
\n Jerrell Suelto\n ...\n adr mixer\n
\n Ian Tarasoff\n ...\n sound mixer: second unit\n
\n Jon Vogl\n ...\n adr mixer\n
\n Dan Walsh\n ...\n adr recordist\n
\n Paul Williams\n ...\n foreign re-recording mixer\n
\n Allen Yang\n ...\n boom operator: second unit\n
\n Art Young\n ...\n sound mixer: behind the scenes\n
\n Martyn Zub\n ...\n re-recording mixer / sound designer\n
\n Special Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Chris Baer\n ...\n moldmaker\n
\n Justin Bertges\n ...\n mold maker: Creative character engineering\n
\n Ryan Bilodeau\n ...\n special effects rigger\n
\n Roberta Cenedese\n ...\n cast water safety\n
\n Willard Cochrane\n ...\n special effects technician\n
\n Kelly Coe\n ...\n fabricator\n
\n Dylan Broughton Cole\n ...\n special effects assistant\n
\n Nicole Connelly\n ...\n buyer\n
\n Jerami Cruise\n ...\n specialty costumes\n
\n Herb DeWaal\n ...\n special effects diver\n
\n Kevin Dykstra\n ...\n special effects assistant\n
\n Max Gloeckler\n ...\n special effects technician\n
\n Ryan Harms\n ...\n fabricator\n
\n Heath Hood\n ...\n special effects set supervisor\n
\n Tony Kenny\n ...\n special effects\n
\n Ben Lawson\n ...\n special effects assistant\n
\n Raine Lemay\n ...\n fabricator\n
\n Tevin Maker\n ...\n special effects technician\n
\n Adam Tayler\n ...\n special effects technician\n
\n Andrew Verhoeven\n ...\n Design Supervisor / special effects coordinator for additional photography\n
\n Tucker Vezina\n ...\n special effects assistant\n
\n Mike V\u00e9zina\n ...\n special effects supervisor\n
\n Jolon Warrior\n ...\n special effects assistant\n
\n Amos Wong\n ...\n special effects electronics\n
\n Robert Martin Luther Carter\n ...\n special effects assistant (uncredited)\n
\n Brett Yavis\n ...\n special effects (uncredited)\n
\n Visual Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n 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\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Lisa Abbate\n ...\n controller: Image Engine\n
\n Nadarajan Usha Abheesh\n ...\n senior prep artist: DNEG\n
\n Sushant Acharekar\n ...\n lighting td: Double Negative\n
\n Keith Acheson\n ...\n visual effects artist\n
\n Tasmin Adams\n ...\n production assistant: double negative\n
\n Rohit Agarwal\n ...\n visual effects: double negative\n
\n Anton Agerbo\n ...\n visual effects producer: DNEG\n
\n Jose Gregorio Aguilar\n ...\n matchmove artist\n
\n Martha Aguilar\n ...\n digital compositor\n
\n Fazil Ahmed\n ...\n lead creature effects technical director: Double Negative\n
\n Frank Akrong\n ...\n senior compositor\n
\n Balakrishnan Alagarsamy\n ...\n digital compositor: double negative\n
\n Ashar Alam\n ...\n texture artist: DNEG\n
\n Amer Alameddine\n ...\n rigging td: Method Studios\n
\n Mohite Alankar\n ...\n visual effects artist\n
\n Laura Aldridge\n ...\n VFX production manager\n
\n Kaevski Aleksandar\n ...\n rotomation artist\n
\n Andrew Alevizos\n ...\n digital compositor\n
\n Daniil Alikov\n ...\n senior texture/lookdev artist: Double Negative\n
\n Lee Allan\n ...\n lead compositor\n
\n Alexandre Allman\n ...\n matchmove artist: Framestore\n
\n Antoine Ambert\n ...\n digital compositor\n
\n Jill Ambrosino\n ...\n previsualization producer\n
\n Mauricio Amezcua Arregui\n ...\n rotopaint artist: method studios\n
\n Ohkba Ameziane-Hassani\n ...\n senior digital groomer: method studios\n
\n Abhishek Amin\n ...\n look development td\n
\n Sneha Amin\n ...\n digital compositor: double negative / lead compositor / sequence lead compositor\n
\n Chris Anderson\n ...\n visual effects producer: Method studios\n
\n Keith Anderson\n ...\n digital compositor\n
\n Kanika Andrew\n ...\n digital compositor: double negative\n
\n Monifa Andrew\n ...\n vfx production manager\n
\n Mario Anger\n ...\n character modeler: Method Studios\n
\n Shawn Annets\n ...\n artist manager\n
\n Fabricio de Vasconcellos Baessa Antonio\n ...\n cg lead\n
\n Alfredo Octavio Arango\n ...\n matchmove artist: Double Negative\n
\n Paul Arion\n ...\n global head of layout: Double Negative\n
\n Chris Armsden\n ...\n lookdev r&d pipeline: Weta Digital\n
\n Jyoti Arora\n ...\n department coordinator: roto paint and outsource\n
\n Jahan Arsi\n ...\n roto artist\n
\n Arunvignesh\n ...\n digital artist\n
\n Sujay Raj As\n ...\n BodyTracking TD: DNEG Chennai\n
\n Ruth Asensio\n ...\n head of layout department: Double Negative, Vancouver\n
\n Daniel Ashton\n ...\n digital imaging technician: WETA Digital\n
\n Dan Ayling\n ...\n camera td\n
\n Abhijith Azhikkara\n ...\n matchmove artist: DNEG\n
\n Joshua Bailor\n ...\n compositor: Crafty Apes\n
\n Alexandre Bain\n ...\n digital compositor\n
\n Aakash Bairi\n ...\n visual effects coordinator\n
\n Sanjay Baliga\n ...\n supervisor\n
\n Balu V\n ...\n matchmove and rotoanim artist\n
\n Santosh Barad\n ...\n visual effects artist\n
\n Swapnil Baravalia\n ...\n digital artist\n
\n Mar\u00eda Barbadillo\n ...\n visual effects\n
\n Andra Bard\n ...\n senior visual effects producer: Trace VFX\n
\n Ron Barr\n ...\n digital opticals: Outback Post\n
\n Pharoah Barrett\n ...\n visual effects artist: the third floor\n
\n D\u00e1niel Bartha\n ...\n lead compositor\n
\n Tanner Bartlett\n ...\n compositor\n
\n Ryan Basaraba\n ...\n on-set data: DNEG VFX\n
\n Maxime Bastonnais\n ...\n visual effects artist\n
\n Addison Bath\n ...\n head of pipeline: The Third Floor\n
\n Claire Baudean\n ...\n texture artist\n
\n Scott E. Baxter\n ...\n digital compositor\n
\n Rohan Bediskar\n ...\n prep supervisor: Double Negative\n
\n Maxime Beliveau\n ...\n fx artist: Framestore\n
\n Marianne Bell\n ...\n visualization artist: the third floor\n
\n Martin Belleau\n ...\n lead lighting artist: Framestore\n
\n Gregory Bellis\n ...\n camera technical director: Weta Digital\n
\n Jean Bennamias\n ...\n visual effects artist: framestore\n
\n Damien Bent\n ...\n assistant colourist: visual effects\n
\n Chiranjit Bera\n ...\n visual effects artist: Vfx Roto Artist\n
\n Ian Berg\n ...\n data i/o: Double Negative\n
\n Cody Bergeron\n ...\n compositor: Method Studios\n
\n Lara Berners\n ...\n compositing department manager\n
\n John Berri\n ...\n supervising visual effects editor\n
\n Alex Betancourt\n ...\n lead lighting artist: DNEG\n
\n Ashley Bettini\n ...\n associate visual effects producer\n
\n Nitesh Bhalerao\n ...\n digital compositor: visual effects\n
\n Vijay Bharadwaj\n ...\n fx artist\n
\n Rasghania Bharat\n ...\n visual effects coordinator\n
\n Prateek Kumar Bhardwaj\n ...\n digital compositor\n
\n Jatin Bhavsar\n ...\n visual effects production manager\n
\n Yogesh Bhavsar\n ...\n creature technical director\n
\n Akshay Bhosale\n ...\n senior prep artist: Trace VFX\n
\n Dalbir Bhurji\n ...\n cg supervisor\n
\n Cameron Billingham\n ...\n pipeline td: Double Negative\n
\n Steven Bills\n ...\n lead creature technical director: DNEG\n
\n Jonathan Bird\n ...\n creature technical director\n
\n Yannick Bissonnette\n ...\n roto/paint artist\n
\n Kunal Biswas\n ...\n digital compositor\n
\n Prasanjit Biswas\n ...\n prep artist\n
\n Jourdan Biziou\n ...\n post visualization supervisor / visualization supervisor: the third floor\n
\n Yasmin Blake\n ...\n vfx production assistant\n
\n Matt Blouin\n ...\n visual effects editor\n
\n Rapha\u00ebl Boisvert-Desrochers\n ...\n paint & roto artist\n
\n Jacquelyn Booth\n ...\n digital compositor: Weta Digital\n
\n Peter Bowmar\n ...\n effects technical supervisor\n
\n Christopher Bozzetto\n ...\n visual effects artist\n
\n Adam Bradley\n ...\n rotoscope head of department: Weta Digital\n
\n Neal Bradshaw\n ...\n 3d scan technician: Gentle Giant Studios\n
\n Michael Brazelton\n ...\n visual effects supervisor: DNEG\n
\n Dan Breckwoldt\n ...\n compositing supervisor: DNEG\n
\n James Matthew Brettell\n ...\n facial motion editor: DI4D\n
\n Pankaj Brijlani\n ...\n senior match move\n
\n Andrew Brooks\n ...\n compositing supervisor: Method Studios\n
\n Ryan Brooks\n ...\n digital artist\n
\n Bruce Buckley\n ...\n cg build supervisor\n
\n Bruce Buechner\n ...\n visualization artist: The Third Floor\n
\n Yogendra Bundela\n ...\n visual effects artist: Lookdev TD\n
\n Justin Bunt\n ...\n digital compositor\n
\n Duncan Burbidge\n ...\n vp of global operations: the third floor\n
\n Andy Burmeister\n ...\n lead camera technical director: weta digital\n
\n Bertrand Cabrol\n ...\n fx artist\n
\n Miguel Diaz Cachero\n ...\n lead compositor: weta digital\n
\n Daniel Cairnie\n ...\n digital compositor: Double Negative\n
\n John Caldwell\n ...\n previs editor: the third floor\n
\n Doug Campbell\n ...\n senior compositor\n
\n Andy Campion\n ...\n camera department manager: Weta Digital\n
\n Alex Cannon\n ...\n senior postvis artist: the third floor\n
\n Axel Caparros\n ...\n creature fx td: Framestore\n
\n Tobias Caparros\n ...\n visual effects artist\n
\n Tiago Caribe\n ...\n render technician: Method Studios\n
\n Jordan Cario\n ...\n effects technical director: Framestore\n
\n Christopher Gonzalez Caro\n ...\n digital matte painter\n
\n Marc-Andr\u00e9 Carrier\n ...\n roto/paint artist\n
\n Marcello P. Carvalho\n ...\n lighting artist\n
\n Paco Castillo\n ...\n digital compositor: method studios\n
\n Gerardo Castro\n ...\n roto & paint artist\n
\n Jordan Catracchia\n ...\n digital compositor: Method Studios\n
\n Maxime Cazaly\n ...\n creature effects technical director: Double Negative\n
\n Lesly Cazares\n ...\n visual effects coordinator: method studios\n
\n Angelique Cecere\n ...\n virtual production coordinator: the third floor\n
\n Martin Chabannes\n ...\n visual effects artist\n
\n Amit Kumar Chahal\n ...\n texture artist: double negative\n
\n Gregory Chalenko\n ...\n lead compositor: Double Negative\n
\n Miguel Chan\n ...\n tracking & matchmove lead\n
\n Vikram Chandran\n ...\n digital compositor\n
\n Shyamsundar Chandrasekaran\n ...\n lead roto and paint artist: double negative\n
\n Yashvhanth Chandrasekaran\n ...\n digital compositor\n
\n Srikanth Chandu\n ...\n lighting td (as Srikanth Y.S.)\n
\n Hakyung Chang\n ...\n visual effects coordinator\n
\n Michael Chang\n ...\n visual effects artist\n
\n Diane Charlery\n ...\n environment artist\n
\n Abhishek Chaturvedi\n ...\n digital compositor\n
\n Priyank Chauhan\n ...\n senior prep artist: Double Negative\n
\n Nicolas Chavigny\n ...\n digital matte painter: framestore\n
\n Jason Chee\n ...\n layout td: double negative\n
\n Teddy Cheong\n ...\n compositor\n
\n Daniele Chindamo\n ...\n lead environment artist\n
\n Kunal Chindarkar\n ...\n lead compositor: Double Negative Visual Effects\n
\n Murali Krishna Chintapalli\n ...\n effects technical director: Double Negative (as Chintapalli MuraliKrishna)\n
\n Jee-Sung Cho\n ...\n creature fx td: Framestore\n
\n Milind Chogle\n ...\n lighting td: Double Negative\n
\n Nilansh Chopra\n ...\n digital compositor\n
\n Deepak Choudhary\n ...\n lighting td: DNEG\n
\n Ishwar Chougule\n ...\n prep artist / prep artist: visual effects\n
\n Ann Chow\n ...\n visual effects department manager\n
\n Alan Chuck\n ...\n artist management\n
\n Haejung Chun\n ...\n visual effects artist\n
\n Leslie Chung\n ...\n compositing supervisor\n
\n Tiffany Chung\n ...\n digital compositor: Crafty Apes\n
\n Carlos Cidrais\n ...\n lead lighting technical director: double negative\n
\n James G. Clark\n ...\n modeling td/lighting td: Double Negative (as James Galen Clark)\n
\n Jimi Clark\n ...\n department manager roto/paint & outsource\n
\n Pascal Clement\n ...\n modeller: Framestore\n
\n Emma Clifton\n ...\n digital compositor: Weta Digital\n
\n Rachel Hannah Cohen\n ...\n visual effects production manager: Weta Digital\n
\n David Conley\n ...\n visual effects executive producer: Weta Digital\n
\n Robert Connor\n ...\n lookdev technical director: Double Negative\n
\n Rory Coomey\n ...\n cyber and lidar scanning\n
\n Gemma Cooper\n ...\n digital compositor: Weta Digital\n
\n Claire Copland\n ...\n lead facial motion editor: DI4D\n
\n Barry Corcoran\n ...\n motion graphics supervisor\n
\n Cat Counsell\n ...\n crew production manager: Method Studios\n
\n Jadrien Cousens\n ...\n concept artist\n
\n Evelyn Cover\n ...\n virtual production manager: the third floor\n
\n Marlon Cowan\n ...\n data i/o: DNEG\n
\n Ben Cowell-Thomas\n ...\n dfx supervisor: double negative\n
\n Lucas Manuel Cuenca\n ...\n visual effects artist\n
\n David Cunningham\n ...\n FX Technical Director\n
\n Nick Curdy\n ...\n facial performance capture technician\n
\n Sonia D'Costa\n ...\n line producer\n
\n DeeJay Daljeet Singh\n ...\n senior prep artist: Worked with Dneg\n
\n Subhash Dalke\n ...\n lighting artist\n
\n Yuki Danura\n ...\n creature td: DNEG\n
\n Anais Dappe\n ...\n visual effects artist\n
\n Avijit Das\n ...\n creature td: double negative\n
\n Markus Daum\n ...\n senior creature technical director: Double Negative\n
\n Lalit Madhukar Dawale\n ...\n visual effects\n
\n Gayanath Dayasundara\n ...\n compositor\n
\n Jose L. De Juan\n ...\n lighting artist\n
\n Lucas De La Torre\n ...\n tv campaign graphics\n
\n Mat\u00edas De Rose\n ...\n fx td: framestore\n
\n Mathieu De Saint Jores\n ...\n assistant technical director: framestore\n
\n Lisa Deaner\n ...\n digital supervisor: Digital Makeup Group\n
\n Mitchell Deeming\n ...\n pipeline td\n
\n Lauren Degrain\n ...\n roto/paint artist\n
\n Vance Dehne\n ...\n roto/paint artist\n
\n Valerie Delahaye\n ...\n vfx producer: make vfx inc\n
\n Michael Deliso\n ...\n visualization artist: The Third Floor\n
\n Francesco Dell'Anna\n ...\n lead artist: double negative (as Francesco Dellanna)\n
\n Damien Delrue\n ...\n digital compositor\n
\n Quentin Delsart\n ...\n digital compositor: Framestore\n
\n Jonathan Desaulniers\n ...\n digital compositor: Framestore\n
\n Nicolas Desmet\n ...\n digital compositor: framestore\n
\n Gopinath Devendran\n ...\n roto paint artist\n
\n Christopher DeVito\n ...\n character td\n
\n Shirish Dhadve\n ...\n texturing artist: double negative\n
\n Dhananjayan\n ...\n bodytracking Artist\n
\n Belen Diaz Ripa\n ...\n assistant technical director\n
\n Steve DiNozzi\n ...\n digital compositor\n
\n James Donald\n ...\n Camera Technical Director: Weta FX\n
\n Steven Donnet\n ...\n asset lead: Framestore\n
\n Thomas Dotheij\n ...\n effects technical director: Framestore\n
\n Matthew Dravitzki\n ...\n visual effects producer: Weta Digital\n
\n Laurence Drouilly\n ...\n paint & roto artist: Framestore\n
\n Nelson Dsouza\n ...\n visual effects production manager\n
\n Sean Dsouza\n ...\n Senior lighting artist: Method Studios\n
