diff --git "a/431a0e8e-b9ac-4ebf-90ee-8a6cf98a7639.json" "b/431a0e8e-b9ac-4ebf-90ee-8a6cf98a7639.json" new file mode 100644--- /dev/null +++ "b/431a0e8e-b9ac-4ebf-90ee-8a6cf98a7639.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "431a0e8e-b9ac-4ebf-90ee-8a6cf98a7639", + "search_results": [ + { + "page_name": "Every Best Visual Effects Oscar Winner of the 21st Century, Ranked", + "page_url": "https://collider.com/best-visual-effects-oscar-winners-of-the-21st-century-ranked/", + "page_snippet": "This category has everything from duelling polar bears to melancholy astronauts.All three Lord of the Rings movies won the Best Visual Effects Oscar at their respective Academy Award ceremonies and for good reason, they still hold up as extraordinary when it comes to VFX. The Two Towers may be the weakest of the bunch just because of some less fluid merging between green-screen work and live-action components, but it\u2019s still largely a wonder to behold in the VFX department. The Two Towers may be the weakest of the bunch just because of some less fluid merging between green-screen work and live-action components, but it\u2019s still largely a wonder to behold in the VFX department. Just the work done to realize Gollum alone\u2026 ... Spider-Man 2 is still the only Marvel Comics movie adaptation to win a Best Visual Effects Oscar and there\u2019s a reason for that. 21 years, 21 movies and a lot of special effects. However, there is also a slew of winners that demonstrate the ways visual effects can be used for greater means than just blowing up cities. In examining the highs and lows of modern Oscar winners for Best Visual Effects, it becomes easy to appreciate the finer nuances of what it means to use these tools properly and the craftsmanship that goes into the best visual effects work.", + "page_result": "", + "page_last_modified": "" + }, + { + "page_name": "Timeline of VFX Oscar Winners | Foundry", + "page_url": "https://www.foundry.com/insights/film-tv/decade-of-vfx-winners", + "page_snippet": "Discover how Foundry provided the VFX tools behind every single film nominated in the Best Visual Effects category at the 94th Academy Awards.Double Negative were instrumental in bringing the Ava robot to life, using CG-rendered parts that moved internally. The result was the creation of the most realistic-looking humanoid in cinematic history, and won the company their third Best Visual Effects Oscar\u00ae. After opening the 70th Venice International Film Festival, Gravity\u2014Alfonso Cuar\u00f3n\u2019s science fiction blockbuster\u2014won the Best Visual Effects Oscar\u00ae in 2013. British visual effects company Framestore spent over three years creating scenes that were both literally and figuratively out of this world. There is no greater achievement for VFX pioneers than recognition at the Academy Awards\u00ae\ufe0f. Here at Foundry, we're proud to have provided the VFX tools behind almost every film nominated in the Best Visual Effects category for over a decade. This year marks 95 years of the Academy Awards. To celebrate this special anniversary, we've taken a look back at some of the most spectacular nominees and winners in the Best Visual Effects category. Explore the list on our interactive timeline below.", + "page_result": "\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Timeline of VFX Oscar Winners | Foundry\n \n\n\n\n \n\n\n\n\n\n \n \n \n \n\n \n\n
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\n \n 95th Academy Awards\n
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95th Academy Awards

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Check out our interactive timeline

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\n \n 8 min read\n
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There is no greater achievement for VFX pioneers than recognition at the Academy Awards\u00ae\ufe0f. Here at Foundry, we're proud to have provided the VFX tools behind almost every film nominated in the Best Visual Effects category for over a decade.

\n\n

This year marks 95 years of the Academy Awards. To celebrate this special anniversary, we've taken a look back at some of the most spectacular nominees and winners in the Best Visual Effects category. Explore the list on our interactive timeline below.

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2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022
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2022
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We see you\u2026

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And just like 13 years ago, Avatar: The Way of Water is the winner! Congratulations to W\u0113t\u0101 FX and all the VFX creatives that brought a mesmerizing story to our screens.\r\n\r\n
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\r\n James Cameron\u2019s sci-fi epic was led by Production Senior VFX Supervisor Joe Letteri, alongside VFX Supervisors Richard Baneham and Eric Saindon, as well as Senior Animation Supervisor Daniel Barrett. Similarly to Jake Sully\u2019s saying, \u201cLet\u2019s get it done\u201d, the VFX team indeed got it done. By combining enormous water tanks, real-size boats, and underwater performance capture, as well as bringing majestic creatures such as Tulkun, they created 192 minutes of pure aquatic and terrestrial magic.\r\n

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2021
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And the winner is...

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Dune! Congratulations to DNEG and all the VFX creatives involved in the retelling of this beloved sci-fi epic! \r\n
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\r\n Led by Production VFX Supervisor Paul Lambert, alongside VFX Supervisors Tristan Myles and Brian Connor, the VFX elements in Dune were meticulously designed to immerse audiences into the dystopian world based on Frank Herbert\u2019s novel. With a mix of practical effects, impressive sets, FX simulations, and photorealistic VFX, it is truly a well-deserved Academy Award for the team at DNEG. \r\n

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2020
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Tenet

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This sci-fi, action-adventure sees another Oscar win for Christopher Nolan and the fantastic DNEG VFX team. With six wins in the past ten years, the creatives at DNEG played an integral part in executing the film's complex time-traveling narrative.

