{ "interaction_id": "09d72b50-ef69-48ff-948c-c52807389367", "search_results": [ { "page_name": "Ocean's Eleven (2001) - Plot - IMDb", "page_url": "https://www.imdb.com/title/tt0240772/plotsummary/", "page_snippet": "Ocean's Eleven (2001) - Plot summary, synopsis, and more...Benedict owns 3 Las Vegas casino-hotels: the Bellagio, the Mirage, and the MGM Grand. All three casinos share one vault, and Ocean plans to assemble a crew to steal the vault money. Gang is blackjack dealer Frank Catton (Bernie Mac), right-hand man Rusty Ryan (Brad Pitt). They threaten to blow up all the money unless Benedict lets them get away with half of it. Upon hearing this, Benedict calls 911 and asks for a S.W.A.T. team, but the team that responds, unbeknownst to Benedict, is the rest of Ocean's crew. (Livingston has hacked their phones and intercepts the 911 call.) Upon hearing this, Benedict calls 911 and asks for a S.W.A.T. team, but the team that responds, unbeknownst to Benedict, is the rest of Ocean's crew. (Livingston has hacked their phones and intercepts the 911 call.) Benedict complies with Rusty's demands knowing that the S.W.A.T. team is on the way. With half the \"money\" in the vault and half the \"money\" being driven away in a van, Benedict accepts his loss and focuses on catching the culprits by allowing the S.W.A.T. team to enter the vault under cover of darkness. Danny Ocean wants to score the biggest heist in history. He combines an eleven member team, including Frank Catton, Rusty Ryan and Linus Caldwell. Their target? The Bellagio, the Mirage and the MGM Grand. All casinos owned by Terry Benedict. It's not going to be easy, as they plan to get in secretly and out with $150 million.\u2014Film_Fan", "page_result": "Ocean's Eleven (2001) - Plot - IMDb
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", "page_last_modified": "" }, { "page_name": "The Ending Of Ocean's 11 Explained - Looper", "page_url": "https://www.looper.com/855346/the-ending-of-oceans-11-explained/", "page_snippet": ""Ocean's Eleven" is a thrilling heist film with a lot of moving parts. We're here to explain its ending, from the faked videos to the explosive gemstones.That's why we're here to examine all the major beats in the story and its most critical character motivations, in order to clear up any lingering questions you may have regarding the thrilling climax of this thoroughly entertaining movie. This is the ending of \"Ocean's Eleven,\" explained. Warner Bros. Pictures \u00b7 \"Ocean's Eleven\" opens with a parole hearing for Danny Ocean (George Clooney). We learn that he's been implicated in several crimes, but only ever caught for one \u2014 stealing Incan matrimonial masks. As Ocean and his crew plan out the heist in a giant replica of the vault they've had built, Basher runs in and gives them the bad news: The explosion destroyed the backup grid, which he was going to take out himself. Now, the people responsible for the power grid know its weaknesses and are fixing them, meaning his plan won't work. The crew decides to steal a device from the California Institute of Advanced Science that will send out an electromagnetic pulse powerful enough to shut down all the electricity in Vegas for about 30 seconds. And then there's Linus (Matt Damon), a pickpocket from Chicago, who will help them steal the codes to the casino's vaults. Once assembled in Reuben's house, the crew discusses the details of the heist. Warner Bros. Pictures \u00b7 Although they'll be robbing three casinos, the crew only needs access to one vault. Below the Bellagio hotel and casino is a massive vault that holds all the money for the Bellagio, the Mirage, and the MGM Grand. In 2001, a remake of the 1960 heist movie \"Ocean's Eleven\" was released. This new take on the material is directed by Steven Soderbergh and stars Hollywood mega-stars like George Clooney, Brad Pitt, Matt Damon, and Julia Roberts. It tells the story of an impossible job carried out by a huge team of criminal experts who are looking to get rich and get Danny Ocean's wife back.", "page_result": "\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n The Ending Of Ocean's 11 Explained\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n \n\n \n \n \n\n\n\n \n\n \n\n
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The Ending Of Ocean's 11 Explained
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The Ending Of Ocean's 11 Explained

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In 2001, a remake of the 1960 heist movie \"Ocean's Eleven\"\u00a0was released. This new take on the material is directed by Steven Soderbergh and stars Hollywood mega-stars like George Clooney, Brad Pitt, Matt Damon, and Julia Roberts. It tells the story of an impossible job carried out by a huge team of criminal experts who are looking to get rich and get Danny Ocean's wife back. The film proved to be so successful, it spawned two sequels and a spin-off.\u00a0

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Like most heist films, \"Ocean's Eleven\" features a crew with many colorful members and centers around a big, complicated plan with a lot of moving parts. If a single step goes wrong, everything will fall apart. While this leads to riveting entertainment, it can also get a little confusing. That's why we're here to examine all the major beats in the story\u00a0and its most critical character motivations, in order to clear up any lingering questions you may have regarding the thrilling climax of this thoroughly entertaining movie. This is the ending of \"Ocean's Eleven,\" explained.

