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Some fortnight after this Madame Merle drove up in a hansom cab to
the house in Winchester Square. As she descended from her vehicle she
observed, suspended between the dining-room windows, a large, neat,
wooden tablet, on whose fresh black ground were inscribed in white paint
the words--"This noble freehold mansion to be sold"; with the name of
the agent to whom application should be made. "They certainly lose no
time," said the visitor as, after sounding the big brass knocker, she
waited to be admitted; "it's a practical country!" And within the house,
as she ascended to the drawing-room, she perceived numerous signs of
abdication; pictures removed from the walls and placed upon sofas,
windows undraped and floors laid bare. Mrs. Touchett presently received
her and intimated in a few words that condolences might be taken for
granted.
"I know what you're going to say--he was a very good man. But I know it
better than any one, because I gave him more chance to show it. In that
I think I was a good wife." Mrs. Touchett added that at the end her
husband apparently recognised this fact. "He has treated me most
liberally," she said; "I won't say more liberally than I expected,
because I didn't expect. You know that as a general thing I don't
expect. But he chose, I presume, to recognise the fact that though I
lived much abroad and mingled--you may say freely--in foreign life, I
never exhibited the smallest preference for any one else."
"For any one but yourself," Madame Merle mentally observed; but the
reflexion was perfectly inaudible.
"I never sacrificed my husband to another," Mrs. Touchett continued with
her stout curtness.
"Oh no," thought Madame Merle; "you never did anything for another!"
There was a certain cynicism in these mute comments which demands an
explanation; the more so as they are not in accord either with the
view--somewhat superficial perhaps--that we have hitherto enjoyed of
Madame Merle's character or with the literal facts of Mrs. Touchett's
history; the more so, too, as Madame Merle had a well-founded conviction
that her friend's last remark was not in the least to be construed as a
side-thrust at herself. The truth is that the moment she had crossed the
threshold she received an impression that Mr. Touchett's death had had
subtle consequences and that these consequences had been profitable to
a little circle of persons among whom she was not numbered. Of course
it was an event which would naturally have consequences; her imagination
had more than once rested upon this fact during her stay at Gardencourt.
But it had been one thing to foresee such a matter mentally and another
to stand among its massive records. The idea of a distribution of
property--she would almost have said of spoils--just now pressed upon
her senses and irritated her with a sense of exclusion. I am far from
wishing to picture her as one of the hungry mouths or envious hearts of
the general herd, but we have already learned of her having desires
that had never been satisfied. If she had been questioned, she would
of course have admitted--with a fine proud smile--that she had not the
faintest claim to a share in Mr. Touchett's relics. "There was never
anything in the world between us," she would have said. "There was never
that, poor man!"--with a fillip of her thumb and her third finger. I
hasten to add, moreover, that if she couldn't at the present moment keep
from quite perversely yearning she was careful not to betray herself.
She had after all as much sympathy for Mrs. Touchett's gains as for her
losses.
"He has left me this house," the newly-made widow said; "but of course
I shall not live in it; I've a much better one in Florence. The will
was opened only three days since, but I've already offered the house for
sale. I've also a share in the bank; but I don't yet understand if I'm
obliged to leave it there. If not I shall certainly take it out. Ralph,
of course, has Gardencourt; but I'm not sure that he'll have means to
keep up the place. He's naturally left very well off, but his father has
given away an immense deal of money; there are bequests to a string of
third cousins in Vermont. Ralph, however, is very fond of Gardencourt
and would be quite capable of living there--in summer--with a
maid-of-all-work and a gardener's boy. There's one remarkable clause
in my husband's will," Mrs. Touchett added. "He has left my niece a
fortune."
"A fortune!" Madame Merle softly repeated.
"Isabel steps into something like seventy thousand pounds." Madame
Merle's hands were clasped in her lap; at this she raised them, still
clasped, and held them a moment against her bosom while her eyes, a
little dilated, fixed themselves on those of her friend. "Ah," she
cried, "the clever creature!"
Mrs. Touchett gave her a quick look. "What do you mean by that?"
For an instant Madame Merle's colour rose and she dropped her eyes. "It
certainly is clever to achieve such results--without an effort!"
"There assuredly was no effort. Don't call it an achievement."
Madame Merle was seldom guilty of the awkwardness of retracting what she
had said; her wisdom was shown rather in maintaining it and placing it
in a favourable light. "My dear friend, Isabel would certainly not
have had seventy thousand pounds left her if she had not been the most
charming girl in the world. Her charm includes great cleverness."
"She never dreamed, I'm sure, of my husband's doing anything for her;
and I never dreamed of it either, for he never spoke to me of his
intention," Mrs. Touchett said. "She had no claim upon him whatever; it
was no great recommendation to him that she was my niece. Whatever she
achieved she achieved unconsciously."
"Ah," rejoined Madame Merle, "those are the greatest strokes!" Mrs.
Touchett reserved her opinion. "The girl's fortunate; I don't deny that.
But for the present she's simply stupefied."
"Do you mean that she doesn't know what to do with the money?"
"That, I think, she has hardly considered. She doesn't know what to
think about the matter at all. It has been as if a big gun were suddenly
fired off behind her; she's feeling herself to see if she be hurt. It's
but three days since she received a visit from the principal executor,
who came in person, very gallantly, to notify her. He told me afterwards
that when he had made his little speech she suddenly burst into tears.
The money's to remain in the affairs of the bank, and she's to draw the
interest."
Madame Merle shook her head with a wise and now quite benignant smile.
"How very delicious! After she has done that two or three times she'll
get used to it." Then after a silence, "What does your son think of it?"
she abruptly asked.
"He left England before the will was read--used up by his fatigue and
anxiety and hurrying off to the south. He's on his way to the Riviera
and I've not yet heard from him. But it's not likely he'll ever object
to anything done by his father."
"Didn't you say his own share had been cut down?"
"Only at his wish. I know that he urged his father to do something for
the people in America. He's not in the least addicted to looking after
number one."
"It depends upon whom he regards as number one!" said Madame Merle. And
she remained thoughtful a moment, her eyes bent on the floor.
"Am I not to see your happy niece?" she asked at last as she raised
them.
"You may see her; but you'll not be struck with her being happy. She
has looked as solemn, these three days, as a Cimabue Madonna!" And Mrs.
Touchett rang for a servant.
Isabel came in shortly after the footman had been sent to call her; and
Madame Merle thought, as she appeared, that Mrs. Touchett's comparison
had its force. The girl was pale and grave--an effect not mitigated by
her deeper mourning; but the smile of her brightest moments came into
her face as she saw Madame Merle, who went forward, laid her hand on our
heroine's shoulder and, after looking at her a moment, kissed her as if
she were returning the kiss she had received from her at Gardencourt.
This was the only allusion the visitor, in her great good taste, made
for the present to her young friend's inheritance.
Mrs. Touchett had no purpose of awaiting in London the sale of her
house. After selecting from among its furniture the objects she wished
to transport to her other abode, she left the rest of its contents to be
disposed of by the auctioneer and took her departure for the Continent.
She was of course accompanied on this journey by her niece, who now had
plenty of leisure to measure and weigh and otherwise handle the windfall
on which Madame Merle had covertly congratulated her. Isabel thought
very often of the fact of her accession of means, looking at it in a
dozen different lights; but we shall not now attempt to follow her train
of thought or to explain exactly why her new consciousness was at first
oppressive. This failure to rise to immediate joy was indeed but brief;
the girl presently made up her mind that to be rich was a virtue because
it was to be able to do, and that to do could only be sweet. It was
the graceful contrary of the stupid side of weakness--especially the
feminine variety. To be weak was, for a delicate young person, rather
graceful, but, after all, as Isabel said to herself, there was a larger
grace than that. Just now, it is true, there was not much to do--once
she had sent off a cheque to Lily and another to poor Edith; but she was
thankful for the quiet months which her mourning robes and her aunt's
fresh widowhood compelled them to spend together. The acquisition of
power made her serious; she scrutinised her power with a kind of tender
ferocity, but was not eager to exercise it. She began to do so during
a stay of some weeks which she eventually made with her aunt in Paris,
though in ways that will inevitably present themselves as trivial. They
were the ways most naturally imposed in a city in which the shops are
the admiration of the world, and that were prescribed unreservedly by
the guidance of Mrs. Touchett, who took a rigidly practical view of the
transformation of her niece from a poor girl to a rich one. "Now that
you're a young woman of fortune you must know how to play the part--I
mean to play it well," she said to Isabel once for all; and she added
that the girl's first duty was to have everything handsome. "You don't
know how to take care of your things, but you must learn," she went on;
this was Isabel's second duty. Isabel submitted, but for the present
her imagination was not kindled; she longed for opportunities, but these
were not the opportunities she meant.