\n Sophie Duchesne\n ...\n digital compositor\n
\n Eamon Samuel Duncan\n ...\n camera technical director: Weta Digital\n
\n Santosh Dwivedi\n ...\n lighting td: Double Negative\n
\n Wesley Ebelhar\n ...\n animator: Main on End Titles: Method Studios\n
\n Rafael Echegaray\n ...\n digital compositor\n
\n Gregory Ecklund\n ...\n previsualization artist\n
\n Kade Eckstein\n ...\n digital compositor: Method Studios\n
\n Christopher Edwards\n ...\n previs executive producer: The Third Floor\n
\n Nadav Ehrlich\n ...\n animation supervisor: Soho VFX\n
\n Olivia Eichenseer\n ...\n previs coordinator: The Third Floor\n
\n Jack Elder\n ...\n technical documentation\n
\n Thomas Elder-Groebe\n ...\n visual effects producer\n
\n Tosh Elliott\n ...\n senior character modeller: Double Negative\n
\n Jack Elworthy\n ...\n capture lab td: Framestore\n
\n Christian Emond\n ...\n digital effects\n
\n Kristin Engdahl\n ...\n visual effects coordinator: Method Studios\n
\n Lars Erik Eriksen\n ...\n head of paint and roto: Framestore\n
\n Vladislav Ermakov\n ...\n digital compositor\n
\n David Ertsinian\n ...\n visual effects artist: Soho VFX\n
\n Andrea Espinal\n ...\n senior compositor\n
\n YiMin Fan\n ...\n pipeline td\n
\n Giuseppe Faro\n ...\n it support: Dneg\n
\n Phylicia Feldman\n ...\n compositor\n
\n Cranston Fernandes\n ...\n roto prep artist: DNEG\n
\n Aaron Fickling\n ...\n creature td: DNEG\n
\n Nicolas Fillion\n ...\n texturing artist\n
\n Jesse Forsey\n ...\n rotoscope artist\n
\n Jerome Fortin\n ...\n digital compositor: Framestore\n
\n Dave Freeman\n ...\n concept artist: double negative\n
\n Tomohiko Fukuda\n ...\n digital compositor\n
\n Anthony Fung\n ...\n visualization artist: the third floor\n
\n Albert Gabriel\n ...\n lighting TD: Framestore: [Albert Gabriel] III\n
\n Jean-Francois Gagne\n ...\n lead digital compositor\n
\n Dave Gagnon\n ...\n lead texture artist: Framestore\n
\n Sabrina Gagnon\n ...\n visual effects producer: Framestore\n
\n Adam Gailey\n ...\n fx supervisor: double negative\n
\n Vikas Ganer\n ...\n roto and paint lead: Method studios\n
\n Nacho Gasco\n ...\n lighting td\n
\n Chetan Gaur\n ...\n visual effects supervisor: Trace VFX\n
\n Vivek Gaur\n ...\n compositor: method studios\n
\n Sanchit S. Gavale\n ...\n lead compositor\n
\n Jack Geckler\n ...\n previs artist: the third floor\n
\n Shivesh Gehlot\n ...\n compositing supervisor\n
\n Sotiris Georghiou\n ...\n visual effects artist\n
\n Christina Georgieva\n ...\n senior modeler\n
\n Bhupesh Ghagare\n ...\n prep/paint artist\n
\n Roshan Ghatkar\n ...\n lighting td\n
\n Muhammad Ghifary\n ...\n visual effects\n
\n Nick Ghizas\n ...\n visual effects production manager\n
\n Thomas Gillet\n ...\n lead texture\n
\n Derek Gillingham\n ...\n cg builds: DNEG\n
\n K.G. Ginu\n ...\n modeling artist\n
\n S\u00e9bastien Girard\n ...\n rigger\n
\n Florian Girardot\n ...\n compositor\n
\n Dan Glass\n ...\n production visual effects supervisor\n
\n Jose Gloria\n ...\n creature technical director: DNEG\n
\n Victor Utku Gocer\n ...\n digital compositor\n
\n Fr\u00e9d\u00e9ric Godbout\n ...\n matchmove artist\n
\n Yoel Godo\n ...\n compositor: Framestore\n
\n Blake Goedde\n ...\n digital compositor\n
\n Emanuele Goffredo\n ...\n effects technical director: DNeg\n
\n Ketki Gokhale\n ...\n character td\n
\n J. Gokulakrishnan\n ...\n digital compositor: double negative\n
\n Mahendra Golay\n ...\n digital compositor\n
\n Oleksiy Golovchenko\n ...\n lead digital matte painter: DNEG\n
\n Moises Gomez Gonzalez\n ...\n layout artist / matchmove artist\n
\n Hanna Goodman\n ...\n compositor: framestore\n
\n Namita Gotephode\n ...\n visual effects artist manager\n
\n Andrea Grappis\n ...\n fx td: DNEG\n
\n Vanessa Gray\n ...\n marketing coordinator: weta digital\n
\n Frank Grecco\n ...\n lighting td: title sequence\n
\n Anthony Greco\n ...\n matchmove artist: Framestore\n
\n Douglas Green\n ...\n DI4D: facial performance capture supervisor\n
\n Kyle Greenberg\n ...\n digital compositor: Framestore\n
\n Erik Gronfeldt\n ...\n senior look development artist\n
\n Zach Groves\n ...\n visual effects coordinator\n
\n Jack Grundy\n ...\n digital compositor\n
\n Eric Guaglione\n ...\n animation supervisor: Framestore\n
\n Ivan Andres Guerrero\n ...\n cg supervisor: method studios\n
\n Carlos Guill\u00e9n\n ...\n digital compositor: double negative\n
\n Rohit Prakash Gujar\n ...\n visual effects supervisor\n
\n Sian Gunningham\n ...\n studio assistant: double negative\n
\n Xin Steve Guo\n ...\n layout td: double negative\n
\n Vikas Gusain\n ...\n digital compositor: double negative\n
\n Nicolas Guyon\n ...\n digital compositor\n
\n Gabriel G\u00fceiros\n ...\n compositor\n
\n Charlie Habanananda\n ...\n digital grading artist: framestore\n
\n Matthew Hackett\n ...\n senior animator: main title sequence Method NYC\n
\n Joe Hagg\n ...\n vfx marketing executive\n
\n Bryan Haines\n ...\n digital compositor\n
\n Joshua Hakim\n ...\n video playback\n
\n Tyler Halarewich\n ...\n ncam operator\n
\n Siddharghya Haldar\n ...\n digital artist\n
\n Jason Michael Hall\n ...\n previsualization artist\n
\n Patrick Hall\n ...\n digital compositor: Framestore\n
\n Nicholas Hampshire\n ...\n pipeline technical director\n
\n Maverick Han\n ...\n digital compositor\n
\n Guy Hancock\n ...\n screen graphics designer\n
\n Nikhilesh Hardas\n ...\n texturing artist: visual effects\n
\n Brett Harding\n ...\n digital compositor\n
\n Krishnadev Hariprasad\n ...\n vfx line producer\n
\n Jonathan Harkes\n ...\n digital compositor\n
\n Jiten Harkhani\n ...\n compositor\n
\n Dylan Harris\n ...\n visualization artist: The Third Floor\n
\n Peter Hart\n ...\n head of matchmove and layout: Method Studios\n
\n Ehsan Hassani Moghaddam\n ...\n lead rigger\n
\n Jason Heapy\n ...\n visual effects producer\n
\n Quentin Hema\n ...\n digital paint hod: Weta Digital\n
\n Yasemin Hepguler\n ...\n digital compositor\n
\n Sebastian Hingston\n ...\n matchmove artist: Framestore\n
\n Yan Caspar Hirschbuehl\n ...\n visual effects artist\n
\n Chad Hofteig\n ...\n post visualization artist: Unit Eleven\n
\n Andrew Hogden\n ...\n compositor\n
\n Rob Holland\n ...\n visual effects producer\n
\n Rosemma Hollis\n ...\n roto/paint artist\n
\n Mark L. Holmes\n ...\n camera td\n
\n Justin Holt\n ...\n texture supervisor: Method Studios\n
\n Karrina Hooper\n ...\n previs artist\n
\n Eric Horton\n ...\n supervisor\n
\n Shailey Horton\n ...\n roto/paint artist\n
\n Tushar Hote\n ...\n lighting td: Dneg\n
\n Konstantin Hubmann\n ...\n lead artist: DNEG\n
\n Joshua Kiyoshi Huestis\n ...\n digital compositor: Soho VFX\n
\n Lauren Hulsey\n ...\n compositor\n
\n Ryan Hussain\n ...\n visual effects artist\n
\n Megan Hutchison\n ...\n roto/prep supervisor: DNEG Vancouver\n
\n Chrismac Hwang\n ...\n matchmove/layout artist: Soho VFX\n
\n Seung Rok Hwang\n ...\n matchmove artist: Method Studios\n
\n Sean Hyunin Lee\n ...\n senior digital compositor: Double Negative\n
\n Sachin Ilamkar\n ...\n digital artist\n
\n Brett Ineson\n ...\n virtual production supervisor: Animatrik Film Design\n
\n Rusty Ippolito\n ...\n visual effects artist: makevfx\n
\n Dhuha Isa\n ...\n visual effects editor: DNEG\n
\n Hans Olov Alexander Isaksson\n ...\n digital matte painter: Framestore (as Alexander Isaksson)\n
\n Balakrishna Isunuri\n ...\n matchmove artist: Dneg\n
\n Anirudh Iyengar\n ...\n render technician\n
\n Carl Jackson\n ...\n fx technical director\n
\n Christopher Jackson\n ...\n assistant technical director: DNEG\n
\n Sujit Jain\n ...\n paint/prep lead at dneg studios\n
\n Sujit Jain\n ...\n prep lead: Double Negative (as Sujit Tone)\n
\n Prerana Jaiswal\n ...\n visual effects artist: weta digital\n
\n Amit Jaiswar\n ...\n visual effects artist\n
\n Santosh Jakkam\n ...\n matchmove: Double negative visual effects\n
\n Stephen James\n ...\n compositing supervisor\n
\n Grzegorz Jankowski\n ...\n grooming artist: Method Studios\n
\n Shruti Janu\n ...\n animator: Framestore\n
\n Digger Jensen\n ...\n layout artist: DNEG\n
\n Jin Ji\n ...\n visual effects artist\n
\n Inki Jo\n ...\n lighting td: double negative\n
\n Adam Johannesson\n ...\n data i/o: DNEG\n
\n Katie Johnson\n ...\n production coordinator: dneg / visual effects coordinator\n
\n Steven Johnson\n ...\n visual effects data wrangler\n
\n Bradley Jordan\n ...\n visual effects coordinator (as Bradley D. Jordan)\n
\n Menard Jordane\n ...\n modeling artist\n
\n Josephnixon\n ...\n visual effects\n
\n Akshay Joshi\n ...\n prep artist\n
\n Deepak A. Joshi\n ...\n fx td: Dneg\n
\n Quentin Juhel\n ...\n tracking/matchmove artist\n
\n Sai Prashanth K\n ...\n lighting td\n
\n Trilok Singh Kachhawa\n ...\n lead artist: DNEG / texturing lead\n
\n Koustubha Kaloti\n ...\n digital compositor\n
\n Patrick Kalyn\n ...\n animator\n
\n Megumi Kanazawa\n ...\n senior compositor: double negative\n
\n Curtis Kang\n ...\n facial motion editor\n
\n Gareth Kanter\n ...\n visual effects coordinator: Crafty Apes\n
\n Jeevith Kanth\n ...\n digital artist: Double Negative Visual Effects\n
\n Chien-i Kao\n ...\n visual effects artist\n
\n Stephen Karl\n ...\n matchmove artist\n
\n Anastazja Karolewska\n ...\n compositor\n
\n Kotamraju Karthik\n ...\n visual effects coordinator\n
\n Khitish Shekhar Karua\n ...\n rotoscoping: visual effects\n
\n Adithya Kashyap\n ...\n matchmove artist\n
\n Hiral Kawa\n ...\n digital compositor: visual effects\n
\n Christopher Kerr\n ...\n digital compositor\n
\n Duncan Key\n ...\n digital compositor\n
\n Hemant Khairnar\n ...\n lead compositor\n
\n Rahul Khambre\n ...\n senior compositor\n
\n Sagar Khorasia\n ...\n roto artist\n
\n Eddie Kim\n ...\n visualization artist: the third floor\n
\n Banu Kiran\n ...\n lead digital compositor\n
\n Aren Kittilsen\n ...\n compositor\n
\n MacDuff Knox\n ...\n visual effects artist\n
\n Mihajlo Kocevski\n ...\n matchmove artist\n
\n Matthew Koehler\n ...\n bidding producer: THE THIRD FLOOR, inc\n
\n Mischa Kolbe\n ...\n creature technical director: Double Negative\n
\n Alyssa Koncelik-Diemer\n ...\n visual effects artist\n
\n Srinivasa Raghavendra Kondapuram\n ...\n bodytrack artist\n
\n Yuliia Kondratova\n ...\n cg artist: Framestore\n
\n Sean Konrad\n ...\n visual effects supervisor\n
\n Allie Koppel\n ...\n head of finance: The Third Floor\n
\n Michelle Korczak\n ...\n compositor: Method Studios\n
\n Andrei Korovkin\n ...\n model & texture artist: Method Studios\n
\n Lucas Kot\n ...\n ncam technician\n
\n Sowmithri Sai Koutha\n ...\n texture artist: Dneg\n
\n Aaron Kramer\n ...\n environment td: double negative\n
\n Lars Kramer\n ...\n senior camera technical director\n
\n Tesa Kubicek\n ...\n visual effects coordinator\n
\n Tanya Kular\n ...\n digital compositor\n
\n Annurup Kumaar\n ...\n matchmove and rotoanimation technical director: Double Negative Visual Effects\n
\n Sujay Kumar G.\n ...\n matchmove artist: Double Negative\n
\n Karuppasamy Kumar\n ...\n body track artist\n
\n Dan Kunz\n ...\n vfx photographer: DNEG\n
\n Balendu Kurup\n ...\n department production manager: Dneg\n
\n Kushank Tikku\n ...\n cg lighting lead: Double Negative\n
\n Wanda Kwok\n ...\n compositor\n
\n Daniel Kwon\n ...\n motion capture specialist\n
\n Gabriel K\u00f6erner\n ...\n digital compositor\n
\n Arnaud Laberge\n ...\n paint & roto artist\n
\n Dave Ladner\n ...\n compositor\n
\n Bruno-Olivier Laflamme\n ...\n lead LookDev artist: Framestore\n
\n Lakshmanakumar\n ...\n digital compositor\n
\n Christophe Lalonde-Lavergne\n ...\n compositor / paint & roto artist\n
\n Marc Landrain\n ...\n visual effects artist\n
\n Nathan Lane\n ...\n camera technical director: Weta Digital\n
\n Morgan Lang\n ...\n matte painter: Framestore\n
\n Josh Lange\n ...\n visualization artist: the third floor\n
\n Peter Lasrado\n ...\n lead look development\n
\n Claudia Law\n ...\n concept artist: ILM\n
\n Cedric Le Poullennec\n ...\n cfx artist\n
\n Mike Leben\n ...\n motion control operator\n
\n Patricia Leblanc\n ...\n visual effects coordinator: framestore\n
\n Mark LeDoux\n ...\n visual effects supervisor: Crafty Apes\n
\n Christie Lee\n ...\n lighting td: framestore\n
\n Gaeun Lee\n ...\n lighting artist\n
\n Gong Myung Lee\n ...\n vfx supervisor: method studios NY\n
\n Minguk Lee\n ...\n digital matte painter\n
\n Phoenix Woung-Bi Lee\n ...\n effects technical director: Framestore\n
\n Matta Leelakranthi\n ...\n matchmove (as Leela Kranthi)\n
\n Julien Lefebvre\n ...\n visual effects artist\n
\n Raphael Legros\n ...\n digital compositor\n
\n Erik Lehmann\n ...\n senior build td: Double Negative\n
\n Ryan Leonard\n ...\n compositing supervisor: opening title sequence - Method Studios\n
\n Xuelian Liane Li\n ...\n digital matte painter\n
\n John Likens\n ...\n creative director: Opening Title Sequence: Method Studios\n
\n Frederik Lillelund\n ...\n lighting supervisor: Double Negative\n
\n Edy Susanto Lim\n ...\n creature supervisor: method studios\n
\n Wayne Lim\n ...\n layout td: DNEG\n
\n Tong Jason Lin\n ...\n senior effects artist: Method Studios LA\n
\n Antony Lingard\n ...\n facial motion editor: DI4D\n
\n Jules Lister\n ...\n digital compositor\n
\n Rachel Litz\n ...\n assistant visual effects editor: Method Studios\n
\n Julia Llanos\n ...\n visual effects coordinator\n
\n Caroline Lobato\n ...\n creature fx td\n
\n Jacob Victor Lobo\n ...\n texturing artist\n
\n Jason Locke\n ...\n matchmove lead\n
\n Rajavel Loganathan\n ...\n digital compositor\n
\n Simon Loisel\n ...\n visual effects artist\n
\n Joe Long\n ...\n fx lead\n
\n Philippe Lord-Durocher\n ...\n creature fx TD\n
\n Sylvain Lorgeou\n ...\n visual development\n
\n Daniel Lu\n ...\n lead modeler and rigger: Soho VFX\n
\n Trent Lundquist\n ...\n previs coordinator: the third floor\n
\n Bruno L\u00e9v\u00eaque\n ...\n environment generalist td: Double Negative\n
\n Susan Ma\n ...\n integration department manager: method studios\n
\n Daniel Macarin\n ...\n visual effects supervisor: Weta Digital\n
\n Melaina Mace\n ...\n environment supervisor: Double Negative\n
\n Laura Macfadyen\n ...\n matte painter: Double Negative\n
\n Melanie Mack\n ...\n matchmove artist: Method Studios\n
\n Tiana Mackenzie\n ...\n lighting technical director\n
\n St-Jean Ledoux Magalie\n ...\n creature fx td\n
\n Benjamin Maga\u00f1a\n ...\n cg supervisor\n
\n Allan Magled\n ...\n visual effects supervisor: Soho VFX\n
\n Sanjay Mahajan\n ...\n senior texture artist\n
\n Gowtham Mahalingam\n ...\n production coordinator\n
\n Abhishek Maheshwari\n ...\n compositor\n
\n Alarich Alvarez Mahl\n ...\n visual effects artist\n