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2019
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1917

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\r\n Creating the illusion that 1917 had been captured in one continuous shot proved no easy feat, but VFX supervisor Guillaume Rocheron and his team at Moving Picture Company rose to the challenge, digitally stitching together scores of invisible moments and creating entire digital environments from scratch to win over worthy contenders such as The Lion King and The Irishman.

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2018
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\"Blade
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First Man

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The tale of Neil Armstrong in the launchpad years before his historic voyage took the honours in what was an eclectic but incredibly strong field for 2019\u2019s visual effects gong. The team at DNEG pushed the boundaries of in-camera shooting for First Man, eschewing green screens in favour of a giant LED screen which featured subtle, true-to-life use of lighting, enhancing the realism of an otherwise fantastical spacecraft.

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2017
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\"Blade
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Blade Runner 2049

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Last year's winner was the sci-fi epic Blade Runner 2049. Make sure you check out how deep compositing with Foundry\u2019s Nuke helped Atomic Fiction bring the eerie cityscapes of the film to life in our case study.

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Read the case study

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2016
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The Jungle Book

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Jon Favreau\u2019s The Jungle Book put a modern spin on the Disney classic. Shot entirely against a blue screen, the only live action element came in the form of Mowgli (Neel Sethi), with the rest of the animals, jungle and environments being computer-generated. The deserved VFX victor at the 89th Academy Awards had its innovative work led by the team at MPC.

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2015
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Ex Machina

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VFX Winner
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Alex Garland made his directorial debut with the breathtaking sci-fi thriller Ex Machina. Telling the story of a programmer who is invited by his CEO to administer the Turing test to an intelligent humanoid robot, Ex Machina broke new ground in CGI. Double Negative were instrumental in bringing the Ava robot to life, using CG-rendered parts that moved internally. The result was the creation of the most realistic-looking humanoid in cinematic history, and won the company their third Best Visual Effects Oscar\u00ae.

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The Martian

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VFX Nominee
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The Martian picked up 26 Best Picture award nominations in 2015, including at the Academy Awards and\r\n Golden Globes. The Mars scenes were filmed in the Wadi Valley in Jordan, with the Moving Picture Company tackling the epic job of creating a realistic Martian world by adding mountains, hills and the iconic red tint to replicate the color of the planet.

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Star Wars: The Force Awakens

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VFX Nominee
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Read the case study
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JJ Abrams\u2019 epic film blew away audiences and set new global box-office records. In order to create a film that fans would remember and love, ILM used Foundry tools to bring their ideas to life. From the vivid textures of the Millennium Falcon, to the droid lighting and the immersive blast fire in the opening sequence, The Force Awakens was worthy of its Best Visual Effects nomination at the 88th Academy Awards.

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Read more about the VFX tools used in this film in our case study.

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Read the case study

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2014
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Interstellar

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VFX Winner
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Interstellar was another Christopher Nolan blockbuster to challenge the boundaries of visual effects technology. Using projectors to eliminate the need for green screens, actors were able to see the near-final result during production. Visual effects company New Deal Studios used Modo to engineer overall models of the film's spaceships part by part. That work, along with Double Negative's, helped earn the film a Best Visual Effects award.

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Read our case study to find out more about New Deal Studio's work on Interstellar.

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Read the case study

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2013
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Gravity

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VFX Winner
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After opening the 70th Venice International Film Festival, Gravity\u2014Alfonso Cuar\u00f3n\u2019s science fiction blockbuster\u2014won the Best Visual Effects Oscar\u00ae in 2013. British visual effects company Framestore spent over three years creating scenes that were both literally and figuratively out of this world.

\r\n

You can read how Nuke was fundamental in creating realistic outer space in Gravity in our case study.

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Read the case study

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2012
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Life of Pi

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VFX Winner
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Winning Rhythm & Hues their third Academy Award, Ang Lee\u2019s survival drama film Life of Pi earned great acclaim for its mesmerising visual effects. The giant Bengal tiger present throughout the film never needed to appear on set, yet it roams the boat in post-production as if it had been there all along.

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2011
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Hugo

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VFX Winner
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In Martin Scorsese\u2019s first 3D film, Hugo\u2014the tale of a young boy living in the Gare Montparnasse railway station in the 1930s\u2014a total of 800 visual effects shots were used in the final cut of the epic adventure film. Visual effects company Pixomondo used a mix of Nuke, Ocula and Mari to innovate and develop new approaches as they brought Hugo to life.

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Read the case study

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2010
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Inception

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VFX Winner
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Christopher Nolan\u2019s science fiction blockbuster Inception took audiences into a series of riveting dream worlds. With Double Negative's spectacular visuals that see Parisian architecture flipped upside down and a gravity-defying fist fight, the fast-paced thriller pushed the boundaries of physics, and with it the abilities of visual effects.

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Alice in Wonderland

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VFX Nominee
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Read the case study
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In Tim Burton\u2019s brilliantly bizarre fantasy film Alice in Wonderland, visual effects pioneers Sony Pictures Imageworks paved the way for the weird and wonderful. Using Nuke, artists were able to distort proportions, creating the Red Queen\u2019s larger-than-life head, Alice\u2019s ever-changing dimensions, and the Mad Hatter\u2019s outsized eyes.

