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The List of Taylor Swift Albums in Order of Release Date

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Taylor Swift Albums in Order: After releasing 10 studio albums, 2 re-recorded studio albums, 5 extended plays (EP), 3 live albums, and 14 compilations, Taylor Swift is one of the best-selling musicians of all time, with over 200 million records sold around the world. From the raw vulnerability of her self-titled debut to the triumphant evolution found in each subsequent release, we delve into the enchanting tapestry woven by all of Taylor Swift albums in order by Year.

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In 2005, Swift signed a record deal with Big Machine Records, and the following year, her self-titled debut album was released. On the albums Fearless (2008) and Speak Now (2010), she dabbled in country pop; the singles “Love Story” and “You Belong with Me” were huge hits on both country and pop radio, solidifying her position as a top crossover artist. Red (2012), her fourth studio album, featured her experimenting with rock and electronic styles, with the singles “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble” serving as promotion.

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Swift’s synth-pop album 1989 (2014) and its chart-topping singles “Shake It Off,” “Blank Space,” and “Bad Blood” marked her departure from country music. With the release of her sixth studio album, Reputation (2017), Swift became the first musician to have four consecutive albums sell more than one million copies in their first week of release. her 2020 studio albums, Folklore and Evermore, an exploration of indie folk and alternative rock, were met with praise for their nuanced storytelling. We have compiled all Taylor Swift albums in order to date and arranged them by year of release.

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Taylor Swift Albums Available on: \u00a0Apple Music

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Also See: ED Sheeran Albums

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All Taylor Swift Studio Albums in Order by Year

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1. Taylor Swift (2006)

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Taylor Swift, in her first album with the same name, sings about the hopes and fears of a young woman with candor, intelligence, and genuine sweetness. Producer Robert Ellis Orrall provides Swift with understanding support, bolstering songs like “Pictures to Burn” with banjo-driven twang and “The Outside” with electric guitar punch. Swift has a strong, clear voice that she uses to give songs like “Tied Together With a Smile” and “Mary’s Song” a touching longing. The lovely “Teardrops On My Guitar” is just one example of a moment that brings to mind the sensitivity of an old Everly Brothers song. A number of the songs, such as “Picture To Burn,” are more sardonic in nature. Above all else, Swift’s award-winning debut album is a reflection of her own life.

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2. Fearless (2008)

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Although it can be challenging, 18-year-old Taylor Swift successfully made the leap from teen sensation to adult artist on her second album, Fearless. Taylor Swift’s 2008 album Fearless marked a significant milestone in the young artist’s career. It catapulted her into the mainstream music scene, earning her numerous accolades and cementing her status as a pop superstar.

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With Fearless, Swift showcased her signature storytelling abilities, weaving tales of love, heartbreak, and self-discovery in a way that resonated deeply with listeners. Her honest and relatable lyrics, coupled with her charming melodies and catchy hooks, captured the hearts of fans around the world.

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Fearless also marked a turning point in Swift’s evolution as an artist, as she moved away from her country roots and embraced a more pop-oriented sound. This shift proved successful, as the album spawned several hit singles and solidified Swift’s place as one of the most talented and versatile musicians of her generation.\u00a0

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With guitars chiming and beats bouncing, Swift soars through the title track, “Hey Stephen,” and “You Belong With Me.” Complementing these scenes with reflective tunes like “Fifteen” and “White Horse” amplifies their impact. Distress and joy can be heard in equal measure in the songs. Overall, Fearless remains a beloved classic in Taylor Swift’s discography, serving as a testament to her songwriting prowess and enduring appeal.

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3. Speak Now (2010)

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Speak Now showcases Taylor Swift’s growth as an artist and her increased confidence in her own voice. Taylor Swift’s “Speak Now” album, released in 2010, showcases her talent as a songwriter and performer. Swift’s ability to capture raw emotion and personal experiences in her lyrics is evident throughout the album, making it relatable and memorable for listeners.

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The album features a mix of upbeat and heartfelt tracks, including the popular singles “Mine,” “Back to December,” and “Mean.” Swift’s ability to tell a story through her music is particularly impressive in tracks like “Dear John” and “Innocent,” which tackle themes of love, heartbreak, and forgiveness. The album’s title track, “Speak Now,” is a testament to Swift’s boldness and willingness to speak her truth.

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Overall, “Speak Now” is a strong addition to Taylor Swift’s discography and solidified her place as one of the most talented singer-songwriters of her generation. The album’s commercial and critical success is a testament to its lasting impact on both the music industry and Swift’s dedicated fanbase.

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4. Red (2012)

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Taylor Swift’s fourth album is encapsulated by a single hue, which stands for her penchant for retribution, her fiery romantic side, and the neon-lit throb of a dance floor.

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Taylor Swift’s fourth studio album “Red” is a powerful and dynamic collection of songs that showcases the artist’s growth both lyrically and musically. The album’s title track serves as the perfect embodiment of its theme, as it explores the tumultuous emotions that come with the ups and downs of relationships. Throughout the album, Swift fearlessly experiments with different genres, incorporating elements of pop, country, and even dubstep, resulting in a diverse and exciting listening experience.

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Songs like “22” and “We Are Never Ever Getting Back Together” became instant pop anthems, while tracks like “All Too Well” and “Sad Beautiful Tragic” showcased Swift’s ability to convey raw emotion through her songwriting and “I Knew You Were Trouble” seem destined for a wider audience\u2014one as vibrant as the title suggests. Overall, “Red” marked a significant turning point in Swift’s career, solidifying her as a force to be reckoned with in the music industry.

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5. 1989 (2014)

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Taylor Swift’s fifth studio album is her first “official pop album,” with production help from Max Martin, Shellback, Ryan Tedder, and Jack Antonoff, all of whom helped create a sleeker, glitzier sound in homage to the ’80s.

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Taylor Swift’s 1989 is a defining album in her career, marking a turning point in her musical evolution. The album sees Swift fully embracing a pop sound, departing from her country roots, and showcasing her talents as a songwriter and performer. The tracks on the album are catchy, upbeat, and fun, with Swift’s signature storytelling lyrics shining through in songs like “Blank Space” and “Style”. The album’s lead single, “Shake It Off,” became an instant hit and set the tone for the rest of the record.

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Beyond its musical excellence, 1989 also marked a significant personal and creative transition for Swift, as she shed her country sweetheart image and stepped into a more mature and confident version of herself. The album’s success solidified her position as a major force in the music industry and set the stage for even greater achievements to come. All in all, 1989 is a triumph for Taylor Swift and a standout album of the decade.

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6. Reputation (2017)

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Taylor Swift’s new reputation is both a warning shot to her detractors and a full-fledged artistic transformation; you don’t need to hear her declare her old self dead (as she does on the explosive “Look What You Made Me Do”) to understand this. There’s a new level of depth to each of these songs, which range from dark and meaningful to catchy and lived-in to pointed and provocative. On the slow hip-hop cut “End Game” featuring Ed Sheeran and Future, she boasts, but on “…Ready for It?” and “I Did Something Bad,” she is sassy and sensual.

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But songs like “Call It What You Want” and “Delicate” unite Taylor’s many feelings and address the tension between her public and private personas: “My reputation’s never been worse/So, you must like me for me.” All of this comes together to form her most audacious statement to date: a pop masterpiece full of boundless energy and raw emotion.

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7. Lover (2019)

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Taylor Swift’s seventh and most carefree album, Lover, features her most confident and laid-back vocal performance to date. She is head over heels in love; the kind that makes you want to scream it from the rooftops. This is her first album in 13 years, and it follows a string of songs that sounded like battle scars from high-profile breakups and feuds with other celebrities. The tone is mature, level-headed, and assured. This album finds her fighting for queer and women’s rights, which may be an indication that the 29-year-old has entered a new phase of her life in which she is more private, politically active, and eager to see the big picture.

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The end result is that she sounds more confident and in charge than ever before. Pride anthem “You Need to Calm Down” features her calling out bigots from the stone age, while other songs like “The Man,” “I Forgot That You Existed,” and her duet with Brendon Urie of Panic! at the Disco, “ME!” are all satires of patriarchy. In a nightclub. When compared to 2017’s vengeful and introspective Reputation, these songs couldn’t be more different in tone.

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Large portions of the album are characterized by the atmospheric synths and ’80s drums favored by co-producer Jack Antonoff (“The Archer,” “Lover”). It’s true that life’s most memorable events are often those that we least expect. Daydreaming and ethereal, “It’s Nice to Have a Friend” is enlivened by languid strumming, a glinting trumpet, and ethereal oohs and aahs. The percussion-driven tune “I Think He Knows” is just as much fun as it is unpredictable, with the vocals going from breathy shouting to chatty whispering in the span of a few seconds.

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8. Folklore (2020)

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Even though only 11 months had passed since Lover had been released, the anticipation for the surprise sequel was palpable. The 30-year-old songwriter teams up with Aaron Dessner of The National and longtime collaborator Jack Antonoff on Folklore, creating a set of reflective and relatively lo-fi bedroom pop that is vastly different from his previous work. Swift opens “the 1,” a clever mix of plaintive piano and her naturally upbeat delivery, with the words “I’m doing good, I’m on some new st.”

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In this album, however, Swift focuses her considerable energy on writing songs that function as short stories and character studies, ranging from Proustian flashbacks (“cardigan,” which has hints of Lana Del Rey) to outcast widows (“the last great american dynasty”) and doomed relationships (“exile,” a heavy-hearted duet with Bon Iver’s Justin Vernon). Rich texture and vivid imagery characterize this work. She sings, “Your braids like a pattern/Love you to the moon and to Saturn,” on the song “seven,” about two friends who are making travel plans. “Love endures like a folk song, being passed down from generation to generation.” It’s only natural for a songwriter to seek solace after drawing so much material from a life lived in the spotlight.

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9. Evermore (2020)

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You have every reason to feel personally chastised, but you should be commended for the audacity of your decision to surprise-release a career-defining album in the midst of a paralyzing global pandemic. Evermore is a collaborative effort between Aaron Dessner, Jack Antonoff, and Justin Vernon that, like folklore, takes advantage of the intimacy of a home recording studio to feature sparser, more stripped-down musical arrangements and lyrics that are nonetheless rich in narrative detail.

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Dessner’s bandmates in The National appear on “coney island,” and HAIM appears on “no body, no crime,” which seems to place Este Haim at the center of a small-town murder mystery. These guest appearances complement the album rather than detract from it. (To make a long story short, the percussion in this song belongs on any National album released in the last ten years.) As for the rest of the year, “tis the damn season” is the mournful home-for-the-holidays ballad that this shattered one didn’t know it needed. However, while the setting of the folktale was a big part of its allure, the only real surprise here is the timing of the release rather than the tale itself. Beyond that, it’s a confirmation of the promises and charms of the previous installment, rather than a novel experience prompted by exceptional circumstances.

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10. Midnights (2022)

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Taylor Swift’s tenth studio album is a concept album about introspection that takes place at night. This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams. For all of us who have tossed and turned and decided to keep the lanterns lit and go searching\u2014hoping that just maybe, when the clock strikes twelve … we’ll meet ourselves.

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The album was a commercial smash in every market it was released in, setting new benchmarks across the board. The album’s first-week sales in the US topped 1.5 million copies, making it the year’s fastest-selling album and the best-performing release overall. Produced the most number of singles in the top ten on the Billboard Hot 100 in a single week (ten) with “Anti-Hero,” with “Lavender Haze,” “Snow on the Beach” featuring Lana Del Rey, and “Bejeweled” also breaking into the top ten. Swift is planning to launch the Eras Tour in 2023 to promote not only Midnights but also her previous album, 1989.

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All Taylor Swift Re-recordings Albums in Order

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1. Fearless (Taylor’s Version) (2021)

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Swift first teased the \u201cTaylor\u2019s Version\u201d of Fearless with the release of a new recording of one of her biggest hits, the ode to youthful romance \u201cLove Story.\u201d That version stays remarkably true to the original track, though it\u2019s hard not to notice how Swift\u2019s voice has strengthened and matured in the 13 years since. Elsewhere, she revisits other juggernauts like \u201cFifteen,\u201d \u201cForever & Always,\u201d and, of course, \u201cYou Belong With Me,\u201d another of her biggest-selling songs.

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2. Red (Taylor’s Version) (2021)

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After rerecording her 2008 album Fearless to regain control of her master tapes, Taylor Swift presents Red (Taylor’s Version), an expanded take on her 2012 blockbuster that includes nine never-before-released songs. The 30-track\u00a0Red (Taylor’s Version)\u00a0includes the re-recorded versions of 20 songs from the deluxe edition of\u00a0Red. “Red resembled a heartbroken person musically and lyrically,” she wrote. “It was a jumble of feelings that came together in the end. Free, confused, lonely, devastated, euphoric, wild, and tortured by memories.

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3. Speak Now (Taylor’s Version) (2023)

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Speak Now (Taylor’s Version) is Taylor Swift’s re-recording of her third studio album, “Speak Now,” originally released in 2010. This re-recording project is part of Swift’s efforts to regain control over her master recordings. The album features beloved hits like “Mine,” “Back to December,” “Mean,” and “Sparks Fly,” capturing the essence of the original songs while showcasing Swift’s growth as an artist over the past decade. By re-releasing her earlier work, Swift aims to assert her artistic autonomy and allow fans to experience her music on her own terms. Speak Now (Taylor’s Version) not only provides a nostalgic trip down memory lane for longtime fans but also introduces a new generation to the magic and storytelling prowess that has defined Taylor Swift’s career.

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Taylor Swift Live albums in Order:

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1. Speak Now World Tour \u2013 Live (2011)

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Released on November 21, 2011, Taylor Swift’s ‘Speak Now World Tour \u2013 Live’ marks her first live album, capturing the essence of her acclaimed Speak Now World Tour. The CD encompasses 16 tracks, including hits from her Speak Now album, with a few exclusions like ‘Never Grow Up,’ ‘Innocent,’ and ‘Ours,’ as well as cover renditions like ‘Drops of Jupiter’ and ‘Bette Davis Eyes.’ The accompanying DVD/Blu-ray features extra performances, rehearsal glimpses, and personal insights. Praised for showcasing Swift’s showmanship, the album reached number 11 on Billboard 200, while attaining triple platinum status in Australia and commendable positions in Canada and Japan.

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2. Live from Clear Channel Stripped 2008 (2020)

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Live from Clear Channel Stripped 2008, Taylor Swift’s second live album, stirred controversy upon its unauthorized release on April 24, 2020. Recorded in 2008, the album’s delayed launch followed the acquisition of Big Machine Records by Scooter Braun in 2019. Swift, denouncing the release on social media, criticized it as ‘shameless greed in the time of coronavirus,’ urging fans to boycott. The album’s reception reflected its tumultuous backstory, with a mere 33 units sold in its initial US week. Devoid of chart success, the album featured tracks like ‘Love Story,’ ‘Fearless,’ and ‘Teardrops on My Guitar,’ serving as a testament to the complex intersections of music, ownership, and artistic expression.

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3. Folklore: The Long Pond Studio Sessions (From the Disney+ Special) (2020)

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“Folklore: The Long Pond Studio Sessions” captures a unique musical journey as Taylor Swift unveils the acoustic interpretations of her chart-topping album, Folklore. This live album, accompanied by the Disney+ special, offers an intimate glimpse into the creative process behind the songs, with Taylor engaging in insightful discussions with collaborators Aaron Dessner and Jack Antonoff. With all 17 tracks from her eighth studio album masterfully performed, listeners are treated to a stripped-down, emotionally resonant experience. Swift’s signature storytelling is magnificently intertwined with raw melodies, delivering an enchanting blend of vulnerability and artistry. Released in November 2020, this album stands as a testament to Swift’s musical prowess and her ability to reinvent her sound while maintaining an authentic connection with her audience.

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4. Lover (Live from Paris) (2023)

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“Lover (Live from Paris)” captures the enchanting essence of Taylor Swift’s musical artistry in a romantic, limited-edition vinyl release. This fourth live album, unveiled on Valentine’s Day 2023, transports listeners to the heart of her captivating performance at the Olympia theater, Paris. The album’s two heart-shaped LPs house the mesmerizing live renditions of eight beloved tracks from her seventh studio album, “Lover” (2019). From the spirited energy of “Me!” to the introspective beauty of “Daylight,” Swift’s flawless vocals and emotional resonance shine through. The album’s exclusivity, only available through Swift’s webstore, adds to its allure, while its success on global charts attests to the enduring magic of Taylor Swift’s music.”

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How many Albums does Taylor Swift have?

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American singer-songwriter Taylor Swift has released TEN original studio albums, THREE re-recorded studio albums, FIVE extended plays, FOUR live albums, and NINETEEN\u00a0other minor works.