\n Liam Major\n ...\n paint artist\n
\n Stephanie Malicdem\n ...\n compositor: DNEG\n
\n Siddharth Malviya\n ...\n prep artist (as Siddharthmalviyaa)\n
\n Alessandro Mameli\n ...\n roto/paint artist\n
\n Amir Manavi\n ...\n effects technical director\n
\n Ranadeep Mandal\n ...\n lead artist: DNEG / lead fx td\n
\n Paul Maples\n ...\n motion control operator\n
\n Josimar Altamirano Marquez\n ...\n lighting td\n
\n Andrew George Marshall\n ...\n senior facial motion editor: DI4D\n
\n Carolyne Martin\n ...\n paint and roto artist: Framestore\n
\n Jonathan D. Martin\n ...\n visual effects editor: Weta Digital\n
\n Daniel James Mason\n ...\n matchmove artist: Method Studios\n
\n Charles Masse\n ...\n tracking/matchmove artist: Framestore\n
\n Riley Massender\n ...\n visual effects artist\n
\n Vibhas Mathkar\n ...\n digital matte painter: Double Negative\n
\n Varnica Mathur\n ...\n lead artist: DNEG (as Varnica Mathur Nair)\n
\n Manmath Matondkar\n ...\n modeling artist: DNEG\n
\n Leelakranthi Matta\n ...\n Matchmove artist\n
\n Laurent Maynard\n ...\n groom td\n
\n Kevin McAllister\n ...\n visual effects production supervisor\n
\n Kelly McCarthy\n ...\n visual effects producer: Soho VFX\n
\n Andrew McCartney\n ...\n previsualization artist\n
\n Riley McDougall\n ...\n technology projects manager: Method Studios\n
\n Chris McLaughlin\n ...\n DFX supervisor: Double Negative\n
\n Josh McLaughlin\n ...\n digital compositor: method studios\n
\n Portia McLean\n ...\n paint artist\n
\n Jamal McLemore\n ...\n visual effects assistant editor\n
\n Steve McLeod\n ...\n visual effect editor: Method Studios, Vancouver\n
\n Jim McVay\n ...\n head of lighting department\n
\n Mario Mediavilla\n ...\n technical animator: Method Studios\n
\n Himanshu Meena\n ...\n lead layout artist: Double Negative\n
\n Dharmik Sanjay Mehta\n ...\n compositor: double negative\n
\n Philip Melancon\n ...\n animator: Framestore\n
\n Jeremy Meltzer\n ...\n digital compositor: DNEG\n
\n Alex Melville\n ...\n animator (as Alexander Melville)\n
\n Massimo Meo\n ...\n visual effects line producer: Framestore\n
\n Rahul Mhaskar\n ...\n production coordinator\n
\n Voja Milosevic\n ...\n ATD\n
\n Ankur Mishra\n ...\n visual effect artist: Double Negative\n
\n Vishal Mishra\n ...\n software developer\n
\n Chirag Mistry\n ...\n senior technical animator: Method Studios Vancouver\n
\n Harsh Mistry\n ...\n effects technical director: Method Studios Vancouver\n
\n Harshal Mistry\n ...\n digital compositor\n
\n Sean A. Mockler\n ...\n creature effects td: Framestore\n
\n Kobi Moldavski\n ...\n digital matte painter/environment artist: Double Negative\n
\n Eric Moliner\n ...\n creature td: double negative\n
\n Damiano Moltisanti\n ...\n effects technical director: Double Negative\n
\n Siddhartha S. Mondal\n ...\n digital compositor\n
\n Lauren Moore\n ...\n head of marketing: The Third Floor (as Lauren Puntillo)\n
\n Sara Moore\n ...\n visual effects producer\n
\n Vinayak More\n ...\n visual effects\n
\n Jessica Moreau\n ...\n visual effects artist\n
\n Neil Roy Moss\n ...\n shotgun project manager: Weta Digital\n
\n Emily C. Moye\n ...\n visual effects coordinator\n
\n Bryant Mudd\n ...\n visual effects production assistant\n
\n Matt Mueller\n ...\n senior head of optical department: Weta Digital\n
\n Deep Mukherjee\n ...\n digital compositor\n
\n Davide Munisso\n ...\n rigging td: Method Studios\n
\n Arwen Munro\n ...\n vfx production manager: Weta Digital\n
\n Muruganantham\n ...\n matchmove artist: Double Negative\n
\n Prakash Murughendra\n ...\n matchmove artist\n
\n Jayaraj Muthukumar\n ...\n matchmove and rotoanim artist\n
\n Jason G. Myers\n ...\n technical resource manager: DNEG\n
\n Albin Mynatty\n ...\n compositor\n
\n Jeff Nadwidny\n ...\n roto/paint department lead: method studios\n
\n Rajakanna Nagarajan\n ...\n compositor\n
\n Saurabh Nandedkar\n ...\n lead artist: DNEG (as Saurabh S. Nandekar) / lead compositor\n
\n Patrick Nanton\n ...\n lighting\n
\n Buchi Ramulu Narsingoju\n ...\n texture artist: DNEG\n
\n Amit Narwani\n ...\n matchmove supervisor: Double Negative\n
\n Sianoosh Nasiriziba\n ...\n lead artist: DNEG\n
\n Swarnadeep Nath\n ...\n visual effects artist\n
\n Gabriel Naveau\n ...\n digital compositor: framestore\n
\n Amber Marie Naveira\n ...\n data manager: Weta Digital (as Amber Marie Smith)\n
\n Stephane Naze\n ...\n visual effects supervisor: Framestore\n
\n Shenouda Isaac Nazer\n ...\n paint & roto artist: framestore (as Shenouda Nazer)\n
\n Salima Needham\n ...\n digital compositor\n
\n C. Michael Neely\n ...\n previs supervisor\n
\n Charlotte Nelson\n ...\n head of production: The Third Floor\n
\n Yashwanth Noogala\n ...\n matchmove artist: DNEG\n
\n Victor Norberg\n ...\n lead compositor: Double Negative\n
\n Jeremy Oddo\n ...\n head of it: The Third Floor\n
\n Arunabha Ghosh Official\n ...\n visual effects artist\n
\n Goran Ognjanovic\n ...\n senior animator: Method Studios\n
\n Hideki Okano\n ...\n cg artist: Double Negative\n
\n Miguel Angel Ortiz Rivera\n ...\n fx td: Double Negative\n
\n Anne-Marie Ouellet\n ...\n visual effects coordinator\n
\n Mohamed A\u00eft Ouyahia\n ...\n visual effects coordinator\n
\n Naoki Oyagi\n ...\n digital compositor\n
\n Guillaume Palegie\n ...\n senior digital compositor: Framestore\n
\n Camille Paleni\n ...\n digital compositor: framestore\n
\n Tim Palgut\n ...\n lighting artist\n
\n Amey Panchal\n ...\n matchmove lead: Double Negative\n
\n Richard Pang\n ...\n generalist/environment TD: double negative\n
\n Om Parab\n ...\n matchmove technical director: Double Negative\n
\n Bintu Kharolia Parjapati\n ...\n matchmove artist: Double Negative\n
\n James Park\n ...\n layout artist\n
\n Junaid Parmar\n ...\n rigging td: double negative\n
\n Rohan Parmar\n ...\n matchmove artist\n
\n James Parsons\n ...\n assistant technical director: framestore\n
\n Asma Parvin\n ...\n matchmove and rotoanim artist\n
\n Daniel J. Pastor\n ...\n digital compositor\n
\n Tejas Patade\n ...\n lighting technical director: DNEG\n
\n Irshad Patel\n ...\n visual effects artist: DNEG (as Patel Irshad)\n
\n Marzun Patel\n ...\n line producer\n
\n Mitul Patel\n ...\n Layout TD\n
\n Ratnesh Patel\n ...\n roto artist\n
\n Saurabh Patel\n ...\n lead matchmove artist: Double Negative\n
\n Rahul Patil\n ...\n texturing: visual effects\n
\n Rodgers Paul\n ...\n matte painter: Method Studios\n
\n Uppu Pavanrajesh\n ...\n digital artist: double negative\n
\n Chris Paxson\n ...\n motion control technician\n
\n Leo Pean de Ponfilly\n ...\n digital compositor: Framestore\n
\n Adam Pere\n ...\n visual effects producer: crafty apes\n
\n Angelica Perez\n ...\n digital compositor\n
\n Rafael Perez\n ...\n digital compositor\n
\n William Perreault\n ...\n visual effects artist\n
\n Linda Petch\n ...\n visualization artist\n
\n Ignat Petrov\n ...\n rotomation artist\n
\n Dojchin Petrovski\n ...\n paint artist\n
\n Leo Pettersson\n ...\n lighting technical director: Double Negative\n
\n Huan Phan\n ...\n previsualization artist\n
\n Jeffy Mathew Philip\n ...\n fx artist: Soho vfx\n
\n Bethany D. Phillips\n ...\n vfx recruiter\n
\n Kate Phillips\n ...\n head of production: Framestore Montreal\n
\n Tananuch Phosri\n ...\n BG Prep Artist\n
\n Dziewanna Picazo\n ...\n vfx coordinator: Animarik Film Design\n
\n Dominic Pileggi\n ...\n compositor\n
\n Greg Pilon\n ...\n in house lead compositor\n
\n Emrys Plaisted\n ...\n compositor: weta digital\n
\n Nilesh Pobatti\n ...\n modeling artist: double negative\n
\n Alex Poei\n ...\n animation supervisor: Method Studios\n
\n Melvin Polayah\n ...\n visual effects artist: Method Studios\n
\n Felix Pomeranz\n ...\n supervisor: 2nd unit\n
\n Eric Ponton\n ...\n senior compositor: Double Negative\n
\n Sebastien Potet\n ...\n visual effects artist\n
\n Christian Poullay\n ...\n camera technical director: Weta Digital\n
\n Kristin Pratt\n ...\n layout supervisor\n
\n Troy Provencal\n ...\n motion capture specialist\n
\n Jaime Provido\n ...\n technology resource administrator: Method Studios\n
\n Laurence Provost\n ...\n matte artist: Framestore\n
\n Rakesh Pusuluri\n ...\n digital compositor\n
\n Simon Quach\n ...\n digital compositor\n
\n Cesar Quijada\n ...\n senior digital paint artist: Weta Digital\n
\n Ricardo Quintero\n ...\n digital compositor\n
\n Radhakrishnan\n ...\n compositor\n
\n Immanuel Rajan\n ...\n visual effects artist\n
\n Sabari Rajan\n ...\n matchmove\n
\n Jagannadham Rajana\n ...\n prep artist\n
\n Gaurav Rane\n ...\n senior lighting technical director: DNEG\n
\n Pushpa Ranjan\n ...\n cfx artist: double negative\n
\n Rohit Ranjan\n ...\n visual effects\n
\n Arka Ray\n ...\n compositor\n
\n Jorge Razon\n ...\n senior fx td: Soho VFX\n
\n George David Reagh\n ...\n visual effects production coordinator\n
\n Matthias Reiche\n ...\n animator: Double Negative\n
\n Fraser Reid\n ...\n facial motion editor: DI4D\n
\n G\u00e1bor Reikort\n ...\n environment artist\n
\n Shinichi Rembutsu\n ...\n fx td: Double Negative\n
\n Stephan Remstedt\n ...\n senior camera td: Weta Digital\n
\n Jordan Rice\n ...\n 2d visual effects runner\n
\n Romain Rico\n ...\n compositing supervisor\n
\n Tim Riley\n ...\n crowds supervisor: method studios\n
\n Bastien Rivas\n ...\n visual effects coordinator\n
\n Ali Rizvi\n ...\n fx td: Method Studios\n
\n Grant Roa\n ...\n visual effects production runner: Weta Digital\n
\n Sharon Roberts\n ...\n visual effects line producer: DNEG\n
\n Lovell Rodricks\n ...\n modelling td\n
\n Sari Rodrig\n ...\n texture artist: opening sequence\n
\n Vanessa Romero\n ...\n digital compositor\n
\n Gabriela Roque L\u00f3pez\n ...\n software developer: weta digital\n
\n Philip Rosado\n ...\n lead layout artist\n
\n Marc-Olivier Rouleau\n ...\n pipeline technical director\n
\n Samuel Rousseau\n ...\n digital compositor\n
\n Selvamuthukumarasamy RT\n ...\n compositor\n
\n Christopher Rucinski\n ...\n additional visual effects editor\n
\n Angel Gil Ruiz\n ...\n senior matchmover\n
\n Jake Rusch\n ...\n senior fx td: DNEG\n
\n Vijayakumar S\n ...\n matchmove and rotoanim artist (as Vijayakumar.S)\n
\n Thirumoorthy S.\n ...\n visual effects artist\n
\n Richard Saade\n ...\n visual effects producer\n
\n Jha Sachin\n ...\n animation lead: Dneg\n
\n Jamshid Sadat\n ...\n lighting artist\n
\n Deorukhkar Sagar\n ...\n digital compositor\n
\n Dusyant Sahu\n ...\n sr. prep artist: double negative\n
\n Stephanie Saillard\n ...\n senior vfx compositor\n
\n Sneha Saji\n ...\n matchmove: DNEG\n
\n Petr Sajner\n ...\n digital compositor\n
\n Mahmoud Salah\n ...\n modeling & texturing\n
\n Ruben I. Salazar\n ...\n digital compositor (as Ruben Salazar)\n
\n Anurag Salekar\n ...\n visual effects artist\n
\n Clement Saliba\n ...\n digital compositor: Framestore\n
\n Peter Salter\n ...\n camera technical director: weta digital\n
\n Jorge Sanchez Fresno\n ...\n digital compositor: Framestore\n
\n Sandeepchoudhary\n ...\n visual effects: Prep lead (as Choudharysandeep)\n
\n Allen Sanders\n ...\n Data I/O Coordinator\n
\n Caroline Sandgren\n ...\n environment generalist td: DNEG\n
\n Jason Sanford\n ...\n visual effects executive producer: Crafty Apes\n
\n Tiago Santos\n ...\n lead compositor: double negative\n
\n A.K. Saravanan\n ...\n body tracking artist\n
\n Ashwin Sareen\n ...\n render technician/data io: Method Studios Vancouver\n
\n Sathishbabu\n ...\n bodytrack artist\n
\n Michel Satorra\n ...\n cfx artist\n
\n Khushnuma Savai\n ...\n digital compositor\n
\n Rahul Saxena\n ...\n tracking & matchmove\n
\n Caterina Schiffers\n ...\n digital compositor: Weta Digital\n
\n Florian Schroeder\n ...\n compositing supervisor: Weta Digital\n
\n Sean Schur\n ...\n dfx supervisor: method studios\n
\n Sven Schwarz\n ...\n lookdev artist: Weta Digital\n
\n Angelika Schweitzer\n ...\n technology resource lead: Method Studios\n
\n Sam Scott\n ...\n compositor\n
\n Sebinsaji\n ...\n roto artist: Bot vfx (as Saji Sebin)\n
\n Taruna Sehgal\n ...\n visual effects coordinator: Double Negative\n
\n Andres Sempronii\n ...\n creature fx td: Framestore\n
\n Balasubramaniam Senthil Kumar\n ...\n bodytrack artist: double negative\n
\n SenthilBalu\n ...\n senior matchmove artist\n
\n Seshaprasad\n ...\n head of production: Dneg - India\n
\n Fulvio Sestito\n ...\n previsualization: Blur Studios\n
\n Rasoul Shafeazadeh\n ...\n matte painting supervisor: Method Studios\n
\n Nashrat Shahi\n ...\n fx td.dneg / visual effects artist (as Nashrat Shani)\n
\n Sabiha Shaikh\n ...\n visual effects coordinator\n
\n Aurora Shannon\n ...\n colourist: visual effects\n
\n Sanjeev Kumar Sharma\n ...\n vfx compositor (as Sanjeev Kumar Sharma 2087)\n
\n Brock Shekelton\n ...\n visual effects editor: Crafty Apes\n
\n Gary Shelley\n ...\n Roto/Paint Show Lead: credited\n
\n Drew Shields\n ...\n tracking lead: method studios\n
\n Deepak Shinde\n ...\n paint artist\n
\n Sachin Shivkar\n ...\n Layout TD\n
\n Javed Siddiqui\n ...\n senior modeler: DNEG\n
\n Leonardo Sierra\n ...\n digital compositor: Framestore\n
\n Abhay Singh\n ...\n lighting td: Double Negative\n
\n Nitin Singh\n ...\n vfx department production manager\n
\n Hitesh Singhani\n ...\n sr. prep artist: double negative\n
\n Korn Singprasong\n ...\n compositor: DNEG / data i/o: Double Negative / digital compositor\n
\n Miro Skandera\n ...\n previs artist\n
\n Connor Smith\n ...\n vfx production coordinator\n
\n Dane Allan Smith\n ...\n global head of business development: The Third Floor\n
\n Marc Smith\n ...\n senior camera td: Weta Digital\n
\n Michael Smith-Kennard\n ...\n lead artist: DNEG\n
\n Nikki Snider\n ...\n visual effects artist: DNEG\n
\n Robert Snyder\n ...\n senior in house compositor\n
\n Aakash Praful Solanki\n ...\n fx technical director\n
\n Paul Song\n ...\n visual effects\n
\n Srikrishna\n ...\n line producer: Double Negative\n
\n Jitendravijay Srinivasagan\n ...\n matchmove artist\n
\n Tatampudi SrinivasaRaju\n ...\n sr texturing td: Double Negative\n
\n Anshul Kumar Srivastava\n ...\n texture artist: DNEG\n
\n Daniel St-Amant\n ...\n matte painter\n
\n William Steiner\n ...\n visual effects artist\n
\n Albrecht Steinmetz\n ...\n matchmove hod: weta digital\n
\n Bernard Stock\n ...\n camera matchmove artist\n
\n Cody Stoof\n ...\n fx td\n
\n Naomi Stopa\n ...\n head of production: Method Studios Vancouver\n
\n Grant Storrie\n ...\n assistant visual effect editor: double negative\n
\n Euan Strachan\n ...\n facial performance capture engineer: DI4D\n
\n Leon Su\n ...\n visual effects artist\n
