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+{
+ "interaction_id": "9e21b13b-0196-430a-8425-7803c5c85c3b",
+ "search_results": [
+ {
+ "page_name": "The 95th Academy Awards | 2023",
+ "page_url": "https://www.oscars.org/oscars/ceremonies/2023",
+ "page_snippet": "\u00a9 2023 Academy of Motion Picture Arts and SciencesFilm Editing - Mikkel E.G. Nielsen \u00b7 Writing (Original Screenplay) - Written by Martin McDonagh ... Best Picture - Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers ... Visual Effects - Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick ... Animated Feature Film - Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey The 95th Academy Awards | 2023",
+ "page_result": "\n \n \n \n \n \n \n
\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2023 | Oscars.org | Academy of Motion Picture Arts and Sciences\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n Skip to main content\n
Best Picture - Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
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Directing - Martin McDonagh
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Film Editing - Mikkel E.G. Nielsen
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Writing (Original Screenplay) - Written by Martin McDonagh
\n
Aftersun
1 Nomination
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Living
2 Nominations
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Writing (Adapted Screenplay) - Written by Kazuo Ishiguro
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Elvis
8 Nominations
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Best Picture - Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
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Costume Design - Catherine Martin
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Sound - David Lee, Wayne Pashley, Andy Nelson and Michael Keller
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Cinematography - Mandy Walker
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Makeup and Hairstyling - Mark Coulier, Jason Baird and Aldo Signoretti
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Film Editing - Matt Villa and Jonathan Redmond
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Production Design - Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
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The Fabelmans
7 Nominations
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Music (Original Score) - John Williams
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Best Picture - Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
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Production Design - Production Design: Rick Carter; Set Decoration: Karen O'Hara
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Directing - Steven Spielberg
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Writing (Original Screenplay) - Written by Steven Spielberg & Tony Kushner
\n
Causeway
1 Nomination
\n \n
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T\u00e1r
6 Nominations
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Cinematography - Florian Hoffmeister
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Film Editing - Monika Willi
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Directing - Todd Field
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Best Picture - Todd Field, Alexandra Milchan and Scott Lambert, Producers
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Writing (Original Screenplay) - Written by Todd Field
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To Leslie
1 Nomination
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Blonde
1 Nomination
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Everything Everywhere All at Once
10 Nominations, 7 Wins
\n \n
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Costume Design - Shirley Kurata
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Music (Original Score) - Son Lux
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* Directing - Daniel Kwan and Daniel Scheinert
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* Best Picture - Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
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* Actress in a Supporting Role - Jamie Lee Curtis
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* Actor in a Supporting Role - Ke Huy Quan
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* Actress in a Leading Role - Michelle Yeoh
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* Film Editing - Paul Rogers
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* Writing (Original Screenplay) - Written by Daniel Kwan & Daniel Scheinert
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The Whale
3 Nominations, 2 Wins
\n \n
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* Makeup and Hairstyling - Adrien Morot, Judy Chin and Annemarie Bradley
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* Actor in a Leading Role - Brendan Fraser
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Black Panther: Wakanda Forever
4 Nominations, 1 Win
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Makeup and Hairstyling - Camille Friend and Joel Harlow
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Visual Effects - Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
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* Costume Design - Ruth Carter
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Le Pupille
1 Nomination
\n \n
Short Film (Live Action) - Alice Rohrwacher and Alfonso Cuar\u00f3n
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The Flying Sailor
1 Nomination
\n \n
Short Film (Animated) - Amanda Forbis and Wendy Tilby
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Ivalu
1 Nomination
\n \n
Short Film (Live Action) - Anders Walter and Rebecca Pruzan
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The Martha Mitchell Effect
1 Nomination
\n \n
Documentary Short Film - Anne Alvergue and Beth Levison
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Argentina
1 Nomination
\n \n
International Feature Film - Argentina
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Belgium
1 Nomination
\n \n
International Feature Film - Belgium
\n
The Boy, the Mole, the Fox and the Horse
1 Win, 1 Nomination
\n \n
* Short Film (Animated) - Charlie Mackesy and Matthew Freud
\n
The Sea Beast
1 Nomination
\n \n
Animated Feature Film - Chris Williams and Jed Schlanger
\n
The Red Suitcase
1 Nomination
\n \n
Short Film (Live Action) - Cyrus Neshvad
\n
The Batman
3 Nominations
\n \n
Visual Effects - Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
\n
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Makeup and Hairstyling - Naomi Donne, Mike Marino and Mike Fontaine
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Sound - Stuart Wilson, William Files, Douglas Murray and Andy Nelson
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Navalny
1 Win, 1 Nomination
\n \n
* Documentary Feature Film - Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
\n
Bardo, False Chronicle of a Handful of Truths
1 Nomination
\n \n
Cinematography - Darius Khondji
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Marcel the Shell with Shoes On
1 Nomination
\n \n
Animated Feature Film - Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
\n
Women Talking
2 Nominations, 1 Win
\n \n
Best Picture - Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
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* Writing (Adapted Screenplay) - Screenplay by Sarah Polley
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Turning Red
1 Nomination
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Animated Feature Film - Domee Shi and Lindsey Collins
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Top Gun: Maverick
5 Nominations, 1 Win
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Film Editing - Eddie Hamilton
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Visual Effects - Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
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Writing (Adapted Screenplay) - Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
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Best Picture - Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
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* Sound - Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
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Night Ride
1 Nomination
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Short Film (Live Action) - Eirik Tveiten and Gaute Lid Larssen
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Triangle of Sadness
3 Nominations
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Best Picture - Erik Hemmendorff and Philippe Bober, Producers
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Directing - Ruben \u00d6stlund
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Writing (Original Screenplay) - Written by Ruben \u00d6stlund
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Haulout
1 Nomination
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Documentary Short Film - Evgenia Arbugaeva and Maxim Arbugaev
\n
All Quiet on the Western Front
8 Nominations, 3 Wins
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Visual Effects - Frank Petzold, Viktor M\u00fcller, Markus Frank and Kamil Jafar
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Makeup and Hairstyling - Heike Merker and Linda Eisenhamerov\u00e1
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Best Picture - Malte Grunert, Producer
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Writing (Adapted Screenplay) - Screenplay - Edward Berger, Lesley Paterson & Ian Stokell
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Sound - Viktor Pr\u00e1\u0161il, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
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* Cinematography - James Friend
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* Production Design - Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
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* Music (Original Score) - Volker Bertelmann
\n
Lift Me Up
1 Nomination
\n \n
Music (Original Song) - from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
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This Is A Life
1 Nomination
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Music (Original Song) - from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
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Naatu Naatu
1 Win, 1 Nomination
\n \n
* Music (Original Song) - from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose
\n
Applause
1 Nomination
\n \n
Music (Original Song) - from Tell It like a Woman; Music and Lyric by Diane Warren
\n
Hold My Hand
1 Nomination
\n \n
Music (Original Song) - from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop
\n
Germany
1 Win, 1 Nomination
\n \n
* International Feature Film - Germany
\n
Guillermo del Toro's Pinocchio
1 Win, 1 Nomination
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* Animated Feature Film - Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
\n
Ireland
1 Nomination
\n \n
International Feature Film - Ireland
\n
Avatar: The Way of Water
4 Nominations, 1 Win
\n \n
Best Picture - James Cameron and Jon Landau, Producers
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Sound - Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
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Production Design - Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
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* Visual Effects - Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
\n
How Do You Measure a Year?