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All Taylor Swift Discography In Order of Release Date

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Here is the list Of Taylor Swift Albums in Order of Release Date:

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Taylor Swift Studio Albums:

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  1. Taylor Swift \u2014 October 24, 2006
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  3. Fearless \u2014 November 11, 2008
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  5. Speak Now \u2014 October 25, 2010
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  7. Red \u2014 October 22, 2012
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  9. 1989 \u2014 October 27, 2014
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  11. Reputation \u2014 November 10, 2017
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  13. Lover \u2014 August 23, 2019
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  15. Folklore \u2014 July 24, 2020
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  17. Evermore \u2014 December 11, 2020
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  19. Midnights \u2014 October 21, 2022
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Taylor Swift Re-recorded Studio Albums:

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  1. Fearless (Taylor’s Version) \u2014 April 9, 2021
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  3. Red (Taylor’s Version) \u2014 November 12, 2021
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Live albums:

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  1. Speak Now World Tour \u2013 Live \u2014 November 21, 2011
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  3. Live from Clear Channel Stripped 2008 \u2014 April 23, 2020
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  5. Folklore: The Long Pond Studio Sessions (From the Disney+ Special) \u2014 November 24, 2020
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Taylor Swift Extended plays:

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  1. The Taylor Swift Holiday Collection \u2014 October 14, 2007
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  3. Rhapsody Originals \u2014 November 2007
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  5. iTunes Live from SoHo \u2014 January 15, 2008
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  7. Beautiful Eyes \u2014 July 15, 2008
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Chronological Order of Taylor Swift Albums\u00a0

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As we journey through her albums in chronological order, we witness the transformation of a young talent blossoming into a global superstar. Each album represents a chapter in Swift’s musical journey, filled with artistic growth, personal introspection, and chart-topping hits. From her self-titled debut to her reimagined versions of beloved classics, Taylor Swift’s albums stand as testaments to her undeniable talent and enduring legacy in the music industry.

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  1. Taylor Swift (2006)
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  3. The Taylor Swift Holiday Collection (2007)
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  5. Beautiful Eyes (2008)
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  7. Fearless (2008)
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  9. Speak Now (2010)
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  11. Speak Now World Tour \u2013 Live (2011)
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  13. Red (2012)
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  15. 1989 (2014)
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  17. Reputation (2017)
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  19. Lover (2019)
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  21. Live from Clear Channel Stripped 2008 (2020)
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  23. Folklore (2020)
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  25. Folklore: The Long Pond Studio Sessions (From the Disney+ Special) (2020)
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  27. Evermore (2020)
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  29. Fearless (Taylor’s Version) (2021)
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  31. Red (Taylor’s Version) (2021)
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  33. Midnights(2022)
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  35. Lover (Live from Paris) (2023)
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  37. Speak Now (Taylor’s Version) (2023)
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Each album represents a distinct phase in Taylor Swift’s career, showcasing her growth as an artist, her ability to reinvent herself, and her prowess as a songwriter.

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What are the Taylor Swift Albums in Order of Success

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Taylor Swift’s albums have achieved considerable success throughout her career. While success can be measured in various ways, including chart performance, critical acclaim, commercial sales, and cultural impact, here is a general ranking of Taylor Swift’s albums in terms of their overall success:

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  1. 1989 (2014)
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  3. Red (Taylor\u2019s Version)\u2019 (2021)
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  5. Evermore (2020)
  6. \n
  7. Folklore (2020)
  8. \n
  9. Midnights (2022)
  10. \n
  11. Fearless (Taylor\u2019s Version)\u2019 (2021)
  12. \n
  13. Speak Now (2010)
  14. \n
  15. Lover (2019)
  16. \n
  17. Reputation (2017)
  18. \n
  19. Taylor Swift (2006)
  20. \n
\n

It’s important to note that the success of albums can be measured in various ways, including sales, critical reception, chart performance, and cultural impact. The albums listed above represent Taylor Swift’s discography and the general consensus of their success.

\n

For more information about Taylor Swift you can head over to her official website, follow her on Twitter, Instagram, or Youtube!

\n

Conclusion:

\n

In conclusion, Taylor Swift has released several successful albums throughout her career, each showcasing her growth and versatility as an artist. From her country-pop roots in her debut album “Taylor Swift” to the alternative and indie-pop vibes in “folklore” and “evermore”, Swift has consistently delivered meaningful lyrics and catchy melodies that resonate with fans worldwide. Her evolution as a musician has been remarkable, and her albums continue to captivate audiences and solidify her place as one of the biggest artists of our time.

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Thanks for Visit!

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Taylor Swift albums discography

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From Wikipedia, the free encyclopedia
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For singles and other songs by Swift, see Taylor Swift singles discography.
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Taylor Swift albums discography
\"Taylor
Swift performing on the Eras Tour in 2023
Studio albums10
Live albums4
EPs5
Re-recordings4
Compilations24
Box set1
\n

The American singer-songwriter Taylor Swift has released 10 original studio albums, 4 re-recorded studio albums, 5 extended plays, and 4 live albums. She has sold an estimated 114 million album units worldwide[1] and, in terms of pure sales, tallied 46.6 million in the United States and 7 million in the United Kingdom.[2][3] According to the Recording Industry Association of America (RIAA), her albums have garnered 51 million certified units in the United States.[4] As of February 2024, she is the solo artist with the most weeks (69) at number one on the US Billboard 200.[5][6]\n

Swift signed a recording contract with Big Machine Records in 2005 and released six albums with the label. Her self-titled debut album (2006) spent 157 weeks on the Billboard 200 by December 2009 and registered more weeks on the chart than any other album in the 2000s decade.[7] Her second, Fearless (2008), was the only album from the 2000s decade to spend one year in the top 10 of the Billboard 200[8] and was certified Diamond by the RIAA.[9] Fearless was Swift's first album to top the charts in Australia, Canada, and New Zealand.[10] Her next studio albums\u2014Speak Now (2010), Red (2012), 1989 (2014), and Reputation (2017)\u2014all debuted at number one on the Billboard 200, and each of them sold over one million copies within the first release week in the United States.[11] All four albums reached number one in Australia, Canada, and New Zealand;[12][13] and the latter three all reached number one in the United Kingdom.[14][15]\n

Swift signed with Universal Music Group label Republic Records in 2018.[16] Her next three studio albums under Republic\u2014Lover (2019), Folklore (2020), and Evermore (2020)\u2014all debuted atop the Billboard 200.[17] Lover was the global best-selling album by a solo artist of 2019[18] and was Swift's first to reach number one in Spain[19] and Sweden.[20] Folklore made Swift the first musician to have seven albums each selling at least 500,000 copies within the first week of release in the United States.[21] Her tenth original studio album, Midnights (2022), was her fifth to sell over a million US first-week copies.[22] It broke records including the largest streaming week for a US female album and the most single-day and single-week streams on Spotify.[23]\n

After a dispute over the ownership of her back catalog in 2019, Swift has released four re-recorded albums\u2014Fearless (Taylor's Version) (2021), Red (Taylor's Version) (2021), Speak Now (Taylor's Version) (2023), and 1989 (Taylor's Version) (2023)\u2014all of which reached number one in the English-speaking countries: Australia, Canada,[12] Ireland,[24] New Zealand,[13] the United Kingdom,[15] and the United States.[25] Fearless (Taylor's Version) was also the first re-recorded album to top the Billboard 200.[26] 1989 (Taylor's Version) became Swift's sixth album to sell over a million US first-week copies and broke the record for the most US first-week vinyl sales in the 21st century.[27] With 1989 (Taylor's Version), Swift became the first artist to have the best-selling US album of a calendar year seven times, after Fearless (2009), 1989 (2014), Reputation (2017), Lover (2019), Folklore (2020), and Midnights (2022).[28] Swift's eleventh studio album, The Tortured Poets Department, is slated for release on April 19, 2024.\n

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Studio albums[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
List of studio albums, with selected chart positions, sales figures, and certifications\n
Title\nAlbum details\nPeak chart positions\nSales[A]\nCertifications\n
US
[29]\n
AUS
[10]\n
CAN
[12]\n
DEN
[30]\n
IRE
[24]\n
NZ
[13]\n
NOR
[31]\n
SPA
[19]\n
SWE
[20]\n
UK
[15]\n
Taylor Swift\n\n\n53314\u20145938\u2014\u2014\u201481\n\n\n\n\n
Fearless\n\n
  • Released: November 11, 2008
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, DVD, LP, digital download, streaming
\n
1212371528125\n\n
  • US: 7,286,000[C]
  • \n
  • AUS: 500,000[D]
\n
\n\n
Speak Now\n\n
  • Released: October 25, 2010
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, DVD, LP, digital download, streaming
\n
1112661410186\n\n
  • US: 4,817,000[B]
\n
\n
  • RIAA: 6\u00d7 Platinum[45]
  • \n
  • ARIA: 3\u00d7 Platinum[34]
  • \n
  • BPI: Platinum[46]
  • \n
  • IFPI NOR: Gold[42]
  • \n
  • IRMA: Gold[47]
  • \n
  • MC: 3\u00d7 Platinum[36]
  • \n
  • RMNZ: 3\u00d7 Platinum[48]
\n
Red\n\n
  • Released: October 22, 2012
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, DVD, LP, digital download, streaming
\n
1113112481\n\n
  • US: 4,582,000[B]
  • \n
  • UK: 619,000[E]
\n
\n
  • RIAA: 7\u00d7 Platinum[50]
  • \n
  • ARIA: 5\u00d7 Platinum[51]
  • \n
  • BPI: 2\u00d7 Platinum[52]
  • \n
  • GLF: Gold[53]
  • \n
  • IFPI DEN: Platinum[54]
  • \n
  • IRMA: Platinum[55]
  • \n
  • MC: 4\u00d7 Platinum[36]
  • \n
  • RMNZ: 2\u00d7 Platinum[56]
\n
1989\n\n
  • Released: October 27, 2014
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, DVD, LP, digital download, streaming
\n
11121114171\n\n
  • US: 6,472,000[B]
  • \n
  • CAN: 542,000[F]
  • \n
  • UK: 1,144,000[G]
\n
\n
  • RIAA: 9\u00d7 Platinum[58]
  • \n
  • ARIA: 11\u00d7 Platinum[34]
  • \n
  • BPI: 5\u00d7 Platinum[59]
  • \n
  • GLF: Gold[60]
  • \n
  • IFPI DEN: 2\u00d7 Platinum[61]
  • \n
  • IFPI NOR: 3\u00d7 Platinum[62]
  • \n
  • MC: 6\u00d7 Platinum[36]
  • \n
  • PROMUSICAE: Gold[63]
  • \n
  • RMNZ: 9\u00d7 Platinum[64]
\n
Reputation\n\n
  • Released: November 10, 2017
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, DVD, LP, digital download, cassette, streaming
\n
1113111321\n\n
  • US: 2,478,000[B]
\n
\n
  • RIAA: 3\u00d7 Platinum[65]
  • \n
  • ARIA: 4\u00d7 Platinum[34]
  • \n
  • BPI: 2\u00d7 Platinum[66]
  • \n
  • GLF: Platinum[53]
  • \n
  • IFPI DEN: Platinum[67]
  • \n
  • IFPI NOR: Gold[62]
  • \n
  • PROMUSICAE: Gold[68]
  • \n
  • RMNZ: 5\u00d7 Platinum[69]
\n
Lover\n\n
  • Released: August 23, 2019
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
1113111111\n\n
  • US: 2,000,000[C]
  • \n
  • CAN: 61,000[F]
\n
\n
  • RIAA: 3\u00d7 Platinum[71]
  • \n
  • ARIA: 6\u00d7 Platinum[72]
  • \n
  • BPI: 2\u00d7 Platinum[73]
  • \n
  • IFPI DEN: Platinum[74]
  • \n
  • IFPI NOR: Platinum[62]
  • \n
  • PROMUSICAE: Gold[75]
  • \n
  • RMNZ: 5\u00d7 Platinum[76]
\n
Folklore\n\n
  • Released: July 24, 2020
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
1111111231\n\n
  • US: 2,289,000[B]
  • \n
  • CAN: 62,000[H]
\n
\n
  • RIAA: 2\u00d7 Platinum[78]
  • \n
  • ARIA: 2\u00d7 Platinum[34]
  • \n
  • BPI: 2\u00d7 Platinum[79]
  • \n
  • IFPI DEN: Platinum[80]
  • \n
  • IFPI NOR: Platinum[62]
  • \n
  • PROMUSICAE: Gold[81]
  • \n
  • RMNZ: 3\u00d7 Platinum[82]
\n
Evermore\n\n
  • Released: December 11, 2020
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
11122131131\n\n
  • US: 913,000[I]
  • \n
  • CAN: 31,000[J]
\n
\n
  • RIAA: Platinum[85]
  • \n
  • ARIA: Platinum[34]
  • \n
  • BPI: Platinum[86]
  • \n
  • IFPI DEN: Platinum[87]
  • \n
  • IFPI NOR: Gold[62]
  • \n
  • MC: Gold[36]
  • \n
  • PROMUSICAE: Gold[88]
  • \n
  • RMNZ: 2\u00d7 Platinum[89]
\n
Midnights\n\n
  • Released: October 21, 2022
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
1111111111\n\n
  • US: 2,814,000[B]
  • \n
  • UK: 235,000[K]
\n
\n
  • RIAA: 2\u00d7 Platinum[90]
  • \n
  • ARIA: 2\u00d7 Platinum[34]
  • \n
  • BPI: 2\u00d7 Platinum[91]
  • \n
  • IFPI DEN: 2\u00d7 Platinum[92]
  • \n
  • IFPI NOR: Gold[62]
  • \n
  • MC: 2\u00d7 Platinum[36]
  • \n
  • PROMUSICAE: Platinum[93]
  • \n
  • RMNZ: 4\u00d7 Platinum[94]
\n
The Tortured Poets Department\n\n
  • Scheduled: April 19, 2024
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
TBA\n
\"\u2014\" denotes a recording that did not chart or was not released in that territory.\n
\n

Re-recordings[edit]

\n
Further information: Taylor Swift masters dispute
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
List of re-recorded studio albums, with selected details and chart positions\n
Title\nAlbum details\nPeak chart positions\nSales[A]\nCertifications\n
US
[29]\n
AUS
[10]\n
CAN
[12]\n
DEN
[30]\n
IRE
[24]\n
NZ
[13]\n
NOR
[31]\n
SPA
[19]\n
SWE
[20]\n
UK
[15]\n
Fearless (Taylor's Version)\n\n
  • Released: April 9, 2021
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
11181123171\n\n
  • US: 737,000[L]
  • \n
  • CAN: 18,000[M]
\n
\n\n
Red (Taylor's Version)\n\n
  • Released: November 12, 2021
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, streaming
\n
1113111381\n\n
  • US: 950,000[L]
  • \n
  • CAN: 24,000[M]
\n
\n\n
Speak Now (Taylor's Version)\n\n
  • Released: July 7, 2023
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
1116112111\n\n\n\n\n
1989 (Taylor's Version)\n\n
  • Released: October 27, 2023
  • \n
  • Label: Republic
  • \n
  • Formats: CD, LP, digital download, cassette, streaming
\n
1111111111\n\n
  • US: 2,014,000[B]
  • \n
  • UK: 185,000[O]
\n
\n\n
\n

Live albums[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
List of live albums with selected chart figures and notes\n
Title\nAlbum details\nPeak positions\nSales\nCertifications\n
US
[29]\n
AUS
[10]\n
CAN
[12]\n
DEN
[30]\n
IRE
[24]\n
NZ
[13]\n
SPA
[19]\n
UK
[15]\n
Speak Now World Tour \u2013 Live\n\n
  • Released: November 21, 2011
  • \n
  • Label: Big Machine
  • \n
  • Formats: Digital download, streaming, CD+DVD/Blu-ray
\n
111625\u2014\u2014\u201491\u2014[P]\n\n\n\n\n
Live from Clear Channel Stripped 2008\n\n
  • Released: April 23, 2020[113]
  • \n
  • Label: Big Machine
  • \n
  • Formats: Digital download, streaming
\n
\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\n\n\n
Lover (Live from Paris)\n\n
  • Released: May 19, 2020
  • \n
  • Label: Republic
  • \n
  • Formats: Streaming, LP
\n
58\u2014\u2014\u2014\u2014\u2014\u201490\n\n\n
Folklore: The Long Pond Studio Sessions\n\n
  • Released: November 24, 2020
  • \n
  • Label: Republic
  • \n
  • Formats: Digital download, streaming, LP
\n
324\u201412624\u20144\n\n\n\n
\"\u2014\" denotes a recording that did not chart or was not released in that territory.\n
\n