\n Ben Sumner\n ...\n digital compositor\n
\n Sundar\n ...\n Dneg\n
\n Ashutosh Surawshi\n ...\n roto artist: prime focus\n
\n Saie Surendra\n ...\n Marketing: Create Advertising London\n
\n Veena Suresh\n ...\n visual effects artist (as Ps Veena)\n
\n Khushroo Surveyor\n ...\n lighting artist\n
\n Adrian Sutherland\n ...\n senior compositor\n
\n Swarnadeep\n ...\n visual effects artist\n
\n Sonny Sy\n ...\n lead artist: DNEG / visual effects artist\n
\n Srikalyan Tallapragada\n ...\n digital artist (as Kalyan Tallapragada)\n
\n Avadhoot Tambe\n ...\n senior matchmove artist: Double Negative\n
\n Simon J. Taua'i\n ...\n rotoscope artist\n
\n Kenzo Tee\n ...\n layout technical director: Double Negative\n
\n Michelle Teefey-Lee\n ...\n visual effects line producer: Framestore\n
\n Jamie Telfer\n ...\n camera technical director: Weta Digital\n
\n Lewis Telfer\n ...\n senior facial motion editor: DI4D\n
\n Mike Terrigno\n ...\n compositor: Soho VFX\n
\n Steven Tether\n ...\n lead data wrangler\n
\n Huy Thai\n ...\n lead facial motion editor\n
\n Gauri Thakur\n ...\n lighting td\n
\n Siddharth Thakur\n ...\n digital compositor: Double Negative\n
\n Olivier Thibaut\n ...\n head of software: Method Studios\n
\n Raphael Thiery\n ...\n camera technical director: weta digital\n
\n Pawan Thorat\n ...\n lead artist: DNEG (as Pavan Thorat)\n
\n Kire Timov\n ...\n digital compositor\n
\n Sterling Azure Tipton\n ...\n compositor: Framestore\n
\n Pawan Tiwari\n ...\n digital artist\n
\n Steven Tom\n ...\n virtual production supervisor: the third floor\n
\n Tyler Tometich\n ...\n tv campaign graphics: mOcean\n
\n Joshua Toonen\n ...\n compositor\n
\n Manuel Tordera Beltran\n ...\n creature fx (as Manu Tordera)\n
\n Alan Torres\n ...\n digital compositor\n
\n Kiran Totre\n ...\n visual effects artist\n
\n Vincent Touache\n ...\n creature td\n
\n Christine Troianello\n ...\n compositor: double negative\n
\n Genevieve Trottier\n ...\n visual effects artist\n
\n Denis Trutanic\n ...\n senior camera technical director: Weta Digital\n
\n Hans Tsai\n ...\n visualization artist: the third floor\n
\n Donald Tse\n ...\n compositor\n
\n Miquel Ubeda\n ...\n digital compositor: Method Studios\n
\n Ed Ulbrich\n ...\n visual effects executive\n
\n Emily Unruh\n ...\n previs production manager: the third floor\n
\n Patryk Urbaniak\n ...\n look development td: Method Studios\n
\n Tanzir Uzzaman\n ...\n digital compositor\n
\n Thiyagarajan V.\n ...\n lighting td: Dneg\n
\n Viral Vadalia\n ...\n technical support: Double Negative\n
\n Johan Vagstedt\n ...\n lead compositor\n
\n Tangi Vaillant\n ...\n effects technical director: framestore\n
\n Mauricio Valderrama\n ...\n compositor\n
\n Elisa Valenzisi\n ...\n fx td: Double Negative\n
\n Andrew Van Midde\n ...\n visual effects coordinator: Roto/Prep dept coord\n
\n Jack Van Nuis\n ...\n compositor\n
\n Liana van Rensburg\n ...\n visual effects artist\n
\n Anandan Vasudevan\n ...\n SR Matchmove and rotomation\n
\n Rohan Vaz\n ...\n lead artist: DNEG\n
\n Oliver Velichkovski\n ...\n paint\n
\n Maegan Veloso\n ...\n layout artist: method studios\n
\n Saphir Vendroux\n ...\n environment artist - double negative\n
\n Sudhakar Venkat\n ...\n SR Modeling artist and Lead\n
\n Helga Victoria\n ...\n lighting artist: Method Studios\n
\n Sukumaran Lalithambika Vijin\n ...\n compositor: Double Negative\n
\n Patel Vikas\n ...\n senior matchmove artist: Double Negative\n
\n VikramSampath\n ...\n line producer: Dneg\n
\n Joseph Villa\n ...\n roto/paint lead\n
\n Vinay.isetti\n ...\n matchmove artist\n
\n Shiv Kumar Vishwakarma\n ...\n visual effects artist: double negative\n
\n Sachin Vishwas\n ...\n digital compositor: double negative / lead compositor: double negative\n
\n Vivekanandan\n ...\n visual effects artist\n
\n Tarquin Vosper\n ...\n paint artist\n
\n Louis Vottero\n ...\n character fx\n
\n Michael Wachniak\n ...\n digital matte painter/environment artist: Double Negative\n
\n Vikas Wadekar\n ...\n digital compositor: Trace VFX India Pvt. Ltd.\n
\n Will Wallace\n ...\n visual effects artist\n
\n Jiayin Wang\n ...\n fx lead: DNEG\n
\n Jonny Wang\n ...\n fx td: Double Negative\n
\n Joshua Wassung\n ...\n creative supervisor: the third floor\n
\n Grant Douglas Watters\n ...\n facial motion editor: DI4D\n
\n Glenn Wells\n ...\n camera technical director\n
\n Christoph Westphal\n ...\n visual effects artist\n
\n Barnes Wheeler\n ...\n vfx editor\n
\n Josh White\n ...\n senior rigger (as Josh Hagley)\n
\n Marc Whitelaw\n ...\n digital compositor\n
\n Cameron Widen\n ...\n previsualization supervisor\n
\n Michael Wilde\n ...\n modelling and texturing TD: DNeg\n
\n Scott Wilkinson\n ...\n layout td: dneg\n
\n Martin Wiseman\n ...\n visual effects producer: Weta Digital\n
\n Paul Wojdylo\n ...\n lighting artist\n
\n Jeff Wolverton\n ...\n visual effects artist\n
\n Christine Wong\n ...\n finance director: Image Engine\n
\n Seungjin Woo\n ...\n concept artist: double negative\n
\n Tabitha Woodman\n ...\n visual effects coordinator\n
\n Saxson Xavier\n ...\n matchmove artist: Dneg\n
\n Shridhar Yadav\n ...\n animator: Double Negative\n
\n Casey Yahnke\n ...\n compositor: Double Negative\n
\n Steve Yamamoto\n ...\n previsualization supervisor\n
\n Joshua Young\n ...\n compositor\n
\n Phil Young\n ...\n senior texture artist: Double Negative\n
\n Asia Youngman\n ...\n visual effects artist\n
\n Sophia Yu\n ...\n visualization artist: the third floor\n
\n Jun Xian Yue\n ...\n paint & rotoscope artist: doube negative\n
\n Christopher Lee Zammit\n ...\n concept artist: Double Negative\n
\n Alexandra Zedalis\n ...\n visualization artist: The Third Floor\n
\n Yu Zehai\n ...\n model/texture artist: Method Studios\n
\n Jingyi Zhang\n ...\n cyberscanning/photogrammetry services: Pixel Light Effects\n
\n Lee Zhu\n ...\n compositor: Soho VFX\n
\n Alexandra Zyrina\n ...\n Digital compositor\n
\n Rehan Abdulovski\n ...\n visual effects artist (uncredited)\n
\n Akhil_kp\n ...\n double negative (uncredited)\n
\n Najdovski Aleksandar\n ...\n paint artist (uncredited)\n
\n Anbarasu\n ...\n matchmove artist (uncredited)\n
\n Rajesh Babu\n ...\n production manager (uncredited)\n
\n John-Michael Bills\n ...\n compositor: Weta Digital (uncredited)\n
\n Peter Bowmar\n ...\n fx technical supervisor (uncredited)\n
\n Christophe Clermont\n ...\n data ops/software/systems support (uncredited)\n
\n Jeff Colclough\n ...\n vfx assistant (uncredited)\n
\n Joseph B. Conmy IV\n ...\n visual effects executive (uncredited)\n
\n Rhys Deacon\n ...\n camera matchmove artist: Weta Digital (uncredited)\n
\n Francesco Dell'Anna\n ...\n lead compositor: double negative (uncredited)\n
\n Clym Dodds\n ...\n Data Operator: Framestore (uncredited)\n
\n Brock Ennion\n ...\n wrangler (uncredited)\n
\n Javier J. Espinoza\n ...\n previs artist: the third floor (uncredited)\n
\n Biagio Figliuzzi\n ...\n senior technical director (uncredited)\n
\n Lou Gatti\n ...\n visual effects production assistant (uncredited)\n
\n Paul Harling\n ...\n data wrangler: Weta Digital (uncredited)\n
\n Alex Conor Harrison\n ...\n visual effects coordinator (uncredited)\n
\n Thomas Scott Holland\n ...\n visual effects coordinator (uncredited)\n
\n Dayna Kelly\n ...\n layout artist: method studios (uncredited)\n
\n Roberto Lapuente Romo\n ...\n information systems developer: Weta Digital (uncredited)\n
\n Stephanie Lawrence\n ...\n visual effects coordinator (uncredited)\n
\n Lazetutkovski\n ...\n visual effects (uncredited)\n
\n Krishnakant Mishra\n ...\n visual effects artist (uncredited)\n
\n Mile Petrushevski\n ...\n visual effects artist (uncredited)\n
\n Vijin Ravindran\n ...\n software developer: Double Negative Visual Effects (uncredited)\n
\n Max T. Schwartz\n ...\n visual effects editor: Framestore (uncredited)\n
\n Sammy Shikaze\n ...\n visual effects coordinator (uncredited)\n
\n Alex Shvartzman\n ...\n lidar scanning: industrial pixel vfx (uncredited)\n
\n Jacob Telleen\n ...\n pipeline technical director: DNEG (uncredited)\n
\n Joseph Towe\n ...\n digital artist (uncredited)\n
\n Maurizio Vanolo\n ...\n digital compositor: Weta Digital (uncredited)\n
\n Vanessa Velasquez\n ...\n technology: Double Negative (uncredited)\n
\n Gallois-Montbrun Volcy\n ...\n previs supervisor: Les Andro\u00efds Associ\u00e9s (uncredited)\n
\n Shawna Zegarra\n ...\n technical support: Double Negative (uncredited)\n
\n Stunts \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Fraser Aitcheson\n ...\n stunts\n
\n Ed Anders\n ...\n stunt performer\n
\n Pete Antico\n ...\n stunts\n
\n Scott J. Ateah\n ...\n stunt coordinator (as Scott Ateah)\n
\n Marcus Aurelio\n ...\n stunt performer\n
\n Tony Bailey\n ...\n stunts\n
\n Sala Baker\n ...\n stunts\n
\n Krista Bell\n ...\n stunt driver\n
\n Matt Berberi\n ...\n stunt performer\n
\n Daniel Bernhardt\n ...\n stunts\n
\n Rob 'Sluggo' Boyce\n ...\n stunt performer\n
\n Bryce Branagan\n ...\n stunts: Motion Capture Previz\n
\n Eric Brown\n ...\n stunts\n
\n Steve Brown\n ...\n stunts: motion capture previz\n
\n Mig Buenacruz\n ...\n stunts\n
\n Jason Calder\n ...\n stunt performer\n
\n Wyatt Cameron\n ...\n stunt performer\n
\n Clint Carleton\n ...\n stunt performer\n
\n Janene Carleton\n ...\n stunt driver\n
\n Raymond Chan\n ...\n stunt performer\n
\n Nesta Chapman\n ...\n stunt performer\n
\n Paul Cheng\n ...\n stunt performer (as Paul Chih-Ping Cheng)\n
\n Jimmy Chhiu\n ...\n stunts: Motion Capture Previz\n
\n Alex Chiang\n ...\n stunt performer\n
\n Leo Chiang\n ...\n stunt performer\n
\n Andrew Chin\n ...\n stunt performer\n
\n Simon Chin\n ...\n stunt performer\n
\n Mike Ching\n ...\n stunt performer\n
\n Tommy Clarke\n ...\n stunts\n
\n Andrew Comrie-Picard\n ...\n stunts\n
\n Fraser Corbett\n ...\n stunt performer\n
\n Garvin Cross\n ...\n stunt driver\n
\n Lateef Crowder\n ...\n stunts: motion capture previz\n
\n Lloyd Cunningham\n ...\n stunt double / stunt double: TJ miller / stunt double: rob delaney\n
\n Wayne Dalglish\n ...\n stunt coordinator: Motion Capture Previz\n
\n Jordan Davis\n ...\n stunt prisoner riot\n
\n Ken Do\n ...\n stunt performer\n
\n Joe Doserro\n ...\n stunt driver\n
\n Jayson Dumenigo\n ...\n supervising rigging coordinator: motion capture previz\n
\n Stephen Dunlevy\n ...\n stunt rigger previz / stunts: mocap\n
\n Cassandra Ebner\n ...\n stunt performer: Meth Lab Gangster\n
\n Matt Emig\n ...\n fight team\n
\n Tommy Europe\n ...\n stunt performer\n
\n Jonathan Eusebio\n ...\n stunt coordinator\n
\n Becky Ferguson\n ...\n stunt performer\n
\n Carl Fortin\n ...\n stunt performer\n
\n Jean Frenette\n ...\n stunt performer\n
\n Tim Garris\n ...\n stunts: Motion Capture Previz\n
\n Lars Grant\n ...\n stunt performer\n
\n Kory Grim\n ...\n stunts\n
\n Ryan Handley\n ...\n prison guard\n
\n Daniel Hargrave\n ...\n stunts\n
\n Sam Hargrave\n ...\n stunt coordinator: additional photography\n
\n Joi Harris\n ...\n stunt performer: Zazie Beetz (as Sequana Harris)\n
\n Thayr Harris\n ...\n utility stunts\n
\n Leif Havdale\n ...\n stunt double: Ryan Reynolds\n
\n Robert Hayley\n ...\n stunt actor\n
\n Cameron Hilts\n ...\n stunt performer\n
\n Brian Ho\n ...\n stunt performer\n
\n Louise Hradsky\n ...\n stunt double: Negasonic Teenage Warhead\n
\n Michael Hugghins\n ...\n stunt rigger\n
\n Megan Hui\n ...\n stunt performer\n
\n Robert Zen Humpage\n ...\n stunt performer\n
\n Thekla Hutyrova\n ...\n stunts: Motion Capture Previz (as Thekla Hutyra)\n
\n Landon Jackle\n ...\n stunt performer\n
\n Brian Jagersky\n ...\n stunt performer\n
\n Charles Jarman\n ...\n stunt performer\n
\n Amy Johnston\n ...\n stunts: Motion Capture Previz\n
\n Micah Karns\n ...\n stunt performer\n
\n Brad Kelly\n ...\n stunts\n
\n Zandara Kennedy\n ...\n stunt driver\n
\n Ralf Koch\n ...\n utility stunts: additional photography\n
\n Sean Kohnke\n ...\n stunt performer\n
\n Andrei Kovski\n ...\n stunt performer\n
\n Alex Kyshkovych\n ...\n stunt double: Josh Brolin / stunts: Motion Capture Previz\n
\n Keanu Lam\n ...\n stunt performer\n
\n Larry Lam\n ...\n stunt performer\n
\n Paul Lazenby\n ...\n stunt performer\n
\n Tony Lazzara\n ...\n stunt performer\n
\n David Le\n ...\n stunt performer\n
\n Jaeson Lee\n ...\n stunt performer\n
\n Irma Leong\n ...\n stunt double: Shioli Kutsuna\n
\n Don Lew\n ...\n stunt performer\n
\n Eric Linden\n ...\n Stunts: Motion Capture Previz\n
\n Brent Lister\n ...\n stunt rigger/double\n
\n Nick Longhurst\n ...\n stunt performer / stunt rigger\n
\n Mik Luxon\n ...\n live action previsualization / motion capture previsualization\n
\n Maya Macatumpag\n ...\n stunts\n
\n Shaun Magee\n ...\n stunt rigger\n
\n Xander Martel\n ...\n stand in: Ryan Reynolds\n
\n Tom McComas\n ...\n stunt double: Deadpool / stunt driver\n
\n Joel McGowan\n ...\n stunt double: Nikolai Witschi\n
\n Kyle Mclean\n ...\n stunts\n
\n Reg Milne\n ...\n key stunt rigger\n
\n Atlin Mitchell\n ...\n stunt double: Morena Baccarin\n
\n Tammy Nera\n ...\n stunt double: Zazie Beetz\n
\n J.J. Park\n ...\n stunt performer\n
\n Adrian Persad\n ...\n stunts\n
\n Andrew Prest\n ...\n stunt performer\n
\n Yung Q\n ...\n stunts\n
\n Darryl Quon\n ...\n stunt performer\n
\n Dan Redford\n ...\n stunt performer\n
\n Matt Reimer\n ...\n stunt performer\n
\n Greg Rementer\n ...\n stunts\n
\n Jason Reynolds\n ...\n stunt rigger\n
\n Daniel Joseph Rizzuto\n ...\n stunt performer (as Dan Rizzuto)\n
\n Shawn Robidoux\n ...\n stunt core team\n
\n Joe Ross\n ...\n Stunts: Motion Capture Previz\n
\n Shahaub Roudbari\n ...\n utility stunts\n
\n S\u00e9bastien Rouleau\n ...\n stunt coordinator: motion capture\n
\n Sharlene Royer\n ...\n stunt performer\n
\n Jeff Sanca\n ...\n stunt driver\n
\n Darryl Scheelar\n ...\n stunt performer\n
\n Cale Schultz\n ...\n stunt performer\n
\n Philip J Silvera\n ...\n Stunt Coordinator: Motion Capture Previz\n
\n Grant Smith\n ...\n stunt rigger\n
\n Kimani Ray Smith\n ...\n stunt driver / stunt performer\n
\n Jackson Spidell\n ...\n assistant stunt coordinator / stunt double: Ryan Reynolds/Deadpool\n
\n Chad Stahelski\n ...\n stunts\n
\n Hugo Steele\n ...\n stunt performer\n
\n John Stoneham Jr.\n ...\n stunt performer\n
\n Sunny Sun\n ...\n fight coordinator (as Nuo Sun)\n
\n Taylor Tai\n ...\n utility stunts\n
\n Monte Thompson\n ...\n stunt rigger\n
\n Ty Trand\n ...\n stunt rigger\n
\n Andre Tricoteux\n ...\n stunt double: Colossus\n
\n Dimitri Tsoy\n ...\n stunt performer\n
\n Angela Uyeda\n ...\n stunts\n
\n Jon Valera\n ...\n utility stunts: motion capture\n