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Danny Ocean regains his freedom

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\"Ocean's Eleven\" opens with a parole hearing for Danny Ocean (George Clooney). We learn that he's been implicated in several crimes, but only ever caught for one \u2014 stealing Incan matrimonial masks. This tells us that Danny is a careful and calculating man who makes sure his name remains as clean as possible. The authorities ask why he committed this crime, and Danny says his wife left him, which sent him into a self-destructive spiral. When asked if he'll do anything like this again, he points out that his wife already left him once and isn't likely to do so again.

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Danny is released from prison and immediately gets to work planning his next heist. He meets up with some old colleagues: Blackjack dealer Frank Catton (Bernie Mac), who's operating under an assumed identity in order to keep working, and his partner, Rusty Ryan (Brad Pitt), who's spending his nights teaching poker to teen idols like Topher Grace and Joshua Jackson.

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Before he agrees to help, Rusty needs to know why Danny wants to pull such a big job immediately after regaining his freedom. Danny tells him it's because he just lost four years of his life, and Rusty is wasting his skills teaching cards to young Hollywood. They both deserve better than this. With that, Rusty agrees, and they start to put a crew together.

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The crew comes together

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The plan is to rob three Las Vegas casinos owned by a man named Terry Benedict (Andy Garcia). In order to fund such a huge operation, the crew needs someone with disposable income. They go to Reuben Tishkoff (Elliott Gould), a very wealthy man who was forced to sell his casino to Benedict just so Benedict can tear it down and build his own monstrosity in its place. Reuben agrees to help out of a desire to punish this hated rival. Since they need drivers, they next turn to Utah residents Turk and Virgil Malloy (Scott Caan and Casey Affleck), whom they dub the Mormon Twins. They haven't had a job in so long, they're racing toy monster trucks against a real one just to keep from getting bored.\u00a0

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The crew grows swiftly from that point on. A tech guy named Livingston Dell (Eddie Jemison) who's working for the FBI and hating it jumps on board. An Englishman named Basher Tarr (Don Cheadle)\u00a0agrees to take care of their explosives. Their greaseman arrives in the form of an acrobat named Yen (Shaobo Qin). A retired con man with ulcer problems is brought in to pose as a wealthy old man. And then there's Linus (Matt Damon), a pickpocket from Chicago, who will help them steal the codes to the casino's vaults. Once assembled in Reuben's house, the crew discusses the details of the heist.

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The job's many obstacles

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Although they'll be robbing three casinos, the crew only needs access to one vault. Below the Bellagio hotel and casino is a massive vault that holds all the money for the Bellagio, the Mirage, and the MGM Grand. These are all casinos owned by the ruthless and cautious Terry Benedict. Therefore, the vault is almost impenetrable.

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Danny explains that they have to get into an area called the cages, which leads to the interior of the vault. Once this is complete, they'll need to get through a series of doors. Each door has its own six-digit code, which changes every 12 hours. The elevator that takes one down to the outer doors of the vault requires fingerprint identification and vocal authorization to operate. The shaft of said elevator is rigged with lasers, which will detect anyone trying to climb down.

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If they manage to make it to the corridor leading to the vault, they'll have to contend with two armed guards and the most complicated vault door ever conceived by man. Basically, it's impossible. However, the heist is set for the night of a big boxing event, which means there will be roughly $160 million in cash down there. For that kind of score, they're willing to brave these myriad obstacles.

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Danny reconnects with Tess

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Danny's ex-wife is a woman named Tess (Julia Roberts). As stated in the opening scene, he was so screwed up over losing her, he got caught on his last heist. We later learn that she left him because he kept his thievery a secret. She now considers him both a liar and a crook.

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Since their divorce, Tess has started dating Terry Benedict. This doesn't sit right with Danny. He surprises (or ambushes) her at dinner while she's waiting for her new beau and tells her that he can accept her moving on, but not with Terry. He doesn't like Terry one bit, and is convinced he's bad for her. She, obviously, doesn't care what he thinks. He asks if Terry makes her laugh. She retorts that he doesn't make her cry.