Extended plays[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
List of extended plays, with selected chart positions and sales figures\n
Title\nEP details\nPeak chart
positions\n
Sales\nCertifications\n
US
[29]\n
Napster Live\n\n
  • Released: October 24, 2006[115] (Napster exclusive)
  • \n
  • Label: Big Machine
  • \n
  • Formats: Digital download, streaming
\n
\u2014\n\n\n
The Taylor Swift Holiday Collection\n\n
  • Released: October 14, 2007[116]
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD, digital download, streaming
\n
20\n\n
  • US: 1,100,000[I]
\n
\n\n
Rhapsody Originals\n\n
  • Released: November 2007 (Rhapsody exclusive)[118]
  • \n
  • Label: Big Machine
  • \n
  • Format: Digital download, streaming
\n
\u2014\n\n\n
iTunes Live from SoHo\n\n
  • Released: January 15, 2008 (iTunes exclusive)[119]
  • \n
  • Label: Big Machine
  • \n
  • Formats: Digital download, streaming
\n
\u2014\n\n\n
Beautiful Eyes\n\n
  • Released: July 15, 2008 (Walmart exclusive)[120]
  • \n
  • Label: Big Machine
  • \n
  • Formats: CD+DVD
\n
9\n\n\n\n
\"\u2014\" denotes a recording that did not chart or was not released in that territory.\n
\n

Miscellaneous[edit]

\n

Streaming-exclusive compilations[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
List of compilations with notes\n
Title\nDescription\nNotes\n
Spotify Singles\n\n
  • Released: April 13, 2018
  • \n
  • Label: Big Machine
\n
\n\n
Reputation Stadium Tour Surprise Song Playlist\n\n
  • Released: November 30, 2018
  • \n
  • Label: Big Machine
\n
\n\n
Folklore: The Escapism Chapter\n\n
  • Released: August 21, 2020[123]
  • \n
  • Label: Republic
\n
\n
  • Playlists consisting of select songs from Folklore[124]
\n
Folklore: The Sleepless Nights Chapter\n\n
  • Released: August 24, 2020[125]
  • \n
  • Label: Republic
\n
Folklore: The Saltbox House Chapter\n\n
  • Released: August 27, 2020[126]
  • \n
  • Label: Republic
\n
Folklore: The Yeah I Showed Up at Your Party Chapter\n\n
  • Released: September 21, 2020[127]
  • \n
  • Label: Republic
\n
\n\n
Willow (The Witch Collection)\n\n
  • Released: December 16, 2020
  • \n
  • Label: Republic
\n
\n
  • Remix EP consisting of alternate versions and videos of Swift's 2020 single \"Willow\"[128]
\n
The Dropped Your Hand While Dancing Chapter\n\n
  • Released: January 21, 2021[129]
  • \n
  • Label: Republic
\n
\n
  • Playlists consisting of select songs from Folklore and Evermore[130]
\n
The Forever Is the Sweetest Con Chapter\n\n
  • Released: January 28, 2021[131]
  • \n
  • Label: Republic
\n
The Ladies Lunching Chapter\n\n
  • Released: February 4, 2021[132]
  • \n
  • Label: Republic
\n
Fearless (Taylor's Version): The Halfway Out the Door Chapter\n\n
  • Released: May 13, 2021
  • \n
  • Label: Republic
\n
\n
  • Playlists consisting of select songs from Fearless (Taylor's Version)[133]
\n
Fearless (Taylor's Version): The Kissing in the Rain Chapter\n\n
  • Released: May 19, 2021
  • \n
  • Label: Republic
\n
Fearless (Taylor's Version): The I Remember What You Said Last Night Chapter\n\n
  • Released: May 24, 2021
  • \n
  • Label: Republic
\n
Fearless (Taylor's Version): The From the Vault Chapter\n\n
  • Released: May 26, 2021
  • \n
  • Label: Republic
\n
Red (Taylor's Version): Could You Be the One Chapter\n\n
  • Released: January 13, 2022
  • \n
  • Label: Republic
\n
\n
  • Playlists consisting of select songs from Red (Taylor's Version)[134]
\n
Red (Taylor's Version): She Wrote a Song About Me Chapter\n\n
  • Released: January 18, 2022
  • \n
  • Label: Republic
\n
Red (Taylor's Version): The Slow Motion Chapter\n\n
  • Released: January 25, 2022
  • \n
  • Label: Republic
\n
Red (Taylor's Version): From the Vault Chapter\n\n
  • Released: January 31, 2022
  • \n
  • Label: Republic
\n
Taylor Swift's Fountain Pen Songs[135]\n\n
  • Released October 14, 2022
  • \n
  • Label: Republic
\n
\n
  • Apple Music-exclusive playlists consisting of songs from Swift's past albums.[136]
\n
Taylor Swift's Glitter Gel Pen Songs[137]\n
Taylor Swift's Quill Pen Songs[138]\n
Anti-Hero (Remixes)\n\n
  • Released: November 11, 2022
  • \n
  • Label: Republic
\n
\n
  • Remix EP containing alternate versions of Swift's 2022 single \"Anti-Hero\"[139]
\n
Lavender Haze (Remixes)\n\n
  • Released: March 3, 2023
  • \n
  • Label: Republic
\n
\n\n
The More Fearless (Taylor's Version) Chapter\n\n
  • Released: March 17, 2023
  • \n
  • Label: Republic
\n
\n
  • Playlist consisting of select songs from Fearless (Taylor's Version) and \"If This Was a Movie (Taylor's Version)\", a re-recorded version of a Speak Now track[141]
\n
The More Lover Chapter\n\n\n
The More Red (Taylor's Version) Chapter\n\n\n
The Cruelest Summer\n\n
  • Released: October 18, 2023
  • \n
  • Label: Republic
\n
\n\n
\n

Box set[edit]

\n\n\n\n\n\n\n\n\n\n\n
List of box sets with notes\n
Title\nDescription\nNotes\n
Complete Album Collection\n\n
  • Released: November 22, 2013
  • \n
  • Format: CD
  • \n
  • Label: Universal
\n
\n
  • A Germany-exclusive box set consisting of 5 CDs\u2014Taylor Swift, Fearless, Speak Now, Red, and Speak Now World Tour \u2013 Live[145]
\n
\n

Footnotes[edit]

\n
\n
    \n
  1. ^ a b Pure sales and not equivalent units (streaming and song downloads)\n
  2. \n
  3. ^ a b c d e f g h US album sales as of January 2024[32]\n
  4. \n
  5. ^ a b US album sales as of January 2024[37]\n
  6. \n
  7. ^ Australian sales for Fearless as of December 2017[38]\n
  8. \n
  9. ^ UK sales for Red as of June 2021[49]\n
  10. \n
  11. ^ a b Canadian sales for albums as of January 2020[70]\n
  12. \n
  13. ^ UK sales for 1989 as of July 2023[57]\n
  14. \n
  15. ^ Canadian sales for Folklore as of January 2021[77]\n
  16. \n
  17. ^ a b c d US album sales as of October 2022[83]\n
  18. \n
  19. ^ Canadian sales for Evermore in 2020 (digital only)[77] and 2021 (overall)[84]\n
  20. \n
  21. ^ UK physical sales for Midnights as of July 2023[57]\n
  22. \n
  23. ^ a b US album sales as of July 2023[95]\n
  24. \n
  25. ^ a b Canadian sales for albums as of January 2022[84]\n
  26. \n
  27. ^ US sales for Speak Now (Taylor's Version) as of January 2024[103]\n
  28. \n
  29. ^ UK sales for 1989 (Taylor's Version) as of January 2024[106]\n
  30. \n
  31. ^ Speak Now World Tour \u2013 Live did not enter the UK Albums Chart, but it peaked at number 1 on the UK Music Videos Chart.[111]\n
  32. \n
  33. ^ US first-week sales for Folklore: The Long Pond Studio Sessions (From the Disney+ Special)[114]\n
  34. \n
\n

References[edit]

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  225. ^ Kreps, Daniel (April 23, 2020). \"Taylor Swift Decries Impending Release of Unauthorized 2008 Live Album\". Rolling Stone. Archived from the original on April 23, 2020. Retrieved April 24, 2020.\n
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  227. ^ Caulfield, Keith (May 1, 2023). \"Morgan Wallen's One Thing at a Time Hits Eighth Week at No. 1 on Billboard 200\". Billboard. Archived from the original on May 1, 2023. Retrieved May 2, 2023.\n
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  235. ^ \"Rhapsody Originals\". Rhapsody. Archived from the original on February 2, 2018. Retrieved January 31, 2018.\n
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  237. ^ \"iTunes Live from SoHo by Taylor Swift\". iTunes Store. Archived from the original on January 20, 2010. Retrieved January 2, 2010.\n
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  239. ^ \"Wal-Mart 'Eyes' New Taylor Swift Project\". Great American Country. July 15, 2008. Archived from the original on December 8, 2008. Retrieved December 8, 2008.\n
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  243. ^ \"Taylor Swift Shares Reputation Stadium Tour 'Surprise' Songs Playlist\". Billboard. November 30, 2018. Archived from the original on January 4, 2019. Retrieved April 5, 2020.\n
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  247. ^ a b Rowley, Glenn (September 21, 2020). \"Here are All of Taylor Swift's Folklore Chapters (So Far) in One Place\". Billboard. Archived from the original on October 30, 2020. Retrieved September 21, 2020.\n
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  249. ^ \"folklore: the sleepness nights chapter \u2013 EP by Taylor Swift\". Apple Music. Archived from the original on September 10, 2020. Retrieved January 25, 2021.\n
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  255. ^ \"willow (the witch collection) \u2013 EP by Taylor Swift\". Apple Music. Archived from the original on April 27, 2021. Retrieved April 15, 2021.\n
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  257. ^ \"the 'dropped your hand while dancing' chapter \u2013 EP by Taylor Swift\". Apple Music. Archived from the original on February 12, 2021. Retrieved January 25, 2021.\n
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  259. ^ Kaufman, Gil (February 4, 2021). \"Taylor Swift Made a 'Ladies Lunching' Chapter of her Evermore & Folklore Albums\". Billboard. Archived from the original on February 4, 2021. Retrieved February 4, 2021.\n
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  261. ^ \"the 'forever is the sweetest con' chapter \u2013 EP by Taylor Swift\". Apple Music. Archived from the original on January 28, 2021. Retrieved January 28, 2021.\n
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  265. ^ \"Fearless (Taylor's Version): The Halfway Out The Door Chapter \u2013 EP by Taylor Swift\". Apple Music. Archived from the original on May 14, 2021. Retrieved May 13, 2021.\n
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  267. ^ \"Red (Taylor's Version): Could You Be The One Chapter - EP by Taylor Swift\", Apple Music (US), January 13, 2022, archived from the original on January 21, 2022, retrieved January 13, 2022\n
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  289. ^ \"Complete Album Collection\" (in German). Universal Music Group. Archived from the original on January 29, 2021. Retrieved December 25, 2020.\n
  290. \n
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External links[edit]

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Taylor Swift (album)

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2006 studio album by Taylor Swift
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This article is about the self-titled debut album by Taylor Swift. For other albums by Swift, see Taylor Swift albums discography.
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Taylor Swift
\"A
Standard cover[note 1]
Studio album by
ReleasedOctober 24, 2006 (2006-10-24)
Recorded2005
Studio
GenreCountry
Length40:28
LabelBig Machine
Producer\n\n
Taylor Swift chronology
\n\n\n\n\n\n
\nTaylor Swift
(2006)\n
The Taylor Swift Holiday Collection
(2007)\n
Singles from Taylor Swift
\n
  1. \"Tim McGraw\"
    Released: June 19, 2006
  2. \n
  3. \"Teardrops on My Guitar\"
    Released: February 20, 2007
  4. \n
  5. \"Our Song\"
    Released: September 4, 2007
  6. \n
  7. \"Picture to Burn\"
    Released: February 3, 2008
  8. \n
  9. \"Should've Said No\"
    Released: May 19, 2008
\n
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\n

Taylor Swift is the eponymous debut studio album by the American singer-songwriter Taylor Swift. Under Big Machine Records, it was released in North America on October 24, 2006, and elsewhere on March 18, 2008. Swift had signed with Sony/ATV Tree publishing house in 2004, at age 14, to pursue a career as a country musician. Her contract with Big Machine Records in 2005 enabled her to work on the album during her second year of high school.\n

Swift is credited as a writer on all 11 of the album's tracks, three of which solely; Robert Ellis Orrall, Brian Maher, Angelo Petraglia, and Liz Rose have co-writing credits. Drawing on her personal life, the songs reflect Swift's outlook on life as a teenager, dealing with romantic relationships, friendships, and insecurity. Produced by Orrall and Nathan Chapman, Taylor Swift is a country record with pop and pop rock elements, incorporating acoustic instruments such as guitars, banjos, and fiddles.\n

Five singles supported Taylor Swift, including the Hot Country Songs number-ones \"Our Song\" and \"Should've Said No\", and Swift's first top-15 entry on the Billboard Hot 100, \"Teardrops on My Guitar\". Swift promoted the album through social network Myspace, which journalists found atypical for a country musician's marketing strategy. She embarked on a six-month radio tour in 2006 and opened tours for other country artists throughout 2006 and 2007. Critics praised the album's mainstream sensibility and Swift's songwriting at a young age for earnestly depicting adolescent sentiments. Taylor Swift was nominated for Album of the Year at the 2008 Academy of Country Music Awards.\n

The album spent 24 weeks at number one on Top Country Albums and peaked at number five on the Billboard 200, where it became the longest-charting album of the 2000s decade. Certified seven times Platinum by the Recording Industry Association of America (RIAA), it made Swift the first solo female country artist to write or co-write every song on a platinum debut album. Journalists attributed Taylor Swift's success to Swift's online marketing via Myspace, which ushered in a younger demographic in-country audiences who had mainly consisted of middle-aged listeners. The album's crossover appeal shaped the country pop style of Swift's next two albums, and its autobiographical narratives about love and heartbreak inspired a subsequent generation of singer-songwriters.\n

\n\n

Background

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Swift developed an early interest in the performing arts.[1][2] After watching a documentary about country singer Faith Hill, Swift felt sure she needed to move to Nashville, Tennessee\u2014widely regarded as the home of country music[3][4]\u2014to pursue a career as a country singer.[5] At age eleven, Swift traveled to Nashville with her mother to pitch demo tapes of karaoke covers to record labels for a contract.[6][7] She was rejected because record labels believed country music's middle-aged demographic would not listen to music by a teenage girl, which Swift firmly disbelieved.[8][9]\n

Returning to her hometown in Pennsylvania, Swift realized she had to distinguish herself from other aspiring country singers.[8] To this end, at age 12, she started writing songs herself and learned to play the guitar with the help of a computer repairman who had fixed her family's computer on one occasion.[9] Swift's love for country music alienated her from her peers.[10] Her performance of \"The Star-Spangled Banner\" at the 2003 US Open caught the attention of music manager Dan Dymtrow, who helped 13-year-old Swift get an artist development deal with RCA Records in Nashville.[11] To assist Swift's artistic endeavors, her father transferred his job to Nashville, and her family relocated to Hendersonville, a city close to Nashville, in 2004.[12][13]\n

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Development and production

\n

Among Swift's inspirations were 1990s female country musicians\u2014Shania Twain, the Chicks, Faith Hill, and LeAnn Rimes.[14] She signed with the Sony/ATV Tree publishing house at age 14 to become a professional songwriter, the youngest signee in its history.[15] After the signing, Swift commuted from Hendersonville to Nashville every afternoon to practice with experienced Music Row songwriters.[16] Liz Rose became an important collaborator and formed a lasting working relationship with Swift in her future career.[17] Swift had productive sessions with Rose because she respected Swift's vision and did not want to put her in the \"Nashville cookie-cutter songwriting mold\".[18] Rose spoke highly of Swift's songwriting abilities: \"Basically, I was just her editor...She had such a clear vision of what she was trying to say. And she'd come in with the most incredible hooks.\"[19]\n

After one year on RCA's development deal, Swift was held off an official record deal; she felt the label was not confident in her self-written material.[20][21] Swift parted ways with RCA: \"I figured if they didn't believe in me then, they weren't ever going to believe in me.\"[11] She recalled in 2009 in The Daily Telegraph: \"I genuinely felt that I was running out of time. I wanted to capture these years of my life on an album while they still represented what I was going through.\"[22] At an industry showcase at Nashville's Bluebird Caf\u00e9 in 2005, Swift caught the attention of Scott Borchetta, a DreamWorks Records executive who was preparing to form an independent record label, Big Machine Records. She had first met Borchetta in 2004.[23] Swift became one of Big Machine's first signings, and her father purchased a three-percent stake in the company.[24]\n

Of the standard edition's eleven songs, Swift is the sole writer of three and a co-writer of eight. Rose shares the writing credit on seven. Robert Ellis Orrall and Angelo Petraglia co-wrote \"A Place in This World\", and Brian Maher co-wrote \"Mary's Song (Oh My My My)\".[25] After experimenting with different producers, Swift persuaded Big Machine to recruit Nathan Chapman, who had produced her demo album in a \"little shed\" behind the Sony/ATV offices.[7][26] Big Machine was skeptical about hiring Chapman because he had never produced a commercially released studio album, but ultimately agreed because Swift felt they had the \"right chemistry\".[7] Before approaching Chapman, Swift conceptualized how her songs should sound: \"I know exactly where I want the hook to be and ... what instruments I want to use.\"[27] Chapman was confident in Swift's abilities, saying that she \"knows what she wants to say with her music\".[27] He has sole production credits on all songs but one, \"The Outside\", on which he is credited as an additional producer, and Orrall as the main producer.[7] Recording took place for four months near the end of 2005.[7] When the recording and production wrapped, Swift had finished her first high school year.[28]\n