1 Nomination
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Documentary Short Film - Jay Rosenblatt
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Mrs. Harris Goes to Paris
1 Nomination
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Costume Design - Jenny Beavan
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Ice Merchants
1 Nomination
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Short Film (Animated) - Jo\u00e3o Gonzalez and Bruno Caetano
\n
Puss in Boots: The Last Wish
1 Nomination
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Animated Feature Film - Joel Crawford and Mark Swift
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Stranger at the Gate
1 Nomination
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Documentary Short Film - Joshua Seftel and Conall Jones
\n
Babylon
3 Nominations
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Music (Original Score) - Justin Hurwitz
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Costume Design - Mary Zophres
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Production Design - Production Design: Florencia Martin; Set Decoration: Anthony Carlino
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The Elephant Whisperers
1 Win, 1 Nomination
\n \n
* Documentary Short Film - Kartiki Gonsalves and Guneet Monga
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An Ostrich Told Me the World Is Fake and I Think I Believe It
1 Nomination
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Short Film (Animated) - Lachlan Pendragon
\n
All the Beauty and the Bloodshed
1 Nomination
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Documentary Feature Film - Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
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Poland
1 Nomination
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International Feature Film - Poland
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Empire of Light
1 Nomination
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Cinematography - Roger Deakins
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Fire of Love
1 Nomination
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Documentary Feature Film - Sara Dosa, Shane Boris and Ina Fichman
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My Year of Dicks
1 Nomination
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Short Film (Animated) - Sara Gunnarsd\u00f3ttir and Pamela Ribon
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All That Breathes
1 Nomination
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Documentary Feature Film - Shaunak Sen, Aman Mann and Teddy Leifer
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A House Made of Splinters
1 Nomination
\n \n
Documentary Feature Film - Simon Lereng Wilmont and Monica Hellstr\u00f6m
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An Irish Goodbye
1 Win, 1 Nomination
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* Short Film (Live Action) - Tom Berkeley and Ross White
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Glass Onion: A Knives Out Mystery
1 Nomination
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Writing (Adapted Screenplay) - Written by Rian Johnson
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+ "page_last_modified": ""
+ },
+ {
+ "page_name": "The 93rd Academy Awards | 2021",
+ "page_url": "https://www.oscars.org/oscars/ceremonies/2021",
+ "page_snippet": "for his performance in "Judas and the Black Messiah"Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan2 Nominations",
+ "page_result": "\n \n \n \n \n \n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2021 | Oscars.org | Academy of Motion Picture Arts and Sciences\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n Skip to main content\n
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan\n
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Glenn Close
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Hillbilly Elegy\n
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Olivia Colman
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The Father\n
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Amanda Seyfried
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Mank\n
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Animated Feature Film
Winner
\n
\n \n
Soul
\n
Pete Docter and Dana Murray\n
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Nominees
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Onward
\n
Dan Scanlon and Kori Rae\n
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Over the Moon
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Glen Keane, Gennie Rim and Peilin Chou\n
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A Shaun the Sheep Movie: Farmageddon
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Richard Phelan, Will Becher and Paul Kewley\n
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Wolfwalkers
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Tomm Moore, Ross Stewart, Paul Young and St\u00e9phan Roelants\n
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Cinematography
Winner
\n
\n \n
Mank
\n
Erik Messerschmidt\n
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Nominees
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Judas and the Black Messiah
\n
Sean Bobbitt\n
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News of the World
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Dariusz Wolski\n
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Nomadland
\n
Joshua James Richards\n
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The Trial of the Chicago 7
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Phedon Papamichael\n
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Costume Design
Winner
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Ma Rainey's Black Bottom
\n
Ann Roth\n
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Nominees
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Emma
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Alexandra Byrne\n
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Mank
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Trish Summerville\n
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Mulan
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Bina Daigeler\n
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Pinocchio
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Massimo Cantini Parrini\n
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Directing
Winner
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Nomadland
\n
Chlo\u00e9 Zhao\n
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Nominees
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Another Round
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Thomas Vinterberg\n
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Mank
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David Fincher\n
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Minari
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Lee Isaac Chung\n
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Promising Young Woman
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Emerald Fennell\n
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Documentary (Feature)
Winner
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My Octopus Teacher
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Pippa Ehrlich, James Reed and Craig Foster\n
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Nominees
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Collective
\n
Alexander Nanau and Bianca Oana\n
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Crip Camp
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Nicole Newnham, Jim LeBrecht and Sara Bolder\n
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The Mole Agent
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Maite Alberdi and Marcela Santib\u00e1\u00f1ez\n
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Time
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Garrett Bradley, Lauren Domino and Kellen Quinn\n
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Documentary (Short Subject)
Winner
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Colette
\n
Anthony Giacchino and Alice Doyard\n
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Nominees
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A Concerto Is a Conversation
\n
Ben Proudfoot and Kris Bowers\n
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Do Not Split
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Anders Hammer and Charlotte Cook\n
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Hunger Ward
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Skye Fitzgerald and Michael Scheuerman\n
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A Love Song for Latasha
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Sophia Nahli Allison and Janice Duncan\n
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Film Editing
Winner
\n
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Sound of Metal
\n
Mikkel E. G. Nielsen\n
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Nominees
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The Father
\n
Yorgos Lamprinos\n
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Nomadland
\n
Chlo\u00e9 Zhao\n
\n
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Promising Young Woman
\n
Fr\u00e9d\u00e9ric Thoraval\n
\n
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The Trial of the Chicago 7
\n
Alan Baumgarten\n
\n
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International Feature Film
Winner
\n
\n \n
Another Round
\n
Denmark\n
\n
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Nominees
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Better Days
\n
Hong Kong\n
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Collective
\n
Romania\n
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The Man Who Sold His Skin
\n
Tunisia\n
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Quo Vadis, Aida?