\n Lauro David Chartrand-Del Valle\n ...\n stunt performer (as Lauro David Chartrand-DelValle)\n
\n Clay Virtue\n ...\n stunts\n
\n Marshall Virtue\n ...\n stunt driver\n
\n Mark Aaron Wagner\n ...\n stunt driver\n
\n Brennan Walstrom\n ...\n stunt driver\n
\n Kye Walstrom\n ...\n stunt driver\n
\n Owen Walstrom\n ...\n stunt coordinator: second unit / stunt driver\n
\n Breanna Watkins\n ...\n stunt performer\n
\n Chris Webb\n ...\n stunt driver\n
\n Emerson Wong\n ...\n stunt performer\n
\n Mathew Yanagiya\n ...\n stunt performer\n
\n Kainoa Young\n ...\n stunt player\n
\n Jean-Jacques Dumonceau\n ...\n stunt performer (uncredited)\n
\n Sam Hargrave\n ...\n stunt coordinator: 2nd unit (uncredited)\n
\n Chad Sayn\n ...\n stunt double (uncredited)\n
\n Rorelee Tio\n ...\n stunts (uncredited)\n
\n Camera and Electrical Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Maria Aceves Varela\n ...\n lighting technician\n
\n Scott Antifave\n ...\n second unit 1st assistant camera\n
\n Stephen Arnott\n ...\n underwater key grip\n
\n Amrit Bawa\n ...\n grip\n
\n Mitch Bax\n ...\n d.i.t. 2nd unit\n
\n Riley Bell\n ...\n video assist\n
\n Justin Bergler\n ...\n 1st assistant camera: daily\n
\n Yves Bernadet\n ...\n gaffer: second unit\n
\n Lucas Bielan\n ...\n camera operator: \"a\" camera\n
\n Brian Bjerkness\n ...\n rigging grip\n
\n Dane Bjerno\n ...\n aerial camera technician\n
\n Hans Bjerno\n ...\n aerial director of photography\n
\n Jeffery Bjorgum\n ...\n video assistant\n
\n Kevin Black\n ...\n key grip: second unit\n
\n Matt Bonin\n ...\n lead rigging grip\n
\n Rob Brady\n ...\n lighting technician\n
\n Tess Bukowsky\n ...\n lighting technician: second unit\n
\n Xavier Callamand\n ...\n digital utility\n
\n Scott Campbell\n ...\n lead rigging grip\n
\n William Cash\n ...\n lighting technician\n
\n Phillip Chadwick\n ...\n lighting technician\n
\n Cary Cooper\n ...\n libra head technician\n
\n Marco Correia\n ...\n grip\n
\n Rob Cotroneo\n ...\n best boy electric: additional photography\n
\n Drew Davidson\n ...\n gaffer\n
\n Virgile Dean\n ...\n grip\n
\n Nicholas Dent\n ...\n dolly grip: \"b\" camera\n
\n Herb DeWaal\n ...\n rigging grip\n
\n Dave Dibdin\n ...\n telescopic camera crane technician\n
\n David Dolsen\n ...\n still photographer: second unit\n
\n Barrett Donner\n ...\n rf coordinator\n
\n Tommy Douglas\n ...\n camera operator\n
\n Cameron Drinkle\n ...\n motion picture video coordinator\n
\n Mackenzie Dupuy\n ...\n 2nd Unit Camera Trainee\n
\n Sean Edmiston\n ...\n rigging lighting best boy\n
\n Ryan Elliott\n ...\n technocrane\n
\n Spencer Ennis\n ...\n second assistant camera: \"a\" camera\n
\n Tyson Esau\n ...\n lighting technician\n
\n Kevin Estrada\n ...\n still photographer los angeles unit\n
\n Jordan Ewan\n ...\n remote head tech: second unit\n
\n Yared Gebrekidan\n ...\n lighting technician\n
\n Casey Gemma\n ...\n rigging electrician\n
\n Amie Gibbins\n ...\n a camera second assistant\n
\n Lee Gibeau\n ...\n camera crane technician\n
\n Evan Gradillas\n ...\n camera operator: b camera EPK/BTS\n
\n Ken Gurney\n ...\n rigging grip\n
\n Aaron Haesler\n ...\n first assistant camera: \"a\" camera, second unit\n
\n Rod Haney\n ...\n rigging grip best boy\n
\n Clyde Harrelson\n ...\n lighting technician: additional photography\n
\n Jesse Harris\n ...\n camera operator\n
\n Bj\u00f6rn Hermannes\n ...\n 2nd Unit B Dolly\n
\n Ronald Hersey\n ...\n additional photography\n
\n Christopher Hingston\n ...\n lighting technician\n
\n Jason Hooper\n ...\n rf technician\n
\n Tatiana Hopcraft\n ...\n camera trainee\n
\n Junichi Hosoi\n ...\n camera operator: \"a\" camera, second unit\n
\n Mark Hyde\n ...\n key grip: main unit\n
\n Tony Hyland\n ...\n rigging grip best boy\n
\n Jimmy E. Jensen\n ...\n first assistant camera: \"a\" camera (as a different name)\n
\n Justin Johns\n ...\n digital video assist coordinator: additional photography\n
\n Charles Johnson\n ...\n b dolly grip: second unit\n
\n Simon Jori\n ...\n digital imaging technician\n
\n Andrew Kearney\n ...\n rigging grip\n
\n Dubin Kim\n ...\n second company grip: additional photography\n
\n Cat Kitellis\n ...\n lighting technician\n
\n Shane Kjar\n ...\n Aircover consultant\n
\n Joshua Kjorven\n ...\n first assistant camera: \"b\" camera, second unit\n
\n David Klassen\n ...\n lighting consultant\n
\n Geoff Knight\n ...\n electrician\n
\n Scott Kozak\n ...\n rigging grip lead\n
\n Jeff Kuzyk\n ...\n lighting technician / splinter unit gaffer\n
\n Machio Lall\n ...\n loader: second unit\n
\n Joseph Lederer\n ...\n still photographer\n
\n Raylene Ledgerwood\n ...\n digital utility technician: 2nd unit\n
\n Patrick Loungway\n ...\n director of photography: second unit\n
\n David Lourie\n ...\n \"b\" camera first assistant camera\n
\n Matthew Love\n ...\n digital imaging technician: additional photography\n
\n Denis Marcotte\n ...\n grip\n
\n Todd Martin\n ...\n lighting technician\n
\n Brad McGregor\n ...\n camera operator: aerial & ultimate arm\n
\n Ryan McGregor\n ...\n digital imaging technician: second unit\n
\n David McIntosh\n ...\n key rigging grip\n
\n Shawn McLaughlin\n ...\n best boy rigging gaffer\n
\n Steve McLean\n ...\n lighting technician\n
\n Kyle Meakes\n ...\n 2nd unit\n
\n Alex Miller\n ...\n camera trainee\n
\n Greg Milton\n ...\n underwater electrician\n
\n Jason Misewich\n ...\n rigging grip\n
\n T. Michael Morris\n ...\n lighting technician: additional\n
\n Jared Nickel\n ...\n camera trainee: second unit\n
\n Joern Christian Novotny\n ...\n balloon light technician: second unit\n
\n Daniel Obedi\n ...\n assistant camera\n
\n Lawrence Ogden\n ...\n grip\n
\n Peter Pacula\n ...\n best boy rigging grip\n
\n Andrew Pedley\n ...\n digital video assist operator: second unit\n
\n Borislav Penchev\n ...\n second unit 2nd ac: dayplayer\n
\n Daniel Pierce\n ...\n rigging grip\n
\n Sasha Proctor\n ...\n b camera/steadicam operator\n
\n Alex Reno\n ...\n rigging grip\n
\n Mighty Dan Robinson\n ...\n \"b\" camera second assistant camera\n
\n Colin Robson\n ...\n grip\n
\n Jason J. Rodriguez\n ...\n rigging electrician\n
\n Alister Ross\n ...\n grip\n
\n Kat Ruston\n ...\n rigging electric: day player\n
\n Michael Andrew Salisbury\n ...\n set wireman\n
\n Steve Savard\n ...\n grip: second unit\n
\n Jeff Schellenberg\n ...\n grip: second unit\n
\n Morgan Schmidt\n ...\n a dolly grip: 2nd Unit\n
\n Karl Schoepp\n ...\n rigging lamp operator: Victoria\n
\n Ian Seabrook\n ...\n underwater camera operator / underwater director of photography\n
\n Anton Seaman\n ...\n camera trainee: second unit\n
\n Leon Serginson\n ...\n bestboy grip\n
\n Refah Seyed Mahmoud\n ...\n additional digital utility: second unit\n
\n Frankie Sharpe\n ...\n second assistant camera\n
\n Bryce Shaw\n ...\n camera crane technician / crane operator\n
\n Kathie Singh\n ...\n digital loader\n
\n Keyon Slowly\n ...\n grip\n
\n Troy James Sobotka\n ...\n leadman grip\n
\n Shaun Stander\n ...\n additional photography\n
\n Vincent Stander\n ...\n digital loader: re-shoots\n
\n Sam Stoessiger\n ...\n grip\n
\n Jason Tidsbury\n ...\n lighting technician\n
\n Ed Turner\n ...\n gaffer: special effects\n
\n Chris Unsworth\n ...\n lighting technician\n
\n Mark Weinhaupl\n ...\n underwater first assistant camera\n
\n Patrick Weir\n ...\n drone pilot\n
\n James Pat Whelan\n ...\n grip\n
\n Lance White\n ...\n video coordinator\n
\n Adrian Wilcocks\n ...\n grip\n
\n Darin Wong\n ...\n dolly grip: \"a\" camera\n
\n Keith Woods\n ...\n rigging gaffer\n
\n Andrew Wunder\n ...\n lighting technician\n
\n Jessica Yi\n ...\n grip\n
\n Brad Zacharias\n ...\n rigging lamp operator\n
\n Rohit Ajitkumar\n ...\n grip (uncredited)\n
\n Marco Bossow\n ...\n second assistant camera: second unit, \"b\" camera, day player (uncredited)\n
\n Animation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Teju Aloysius\n ...\n animator\n
\n Bernd Angerer\n ...\n animation supervisor: Framestore\n
\n Dimitrios Aspros\n ...\n animator\n
\n Chris Bacon\n ...\n animator\n
\n Eric Bates\n ...\n animation supervisor: DNEG\n
\n Srikanth Bhogi\n ...\n animator\n
\n Leonardo Bonisolli\n ...\n animator\n
\n Ivan Cadena Ayala\n ...\n animator\n
\n Diego Collell\n ...\n animator\n
\n Cheryl Darbey\n ...\n animator\n
\n Joseph Davis\n ...\n animator\n
\n Cecile Dubois-Herry\n ...\n animator\n
\n Danielle Dumont\n ...\n animator\n
\n Maree Fletcher\n ...\n animator: Method Studios\n
\n Gabriel Gagn\u00e9\n ...\n animator\n
\n Gabriel Giroux-Veilleux\n ...\n animator\n
\n Jonathan Gomez\n ...\n animator\n
\n Syed Arif Hasan\n ...\n animator: Framestore\n
\n Bassem Hawili\n ...\n animator: Framestore\n
\n Simon Irvine\n ...\n animator\n
\n Shajo John\n ...\n senior animator\n
\n Carlo Loffredo\n ...\n animator\n
\n Parth Malhotra\n ...\n animator\n
\n Emmanuel Margoux\n ...\n animator\n
\n William Marsh\n ...\n animator\n
\n Luis Martinez\n ...\n animator\n
\n Agata Matuszak\n ...\n animator\n
\n Martin Moch\n ...\n animator\n
\n Aju Mohan\n ...\n animator\n
\n Phil Morris\n ...\n lead animator\n
\n Sianoosh Nasiriziba\n ...\n lead animator\n
\n Goran Ognjanovic\n ...\n senior animator: title sequence: Method Studios\n
\n Suresh Padmaraj\n ...\n animator\n
\n Andrew Park\n ...\n lead animator\n
\n Marie Pillier\n ...\n animator\n
\n Juan Ram\u00f3n Pou\n ...\n animator\n
\n Florian Sauzet\n ...\n animator\n
\n Stuart Michael Shaw\n ...\n senior facial motion editor: DI4D\n
\n Suku Sibi.K.\n ...\n animator\n
\n Panda Smitaranjan\n ...\n animator\n
\n Heather Stockwell\n ...\n animator (as Heather Garrow)\n
\n Abhinav Swamy\n ...\n animator\n
\n Stephanie Tomoana\n ...\n animator\n
\n Sandeep Kalathil\n ...\n technical animator (uncredited)\n
\n Casting Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Andrea Brown\n ...\n extras casting director\n
\n Riva Cahn-Thompson\n ...\n casting associate\n
\n Corinne Clark\n ...\n casting: Canada\n
\n Rebecca Davidson\n ...\n casting assistant\n
\n Johnny Gidcomb\n ...\n adr voice casting\n
\n Nina Henninger\n ...\n search casting director: San Francisco\n
\n Ko Iwagami\n ...\n casting consultant: Japan\n
\n Jennifer Page\n ...\n casting: Canada\n
\n Holly Pinder\n ...\n background coordinator\n
\n Raylin Sabo\n ...\n casting associate (as Raylin Smith)\n
\n Lory Shaye\n ...\n casting assistant\n
\n Natalie Sutcliffe\n ...\n extras casting assistant\n
\n Yumi Takada\n ...\n casting consultant: Japan\n
\n Costume and Wardrobe Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Holly Anderson\n ...\n seamstress\n
\n Sadife Bakar Carne\n ...\n costume shopper\n
\n Derek J. Baskerville\n ...\n b.g./stunts costume coordinator\n
\n Kimberley Bejar\n ...\n truck costumer\n
\n Carolyn Bentley\n ...\n costume set supervisor 2nd unit / set costumer\n
\n Isabel Bloor\n ...\n set supervisor-key\n
\n Andre Brouwer\n ...\n costumer: Mr. Reynolds (as Andr\u00e9 Brouwer)\n
\n Cora Burnette\n ...\n costumer\n
\n Lanny Campbell\n ...\n Key breakdown artist and dyer\n
\n Suzanne Sisi Chan\n ...\n stitcher\n
\n Christina Dietterle\n ...\n costume ager/dyer\n
\n Vanessa Driveness\n ...\n additional background costumer\n
\n Beverlee June Fix\n ...\n assistant costume designer\n
\n Tannis Hegan\n ...\n specialty costumer (as Tannis Heagan)\n
\n Kathy Houghton\n ...\n prep costumer (as Kathy 'Kertesz' Houghton)\n
\n Tina Ning Hsu\n ...\n specialty costumer (as Tina Hsu)\n
\n Brenda Knight\n ...\n costume cutter\n
\n Lana S. Krause\n ...\n costume coordinator\n
\n Megan Leson\n ...\n set costumer\n
\n Janice MacIsaac\n ...\n costume supervisor\n
\n Jerad Marantz\n ...\n costume concept artist\n
\n Laszlo Marton\n ...\n cutter\n
\n Ayla McIninch\n ...\n costume buyer\n
\n Monique McRae\n ...\n assistant costume designer\n
\n Laurel Morgan\n ...\n set costumer\n
\n Brittany Morrow\n ...\n ager/dyer\n
\n Cat Mudryk\n ...\n set costumer\n
\n Farrahlyn Owen\n ...\n set costumer\n
\n Amie Payne\n ...\n costumer\n
\n Tim Phoenix\n ...\n fx costume\n
\n Katelyn Rodgers\n ...\n key specialty costumer\n
\n Nicola Ryall\n ...\n set costumer\n
\n Nadine Schaefer\n ...\n costume department assistant\n
\n Ellie Schultz\n ...\n costume breakdown artist\n
\n Morgan Spry-Young\n ...\n seamstress\n
\n Samantha Stroman\n ...\n breakdown artist\n
\n Gwendolyn Stukely\n ...\n assistant costume designer: Los Angeles\n
\n Taryn Thumath\n ...\n stunts and background supervisor\n
\n Jenn Touchie\n ...\n breakdown artist\n
\n Sekyiwa Wi-Afedzi\n ...\n costume assistant\n
\n Petra Wright\n ...\n seamstress\n
\n Zoe Zhou\n ...\n assistant costume designer\n
\n Carlos East Jr.\n ...\n specialty costume crew: Film Illusions (uncredited)\n
\n Editorial Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Matt Absher\n ...\n first assistant editor\n
\n Adoma Ananeh-Firempong\n ...\n second assistant editor\n
\n A.R. Bj\u00f6rklund\n ...\n editorial production assistant\n
\n Nina Byrne\n ...\n post-production coordinator\n
\n Brandon Cano-Errecart\n ...\n apprentice editor\n
\n Jim Carretta\n ...\n first assistant editor\n
\n Hunter Clancey\n ...\n feature mastering producer\n
\n Jonathan Cyga\n ...\n dailies assistant: montreal shoot\n
\n Cole Doran\n ...\n editorial production assistant\n
\n Jameson Duggan\n ...\n BTS Editor: DVD Special Feature - The Deadpool Prison Experiment\n
\n Emma Escamilla\n ...\n post-production assistant\n
\n Sam Gilling\n ...\n dailies colorist and assist\n
\n Sheryl Goodhead\n ...\n finishing executive: Company 3\n
\n Rob Grant\n ...\n assistant editor\n
\n Nathan Hurlburt\n ...\n on-line editor\n
\n Skip Kimball\n ...\n digital intermediate colorist\n
\n Kyle Lawrence\n ...\n post production consulting technician\n
\n Tali Litmanovitz\n ...\n post-production assistant\n
\n Adam Michna\n ...\n assistant editor: EPK and BTS / bts editor\n
\n Daniel M. Nussbaum\n ...\n first assistant editor\n
\n Tyler Ruocco\n ...\n first assistant editor: Vancouver\n
\n John St. Laurent\n ...\n colorist: dailies: additional photography\n
\n Tashi Trieu\n ...\n digital intermediate editor\n
\n Chris Van Duyn\n ...\n dailies operations: Technicolor\n
\n Matthew Wells\n ...\n post-production coordinator\n
\n Denise Woodgerd\n ...\n dailies producer\n
\n Alex Coleman\n ...\n post-production assistant (uncredited)\n
\n Kody Troy Davidson\n ...\n editorial teardown (uncredited)\n
\n Kaylee Karlik\n ...\n additional assistant editor (uncredited)\n
\n Location Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Beth Charlesworth\n ...\n trainee assistant location manager\n
\n Abdulla Daiani\n ...\n location assistant\n