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Composition

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Lyrics

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Swift wrote Taylor Swift from her personal life experiences as a teenager. While she adhered to the confessional songwriting associated with country music, she did not write about stereotypical themes such as \"tractors and hay bales because that's not really the way I grew up\".[29] She instead wrote about her observations and reflections on matters from romantic relationships to friendships, striving to convey her teenage perspectives as honestly and personally as possible.[30] Because her inspirations came from immediate feelings and emotions, Swift wrote songs anytime and anywhere, from studio sessions to school breaks.[17] This practice resulted in straightforward lyrics, which The Daily Telegraph noted were \"brimming with an earnest naivet\u00e9\".[31]\n

The songs on Taylor Swift are from the perspectives of a girl in an American small town, within the bounds from high school hallways to rural backroads; Billboard noted that Swift's personal thoughts within a small confinement fostered a contemplative nature.[32] Most songs on the album are about romantic relationships, some of which were based on Swift's observations rather than real experiences.[7][16] The lead single and first track, \"Tim McGraw\", was inspired by Swift's relationship with a senior boyfriend during her first year of high school. The song is about Swift's hope that the boyfriend, after ending the relationship and leaving for college, would reminisce about her every time he hears their mutual favorite Tim McGraw song;[33] according to Swift, \"Tim McGraw\" was inspired by McGraw's 2004 song \"Can't Tell Me Nothin'\".[34] Swift wrote \"Our Song\" for her high school talent show.[35] She talked about the inspiration: \"I wrote it about this guy I was dating, and how we didn't have a song. So I went ahead and wrote us one.\"[36]\n

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Instrumented by plucking banjos,[37] \"Picture to Burn\" was described by Rolling Stone as a song that \"perfectly captures the mindset of a teenage breakup\".[38]
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The songs \"Picture to Burn\" and \"Should've Said No\" depict a vengeful attitude toward those who do not reciprocate the protagonist's feelings;[39] on \"Picture to Burn\", Swift sings about burning photographic evidence of an ex-boyfriend's existence.[40] The original version included the lyrics, \"Go and tell your friends that I'm obsessive and crazy / That's fine; I'll tell mine you're gay.\"[38] On the radio edit and subsequent versions, Swift modified the lyric to \"That's fine; You won't mind if I say.\"[41] Heartbreak is another aspect Swift explored\u2014\"Teardrops on My Guitar\" was about her experience with a classmate whom she had feelings for, but this classmate was in love with someone else.[40] On \"Cold as You\", Swift laments a fruitless relationship: \"I've never been anywhere cold as you.\" She said it was her favorite song lyrically on the album: \"I love a line in a song where afterward you're just like... burn.\"[38]\n

In other songs, Swift sings about insecurity and self-consciousness. \"The Outside\", which Swift wrote at age 12, describes the loneliness she felt when her love of country music alienated her from her peers.[42] In a similar sentiment, \"A Place in This World\" expresses Swift's uncertainty about where she truly belongs.[32] Swift wrote \"Tied Together with a Smile\" the day she learned one of her best friends had an eating disorder.[43] The lyrics describe a girl hiding her inner turbulence; Swift commented, \"I always thought that one of the biggest overlooked problems American girls face is insecurity.\"[43]\n

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Music

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The lead single, \"Tim McGraw\", uses the I-vi-IV-V chord progression, syncopation at the sixteenth-note level, and motives with small-range pitches, which laid the groundwork to the crossover appeal of Swift's subsequent releases.[44]
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Musically, Taylor Swift incorporates country music elements, including twang vocal delivery and acoustic instruments such as fiddles, guitars, and banjos.[32][37] According to American Songwriter's Michael Kosser, Chapman's production was a distinctive sound hard to categorize into a particular genre; Big Machine marketed the album to country radio regardless.[18] Reviews from The Palm Beach Post and the Chicago Tribune categorized Taylor Swift as country music.[45][46]\n

Elements of crossover pop are apparent on many songs.[47] In retrospective articles, critics disagreed on to what extent the Taylor Swift songs are fully country. Jon Caramanica from The New York Times called it a \"pop-minded country\" album,[48] while Rolling Stone critic Chuck Eddy observed that Taylor Swift blended \"pop-rock and Dixie Chicks-style twang\".[49] Another album review on Rolling Stone, meanwhile, felt the songs were inflected with rock.[50] Grady Smith from the same magazine listed the singles \"Tim McGraw\", \"Teardrops on My Guitar\", \"Our Song\", and \"Picture to Burn\" among Swift's \"countriest songs\", which evoke \"classic country\" in terms of instrumentation, themes, and song structure.[51] J. Freedom du Lac from The Washington Post noted that the \"rhythmic, rap-influenced phrasing\" on \"Our Song\" was atypical to country music.[52]\n

James E. Perone, an academic in music, cited \"Tim McGraw\" as an example of Swift's crossover appeal. \"Tim McGraw\" follows the I-vi-IV-V chord progression, which is typically found in late-1950s and early-1960s rock and roll. The refrain consists of repeated motifs built within a small pitch range, which gives the song a catchy tune. Additionally, the refrain\u2014and to a lesser degree, the verses\u2014makes heavy use of syncopation at the sixteenth-note level, which brings about a production reminiscent to non-country genres such as alternative rock and hip hop. Perone argued that these melodic qualities laid the groundwork to Swift's pop radio-friendly discography enjoyed by both pop and country audiences.[44]\n

\n

Release and promotion

\n
\"Taylor
Swift opening for Brad Paisley in 2007. To promote her first album, Swift opened tours for other country musicians in 2007\u20132008.[53]
\n

Taylor Swift was released on October 24, 2006, through Big Machine Records.[54] Swift was involved in the album packaging, designing doodle graphics herself.[25] She included hidden messages with hints at the subjects of her songs in the lyrics printed in the liner notes, inspired by the Beatles' hiding secret messages in their records.[55] She executed the same technique on her subsequent albums.[31][56] Swift said the messages could be interpreted by tracking the capital letters in the order they appear in the lyrics printed in the liner notes.[7] In addition to the eleven-track standard edition, a 15-track deluxe edition contains three new original songs\u2014\"I'm Only Me When I'm with You\", \"Invisible\", and \"A Perfectly Good Heart\", and an alternate version of \"Teardrops on My Guitar\".[57] An \"enhanced version\", which includes the music videos for \"Teardrops on My Guitar\" and \"Tim McGraw\", was released on March 18, 2008.[58]\n

The album was preceded by the lead single \"Tim McGraw\", which was released on June 19, 2006.[59] The single peaked at number 40 on the Billboard Hot 100 and number six on the Hot Country Songs chart, marking Swift's debut appearance on both charts.[60][61] It was certified double platinum by the Recording Industry Association of America (RIAA).[62] Swift promoted the album performing on televised programs including Good Morning America,[63] The Megan Mullally Show,[63] America's Got Talent,[64] Total Request Live,[65] the CMT Music Awards,[66] and the Academy of Country Music Awards.[67] To maintain her presence on country radio, Swift embarked on a radio tour during a six-month run in 2006.[7] Swift also promoted the album by performing as an opening act for other country artists' concert tours. She opened for Rascal Flatts from October 19 to November 3, 2006.[63] Throughout 2007, she opened for George Strait,[68] Brad Paisley,[69] and Tim McGraw and Faith Hill's joint tour, Soul2Soul II Tour.[70]\n

In addition to traditional radio promotion, Swift extensively used her Myspace profile to communicate with her audiences, sharing her daily blogs and song information. Her online marketing strategy boosted the album's popularity among teenagers and young adults.[21] Swift and Big Machine decided to release \"Our Song\" as a single because of the positive feedback it received on Myspace.[21] Throughout 2007 and 2008, four more singles supported Taylor Swift: \"Teardrops on My Guitar\", \"Our Song\", \"Picture to Burn\", and \"Should've Said No\", all of which peaked within the top forty of the Hot 100 and the top ten of the Hot Country Songs chart.[71] \"Teardrops on My Guitar\" peaked at number two on the Hot Country Songs chart and had a crossover release to pop radio; it peaked at number seven on the Mainstream Top 40 (Pop Songs) chart, and number 13 on the Hot 100.[72][73] \"Our Song\" and \"Should've Said No\" reached number one on the Hot Country Songs chart.[71] With \"Our Song\", Swift became the youngest person to single-handedly write and sing a Hot Country Songs number one.[74] All singles were certified platinum or more by the RIAA, with \"Teardrops on My Guitar\" (3\u00d7 Platinum) and \"Our Song\" (4\u00d7 Platinum) selling over three million copies each.[62][75]\n

From August 2019 to January 2020, Big Machine released 4,000 copies of each of the singles from Taylor Swift on vinyl for the 13th anniversary of the album. This was met with immediate backlash in light of the purchase of the masters of Taylor Swift's first six studio albums.[76][77][78][79]\n

\n

Critical reception

\n
Professional ratings
Aggregate scores
SourceRating
Metacritic67/100[80]
Review scores
SourceRating
AllMusic\"\"\"\"\"\"\"\"\"\"[81]
Robert Christgau\"(choice[82]
Country Weekly\"\"\"\"\"\"\"\"\"\"[83]
The Palm Beach PostA[45]
Pitchfork6.7/10[37]
The Philadelphia Inquirer\"\"\"\"\"\"\"\"[84]
PopMatters6/10[85]
Rolling Stone\"\"\"\"\"\"\"\"\"\"[50]
\n

Taylor Swift received generally positive reviews from critics.[86] Though some deemed the lyrical themes unsophisticated and lacking depth, most critics praised Swift's songwriting for using familiar techniques in ways that sounded original and novel.[87] On Metacritic, which assigns an aggregated score out of 100 to reviews from publications, the album earned a score of 67, based on five reviews.[80]\n

In a review for Country Weekly, Chris Neal deemed Swift a success compared to previous aspiring teenage country singers because of her \"honesty, intelligence and idealism\".[83] Reviewers were impressed by Swift's maturity while retaining a sense of youthful innocence in her lyrics, including Ken Rosenbaum of The Toledo Blade,[88] Nick Cristiano of The Philadelphia Inquirer,[84] Jeff Tamarkin of AllMusic,[81] and Rolling Stone.[50] In a review for The Palm Beach Post, James Fontaine felt Swift's honest depiction of her teenage experience made the album compelling, and lauded the \"musical maturity\" for effectively communicating the sentiments.[45] The Morning Call's Keith Groller said that the album was not groundbreaking but could appeal to a wide-ranging audience with its adolescent earnestness.[89]\n

Critics commented on the album's pop sensibility\u2014Neal and Rolling Stone found it appealing to a mainstream audience.[50][83] Tamarkin commented that Swift's \"considerably strong voice\" straddled the precarious boundary between country and pop, and criticized producer Chapman for applying \"a gloss that not all [songs] really require\".[81] In the Chicago Tribune, Chrissie Dickinson described Taylor Swift as \"a slick package, pleasant enough but devoid of anything resembling gritty traction\".[46] In a mixed review for PopMatters, Roger Holland complimented the production quality of certain tracks, but deemed the album overall a misstep for Swift's true appeal: \"It's to be hoped that when she finds both her place and her full grown voice, she's able to find an accommodation between the country tradition and her very obvious pop sensibilities.\"[85] Robert Christgau rated the album a \"cut\" score (\"(choice), and selected \"Tim McGraw\" and \"Picture to Burn\" as highlights.[82][note 2]\n

Taylor Swift helped Swift earn a nomination for New Female Vocalist of the Year at the 2007 Academy of Country Music Awards, a Horizon Award at the 2007 Country Music Association Awards, and a nomination for the Grammy Award for Best New Artist at the 50th Annual Grammy Awards (2008).[54][91] The album itself was nominated for Album of the Year at the 2008 Academy of Country Music Awards.[92]\n

Retrospective reviews have remained favorable toward Swift's early songwriting. Maura Johnston from Pitchfork described the album as an honest record about teenage perspectives, which set Swift apart from the manufactured albums that \"weighed down former teen sensations\".[37] Jonathan Bradley from Billboard lauded how Swift captured immediate emotions and feelings with \"details... so sharp at so small a scale\".[32] In July 2022, Rolling Stone ranked Taylor Swift at number 32 on its list of the \"100 Best Debut Albums of All Time\".[93]\n

\n

Commercial performance

\n

Taylor Swift was a sleeper success in the United States.[16][94] It debuted at number 19 on the Billboard 200 chart dated November 11, 2006, with first-week sales of 40,000 copies.[95] Because albums often drop in sales after their initial release, Swift did not expect her album to remain long on the chart: \"I would be incredibly lucky to see this album certified Gold.\"[16] Contrary to her expectations, Taylor Swift kept selling at a fairly consistent pace.[16] By November 2007, the album had sold over a million copies.[96] It reached its highest sales week on the Billboard 200 chart dated January 5, 2008, when it sold 187,000 copies and charted at number eight.[97]\n

The album reached its peak at number five on the chart dated January 19, 2008, in its 63rd week of charting.[98] Spending 157 weeks on the Billboard 200 by October 2009, Taylor Swift marked the longest stay on the chart by any album released in the 2000s decade.[99] It has spent a total of 280 weeks on the chart as of August 2023.[100] On Top Country Albums, Taylor Swift peaked at number one for 24 non-consecutive weeks.[101] By January 2024, the album had sold 5.871 million pure copies in the United States.[102] It had been certified seven times Platinum by the RIAA for earning over seven million album-equivalent units in the nation.[103]\n

In Canada, Taylor Swift peaked at number 14 on the Canadian Albums Chart[104] and was certified Platinum by Music Canada (MC).[105] The album peaked at number 33 on the Australian Albums Chart in March 2010,[106] and was certified Platinum by the Australian Recording Industry Association (ARIA).[107] In the United Kingdom, it peaked at number 81 on the Albums Chart[108] and was certified Gold by the British Phonographic Industry (BPI) for sales of more than 100,000 copies.[109] The album had sold 198,000 units in the United Kingdom by October 2022.[110] It appeared on albums charts in New Zealand (peaking at number 38),[111] Japan (53),[112] Ireland (59),[113] and Scotland (34).[114]\n

\n

Impact and legacy

\n
\n
\n

Ms. Swift ... has quickly established herself as the most remarkable country music breakthrough artist of the decade. In part that's because ... [her] career has been noteworthy for what happens once the songs are finished. She has aggressively used online social networks to stay connected with her young audience in a way that ... is proving to be revolutionary in country music, ... helping country reach a new audience.\n

\n
\n

\u2014 Jon Caramanica, The New York Times (2008)[72]

\n
\n

Taylor Swift was released in a time when female country artists were gaining momentum in popularity.[37][50] Nashville industry experts nonetheless disapproved of Swift's debut as a teenager[12][18] because they considered the album's adolescent themes inappropriate for country music's middle-aged key demographic.[71][115] Jim Malec of American Songwriter observed that contrary to industry expectations,Taylor Swift's success on country radio, particularly with the track \"Our Song\", established Swift as one of the few teenage female artists to be equally successful with male counterparts in a format dominated by men.[71]\n

Though critics questioned the album's country-music categorization,[116] Rolling Stone remarked that following the Dixie Chicks' 2003 controversy, which left \"a huge space opened up in the heart of the country audience\", Swift \"has completely filled it ... with a sound that's not just rock-informed but teen-poppy too\".[50] Jon Caramanica of The New York Times observed that, although the country-pop crossover sound was facilitated by previous successful singers, Swift was the first country artist to embrace the status of a pop star.[72] Taylor Swift made her the first female solo artist in country music to write or co-write every song on a platinum-certified debut album.[74][117] Its production laid the groundwork to Swift's subsequent country-pop discography, whose chart success straddled the perceived boundary between the two genres.[116][118][119]\n

Music journalists attributed the album's success to Swift's songwriting and online marketing strategy.[12] While online promotion was familiar to pop and hip hop artists, she was the first country artist to promote her songs on social media services like Myspace;[71][72] she also relied on social media to promote her subsequent releases, which brought her a loyal fan base.[115][120] Her social media presence ushered in a younger audience consisted of mostly teenage girls who listened to country music\u2014a previously unheard demographic.[12] The autobiographical narratives on Taylor Swift defined Swift's songwriting over the next decade,[31][32] which Billboard noted to inspire a new generation of aspiring singer-songwriters.[115] Consequence stated Taylor Swift was the blueprint for songs focused on unrequited love and suffering, paving the way for \"future teenie boppers\" such as Conan Gray's \"Heather\" (2020) and Olivia Rodrigo's \"Drivers License\" (2021).[121] Rolling Stone opined, \"if Taylor Swift retired right after dropping her debut album, she'd still be remembered as a legend today [...] Taylor debuted with complete mastery of a genre she was also completely transforming.\"[93] According to Entertainment Weekly, the commercial success of her debut helped the infant Big Machine go on to sign Garth Brooks and Jewel.[122]\n