Mrs. Touchett rarely changed her plans, and, having intended before her
husband's death to spend a part of the winter in Paris, saw no reason to
deprive herself--still less to deprive her companion--of this advantage.
Though they would live in great retirement she might still present
her niece, informally, to the little circle of her fellow countrymen
dwelling upon the skirts of the Champs Elysees. With many of these
amiable colonists Mrs. Touchett was intimate; she shared their
expatriation, their convictions, their pastimes, their ennui. Isabel
saw them arrive with a good deal of assiduity at her aunt's hotel, and
pronounced on them with a trenchancy doubtless to be accounted for by
the temporary exaltation of her sense of human duty. She made up her
mind that their lives were, though luxurious, inane, and incurred some
disfavour by expressing this view on bright Sunday afternoons, when the
American absentees were engaged in calling on each other. Though her
listeners passed for people kept exemplarily genial by their cooks and
dressmakers, two or three of them thought her cleverness, which was
generally admitted, inferior to that of the new theatrical pieces. "You
all live here this way, but what does it lead to?" she was pleased to
ask. "It doesn't seem to lead to anything, and I should think you'd get
very tired of it."
Mrs. Touchett thought the question worthy of Henrietta Stackpole. The
two ladies had found Henrietta in Paris, and Isabel constantly saw her;
so that Mrs. Touchett had some reason for saying to herself that if her
niece were not clever enough to originate almost anything, she might be
suspected of having borrowed that style of remark from her journalistic
friend. The first occasion on which Isabel had spoken was that of
a visit paid by the two ladies to Mrs. Luce, an old friend of Mrs.
Touchett's and the only person in Paris she now went to see. Mrs. Luce
had been living in Paris since the days of Louis Philippe; she used to
say jocosely that she was one of the generation of 1830--a joke of
which the point was not always taken. When it failed Mrs. Luce used to
explain--"Oh yes, I'm one of the romantics;" her French had never
become quite perfect. She was always at home on Sunday afternoons and
surrounded by sympathetic compatriots, usually the same. In fact she
was at home at all times, and reproduced with wondrous truth in her
well-cushioned little corner of the brilliant city, the domestic tone of
her native Baltimore. This reduced Mr. Luce, her worthy husband, a tall,
lean, grizzled, well-brushed gentleman who wore a gold eye-glass and
carried his hat a little too much on the back of his head, to mere
platonic praise of the "distractions" of Paris--they were his great
word--since you would never have guessed from what cares he escaped to
them. One of them was that he went every day to the American banker's,
where he found a post-office that was almost as sociable and colloquial
an institution as in an American country town. He passed an hour (in
fine weather) in a chair in the Champs Elysees, and he dined uncommonly
well at his own table, seated above a waxed floor which it was Mrs.
Luce's happiness to believe had a finer polish than any other in the
French capital. Occasionally he dined with a friend or two at the Cafe
Anglais, where his talent for ordering a dinner was a source of felicity
to his companions and an object of admiration even to the headwaiter
of the establishment. These were his only known pastimes, but they had
beguiled his hours for upwards of half a century, and they doubtless
justified his frequent declaration that there was no place like Paris.
In no other place, on these terms, could Mr. Luce flatter himself that
he was enjoying life. There was nothing like Paris, but it must be
confessed that Mr. Luce thought less highly of this scene of his
dissipations than in earlier days. In the list of his resources his
political reflections should not be omitted, for they were doubtless the
animating principle of many hours that superficially seemed vacant.
Like many of his fellow colonists Mr. Luce was a high--or rather a
deep--conservative, and gave no countenance to the government lately
established in France. He had no faith in its duration and would assure
you from year to year that its end was close at hand. "They want to be
kept down, sir, to be kept down; nothing but the strong hand--the iron
heel--will do for them," he would frequently say of the French people;
and his ideal of a fine showy clever rule was that of the superseded
Empire. "Paris is much less attractive than in the days of the Emperor;
HE knew how to make a city pleasant," Mr. Luce had often remarked to
Mrs. Touchett, who was quite of his own way of thinking and wished to
know what one had crossed that odious Atlantic for but to get away from
republics.
"Why, madam, sitting in the Champs Elysees, opposite to the Palace of
Industry, I've seen the court-carriages from the Tuileries pass up and
down as many as seven times a day. I remember one occasion when they
went as high as nine. What do you see now? It's no use talking, the
style's all gone. Napoleon knew what the French people want, and
there'll be a dark cloud over Paris, our Paris, till they get the Empire
back again."
Among Mrs. Luce's visitors on Sunday afternoons was a young man with
whom Isabel had had a good deal of conversation and whom she found
full of valuable knowledge. Mr. Edward Rosier--Ned Rosier as he was
called--was native to New York and had been brought up in Paris, living
there under the eye of his father who, as it happened, had been an early
and intimate friend of the late Mr. Archer. Edward Rosier remembered
Isabel as a little girl; it had been his father who came to the rescue
of the small Archers at the inn at Neufchatel (he was travelling that
way with the boy and had stopped at the hotel by chance), after their
bonne had gone off with the Russian prince and when Mr. Archer's
whereabouts remained for some days a mystery. Isabel remembered
perfectly the neat little male child whose hair smelt of a delicious
cosmetic and who had a bonne all his own, warranted to lose sight of him
under no provocation. Isabel took a walk with the pair beside the lake
and thought little Edward as pretty as an angel--a comparison by no
means conventional in her mind, for she had a very definite conception
of a type of features which she supposed to be angelic and which her
new friend perfectly illustrated. A small pink face surmounted by a blue
velvet bonnet and set off by a stiff embroidered collar had become the
countenance of her childish dreams; and she had firmly believed for some
time afterwards that the heavenly hosts conversed among themselves in
a queer little dialect of French-English, expressing the properest
sentiments, as when Edward told her that he was "defended" by his bonne
to go near the edge of the lake, and that one must always obey to one's
bonne. Ned Rosier's English had improved; at least it exhibited in a
less degree the French variation. His father was dead and his bonne
dismissed, but the young man still conformed to the spirit of their
teaching--he never went to the edge of the lake. There was still
something agreeable to the nostrils about him and something not
offensive to nobler organs. He was a very gentle and gracious youth,
with what are called cultivated tastes--an acquaintance with old china,
with good wine, with the bindings of books, with the Almanach de Gotha,
with the best shops, the best hotels, the hours of railway-trains. He
could order a dinner almost as well as Mr. Luce, and it was probable
that as his experience accumulated he would be a worthy successor to
that gentleman, whose rather grim politics he also advocated in a soft
and innocent voice. He had some charming rooms in Paris, decorated with
old Spanish altar-lace, the envy of his female friends, who declared
that his chimney-piece was better draped than the high shoulders of many
a duchess. He usually, however, spent a part of every winter at Pau, and
had once passed a couple of months in the United States.
He took a great interest in Isabel and remembered perfectly the walk at
Neufchatel, when she would persist in going so near the edge. He seemed
to recognise this same tendency in the subversive enquiry that I quoted
a moment ago, and set himself to answer our heroine's question with
greater urbanity than it perhaps deserved. "What does it lead to, Miss
Archer? Why Paris leads everywhere. You can't go anywhere unless you
come here first. Every one that comes to Europe has got to pass through.
You don't mean it in that sense so much? You mean what good it does you?
Well, how can you penetrate futurity? How can you tell what lies ahead?