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Terry shows up and meets Danny for the first time. Danny makes his excuses and leaves. When Rusty discovers that Tess is with Terry (thanks to Linus following Terry and learning his schedule), he demands to know if this is the real reason Danny wants to do this job. Danny lies and says no. In actuality, of course, it is all about getting Tess back.

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The demolition

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The demolition of Reuben's old casino is slated to take place before the heist. It's a big event, inspiring the press and several citizens to turn out to watch the building crumble. Basher watches it happen on television, despite the fact that it's going on right outside his window, as he works on what appear to be enormous green gemstones. The explosion proves to be so powerful, it cuts off Vegas' electricity.

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Concerned, Basher investigates. As Ocean and his crew plan out the heist in a giant replica of the vault they've had built, Basher runs in and gives them the bad news: The explosion destroyed the backup grid, which he was going to take out himself. Now, the people responsible for the power grid know its weaknesses and are fixing them, meaning his plan won't work.

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The crew decides to steal a device from the California Institute of Advanced Science that will send out an electromagnetic pulse powerful enough to shut down all the electricity in Vegas for about 30 seconds. Yen gets injured in the process and is forced to wear a bulky bandage on his hand. This comes into play later on.

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The heist begins

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The casino red-flags Danny after his meeting with Benedict, forcing Linus to take his place at the last second. This means that eyes will be on Danny the second he steps inside. Linus poses as an agent from the Nevada Gaming Commission, who's there to find out if blackjack dealer Ramon is actually a criminal named Frank Catton. During a funny interrogation scene, Frank and Linus get in a fight, and Linus uses his pickpocketing skills to steal the codes for the vault doors.

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The Malloy boys escort a vault box with Yen hidden inside to the vault. At the same time, Saul (posing as the wealthy arms dealer Lyman Zerga) watches as his briefcase is also delivered to the vault. While he's pretending it's full of valuable green jewels, these \"gemstones\" are actually the explosives Basher was working on earlier. Frank is escorted out of the casino, and Linus is on his way to the elevator.

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Danny and Bruiser

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Danny goes to see Tess. They have a little argument, but he ends up telling her he's just there to say goodbye. He gives her a kiss on the cheek and leaves. Two of Benedict's goons are waiting for him, and swiftly take him to a back room where there are no cameras. Although Danny is told Benedict wants to talk to him, he realizes pretty quickly that Benedict will not be showing up. A large and intimidating man enters the room instead.

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The goons depart, leaving Danny alone with a big, mean, apparently unfriendly guy. After one punch, however, we learn that this man is named Bruiser (Scott L. Schwartz), and he works for Danny. They talk about how his family's doing, and Bruiser mentions his wife is pregnant again. While they talk, Danny pulls a vent from the ceiling and climbs through it. Bruiser then pretends to brutally beat Danny up while he escapes. It sounds convincing enough to fool the goons standing outside.

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Blowing up the door

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While in the elevator, Linus starts getting changed. He gets to the roof and finds Danny there waiting for him. Turns out, getting red-flagged was just a ruse. He needed Benedict to think he was being taken care of so he wouldn't suspect anything else was going on.

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As Benedict meets Tess at the boxing match, Basher sets off the EMP. This shuts down all the electricity in the city, including the laser motion detectors in the vault's elevator shaft. Linus and Danny tether themselves to the bottom of the elevator and drop down. The tethers don't quite reach the bottom, however, so they have to cut their line before the lasers come back.

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They open the doors and throw a device down the hall that knocks out the armed guards. As they zip-tie these men, Yen uses his acrobatic skills to set explosives on the inside door of the vault without actually touching the vault. His bandage snags on something, however, and he is almost blown to smithereens. Luckily, the batteries in the detonator die, and need to be replaced. This gives him just enough time to stand clear of the explosives. Once they go off, Danny and Linus enter and get to work on bagging up the cash.

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I'm the guy who's robbing you

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When the electricity comes back on, things have descended into chaos. Everyone is fighting, and folks are trying to steal gambling chips. As Tess and Benedict leave the fight, a phone starts ringing in her pocket. Not everyone had a cell phone back in 2001, so she's shocked to find one in her pocket. She answers it, and hears Rusty's voice on the other end. He asks to speak with Benedict.

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Rusty tells the casino owner that he's the guy robbing him. He explains that the vault had just over $160 million in it, and his guys have already bagged up half of it and rigged the remaining $80 million with explosives. He demands Benedict's security guards carry out the cash they've already amassed and deliver it to an unmarked van outside. If they show any sign of not adhering to his orders, he will blow up the money still left in the vault.\u00a0

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Benedict orders his manager to call the police and tell them men with explosives are trying to rob the casino. Tess meets Rusty and asks him what's going on. He tells her everything is fine, and says Danny would like her to go up to her room and watch TV.