\n

Track listing

\n

All tracks are produced by Nathan Chapman except where noted.\n

\n
Taylor Swift \u2013 Standard edition[25]
No.TitleWriter(s)Length
1.\"Tim McGraw\"3:54
2.\"Picture to Burn\"
  • Swift
  • Rose
2:55
3.\"Teardrops on My Guitar\"
  • Swift
  • Rose
3:35
4.\"A Place in This World\"3:22
5.\"Cold as You\"
  • Swift
  • Rose
4:01
6.\"The Outside\" (
  • Orrall
  • Chapman[a]
)
Swift3:29
7.\"Tied Together with a Smile\"
  • Swift
  • Rose
4:11
8.\"Stay Beautiful\"
  • Swift
  • Rose
3:58
9.\"Should've Said No\"Swift4:04
10.\"Mary's Song (Oh My My My)\"
  • Swift
  • Rose
  • Brian Maher
3:35
11.\"Our Song\"Swift3:24
Total length:40:28
\n
Taylor Swift \u2013 Best Buy edition (bonus download)[123]
No.TitleWriter(s)Length
12.\"I Heart ?\" (Orrall)Swift3:15
Total length:43:43
\n
Taylor Swift \u2013 Deluxe edition (bonus tracks)[124]
No.TitleWriter(s)Length
12.\"I'm Only Me When I'm with You\" (
  • Orrall
  • Petraglia
)
  • Swift
  • Orrall
  • Petraglia
3:35
13.\"Invisible\" (Orrall)
  • Swift
  • Orrall
3:26
14.\"A Perfectly Good Heart\" (
  • James
  • Verges
)
3:42
15.\"Taylor Swift's 1st Phone Call with Tim McGraw\" 4:44
Total length:55:55
\n
Taylor Swift \u2013 2008 reissue and international edition[125][126]
No.TitleLength
15.\"Teardrops on My Guitar\" (pop version)2:58
Total length:54:09
\n

Notes

\n
\n
    \n
  1. ^ additional production\n
  2. \n
\n
  • Upon its release, a special enhanced CD version of the album was released, featuring the \"Tim McGraw\" music video and performance at the Grand Ole Opry.[127]
  • \n
  • In addition to the bonus tracks, the deluxe edition also contains the single versions of \"Teardrops on My Guitar\" and \"Our Song\", replacing the original versions. It was released with the bonus DVD disc, featuring more than an hour of video content. A special deluxe edition, released at Target, contains an extended DVD content.[124]
  • \n
  • The 2008 edition replaced the original editions after being released, and was the first and only edition to be released in many countries. In addition to the new versions of \"Teardrops on My Guitar\" and \"Our Song\", which had initially replaced their original counterparts on the deluxe edition, the 2008 edition also replaces \"Picture to Burn\" with the radio edit.[128] In the United States, the new edition contains enhanced content, featuring the music videos of \"Tim McGraw\" and \"Teardrops on My Guitar\".[129]
\n

Personnel

\n

Credits adapted from the album's liner notes[25]\n

\n
\n\n
\n

Charts

\n
\n\n\n\n\n\n
\n

Weekly charts

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2006\u20132009 weekly chart performance of Taylor Swift\n
Chart (2006\u20132009)\nPeak
position\n
Canadian Albums (Billboard)[104]\n14\n
Scottish Albums (OCC)[130]\n64\n
UK Albums (OCC)[108]\n81\n
UK Country Albums (OCC)[131]\n1\n
US Billboard 200[132]\n5\n
US Top Country Albums (Billboard)[133]\n1\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2010\u20132015 weekly chart performance of Taylor Swift\n
Chart (2010\u20132015)\nPeak
position\n
Australian Albums (ARIA)[106]\n33\n
Australian Country Albums (ARIA)[134]\n2\n
Japanese Albums (Oricon)[112]\n53\n
New Zealand Albums (RMNZ)[111]\n38\n
Irish Albums (IRMA)[113]\n59\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2021\u20132023 weekly chart performance of Taylor Swift\n
Chart (2021\u20132023)\nPeak
position\n
Argentine Albums (CAPIF)[135]\n10\n
Greek Albums (IFPI)[136]\n2\n
Portuguese Albums (AFP)[137]\n33\n
Scottish Albums (OCC)[114]\n34\n
US Independent Albums (Billboard)[138]\n21\n
\n
\n

Year-end charts

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Year-end charts for Taylor Swift\n
Chart\nPosition\n
US Billboard 200 (2007)[139]\n19\n
US Billboard 200 (2008)[140]\n5\n
US Billboard 200 (2009)[141]\n24\n
US Billboard 200 (2010)[142]\n62\n
US Billboard 200 (2011)[143]\n164\n
US Top Country Albums (2007)[144]\n3\n
US Top Country Albums (2008)[145]\n2\n
US Top Country Albums (2009)[146]\n6\n
US Top Country Albums (2010)[147]\n19\n
US Top Country Albums (2023)[148]\n41\n
US Independent Albums (2023)[149]\n45\n
\n

Decade-end charts

\n\n\n\n\n\n\n\n\n\n\n
2000s decade-end charts for Taylor Swift\n
Chart (2000\u20132009)\nPosition\n
US Billboard 200[150]\n53\n
US Top Country Albums (Billboard)[150]\n9\n
\n

All-time charts

\n\n\n\n\n\n\n\n\n\n\n\n\n\n
All-time charts for Taylor Swift\n
Chart\nPosition\n
US Billboard 200[note 3]\n18\n
US Billboard 200 (Women)[note 4]\n9\n
US Top Country Albums (Billboard)[note 5]\n3\n
\n

\n

\n
\n

Certifications and sales

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Certifications for Taylor Swift, with pure sales where available\n
Region\nCertificationCertified units/sales\n
Australia (ARIA)[107]\n2\u00d7 Platinum\n140,000\u2021\n
Canada (Music Canada)[105]\nPlatinum\n100,000^\n
Singapore (RIAS)[156]\nGold\n5,000*\n
United Kingdom (BPI)[109]\nGold\n100,000^\n
United States (RIAA)[103]\n7\u00d7 Platinum\n5,871,000[102]\n
\n

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
\u2021 Sales+streaming figures based on certification alone.\n

\n
\n

Release history

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Release formats for Taylor Swift\n
Region\nDate\nEdition\nFormat\nLabel\nRef.\n
United States\nOctober 24, 2006\nStandard\n\nBig Machine\n[157]\n
November 6, 2007\nDeluxe\nCD+DVD\n[158]\n
March 18, 2008\nEnhanced\n[58]\n
Australia\nOctober 4, 2008\nInternational\nCD\n
\n
[159]\n
New Zealand\n[160]\n
Germany\nMarch 8, 2009\n[125]\n
United Kingdom\nAugust 3, 2009\nVirgin EMI\n[161]\n
Japan\nJune 30, 2010\nUniversal\n[162]\n
Deluxe\nCD+DVD\n[163]\n
United States\nNovember 18, 2016\nInternational / Deluxe\nLP\nBig Machine\n[164]\n
Germany\n[165]\n
\n

Footnotes

\n
\n
    \n
  1. ^ This cover was used for the standard and 2008 editions of the album. The 2007 deluxe edition features a different image of Swift.\n
  2. \n
  3. ^ In Robert Christgau's rating, a \"cut\" (\"(choice) means \"a good song on an album that isn't worth your time or money\".[90]\n
  4. \n
  5. ^ Compiled by Billboard for albums 1963\u20132015[151][152]\n
  6. \n
  7. ^ Compiled by Billboard for albums 1963\u20132017[153][154]\n
  8. \n
  9. ^ Compiled by Billboard for albums 1963\u20132016[155]\n
  10. \n
\n

References

\n

Citations

\n
\n
    \n
  1. ^ Macpherson, Alex (October 18, 2012). \"Taylor Swift: 'I want to believe in pretty lies'\". The Guardian. Archived from the original on August 26, 2016. Retrieved October 18, 2012.\n
  2. \n
  3. ^ \"Rare photos of Taylor Swift before fame\". New York Daily News. January 10, 2015. Archived from the original on January 30, 2021. Retrieved April 3, 2021.\n
  4. \n
  5. ^ \"Nashville Music Industry: Impact, Contribution and Cluster Analysis\" (PDF). Recording Industry Association of America. September 2015. Archived (PDF) from the original on December 18, 2017. Retrieved February 21, 2020.\n
  6. \n
  7. ^ Mayfield, Dan (December 16, 2005). \"Nashville beckons, and NM entertainer Tobias Rene is happy to try his music dream\". Albuquerque Journal. p. 68. Archived from the original on November 4, 2021. Retrieved November 4, 2021 – via Newspapers.com.\n
  8. \n
  9. ^ Diu, Nisha Lilia (April 3, 2011). \"Taylor Swift: 'I won't do sexy shoots'\". The Daily Telegraph. Archived from the original on May 6, 2013. Retrieved April 17, 2012.\n
  10. \n
  11. ^ \"CMT Insider Interview: Taylor Swift (Part 1 of 2)\". CMT News. November 26, 2008. Archived from the original on January 23, 2015. Retrieved July 1, 2012.\n
  12. \n
  13. ^ a b c d e f g h Morris, Edward (December 1, 2006). \"When She Thinks 'Tim McGraw,' Taylor Swift Savors Payoff: Hardworking Teen to Open for George Strait Next Year\". CMT News. Archived from the original on December 29, 2018. Retrieved March 11, 2010.\n
  14. \n
  15. ^ a b Malec, Jim (May 2, 2011). \"Taylor Swift: The Garden In The Machine\". American Songwriter. Archived from the original on May 10, 2012. Retrieved May 21, 2012.\n
  16. \n
  17. ^ a b Spencer 2010, p. 7.\n
  18. \n
  19. ^ Spencer 2010, p. 9.\n
  20. \n
  21. ^ a b Spencer 2010, p. 12.\n
  22. \n
  23. ^ a b c d Widdicombe, Lizzie (October 10, 2011). \"You Belong With Me\". The New Yorker. Archived from the original on July 24, 2014. Retrieved October 11, 2011.\n
  24. \n
  25. ^ Jo, Nancy (January 2, 2014). \"Taylor Swift and the Growing of a Superstar: Her Men, Her Moods, Her Music\". Vanity Fair. Archived from the original on November 10, 2015. Retrieved November 11, 2015.\n
  26. \n
  27. ^ Spencer 2010, pp. 16\u201318.\n
  28. \n
  29. ^ DeLuca, Dan (November 11, 2008). \"Focused on 'great songs' Taylor Swift isn't thinking about 'the next level' or Joe Jon as gossip\". The Philadelphia Inquirer. p. 1. Archived from the original on November 18, 2012. Retrieved April 17, 2012.\n
  30. \n
  31. ^ a b c d e Malec, Jim (May 2, 2011). \"Taylor Swift: The Garden In The Machine\". American Songwriter. p. 3. Archived from the original on August 7, 2013. Retrieved May 21, 2012.\n
  32. \n
  33. ^ a b Spencer 2010, p. 19.\n
  34. \n
  35. ^ a b c Kosser, Michael (June 3, 2010). \"Liz Rose: Co-Writer to the Stars\". American Songwriter. Archived from the original on August 4, 2020. Retrieved February 20, 2020.\n
  36. \n
  37. ^ Spencer 2010, p. 21.\n
  38. \n
  39. ^ Kotb, Hoda (May 31, 2009). \"On tour with Taylor Swift\". NBC News. Archived from the original on October 5, 2013. Retrieved July 1, 2012.\n
  40. \n
  41. ^ a b c Willman, Chris (February 5, 2008). \"Taylor Swift's road to fame\". Entertainment Weekly. Archived from the original on January 17, 2021. Retrieved February 27, 2021.\n
  42. \n
  43. ^ Preston, John (April 26, 2009). \"Taylor Swift: the 19-year-old country music star conquering America \u2013 and now Britain\". The Daily Telegraph. Archived from the original on January 5, 2012. Retrieved August 30, 2012.\n
  44. \n
  45. ^ Rapkin, Mickey (July 27, 2017). \"Oral History of Nashville's Bluebird Cafe: Taylor Swift, Maren Morris, Dierks Bentley & More on the Legendary Venue\". Billboard. Archived from the original on July 29, 2017. Retrieved July 28, 2017.\n
  46. \n
  47. ^ Hiatt, Brian (October 25, 2012). \"Taylor Swift in Wonderland\". Rolling Stone. Archived from the original on July 31, 2016. Retrieved August 1, 2016.\n
  48. \n
  49. ^ a b c d Taylor Swift (2006). Taylor Swift (album booklet). Big Machine Records. BMR120702.\n
  50. \n
  51. ^ Spence, Kelly (July 15, 2016). Taylor Swift: Pop Music Superstar. Cavendish Square Publishing, LLC. p. 26. ISBN 978-1-5026-1992-1. Archived from the original on March 1, 2022. Retrieved November 19, 2021.\n
  52. \n
  53. ^ a b Spencer 2010, p. 27.\n
  54. \n
  55. ^ Spencer 2010, p. 28.\n
  56. \n
  57. ^ Spencer 2010, p. 18.\n
  58. \n
  59. ^ Spencer 2010, p. 18\u201319.\n
  60. \n
  61. ^ a b c Carson, Sarah (October 24, 2016). \"The Story of Taylor Swift: 10 years at the top in her own lyrics\". The Daily Telegraph. Archived from the original on November 24, 2016. Retrieved October 24, 2016.\n
  62. \n
  63. ^ a b c d e Bradley, Jonathan (November 7, 2017). \"Why Taylor Swift's Self-Titled Debut Is Her Best Album\". Billboard. Archived from the original on November 11, 2017. Retrieved November 7, 2017.\n
  64. \n
  65. ^ Yahr, Emily (June 16, 2016). \"Taylor Swift's first song came out 10 years ago. Here's what she was like as a teen songwriter\". The Washington Post. Archived from the original on March 26, 2021. Retrieved February 25, 2021.\n
  66. \n
  67. ^ \"20 Questions with Taylor Swift\". CMT News. November 12, 2007. Archived from the original on November 17, 2014. Retrieved March 30, 2021.\n
  68. \n
  69. ^ Shelburne, Craig (April 15, 2008). \"Taylor Swift Shares Story and Success of Award-Winning 'Our Song'\". CMT News. Archived from the original on February 9, 2018. Retrieved March 15, 2010.\n
  70. \n
  71. ^ \"Taylor Swift Proves Her Staying Power\". Great American Country. August 23, 2007. Archived from the original on June 30, 2012. Retrieved March 15, 2010.\n
  72. \n
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Cited sources

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\n\t\t\t\t\tTaylor Swift discography\t\t\t\t

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Taylor Swift has released 11 studio albums, 4 re-recorded albums, 3 live albums, measuring to a total of 18 albums plus Beautiful Eyes Walmart-exclusive ultimately leading to a grand total of 16,190 extended plays, 10 single albums, and 610 singles as a lead artist so far. \n

\n\n\n

Studio albums[]

\n\n

Re-recordings[]

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Live albums[]

\n
  • Speak Now World Tour - Live (2011)
  • \n
  • Live from Clear Channel Stripped 2008 (2020)
  • \n
  • Folklore: The Long Pond Studio Sessions (from the Disney+ Special) (2020)
\n

Compilation albums[]

\n
  • Complete Album Collection (2013)
  • \n
  • Reputation Stadium Tour Surprise Song Playlist (2018)
\n

Extended plays[]

\n\n

Single albums[]

\n
The following are apparently not counted but had assumed as a single album.
\n\n

Singles[]

\n
All singles were arranged by albums in chronological order, several singles from other non Taylor Swift albums and soundtracks as well as non-album singles are listed last
\n

Taylor Swift[]

\n\n

Fearless[]

\n\n

Speak Now[]

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Red[]

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1989[]

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Reputation[]

\n\n

Lover[]

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Folklore[]

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Evermore[]

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Fearless (Taylor's Version)[]

\n
  • \"Love Story\" (2021)
  • \n
  • \"You All Over Me\" (featuring Maren Morris) (2021)
  • \n
  • \"Mr. Perfectly Fine\" (2021)
\n

Red (Taylor's Version)[]

\n
  • \"I Bet You Think About Me\" (2021)
  • \n
  • \"Message in a Bottle\" (2021)
\n

Midnights[]

\n
  • \"Anti-Hero\" (2022)
  • \n
  • \"Lavender Haze\" (2022)
  • \n
  • \"Bejeweled\" (2022)
  • \n
  • \"Karma\" (featuring Ice Spice) (2023)
\n

Singles from other albums or soundtracks[]

\n\n

Non-album singles[]

\n
  • \"Christmas Tree Farm\" (2019)
  • \n
  • \"Only The Young\" (2020)
  • \n
  • \"Christmas Tree Farm (Old Timey Version)\"(2022)
\n