If it's a pleasant road I don't care where it leads. I like the road,
Miss Archer; I like the dear old asphalte. You can't get tired of
it--you can't if you try. You think you would, but you wouldn't;
there's always something new and fresh. Take the Hotel Drouot, now;
they sometimes have three and four sales a week. Where can you get such
things as you can here? In spite of all they say I maintain they're
cheaper too, if you know the right places. I know plenty of places,
but I keep them to myself. I'll tell you, if you like, as a particular
favour; only you mustn't tell any one else. Don't you go anywhere
without asking me first; I want you to promise me that. As a general
thing avoid the Boulevards; there's very little to be done on the
Boulevards. Speaking conscientiously--sans blague--I don't believe
any one knows Paris better than I. You and Mrs. Touchett must come and
breakfast with me some day, and I'll show you my things; je ne vous dis
que ca! There has been a great deal of talk about London of late; it's
the fashion to cry up London. But there's nothing in it--you can't
do anything in London. No Louis Quinze--nothing of the First Empire;
nothing but their eternal Queen Anne. It's good for one's bed-room,
Queen Anne--for one's washing-room; but it isn't proper for a salon. Do
I spend my life at the auctioneer's?" Mr. Rosier pursued in answer to
another question of Isabel's. "Oh no; I haven't the means. I wish I
had. You think I'm a mere trifler; I can tell by the expression of your
face--you've got a wonderfully expressive face. I hope you don't mind
my saying that; I mean it as a kind of warning. You think I ought to do
something, and so do I, so long as you leave it vague. But when you
come to the point you see you have to stop. I can't go home and be
a shopkeeper. You think I'm very well fitted? Ah, Miss Archer, you
overrate me. I can buy very well, but I can't sell; you should see when
I sometimes try to get rid of my things. It takes much more ability to
make other people buy than to buy yourself. When I think how clever they
must be, the people who make ME buy! Ah no; I couldn't be a shopkeeper.
I can't be a doctor; it's a repulsive business. I can't be a clergyman;
I haven't got convictions. And then I can't pronounce the names right in
the Bible. They're very difficult, in the Old Testament particularly. I
can't be a lawyer; I don't understand--how do you call it?--the American
procedure. Is there anything else? There's nothing for a gentleman
in America. I should like to be a diplomatist; but American
diplomacy--that's not for gentlemen either. I'm sure if you had seen the
last min--"
Henrietta Stackpole, who was often with her friend when Mr. Rosier,
coming to pay his compliments late in the afternoon, expressed himself
after the fashion I have sketched, usually interrupted the young man at
this point and read him a lecture on the duties of the American citizen.
She thought him most unnatural; he was worse than poor Ralph Touchett.
Henrietta, however, was at this time more than ever addicted to fine
criticism, for her conscience had been freshly alarmed as regards
Isabel. She had not congratulated this young lady on her augmentations
and begged to be excused from doing so.
"If Mr. Touchett had consulted me about leaving you the money," she
frankly asserted, "I'd have said to him 'Never!"
"I see," Isabel had answered. "You think it will prove a curse in
disguise. Perhaps it will."
"Leave it to some one you care less for--that's what I should have
said."
"To yourself for instance?" Isabel suggested jocosely. And then, "Do you
really believe it will ruin me?" she asked in quite another tone.
"I hope it won't ruin you; but it will certainly confirm your dangerous
tendencies."
"Do you mean the love of luxury--of extravagance?"
"No, no," said Henrietta; "I mean your exposure on the moral side. I
approve of luxury; I think we ought to be as elegant as possible. Look
at the luxury of our western cities; I've seen nothing over here to
compare with it. I hope you'll never become grossly sensual; but I'm not
afraid of that. The peril for you is that you live too much in the world
of your own dreams. You're not enough in contact with reality--with
the toiling, striving, suffering, I may even say sinning, world
that surrounds you. You're too fastidious; you've too many graceful
illusions. Your newly-acquired thousands will shut you up more and
more to the society of a few selfish and heartless people who will be
interested in keeping them up."
Isabel's eyes expanded as she gazed at this lurid scene. "What are my
illusions?" she asked. "I try so hard not to have any."
"Well," said Henrietta, "you think you can lead a romantic life, that
you can live by pleasing yourself and pleasing others. You'll find
you're mistaken. Whatever life you lead you must put your soul in it--to
make any sort of success of it; and from the moment you do that it
ceases to be romance, I assure you: it becomes grim reality! And you
can't always please yourself; you must sometimes please other people.
That, I admit, you're very ready to do; but there's another thing that's
still more important--you must often displease others. You must always
be ready for that--you must never shrink from it. That doesn't suit you
at all--you're too fond of admiration, you like to be thought well
of. You think we can escape disagreeable duties by taking romantic
views--that's your great illusion, my dear. But we can't. You must be
prepared on many occasions in life to please no one at all--not even
yourself."
Isabel shook her head sadly; she looked troubled and frightened. "This,
for you, Henrietta," she said, "must be one of those occasions!"
It was certainly true that Miss Stackpole, during her visit to Paris,
which had been professionally more remunerative than her English
sojourn, had not been living in the world of dreams. Mr. Bantling, who
had now returned to England, was her companion for the first four weeks
of her stay; and about Mr. Bantling there was nothing dreamy. Isabel
learned from her friend that the two had led a life of great personal
intimacy and that this had been a peculiar advantage to Henrietta,
owing to the gentleman's remarkable knowledge of Paris. He had
explained everything, shown her everything, been her constant guide and
interpreter. They had breakfasted together, dined together, gone to
the theatre together, supped together, really in a manner quite lived
together. He was a true friend, Henrietta more than once assured our
heroine; and she had never supposed that she could like any Englishman
so well. Isabel could not have told you why, but she found something
that ministered to mirth in the alliance the correspondent of the
Interviewer had struck with Lady Pensil's brother; her amusement
moreover subsisted in face of the fact that she thought it a credit to
each of them. Isabel couldn't rid herself of a suspicion that they were
playing somehow at cross-purposes--that the simplicity of each had
been entrapped. But this simplicity was on either side none the less
honourable. It was as graceful on Henrietta's part to believe that Mr.
Bantling took an interest in the diffusion of lively journalism and in
consolidating the position of lady-correspondents as it was on the
part of his companion to suppose that the cause of the Interviewer--a
periodical of which he never formed a very definite conception--was, if
subtly analysed (a task to which Mr. Bantling felt himself quite equal),
but the cause of Miss Stackpole's need of demonstrative affection. Each
of these groping celibates supplied at any rate a want of which the
other was impatiently conscious. Mr. Bantling, who was of rather a slow
and a discursive habit, relished a prompt, keen, positive woman, who
charmed him by the influence of a shining, challenging eye and a kind of
bandbox freshness, and who kindled a perception of raciness in a mind
to which the usual fare of life seemed unsalted. Henrietta, on the other
hand, enjoyed the society of a gentleman who appeared somehow, in his
way, made, by expensive, roundabout, almost "quaint" processes, for
her use, and whose leisured state, though generally indefensible, was a
decided boon to a breathless mate, and who was furnished with an easy,
traditional, though by no means exhaustive, answer to almost any social
or practical question that could come up. She often found Mr. Bantling's
answers very convenient, and in the press of catching the American post
would largely and showily address them to publicity. It was to be feared
that she was indeed drifting toward those abysses of sophistication as
to which Isabel, wishing for a good-humoured retort, had warned her.