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Read the case study

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Harry Potter and the Deathly Hallows - Part One

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VFX Nominee
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Read the case study
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\r\n

Nominated for the Best Visual Effects Academy Award in 2010, Harry Potter and the Deathly Hallows Part One is one of the most celebrated films of the franchise for its visual effects work. While several companies contributed to the visual effects, boutique house Baseblack used Mari to perfect the texture of Dumbledore\u2019s tomb.

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Read the case study

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2009
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Avatar

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VFX Winner
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James Cameron\u2019s first feature film since Titanic in 1997, Avatar raised the bar for visual effects forever. Taking almost 10 years to create, Cameron and the team at Weta Digital evolved the use of visual effects tools to create this epic.

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You can read how Nuke and Ocula helped to deliver James Cameron\u2019s award-winning vision for Avatar in our case study.

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Read the case study

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2008
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The Curious Case of Benjamin Button

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VFX Winner
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Reversing the aging process is something many people dream of achieving, but the visual effects in David Fincher's The Curious Case of Benjamin Button not only make the feat look possible, but positively seamless. The team at Digital Domain employed astounding new \"emotion capture\" techniques to recreate Brad Pitt's facial expressions in CGI.

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2007
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The Golden Compass

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VFX Winner
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The Golden Compass won the Best Visual Effects category at the 80th Academy Awards. Set in a parallel universe, Rhythm & Hues' extensive VFX work helped create everything from battling armored polar bears, to the magical alethiometer from which the film takes its name.

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\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n", + "page_last_modified": " Wed, 20 Mar 2024 06:48:13 GMT" + }, + { + "page_name": "Every Best Visual Effects Oscar Winner of the 21st Century, Ranked", + "page_url": "https://collider.com/best-visual-effects-oscar-winners-of-the-21st-century-ranked/", + "page_snippet": "This category has everything from duelling polar bears to melancholy astronauts.All three Lord of the Rings movies won the Best Visual Effects Oscar at their respective Academy Award ceremonies and for good reason, they still hold up as extraordinary when it comes to VFX. The Two Towers may be the weakest of the bunch just because of some less fluid merging between green-screen work and live-action components, but it\u2019s still largely a wonder to behold in the VFX department. The Two Towers may be the weakest of the bunch just because of some less fluid merging between green-screen work and live-action components, but it\u2019s still largely a wonder to behold in the VFX department. Just the work done to realize Gollum alone\u2026 ... Spider-Man 2 is still the only Marvel Comics movie adaptation to win a Best Visual Effects Oscar and there\u2019s a reason for that. 21 years, 21 movies and a lot of special effects. However, there is also a slew of winners that demonstrate the ways visual effects can be used for greater means than just blowing up cities. In examining the highs and lows of modern Oscar winners for Best Visual Effects, it becomes easy to appreciate the finer nuances of what it means to use these tools properly and the craftsmanship that goes into the best visual effects work.", + "page_result": "", + "page_last_modified": "" + }, + { + "page_name": "The 67th Academy Awards | 1995", + "page_url": "https://www.oscars.org/oscars/ceremonies/1995", + "page_snippet": "Costume Design winners for The Adventures of Priscilla, Queen of the Desert, with presenter Sharon StoneVisual Effects - John Bruno, Thomas L. Fisher, Jacques Stroweis, Patrick McClung Sound Effects Editing - Gloria S. Borders, Randy Thom", + "page_result": "\n \n \n \n \n \n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 1995 | Oscars.org | Academy of Motion Picture Arts and Sciences\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n Skip to main content\n
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Home / Oscars / Oscars\u00ae Ceremonies / 1995
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1995

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Oscars\u00ae Ceremonies


Experience over nine decades of the Oscars from 1927 to 2024


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The 67th Academy Awards | 1995
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Shrine Auditorium & Expo Center
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Monday, March 27, 1995
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Honoring movies released in 1994
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Highlights
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Memorable Moments
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    Lizzy Gardiner and Tim Chappel
    Costume Design winners for The Adventures of Priscilla, Queen of the Desert, with presenter Sharon Stone
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    Elton John and Tim Rice
    Original Song winners for "Can You Feel the Love Tonight" from The Lion King
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    Quentin Tarantino and Roger Avary
    Original Screenplay winners for Pulp Fiction
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View More Memorable Moments
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Winners & Nominees

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Actor in a Leading Role

Winner

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Tom Hanks

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Forrest Gump\n
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Nominees

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Morgan Freeman

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The Shawshank Redemption\n
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Nigel Hawthorne

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The Madness of King George\n
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Paul Newman

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Nobody's Fool\n
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John Travolta

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Pulp Fiction\n
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Actor in a Supporting Role

Winner

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Martin Landau

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Ed Wood\n
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Nominees

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Samuel L. Jackson

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Pulp Fiction\n
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Chazz Palminteri

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Bullets over Broadway\n
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Paul Scofield

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Quiz Show\n
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Gary Sinise

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Forrest Gump\n
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Actress in a Leading Role

Winner

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Jessica Lange

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Blue Sky\n
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Nominees

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Jodie Foster

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Nell\n
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Miranda Richardson

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Tom & Viv\n
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Winona Ryder

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Little Women\n
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Susan Sarandon

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The Client\n
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Actress in a Supporting Role

Winner

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Dianne Wiest

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Bullets over Broadway\n
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Nominees

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Rosemary Harris

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Tom & Viv\n
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Helen Mirren

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The Madness of King George\n
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Uma Thurman

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Pulp Fiction\n
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Jennifer Tilly