\n
Bosnia and Herzegovina\n
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Makeup and Hairstyling
Winner
\n
\n \n
Ma Rainey's Black Bottom
\n
Sergio Lopez-Rivera, Mia Neal and Jamika Wilson\n
\n
\n
Nominees
\n
\n \n
Emma
\n
Marese Langan, Laura Allen and Claudia Stolze\n
\n
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Hillbilly Elegy
\n
Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney\n
\n
\n
\n \n
Mank
\n
Gigi Williams, Kimberley Spiteri and Colleen LaBaff\n
\n
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\n \n
Pinocchio
\n
Mark Coulier, Dalia Colli and Francesco Pegoretti\n
\n
\n
Music (Original Score)
Winner
\n
\n \n
Soul
\n
Trent Reznor, Atticus Ross and Jon Batiste\n
\n
\n
Nominees
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Da 5 Bloods
\n
Terence Blanchard\n
\n
\n
\n \n
Mank
\n
Trent Reznor and Atticus Ross\n
\n
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\n \n
Minari
\n
Emile Mosseri\n
\n
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\n \n
News of the World
\n
James Newton Howard\n
\n
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Music (Original Song)
Winner
\n
\n \n
Fight For You
\n
from Judas and the Black Messiah; Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas\n
\n
\n
Nominees
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Hear My Voice
\n
from The Trial of the Chicago 7; Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite\n
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Husavik
\n
from Eurovision Song Contest: The Story of Fire Saga; Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard G\u00f6ransson\n
\n
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Io S\u00ec (Seen)
\n
from The Life Ahead (La Vita Davanti a Se); Music by Diane Warren; Lyric by Diane Warren and Laura Pausini\n
\n
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Speak Now
\n
from One Night in Miami...; Music and Lyric by Leslie Odom, Jr. and Sam Ashworth\n
\n
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Best Picture
Winner
\n
\n \n
Nomadland
\n
Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chlo\u00e9 Zhao, Producers\n
\n
\n
Nominees
\n
\n \n
The Father
\n
David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers\n
\n
\n
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Judas and the Black Messiah
\n
Shaka King, Charles D. King and Ryan Coogler, Producers\n
\n
\n
\n \n
Mank
\n
Ce\u00e1n Chaffin, Eric Roth and Douglas Urbanski, Producers\n
\n
\n
\n \n
Minari
\n
Christina Oh, Producer\n
\n
\n
\n \n
Promising Young Woman
\n
Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers\n
\n
\n
\n \n
Sound of Metal
\n
Bert Hamelinck and Sacha Ben Harroche, Producers\n
\n
\n
\n \n
The Trial of the Chicago 7
\n
Marc Platt and Stuart Besser, Producers\n
\n
\n
Production Design
Winner
\n
\n \n
Mank
\n
Production Design: Donald Graham Burt; Set Decoration: Jan Pascale\n
\n
\n
Nominees
\n
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The Father
\n
Production Design: Peter Francis; Set Decoration: Cathy Featherstone\n
\n
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Ma Rainey's Black Bottom
\n
Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton\n
\n
\n
\n \n
News of the World
\n
Production Design: David Crank; Set Decoration: Elizabeth Keenan\n
\n
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Tenet
\n
Production Design: Nathan Crowley; Set Decoration: Kathy Lucas\n
\n
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Short Film (Animated)
Winner
\n
\n \n
If Anything Happens I Love You
\n
Will McCormack and Michael Govier\n
\n
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Nominees
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Burrow
\n
Madeline Sharafian and Michael Capbarat\n
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Genius Loci
\n
Adrien M\u00e9rigeau and Amaury Ovise\n
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Opera
\n
Erick Oh\n
\n
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Yes-People
\n
G\u00edsli Darri Halld\u00f3rsson and Arnar Gunnarsson\n
\n
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Short Film (Live Action)
Winner
\n
\n \n
Two Distant Strangers
\n
Travon Free and Martin Desmond Roe\n
\n
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Nominees
\n
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Feeling Through
\n
Doug Roland and Susan Ruzenski\n
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The Letter Room
\n
Elvira Lind and Sofia Sondervan\n
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The Present
\n
Farah Nabulsi and Ossama Bawardi\n
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White Eye
\n
Tomer Shushan and Shira Hochman\n
\n
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Sound
Winner
\n
\n \n
Sound of Metal
\n
Nicolas Becker, Jaime Baksht, Michellee Couttolenc, Carlos Cort\u00e9s and Phillip Bladh\n
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Nominees
\n
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Greyhound
\n
Warren Shaw, Michael Minkler, Beau Borders and David Wyman\n
\n
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\n \n
Mank
\n
Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin\n
\n
\n
\n \n
News of the World
\n
Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett\n
\n
\n
\n \n
Soul
\n
Ren Klyce, Coya Elliott and David Parker\n
\n
\n
Visual Effects
Winner
\n
\n \n
Tenet
\n
Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher\n
\n
\n
Nominees
\n
\n \n
Love and Monsters
\n
Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox\n
\n
\n
\n \n
The Midnight Sky
\n
Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins\n
\n
\n
\n \n
Mulan
\n
Sean Faden, Anders Langlands, Seth Maury and Steve Ingram\n
\n
\n
\n \n
The One and Only Ivan
\n
Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez\n
\n
\n
Writing (Adapted Screenplay)
Winner
\n
\n \n
The Father
\n
Screenplay by Christopher Hampton and Florian Zeller\n
\n
\n
Nominees
\n
\n \n
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan
\n
Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad\n
\n
\n
\n \n
Nomadland
\n
Written for the screen by Chlo\u00e9 Zhao\n
\n
\n
\n \n
One Night in Miami...
\n
Screenplay by Kemp Powers\n
\n
\n
\n \n
The White Tiger
\n
Written for the screen by Ramin Bahrani\n
\n
\n
Writing (Original Screenplay)
Winner
\n
\n \n
Promising Young Woman
\n
Written by Emerald Fennell\n
\n
\n
Nominees
\n
\n \n
Judas and the Black Messiah
\n
Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas\n
\n
\n
\n \n
Minari
\n
Written by Lee Isaac Chung\n
\n
\n
\n \n
Sound of Metal
\n
Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance\n
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan
2 Nominations
\n \n
Actress in a Supporting Role - Maria Bakalova
\n
\n \n
Writing (Adapted Screenplay) - Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad
\n
Bosnia and Herzegovina
1 Nomination
\n \n
\n
Burrow
1 Nomination
\n \n
Short Film (Animated) - Madeline Sharafian and Michael Capbarat
\n
C
Colette
1 Win, 1 Nomination
\n \n
* Documentary (Short Subject) - Anthony Giacchino and Alice Doyard
\n
Collective
1 Nomination
\n \n
Documentary (Feature) - Alexander Nanau and Bianca Oana
\n
A Concerto Is a Conversation
1 Nomination
\n \n
Documentary (Short Subject) - Ben Proudfoot and Kris Bowers
\n
Crip Camp
1 Nomination
\n \n
Documentary (Feature) - Nicole Newnham, Jim LeBrecht and Sara Bolder
\n
D
Da 5 Bloods
1 Nomination
\n \n
Music (Original Score) - Terence Blanchard
\n
Denmark
1 Win, 1 Nomination
\n \n
* International Feature Film - Another Round
\n
Do Not Split
1 Nomination
\n \n
Documentary (Short Subject) - Anders Hammer and Charlotte Cook
\n
E
Emma
2 Nominations
\n \n
Costume Design - Alexandra Byrne
\n
\n \n
Makeup and Hairstyling - Marese Langan, Laura Allen and Claudia Stolze
\n
F
The Father
6 Nominations, 2 Wins
\n \n
* Actor in a Leading Role - Anthony Hopkins
\n
\n \n
* Writing (Adapted Screenplay) - Screenplay by Christopher Hampton and Florian Zeller
\n
\n \n
Best Picture - David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers
\n
\n \n
Actress in a Supporting Role - Olivia Colman
\n
\n \n
Production Design - Production Design: Peter Francis; Set Decoration: Cathy Featherstone