\n Boris Detvaj\n ...\n location production assistant\n
\n Kevin Duckett\n ...\n production assistant\n
\n Sean Patrick Finnan\n ...\n assistant location manager (as Sean Finnan)\n
\n Paul Giordano\n ...\n assistant location manager\n
\n Ann Goobie\n ...\n location manager\n
\n Joel Hurley\n ...\n location scout\n
\n Bret Jolliffe\n ...\n location production assistant\n
\n Geshe Mancini\n ...\n location production assistant\n
\n Bob McQuarrie\n ...\n assistant location manager\n
\n Music Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Eun-Mee Ahn\n ...\n musician: violin\n
\n Juan Alderete\n ...\n musician: electric bass\n
\n Helen Z. Altenbach\n ...\n musician\n
\n Jeff Babko\n ...\n musician: keyboards\n
\n Mateo Barragan\n ...\n score editor\n
\n Tyler Bates\n ...\n musician: guitars/guitarviol\n
\n Nick Baxter\n ...\n scoring mixer\n
\n Joan Beal\n ...\n score singer\n
\n Josh Bedlion\n ...\n singer\n
\n Gustavo Borner\n ...\n scoring mixer\n
\n Eric Bradley\n ...\n musician: singer\n
\n Jacob Braun\n ...\n musician: cello\n
\n Rob Brophy\n ...\n musician: viola\n
\n Reid Bruton\n ...\n score vocalist\n
\n Ted Caplan\n ...\n music editor\n
\n Elin Carlson\n ...\n singer\n
\n Alvin Chea\n ...\n singer\n
\n Kenton Chen\n ...\n score vocalist\n
\n Meredith Crawford\n ...\n musician: viola\n
\n Nick Daley\n ...\n musician: trombone\n
\n Victor De Almeida\n ...\n musician: viola\n
\n Jonathan DeRoche\n ...\n music preparation\n
\n Monique Donnelly\n ...\n singer\n
\n Steve Dress\n ...\n musician\n
\n Andrew Duckles\n ...\n musician: viola\n
\n Paul Edmund-Davies\n ...\n musician: flute\n
\n Jarryd Elias\n ...\n orchestrator/audio takedown\n
\n Allen Fogle\n ...\n musician: french horn\n
\n Ross Gasworth\n ...\n musician: cello\n
\n Dylan Gentile\n ...\n singer\n
\n Abdiel Gonzalez\n ...\n singer\n
\n Jenny Graham\n ...\n singer\n
\n Opie Gruves\n ...\n music re-mixing coordinator\n
\n Christine Guter\n ...\n score vocalist\n
\n Dylan S. Hart\n ...\n musician: french horn\n
\n Thomas Harte\n ...\n musician: bass\n
\n Ayana Haviv\n ...\n singer: soloist\n
\n Joanne Higginbottom\n ...\n musician: percussion / programming\n
\n Luanne Homzy\n ...\n musician: violin\n
\n Todd Honeycutt\n ...\n singer: choir\n
\n John Houlihan\n ...\n music supervisor\n
\n Benjamin Jacobson\n ...\n musician: violin\n
\n Trevon Jefferson\n ...\n musician\n
\n Christian Kollgaard\n ...\n musician: bass\n
\n Drew Krassowski\n ...\n orchestrator\n
\n Matt Lange\n ...\n sound designer\n
\n Songa Lee\n ...\n musician: violin\n
\n Edie Lehmann Boddicker\n ...\n vocalist\n
\n Michael Lichtenauer\n ...\n score vocalist\n
\n Guy Maeda\n ...\n singer\n
\n Whitney Martin\n ...\n assistant orchestra contractor\n
\n Luke Maurer\n ...\n musician: viola\n
\n Baraka May\n ...\n singer\n
\n Jonathan Moerschel\n ...\n musician: viola\n
\n Justin Moshkevich\n ...\n digital recordist\n
\n Peter Nelson\n ...\n stage manager\n
\n Gil Novak\n ...\n musician: percussion\n
\n Joel Pargman\n ...\n musician: violin\n
\n Lorena Perez Batista\n ...\n music assistant / musician: percussion (as Lorena Perez-Batista)\n
\n Ben Powell\n ...\n musician: violin\n
\n Jasper Randall\n ...\n vocal contractor\n
\n Diane Freiman Reynolds\n ...\n singer: choir\n
\n Mark Robertson\n ...\n music contractor\n
\n Julie Rogers\n ...\n musician: violin\n
\n Erik Rynearson\n ...\n musician: viola\n
\n Rob Schaer\n ...\n musician: trumpet\n
\n Ilya Serov\n ...\n singer\n
\n Gil Sharone\n ...\n musician: drums/percussion\n
\n Fletcher Sheridan\n ...\n score vocalist\n
\n Eric Shetzen\n ...\n musician: bass\n
\n Derek Snyder\n ...\n score editor\n
\n Leslie A. Soultanian\n ...\n score vocalist (as Leslie)\n
\n Del Spiva\n ...\n additional music editor\n
\n Tereza Stanislav\n ...\n musician: violin\n
\n Sally Stevens\n ...\n vocal contractor/singer / vocal contractor/vocalist\n
\n Todd Strange\n ...\n score vocalist\n
\n A.J. Teshin\n ...\n singer: ensemble\n
\n Charlie Tyler\n ...\n musician: cello\n
\n Suzanne Waters\n ...\n singer: choir\n
\n Tim Williams\n ...\n conductor / orchestrator / programming\n
\n Yelena Yegoryan\n ...\n musician: violin\n
\n Gina Zimmitti\n ...\n music contractor\n
\n Thomas Cavanaugh\n ...\n music business & legal affairs (uncredited)\n
\n Danielle Diego\n ...\n executive in charge of music (uncredited)\n
\n Ellen Ginsburg\n ...\n music clearance (uncredited)\n
\n The Hollywood Studio Symphony\n ...\n music performed by (uncredited)\n
\n Patrick Houlihan\n ...\n music executive (uncredited)\n
\n Alan Kaplan\n ...\n musician: trombone (uncredited)\n
\n Kieran Kiely\n ...\n orchestrator (uncredited)\n
\n Rebecca Morellato\n ...\n music production executive (uncredited)\n
\n Damon Tedesco\n ...\n stage manager (uncredited)\n
\n Greg Whipple\n ...\n singer (uncredited)\n
\n Gerald White\n ...\n singer (uncredited)\n
\n Script and Continuity Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stephanie Rossel\n ...\n script supervisor: additional photography / script supervisor: second unit\n
\n Ana Oparnica Sebal\n ...\n script supervisor\n
\n Keilah Boyle\n ...\n continuity (uncredited)\n
\n Transportation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Victor Formosa\n ...\n automobile maintenance\n
\n Louie Hausner\n ...\n wardrobe driver\n
\n Triple Back Flip Kick\n ...\n transportation captain\n
\n Karin Korchinski\n ...\n Office Coordinator: Picture Car Department\n
\n Aaron McClean\n ...\n picture car driver\n
\n Rick Rasmussen\n ...\n picture car coordinator\n
\n Ryan Sangha\n ...\n transportation captain\n
\n Duane Shearer\n ...\n unit driver\n
\n Matthew Talamantes\n ...\n transportation coordinator: additional photography\n
\n Paul Talbot\n ...\n 2nd unit\n
\n Tana Tocher\n ...\n driver\n
\n Rob Vreugde\n ...\n transportation coordinator\n
\n Additional Crew \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Ishtiak Ahmed\n ...\n key production assistant 2nd unit\n
\n Andie Aichholz\n ...\n assistant accountant: reshoots\n
\n Anne Angeles\n ...\n production assistant\n
\n Steve Apostolina\n ...\n voice actor (as Stephen Apostolina)\n
\n Ethan Attrell\n ...\n production assistant\n
\n David Baach\n ...\n stand-in\n
\n Nikki Baida\n ...\n assistant: Aditya Sood\n
\n Kirk Baily\n ...\n adr loop group\n
\n Aman Bassi\n ...\n AC\n
\n Aaron Beardmore\n ...\n production assistant\n
\n Paul Becker\n ...\n choreographer\n
\n David Ber\u00f3n\n ...\n adr loop group (as David Beron)\n
\n Paul Bois\n ...\n production assistant\n
\n Daniel Booko\n ...\n adr voice cast\n
\n Holly Brown\n ...\n production assistant\n
\n Jennifer Cain\n ...\n adr loop group\n
\n Sophie Caird\n ...\n assistant: Ethan Smith (as Sophie Naima Caird)\n
\n Jim Carretta\n ...\n adr voice actor\n
\n Zach Chamberlin\n ...\n production assistant: development\n
\n Vic Chao\n ...\n Actor\n
\n Pierre Cheminat\n ...\n construction accountant\n
\n Eudora Chu\n ...\n 1st assistant production coordinator: additional photography\n
\n James Clark\n ...\n production assistant\n
\n Mitchell Clark\n ...\n stand in: Brad Pitt\n
\n Liam Collinson\n ...\n production assistant\n
\n Benjamin Coster\n ...\n assistant to d. leitch and k. mccormick\n
\n Chris Crawford\n ...\n production assistant\n
\n Joel Cyr\n ...\n key production assistant\n
\n Frederic Dagmey\n ...\n set production assistant\n
\n Ramona Diaz Sanchez\n ...\n financial controller (as Ramona S\u00e1nchez-Waggoner)\n
\n Deborah Dom\u00ednguez\n ...\n SUB Supervisor\n
\n Maxime Dubuc\n ...\n junior systems administrator: Framestore\n
\n Samantha Ellison\n ...\n assistant: Simon Kinberg\n
\n Assis Eloy\n ...\n assistant: Simon Kinberg (as Assis 'AJ' Eloy)\n
\n Richard Epcar\n ...\n adr loop group\n
\n Kevin Estrada\n ...\n studio portrait photographer\n
\n Michael Fenske\n ...\n key production assistant\n
\n Carole Fleming\n ...\n on set tutor\n
\n Rob Fournier\n ...\n armourer\n
\n Byron Fudge\n ...\n assistant production coordinator\n
\n Selena Ginger\n ...\n payroll accountant\n
\n Jeremy Glazer\n ...\n voiceover actor\n
\n Jane Grasby\n ...\n payroll clerk\n
\n Steve Gray\n ...\n helicopter pilot\n
\n Christopher J. Green\n ...\n assistant accountant\n
\n Matthew Haddon\n ...\n previs artist\n
\n Alice Gledhill Hall\n ...\n press international\n
\n Caity Hardy\n ...\n 2nd assistant production coordinator\n
\n Alex Hartel\n ...\n production assistant: pg-13 shoot (as Alexander Hartl)\n
\n Danielle Hartnett\n ...\n adr loop group\n
\n Jake Head\n ...\n adr loop group\n
\n Rosmarie Heimbach\n ...\n assistant accountant\n
\n Matt Hughes\n ...\n production accountant: Method Studios\n
\n Samy Iguertsira\n ...\n system support\n
\n Farrell Ingle\n ...\n assistant: David Leitch\n
\n Mayank Jain\n ...\n hindi transcription\n
\n Lorraine Jamison\n ...\n unit publicist\n
\n Wal\u00e9ra Kanischtscheff\n ...\n voice actor\n
\n Jeff Kent\n ...\n production assistant\n
\n Dohee Kim\n ...\n production assistant: second unit\n
\n Hideo Kimura\n ...\n adr loop group\n
\n Michael Lafuente\n ...\n director of technology: 20th Century Fox\n
\n Janet Lane\n ...\n payroll accountant\n
\n Lex Lang\n ...\n adr loop group\n
\n Raphael Lanouette\n ...\n system support\n
\n Andrew Learmonth\n ...\n paramedic\n
\n Darron Leiren-Young\n ...\n travel coordinator\n
\n Christa Lenk\n ...\n development accountant\n
\n Susan Leslie\n ...\n adr voice cast\n
\n Peter Lim\n ...\n production assistant\n
\n Laura Livingstone\n ...\n production coordinator: additional photography\n
\n Geshe Mancini\n ...\n production assistant\n
\n Rachel Markus\n ...\n production assistant\n
\n Kurt Martinez\n ...\n systems coordinator\n
\n Wendy Martinez\n ...\n second assistant accountant\n
\n Oksana Maslechko\n ...\n production assistant\n
\n Richard Mayencourt\n ...\n assistant: David Leitch\n
\n Mauricio Mendoza\n ...\n adr loop group\n
\n Mark Mensink\n ...\n parachute tech adviser\n
\n Chris Mentillo\n ...\n production executive (credit only)\n
\n David Michie\n ...\n adr loop group\n
\n Markelle Miller\n ...\n key office production assistant\n
\n Patrick J Miller\n ...\n armourer\n
\n Andrew Morgado\n ...\n adr loop group\n
\n Eva Morgan\n ...\n production coordinator\n
\n Kevin Moyer\n ...\n business affairs: partner promotion\n
\n Chrissy Mozylisky\n ...\n production assistant\n
\n Jeremy Muir\n ...\n armourer\n
\n Alana Murray\n ...\n clearance co-ordinator\n
\n Joey Naber\n ...\n adr loop group\n
\n Justin J. Nelson\n ...\n production assistant\n
\n David Nguyen\n ...\n production assistant\n
\n Matt Nolan\n ...\n adr voice cast\n
\n Arthur Ortiz\n ...\n adr loop group\n
\n Juan Pacheco\n ...\n adr loop group\n
\n Paul Pape\n ...\n adr loop group\n
\n Kalpesh Parekh\n ...\n hindi dubbing director\n
\n Devika Parikh\n ...\n adr loop group\n
\n Jessica Pennington\n ...\n adr loop group\n
\n Jerami Pergel\n ...\n production coordinator: additional photography\n
\n Chrystee Pharris\n ...\n adr loop group\n
\n Heather Phillips\n ...\n EVP: Publicity- 20th Century Fox\n
\n Dylan Pittman\n ...\n production assistant\n
\n Juan Pope\n ...\n adr loop group\n
\n Ben Pronsky\n ...\n adr loop group / adr voice actor\n
\n Michael Ralph\n ...\n adr loop group\n
\n Rebecca Rees\n ...\n first assistant accountant\n
\n Lisa Rhyne\n ...\n legal affairs\n
\n Lauraine Richardson\n ...\n production assistant\n
\n Al Rodrigo\n ...\n adr loop group\n
\n Alex Rowley\n ...\n production assistant\n
\n Cooper Rummell\n ...\n voice actor\n
\n Don Saladino\n ...\n trainer: Ryan Reynolds\n
\n Rodney Saulsberry\n ...\n adr/voice talent\n
\n Clay Savage\n ...\n adr loop group\n
\n Brodi-Jo Scalise\n ...\n assistant production coordinator\n
\n James T. Schlegel\n ...\n stand-in: Ryan Reynolds\n
\n Jo Scott\n ...\n key production office assistant - additional photography / office production assistant: additional photography\n
\n Doug Scroggins III\n ...\n chinook helicopter technical advisor\n
\n Rhonda Scroggins\n ...\n operations & logistics: Scroggins Aviation\n
\n Frank Sharp\n ...\n voice actor\n
\n Justin Shenkarow\n ...\n adr loop group\n
\n Misha Shumaker\n ...\n set production assistant: block captain\n
\n Zac Siewert\n ...\n intern\n
\n Daniele Simone\n ...\n production assistant: additional\n
\n Dennis Singletary\n ...\n adr loop group\n
\n Jason Grant Smith\n ...\n adr loop group\n
\n Michelle Stefani\n ...\n production assistant\n
\n Jon Stephenson\n ...\n water tank coordinator/diving supervisor\n
\n Kimberley Sutton\n ...\n content security\n
\n Shane Sweet\n ...\n ADR voice cast\n
\n Regan K. Taylor\n ...\n assistant: Josh Brolin (as Regan Taylor)\n
\n Gladys Tong\n ...\n computer/ video playback supervisor\n
\n Donne Torr\n ...\n on set teacher\n
\n Sophia Travaglia\n ...\n assistant: Ryan Reynolds\n
\n Abiola Uthman\n ...\n stand-in\n
\n Michael Vasquez\n ...\n accountant\n
\n Ric Walkington\n ...\n armorer\n
\n Jesse Watts\n ...\n accounts clerk\n
\n Dean Wein\n ...\n adr loop group\n
\n Aimie Willemse\n ...\n production assistant\n
\n Max Wittig\n ...\n production assistant\n
\n Corey J. Wood\n ...\n production assistant\n
\n Regie Yogamoorthy\n ...\n production assistant\n
\n Ruth Zalduondo\n ...\n adr loop group\n
\n David Zyler\n ...\n adr loop group (as Dave Zyler)\n
\n Rory Bedward\n ...\n it support (uncredited)\n
\n Andre Ike\n ...\n stunts safety (uncredited)\n
\n Justin Latimer\n ...\n 4D Motion Editor (uncredited)\n
\n Michael Martinez\n ...\n 4D motion editor (uncredited)\n
\n Andrew McIlroy\n ...\n acting coach (uncredited)\n
\n Ryan Reynolds\n ...\n facial motion capture: Juggernaut (uncredited)\n
\n Conor Sawyer\n ...\n Prep production assistant (uncredited)\n
\n Howard R. Schuster\n ...\n financing (uncredited)\n
\n David A. Starke\n ...\n production executive (uncredited)\n
\n Brandon Wheeler\n ...\n stand-in (uncredited)\n
\n Aiden Zanini\n ...\n dive supervisor: underwater unit (uncredited)\n
\n Thanks \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Joi Harris\n ...\n in memory of (as Joi 'SJ' Harris) / in memory of (as Sequana Harris)\n
\n Hugh Jackman\n ...\n the producers wish to thank\n
\n Joe Kelly\n ...\n the producers wish to thank\n
\n Rob Liefeld\n ...\n the producers wish to thank\n
\n James Mangold\n ...\n the producers wish to thank\n
\n Ed McGuinness\n ...\n the producers wish to thank\n
\n Fabian Nicieza\n ...\n the producers wish to thank\n
\n Angry Rantman\n ...\n the producers wish to thank\n
\n Jim Schramm\n ...\n thanks\n
\n Louise Simonson\n ...\n the producers wish to thank\n
\n\n
\n
\n\n\n\n
\n