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Bullets over Broadway\n
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Art Direction

Winner

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The Madness of King George

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Art Direction: Ken Adam; Set Decoration: Carolyn Scott\n
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Nominees

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Bullets over Broadway

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Art Direction: Santo Loquasto; Set Decoration: Susan Bode\n
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Forrest Gump

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Art Direction: Rick Carter; Set Decoration: Nancy Haigh\n
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Interview with the Vampire

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Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo\n
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Legends of the Fall

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Art Direction: Lilly Kilvert; Set Decoration: Dorree Cooper\n
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Cinematography

Winner

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Legends of the Fall

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John Toll\n
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Nominees

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Forrest Gump

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Don Burgess\n
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Red

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Piotr Sobocinski\n
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The Shawshank Redemption

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Roger Deakins\n
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Wyatt Earp

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Owen Roizman\n
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Costume Design

Winner

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\n \n

The Adventures of Priscilla, Queen of the Desert

\n
Lizzy Gardiner, Tim Chappel\n
\n
\n

Nominees

\n
\n \n

Bullets over Broadway

\n
Jeffrey Kurland\n
\n
\n
\n \n

Little Women

\n
Colleen Atwood\n
\n
\n
\n \n

Maverick

\n
April Ferry\n
\n
\n
\n \n

Queen Margot

\n
Moidele Bickel\n
\n
\n

Directing

Winner

\n
\n \n

Forrest Gump

\n
Robert Zemeckis\n
\n
\n

Nominees

\n
\n \n

Bullets over Broadway

\n
Woody Allen\n
\n
\n
\n \n

Pulp Fiction

\n
Quentin Tarantino\n
\n
\n
\n \n

Quiz Show

\n
Robert Redford\n
\n
\n
\n \n

Red

\n
Krzysztof Kieslowski\n
\n
\n

Documentary (Feature)

Winner

\n
\n \n

Maya Lin: A Strong Clear Vision

\n
Freida Lee Mock, Terry Sanders\n
\n
\n

Nominees

\n
\n \n

Complaints of a Dutiful Daughter

\n
Deborah Hoffmann\n
\n
\n
\n \n

D-Day Remembered

\n
Charles Guggenheim\n
\n
\n
\n \n

Freedom on My Mind

\n
Connie Field, Marilyn Mulford\n
\n
\n
\n \n

A Great Day in Harlem

\n
Jean Bach\n
\n
\n

Documentary (Short Subject)

Winner

\n
\n \n

A Time for Justice

\n
Charles Guggenheim\n
\n
\n

Nominees

\n
\n \n

Blues Highway

\n
Vince DiPersio, Bill Guttentag\n
\n
\n
\n \n

89mm od Europy (89mm from Europe)

\n
Marcel Lozinski\n
\n
\n
\n \n

School of Assassins

\n
Robert Richter\n
\n
\n
\n \n

Straight from the Heart

\n
Dee Mosbacher, Frances Reid\n
\n
\n

Film Editing

Winner

\n
\n \n

Forrest Gump

\n
Arthur Schmidt\n
\n
\n

Nominees

\n
\n \n

Hoop Dreams

\n
Frederick Marx, Steve James, Bill Haugse\n
\n
\n
\n \n

Pulp Fiction

\n
Sally Menke\n
\n
\n
\n \n

The Shawshank Redemption

\n
Richard Francis-Bruce\n
\n
\n
\n \n

Speed

\n
John Wright\n
\n
\n

Foreign Language Film

Winner

\n
\n \n

Burnt by the Sun

\n
Russia\n
\n
\n

Nominees

\n
\n \n

Before the Rain

\n
The Former Yugoslav Republic of Macedonia\n
\n
\n
\n \n

Eat Drink Man Woman

\n
Taiwan\n
\n
\n
\n \n

Farinelli: Il Castrato

\n
Belgium\n
\n
\n
\n \n

Strawberry and Chocolate

\n
Cuba\n
\n
\n

Irving G. Thalberg Memorial Award

Winner

\n
\n \n

\n
Clint Eastwood\n
\n
\n

Jean Hersholt Humanitarian Award

Winner

\n
\n \n

\n
Quincy Jones\n
\n
\n

Makeup

Winner

\n
\n \n

Ed Wood

\n
Rick Baker, Ve Neill, Yolanda Toussieng\n
\n
\n

Nominees

\n
\n \n

Forrest Gump

\n
Daniel C. Striepeke, Hallie D'Amore, Judith A. Cory\n
\n
\n
\n \n

Mary Shelley's Frankenstein

\n
Daniel Parker, Paul Engelen, Carol Hemming\n
\n
\n

Music (Original Score)

Winner

\n
\n \n

The Lion King

\n
Hans Zimmer\n
\n
\n

Nominees

\n
\n \n

Forrest Gump

\n
Alan Silvestri\n
\n
\n
\n \n

Interview with the Vampire

\n
Elliot Goldenthal\n
\n
\n
\n \n

Little Women

\n
Thomas Newman\n
\n
\n
\n \n

The Shawshank Redemption

\n
Thomas Newman\n
\n
\n

Music (Original Song)

Winner

\n
\n \n

The Lion King

\n
Can You Feel The Love Tonight in "The Lion King" Music by Elton John; Lyric by Tim Rice\n
\n
\n

Nominees

\n
\n \n

The Lion King

\n
Circle Of Life in "The Lion King" Music by Elton John; Lyric by Tim Rice\n
\n
\n
\n \n