There might be danger in store for Isabel; but it was scarcely to be
hoped that Miss Stackpole, on her side, would find permanent rest in any
adoption of the views of a class pledged to all the old abuses. Isabel
continued to warn her good-humouredly; Lady Pensil's obliging brother
was sometimes, on our heroine's lips, an object of irreverent and
facetious allusion. Nothing, however, could exceed Henrietta's
amiability on this point; she used to abound in the sense of Isabel's
irony and to enumerate with elation the hours she had spent with this
perfect man of the world--a term that had ceased to make with her, as
previously, for opprobrium. Then, a few moments later, she would forget
that they had been talking jocosely and would mention with impulsive
earnestness some expedition she had enjoyed in his company. She would
say: "Oh, I know all about Versailles; I went there with Mr. Bantling. I
was bound to see it thoroughly--I warned him when we went out there that
I was thorough: so we spent three days at the hotel and wandered all
over the place. It was lovely weather--a kind of Indian summer, only not
so good. We just lived in that park. Oh yes; you can't tell me anything
about Versailles." Henrietta appeared to have made arrangements to meet
her gallant friend during the spring in Italy.
| Notes Chapter 20 brings in Madame Merle only briefly, but quite importantly. She comes in to see the dismantling of the Touchett holdings, the house on Winchester Square in particular. In the narrators inside view of her thoughts, the reader finds out that she is envious. When she finds out that her new friend Isabel inherited a fortune, her first impulse is to think Isabel manipulated Mr. Touchett into giving her this large behest. She is clearly not the ideal figure Isabel has taken her for. In letting the reader see this while keeping Isabel uninformed of it, James sets up a tension in the novel which will continue to build up suspense in the plot. Chapter 20 introduces the Parisian scene and it is clearly not one which Henry James finds as appealing as the British country house life. All of its representatives--the ex-patriot Americans-- come in for subtle and witty critique. Mrs. Luce, who recreates Baltimore in Paris, her husband, Mr. Luce, whose great achievement is his ability to order dinner in a Parisian restaurant, and Ned Rosier, who cant imagine any occupation other than shopping for fine articles. James also takes time in this chapter to keep the reader informed of Henrietta Stackpoles progress through Europe. In this way, he can keep the most straightforward of Isabels critics in view and the narrator doesnt have to do this kind of moralizing. Henriettas insights are sharp. She finds that Isabel is an idealist and thinks she can live a life in which she pleases herself and others and never has to do anything that goes against this pleasantness. This is an important insight for setting up Isabels later choices. | analysis |
Mrs. Touchett, before arriving in Paris, had fixed the day for her
departure and by the middle of February had begun to travel southward.
She interrupted her journey to pay a visit to her son, who at San Remo,
on the Italian shore of the Mediterranean, had been spending a dull,
bright winter beneath a slow-moving white umbrella. Isabel went with her
aunt as a matter of course, though Mrs. Touchett, with homely, customary
logic, had laid before her a pair of alternatives.
"Now, of course, you're completely your own mistress and are as free as
the bird on the bough. I don't mean you were not so before, but you're
at present on a different footing--property erects a kind of barrier.
You can do a great many things if you're rich which would be severely
criticised if you were poor. You can go and come, you can travel alone,
you can have your own establishment: I mean of course if you'll take
a companion--some decayed gentlewoman, with a darned cashmere and dyed
hair, who paints on velvet. You don't think you'd like that? Of course
you can do as you please; I only want you to understand how much you're
at liberty. You might take Miss Stackpole as your dame de compagnie;
she'd keep people off very well. I think, however, that it's a great
deal better you should remain with me, in spite of there being no
obligation. It's better for several reasons, quite apart from your
liking it. I shouldn't think you'd like it, but I recommend you to make
the sacrifice. Of course whatever novelty there may have been at first
in my society has quite passed away, and you see me as I am--a dull,
obstinate, narrow-minded old woman."
"I don't think you're at all dull," Isabel had replied to this.
"But you do think I'm obstinate and narrow-minded? I told you so!" said
Mrs. Touchett with much elation at being justified.
Isabel remained for the present with her aunt, because, in spite of
eccentric impulses, she had a great regard for what was usually deemed
decent, and a young gentlewoman without visible relations had always
struck her as a flower without foliage. It was true that Mrs. Touchett's
conversation had never again appeared so brilliant as that first
afternoon in Albany, when she sat in her damp waterproof and sketched
the opportunities that Europe would offer to a young person of taste.
This, however, was in a great measure the girl's own fault; she had
got a glimpse of her aunt's experience, and her imagination constantly
anticipated the judgements and emotions of a woman who had very little
of the same faculty. Apart from this, Mrs. Touchett had a great merit;
she was as honest as a pair of compasses. There was a comfort in her
stiffness and firmness; you knew exactly where to find her and were
never liable to chance encounters and concussions. On her own ground
she was perfectly present, but was never over-inquisitive as regards
the territory of her neighbour. Isabel came at last to have a kind of
undemonstrable pity for her; there seemed something so dreary in
the condition of a person whose nature had, as it were, so little
surface--offered so limited a face to the accretions of human contact.
Nothing tender, nothing sympathetic, had ever had a chance to fasten
upon it--no wind-sown blossom, no familiar softening moss. Her offered,
her passive extent, in other words, was about that of a knife-edge.
Isabel had reason to believe none the less that as she advanced in life
she made more of those concessions to the sense of something obscurely
distinct from convenience--more of them than she independently exacted.
She was learning to sacrifice consistency to considerations of that
inferior order for which the excuse must be found in the particular
case. It was not to the credit of her absolute rectitude that she should
have gone the longest way round to Florence in order to spend a few
weeks with her invalid son; since in former years it had been one of her
most definite convictions that when Ralph wished to see her he was at
liberty to remember that Palazzo Crescentini contained a large apartment
known as the quarter of the signorino.
"I want to ask you something," Isabel said to this young man the day
after her arrival at San Remo--"something I've thought more than once
of asking you by letter, but that I've hesitated on the whole to write
about. Face to face, nevertheless, my question seems easy enough. Did
you know your father intended to leave me so much money?"
Ralph stretched his legs a little further than usual and gazed a little
more fixedly at the Mediterranean.
"What does it matter, my dear Isabel, whether I knew? My father was very
obstinate."
"So," said the girl, "you did know."
"Yes; he told me. We even talked it over a little." "What did he do it
for?" asked Isabel abruptly. "Why, as a kind of compliment."
"A compliment on what?"
"On your so beautifully existing."
"He liked me too much," she presently declared.
"That's a way we all have."
"If I believed that I should be very unhappy. Fortunately I don't
believe it. I want to be treated with justice; I want nothing but that."
"Very good. But you must remember that justice to a lovely being is
after all a florid sort of sentiment."
"I'm not a lovely being. How can you say that, at the very moment when
I'm asking such odious questions? I must seem to you delicate!"
"You seem to me troubled," said Ralph.
"I am troubled."
"About what?"
For a moment she answered nothing; then she broke out: "Do you think it
good for me suddenly to be made so rich? Henrietta doesn't."
"Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted
at it."
"Is that why your father did it--for your amusement?"
"I differ with Miss Stackpole," Ralph went on more gravely. "I think it
very good for you to have means."
Isabel looked at him with serious eyes. "I wonder whether you know
what's good for me--or whether you care."
"If I know depend upon it I care. Shall I tell you what it is? Not to
torment yourself."
"Not to torment you, I suppose you mean."
"You can't do that; I'm proof. Take things more easily. Don't ask
yourself so much whether this or that is good for you. Don't question
your conscience so much--it will get out of tune like a strummed
piano. Keep it for great occasions. Don't try so much to form your
character--it's like trying to pull open a tight, tender young rose.
Live as you like best, and your character will take care of itself. Most
things are good for you; the exceptions are very rare, and a comfortable
income's not one of them." Ralph paused, smiling; Isabel had listened
quickly. "You've too much power of thought--above all too much
conscience," Ralph added. "It's out of all reason, the number of things
you think wrong. Put back your watch. Diet your fever. Spread your
wings; rise above the ground. It's never wrong to do that."
She had listened eagerly, as I say; and it was her nature to understand
quickly. "I wonder if you appreciate what you say. If you do, you take a
great responsibility."
"You frighten me a little, but I think I'm right," said Ralph,
persisting in cheer.
"All the same what you say is very true," Isabel pursued. "You could say
nothing more true. I'm absorbed in myself--I look at life too much as
a doctor's prescription. Why indeed should we perpetually be thinking
whether things are good for us, as if we were patients lying in a
hospital? Why should I be so afraid of not doing right? As if it
mattered to the world whether I do right or wrong!"
"You're a capital person to advise," said Ralph; "you take the wind out
of my sails!"
She looked at him as if she had not heard him--though she was following
out the train of reflexion which he himself had kindled. "I try to
care more about the world than about myself--but I always come back to
myself. It's because I'm afraid." She stopped; her voice had trembled
a little. "Yes, I'm afraid; I can't tell you. A large fortune means
freedom, and I'm afraid of that. It's such a fine thing, and one should
make such a good use of it. If one shouldn't one would be ashamed. And
one must keep thinking; it's a constant effort. I'm not sure it's not a
greater happiness to be powerless."