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S.W.A.T.

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The money is delivered to the van, and a S.W.A.T. team arrives. Benedict tells Rusty that he only has one request: He wants him to run and hide. Benedict is going to send his people looking for this mysterious caller, and when they find him, they'll do far worse than any police officer could. Unfortunately, Rusty isn't listening to him. He's abandoned his phone to get ready for the next part of the plan.

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The S.W.A.T. team heads into the vault. We don't see what happens, but we hear it: The team leader starts yelling about someone being in the vault, shots are fired, and an explosion takes place. At the same time, Benedict's men chase down the white van to the airport. They shoot out the tires and approach \u2014 only to find that no one is driving it. In fact, one of the Malloy brothers is controlling it via remote. The back of the van explodes, destroying all the money.

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Except ... there was no money in the bags. They were filled with nothing but flyers. The same is true of the vault: Instead of burned cash flying all over the place, charred advertisements fill the air.

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It was staged

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As Benedict talked to Rusty, he went to his security headquarters and watched the video feed. It showed him three men in the vault, bagging up money. However, after the explosions take place, Benedict realizes a detail is missing from the footage he saw. The recorded vault lacks a Bellagio logo Benedict recently had installed. This reveals that the footage he watched was a pre-recorded video, shot in the replica vault Danny and his team built.

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When the casino manager called the police, the call went to Livingston at the hotel. The S.W.A.T. team was actually Rusty and the rest of the crew in disguise. They went into the vault, grabbed the money, and replaced it with decoys. The shouting and explosion we heard were phony \u2014 they were all part of a ploy to distract Benedict from the\u00a0actual plan. The \"S.W.A.T. team\" walked right out of the casino with all the money in the vault, and no one even batted an eye.

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Danny and Tess

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After he realizes the truth, Benedict goes to check on Danny. It's like he never left \u2014 even Bruiser is still there, apparently delivering the ordered beatdown. Benedict demands to know where the money is, but Danny pretends to have no idea what's going on. As Benedict and his men escort him out of the room, Danny asks if Benedict has been robbed. This triggers Benedict into asking him one more time where his money is.

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At the same time, Tess turns on the TV in her room. She sees a live feed of Benedict confronting Danny. Danny offers Benedict a chance to get his money back: If Benedict gives up Tess, he'll regain the stolen cash. Benedict agrees. This is all Tess needs to hear \u2014 she now sees her boyfriend for the slime he is, and walks out on him.

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Benedict gets Danny locked up for violating his parole. Three-to-six months later, Danny is released, and Rusty comes to pick him up. Tess is there too, and the couple reunites. Rusty drives them away from the prison, closely followed by Benedict's men. The heist was a success and Danny got his wife back, but Benedict isn't finished with Ocean and his crew just yet. You might understand this movie's ending, now that we've explored it beat by beat, but you'll\u00a0need to watch the sequels to find out what happens next.

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Screen Rant

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Ocean's Twelve Ending & Heist Explained

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Ocean's Twelve ends with a twist that explains the main characters' true motivations. Here's an ending breakdown for the 2004 heist film.

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Now streaming on Netflix, Ocean's Twelve ends with a chronological\u00a0twist that explains the main characters' true motivations. Steven Soderbergh's 2004 film begins\u00a0with\u00a0Terry Benedict (Andy Garcia) plotting revenge on Danny Ocean (George Clooney) and his team of thieves, who previously stole $16o million from the business mogul in Ocean's 11. The movie franchise is based on Lewis Milestone's original 1960 spy film starring \"The Rat Pack,\" otherwise known as Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop.

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In Ocean's Twelve,\u00a0Danny's team is tracked down by Benedict\u00a0and formulates a\u00a0plan to pay back their collective debts plus interest. They settle on an Amsterdam-based heist, which ultimately fails due to the secret maneuverings of a\u00a0world-class\u00a0thief known as the \"Night Fox.\" Europol Detective Isabel Lahiri (Catherine Zeta-Jones)\u00a0investigates the crimes, and warns Danny and company about the dangers of upsetting the Night Fox, the protege of a legendary thief known only as\u00a0LeMarc. Ocean's Twelve's second act begins with Danny's team\u00a0learning that the Night Fox is actually a\u00a0Frenchman named\u00a0Baron Fran\u00e7ois Toulour (Vincent Cassel), who is angry about not being properly acknowledged by his mentor as the world's best thief. So,\u00a0a jealous Toulour attempts to boost his legacy through a friendly competition with Danny. The goal: to steal the Imperial Coronation Egg at Rome's fictional\u00a0Galleria D'Arte di Roma.