The Lion King

\n
Hakuna Matata in "The Lion King" Music by Elton John; Lyric by Tim Rice\n
\n
\n
\n \n

Junior

\n
Look What Love Has Done in "Junior" Music and Lyric by Carole Bayer Sager, James Newton Howard, James Ingram and Patty Smyth\n
\n
\n
\n \n

The Paper

\n
Make Up Your Mind in "The Paper" Music and Lyric by Randy Newman\n
\n
\n

Best Picture

Winner

\n
\n \n

Forrest Gump

\n
Wendy Finerman, Steve Tisch and Steve Starkey, Producers\n
\n
\n

Nominees

\n
\n \n

Four Weddings and a Funeral

\n
Duncan Kenworthy, Producer\n
\n
\n
\n \n

Pulp Fiction

\n
Lawrence Bender, Producer\n
\n
\n
\n \n

Quiz Show

\n
Robert Redford, Michael Jacobs, Julian Krainin and Michael Nozik, Producers\n
\n
\n
\n \n

The Shawshank Redemption

\n
Niki Marvin, Producer\n
\n
\n

Short Film (Animated)

Winner

\n
\n \n

Bob's Birthday

\n
Alison Snowden, David Fine\n
\n
\n

Nominees

\n
\n \n

The Big Story

\n
Tim Watts, David Stoten\n
\n
\n
\n \n

The Janitor

\n
Vanessa Schwartz\n
\n
\n
\n \n

The Monk and the Fish

\n
Michael Dudok de Wit\n
\n
\n
\n \n

Triangle

\n
Erica Russell\n
\n
\n

Short Film (Live Action)

Winner

\n
\n \n

Franz Kafka's It's a Wonderful Life

\n
Peter Capaldi, Ruth Kenley-Letts\n
\n
\n
\n \n

Trevor

\n
Peggy Rajski, Randy Stone\n
\n
\n

Nominees

\n
\n \n

Kangaroo Court

\n
Sean Astin, Christine Astin\n
\n
\n
\n \n

On Hope

\n
JoBeth Williams, Michele McGuire\n
\n
\n
\n \n

Syrup

\n
Paul Unwin, Nick Vivian\n
\n
\n

Sound

Winner

\n
\n \n

Speed

\n
Gregg Landaker, Steve Maslow, Bob Beemer, David R. B. MacMillan\n
\n
\n

Nominees

\n
\n \n

Clear and Present Danger

\n
Clear and Present Danger\n
\n
\n
\n \n

Forrest Gump

\n
Randy Thom, Tom Johnson, Dennis Sands, William B. Kaplan\n
\n
\n
\n \n

Legends of the Fall

\n
Paul Massey, David Campbell, Christopher David, Douglas Ganton\n
\n
\n
\n \n

The Shawshank Redemption

\n
Robert J. Litt, Elliot Tyson, Michael Herbick, Willie Burton\n
\n
\n

Sound Effects Editing

Winner

\n
\n \n

Speed

\n
Stephen Hunter Flick\n
\n
\n

Nominees

\n
\n \n

Clear and Present Danger

\n
Bruce Stambler, John Leveque\n
\n
\n
\n \n

Forrest Gump

\n
Gloria S. Borders, Randy Thom\n
\n
\n

Visual Effects

Winner

\n
\n \n

Forrest Gump

\n
Ken Ralston, George Murphy, Stephen Rosenbaum, Allen Hall\n
\n
\n

Nominees

\n
\n \n

The Mask

\n
Scott Squires, Steve Williams, Tom Bertino, Jon Farhat\n
\n
\n
\n \n

True Lies

\n
John Bruno, Thomas L. Fisher, Jacques Stroweis, Patrick McClung\n
\n
\n

Writing (Screenplay Based on Material Previously Produced or Published)

Winner

\n
\n \n

Forrest Gump

\n
Eric Roth\n
\n
\n

Nominees

\n
\n \n

The Madness of King George

\n
Alan Bennett\n
\n
\n
\n \n

Nobody's Fool

\n
Robert Benton\n
\n
\n
\n \n

Quiz Show

\n
Paul Attanasio\n
\n
\n
\n \n

The Shawshank Redemption

\n
Frank Darabont\n
\n
\n

Writing (Screenplay Written Directly for the Screen)

Winner

\n
\n \n

Pulp Fiction

\n
Screenplay by Quentin Tarantino; Stories by Quentin Tarantino & Roger Avary\n
\n
\n