\n
\n \n
Film Editing - Yorgos Lamprinos
\n
Feeling Through
1 Nomination
\n \n
Short Film (Live Action) - Doug Roland and Susan Ruzenski
\n
Fight For You
1 Win, 1 Nomination
\n \n
* Music (Original Song) - from Judas and the Black Messiah; Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas
\n
G
Genius Loci
1 Nomination
\n \n
Short Film (Animated) - Adrien M\u00e9rigeau and Amaury Ovise
\n
Greyhound
1 Nomination
\n \n
Sound - Warren Shaw, Michael Minkler, Beau Borders and David Wyman
\n
H
Hear My Voice
1 Nomination
\n \n
Music (Original Song) - from The Trial of the Chicago 7; Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
\n
Hillbilly Elegy
2 Nominations
\n \n
Makeup and Hairstyling - Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney
\n
\n \n
Actress in a Supporting Role - Glenn Close
\n
Hong Kong
1 Nomination
\n \n
\n
Hunger Ward
1 Nomination
\n \n
Documentary (Short Subject) - Skye Fitzgerald and Michael Scheuerman
\n
Husavik
1 Nomination
\n \n
Music (Original Song) - from Eurovision Song Contest: The Story of Fire Saga; Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard G\u00f6ransson
\n
I
If Anything Happens I Love You
1 Win, 1 Nomination
\n \n
* Short Film (Animated) - Will McCormack and Michael Govier
\n
Io S\u00ec (Seen)
1 Nomination
\n \n
Music (Original Song) - from The Life Ahead (La Vita Davanti a Se); Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
\n
J
Judas and the Black Messiah
5 Nominations, 1 Win
\n \n
* Actor in a Supporting Role - Daniel Kaluuya
\n
\n \n
Actor in a Supporting Role - Lakeith Stanfield
\n
\n \n
Writing (Original Screenplay) - Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas
\n
\n \n
Cinematography - Sean Bobbitt
\n
\n \n
Best Picture - Shaka King, Charles D. King and Ryan Coogler, Producers
\n
L
The Letter Room
1 Nomination
\n \n
Short Film (Live Action) - Elvira Lind and Sofia Sondervan
\n
Love and Monsters
1 Nomination
\n \n
Visual Effects - Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox
\n
A Love Song for Latasha
1 Nomination
\n \n
Documentary (Short Subject) - Sophia Nahli Allison and Janice Duncan
\n
M
Ma Rainey's Black Bottom
5 Nominations, 2 Wins
\n \n
* Costume Design - Ann Roth
\n
\n \n
* Makeup and Hairstyling - Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
\n
\n \n
Actor in a Leading Role - Chadwick Boseman
\n
\n \n
Production Design - Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton
\n
\n \n
Actress in a Leading Role - Viola Davis
\n
Mank
10 Nominations, 2 Wins
\n \n
Actress in a Supporting Role - Amanda Seyfried
\n
\n \n
Best Picture - Ce\u00e1n Chaffin, Eric Roth and Douglas Urbanski, Producers
\n
\n \n
Directing - David Fincher
\n
\n \n
Actor in a Leading Role - Gary Oldman
\n
\n \n
Makeup and Hairstyling - Gigi Williams, Kimberley Spiteri and Colleen LaBaff
\n
\n \n
Sound - Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
\n
\n \n
Music (Original Score) - Trent Reznor and Atticus Ross
\n
\n \n
Costume Design - Trish Summerville
\n
\n \n
* Cinematography - Erik Messerschmidt
\n
\n \n
* Production Design - Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
\n
The Midnight Sky
1 Nomination
\n \n
Visual Effects - Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
\n
Minari
6 Nominations, 1 Win
\n \n
Best Picture - Christina Oh, Producer
\n
\n \n
Music (Original Score) - Emile Mosseri
\n
\n \n
Directing - Lee Isaac Chung
\n
\n \n
Actor in a Leading Role - Steven Yeun
\n
\n \n
Writing (Original Screenplay) - Written by Lee Isaac Chung
\n
\n \n
* Actress in a Supporting Role - Yuh-Jung Youn
\n
The Mole Agent
1 Nomination
\n \n
Documentary (Feature) - Maite Alberdi and Marcela Santib\u00e1\u00f1ez
\n
Mulan
2 Nominations
\n \n
Costume Design - Bina Daigeler
\n
\n \n
Visual Effects - Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
\n
My Octopus Teacher
1 Win, 1 Nomination
\n \n
* Documentary (Feature) - Pippa Ehrlich, James Reed and Craig Foster
\n
N
News of the World
4 Nominations
\n \n
Cinematography - Dariusz Wolski
\n
\n \n
Music (Original Score) - James Newton Howard
\n
\n \n
Sound - Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
\n
\n \n
Production Design - Production Design: David Crank; Set Decoration: Elizabeth Keenan
\n
Nomadland
6 Nominations, 3 Wins
\n \n
* Directing - Chlo\u00e9 Zhao
\n
\n \n
* Actress in a Leading Role - Frances McDormand
\n
\n \n
* Best Picture - Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chlo\u00e9 Zhao, Producers
\n
\n \n
Film Editing - Chlo\u00e9 Zhao
\n
\n \n
Cinematography - Joshua James Richards
\n
\n \n
Writing (Adapted Screenplay) - Written for the screen by Chlo\u00e9 Zhao
\n
O
The One and Only Ivan
1 Nomination
\n \n
Visual Effects - Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
\n
One Night in Miami...
2 Nominations
\n \n
Actor in a Supporting Role - Leslie Odom and Jr.
\n
\n \n
Writing (Adapted Screenplay) - Screenplay by Kemp Powers
\n
Onward
1 Nomination
\n \n
Animated Feature Film - Dan Scanlon and Kori Rae
\n
Opera
1 Nomination
\n \n
Short Film (Animated) - Erick Oh
\n
Over the Moon
1 Nomination
\n \n
Animated Feature Film - Glen Keane, Gennie Rim and Peilin Chou
\n
P
Pieces of a Woman
1 Nomination
\n \n
Actress in a Leading Role - Vanessa Kirby
\n
Pinocchio
2 Nominations
\n \n
Makeup and Hairstyling - Mark Coulier, Dalia Colli and Francesco Pegoretti
\n
\n \n
Costume Design - Massimo Cantini Parrini
\n
The Present
1 Nomination
\n \n
Short Film (Live Action) - Farah Nabulsi and Ossama Bawardi
\n
Promising Young Woman
5 Nominations, 1 Win
\n \n
Best Picture - Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers
\n
\n \n
Actress in a Leading Role - Carey Mulligan
\n
\n \n
Directing - Emerald Fennell
\n
\n \n
Film Editing - Fr\u00e9d\u00e9ric Thoraval
\n
\n \n
* Writing (Original Screenplay) - Written by Emerald Fennell
\n
R
Romania
1 Nomination
\n \n
\n
S
A Shaun the Sheep Movie: Farmageddon
1 Nomination
\n \n
Animated Feature Film - Richard Phelan, Will Becher and Paul Kewley
\n
Soul
3 Nominations, 2 Wins
\n \n
* Animated Feature Film - Pete Docter and Dana Murray
\n
\n \n
* Music (Original Score) - Trent Reznor, Atticus Ross and Jon Batiste
\n
\n \n
Sound - Ren Klyce, Coya Elliott and David Parker
\n
Sound of Metal
6 Nominations, 2 Wins
\n \n
Best Picture - Bert Hamelinck and Sacha Ben Harroche, Producers
\n
\n \n
Actor in a Supporting Role - Paul Raci
\n
\n \n
Actor in a Leading Role - Riz Ahmed
\n
\n \n
Writing (Original Screenplay) - Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance
\n
\n \n
* Film Editing - Mikkel E. G. Nielsen
\n
\n \n
* Sound - Nicolas Becker, Jaime Baksht, Michellee Couttolenc, Carlos Cort\u00e9s and Phillip Bladh
\n
Speak Now
1 Nomination
\n \n
Music (Original Song) - from One Night in Miami...; Music and Lyric by Leslie Odom, Jr. and Sam Ashworth
\n
T
Tenet
2 Nominations, 1 Win
\n \n
* Visual Effects - Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher
\n
\n \n
Production Design - Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
\n
Time
1 Nomination
\n \n
Documentary (Feature) - Garrett Bradley, Lauren Domino and Kellen Quinn
\n
The Trial of the Chicago 7
5 Nominations
\n \n
Film Editing - Alan Baumgarten
\n
\n \n
Best Picture - Marc Platt and Stuart Besser, Producers
\n
\n \n
Cinematography - Phedon Papamichael
\n
\n \n
Actor in a Supporting Role - Sacha Baron Cohen
\n
\n \n
Writing (Original Screenplay) - Written by Aaron Sorkin
\n
Tunisia
1 Nomination
\n \n
\n
Two Distant Strangers
1 Win, 1 Nomination
\n \n
* Short Film (Live Action) - Travon Free and Martin Desmond Roe
\n
U
The United States vs. Billie Holiday
1 Nomination
\n \n
Actress in a Leading Role - Andra Day
\n
W
White Eye
1 Nomination
\n \n
Short Film (Live Action) - Tomer Shushan and Shira Hochman
\n
The White Tiger
1 Nomination
\n \n
Writing (Adapted Screenplay) - Written for the screen by Ramin Bahrani
\n
Wolfwalkers
1 Nomination
\n \n
Animated Feature Film - Tomm Moore, Ross Stewart, Paul Young and St\u00e9phan Roelants
\n
Y
Yes-People
1 Nomination
\n \n
Short Film (Animated) - G\u00edsli Darri Halld\u00f3rsson and Arnar Gunnarsson
\n
\n \n \n \n \n \n \n
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+ "page_name": "Academy Award | Categories, Rules, History, & Facts | Britannica",