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Related:\u00a0Ocean's 8's Heist and Ending Explained

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The\u00a0final act of Ocean's Twelve begins with Julia Roberts' Tess Ocean being recruited to Rome to portray none other than...\u00a0Julia Roberts. Danny's crew attempts to create a distraction, which will allow them to steal the physical egg and leave a digital replica.\u00a0After several team members are arrested, it appears that Toulour has won the competition, and so Danny and his team don't receive the money they need to pay back\u00a0Benedict. In a final twist,\u00a0Tess and Danny reveal that Toulour actually stole a replica, and that Ocean's crew actually won the competition. Here's\u00a0a complete ending breakdown for Ocean's Twelve.

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\n Night Fox's Long Con Explained\n

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In Ocean's Twelve, Toulour wants to embarrass Danny and impress his mentor, LeMarc. His long-con begins when LeMarc praises\u00a0Danny's Vegas heist (from\u00a0Ocean's Eleven) while speaking with an American colleague, but doesn't pay proper to respect to his own protege. Toulour then secretly\u00a0tips off Danny's team about a heist job in Amsterdam, which he plans to do himself, just so that he can show off. He then waits for the competition to approach him out of curiosity, which then allows him to present them with a challenge. If\u00a0Danny can somehow steal the Coronation Egg first, Toulour will cover the expenses owed to Benedict, and can guarantee the money through his friend LeMarc.

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\n Ocean's Twelve's Real Egg Heist Explained\n

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Danny's long-con begins\u00a0six days before the Rome museum heist. In Paris, he and Rusty Ryan (Brad Pitt) meet with the mysterious LeMarc, who tips them off about Toulour's plans. So, for nearly a full week, the Ocean's crew is\u00a0already one step ahead of the competition. LeMarc informs them that the real egg will be carried on a back pack leaving Gare du Nord station en route to Rome.\u00a0Ocean's team then boards the train and creates a distraction, which allows Linus Caldwell (Matt Damon) to steal the\u00a0egg among all the confusion and chaos by switching the backpacks.

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Midway through Ocean's Twelve, Isabel\u00a0reveals that LeMarc stole the Coronation Egg in 1980, which is significant because approximately two dozen attempts had failed. However, LeMarc's wife essentially made him\u00a0return\u00a0the loot. So, in Ocean's Twelve, the real egg is stolen to make up for a past mistake, all the while allowing LeMarc to collaborate with arguably the premiere thief in the world, Danny. In the process, LeMarc establishes the Night Fox as the actual\u00a0mark, a man who needs to have his ego checked. By the end of the film, the power dynamics are clear. LeMarc is the true master, Danny is the modern master, and LeMarc's reputation is damaged but not entirely destroyed.

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Related:\u00a0Ocean's 8: ALL of the Cameos You Missed

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\n Why The Fake Faberge Egg Was Stolen\n

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Danny's team knows that Toulour will be surveilling them constantly, so they follow through with \"a very elaborate show,\" at the request of LeMarc. They also need to confuse Isabel and somehow thwart her plans to arrest them. So, the\u00a0team initially plans to use a hologram egg replica, and their contrived performance\u00a0becomes even more absurd when Tess is asked to impersonate Julia Roberts. When the plan seemingly goes wrong and Isabel steps in to make her big arrest, it's revealed that the FBI agent in charge is actually Linus' mother, Molly (Cherry Jones).

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At Toulour's villa, he boasts about stealing the egg days before it went on display. He first scaled the museum and went unseen by Danny's bickering recon team, and then managed to avoid a laser field thanks to his athleticism. So, all the Night Fox needed to\u00a0do was focus on surveilling Danny's crew to make sure noting odd happened. The irony is that plenty of bizarre occurrences took place, but everything looked normal in terms of what Danny and company were hoping to accomplish.

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\n LeMarc's Real Identity\n

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LeMarc is revealed to be Isabel's\u00a0father, portrayed by the late Albert Finney. Earlier in the film, Danny questions Rusty about why he's been talking to Isabel, a detective, and learns that her father was a thief. According to Rusty, the man\u00a0got \"popped\" the day before his daughter's ninth birthday, and later died in jail.\u00a0As an adult, Isabel ironically becomes\u00a0a LeMarc expert, perhaps because she wanted to better understand the mindset of her father that she never really knew. By the end of Ocean's Twelve, Isabel learns the truth after meeting LeMarc, her long-lost father, face to face.