Nominees

\n
\n \n

Bullets over Broadway

\n
Woody Allen, Douglas McGrath\n
\n
\n
\n \n

Four Weddings and a Funeral

\n
Richard Curtis\n
\n
\n
\n \n

Heavenly Creatures

\n
Frances Walsh, Peter Jackson\n
\n
\n
\n \n

Red

\n
Krzysztof Piesiewicz, Krzysztof Kieslowski\n
\n
\n
\n \n \n \n \n \n \n
\n
\n
\n \n \n
\n
\n
\n ALLO-9ABCDEFGHIJKLMNOPQRSTU\nV\nWX\nY\nZ\n
\n
\n
\n \n
\n
\n \n
\n
0-9
89mm od Europy (89mm from Europe)
1 Nomination
\n \n
Documentary (Short Subject) - Marcel Lozinski
\n
A
The Adventures of Priscilla, Queen of the Desert
1 Win, 1 Nomination
\n \n
* Costume Design - Lizzy Gardiner, Tim Chappel
\n
B
Before the Rain
1 Nomination
\n \n
Foreign Language Film - The Former Yugoslav Republic of Macedonia
\n
The Big Story
1 Nomination
\n \n
Short Film (Animated) - Tim Watts, David Stoten
\n
Blue Sky
1 Win, 1 Nomination
\n \n
* Actress in a Leading Role - Jessica Lange in "Blue Sky"
\n
Blues Highway
1 Nomination
\n \n
Documentary (Short Subject) - Vince DiPersio, Bill Guttentag
\n
Bob's Birthday
1 Win, 1 Nomination
\n \n
* Short Film (Animated) - Alison Snowden, David Fine
\n
Bullets over Broadway
7 Nominations, 1 Win
\n \n
Art Direction - Art Direction: Santo Loquasto; Set Decoration: Susan Bode
\n
\n \n
Actor in a Supporting Role - Chazz Palminteri in "Bullets over Broadway"
\n
\n \n
Costume Design - Jeffrey Kurland
\n
\n \n
Actress in a Supporting Role - Jennifer Tilly in "Bullets over Broadway"
\n
\n \n
Directing - Woody Allen
\n
\n \n
Writing (Screenplay Written Directly for the Screen) - Woody Allen, Douglas McGrath
\n
\n \n
* Actress in a Supporting Role - Dianne Wiest in "Bullets over Broadway"
\n
Burnt by the Sun
1 Win, 1 Nomination
\n \n
* Foreign Language Film - Russia
\n
C
Clear and Present Danger
2 Nominations
\n \n
Sound Effects Editing - Bruce Stambler, John Leveque
\n
\n \n
Sound - Clear and Present Danger
\n
The Client
1 Nomination
\n \n
Actress in a Leading Role - Susan Sarandon in "The Client"
\n
Complaints of a Dutiful Daughter
1 Nomination
\n \n
Documentary (Feature) - Deborah Hoffmann
\n
D
D-Day Remembered
1 Nomination
\n \n
Documentary (Feature) - Charles Guggenheim
\n
E
Eat Drink Man Woman
1 Nomination
\n \n
Foreign Language Film - Taiwan
\n
Ed Wood
2 Wins, 2 Nominations
\n \n
* Actor in a Supporting Role - Martin Landau in "Ed Wood"
\n
\n \n
* Makeup - Rick Baker, Ve Neill, Yolanda Toussieng
\n
F
Farinelli: Il Castrato
1 Nomination
\n \n
Foreign Language Film - Belgium
\n
Forrest Gump
13 Nominations, 6 Wins
\n \n
Music (Original Score) - Alan Silvestri
\n
\n \n
Art Direction - Art Direction: Rick Carter; Set Decoration: Nancy Haigh
\n
\n \n
Makeup - Daniel C. Striepeke, Hallie D'Amore, Judith A. Cory
\n
\n \n
Cinematography - Don Burgess
\n
\n \n
Actor in a Supporting Role - Gary Sinise in "Forrest Gump"
\n
\n \n
Sound Effects Editing - Gloria S. Borders, Randy Thom
\n
\n \n
Sound - Randy Thom, Tom Johnson, Dennis Sands, William B. Kaplan
\n
\n \n
* Film Editing - Arthur Schmidt
\n
\n \n
* Writing (Screenplay Based on Material Previously Produced or Published) - Eric Roth
\n
\n \n
* Visual Effects - Ken Ralston, George Murphy, Stephen Rosenbaum, Allen Hall
\n
\n \n
* Directing - Robert Zemeckis
\n
\n \n
* Actor in a Leading Role - Tom Hanks in "Forrest Gump"
\n
\n \n
* Best Picture - Wendy Finerman, Steve Tisch and Steve Starkey, Producers
\n
Four Weddings and a Funeral
2 Nominations
\n \n
Best Picture - Duncan Kenworthy, Producer
\n
\n \n
Writing (Screenplay Written Directly for the Screen) - Richard Curtis
\n
Franz Kafka's It's a Wonderful Life
1 Win, 1 Nomination
\n \n
* Short Film (Live Action) - Peter Capaldi, Ruth Kenley-Letts
\n
Freedom on My Mind
1 Nomination
\n \n
Documentary (Feature) - Connie Field, Marilyn Mulford
\n
G
A Great Day in Harlem
1 Nomination
\n \n
Documentary (Feature) - Jean Bach
\n
H
Heavenly Creatures
1 Nomination
\n \n
Writing (Screenplay Written Directly for the Screen) - Frances Walsh, Peter Jackson
\n
Hoop Dreams
1 Nomination
\n \n
Film Editing - Frederick Marx, Steve James, Bill Haugse
\n
I
Interview with the Vampire
2 Nominations
\n \n
Art Direction - Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
\n
\n \n
Music (Original Score) - Elliot Goldenthal
\n
J
The Janitor
1 Nomination
\n \n
Short Film (Animated) - Vanessa Schwartz
\n
Junior
1 Nomination
\n \n
Music (Original Song) - Look What Love Has Done in "Junior" Music and Lyric by Carole Bayer Sager, James Newton Howard, James Ingram and Patty Smyth
\n
K
Kangaroo Court
1 Nomination
\n \n
Short Film (Live Action) - Sean Astin, Christine Astin
\n
L
Legends of the Fall
3 Nominations, 1 Win
\n \n
Art Direction - Art Direction: Lilly Kilvert; Set Decoration: Dorree Cooper
\n
\n \n
Sound - Paul Massey, David Campbell, Christopher David, Douglas Ganton
\n
\n \n
* Cinematography - John Toll
\n
The Lion King
4 Nominations, 2 Wins
\n \n
* Music (Original Song) - Can You Feel The Love Tonight in "The Lion King" Music by Elton John; Lyric by Tim Rice
\n
\n \n
* Music (Original Score) - Hans Zimmer
\n
\n \n
Music (Original Song) - Circle Of Life in "The Lion King" Music by Elton John; Lyric by Tim Rice