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+ "page_snippet": "Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly called Oscar.Winners are chosen from the following 24 categories: best picture, actor, actress, supporting actor, supporting actress, directing, original screenplay, adapted screenplay, cinematography, production design, editing, original score, original song, costume design, makeup and hairstyling, sound mixing, sound editing, visual effects, foreign-language film, animated feature film, animated short, live-action short, documentary feature, and documentary short. The academy also presents scientific and technical awards, special achievement awards, honorary awards, the Jean Hersholt Humanitarian Award, the Irving G. Thalberg Memorial Award (for excellence in producing), and the Gordon E. Sawyer Award (for technological contributions), although these are not necessarily awarded annually. Halle Berry accepting the Academy Award for best actress, with presenter Russell Crowe in the background, 2002.(more) Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. This is a beta feature. Please verify important information in our full article. Marie Dressler and Lionel Barrymore at the Academy Awards ceremony \u00b7 Marie Dressler and Lionel Barrymore after winning Academy Awards for best actress and actor in 1931.(more) ... Halle Berry accepting the Academy Award for best actress, with presenter Russell Crowe in the background, 2002.(more) Documentaries and short films have different eligibility requirements and are officially submitted by their producers, whereas music awards require the musical artist to file a submission form. (Read Martin Scorsese\u2019s Britannica essay on film preservation.) Only members of the Academy of Motion Picture Arts and Sciences may nominate and vote for candidates for the Oscars.",
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\n\t\t\tWhile every effort has been made to follow citation style rules, there may be some discrepancies.\n\t\t\tPlease refer to the appropriate style manual or other sources if you have any questions.\n\t\t
\n\t\t\tWhile every effort has been made to follow citation style rules, there may be some discrepancies.\n\t\t\tPlease refer to the appropriate style manual or other sources if you have any questions.\n\t\t
When the Academy of Motion Picture Arts and Sciences was founded in 1927, the awards committee was only one of several that had been formed by the new organization. The idea of presenting awards was considered but not immediately pursued. It was not until May 1928 that the academy approved the committee\u2019s suggestions to present Academy Awards of Merit in 12 categories.
Where are the Academy Awards held?
Since 2002, the Academy Awards have been held at the Dolby Theatre in Hollywood (called the Kodak Theatre prior to Kodak\u2019s filing for bankruptcy in 2012). Previous venues for the ceremony have included Grauman\u2019s Chinese Theatre on Hollywood Boulevard (1944\u201346), the Marquis Theater (1948), and the Los Angeles County Music Center (1969).
Why is the Academy Award called \u201cOscar\u201d?
The Academy Award statuette\u2019s nickname, \u201cOscar,\u201d has three possible sources. Actress Bette Davis claimed that the name derived from her observation that the backside of the statuette looked like that of her husband Harmon Oscar Nelson. Columnist Sidney Skolsky maintained that he gave the award its nickname. The name has also been attributed to academy librarian Margaret Herrick, who declared that the statuette looked like her Uncle Oscar.
How does Academy Award voting work?
Only members of the Academy of Motion Picture Arts and Sciences may nominate and vote for candidates for the Oscars. The academy is divided into various branches of film production, and the nominees in each award category are chosen by the members of the corresponding branch. The entire academy membership nominates the candidates for best picture and votes to determine the winners in most of the categories.
What is the significance of the #OscarsSoWhite hashtag?
The hashtag was first tweeted in 2015 by activist April Reign in response to the 20 acting nominations for the Academy Awards all being granted to white actors. The popularity of the hashtag has put a spotlight on the Academy of Motion Picture Arts and Sciences as well as the larger American film industry for their history of lacking racial and ethnic diversity in award recognition and representation. Learn more.
Halle Berry accepting the Academy Award for best actress, with presenter Russell Crowe in the background, 2002.
Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly called Oscar.
Chlo\u00e9 Zhao at the 93rd Academy Awards ceremony after becoming the first person of color to win the Oscar for best director, 2021.
Winners are chosen from the following 24 categories: best picture, actor, actress, supporting actor, supporting actress, directing, original screenplay, adapted screenplay, cinematography, production design, editing, original score, original song, costume design, makeup and hairstyling, sound mixing, sound editing, visual effects, foreign-language film, animated feature film, animated short, live-action short, documentary feature, and documentary short. The academy also presents scientific and technical awards, special achievement awards, honorary awards, the Jean Hersholt Humanitarian Award, the Irving G. Thalberg Memorial Award (for excellence in producing), and the Gordon E. Sawyer Award (for technological contributions), although these are not necessarily awarded annually. In August 2018 the academy announced that it was adding an annual category for \u201coutstanding achievement in popular film,\u201d to debut at the 2019 ceremony. However, following criticism and confusion, the academy decided to postpone the introduction of the new category.
To be eligible for an award in a given year, a film must be publicly exhibited for paid admission for at least one week at a commercial theatre in Los Angeles county between January 1 and midnight of December 31 of that year. Exceptions to this rule include foreign-language films, which are submitted by their country of origin and need not have been shown in the United States. Documentaries and short films have different eligibility requirements and are officially submitted by their producers, whereas music awards require the musical artist to file a submission form.
Only members of the Academy of Motion Picture Arts and Sciences may nominate and vote for candidates for the Oscars. The academy is divided into various branches of film production, and the nominees in each award category are chosen by the members of the corresponding branch; thus, writers nominate writers, directors nominate directors, and so forth. The entire academy membership nominates the candidates for best picture and votes to determine the winners in most of the categories.
Aside from bestowing international recognition and prestige, an Academy Award can play a crucial role in the success of the major winners. The best picture award, for example, can significantly increase the box office earnings of the winning film. For actors and directors, the award often results in higher salaries, increased media attention, and better film offers.
When the academy was founded in 1927, the awards committee was only one of several that had been formed by the new organization. The idea of presenting awards was considered but not immediately pursued, because the academy was preoccupied with its role in labour problems, its efforts to improve the tarnished image of the film industry, and its function as a clearinghouse for the exchange of ideas about production procedures and new technologies. It was not until May 1928 that the academy approved the committee\u2019s suggestions to present Academy Awards of Merit in 12 categories\u2014most outstanding production, most artistic or unique production, and achievement by an actor, by an actress, in dramatic directing, in comedy directing, in cinematography, in art directing, in engineering effects, in original story writing, in adaptation writing, and in title writing.
Mary Pickford posing with her best actress Oscar for Coquette (1929).