Appears On[]

\n
This does not include singles
\n

Studio albums[]

\n
  • Two Lanes of Freedom (2013)
\n

Soundtracks[]

\n
  • Valentine's Day (2010)
  • \n
  • The Hunger Games: Songs from District 12 and Beyond (2012)
  • \n
  • Sweeter than Fiction (2013)
  • \n
  • Fifty Shades Darker: Original Motion Picture Soundtrack (2017)
  • \n
  • DC League of Super-Pets (2022)
\n

YAY!\n

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\n\n\n\n\n\n\n\n", + "page_last_modified": " Sat, 16 Mar 2024 22:41:23 GMT" + }, + { + "page_name": "List of songs by Taylor Swift - Wikipedia", + "page_url": "https://en.wikipedia.org/wiki/List_of_songs_by_Taylor_Swift", + "page_snippet": "In 2007, Swift released her first extended play (EP), The Taylor Swift Holiday Collection, which includes four cover versions of Christmas classics and two self-written songs. Beautiful Eyes (2008), Swift's second EP, features alternate versions of songs from her debut album and two new tracks. On her second studio album, Fearless (2008), Swift wrote eight tracks by herself and co-wrote the remaining five ...In 2007, Swift released her first extended play (EP), The Taylor Swift Holiday Collection, which includes four cover versions of Christmas classics and two self-written songs. Beautiful Eyes (2008), Swift's second EP, features alternate versions of songs from her debut album and two new tracks. On her second studio album, Fearless (2008), Swift wrote eight tracks by herself and co-wrote the remaining five with Liz Rose\u2014who had worked with her on her debut album. On her second studio album, Fearless (2008), Swift wrote eight tracks by herself and co-wrote the remaining five with Liz Rose\u2014who had worked with her on her debut album. She wrote all 14 tracks of her third studio album, Speak Now (2010), by herself. The album explores mainstream pop and rock styles in addition to the country pop sound of its predecessor. On her next release, Red (2012), Swift experimented with other pop, rock, electronic, and hip hop styles. Pursuing a country music career in Nashville, she wrote or co-wrote all 11 tracks on her eponymous debut album, which was released by Big Machine Records in 2006. In 2007, Swift released her first extended play (EP), The Taylor Swift Holiday Collection, which includes four cover versions of Christmas classics and two self-written songs. Since April 2021, Swift has released four re-recorded albums\u2014Fearless (Taylor's Version), Red (Taylor's Version), Speak Now (Taylor's Version) and 1989 (Taylor's Version)\u2014to claim ownership of the masters of her Big Machine-released albums. Each of the re-recorded albums includes \"from the Vault\" unreleased songs Swift had written but excluded from the original releases' track lists. The American singer-songwriter Taylor Swift has written or co-written every song in her discography, with the exception of several cover songs and two guest features, alongside some songs released by other artists. Swift signed with Sony/ATV Tree publishing house in 2004 to become a professional songwriter. Pursuing a country music career in Nashville, she wrote or co-wrote all 11 tracks on her eponymous debut album, which was released by Big Machine Records in 2006.", + "page_result": "\n\n\n\nList of songs by Taylor Swift - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
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List of songs by Taylor Swift

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From Wikipedia, the free encyclopedia
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\n
\"Swift
Swift on her Speak Now World Tour in 2011
\n

The American singer-songwriter Taylor Swift has written or co-written every song in her discography, with the exception of several cover songs and two guest features, alongside some songs released by other artists. Swift signed with Sony/ATV Tree publishing house in 2004 to become a professional songwriter.\n

Pursuing a country music career in Nashville, she wrote or co-wrote all 11 tracks on her eponymous debut album, which was released by Big Machine Records in 2006.[1][2] In 2007, Swift released her first extended play (EP), The Taylor Swift Holiday Collection, which includes four cover versions of Christmas classics and two self-written songs. Beautiful Eyes (2008), Swift's second EP, features alternate versions of songs from her debut album and two new tracks.[3]\n

On her second studio album, Fearless (2008), Swift wrote eight tracks by herself and co-wrote the remaining five with Liz Rose\u2014who had worked with her on her debut album.[4][5] She wrote all 14 tracks of her third studio album, Speak Now (2010), by herself. The album explores mainstream pop and rock styles in addition to the country pop sound of its predecessor.[6] On her next release, Red (2012), Swift experimented with other pop, rock, electronic, and hip hop styles.[7] She wrote nine Red tracks by herself and co-wrote with others including Swedish producers Max Martin and Shellback. Martin and Shellback collaborated with her again on her next two studio albums, 1989 (2014) and Reputation (2017), on which Swift also worked with producer Jack Antonoff and recalibrated her musical identity from country to pop.[8] Antonoff continued collaborating with Swift on her seventh studio album, Lover (2019), which marks her first release after leaving Big Machine for Republic Records; Lover includes three solely-written tracks.[9]\n

Swift explored alternative rock and indie folk on the albums Folklore and Evermore; in addition to Antonoff, Aaron Dessner of the National became a key producer and co-writer.[10] Swift's former partner Joe Alwyn was co-writer and co-producer of select tracks. Since April 2021, Swift has released four re-recorded albums\u2014Fearless (Taylor's Version), Red (Taylor's Version), Speak Now (Taylor's Version) and 1989 (Taylor's Version)\u2014to claim ownership of the masters of her Big Machine-released albums.[11] Each of the re-recorded albums includes \"from the Vault\" unreleased songs Swift had written but excluded from the original releases' track lists. One such song, \"All Too Well (10 Minute Version)\", is the unabridged version of the previously released \"All Too Well\". Swift's tenth original studio album, Midnights (2022), features Antonoff as the main collaborator and Dessner as the co-writer and co-producer for select bonus tracks.[12]\n

In addition to solo material, Swift has recorded two songs as a featured artist without a writing credit: \"Highway Don't Care\" (Tim McGraw, 2013) and \"Birch\" (Big Red Machine, 2021). She has written songs for film soundtracks including Valentine's Day (2010), The Hunger Games (2012), Fifty Shades Darker (2017), Cats (2019), and Where the Crawdads Sing (2022). Some tracks written by Swift were released as standalone singles for her other projects, such as the Christmas single \"Christmas Tree Farm\" (2019) and the track \"Only the Young\" (2020) for her documentary Miss Americana. Among tracks she wrote for other artists are \"Best Days of Your Life\" (Kellie Pickler), \"This Is What You Came For\" (Calvin Harris featuring Rihanna), and \"Better Man\" (Little Big Town).\n

\n\n

Released songs[edit]