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\n How Danny Ocean & His Crew Beat Night Fox\n

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Danny Ocean and company beat the Night Fox in Ocean's Twelve by taking advantage of his egocentric behavior. Even before their Italian villa meeting, Danny is\u00a0already one step ahead after being tipped off by\u00a0LeMarc. From there, the Ocean's crew\u00a0just needs to\u00a0maintain appearances and go along with the show. Since Toulour already believes that he has won, he pranks Danny's team and watches them stumble along, or so it seems. From beginning to end,\u00a0the Night Fox lets personal pride affect his decisions. In collaboration with Danny's crew, LeMarc teaches his protege a proverbial and valuable lesson by reminding him that pride comes before the fall.

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More:\u00a0Ocean's 14 Updates: Will A Proper Sequel Ever Happen?

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I'm looking for a movie from about the early 2000s or late '90s. The only real part I remember is in relation to a robbery. The robbery I believe was in Venice (as can be deduced from below), the robbers wish to gain access to the house which has laser or some light beam security. They cannot redirect the beam because the angle they have through the window misses the target. They end up bypassing it by raising the building by putting airbags under the foundation columns which are under water (hence Venice) which gives them the correct angle to bypass the security. I cannot remember where this occurs within the movie, i.e. weather it is stretched across the whole movie or just the opening scene. I do think the movie is about robbery, like the Italian Job or Entrapment.

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\n asked Feb 24, 2014 at 2:03\n
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I am 99% sure that the movie you are describing is Oceans 12 with George Clooney, Brad Pitt et al. You've almost perfectly described their attempted robbery of a building where they need to raise the building to fire something through a window to disable security.

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This is their first attempt to raise the cash to pay off Terry Benedict, and occurs early in the movie.

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Oh, and the building is in Amsterdam ... but since that is a city with a large network of canals, this is not inconsistent with your description.

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\n answered Feb 24, 2014 at 2:51\n
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    \n \n That's it, Thanks. I never even thought of Oceans, I own a copy and everything.\n \n
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Easily miscontrued as The Italian Job, where they stole a safe by cutting a hole in the floor and having it land in a boat. That movie did take place in Venice, so you may have combined a few facts about the two movies in your mind. But, as iandotkelly pointed out, it was most likely Oceans 12.

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\n answered Feb 24, 2014 at 13:48\n
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\n\n \n \n\n \n \n\n\n \n\n \n \n \n \n \n \n\n\n \n \n \n", "page_last_modified": "" }, { "page_name": "The Ocean\u2019s Effect: How the 2001 Film Changed the Heist Movie ...", "page_url": "https://www.vulture.com/2019/01/oceans-eleven-effect-heist-movies.html", "page_snippet": "A rash of heist movies followed that lifted the Ocean\u2019s-y setup (stars making sarcastic quips as they pulled off a low-stakes heist) followed. There\u2019s 2004\u2019s The Perfect Score, which follows pre-Marvel Scarlett Johansson and Chris Evans attempting to steal SAT answers. The Italian Job and Going in Style also looked to the heist history for remake fodder. Now You See Me kept the Vegas and added magic tricks \u2014 sorry, illusions. Mad Money ...A rash of heist movies followed that lifted the Ocean\u2019s-y setup (stars making sarcastic quips as they pulled off a low-stakes heist) followed. There\u2019s 2004\u2019s The Perfect Score, which follows pre-Marvel Scarlett Johansson and Chris Evans attempting to steal SAT answers. The Italian Job and Going in Style also looked to the heist history for remake fodder. Now You See Me kept the Vegas and added magic tricks \u2014 sorry, illusions. Mad Money had the unlikely grouping of Diane Keaton, Katie Holmes, and Queen Latifah ripping off the federal reserve. A look at the Steven Soderbergh movie\u2019s enduring influence. The Steven Soderbergh film Ocean\u2019s Eleven saved the heist genre, but also changed it for a generation. We look at how the 2001 remake inspired the past two decades of heist movies. Mad Money had the unlikely grouping of Diane Keaton, Katie Holmes, and Queen Latifah ripping off the federal reserve. Tower Heist even brought in Ted Griffin himself as one of its writers. Marvel got in on the action and made a heist the centerpiece of Ant-Man. Edgar Wright\u2019s Baby Driver set itself apart with some stellar direction and pop scoring, but it was a movie that audiences were largely primed for due to the Ocean\u2019s trilogy.", "page_result": " \n\n \n \n \n \n \n \n The Ocean\u2019s 11 Effect: How the Movie Changed the Heist Genre\n\n\n\n\n\n\n\n \n\n \n\n \n\n\n \n\n\n\n \n\n \n\n\n\n \n\n \n \n\n \n\n\n\n\n \n \n \n\n\n\n \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n \n \n \n \n \n\n \n\n \n \n\n\n \n\n\n\n \n \n \n \n \n \n \n
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The Ocean\u2019s Effect: How the 2001 Film Changed the Heist Movie For a Generation

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There\u2019s always going to be something compelling about a crew pulling off an elaborate theft onscreen. Heist movies have suspense, stakes, and conflict baked into the structure. It\u2019s why the format has survived and thrived well into the 21st century. (This weekend, in fact, sees the release of King of Thieves).