The first awards covered films that had been released between August 1, 1927, and July 31, 1928. The awards were presented on May 16, 1929, in a ceremony at the Hollywood Roosevelt Hotel. The entire membership of the academy had nominated candidates in all categories. Five boards of judges (one from each of the academy\u2019s original branches\u2014actors, writers, directors, producers, and technicians) then determined the 10 candidates with the most votes in each category and narrowed those 10 down to 3 recommendations. A central board of judges, which consisted of one member from each branch, selected the final winners.
How old are the Academy Awards?
Learn more about the Academy Awards, also known as the Oscars.
By the time of the second annual awards ceremony, on April 3, 1930 (honouring films from the second half of 1928 and from 1929), the number of categories was reduced to seven, and the two major film awards were collapsed into one, called best picture. The academy has since continued to make frequent alterations in rules, procedures, and categories. Indeed, so many changes have been made through the years that the only constant seems to be the academy\u2019s desire to remain flexible and to keep abreast of the industry\u2019s evolution. Among the most significant changes have been the decision in 1933 to alter the eligibility period for award consideration to the calendar year and the addition of the supporting actor and actress categories in 1936.
Originally the names of the award winners had been given to the press in advance with the stipulation that the information not be revealed until after the awards presentation. However, the Los Angeles Times printed the names of the 1939 winners in an early evening edition before the ceremony, draining the event of all its suspense during one of the industry\u2019s biggest years. Thus, since then, the winners\u2019 names have been a closely guarded secret until the official announcement at the awards ceremony.
A giant Oscar statue adorning the balcony of the Kodak Theatre in Hollywood, California, as final rehearsals take place for the 76th annual Academy Awards presentation on February 29, 2004.
Jennifer Aniston posing on the red carpet at the 78th Academy Awards, 2006.
The Academy Awards were first televised in the United States in 1953, and since 1969 they have been broadcast internationally. By the late 20th century, the ceremony had become a major happening, viewed by millions. Notable hosts over the years included Bob Hope, Johnny Carson, and Billy Crystal. Red-carpet interviews also became an integral part of the event, with much attention focused on the attendees\u2019 ensembles. Steeply declining viewership in the late 2010s, however, led the academy to announce several changes to the ceremony\u2019s broadcast, which included a limit of three hours, beginning in 2019, and an earlier air date, beginning in 2020.
Oscar statuettes being made by a worker at R.S. Owens, Chicago, 2008.
The design for the award statuette\u2014a knight standing on a reel of film and holding a sword\u2014is credited to Metro-Goldwyn-Mayer (MGM) art director Cedric Gibbons. Sculptor George Stanley was commissioned to create the original statuette based on Gibbons\u2019s design. For many years the statuettes were cast in bronze, with 24-karat gold plating. During World War II the statuettes were made of plaster because of metal shortages. They are now made of gold-plated britannium. The design, however, has remained unchanged, with the exception of the pedestal base, the height of which was increased in 1945. The statuette stands 13.5 inches (34.3 cm) tall and weighs 8.5 pounds (3.8 kg).
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The origins of the statuette\u2019s nickname, Oscar, have been traced to three sources. Actress Bette Davis claimed that the name derived from her observation that the backside of the statuette looked like that of her husband Harmon Oscar Nelson. Columnist Sidney Skolsky maintained that he gave the award its nickname to negate pretension. The name has also been attributed to academy librarian Margaret Herrick, who declared that the statuette looked like her Uncle Oscar. The true origin of the nickname has never been determined.
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+ "page_name": "The 95th Academy Awards | 2023",
+ "page_url": "https://www.oscars.org/oscars/ceremonies/2023",
+ "page_snippet": "\u00a9 2023 Academy of Motion Picture Arts and SciencesFilm Editing - Mikkel E.G. Nielsen \u00b7 Writing (Original Screenplay) - Written by Martin McDonagh ... Best Picture - Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers ... Visual Effects - Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick ... Animated Feature Film - Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey The 95th Academy Awards | 2023",
+ "page_result": "\n \n \n \n \n \n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2023 | Oscars.org | Academy of Motion Picture Arts and Sciences\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n Skip to main content\n
Best Picture - Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
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Directing - Martin McDonagh
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Film Editing - Mikkel E.G. Nielsen
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Writing (Original Screenplay) - Written by Martin McDonagh
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Aftersun
1 Nomination
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Living
2 Nominations
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Writing (Adapted Screenplay) - Written by Kazuo Ishiguro
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Elvis
8 Nominations
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Best Picture - Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
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Costume Design - Catherine Martin
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Sound - David Lee, Wayne Pashley, Andy Nelson and Michael Keller
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Cinematography - Mandy Walker
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Makeup and Hairstyling - Mark Coulier, Jason Baird and Aldo Signoretti
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Film Editing - Matt Villa and Jonathan Redmond
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Production Design - Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
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The Fabelmans
7 Nominations
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Music (Original Score) - John Williams
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Best Picture - Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
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Production Design - Production Design: Rick Carter; Set Decoration: Karen O'Hara
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Directing - Steven Spielberg
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Writing (Original Screenplay) - Written by Steven Spielberg & Tony Kushner
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Causeway
1 Nomination
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T\u00e1r
6 Nominations
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Cinematography - Florian Hoffmeister
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Film Editing - Monika Willi
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Directing - Todd Field
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Best Picture - Todd Field, Alexandra Milchan and Scott Lambert, Producers
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Writing (Original Screenplay) - Written by Todd Field
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To Leslie
1 Nomination
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Blonde
1 Nomination
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Everything Everywhere All at Once
10 Nominations, 7 Wins
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Costume Design - Shirley Kurata
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Music (Original Score) - Son Lux
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* Directing - Daniel Kwan and Daniel Scheinert
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* Best Picture - Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
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* Actress in a Supporting Role - Jamie Lee Curtis
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* Actor in a Supporting Role - Ke Huy Quan
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* Actress in a Leading Role - Michelle Yeoh
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* Film Editing - Paul Rogers
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* Writing (Original Screenplay) - Written by Daniel Kwan & Daniel Scheinert
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The Whale
3 Nominations, 2 Wins
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* Makeup and Hairstyling - Adrien Morot, Judy Chin and Annemarie Bradley
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* Actor in a Leading Role - Brendan Fraser
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Black Panther: Wakanda Forever
4 Nominations, 1 Win
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Makeup and Hairstyling - Camille Friend and Joel Harlow
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Visual Effects - Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
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* Costume Design - Ruth Carter
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Le Pupille
1 Nomination
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Short Film (Live Action) - Alice Rohrwacher and Alfonso Cuar\u00f3n
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The Flying Sailor
1 Nomination
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Short Film (Animated) - Amanda Forbis and Wendy Tilby
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Ivalu
1 Nomination
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Short Film (Live Action) - Anders Walter and Rebecca Pruzan
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The Martha Mitchell Effect
1 Nomination
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Documentary Short Film - Anne Alvergue and Beth Levison
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Argentina
1 Nomination
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International Feature Film - Argentina
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Belgium
1 Nomination
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International Feature Film - Belgium
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The Boy, the Mole, the Fox and the Horse
1 Win, 1 Nomination
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* Short Film (Animated) - Charlie Mackesy and Matthew Freud
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The Sea Beast
1 Nomination
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Animated Feature Film - Chris Williams and Jed Schlanger
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The Red Suitcase
1 Nomination
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Short Film (Live Action) - Cyrus Neshvad
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The Batman
3 Nominations
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Visual Effects - Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
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Makeup and Hairstyling - Naomi Donne, Mike Marino and Mike Fontaine
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Sound - Stuart Wilson, William Files, Douglas Murray and Andy Nelson
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Navalny
1 Win, 1 Nomination
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* Documentary Feature Film - Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
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Bardo, False Chronicle of a Handful of Truths
1 Nomination
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Cinematography - Darius Khondji
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Marcel the Shell with Shoes On
1 Nomination
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Animated Feature Film - Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
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Women Talking
2 Nominations, 1 Win
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Best Picture - Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
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* Writing (Adapted Screenplay) - Screenplay by Sarah Polley