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Contents\n
0\u20139 · A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · Y\n
\n\n\n\n\n
Key\n
\u2021\nIndicates songs written solely by Taylor Swift\n
\n
\"Jack
Jack Antonoff co-wrote songs for 1989, Reputation, Lover, Folklore, Evermore, Midnights, and 1989 (Taylor's Version).
\n
\"Max
Max Martin co-wrote 22 songs with Swift on four albums: Red, 1989, Reputation, and Red (Taylor's Version).
\n
Aaron Dessner co-wrote songs on Folklore, Evermore, and Midnights (3am Edition). Swift later appeared on Dessner's band, The National's single, \"The Alcott\" (2023).
\n
Swift wrote \"You'll Always Find Your Way Back Home\" (2009), performed by Miley Cyrus as part of the Hannah Montana: The Movie soundtrack.
\n
Swift co-wrote Kellie Pickler's \"Best Days of Your Life\" (2008).
\n
\"John
John Mayer collaborated with Swift on \"Half of My Heart\" (2010).
\n
\"Joy
The Civil Wars co-wrote and featured in \"Safe & Sound\" (2012).
\n
\"B.o.B\"
Swift co-wrote and featured in B.o.B's \"Both of Us\" (2012).
\n
\"Paula
Paula Fernandes co-wrote and featured in \"Long Live\" for the Brazilian edition of Speak Now World Tour \u2013 Live (2012).
\n
\"Tim
Swift provided guest vocals for Tim McGraw's \"Highway Don't Care\" (2013), featuring Keith Urban.
\n
\"Ed
Ed Sheeran co-wrote and featured on \"Everything Has Changed\" (2012), \"End Game\" (2017), and \"Run\" (2021).
\n
\"Gary
Gary Lightbody of Snow Patrol co-wrote \"The Last Time\", on which he contributes guest vocals.
\n
\"Ryan
Ryan Tedder co-wrote \"Welcome to New York\" and \"I Know Places\" on 1989.
\n
\"Imogen
Imogen Heap co-wrote \"Clean\" on 1989.
\n
\"Kendrick
Kendrick Lamar co-wrote the remix of \"Bad Blood\", and appears as a featured artist.
\n
Swift co-wrote \"This Is What You Came For\" (2016), performed by Rihanna.
\n
\"Sugarland\"
Swift co-wrote and appears as a featured artist in Sugarland's \"Babe\".
\n
\"Brendon
Brendon Urie co-wrote \"Me!\" and appears as a featured artist.
\n
\"The
The Dixie Chicks feature in \"Soon You'll Get Better\".
\n
Louis Bell co-wrote three Lover tracks and \"All of the Girls You Loved Before\".
\n
Shawn Mendes co-wrote and appears as a featured artist on the duet remix of \"Lover\".
\n
Andrew Lloyd Webber co-wrote and co-produced \"Beautiful Ghosts\" from the soundtrack for Cats (2019).
\n
Justin Vernon of Bon Iver co-wrote and features on the songs \"Exile\" and \"Evermore\".
\n
Lana Del Rey co-wrote and features on \"Snow on the Beach\".
\n
Ice Spice, featured on the remix to \"Karma\", is the first female rapper with whom Swift has collaborated.
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Name of song, featured performers, writers, originating album, and year released.\n
Song\nArtist(s)\nWriter(s)\nAlbum\nYear\nRef.\n
\"The 1\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"1 Step Forward, 3 Steps Back\"\nOlivia Rodrigo\nOlivia Rodrigo
Taylor Swift
Jack Antonoff\n
Sour\n2021\n[13]\n
\"22\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Afterglow\"\nTaylor Swift\nTaylor Swift
Louis Bell
Adam King Feeney\n
Lover\n2019\n[15]\n
\"The Albatross\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"The Alchemy\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"The Alcott\"\nThe National
featuring Taylor Swift\n
Matt Berninger
Aaron Dessner
Taylor Swift\n
First Two Pages of Frankenstein\n2023\n[16]\n
\"All of the Girls You Loved Before\"\nTaylor Swift\nTaylor Swift
Louis Bell
Adam King Feeney\n
Non-album promotional single[a]\n2023\n[19]\n
\"All Too Well\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"All Too Well\" (10 minute version)\nTaylor Swift\nTaylor Swift
Liz Rose\n
Red (Taylor's Version)\n2021\n[20]\n
\"All You Had to Do Was Stay\"\nTaylor Swift\nTaylor Swift
Max Martin\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"American Girl\" (cover)\nTaylor Swift\nTom Petty\nNon-album promotional single[b]\n2009\n[22]\n
\"Anti-Hero\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"The Archer\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"August\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Folklore\n2020\n[10]\n
\"Babe\"\nSugarland
featuring Taylor Swift\n
Taylor Swift
Pat Monahan\n
Bigger\n2018\n[24]\n
\"Babe\" (Taylor's Version)\nTaylor Swift\nTaylor Swift
Pat Monahan\n
Red (Taylor's Version)\n2021\n[20]\n
\"Baby\" (live cover of \"Baby, Don't You Break My Heart Slow\")\nTaylor Swift\nVonda Shepard
James Newton Howard\n
Napster Live\n2006\n[25]\n
\"Back to December\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Bad Blood\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"Bad Blood\" (remixed single version)\nTaylor Swift
featuring Kendrick Lamar
\n
Taylor Swift
Max Martin
Shellback
Kendrick Lamar\n
1989 (Taylor's Version) (Deluxe edition)\n2015 and 2023\n[28]\n
\"Beautiful Eyes\"\nTaylor Swift\nTaylor Swift \u2021\nBeautiful Eyes\n2008\n[3]\n
\"Beautiful Ghosts\"\nTaylor Swift\nTaylor Swift
Andrew Lloyd Webber\n
Cats: Highlights from the Motion Picture Soundtrack\n2019\n[29]\n
\"Begin Again\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Bein' With My Baby\"\nShea Fisher\nTaylor Swift
Brett Beavers\n
Shea\n2009\n[30]\n
\"Bejeweled\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"The Best Day\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Best Days of Your Life\"\nKellie Pickler\nKellie Pickler
Taylor Swift\n
Kellie Pickler\n2008\n[32]\n
\"Bette Davis Eyes\" (live cover)\nTaylor Swift\nDonna Weiss
Jackie DeShannon\n
Speak Now World Tour \u2013 Live\n2011\n[33]\n
\"Better Man\"\nLittle Big Town\nTaylor Swift \u2021\nThe Breaker\n2016\n[20]\n
\"Better Man\" (Taylor's Version)\nTaylor Swift\nTaylor Swift \u2021\nRed (Taylor's Version)\n2021\n
\"Better than Revenge\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Betty\"\nTaylor Swift\nTaylor Swift
William Bowery\n
Folklore\n2020\n[10]\n
\"Bigger Than the Whole Sky\"\nTaylor Swift\nTaylor Swift \u2021\nMidnights (3am Edition)\n2022\n[34]\n
\"Big Star (Live)\"\nKenny Chesney
and Taylor Swift\n
Stephony Smith\nLive in No Shoes Nation\n2017\n[35]\n
\"Birch\"\nBig Red Machine
featuring Taylor Swift\n
Aaron Dessner
Bryan Devendorf
Justin Vernon\n
How Long Do You Think It's Gonna Last?\n2021\n[36]\n
\"The Black Dog\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Blank Space\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"The Bolter\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n[37]\n
\"Both of Us\"\nB.o.B
featuring Taylor Swift\n
Bobby Ray Simmons, Jr.
Taylor Swift
Ammar Malik
Lukasz Gottwald
Henry Walter\n
Strange Clouds\n2012\n[38]\n
\"Breathe\"\nTaylor Swift
featuring Colbie Caillat
\n
Taylor Swift
Colbie Caillat\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Breathless\" (cover)\nTaylor Swift\nKevin Griffin\nHope for Haiti Now\n2010\n[39]\n
\"But Daddy I Love Him\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Bye Bye Baby\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless (Taylor's Version)\n2021\n[40]\n
\"Call It What You Want\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Reputation\n2017\n[41]\n
\"Cardigan\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Carolina\"\nTaylor Swift\nTaylor Swift \u2021\nWhere the Crawdads Sing (Original Motion Picture Soundtrack)\n2022\n[42]\n
\"Castles Crumbling\"\nTaylor Swift featuring Hayley Williams\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"Champagne Problems\"\nTaylor Swift\nTaylor Swift
William Bowery\n
Evermore\n2020\n[43]\n
\"Change\"\nTaylor Swift\nTaylor Swift \u2021\nAT&T Team USA Soundtrack,
Fearless, and Fearless (Taylor's Version)\n
2008 and 2021\n[31]\n
\"Christmas Must Be Something More\"\nTaylor Swift\nTaylor Swift \u2021\nSounds of the Season\n2007\n[44]\n
\"Christmas Tree Farm\"\nTaylor Swift\nTaylor Swift \u2021\nNon-album single\n2019 and 2021\n[45]\n
\"Christmases When You Were Mine\"\nTaylor Swift\nTaylor Swift
Liz Rose
Nathan Chapman\n
Sounds of the Season\n2007\n[44]\n
\"Clara Bow\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Clean\"\nTaylor Swift\nTaylor Swift
Imogen Heap\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"Closure\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Cold as You\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"Come Back... Be Here\"\nTaylor Swift\nTaylor Swift
Dan Wilson\n
Red
(Deluxe edition)
and Red (Taylor's Version)\n
2012 and 2021\n[14]\n
\"Come in with the Rain\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless (Platinum edition)
and Fearless (Taylor's Version)\n
2009 and 2021\n[31]\n
\"Coney Island\"\nTaylor Swift
featuring the National\n
Taylor Swift
Aaron Dessner
Bryce Dessner
William Bowery\n
Evermore\n2020\n[43]\n
\"Cornelia Street\"\nTaylor Swift\nTaylor Swift \u2021\nLover\n2019\n[15]\n
\"Cowboy like Me\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Crazier\"\nTaylor Swift\nTaylor Swift
Robert Ellis Orrall\n
Hannah Montana: The Movie\n2009\n[46]\n
\"Cruel Summer\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
St. Vincent\n
Lover\n2019\n[15]\n
\"Dancing with Our Hands Tied\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback
Oscar Holter\n
Reputation\n2017\n[41]\n
\"Daylight\"\nTaylor Swift\nTaylor Swift \u2021\nLover\n2019\n[15]\n
\"Dear John\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Dear Reader\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights (3am Edition)\n2022\n[34]\n
\"Death by a Thousand Cuts\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"Deja Vu\"\nOlivia Rodrigo\nOlivia Rodrigo
Dan Nigro
Taylor Swift
Jack Antonoff
Annie Clark\n
Sour\n2021\n[47]\n
\"Delicate\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Reputation\n2017\n[41]\n
\"Don't Blame Me\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Reputation\n2017\n[41]\n
\"Don't You\"\nTaylor Swift\nTaylor Swift
Tommy Lee James\n
Fearless (Taylor's Version)\n2021\n[40]\n
\"Dorothea\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Down Bad\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Dress\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Reputation\n2017\n[41]\n
\"Drops of Jupiter\" (live cover)\nTaylor Swift\nCharlie Colin
Rob Hotchkiss
Jimmy Stafford
Pat Monahan
Scott Underwood\n
Speak Now World Tour \u2013 Live\n2011\n[33]\n
\"Electric Touch\"\nTaylor Swift featuring Fall Out Boy\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"Enchanted\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"End Game\"\nTaylor Swift
featuring Ed Sheeran and Future
\n
Taylor Swift
Max Martin
Shellback
Ed Sheeran
Nayvadius Wilburn\n
Reputation\n2017\n[41]\n
\"Epiphany\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Evermore\"\nTaylor Swift
featuring Bon Iver\n
Taylor Swift
Justin Vernon
William Bowery\n
Evermore\n2020\n[43]\n
\"Everything Has Changed\"\nTaylor Swift
featuring Ed Sheeran
\n
Taylor Swift
Ed Sheeran\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Exile\"\nTaylor Swift
featuring Bon Iver
\n
Taylor Swift
Justin Vernon
William Bowery\n
Folklore\n2020\n[10]\n
\"Eyes Open\"\nTaylor Swift\nTaylor Swift \u2021\nThe Hunger Games[c]\n2012 and 2023\n[48]\n
\"False God\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"Fearless\"\nTaylor Swift\nTaylor Swift
Liz Rose
Hillary Lindsey\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Fifteen\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Foolish One\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"Forever & Always\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Forever Winter\"\nTaylor Swift\nTaylor Swift
Mark Foster\n
Red (Taylor's Version)\n2021\n[20]\n
\"Fresh Out the Slammer\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Gasoline\"\nHaim
and Taylor Swift\n
Danielle Haim
Este Haim
Alana Haim
Rostam Batmanglij
Ariel Rechtshaid\n
Women in Music Pt. III
(Expanded edition)\n
2021\n[49]\n
\"Getaway Car\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Reputation\n2017\n[41]\n
\"Girl at Home\"\nTaylor Swift\nTaylor Swift \u2021\nRed (Deluxe edition)
and Red (Taylor's Version)\n
2012 and 2021\n[14]\n
\"Glitch\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Mark Spears
Sam Dew\n
Midnights (3am Edition)\n2022\n[34]\n
\"Gold Rush\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Evermore\n2020\n[43]\n
\"Gorgeous\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Reputation\n2017\n[41]\n
\"The Great War\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Midnights (3am Edition)\n2022\n[34]\n
\"Guilty as Sin?\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Half of My Heart\" (album version)\nJohn Mayer
featuring Taylor Swift
\n
John Mayer\nBattle Studies\n2009\n[50]\n
\"Happiness\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Haunted\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Hey Stephen\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"High Infidelity\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Midnights (3am Edition)\n2022\n[34]\n
\"Highway Don't Care\"\nTim McGraw and Taylor Swift
featuring Keith Urban
\n
Mark Irwin
Josh Kear
Brad Warren
Brett Warren
\n
Two Lanes of Freedom\n2013\n[51]\n
\"Hits Different\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Aaron Dessner\n
Midnights (Deluxe edition)\n2022\n[52]\n
\"Hoax\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Hold On\" (live cover)\nJack Ingram
featuring Taylor Swift
\n
Blu Sanders\nRhapsody Originals[d]\n2007\n[53]\n
\"Holy Ground\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"How You Get the Girl\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"I Almost Do\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"I Bet You Think About Me\"\nTaylor Swift
featuring Chris Stapleton
\n
Taylor Swift
Lori McKenna\n
Red (Taylor's Version)\n2021\n[20]\n
\"I Can Do It with a Broken Heart\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"I Can See You\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"I Can Fix Him (No Really I Can)\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"I Did Something Bad\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Reputation\n2017\n[41]\n
\"I Don't Wanna Live Forever\"\nZayn and Taylor Swift\nTaylor Swift
Sam Dew
Jack Antonoff\n
Fifty Shades Darker: Original Motion Picture Soundtrack\n2016\n[54]\n
\"I Forgot That You Existed\"\nTaylor Swift\nTaylor Swift
Louis Bell
Adam King Feeney\n
Lover\n2019\n[15]\n
\"I Heart ?\"\nTaylor Swift\nTaylor Swift \u2021\nBeautiful Eyes\n2008\n[3]\n
\"I Knew You Were Trouble\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"I Know Places\"\nTaylor Swift\nTaylor Swift
Ryan Tedder\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"I Think He Knows\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"I Want You Back\" (live cover)\nTaylor Swift\nFreddie Perren
Deke Richards
Berry Gordy Jr.
Alphonso Mizell\n
Speak Now World Tour \u2013 Live\n2011\n[33]\n
\"I Wish You Would\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"If This Was a Movie\"\nTaylor Swift\nTaylor Swift
Martin Johnson\n
Speak Now
(Deluxe edition)
[e]\n
2010 and 2023\n[26]\n
\"Illicit Affairs\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Folklore\n2020\n[10]\n
\"I'm Only Me When I'm with You\"\nTaylor Swift\nTaylor Swift
Robert Ellis Orrall
Angelo Petraglia\n
Taylor Swift
(Deluxe edition)
\n
2007\n[2]\n
\"Innocent\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Invisible\"\nTaylor Swift\nTaylor Swift
Robert Ellis Orrall\n
Taylor Swift
(Deluxe edition)\n
2007\n[2]\n
\"Invisible String\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Is It Over Now?\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 (Taylor's Version)\n2023\n[55]\n
\"It's Nice to Have a Friend\"\nTaylor Swift\nTaylor Swift
Louis Bell
Adam King Feeney\n
Lover\n2019\n[15]\n
\"It's Time to Go\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore
(Deluxe edition)\n
2020\n[56]\n
\"Ivy\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"The Joker and the Queen\" (remixed single version)\nEd Sheeran
featuring Taylor Swift
\n
Ed Sheeran
Taylor Swift
Johnny McDaid
Fred Gibson
Sam Roman\n
= (Tour Edition)\n2022\n[57]\n
\"Jump Then Fall\"\nTaylor Swift\nTaylor Swift \u2021\nFearless (Platinum edition) and
Fearless (Taylor's Version)\n
2009 and 2021\n[31]
[58]\n
\"Karma\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Mark Spears
Jahaan Sweet
Keanu Torres\n
Midnights\n2022\n[23]\n
\"Karma\" (remixed version)\nTaylor Swift
featuring Ice Spice\n
Taylor Swift
Jack Antonoff
Mark Spears
Jahaan Sweet
Keanu Torres
Isis Gaston
Ephrem Lopez\n
Midnights (The Til Dawn Edition) and
Midnights (The Late Night Edition)\n
2023\n[59]\n
\"King of My Heart\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Reputation\n2017\n[41]\n
\"Labyrinth\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"The Lakes\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Folklore
(Deluxe edition)
\n
2020\n[10]\n
\"Last Christmas\" (cover)\nTaylor Swift\nGeorge Michael\nSounds of the Season\n2007\n[44]\n
\"The Last Great American Dynasty\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Last Kiss\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"The Last Time\"\nTaylor Swift
featuring Gary Lightbody of Snow Patrol
\n
Taylor Swift
Gary Lightbody
Jacknife Lee\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Lavender Haze\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Zo\u00eb Kravitz
Mark Spears
Jahaan Sweet
Sam Dew\n
Midnights\n2022\n[23]\n
\"Loml\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"London Boy\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Cautious Clay
Mark Spears\n
Lover\n2019\n[15]\n
\"Long Live\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Long Live\" (Brazilian remixed single version)\nTaylor Swift
featuring Paula Fernandes
\n
Taylor Swift
Paula Fernandes\n
Speak Now World Tour \u2013 Live\n2012\n[33]\n
\"Long Story Short\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Look What You Made Me Do\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Fred Fairbrass
Richard Fairbrass
Rob Manzoli[f]\n
Reputation\n2017\n[41]\n
\"Love Story\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Lover\"\nTaylor Swift\nTaylor Swift \u2021\nLover\n2019\n[15]\n
\"Lover (Remix)\"\nTaylor Swift
featuring Shawn Mendes
\n
Taylor Swift
Shawn Mendes
Scott Harris\n
Non-album single[g]\n2019\n[61]\n
\"The Lucky One\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Macavity\" (cover)\nTaylor Swift
and Idris Elba
\n
Andrew Lloyd Webber
T. S. Eliot\n
Cats: Highlights from the Motion Picture Soundtrack\n2019\n[62]\n
\"Mad Woman\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"The Man\"\nTaylor Swift\nTaylor Swift
Joel Little\n
Lover\n2019\n[15]\n
\"The Manuscript\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Marjorie\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Maroon\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"Mary's Song (Oh My My My)\"\nTaylor Swift\nTaylor Swift
Liz Rose
Brian Maher\n
Taylor Swift\n2006\n[2]\n
\"Mastermind\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"Me!\"\nTaylor Swift
featuring Brendon Urie of Panic! at the Disco
\n
Taylor Swift
Joel Little
Brendon Urie\n
Lover\n2019\n[63]\n
\"Mean\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Message in a Bottle\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Red (Taylor's Version)\n2021\n[20]\n
\"Midnight Rain\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"Mine\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Mirrorball\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Folklore\n2020\n[10]\n
\"Miss Americana & the Heartbreak Prince\"\nTaylor Swift\nTaylor Swift
Joel Little\n
Lover\n2019\n[15]\n
\"The Moment I Knew\"\nTaylor Swift\nTaylor Swift \u2021\nRed (Deluxe edition) and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Mr. Perfectly Fine\"\nTaylor Swift\nTaylor Swift \u2021\nFearless (Taylor's Version)\n2021\n[40]\n
\"My Boy Only Breaks His Favorite Toys\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"My Tears Ricochet\"\nTaylor Swift\nTaylor Swift \u2021\nFolklore\n2020\n[10]\n
\"Never Grow Up\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"New Romantics\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 (Deluxe edition) and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"New Year's Day\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Reputation\n2017\n[41]\n
\"No Body, No Crime\"\nTaylor Swift
featuring Haim\n
Taylor Swift \u2021\nEvermore\n2020\n[43]\n
\"Nothing New\"\nTaylor Swift
featuring Phoebe Bridgers
\n
Taylor Swift \u2021\nRed (Taylor's Version)\n2021\n[20]\n
\"Now That We Don't Talk\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 (Taylor's Version)\n2023\n[55]\n
\"Only the Young\"\nTaylor Swift\nTaylor Swift
Joel Little\n
Non-album promotional single\n2020\n[64]\n
\"The Other Side of the Door\"\nTaylor Swift\nTaylor Swift \u2021\nFearless (Platinum edition)
and Fearless (Taylor's Version)\n
2009 and 2021\n[31]\n
\"Our Song\"\nTaylor Swift\nTaylor Swift \u2021\nTaylor Swift\n2006\n[2]\n
\"Ours\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Deluxe edition)
and Speak Now (Taylor's Version)\n
2010 and 2023\n[26][27]\n
\"Out of the Woods\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"The Outside\"\nTaylor Swift\nTaylor Swift \u2021\nTaylor Swift\n2006\n[2]\n
\"Paper Rings\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"Paris\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights (3am Edition)\n2022\n[34]\n
\"Peace\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"A Perfectly Good Heart\"\nTaylor Swift\nTaylor Swift
Brett James
Troy Verges\n
Taylor Swift
(Deluxe edition)
\n
2007\n[2]\n
\"Picture to Burn\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"A Place in This World\"\nTaylor Swift\nTaylor Swift
Robert Ellis Orrall
Angelo Petraglia\n
Taylor Swift\n2006\n[2]\n
\"Question...?\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"...Ready for It?\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback
Ali Payami\n
Reputation\n2017\n[41]\n
\"Red\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Renegade\"\nBig Red Machine
featuring Taylor Swift\n
Aaron Dessner
Taylor Swift\n
How Long Do You Think It's Gonna Last?\n2021\n[36]\n
\"Right Where You Left Me\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore
(Deluxe edition)\n
2020\n[56]\n
\"Ronan\"\nTaylor Swift\nTaylor Swift
Maya Thompson\n
Originally a non-album charity single
Red (Taylor's Version)\n
2012 and 2021\n[65]\n
\"Run\"\nTaylor Swift
featuring Ed Sheeran
\n
Taylor Swift
Ed Sheeran\n
Red (Taylor's Version)\n2021\n[20]\n
\"Sad Beautiful Tragic\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Safe & Sound\"\nTaylor Swift
featuring the Civil Wars
\n
Taylor Swift
Joy Williams
John Paul White
T Bone Burnett\n
The Hunger Games[h]\n2011 and 2023\n[48]\n
\"Santa Baby\" (cover)\nTaylor Swift\nJoan Javits
Philip Springer
Tony Springer\n
Sounds of the Season\n2007\n[44]\n
\"Say Don't Go\"\nTaylor Swift\nTaylor Swift
Diane Warren\n
1989 (Taylor's Version)\n2023\n[55]\n
\"September\" (cover)\nTaylor Swift\nMaurice White
Al McKay
Allee Willis\n
Spotify Singles\n2018\n[66]\n
\"Seven\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Folklore\n2020\n[10]\n
\"Shake It Off\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"Should've Said No\"\nTaylor Swift\nTaylor Swift \u2021\nTaylor Swift\n2006\n[2]\n
\"Silent Night\" (cover)\nTaylor Swift\nJosef Mohr
Franz Xaver Gruber\n
Sounds of the Season\n2007\n[44]\n
\"'Slut!'\"\nTaylor Swift\nTaylor Swift
Jack Antonoff
Patrik Berger\n
1989 (Taylor's Version)\n2023\n[55]\n
\"The Smallest Man Who Ever Lived\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Snow on the Beach\"\nTaylor Swift
featuring Lana Del Rey\n
Taylor Swift
Lana Del Rey
Jack Antonoff\n
Midnights\n2022\n[23]\n
\"Snow on the Beach\" (remixed version)\nTaylor Swift
featuring Lana Del Rey\n
Taylor Swift
Lana Del Rey
Jack Antonoff\n
Midnights (The Til Dawn Edition) and
Midnights (The Late Night Edition)\n
2023\n[59]\n
\"So It Goes...\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback
Oscar G\u00f6rres\n
Reputation\n2017\n[41]\n
\"So Long, London\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Soon You'll Get Better\"\nTaylor Swift
featuring Dixie Chicks
\n
Taylor Swift
Jack Antonoff\n
Lover\n2019\n[15]\n
\"Sparks Fly\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Speak Now\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Starlight\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"State of Grace\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Stay Beautiful\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"Stay Stay Stay\"\nTaylor Swift\nTaylor Swift \u2021\nRed and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"The Story of Us\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now and Speak Now (Taylor's Version)\n2010 and 2023\n[26][27]\n
\"Style\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback
Ali Payami\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"Suburban Legends\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 (Taylor's Version)\n2023\n[55]\n
\"Superman\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Deluxe edition)
and Speak Now (Taylor's Version)\n
2010 and 2023\n[26][27]\n
\"Superstar\"\nTaylor Swift\nTaylor Swift \u2021\nFearless (Platinum edition)
and Fearless (Taylor's Version)\n
2009 and 2021\n[31]\n
\"Sweet Nothing\"\nTaylor Swift\nTaylor Swift
William Bowery\n
Midnights\n2022\n[23]\n
\"Sweeter than Fiction\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
One Chance Soundtrack
and 1989 (Taylor's Version) (Tangerine Edition)\n
2013 and 2023\n[67]\n
\"Teardrops on My Guitar\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"Tell Me Why\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"That's When\"\nTaylor Swift
featuring Keith Urban
\n
Taylor Swift
Brad Warren
Brett Warren\n
Fearless (Taylor's Version)\n2021\n[40]\n
\"This Is Me Trying\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Folklore\n2020\n[10]\n
\"This is What You Came For\"\nCalvin Harris
featuring Rihanna\n
Calvin Harris
Taylor Swift[i]\n
Non-album single\n2016\n[32]\n
\"This Is Why We Can't Have Nice Things\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Reputation\n2017\n[41]\n
\"This Love\"\nTaylor Swift\nTaylor Swift \u2021\n1989 and 1989 (Taylor's Version)\n2014 and 2022\n[21]\n
\"Tied Together with a Smile\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"Tim McGraw\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Taylor Swift\n2006\n[2]\n
\"Timeless\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"'Tis the Damn Season\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Today Was a Fairytale\"\nTaylor Swift\nTaylor Swift \u2021\nValentine's Day[j] and Fearless (Taylor's Version)\n2010 and 2021\n[58]\n
\"Tolerate It\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"The Tortured Poets Department\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Treacherous\"\nTaylor Swift\nTaylor Swift
Dan Wilson\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Two Is Better Than One\"\nBoys Like Girls
featuring Taylor Swift
\n
Martin Johnson
Taylor Swift\n
Love Drunk\n2009\n[71]\n
\"Umbrella\" (live cover)\nTaylor Swift\nChristopher \"Tricky\" Stewart
Terius \"Dream\" Nash
Thaddis Harrell
Shawn Carter\n
iTunes Live from SoHo\n2008\n[72]\n
\"Untouchable\"\nTaylor Swift\nCary Barlowe
Nathan Barlowe
Tommy Lee James
Taylor Swift[k]\n
Fearless (Platinum edition)
and Fearless (Taylor's Version)\n
2009 and 2021\n[31]\n
\"The Very First Night\"\nTaylor Swift\nTaylor Swift
Amund Bj\u00f8rklund
Espen Lind\n
Red (Taylor's Version)\n2021\n[20]\n
\"Vigilante Shit\"\nTaylor Swift\nTaylor Swift \u2021\nMidnights\n2022\n[23]\n
\"The Way I Loved You\"\nTaylor Swift\nTaylor Swift
John Rich\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"We Are Never Ever Getting Back Together\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
Red and Red (Taylor's Version)\n2012 and 2021\n[14]\n
\"Welcome to New York\"\nTaylor Swift\nTaylor Swift
Ryan Tedder\n
1989 and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"We Were Happy\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless (Taylor's Version)\n2021\n[40]\n
\"When Emma Falls in Love\"\nTaylor Swift\nTaylor Swift \u2021\nSpeak Now (Taylor's Version)\n2023\n[27]\n
\"White Christmas\" (cover)\nTaylor Swift\nIrving Berlin\nSounds of the Season\n2007\n[44]\n
\"White Horse\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"Who's Afraid of Little Old Me?\"\nTaylor Swift\nTBA\nThe Tortured Poets Department\n2024\n
\"Wildest Dreams\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 and 1989 (Taylor's Version)\n2014 and 2021\n[21]\n
\"Willow\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Evermore\n2020\n[43]\n
\"Wonderland\"\nTaylor Swift\nTaylor Swift
Max Martin
Shellback\n
1989 (Deluxe edition) and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"Would've, Could've, Should've\"\nTaylor Swift\nTaylor Swift
Aaron Dessner\n
Midnights (3am Edition)\n2022\n[34]\n
\"You All Over Me\"\nTaylor Swift
featuring Maren Morris\n
Taylor Swift
Scooter Carusoe\n
Fearless (Taylor's Version)\n2021\n[74]\n
\"You Are in Love\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
1989 (Deluxe edition) and 1989 (Taylor's Version)\n2014 and 2023\n[21]\n
\"You Belong with Me\"\nTaylor Swift\nTaylor Swift
Liz Rose\n
Fearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"You'll Always Find Your Way Back Home\"\nMiley Cyrus\nTaylor Swift
Martin Johnson\n
Hannah Montana: The Movie\n2008\n[32]\n
\"You Need to Calm Down\"\nTaylor Swift\nTaylor Swift
Joel Little\n
Lover\n2019\n[75]\n
\"You're Losing Me\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights (The Late Night Edition)\n2023\n[59][76]\n
\"You're Not Sorry\"\nTaylor Swift\nTaylor Swift \u2021\nFearless and Fearless (Taylor's Version)\n2008 and 2021\n[31]\n
\"You're on Your Own, Kid\"\nTaylor Swift\nTaylor Swift
Jack Antonoff\n
Midnights\n2022\n[23]\n
\n