"For weak people I've no doubt it's a greater happiness. For weak people
the effort not to be contemptible must be great."
"And how do you know I'm not weak?" Isabel asked.
"Ah," Ralph answered with a flush that the girl noticed, "if you are I'm
awfully sold!"
The charm of the Mediterranean coast only deepened for our heroine
on acquaintance, for it was the threshold of Italy, the gate of
admirations. Italy, as yet imperfectly seen and felt, stretched before
her as a land of promise, a land in which a love of the beautiful might
be comforted by endless knowledge. Whenever she strolled upon the shore
with her cousin--and she was the companion of his daily walk--she looked
across the sea, with longing eyes, to where she knew that Genoa lay. She
was glad to pause, however, on the edge of this larger adventure; there
was such a thrill even in the preliminary hovering. It affected her
moreover as a peaceful interlude, as a hush of the drum and fife in a
career which she had little warrant as yet for regarding as agitated,
but which nevertheless she was constantly picturing to herself by
the light of her hopes, her fears, her fancies, her ambitions, her
predilections, and which reflected these subjective accidents in
a manner sufficiently dramatic. Madame Merle had predicted to Mrs.
Touchett that after their young friend had put her hand into her pocket
half a dozen times she would be reconciled to the idea that it had been
filled by a munificent uncle; and the event justified, as it had so
often justified before, that lady's perspicacity. Ralph Touchett had
praised his cousin for being morally inflammable, that is for being
quick to take a hint that was meant as good advice. His advice had
perhaps helped the matter; she had at any rate before leaving San Remo
grown used to feeling rich. The consciousness in question found a
proper place in rather a dense little group of ideas that she had about
herself, and often it was by no means the least agreeable. It took
perpetually for granted a thousand good intentions. She lost herself in
a maze of visions; the fine things to be done by a rich, independent,
generous girl who took a large human view of occasions and obligations
were sublime in the mass. Her fortune therefore became to her mind a
part of her better self; it gave her importance, gave her even, to her
own imagination, a certain ideal beauty. What it did for her in the
imagination of others is another affair, and on this point we must also
touch in time. The visions I have just spoken of were mixed with other
debates. Isabel liked better to think of the future than of the past;
but at times, as she listened to the murmur of the Mediterranean waves,
her glance took a backward flight. It rested upon two figures which, in
spite of increasing distance, were still sufficiently salient; they were
recognisable without difficulty as those of Caspar Goodwood and Lord
Warburton. It was strange how quickly these images of energy had fallen
into the background of our young lady's life. It was in her disposition
at all times to lose faith in the reality of absent things; she could
summon back her faith, in case of need, with an effort, but the effort
was often painful even when the reality had been pleasant. The past was
apt to look dead and its revival rather to show the livid light of a
judgement-day. The girl moreover was not prone to take for granted that
she herself lived in the mind of others--she had not the fatuity to
believe she left indelible traces. She was capable of being wounded by
the discovery that she had been forgotten; but of all liberties the one
she herself found sweetest was the liberty to forget. She had not given
her last shilling, sentimentally speaking, either to Caspar Goodwood or
to Lord Warburton, and yet couldn't but feel them appreciably in debt
to her. She had of course reminded herself that she was to hear from Mr.
Goodwood again; but this was not to be for another year and a half, and
in that time a great many things might happen. She had indeed failed to
say to herself that her American suitor might find some other girl more
comfortable to woo; because, though it was certain many other girls
would prove so, she had not the smallest belief that this merit
would attract him. But she reflected that she herself might know the
humiliation of change, might really, for that matter, come to the end of
the things that were not Caspar (even though there appeared so many of
them), and find rest in those very elements of his presence which struck
her now as impediments to the finer respiration. It was conceivable
that these impediments should some day prove a sort of blessing
in disguise--a clear and quiet harbour enclosed by a brave granite
breakwater. But that day could only come in its order, and she couldn't
wait for it with folded hands. That Lord Warburton should continue
to cherish her image seemed to her more than a noble humility or an
enlightened pride ought to wish to reckon with. She had so definitely
undertaken to preserve no record of what had passed between them that a
corresponding effort on his own part would be eminently just. This
was not, as it may seem, merely a theory tinged with sarcasm. Isabel
candidly believed that his lordship would, in the usual phrase, get over
his disappointment. He had been deeply affected--this she believed, and
she was still capable of deriving pleasure from the belief; but it
was absurd that a man both so intelligent and so honourably dealt with
should cultivate a scar out of proportion to any wound. Englishmen
liked moreover to be comfortable, said Isabel, and there could be
little comfort for Lord Warburton, in the long run, in brooding over a
self-sufficient American girl who had been but a casual acquaintance.
She flattered herself that, should she hear from one day to another that
he had married some young woman of his own country who had done more
to deserve him, she should receive the news without a pang even of
surprise. It would have proved that he believed she was firm--which was
what she wished to seem to him. That alone was grateful to her pride.
| Mrs. Touchett prepares to leave Paris for Italy. She tells Isabel before they leave that she now has a clear choice whether to remain with her or go her own way. She says that "property erects a kind of barrier" and that when a woman is rich she can do many things that would be stoutly condemned if she were not. Isabel wants to continue with her aunt since she always feels a great regard for doing what is proper and decent and she doesnt think a young woman without relatives is very proper. She and Mrs. Touchett stop in San Remo to visit Ralph on their way to Italy. Isabel enjoys spending time with him. She asks him one day if he knew that his father was going to leave her the money. He says he discussed it briefly with his father. She wants to know why she was left so much. Ralph says it was a compliment for her so beautifully existing. Isabel isnt satisfied with this. She says she wants to be treated with justice. She wants to know if he agrees with Henrietta Stackpole that the fortune will be bad for her. Ralph is impatient with this kind of thinking. He says Isabel should stop worrying over the rights and wrongs of life. He says most of life is good for one and that a fortune certainly is one of those things. He tells her she should spread her wings. Isabel is happy to hear this. She agrees that she usually does treat her life like a doctors prescription, wondering what is good for her and what isnt. As she strolls along the beach with Ralph, she can look across the water and imagine Italy. She thinks of it as a land of promise. She cant wait to see it. She thinks it is going to be a "larger adventure. " She becomes used to her fortune. It becomes part of her "better self." While she has this time, she thinks about Caspar Goodwood and Lord Warburton. She recognizes the leisure of not having to think of them. She knows she only has a year and a half before she will have to deal with Caspar. She thinks he might find someone else in that time and realizes that she might feel a pang of hurt feelings if he did. She thinks, on the other hand, that if Lord Warburton found someone else, she would be happy for him. | summary |
Mrs. Touchett, before arriving in Paris, had fixed the day for her
departure and by the middle of February had begun to travel southward.
She interrupted her journey to pay a visit to her son, who at San Remo,
on the Italian shore of the Mediterranean, had been spending a dull,
bright winter beneath a slow-moving white umbrella. Isabel went with her
aunt as a matter of course, though Mrs. Touchett, with homely, customary
logic, had laid before her a pair of alternatives.
"Now, of course, you're completely your own mistress and are as free as
the bird on the bough. I don't mean you were not so before, but you're
at present on a different footing--property erects a kind of barrier.
You can do a great many things if you're rich which would be severely
criticised if you were poor. You can go and come, you can travel alone,
you can have your own establishment: I mean of course if you'll take
a companion--some decayed gentlewoman, with a darned cashmere and dyed
hair, who paints on velvet. You don't think you'd like that? Of course
you can do as you please; I only want you to understand how much you're
at liberty. You might take Miss Stackpole as your dame de compagnie;
she'd keep people off very well. I think, however, that it's a great
deal better you should remain with me, in spite of there being no
obligation. It's better for several reasons, quite apart from your
liking it. I shouldn't think you'd like it, but I recommend you to make
the sacrifice. Of course whatever novelty there may have been at first
in my society has quite passed away, and you see me as I am--a dull,
obstinate, narrow-minded old woman."
"I don't think you're at all dull," Isabel had replied to this.