See also

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\n \nRelease Dates\n | \nOfficial Sites\n | \nCompany Credits\n | \nFilming & Production\n | \nTechnical Specs\n

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\n\n\n\n\n \n \n\n", + "page_last_modified": "" + }, + { + "page_name": "Deadpool 2 (2018) \u2b50 7.6 | Action, Adventure, Comedy", + "page_url": "https://www.imdb.com/title/tt5463162/", + "page_snippet": "Deadpool 2: Directed by David Leitch. With Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison. Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg ...Deadpool 2: Directed by David Leitch. With Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison. Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable. In India, the CBFC (Central Board Of Film Certification) demanded that audio edits be made to the film before the film could receive an 'A' rating (meaning that only an adult audience; whom are aged aged 18 and over can attend screenings of the film). These changes bleeped out some heavier profanities from the film; the violence and sexual humor however was left uncut. (at around 23 mins) The footage of the X-Men closing the door was shot on the set of Dark Phoenix (2019) and sent over to the Deadpool 2 crew. ... (at around 1h 8 mins) When the brakes on the prison rig are cut, they leak hydraulic fluid making it unable to stop. What are the differences between this version and 'Once Upon a Deadpool'?", + "page_result": "Deadpool 2 (2018) - IMDb
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IMDbPro

Deadpool 2

IMDb RATING
7.6/10
641K
YOUR RATING
POPULARITY
318
114
\"Brad
\"'Deadpool
Play trailer0:59
36 Videos
99+ Photos
ActionAdventureComedy

Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg... Read allFoul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.

    • IMDb RATING
    7.6/10
    641K
    YOUR RATING
    POPULARITY
    318
    114
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    Videos36

    \"Official
    Trailer 0:59
    Watch Official Trailer
    \"The
    Trailer 2:24
    Watch The Final Trailer
    \"Official
    Trailer 2:40
    Watch Official Trailer
    \"Deadpool,
    Trailer 2:11
    Watch Deadpool, Meet Cable - Trailer
    \"Official
    Trailer 2:05
    Watch Official Teaser
    \"Deadpool
    Trailer 3:43
    Watch Deadpool 2
    \"Are
    Clip 3:24
    Watch Are the Animated X-Men in 'Deadpool & Wolverine'?
    \"All
    Clip 1:29
    Watch All About Brianna Hildebrand
    \"Which
    Clip 3:44
    Watch Which Roles Has Ryan Reynolds Been Considered For?
    \"What
    Clip 4:06
    Watch What You Need to Know Before Seeing 'Black Widow'
    \"Bill
    Clip 2:18
    Watch Bill Skarsg\u00e5rd Gets Quizzed on His IMDb Page
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    Clip 3:25
    Watch Who Could "The Boys" Offend in Season 2?

    Photos374

    \"Ryan
    \"Ryan
    \"Josh
    \"Zazie
    \"Zazie
    \"Ryan
    \"Mike
    \"Ryan
    \"Shioli
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    \"Ryan
    \n\n
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    Top cast

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    \"Ryan
    Ryan Reynolds
    \"Josh
    Josh Brolin
    \"Morena
    Morena Baccarin
    \"Julian
    Julian Dennison
    \"Zazie
    Zazie Beetz
    \"T.J.
    T.J. Miller
    \"Leslie
    Leslie Uggams
    \"Karan
    Karan Soni
    \"Brianna
    Brianna Hildebrand
    \"Jack
    Jack Kesy
    \"Eddie
    Eddie Marsan
    \"Shioli
    Shioli Kutsuna
    \"Stefan
    Stefan Kapicic
    \"Randal
    Randal Reeder
    \"Nikolai
    Nikolai Witschl
    \"Thayr
    Thayr Harris
    \"Rob
    Rob Delaney
    \"Lewis
    Lewis Tan

    'Deadpool 2' Stars on Becoming Their Characters

    'Deadpool 2' Stars on Becoming Their Characters

    Deadpool 2 stars Josh Brolin, Zazie Beetz, Julian Dennison, and director David Leitch share the moment the cast became one with their characters.
    Watch our interview
    \"Editorial
    2:47

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    7.9
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    7.8
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    7.3
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    8.0
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    8.1
    Logan

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      (at around 23 mins) The footage of the X-Men closing the door was shot on the set of Dark Phoenix (2019) and sent over to the Deadpool 2 crew.
    • Goofs
      (at around 1h 8 mins) When the brakes on the prison rig are cut, they leak hydraulic fluid making it unable to stop. A vehicle of that size and weight would definitely require air brakes, which not only don't leak fluid but apply automatically if the fluid line is cut.
    • Quotes

      Cable: I use a device to slide through time. The longer I travel, the harder it is to control. I got two charges: one to get me here, one to get me home.