\n
\n \n
Music (Original Song) - Hakuna Matata in "The Lion King" Music by Elton John; Lyric by Tim Rice
\n
Little Women
3 Nominations
\n \n
Costume Design - Colleen Atwood
\n
\n \n
Music (Original Score) - Thomas Newman
\n
\n \n
Actress in a Leading Role - Winona Ryder in "Little Women"
\n
M
The Madness of King George
4 Nominations, 1 Win
\n \n
Writing (Screenplay Based on Material Previously Produced or Published) - Alan Bennett
\n
\n \n
Actress in a Supporting Role - Helen Mirren in "The Madness of King George"
\n
\n \n
Actor in a Leading Role - Nigel Hawthorne in "The Madness of King George"
\n
\n \n
* Art Direction - Art Direction: Ken Adam; Set Decoration: Carolyn Scott
\n
Mary Shelley's Frankenstein
1 Nomination
\n \n
Makeup - Daniel Parker, Paul Engelen, Carol Hemming
\n
The Mask
1 Nomination
\n \n
Visual Effects - Scott Squires, Steve Williams, Tom Bertino, Jon Farhat
\n
Maverick
1 Nomination
\n \n
Costume Design - April Ferry
\n
Maya Lin: A Strong Clear Vision
1 Win, 1 Nomination
\n \n
* Documentary (Feature) - Freida Lee Mock, Terry Sanders
\n
The Monk and the Fish
1 Nomination
\n \n
Short Film (Animated) - Michael Dudok de Wit
\n
N
Nell
1 Nomination
\n \n
Actress in a Leading Role - Jodie Foster in "Nell"
\n
Nobody's Fool
2 Nominations
\n \n
Actor in a Leading Role - Paul Newman in "Nobody's Fool"
\n
\n \n
Writing (Screenplay Based on Material Previously Produced or Published) - Robert Benton
\n
O
On Hope
1 Nomination
\n \n
Short Film (Live Action) - JoBeth Williams, Michele McGuire
\n
P
The Paper
1 Nomination
\n \n
Music (Original Song) - Make Up Your Mind in "The Paper" Music and Lyric by Randy Newman
\n
Pulp Fiction
7 Nominations, 1 Win
\n \n
Actor in a Leading Role - John Travolta in "Pulp Fiction"
\n
\n \n
Best Picture - Lawrence Bender, Producer
\n
\n \n
Directing - Quentin Tarantino
\n
\n \n
Film Editing - Sally Menke
\n
\n \n
Actor in a Supporting Role - Samuel L. Jackson in "Pulp Fiction"
\n
\n \n
Actress in a Supporting Role - Uma Thurman in "Pulp Fiction"
\n
\n \n
* Writing (Screenplay Written Directly for the Screen) - Screenplay by Quentin Tarantino; Stories by Quentin Tarantino & Roger Avary
\n
Q
Queen Margot
1 Nomination
\n \n
Costume Design - Moidele Bickel
\n
Quiz Show
4 Nominations
\n \n
Writing (Screenplay Based on Material Previously Produced or Published) - Paul Attanasio
\n
\n \n
Actor in a Supporting Role - Paul Scofield in "Quiz Show"
\n
\n \n
Directing - Robert Redford
\n
\n \n
Best Picture - Robert Redford, Michael Jacobs, Julian Krainin and Michael Nozik, Producers
\n
R
Red
3 Nominations
\n \n
Directing - Krzysztof Kieslowski
\n
\n \n
Writing (Screenplay Written Directly for the Screen) - Krzysztof Piesiewicz, Krzysztof Kieslowski
\n
\n \n
Cinematography - Piotr Sobocinski
\n
S
School of Assassins
1 Nomination
\n \n
Documentary (Short Subject) - Robert Richter
\n
The Shawshank Redemption
7 Nominations
\n \n
Writing (Screenplay Based on Material Previously Produced or Published) - Frank Darabont
\n
\n \n
Actor in a Leading Role - Morgan Freeman in "The Shawshank Redemption"
\n
\n \n
Best Picture - Niki Marvin, Producer
\n
\n \n
Film Editing - Richard Francis-Bruce
\n
\n \n
Sound - Robert J. Litt, Elliot Tyson, Michael Herbick, Willie Burton
\n
\n \n
Cinematography - Roger Deakins
\n
\n \n
Music (Original Score) - Thomas Newman
\n
Speed
3 Nominations, 2 Wins
\n \n
* Sound - Gregg Landaker, Steve Maslow, Bob Beemer, David R. B. MacMillan
\n
\n \n
* Sound Effects Editing - Stephen Hunter Flick
\n
\n \n
Film Editing - John Wright
\n
Straight from the Heart
1 Nomination
\n \n
Documentary (Short Subject) - Dee Mosbacher, Frances Reid
\n
Strawberry and Chocolate
1 Nomination
\n \n
Foreign Language Film - Cuba
\n
Syrup
1 Nomination
\n \n
Short Film (Live Action) - Paul Unwin, Nick Vivian
\n
T
A Time for Justice
1 Win, 1 Nomination
\n \n
* Documentary (Short Subject) - Charles Guggenheim
\n
Tom & Viv
2 Nominations
\n \n
Actress in a Leading Role - Miranda Richardson in "Tom & Viv"
\n
\n \n
Actress in a Supporting Role - Rosemary Harris in "Tom & Viv"
\n
Trevor
1 Win, 1 Nomination
\n \n
* Short Film (Live Action) - Peggy Rajski, Randy Stone
\n
Triangle
1 Nomination
\n \n
Short Film (Animated) - Erica Russell
\n
True Lies
1 Nomination
\n \n
Visual Effects - John Bruno, Thomas L. Fisher, Jacques Stroweis, Patrick McClung
\n
W
Wyatt Earp
1 Nomination
\n \n
Cinematography - Owen Roizman
\n
\n \n \n \n \n \n \n
\n
\n\n
\n
\n
\n\n \n
\n
\n\n\n", + "page_last_modified": "" + }, + { + "page_name": "Academy Awards, USA (1995) - IMDb", + "page_url": "https://www.imdb.com/event/ev0000003/1995/1/", + "page_snippet": "", + "page_result": "\n\n\n\n\n \n \n\n \n\n\n\n\n \n\n\n \n Academy Awards, USA (1995) - IMDb\n \n\n\n\n \n \n\n\n \n\n \n \n \n\n \n \n \n \n\n \n\n \n \n \n \n\n\n\n \n \n \n\n\n \n \n\n \n\n \n \n \n \n \n \n \n\n \n\n\n \n\n\n\n\n \n \n \n \n \n\n\n\n\n\n \n \n \n\n \n\n \n\n\n\n\n\n \n \n \n \n\n \n\n\n\n\n\n\n\n\n
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Academy Awards, USA