"But you do think I'm obstinate and narrow-minded? I told you so!" said
Mrs. Touchett with much elation at being justified.
Isabel remained for the present with her aunt, because, in spite of
eccentric impulses, she had a great regard for what was usually deemed
decent, and a young gentlewoman without visible relations had always
struck her as a flower without foliage. It was true that Mrs. Touchett's
conversation had never again appeared so brilliant as that first
afternoon in Albany, when she sat in her damp waterproof and sketched
the opportunities that Europe would offer to a young person of taste.
This, however, was in a great measure the girl's own fault; she had
got a glimpse of her aunt's experience, and her imagination constantly
anticipated the judgements and emotions of a woman who had very little
of the same faculty. Apart from this, Mrs. Touchett had a great merit;
she was as honest as a pair of compasses. There was a comfort in her
stiffness and firmness; you knew exactly where to find her and were
never liable to chance encounters and concussions. On her own ground
she was perfectly present, but was never over-inquisitive as regards
the territory of her neighbour. Isabel came at last to have a kind of
undemonstrable pity for her; there seemed something so dreary in
the condition of a person whose nature had, as it were, so little
surface--offered so limited a face to the accretions of human contact.
Nothing tender, nothing sympathetic, had ever had a chance to fasten
upon it--no wind-sown blossom, no familiar softening moss. Her offered,
her passive extent, in other words, was about that of a knife-edge.
Isabel had reason to believe none the less that as she advanced in life
she made more of those concessions to the sense of something obscurely
distinct from convenience--more of them than she independently exacted.
She was learning to sacrifice consistency to considerations of that
inferior order for which the excuse must be found in the particular
case. It was not to the credit of her absolute rectitude that she should
have gone the longest way round to Florence in order to spend a few
weeks with her invalid son; since in former years it had been one of her
most definite convictions that when Ralph wished to see her he was at
liberty to remember that Palazzo Crescentini contained a large apartment
known as the quarter of the signorino.
"I want to ask you something," Isabel said to this young man the day
after her arrival at San Remo--"something I've thought more than once
of asking you by letter, but that I've hesitated on the whole to write
about. Face to face, nevertheless, my question seems easy enough. Did
you know your father intended to leave me so much money?"
Ralph stretched his legs a little further than usual and gazed a little
more fixedly at the Mediterranean.
"What does it matter, my dear Isabel, whether I knew? My father was very
obstinate."
"So," said the girl, "you did know."
"Yes; he told me. We even talked it over a little." "What did he do it
for?" asked Isabel abruptly. "Why, as a kind of compliment."
"A compliment on what?"
"On your so beautifully existing."
"He liked me too much," she presently declared.
"That's a way we all have."
"If I believed that I should be very unhappy. Fortunately I don't
believe it. I want to be treated with justice; I want nothing but that."
"Very good. But you must remember that justice to a lovely being is
after all a florid sort of sentiment."
"I'm not a lovely being. How can you say that, at the very moment when
I'm asking such odious questions? I must seem to you delicate!"
"You seem to me troubled," said Ralph.
"I am troubled."
"About what?"
For a moment she answered nothing; then she broke out: "Do you think it
good for me suddenly to be made so rich? Henrietta doesn't."
"Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted
at it."
"Is that why your father did it--for your amusement?"
"I differ with Miss Stackpole," Ralph went on more gravely. "I think it
very good for you to have means."
Isabel looked at him with serious eyes. "I wonder whether you know
what's good for me--or whether you care."
"If I know depend upon it I care. Shall I tell you what it is? Not to
torment yourself."
"Not to torment you, I suppose you mean."
"You can't do that; I'm proof. Take things more easily. Don't ask
yourself so much whether this or that is good for you. Don't question
your conscience so much--it will get out of tune like a strummed
piano. Keep it for great occasions. Don't try so much to form your
character--it's like trying to pull open a tight, tender young rose.
Live as you like best, and your character will take care of itself. Most
things are good for you; the exceptions are very rare, and a comfortable
income's not one of them." Ralph paused, smiling; Isabel had listened
quickly. "You've too much power of thought--above all too much
conscience," Ralph added. "It's out of all reason, the number of things
you think wrong. Put back your watch. Diet your fever. Spread your
wings; rise above the ground. It's never wrong to do that."
She had listened eagerly, as I say; and it was her nature to understand
quickly. "I wonder if you appreciate what you say. If you do, you take a
great responsibility."
"You frighten me a little, but I think I'm right," said Ralph,
persisting in cheer.
"All the same what you say is very true," Isabel pursued. "You could say
nothing more true. I'm absorbed in myself--I look at life too much as
a doctor's prescription. Why indeed should we perpetually be thinking
whether things are good for us, as if we were patients lying in a
hospital? Why should I be so afraid of not doing right? As if it
mattered to the world whether I do right or wrong!"
"You're a capital person to advise," said Ralph; "you take the wind out
of my sails!"
She looked at him as if she had not heard him--though she was following
out the train of reflexion which he himself had kindled. "I try to
care more about the world than about myself--but I always come back to
myself. It's because I'm afraid." She stopped; her voice had trembled
a little. "Yes, I'm afraid; I can't tell you. A large fortune means
freedom, and I'm afraid of that. It's such a fine thing, and one should
make such a good use of it. If one shouldn't one would be ashamed. And
one must keep thinking; it's a constant effort. I'm not sure it's not a
greater happiness to be powerless."
"For weak people I've no doubt it's a greater happiness. For weak people
the effort not to be contemptible must be great."
"And how do you know I'm not weak?" Isabel asked.
"Ah," Ralph answered with a flush that the girl noticed, "if you are I'm
awfully sold!"
The charm of the Mediterranean coast only deepened for our heroine
on acquaintance, for it was the threshold of Italy, the gate of
admirations. Italy, as yet imperfectly seen and felt, stretched before
her as a land of promise, a land in which a love of the beautiful might
be comforted by endless knowledge. Whenever she strolled upon the shore
with her cousin--and she was the companion of his daily walk--she looked
across the sea, with longing eyes, to where she knew that Genoa lay. She
was glad to pause, however, on the edge of this larger adventure; there
was such a thrill even in the preliminary hovering. It affected her
moreover as a peaceful interlude, as a hush of the drum and fife in a
career which she had little warrant as yet for regarding as agitated,
but which nevertheless she was constantly picturing to herself by
the light of her hopes, her fears, her fancies, her ambitions, her
predilections, and which reflected these subjective accidents in
a manner sufficiently dramatic. Madame Merle had predicted to Mrs.
Touchett that after their young friend had put her hand into her pocket
half a dozen times she would be reconciled to the idea that it had been
filled by a munificent uncle; and the event justified, as it had so
often justified before, that lady's perspicacity. Ralph Touchett had
praised his cousin for being morally inflammable, that is for being
quick to take a hint that was meant as good advice. His advice had
perhaps helped the matter; she had at any rate before leaving San Remo
grown used to feeling rich. The consciousness in question found a
proper place in rather a dense little group of ideas that she had about
herself, and often it was by no means the least agreeable. It took
perpetually for granted a thousand good intentions. She lost herself in
a maze of visions; the fine things to be done by a rich, independent,
generous girl who took a large human view of occasions and obligations
were sublime in the mass. Her fortune therefore became to her mind a
part of her better self; it gave her importance, gave her even, to her
own imagination, a certain ideal beauty. What it did for her in the
imagination of others is another affair, and on this point we must also
touch in time. The visions I have just spoken of were mixed with other
debates. Isabel liked better to think of the future than of the past;
but at times, as she listened to the murmur of the Mediterranean waves,
her glance took a backward flight. It rested upon two figures which, in
spite of increasing distance, were still sufficiently salient; they were
recognisable without difficulty as those of Caspar Goodwood and Lord
Warburton. It was strange how quickly these images of energy had fallen
into the background of our young lady's life. It was in her disposition
at all times to lose faith in the reality of absent things; she could
summon back her faith, in case of need, with an effort, but the effort
was often painful even when the reality had been pleasant. The past was
apt to look dead and its revival rather to show the livid light of a
judgement-day. The girl moreover was not prone to take for granted that
she herself lived in the mind of others--she had not the fatuity to
believe she left indelible traces. She was capable of being wounded by
the discovery that she had been forgotten; but of all liberties the one
she herself found sweetest was the liberty to forget. She had not given
her last shilling, sentimentally speaking, either to Caspar Goodwood or
to Lord Warburton, and yet couldn't but feel them appreciably in debt
to her. She had of course reminded herself that she was to hear from Mr.