      Wade Wilson: [looks at the camera] Well... that's just lazy writing.

    • Crazy credits
      Despite being voiced by Ryan Reynolds, Juggernaut is credited as Himself.
    • Alternate versions
      In India, the CBFC (Central Board Of Film Certification) demanded that audio edits be made to the film before the film could receive an 'A' rating (meaning that only an adult audience; whom are aged aged 18 and over can attend screenings of the film). These changes bleeped out some heavier profanities from the film; the violence and sexual humor however was left uncut.

    User reviews1.4K

    Review
    Review
    Featured review
    8/10
    Deadpool 2 is a great sequel, suited for adults as well. The same hilarious and riveting action as in Deadpool 1, but with more credible characters and better oneliners.
    A suicidal superhero comes to the rescue of a fat superhero kid who has got no friends. Will they live happily ever after? I didnt really like Deadpool 1, but I did like this sequel, because the jokes are better and thankfully there are some breathers in between the action scenes, so adults, who value characters and a good story, will be able to appreciate this movie as well.

    Deadpool 1 had a too fastpaced tempo, which destroyed the fabric of the movie. Deadpool 1 was more of a longwinding gimmick, this time around though the characters and the story can be enjoyed though in a normal pace, which makes for a lot more pleasurable watching experience. The action is still fantastic, but even the action is more enjoyable, because it isnt non stop as it was in Deadpool 1. A pause now and then, with some hilarious sentimental scenes between the characters, greatly enhances the fun for me of watching these sort of bizarre action comedies, which are usually only made for teenagers, but as I said before this movie can be enjoyed by adults as well.

    Watch out for some great short cameos by Brad Pitt and Matt Damon. And there is some great seventies and eighties music to be heard by: Dolly Parton, AC/DC, Enya, Barbara Streisand and lots of others, whose music is truly hilarious in the context of this bizarre superhero story.
    helpful\u202211
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    FAQ26

    Details

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    Box office

    Edit
    • Budget
      • $110,000,000 (estimated)
    • Gross US & Canada
      • $324,591,735
    • Opening weekend US & Canada
      • $125,507,153
      • May 20, 2018
    • Gross worldwide
      • $785,896,632

    Technical specs

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    ", + "page_last_modified": "" + }, + { + "page_name": "Deadpool 2 | Marvel Database | Fandom", + "page_url": "https://marvel.fandom.com/wiki/Deadpool_2", + "page_snippet": "On October 14th, 2017, it was announced that this film along with X-Men: Dark Phoenix, had both wrapped filming.[22] One of the creative differences why Deadpool director Tim Miller left the movie was his idea to incorporate into the plot a deeper exploration of the love story between Vanessa ...On October 14th, 2017, it was announced that this film along with X-Men: Dark Phoenix, had both wrapped filming.[22] One of the creative differences why Deadpool director Tim Miller left the movie was his idea to incorporate into the plot a deeper exploration of the love story between Vanessa and Wade, which included her transformation into the super-powered Copycat. Some drafts of this film had Wade and Vanessa breaking up, rather than her dying.[25] Deadpool was almost going to sport an updated costume with additional paneling on the arms, back, and legs. This redesign was dropped in favor of continuing with the costume from the first movie.[26] The X-Men's cameo was directed by Dark Phoenix director Simon Kinberg. Deadpool was almost going to sport an updated costume with additional paneling on the arms, back, and legs. This redesign was dropped in favor of continuing with the costume from the first movie.[26] The X-Men's cameo was directed by Dark Phoenix director Simon Kinberg. The characters were filmed in that film's set in Montreal, and then they were inserted in Deadpool 2 via green screen.[27] 116 image(s) from Deadpool 2 Deadpool 2 on IMDB.com Deadpool 2 on AllMovie.com Deadpool 2 on Marvel Movies wiki Deadpool 2 on X-Men Movies wiki Marvel Films", + "page_result": "\n\n\n\nDeadpool 2 | Marvel Database | Fandom\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\n\n\t\n\n\t\n\n\t\n\n\t\n\n\t\n\n\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t
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    \"Quote1\" You never forget your second time. \"Quote2\"
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    Appearances

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    Featured Characters:\n

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    Supporting Characters:\n

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    Antagonists:\n

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    Other Characters:\n

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    Races and Species:\n

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    Locations:\n

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    Items:\n

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    Vehicles:\n

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    Plot

    \nPlot not yet listed
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    Cast

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    Notes

    \n
    • Tim Miller, who directed the first Deadpool film, was expected to return to direct the sequel, until he left due to creative differences, and was replaced by David Leitch.[18][19][20]
      • \n
    • 20th Century Fox announced the June 1, 2018 release date for Deadpool 2 in April 2017, alongside several other films, including The New Mutants and Dark Phoenix, but was later pushed up to May 18, 2018.[21]
      • \n
    • On October 14th, 2017, it was announced that this film along with X-Men: Dark Phoenix, had both wrapped filming.[22]
    \n

    Trivia

    \n
    • One of the creative differences why Deadpool director Tim Miller left the movie was his idea to incorporate into the plot a deeper exploration of the love story between Vanessa and Wade, which included her transformation into the super-powered Copycat. In the last moments prior to exiting the project, Miller spoke to 20th Century Fox higher-ups and pleaded they kept that aspect of the movie even if they scrapped the rest.[23]\n
      • The relationship between Deadpool and Russell being the heart of the movie was planned from the start, even before Miller left production.[23]
        • \n
      • Miller intended for Cable to be more comic accurate and be 6'7\" tall.[23]
        • \n
      • Miller had also gotten permission to make use of Fantastic Four character The Thing and have him fight the Juggernaut in the film's climactic action set-piece.[23]
      • \n
    • The film's earliest drafts set it roughly five years after the first film, and featured Deadpool as a father. According to Ryan Reynolds himself, \"by page 1.5, it was totally untenable\" and the idea was dropped.[24]
      • \n
    • Some drafts of this film had Wade and Vanessa breaking up, rather than her dying.[25]
      • \n
    • Deadpool was almost going to sport an updated costume with additional paneling on the arms, back, and legs. This redesign was dropped in favor of continuing with the costume from the first movie.[26]
      • \n
    • The X-Men's cameo was directed by Dark Phoenix director Simon Kinberg. The characters were filmed in that film's set in Montreal, and then they were inserted in Deadpool 2 via green screen.[27]
      • \n
    • Black Tom originally had a bigger role in an earlier script of this film. He lived until the end of the third act, and he became the devil on Firefist's shoulder, trying to get him to turn bad. His role was cut due to budget constraints.[25]
      • \n
    • Brad Pitt's cameo as the Vanisher was worked on very late into the film's production. According to co-writer Rhett Reese, he agreed to do it \"for scale and a cup of Starbucks \u2014 but Ryan's got to go get the Starbucks for me.\"[25]
      • \n
    • The film's mid-credit scenes were shot as part of additional photography, and were not featured in test screenings.[25]
      • \n
    • The film's mid-credit scenes of Deadpool travelling through time originally ended with Wade killing an infant Adolf Hitler. According to co-writer Rhett Reese, this idea was dropped due to the belief it was too harsh to have Deadpool kill a baby.[28] An altered version of this scene was included in the The Super Duper Cut home release of the film, with Deadpool instead calming him, changing his diaper and saying that he will be back with Cable as he loves killing kids.
      • \n
    • A preliminary idea for the mid-credits scenes was to show more X-Force recruitment interviews, with one of the interviewees tentatively being Chris Evans reprising the role of the Human Torch from the Fantastic Four and Fantastic Four: Rise of the Silver Surfer films.[29]
      • \n
    • Originally, the planned film X-Force would've served as a direct follow-up to this film. And according to writers Rhett Reese and Paul Wernick, a direct sequel would've entered production as soon as that one had wrapped.[30] After Disney's acquisition of 20th Century Fox in March 2019, said plans were scrapped, in favor of rebooting the franchise and integrating it into the Marvel Cinematic Universe.[31][32]
    \n

    Gallery[]

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    Alternate Posters[]

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    Images[]

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    Videos[]

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    Trailers[]

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    Teasers[]

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    \n

    See Also

    \n\n

    Links and References

    \n\n

    References

    \n
      \n
    1. \u2191 Ching, Albert (18 May 2018) Deadpool 2 Got the Biggest Name Possible to Play its Surprise Villain CBR.com. Retrieved on 18 May 2018.\n
      2. \n
    2. \u2191 Kit, Borys (12 April 2017) Josh Brolin to Play Cable in 'Deadpool 2' (Exclusive) The Hollywood Reporter. Retrieved on 22 April 2017.\n
      3. \n
    3. \u2191 O'Keefe, Meghan (8 September 2016) \u2018Gotham\u2019 Star Morena Baccarin Talks \u2018Deadpool 2\u2019 & DC Vs. Marvel (VIDEO) Decider. Retrieved on 8 August 2017.\n
      4. \n
    4. \u2191 Reynolds, Ryan (28 June 2017) Giving Julian Dennison a warm \ud83d\udc80\ud83d\udca9L welcome as we stare off into our beautiful future together. #RickyBakerPool #NZ Instagram. Retrieved on 28 June 2017.\n
      5. \n
    5. \u2191 Booth, Kaitlyn (15 April 2018) New Deadpool 2 Footage Shown During the Various Walking Dead Shows Bleeding Cool. Retrieved on 2 May 2018.\n
      6. \n
    6. \u2191 Hipes, Patrick (9 March 2017) 'Deadpool 2' Casts 'Atlanta's Zazie Beetz As Domino Deadline. Retrieved on 22 April 2017.\n
      7. \n
    7. \u2191 Roman, Julian (22 May 2017) T.J. Miller Promises More Weasel in Deadpool 2 EXCLUSIVE Movieweb. Retrieved on 8 August 2017.\n
      8. \n
    8. \u2191 8.0 8.1 Goldberg, Matt (12 January 2017) Exclusive: Colossus and Negasonic Teenage Warhead Will Return in 'Deadpool 2' Collider. Retrieved on 22 April 2017.\n
      9. \n
    9. \u2191 Fleming, Mike Jr. (24 May 2017) \u2018Deadpool 2\u2019 Sets Jack Kesy As Villain: Could He Be Black Tom? Deadline. Retrieved on 24 May 2017.\n
      10. \n
    10. \u2191 Holmes, Adam (13 January 2017) Deadpool 2 Is Bringing Back These Three Supporting Characters CinemaBlend. Retrieved on 22 April 2017.\n
      11. \n
    11. \u2191 Morales, Wilson (19 April 2017) Exclusive: Leslie Uggams To Return In Deadpool 2 Black Film. Retrieved on 22 April 2017.\n
      12. \n
    12. \u2191 12.0 12.1 Francisco, Eric (07 Ferbuary 2018) Colossus Actor Reveals 'Deadpool 2' Trailer Secrets, Confirms New Mutants Inverse. Retrieved on 11 Ferbuary 2018.\n
      13. \n
    13. \u2191 13.0 13.1 Mithaiwala, Mansoor (22 March 2018) Deadpool 2: Terry Crews\u2019 Role Confirmed Screen Rant. Retrieved on 24 March 2018.\n
      14. \n
    14. \u2191 Tan, Lewis (20 April 2018) T.J. Miller Promises More Weasel in Deadpool 2 EXCLUSIVEShatter mutha f*ckin\u2019 Star... and peter #deadpool2 #xforce #longhairdontcare #shatterstar Instagram. Retrieved on 19 April 2018.\n
      15. \n
    15. \u2191 Sharf, Zack (27 April 2018) Bill Skarsg\u00e5rd Makes 'Deadpool 2' Debut: 'It' Actor Confirmed as X-Force Mutant Zeitgeist \u2014 First Look IndieWire. Retrieved on 2 May 2018.\n
      16. \n
    16. \u2191 N'Duka, Amanda (12 June 2017) \u2018Deadpool 2\u2019 Sets Actress Shioli Kutsuna In A Key Role Deadline. Retrieved on 12 June 2017.\n
      17. \n
    17. \u2191 Fitch, Adam (2017-08-23) Deadpool 2: V for Vendetta\u2019s Eddie Marsan Joins Cast CBR.com. Retrieved on 2017-08-23.\n
      18. \n
    18. \u2191 Fleming, Jr., Mike, \"Deadpool Director Tim Miller Exits Sequel Disagreements Ryan Reynolds\", Deadline, 22 October 2016. Retrieved on 22 April 2017.\n
      19. \n
    19. \u2191 Gonzalez, Umberto, \"\u2018Deadpool 2\u2019 Drama: Here\u2019s What Ryan Reynolds and Director Tim Miller Clashed Over (Exclusive)\", 22 October 2016. Retrieved on 22 April 2017.\n
      20. \n
    20. \u2191 Borys, Kit; Galuppo, Mia, \"It's Official: 'John Wick' Director David Leitch to Helm 'Deadpool 2'\", Hollywood Reporter, 18 November 2016. Retrieved on 22 April 2017. (written in English)\n
      21. \n
    21. \u2191 Parker, Ryan; Kit, Borys (2018-01-11) 'X-Men' Shake-Up: 'Deadpool 2,' 'Gambit,' 'The New Mutants' Get New Dates (Exclusive) THR. Retrieved on 2018-01-11.\n
      22. \n
    22. \u2191 Deadpool 2 and X-Men: Dark Phoenix Have Both Wrapped Filming ComingSoon.net. Retrieved on 2017-10-15.\n
      23. \n
    23. \u2191 23.0 23.1 23.2 23.3 Schiller, Griffin (29 October 2019) Tim Miller Reveals His Plans For His Unmade \u2018Deadpool 2\u2019 Including A Battle Featuring \u2018Fantastic Four\u2019s\u2019 The Thing The Playlist. Retrieved on 31 October 2019.\n
      24. \n
    24. \u2191 Stack, Tim (7 May 2018) Deadpool 2 original script had Deadpool as a dad Entertainment Weekly. Retrieved on 8 May 2018.\n
      25. \n
    25. \u2191 25.0 25.1 25.2 25.3 Ching, Albert (18 May 2018) Deadpool 2 Writers Break Down the (Many) Big Surprises in the Film CBR.com. Retrieved on 19 May 2018.\n
      26. \n
    26. \u2191 Ridlehoover, John (13 July 2020) Ryan Reynolds Shares Pic of Unused Deadpool 2 Costume CBR.com. Retrieved on 15 July 2020.\n
      27. \n
    27. \u2191 Davis, Brandon (18 May 2018) Simon Kinberg Directed That Hilarious 'Deadpool 2' Scene ComicBook.com. Retrieved on 18 May 2018.\n
      28. \n
    28. \u2191 Gerding, Stephen (18 May 2018) Deadpool 2 Nearly Ended with Wade Killing Baby Hitler CBR.com. Retrieved on 18 May 2018.\n
      29. \n
    29. \u2191 Ryan, Mike (16 May 2018) The \u2018Deadpool 2\u2019 Writers Tell Us About Cut Scenes Featuring Chris Evans And Baby Hitler Uproxx. Retrieved on 18 May 2018.\n
      30. \n
    30. \u2191 Morrison, Matt (May 17, 2018) X-Force Gives A Much-Needed Break For Writers To Figure Out Deadpool 3 Screen Rant. Retrieved on September 9, 2020.\n
      31. \n
    31. \u2191 Silliman, Brian (15 December 2017) Disney Chief 'Looking Forward' to X-Men, FF, Deadpool in MCU, Future of Avatar and Star Wars SYFY WIRE. Retrieved on 6 September 2020.\n
      32. \n
    32. \u2191 White, Peter; Hayes, Dade (14 December 2017) Disney-Fox Deal: Bob Iger Discusses Digital Future, James Murdoch, Hulu and $2B Cost Savings Deadline. Retrieved on 26 December 2017.\n
      33. \n
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