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But it wasn\u2019t easy: Over the last two decades, studio output evolved, homogenized, and pushed mid-market adult fare like crime and romance toward extinction. Yet the heist movie lasted for a variety of reasons, not least of all the fact that the template itself is alluring. In the movies, the characters pulling off these daring acts of grand theft aren\u2019t just gimme-your-wallet punks, but something more elevated. They have a clear goal, often one with a higher significance. They\u2019re problem solvers, usually smarter than the audiences they\u2019re daring to keep up. In short, characters in a heist movie are figures audiences can admire on the screen.

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And perhaps the biggest reason the heist film has continued to endure to this day has to do with a 2001 film called Ocean\u2019s Eleven, which represented everything that\u2019s good about the form.

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Written by Ted Griffin and directed by Steven Soderbergh, the Ocean\u2019s Eleven remake was cool, fun, energetic, and had more stars than could reasonably fit on a poster. And in December of 2001, it was a massive hit, making $450 million worldwide and cracking the top ten domestic earners for the year, just ahead of Jurassic Park III. The ripple effect caused by the movie\u2019s success is undeniable; it went on to include much more than the two direct sequels and 2018\u2019s all-female side-quel, Ocean\u2019s Eight. In the eyes of the studios, Ocean\u2019s Eleven became the template for what a marketable and bankable heist movie should look like in the 21st century. But in the nearly 17 years since, that model has barely been updated.

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To understand what made Ocean\u2019s so special at the time, it\u2019s worth examining the state of the genre at the time of its release. With the crime-movie boom of the early \u201990s, brought on largely by the rise of Tarantino and the one-two punch of Goodfellas and Casino from Scorsese, crooks and thieves were in vogue. Out of that came a string of pulpy, populist masterpieces, like L.A. Confidential, Fargo, and Michael Mann\u2019s heist opera, Heat. The worldviews were bleak and violent, but an adherence to gritty realism allowed the stories to become about something more than cops and robbers.

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By the turn of the century, however, the cinematic crime wave was slowing down, and heist movies went with it. Movies like Donnie Brasco, The Big Hit, and the Stallone-starring Get Carter remake came and went without much notice. Most tellingly, Tarantino\u2019s 1997 effort, the underrated Jackie Brown, did less than half the business of Pulp Fiction in the States. As for the heist, the news wasn\u2019t much better; a David Mamet movie that was called Heist couldn\u2019t break even at the box office. Things didn\u2019t look great.

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Then Danny Ocean got out of prison.

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Soderbergh\u2019s Ocean\u2019s recaptured some of the Leonard verve from his previous Out of Sight and the same reverence for New Hollywood cool of the late \u201960s and early \u201970s, but it felt entirely fresh in 2001. The daring plan to rob three casinos at once is certainly dangerous, but Danny Ocean (Clooney) never really sweats it. His eyes are on recapturing the heart of his wife, played by Julia Roberts. More than anything Ocean\u2019s Eleven is a joy. These characters are likable and like each other. They seem to have fun doing their job. The same could be said for the actors onscreen.

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And the studios paid attention. Eleven\u2019s success coincided with a sea change in studio filmmaking. It hit theaters on December 7, 2001, less than a month after the first Harry Potter film and 12 days before Lord of the Rings: The Fellowship of the Ring. X-Men, the year before, and Spider-Man, the year after, form the foundation of what would become a full-on superhero wave by the end of the decade. The kinds of movies being put out by these major corporations were becoming less varied, and adult-focused fare, like crime films and rom-coms, was about to become more scarce.

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But Ocean\u2019s defied the calculations of studios that were starting to value intellectual property and brand awareness above all. Sure, there was the original Rat Pack film, but Ocean\u2019s wasn\u2019t a smash because of people\u2019s fond memories of Frank, Dean, and Sammy. It was that alchemical mix of genuine stars, confident filmmaking, and the ability to dazzle.