Goodwood again; but this was not to be for another year and a half, and
in that time a great many things might happen. She had indeed failed to
say to herself that her American suitor might find some other girl more
comfortable to woo; because, though it was certain many other girls
would prove so, she had not the smallest belief that this merit
would attract him. But she reflected that she herself might know the
humiliation of change, might really, for that matter, come to the end of
the things that were not Caspar (even though there appeared so many of
them), and find rest in those very elements of his presence which struck
her now as impediments to the finer respiration. It was conceivable
that these impediments should some day prove a sort of blessing
in disguise--a clear and quiet harbour enclosed by a brave granite
breakwater. But that day could only come in its order, and she couldn't
wait for it with folded hands. That Lord Warburton should continue
to cherish her image seemed to her more than a noble humility or an
enlightened pride ought to wish to reckon with. She had so definitely
undertaken to preserve no record of what had passed between them that a
corresponding effort on his own part would be eminently just. This
was not, as it may seem, merely a theory tinged with sarcasm. Isabel
candidly believed that his lordship would, in the usual phrase, get over
his disappointment. He had been deeply affected--this she believed, and
she was still capable of deriving pleasure from the belief; but it
was absurd that a man both so intelligent and so honourably dealt with
should cultivate a scar out of proportion to any wound. Englishmen
liked moreover to be comfortable, said Isabel, and there could be
little comfort for Lord Warburton, in the long run, in brooding over a
self-sufficient American girl who had been but a casual acquaintance.
She flattered herself that, should she hear from one day to another that
he had married some young woman of his own country who had done more
to deserve him, she should receive the news without a pang even of
surprise. It would have proved that he believed she was firm--which was
what she wished to seem to him. That alone was grateful to her pride.
| Notes The San Remo chapter provides a meditative interlude in the novel and builds up suspense as to what will happen in Italy, the "land of promise," in Isabels mind where "a love the beautiful might be comforted by endless knowledge." Ralph is in San Remo and it is always with Ralph that Isabel is shown in her best light. Ralph finds her a "lovely being" and tells her his father gave her the fortune for no other reason that that she "beautifully exist." Ralph advises Isabel to do more of this, to stop treating herself as if she were "look at life too much as a doctors prescription" worrying about what was good for her and what was bad for her. In this aspect, Isabel is a quintessential American protagonist. James is always comparing the freshly arrived Americans like Henrietta Stackpole and Isabel to the Americans who have lived in Europe more or less permanently for years. He clearly values the Americans who expatriated to England over those who moved to Paris, but he seems to find it useful to use the newly arrived patriotic Americans as a sort of moral measure of the others. He does this a great deal, but he also finds this sort of hyper-moralizing a bit ridiculous. It is here that the ideal figure--the figure who is both American and British--Ralph Touchett can come in and say, just live life and stop worrying. | analysis |
Madame Merle, who had come to Florence on Mrs. Touchett's arrival at
the invitation of this lady--Mrs. Touchett offering her for a month the
hospitality of Palazzo Crescentini--the judicious Madame Merle spoke to
Isabel afresh about Gilbert Osmond and expressed the hope she might know
him; making, however, no such point of the matter as we have seen her do
in recommending the girl herself to Mr. Osmond's attention. The reason
of this was perhaps that Isabel offered no resistance whatever to Madame
Merle's proposal. In Italy, as in England, the lady had a multitude of
friends, both among the natives of the country and its heterogeneous
visitors. She had mentioned to Isabel most of the people the girl would
find it well to "meet"--of course, she said, Isabel could know whomever
in the wide world she would--and had placed Mr. Osmond near the top of
the list. He was an old friend of her own; she had known him these dozen
years; he was one of the cleverest and most agreeable men--well, in
Europe simply. He was altogether above the respectable average; quite
another affair. He wasn't a professional charmer--far from it, and the
effect he produced depended a good deal on the state of his nerves and
his spirits. When not in the right mood he could fall as low as any one,
saved only by his looking at such hours rather like a demoralised prince
in exile. But if he cared or was interested or rightly challenged--just
exactly rightly it had to be--then one felt his cleverness and his
distinction. Those qualities didn't depend, in him, as in so many
people, on his not committing or exposing himself. He had his
perversities--which indeed Isabel would find to be the case with all the
men really worth knowing--and didn't cause his light to shine equally
for all persons. Madame Merle, however, thought she could undertake that
for Isabel he would be brilliant. He was easily bored, too easily, and
dull people always put him out; but a quick and cultivated girl like
Isabel would give him a stimulus which was too absent from his life. At
any rate he was a person not to miss. One shouldn't attempt to live in
Italy without making a friend of Gilbert Osmond, who knew more about the
country than any one except two or three German professors. And if
they had more knowledge than he it was he who had most perception and
taste--being artistic through and through. Isabel remembered that her
friend had spoken of him during their plunge, at Gardencourt, into the
deeps of talk, and wondered a little what was the nature of the tie
binding these superior spirits. She felt that Madame Merle's ties always
somehow had histories, and such an impression was part of the interest
created by this inordinate woman. As regards her relations with Mr.
Osmond, however, she hinted at nothing but a long-established calm
friendship. Isabel said she should be happy to know a person who had
enjoyed so high a confidence for so many years. "You ought to see a
great many men," Madame Merle remarked; "you ought to see as many as
possible, so as to get used to them."
"Used to them?" Isabel repeated with that solemn stare which sometimes
seemed to proclaim her deficient in the sense of comedy. "Why, I'm not
afraid of them--I'm as used to them as the cook to the butcher-boys."
"Used to them, I mean, so as to despise them. That's what one comes to
with most of them. You'll pick out, for your society, the few whom you
don't despise."
This was a note of cynicism that Madame Merle didn't often allow herself
to sound; but Isabel was not alarmed, for she had never supposed that
as one saw more of the world the sentiment of respect became the
most active of one's emotions. It was excited, none the less, by the
beautiful city of Florence, which pleased her not less than Madame Merle
had promised; and if her unassisted perception had not been able to
gauge its charms she had clever companions as priests to the mystery.
She was--in no want indeed of esthetic illumination, for Ralph found it
a joy that renewed his own early passion to act as cicerone to his
eager young kinswoman. Madame Merle remained at home; she had seen the
treasures of Florence again and again and had always something else
to do. But she talked of all things with remarkable vividness of
memory--she recalled the right-hand corner of the large Perugino and the
position of the hands of the Saint Elizabeth in the picture next to it.
She had her opinions as to the character of many famous works of art,
differing often from Ralph with great sharpness and defending her
interpretations with as much ingenuity as good-humour. Isabel listened
to the discussions taking place between the two with a sense that
she might derive much benefit from them and that they were among the
advantages she couldn't have enjoyed for instance in Albany. In the
clear May mornings before the formal breakfast--this repast at Mrs.
Touchett's was served at twelve o'clock--she wandered with her cousin
through the narrow and sombre Florentine streets, resting a while in
the thicker dusk of some historic church or the vaulted chambers of some
dispeopled convent. She went to the galleries and palaces; she looked at
the pictures and statues that had hitherto been great names to her,
and exchanged for a knowledge which was sometimes a limitation a
presentiment which proved usually to have been a blank. She performed
all those acts of mental prostration in which, on a first visit to
Italy, youth and enthusiasm so freely indulge; she felt her heart beat
in the presence of immortal genius and knew the sweetness of rising
tears in eyes to which faded fresco and darkened marble grew dim. But
the return, every day, was even pleasanter than the going forth; the
return into the wide, monumental court of the great house in which Mrs.