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Turning Red
1 Nomination
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Animated Feature Film - Domee Shi and Lindsey Collins
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Top Gun: Maverick
5 Nominations, 1 Win
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Film Editing - Eddie Hamilton
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Visual Effects - Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
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Writing (Adapted Screenplay) - Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
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Best Picture - Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
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* Sound - Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
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Night Ride
1 Nomination
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Short Film (Live Action) - Eirik Tveiten and Gaute Lid Larssen
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Triangle of Sadness
3 Nominations
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Best Picture - Erik Hemmendorff and Philippe Bober, Producers
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Directing - Ruben \u00d6stlund
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Writing (Original Screenplay) - Written by Ruben \u00d6stlund
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Haulout
1 Nomination
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Documentary Short Film - Evgenia Arbugaeva and Maxim Arbugaev
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All Quiet on the Western Front
8 Nominations, 3 Wins
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Visual Effects - Frank Petzold, Viktor M\u00fcller, Markus Frank and Kamil Jafar
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Makeup and Hairstyling - Heike Merker and Linda Eisenhamerov\u00e1
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Best Picture - Malte Grunert, Producer
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Writing (Adapted Screenplay) - Screenplay - Edward Berger, Lesley Paterson & Ian Stokell
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Sound - Viktor Pr\u00e1\u0161il, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
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* Cinematography - James Friend
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* Production Design - Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
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* Music (Original Score) - Volker Bertelmann
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Lift Me Up
1 Nomination
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Music (Original Song) - from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
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This Is A Life
1 Nomination
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Music (Original Song) - from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
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Naatu Naatu
1 Win, 1 Nomination
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* Music (Original Song) - from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose
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Applause
1 Nomination
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Music (Original Song) - from Tell It like a Woman; Music and Lyric by Diane Warren
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Hold My Hand
1 Nomination
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Music (Original Song) - from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop
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Germany
1 Win, 1 Nomination
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* International Feature Film - Germany
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Guillermo del Toro's Pinocchio
1 Win, 1 Nomination
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* Animated Feature Film - Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
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Ireland
1 Nomination
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International Feature Film - Ireland
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Avatar: The Way of Water
4 Nominations, 1 Win
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Best Picture - James Cameron and Jon Landau, Producers
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Sound - Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
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Production Design - Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
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* Visual Effects - Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
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How Do You Measure a Year?
1 Nomination
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Documentary Short Film - Jay Rosenblatt
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Mrs. Harris Goes to Paris
1 Nomination
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Costume Design - Jenny Beavan
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Ice Merchants
1 Nomination
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Short Film (Animated) - Jo\u00e3o Gonzalez and Bruno Caetano
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Puss in Boots: The Last Wish
1 Nomination
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Animated Feature Film - Joel Crawford and Mark Swift
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Stranger at the Gate
1 Nomination
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Documentary Short Film - Joshua Seftel and Conall Jones
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Babylon
3 Nominations
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Music (Original Score) - Justin Hurwitz
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Costume Design - Mary Zophres
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Production Design - Production Design: Florencia Martin; Set Decoration: Anthony Carlino
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The Elephant Whisperers
1 Win, 1 Nomination
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* Documentary Short Film - Kartiki Gonsalves and Guneet Monga
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An Ostrich Told Me the World Is Fake and I Think I Believe It
1 Nomination
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Short Film (Animated) - Lachlan Pendragon
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All the Beauty and the Bloodshed
1 Nomination
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Documentary Feature Film - Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
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Poland
1 Nomination
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International Feature Film - Poland
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Empire of Light
1 Nomination
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Cinematography - Roger Deakins
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Fire of Love
1 Nomination
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Documentary Feature Film - Sara Dosa, Shane Boris and Ina Fichman
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My Year of Dicks
1 Nomination
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Short Film (Animated) - Sara Gunnarsd\u00f3ttir and Pamela Ribon
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All That Breathes
1 Nomination
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Documentary Feature Film - Shaunak Sen, Aman Mann and Teddy Leifer
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A House Made of Splinters
1 Nomination
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Documentary Feature Film - Simon Lereng Wilmont and Monica Hellstr\u00f6m
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An Irish Goodbye
1 Win, 1 Nomination
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* Short Film (Live Action) - Tom Berkeley and Ross White
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Glass Onion: A Knives Out Mystery
1 Nomination
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Writing (Adapted Screenplay) - Written by Rian Johnson
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+ "page_last_modified": ""
+ },
+ {
+ "page_name": "Academy Award for Best Documentary Feature Film - Wikipedia",
+ "page_url": "https://en.wikipedia.org/wiki/Academy_Award_for_Best_Documentary_Feature_Film",
+ "page_snippet": "The controversy over Hoop Dreams' exclusion was enough to have the Academy Awards begin the process to change its documentary voting system. Roger Ebert, who had declared it to be the best 1994 movie of any kind, looked into its failure to receive a nomination: "We learned, through very reliable ...They noted that Michael Moore's Roger & Me (distributed by Warner Brothers) was omitted from the nominees, although it had been highly praised by numerous critics and was ranked by many critics as one of the top ten films of the year. The controversy over Hoop Dreams' exclusion was enough to have the Academy Awards begin the process to change its documentary voting system. Roger Ebert, who had declared it to be the best 1994 movie of any kind, looked into its failure to receive a nomination: \"We learned, through very reliable sources, that the members of the committee had a system. It's 5% of the Academy.\" The awards process has also been criticized for emphasizing a documentary's subject matter over its style or quality. In 2009, Entertainment Weekly's Owen Gleiberman wrote about the documentary branch members' penchant for choosing \"movies that the selection committee deemed good because they're good for you... a kind of self-defeating aesthetic of granola documentary correctness.\" Michael Moore's Fahrenheit 9/11, at the time the highest-grossing documentary film in movie history, was ruled ineligible because Moore had opted to have it played on television prior to the 2004 election. Previously, the 1982 winner Just Another Missing Kid had already been broadcast in Canada and won that country's ACTRA award for excellence in television at the time of its nomination. In 1990, a group of 45 filmmakers filed a protest to the Academy of Motion Picture Arts and Sciences over a potential conflict of interest involving Mitchell Block. Previously, the 1982 winner Just Another Missing Kid had already been broadcast in Canada and won that country's ACTRA award for excellence in television at the time of its nomination. In 1990, a group of 45 filmmakers filed a protest to the Academy of Motion Picture Arts and Sciences over a potential conflict of interest involving Mitchell Block. They noted that Block was a member of the Documentary Steering Committee, which selects films as nominees, but he had a conflict of interest because his company Direct Cinema owned the distribution rights to three of the five films (including eventual winner Common Threads: Stories from the Quilt) selected that year as nominees for an Academy Award for Best Documentary Feature. In 2009, Entertainment Weekly's Owen Gleiberman wrote about the documentary branch members' penchant for choosing \"movies that the selection committee deemed good because they're good for you... a kind of self-defeating aesthetic of granola documentary correctness.\" In 2014, following the announcement of the shortlist of eligible feature documentary nominees, Sony Pictures Classics co-president Tom Bernard publicly criticized Academy documentary voters after they excluded SPC's Red Army from the shortlist.",
+ "page_result": "\n\n\n\nAcademy Award for Best Documentary Feature Film - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight.[1] They have since been bestowed competitively each year, with the exception of 1946.[2] Copies of every winning film (along with copies of most nominees) are held by the Academy Film Archive.[3]\n
Following the Academy's practice, films are listed below by the award year (that is, the year they were released under the Academy's rules for eligibility). In practice, due to the limited nature of documentary distribution, a film may be released in different years in different venues, sometimes years after production is complete.\n
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This section contains numerous links to pages on foreign language Wikipedias. They are shown as red links with the language codes in [small blue letters] in brackets. Click on the language code to see the page in that language.