\n\n
Los Angeles, California, USA
\n
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\n
1995 Awards
\n
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\n\n \n 2006\n \n\n\n\n \n 2005\n \n\n\n\n \n 2004\n \n\n\n\n \n 2003\n \n\n\n\n \n 2002\n \n\n\n\n \n 2001\n \n\n
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\n\n \n 2000\n \n\n\n\n \n 1999\n \n\n\n\n \n 1998\n \n\n\n\n \n 1997\n \n\n\n\n \n 1996\n \n\n\n\n \n 1995\n \n\n
\n\n
\n\n \n 1994\n \n\n\n\n \n 1993\n \n\n\n\n \n 1992\n \n\n\n\n \n 1991\n \n\n\n\n \n 1990\n \n\n\n\n \n 1989\n \n\n
\n\n
\n\n \n 1988\n \n\n\n\n \n 1987\n \n\n\n\n \n 1986\n \n\n\n\n \n 1985\n \n\n\n\n \n 1984\n \n\n\n\n \n 1983\n \n\n
\n\n
\n\n \n 1982\n \n\n\n\n \n 1981\n \n\n\n\n \n 1980\n \n\n\n\n \n 1979\n \n\n\n\n \n 1978\n \n\n\n\n \n 1977\n \n\n
\n\n
\n\n \n 1976\n \n\n\n\n \n 1975\n \n\n\n\n \n 1974\n \n\n\n\n \n 1973\n \n\n\n\n \n 1972\n \n\n\n\n \n 1971\n \n\n
\n\n
\n\n \n 1970\n \n\n\n\n \n 1969\n \n\n\n\n \n 1968\n \n\n\n\n \n 1967\n \n\n\n\n \n 1966\n \n\n\n\n \n 1965\n \n\n
\n\n
\n\n \n 1964\n \n\n\n\n \n 1963\n \n\n\n\n \n 1962\n \n\n\n\n \n 1961\n \n\n\n\n \n 1960\n \n\n\n\n \n 1959\n \n\n
\n\n
\n\n \n 1958\n \n\n\n\n \n 1957\n \n\n\n\n \n 1956\n \n\n\n\n \n 1955\n \n\n\n\n \n 1954\n \n\n\n\n \n 1953\n \n\n
\n\n
\n\n \n 1952\n \n\n\n\n \n 1951\n \n\n\n\n \n 1950\n \n\n\n\n \n 1949\n \n\n\n\n \n 1948\n \n\n\n\n \n 1947\n \n\n
\n\n
\n\n \n 1946\n \n\n\n\n \n 1945\n \n\n\n\n \n 1944\n \n\n\n\n \n 1943\n \n\n\n\n \n 1942\n \n\n\n\n \n 1941\n \n\n
\n\n
\n\n \n 1940\n \n\n\n\n \n 1939\n \n\n\n\n \n 1938\n \n\n\n\n \n 1937\n \n\n\n\n \n 1936\n \n\n\n\n \n 1935\n \n\n
\n\n
\n\n \n 1934\n \n\n\n\n \n 1932\n \n\n\n\n \n 1931\n \n\n\n\n \n 1930\n \n\n\n\n \n 1930\n \n\n\n\n \n 1929\n \n\n
\n\n
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See Also

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\n Clear your history\n
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