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What followed was a generation of movies looking to replicate its tone, with mixed success. A rash of heist movies followed that lifted the Ocean\u2019s-y setup (stars making sarcastic quips as they pulled off a low-stakes heist) followed. There\u2019s 2004\u2019s The Perfect Score, which follows pre-Marvel Scarlett Johansson and Chris Evans attempting to steal SAT answers. The Italian Job and Going in Style also looked to the heist history for remake fodder. Now You See Me kept the Vegas and added magic tricks \u2014 sorry, illusions. Mad Money had the unlikely grouping of Diane Keaton, Katie Holmes, and Queen Latifah ripping off the federal reserve. Tower Heist even brought in Ted Griffin himself as one of its writers. Marvel got in on the action and made a heist the centerpiece of Ant-Man. Edgar Wright\u2019s Baby Driver set itself apart with some stellar direction and pop scoring, but it was a movie that audiences were largely primed for due to the Ocean\u2019s trilogy.

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None of this is to say that these movies are bad or rote rip-offs by virtue of their riding Ocean\u2019s wake. But the trend points to an unmistakable shift: the industry deciding that a heist movie must conform to a certain tone. Unlike the violent crime films of the \u201990s, this crop was light, nonviolent, and jokey \u2014 material designed to find a home in all four quadrants. And as studios pumped out more and more of them, the genre by and large grew stale. Ironically, the Ocean\u2019s effect eventually came to claim the Ocean\u2019s franchise itself: By the time Warner Bros. rebooted the series with Ocean\u2019s Eight, audiences and critics seemed to have had enough. Though the film, receiving lukewarm reviews, made a respectable $140 million at the U.S. box office, the total marked a low for the series, once adjusted for inflation. (That figure, however, isn\u2019t adjusted for misogyny, which was undoubtedly a factor.)

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So what happened? The Sandra Bullock\u2013led side-quel had a killer cast, Soderbergh on as producer, and his good friend Gary Ross directing. It\u2019s fun, the performances are strong, everybody seems to get along. Rihanna plays a hacker named Nine Ball!

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The movie also completely lacked stakes. Never once does it feel like everything could go badly and that these people\u2019s lives would effectively be over. At least Eleven had Andy Garcia\u2019s Terry Benedict. The crew in Eight are just trying to rip off Cartier. The closest thing to an antagonist is played by human teddy bear James Corden. Ross\u2019s direction doesn\u2019t bring any style to it that wasn\u2019t already there in Eleven, 17 years earlier. The whole thing came off as a soulless re-creation of past successes with no desire to innovate or differentiate itself.

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While light capers became the dominant form of studio heist movies, a few grimmer yarns sneaked through elsewhere. Inside Man was a massive commercial hit for Spike Lee. People started to take Ben Affleck seriously again after The Town. And Hell or High Water notched four Oscar nods. Each of these movies has its own merits, but their accolades feel at least in part indebted to the fact that they went against the popular strain. Had they been released a generation ago, they may have been viewed as just another solid action flick, but nothing to call home (or the Academy) about.

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And then came Widows. The Steve McQueen\u2013directed BBC mini-series remake he wrote with Gillian Flynn won over critics, but flopped with audiences in such an extreme fashion that it\u2019s actually head-scratching. Here was a movie with an acting lineup so strong that to call it \u201cstar-studded\u201d seems weak. Widows is ambitious in its view of a modern Chicago \u2014 possibly overreaching at points \u2014 but its twists and design are meant for the mainstream. In theory, it\u2019s exactly the kind of movie that should\u2019ve re-reinvigorated the heist movie, breaking the mundanity of Ocean-ism circa 2018. Except it didn\u2019t.

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The financial disappointment of a movie can be picked apart infinitely, but in this case, a lot it seemed to come down to marketing \u2014 namely, the struggle to understand how to sell a heist movie with a social conscience from an Oscar-winning filmmaker. Or perhaps both audiences and studios simply forgot what a heist movie can be \u2014 that it isn\u2019t defined by a specific tone or style. When big-screen thefts have all been fun and games for nearly 20 years, the dire economic inequality of Chicago doesn\u2019t easily fit into that equation. A night at the Bellagio this wasn\u2019t.

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Ocean\u2019s happened to hit at the exact right time to convince the industry that the heist movie could still be profitable \u2014 and the wrongheaded notion that only heist movies like it could succeed. Of course, the genre is much too rich to be hemmed in by any one template, and it\u2019ll certainly outlive the trends of the day. Heist movies can be hilarious, depressing, gritty, light, anxiety-inducing, sexy, or none of the above. The only thing they really need is a crew, a job, and a plan.

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