Unreleased songs[edit]

\n\n\n\n\n
Contents\n
A · B · C · D · F · G · H · I · J · K · L · M · N · O · P · R · S · T · U · W · Y\n
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Name of song, featured performers, writers, originating album, and year released.\n
Song\nWriter(s)\nNotes\nRef.\n
\"A Little More Like You\"\nUn\u00adknown\n\n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from June 5, 2003, includes a mention of the song
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[77][78]\n
\"Acting like a Boy\"\nTaylor Swift
Liz Rose\n
\n\n[79]\n
\"All Night Diner\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[80]\n
\"Am I Ready for Love\"\nCelina Berman-Gray\n\n
  • Listed on Swift's website in 2002
\n
[81]\n
\"American Boy\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][82]\n
\"Angelina\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from April 20, 2004, includes a mention of the song
  • \n
  • Included on one of Swift's demo CDs from 2004
\n
[78][83][84]\n
\"Baby Blue\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Beautiful Days\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Better Off\"\nTaylor Swift
Robert Ellis Orrall\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[85]\n
\"Bother Me\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[86]\n
\"Brand New World\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][87]\n
\"Brought Up That Way\"\nTaylor Swift
Tammy Hyler\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[88]\n
\"By the Way\"\nTaylor Swift
Brett Beavers
Deric Ruttan\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[89]\n
\"Can I Go with You\"\nTaylor Swift
Greg McElrath\n
\n
  • Listed on Swift's website in 2002
\n
[81]\n
\"Check Out This View\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[90]\n
\"Closest to a Cowboy\"\nTaylor Swift
Sharon Vaughn\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[91]\n
\"Cross My Heart\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][92]\n
\"Dark Blue Tennessee\"\nTaylor Swift
Robert Ellis Orrall\n
\n
  • Produced by Orrall
  • \n
  • The song was first recorded in 2004 for one of Swift's demo CDs, and was recorded again during recording sessions for Swift's second studio album Fearless (2008)
\n
[93][94]\n
\"Diary of Me\"\nUn\u00adknown\n\n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
\n
[93]\n
\"Don't Hate Me for Loving You\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[95]\n
\"Drama Queen\"\nTaylor Swift
Martin Johnson\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Speak Now (2010) outtake
\n
[96]\n
\"Fall Back on You\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[97]\n
\"Family\"\nTaylor Swift
Max Martin
Shellback
Oscar Holter\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[98]\n
\"Fire\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"For You\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2004
  • \n
  • An alternate title of the song is \"4 U\"
\n
[78][99]\n
\"Gail's Song\"\nUn\u00adknown\n\n
  • Included on two of Swift's demo CDs from 2003 and 2004
\n
[78]\n
\"Go Slow\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2004
\n
[78]\n
\"Gracie\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[100]\n
\"Half-Way to Texas\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Heaven\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2004
\n
[78]\n
\"Her\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[101]\n
\"His Lies\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[102]\n
\"Honey Baby\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][103]\n
\"Houston Rodeo\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"I Don't Want to Lose Your Face\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2004
  • \n
  • An alternate title of the song is \"Your Face\"
\n
[78][104][105]\n
\"I Used to Fly\"\nUn\u00adknown\n\n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from June 5, 2003, includes a mention of the song
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[77][78]\n
\"I'd Lie\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Written by Swift at 16 years old for her high school talent show
  • \n
  • The song was first recorded and subsequently leaked before Swift got a record deal with Big Machine Records, and was recorded again during recording sessions for Swift's second studio album Fearless (2008)
  • \n
  • Swift performed the song multiple times in 2006 and 2007
\n
[93][94][106][107]\n
\"In the Pouring Rain\"[l]\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on two of Swift's demo CDs from 2003
\n
[78][108]\n
\"Just South of Knowing Why\"\nTaylor Swift
Robert Ellis Orrall\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[109]\n
\"Kid in the Crowd\"\nTaylor Swift\n\n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • One of Swift's diary entries from March 2003 includes lyrics of the song
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][110]\n
\"Let's Go\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Leaked in November 2018
  • \n
  • Speak Now (2010) outtake
  • \n
  • Alternatively titled \"Battle\"
\n
[94][111]\n
\"Live for the Little Things\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][112]\n
\"Long Time Going\"\nTaylor Swift
Brad Warren
Brett Warren\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[113]\n
\"Look at You like That\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[114]\n
\"Love They Haven't Thought of Yet\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[115]\n
\"Love to Lose\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[116]\n
\"Lucky You\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Written by Swift at the age of 13
  • \n
  • Swift performed the song in her 2020 documentary Miss Americana
  • \n
  • The song is the first song Swift wrote
  • \n
  • Included on two of Swift's demo CDs from 2003
\n
[78][117][118][119]\n
\"Made Up You\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[120]\n
\"Mandolin\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][121]\n
\"Mary Jo\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Matches\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[122]\n
\"Me & Britney\"\nTaylor Swift
Sharon Vaughn\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[123]\n
\"Missing You\"\nUn\u00adknown\n\n
  • Swift performed the song in 2007
\n
[107]\n
\"My Turn to Be Me\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Need\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Leaked online in 2023
  • \n
  • Lover (2019) outtake
\n
\n
\"Need You Now\"\nTaylor Swift
Robert Ellis Orrall\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[124]\n
\"Never Fade\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Never Mind\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[125][126]\n
\"None of the Above\"\nTaylor Swift
Michael Heeney\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[127]\n
\"Not One Day\"\nTaylor Swift\n\n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from June 5, 2003, includes a mention of the song
\n
[77]\n
\"One More Day\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"One-Sided Goodbye\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Perfect Have I Loved\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[128]\n
\"Permanent Marker\"\nTaylor Swift
Nicolas Brophy
Jennifer Hanson\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Swift performed the song multiple times in 2007
  • \n
  • Intended for Swift's second studio album Fearless (2008), but ultimately scrapped in favor of \"Forever & Always\"
\n
[94][107][129]\n
\"Point of View\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Pretty Words\"\nTaylor Swift
Scooter Carusoe\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[130]\n
\"Rain Song\"\nTaylor Swift
Liz Rose
Brian Maher\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[131]\n
\"Revenge\"\nUn\u00adknown\n\n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
\n
[93]\n
\"Ride On\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Same Girl\"\nUn\u00adknown\n\n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from June 5, 2003, includes a mention of the song
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[77][78]\n
\"Scream\"\nTaylor Swift
Randy Cantor
Jodi Horovitz\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[132]\n
\"Smokey Black Nights\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from May 17, 2003, includes a mention of the song
  • \n
  • The song was written on January 19, 2003
  • \n
  • Swift performed the song in her 2020 documentary Miss Americana
  • \n
  • Included on two of Swift's demo CDs from 2003
\n
[77][78][133][134]\n
\"Someone Just Told Me\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[135]\n
\"Someone Loves You\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Revealed in the deluxe edition notes for Swift's seventh studio album Lover (2019)
  • \n
  • Swift's diary entry from February 14, 2004, includes a mention of the song
  • \n
  • Intended for Swift's debut studio album Taylor Swift (2006)
  • \n
  • Included on one of Swift's demo CDs from 2004
\n
[78][94][110][136]\n
\"Spinning Around\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][137]\n
\"Stupid Boy\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[138]\n
\"Sugar\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][139]\n
\"Sweet Tea and God's Graces\"\nTaylor Swift
Liz Rose
Brian Maher\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[140]\n
\"Tell Me\"[m]\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[141]\n
\"Tennessee\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"That's Life\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Thinking 'Bout You\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[142]\n
\"Thirteen Blocks\"\nTaylor Swift
Scooter Carusoe\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[143]\n
\"This Here Guitar\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Included on one of Swift's demo CDs from 2003
\n
[78][144]\n
\"This Is Really Happening\"\nTaylor Swift
Blu Sanders\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[145]\n
\"This One's Different\"\nTaylor Swift
Matthew Jenkins\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[146]\n
\"Today\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2004
\n
[78]\n
\"Too Beautiful\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[147]\n
\"Under My Head\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[148]\n
\"Wait for Me\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
\n
[93][149]\n
\"Welcome Distraction\"\nTaylor Swift
Brad Warren
Brett Warren\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
\n
[93][150]\n
\"What Do You Say?\"\nUn\u00adknown\n\n
  • Included on Swift's demo CD from January 15, 2004
\n
[78]\n
\"What to Wear\"\nUn\u00adknown\n\n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
  • \n
  • Included on one of Swift's demo CDs from 2004
\n
[78][93]\n
\"Who I've Always Been\"\nTaylor Swift
Liz Rose
Brian Maher\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
  • \n
  • Recorded before the release of Swift's debut studio album Taylor Swift (2006)
\n
[93][151]\n
\"Wonderful Things\"\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[152]\n
\"You\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2004
\n
[78]\n
\"You Do\"\nTaylor Swift
Liz Rose\n
\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[153]\n
\"You Don't Have to Call\"[n]\nTaylor Swift\n\n
  • Registered by the American Society of Composers, Authors and Publishers (ASCAP)
\n
[154]\n
\"You Walk Away\"\nUn\u00adknown\n\n
  • Included on one of Swift's demo CDs from 2003
\n
[78]\n
\"Your Picture\"\nUn\u00adknown\n\n
  • Included on two of Swift's demo CDs from 2003 and 2004
\n
[78]\n
\n

Other songs[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Name of song, writers, and any other notes\n
Song\nWriter(s)\nNotes\nRef.\n
\"Thug Story\"\nTaylor Swift\nSwift performed this song with T-Pain for the CMT Music Awards in June 2009. This song is a parody of Swift's 2008 single \"Love Story\".\n[155]\n
\"Monologue Song (La La La)\"\nTaylor Swift\nSwift wrote a song to act as her monologue when she appeared as a host on Saturday Night Live in 2009.\n[156]\n
\"Three Sad Virgins\"\nTaylor Swift
Pete Davidson
Dan Bulla
Martin Herlihy
John Higgins
Ben Marshall
Jake Procanik\n
Swift performed a parody rap song with Pete Davidson and Please Don't Destroy on Saturday Night Live in 2021.\n[157][158]\n
\n

Notes[edit]

\n
\n
    \n
  1. ^ \"All of the Girls You Loved Before\" was made available for digital download and streaming ahead of the start of the Eras Tour as an unreleased song from Lover. Although the song was released in 2023, it features the album's official cover artwork and its release date on digital platforms is listed as August 23, 2019.[17][18]\n
  2. \n
  3. ^ Swift's cover of Tom Petty's \"American Girl\" was released as a promotional single through Rhapsody in 2009, but was not included on any of her albums.[22]\n
  4. \n
  5. ^ \"Eyes Open (Taylor's Version)\" was made available for digital download and streaming ahead of the start of the Eras Tour as an unreleased song from Red (Taylor's Version). Although the song was released in 2023, it features the album's official cover artwork and its release date on digital platforms is listed as November 12, 2021.[17][18]\n
  6. \n
  7. ^ Jack Ingram and Swift recorded a live acoustic cover of this song for his exclusive live EP for Rhapsody (now known as Napster). The original version appears on Ingram's album This Is It and features Sheryl Crow in the female role. Both Ingram and Swift were signed to Big Machine Records at the time.\n
  8. \n
  9. ^ \"If This Was a Movie (Taylor's Version)\" was made available for digital download and streaming ahead of the start of the Eras Tour as an unreleased song from Fearless (Taylor's Version). Although the song was released in 2023, it features the album's official cover artwork and its release date on digital platforms is listed as April 9, 2021.[17][18]\n
  10. \n
  11. ^ \"Look What You Made Me Do\" includes an interpolation of \"I'm Too Sexy\", written by Fred Fairbrass, Richard Fairbrass, and Rob Manzoli, performed by Right Said Fred.[60]\n
  12. \n
  13. ^ \"Lover\" (Remix) is not included on the album Lover. Mendes wrote his own parts and is only credited as a writer and as a vocalist on the remixed version.\n
  14. \n
  15. ^ \"Safe & Sound (Taylor's Version)\", featuring Joy Williams and John Paul White (former members of the Civil Wars), was made available for digital download and streaming ahead of the start of the Eras Tour as an unreleased song from Red (Taylor's Version). Although the song was released in 2023, it features the album's official cover artwork and its release date on digital platforms is listed as November 12, 2021.[17][18]\n
  16. \n
  17. ^ Swift was credited as \"Nils Sj\u00f6berg\" upon release\n
  18. \n
  19. ^ \"Today was a Fairytale\" was first released as a single from the soundtrack to the film Valentine's Day (2010), in which Swift starred.[68][69] The song was then re-released as an independent digital single in 2011.[70]\n
  20. \n
  21. ^ \"Untouchable\" is a cover of a song by American rock band Luna Halo\u2014Swift's only cover on a studio album. The band members, who wrote the original, felt Swift's adjustments to the arrangement and melody of the song were significant enough to warrant a co-writing credit for her version.[73]\n
  22. \n
  23. ^ Not to be confused with \"Sparks Fly\"\n
  24. \n
  25. ^ Not to be confused with \"Tell Me Why\"\n
  26. \n
  27. ^ Not to be confused with \"You're Not Sorry\"\n
  28. \n
\n

References[edit]

\n
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