Finalists for Best Documentary Feature are selected by the Documentary Branch based on a preliminary ballot. A second preferential ballot determines the five nominees.[11] Prior to the 78th Academy Awards, there were twelve films shortlisted. These are the additional films that were shortlisted.\n
Michael Moore's Fahrenheit 9/11, at the time the highest-grossing documentary film in movie history, was ruled ineligible because Moore had opted to have it played on television prior to the 2004 election. Previously, the 1982 winner Just Another Missing Kid had already been broadcast in Canada and won that country's ACTRA award for excellence in television at the time of its nomination.\n
In 1990, a group of 45 filmmakers filed a protest to the Academy of Motion Picture Arts and Sciences over a potential conflict of interest involving Mitchell Block. They noted that Block was a member of the Documentary Steering Committee, which selects films as nominees, but he had a conflict of interest because his company Direct Cinema owned the distribution rights to three of the five films (including eventual winner Common Threads: Stories from the Quilt)[35] selected that year as nominees for an Academy Award for Best Documentary Feature. They noted that Michael Moore's Roger & Me (distributed by Warner Brothers) was omitted from the nominees, although it had been highly praised by numerous critics and was ranked by many critics as one of the top ten films of the year.[36]\n
The controversy over Hoop Dreams' exclusion was enough to have the Academy Awards begin the process to change its documentary voting system.[37] Roger Ebert, who had declared it to be the best 1994 movie of any kind, looked into its failure to receive a nomination: \"We learned, through very reliable sources, that the members of the committee had a system. They carried little flashlights. When one gave up on a film, he waved a light on the screen. When a majority of flashlights had voted, the film was switched off. Hoop Dreams was stopped after 15 minutes.\"[38]\n
The Academy's executive director, Bruce Davis, took the unprecedented step of asking accounting firm Price Waterhouse to turn over the complete results of that year's voting, in which members of the committee had rated each of the 63 eligible documentaries on a scale of six to ten. \"What I found,\" said Davis, \"is that a small group of members gave zeros (actually low scores) to every single film except the five they wanted to see nominated. And they gave tens to those five, which completely skewed the voting. There was one film that received more scores of ten than any other, but it wasn't nominated. It also got zeros (low scores) from those few voters, and that was enough to push it to sixth place.\"[39]\n
In 2000, Arthur Cohn, the producer of the winning One Day in September boasted \"I won this without showing it in a single theater!\" Cohn had hit upon the tactic of showing his Oscar entries at invitation-only screenings, and to as few other people as possible. Oscar bylaws at the time required voters to have seen all five nominated documentaries; by limiting his audience, Cohn shrank the voting pool and improved his odds. Following protests by many documentarians, the nominating system subsequently was changed.[40]\n
Hoop Dreams director Steve James said \"With so few people looking at any given film, it only takes one to dislike a film and its chances for making the short list are diminished greatly. So they've got to do something, I think, to make the process more sane for deciding the shortlist.\"[41] Among other rule changes taking effect in 2013,[42] the Academy began requiring a documentary to have been reviewed by either The New York Times or Los Angeles Times, and be commercially released for at least one week in both of those cities. Advocating the rule change, Michael Moore said \"When people get the award for best documentary and they go on stage and thank the Academy, it's not really the Academy, is it? It's 5% of the Academy.\"[41]\n
The awards process has also been criticized for emphasizing a documentary's subject matter over its style or quality. In 2009, Entertainment Weekly's Owen Gleiberman wrote about the documentary branch members' penchant for choosing \"movies that the selection committee deemed good because they're good for you... a kind of self-defeating aesthetic of granola documentary correctness.\"[43]\n
In 2014, following the announcement of the shortlist of eligible feature documentary nominees, Sony Pictures Classics co-president Tom Bernard publicly criticized Academy documentary voters after they excluded SPC's Red Army from the shortlist. \"It's a sign of some really old people in the documentary area of the Academy. There's a lot of people who are really up in their years. It's shocking to me that that film (Red Army) didn't get in,\" Bernard said.[44] Additionally, in his reporting of the Oscar documentary shortlist exclusions that year, The Hollywood Reporter's Scott Feinberg reacted to Red Army's omission: \"...no matter which 15 titles the doc branch selected, plenty of other great ones would be left on the outside. That is the case, most egregiously, with Gabe Polsky's Red Army (Sony Classics), a masterful look at the role of sports in society and Russian-American relations\".[45] (Icarus, another documentary related to sports and Russian-American relations, later won the Oscar.)\n
In 2017, following the win of the eight-hour O.J.: Made in America in this category, the Academy announced that multi-part and limited series would be ineligible for the award in the future, even if they are not broadcast after their Oscar-qualifying release (as was O.J.: Made in America).[46]\n
Various other acclaimed documentaries have not been nominated.[47][48]\n
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Documentaries with wins or nominations in other categories[edit]
No documentary feature has yet been nominated for Best Picture, although Chang was nominated in the \"Unique and Artistic Production\" category at the 1927/28 awards.\n
At the 3rd Academy Awards, prior to the introduction of a documentary category, With Byrd at the South Pole won the award for Best Cinematography, becoming the first documentary both to be nominated for and win an Oscar.[51][52] 1952's Navajo would become the first film nominated for both Best Documentary and Best Cinematography. \n
Woodstock was the first documentary to be nominated for Best Film Editing[53] while Hoop Dreams was the second (although it was, controversially, not nominated for Best Documentary Feature).[54][55]Woodstock is also the only documentary to receive a nomination for Best Sound.[56] \n
Honeyland became the first documentary to be nominated for both Best International Feature Film and Best Documentary Feature.[57] The following year, Collective would accomplish the same double nomination.[58][59][60] Prior to this, Waltz with Bashir became the first documentary and first animated film nominated for Best International Feature Film, although it was not nominated for Best Documentary Feature.[61][62] The Danish-language animated documentary Flee was later nominated for Best International Feature, Best Documentary Feature, and Best Animated Feature, the first film to accomplish this feat.\n
^In 1942, documentary features and short subjects competed together for Best Documentary. Four special awards were bestowed among the 25 nominees.\n
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^A preliminary list of eight films were announced as nominees, but the Documentary Award Committee subsequently narrowed the field to five titles included on the final ballot. The films that did not advance were: For God and Country (United States Army Pictorial Service), Silent Village (British Ministry of Information), and We've Come a Long, Long Way (Negro Marches On, Inc.).\n
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^Terminus was originally announced as a nominee, but the nomination was rescinded after it was discovered the film had been released prior to the eligibility period.\n
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^Young Americans, produced by Robert Cohn and Alex Grasshoff, won this award on April 14, 1969. \nOn May 7, 1969, the win and nomination were rescinded after it was discovered the film had been released prior to the eligibility period. First runner-up Journey into Self was named the winner the following day.\n