Touchett, many years before, had established herself, and into the
high, cool rooms where the carven rafters and pompous frescoes of the
sixteenth century looked down on the familiar commodities of the age of
advertisement. Mrs. Touchett inhabited an historic building in a narrow
street whose very name recalled the strife of medieval factions; and
found compensation for the darkness of her frontage in the modicity of
her rent and the brightness of a garden where nature itself looked as
archaic as the rugged architecture of the palace and which cleared
and scented the rooms in regular use. To live in such a place was, for
Isabel, to hold to her ear all day a shell of the sea of the past. This
vague eternal rumour kept her imagination awake.
Gilbert Osmond came to see Madame Merle, who presented him to the young
lady lurking at the other side of the room. Isabel took on this occasion
little part in the talk; she scarcely even smiled when the others turned
to her invitingly; she sat there as if she had been at the play and had
paid even a large sum for her place. Mrs. Touchett was not present, and
these two had it, for the effect of brilliancy, all their own way. They
talked of the Florentine, the Roman, the cosmopolite world, and might
have been distinguished performers figuring for a charity. It all had
the rich readiness that would have come from rehearsal. Madame Merle
appealed to her as if she had been on the stage, but she could ignore
any learnt cue without spoiling the scene--though of course she thus put
dreadfully in the wrong the friend who had told Mr. Osmond she could be
depended on. This was no matter for once; even if more had been involved
she could have made no attempt to shine. There was something in
the visitor that checked her and held her in suspense--made it more
important she should get an impression of him than that she should
produce one herself. Besides, she had little skill in producing an
impression which she knew to be expected: nothing could be happier, in
general, than to seem dazzling, but she had a perverse unwillingness to
glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred
air of expecting nothing, a quiet ease that covered everything, even the
first show of his own wit. This was the more grateful as his face, his
head, was sensitive; he was not handsome, but he was fine, as fine as
one of the drawings in the long gallery above the bridge of the
Uffizi. And his very voice was fine--the more strangely that, with its
clearness, it yet somehow wasn't sweet. This had had really to do with
making her abstain from interference. His utterance was the vibration
of glass, and if she had put out her finger she might have changed the
pitch and spoiled the concert. Yet before he went she had to speak.
"Madame Merle," he said, "consents to come up to my hill-top some day
next week and drink tea in my garden. It would give me much pleasure if
you would come with her. It's thought rather pretty--there's what they
call a general view. My daughter too would be so glad--or rather, for
she's too young to have strong emotions, I should be so glad--so very
glad." And Mr. Osmond paused with a slight air of embarrassment, leaving
his sentence unfinished. "I should be so happy if you could know my
daughter," he went on a moment afterwards.
Isabel replied that she should be delighted to see Miss Osmond and that
if Madame Merle would show her the way to the hill-top she should be
very grateful. Upon this assurance the visitor took his leave; after
which Isabel fully expected her friend would scold her for having been
so stupid. But to her surprise that lady, who indeed never fell into the
mere matter-of-course, said to her in a few moments,
"You were charming, my dear; you were just as one would have wished you.
You're never disappointing."
A rebuke might possibly have been irritating, though it is much more
probable that Isabel would have taken it in good part; but, strange
to say, the words that Madame Merle actually used caused her the first
feeling of displeasure she had known this ally to excite. "That's more
than I intended," she answered coldly. "I'm under no obligation that I
know of to charm Mr. Osmond."
Madame Merle perceptibly flushed, but we know it was not her habit to
retract. "My dear child, I didn't speak for him, poor man; I spoke for
yourself. It's not of course a question as to his liking you; it matters
little whether he likes you or not! But I thought you liked HIM."
"I did," said Isabel honestly. "But I don't see what that matters
either."
"Everything that concerns you matters to me," Madame Merle returned
with her weary nobleness; "especially when at the same time another old
friend's concerned."
Whatever Isabel's obligations may have been to Mr. Osmond, it must be
admitted that she found them sufficient to lead her to put to Ralph
sundry questions about him. She thought Ralph's judgements distorted by
his trials, but she flattered herself she had learned to make allowance
for that.
"Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well,
but on the whole enough. I've never cultivated his society, and he
apparently has never found mine indispensable to his happiness. Who is
he, what is he? He's a vague, unexplained American who has been living
these thirty years, or less, in Italy. Why do I call him unexplained?
Only as a cover for my ignorance; I don't know his antecedents, his
family, his origin. For all I do know he may be a prince in disguise; he
rather looks like one, by the way--like a prince who has abdicated in a
fit of fastidiousness and has been in a state of disgust ever since. He
used to live in Rome; but of late years he has taken up his abode here;
I remember hearing him say that Rome has grown vulgar. He has a great
dread of vulgarity; that's his special line; he hasn't any other that I
know of. He lives on his income, which I suspect of not being vulgarly
large. He's a poor but honest gentleman that's what he calls himself.
He married young and lost his wife, and I believe he has a daughter. He
also has a sister, who's married to some small Count or other, of these
parts; I remember meeting her of old. She's nicer than he, I should
think, but rather impossible. I remember there used to be some stories
about her. I don't think I recommend you to know her. But why don't you
ask Madame Merle about these people? She knows them all much better than
I."
"I ask you because I want your opinion as well as hers," said Isabel.
"A fig for my opinion! If you fall in love with Mr. Osmond what will you
care for that?"
"Not much, probably. But meanwhile it has a certain importance. The more
information one has about one's dangers the better."
"I don't agree to that--it may make them dangers. We know too much about
people in these days; we hear too much. Our ears, our minds, our mouths,
are stuffed with personalities. Don't mind anything any one tells you
about any one else. Judge everyone and everything for yourself."
"That's what I try to do," said Isabel "but when you do that people call
you conceited."
"You're not to mind them--that's precisely my argument; not to mind what
they say about yourself any more than what they say about your friend or
your enemy."
Isabel considered. "I think you're right; but there are some things I
can't help minding: for instance when my friend's attacked or when I
myself am praised."
"Of course you're always at liberty to judge the critic. Judge people as
critics, however," Ralph added, "and you'll condemn them all!"
"I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay
him a visit."
"To pay him a visit?"
"To go and see his view, his pictures, his daughter--I don't know
exactly what. Madame Merle's to take me; she tells me a great many
ladies call on him."
"Ah, with Madame Merle you may go anywhere, de confiance," said Ralph.
"She knows none but the best people."
Isabel said no more about Mr. Osmond, but she presently remarked to her
cousin that she was not satisfied with his tone about Madame Merle. "It
seems to me you insinuate things about her. I don't know what you mean,
but if you've any grounds for disliking her I think you should either
mention them frankly or else say nothing at all."
Ralph, however, resented this charge with more apparent earnestness than
he commonly used. "I speak of Madame Merle exactly as I speak to her:
with an even exaggerated respect."
"Exaggerated, precisely. That's what I complain of."
"I do so because Madame Merle's merits are exaggerated."
"By whom, pray? By me? If so I do her a poor service."
"No, no; by herself."
"Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who
made small claims--!"
"You put your finger on it," Ralph interrupted. "Her modesty's
exaggerated. She has no business with small claims--she has a perfect
right to make large ones."
"Her merits are large then. You contradict yourself."
"Her merits are immense," said Ralph. "She's indescribably blameless; a
pathless desert of virtue; the only woman I know who never gives one a
chance."
"A chance for what?"
"Well, say to call her a fool! She's the only woman I know who has but
that one little fault."
Isabel turned away with impatience. "I don't understand you; you're too
paradoxical for my plain mind."
"Let me explain. When I say she exaggerates I don't mean it in the
vulgar sense--that she boasts, overstates, gives too fine an account of
herself. I mean literally that she pushes the search for perfection too
far--that her merits are in themselves overstrained. She's too good, too
kind, too clever, too learned, too accomplished, too everything. She's
too complete, in a word. I confess to you that she acts on my nerves and
that I feel about her a good deal as that intensely human Athenian felt
about Aristides the Just."
Isabel looked hard at her cousin; but the mocking spirit, if it lurked
in his words, failed on this occasion to peep from his face. "Do you
wish Madame Merle to be banished?"
"By no means. She's much too good company. I delight in Madame Merle,"
said Ralph Touchett simply.
"You're very odious, sir!" Isabel exclaimed. And then she asked him if
he knew anything that was not to the honour of her brilliant friend.
"Nothing whatever. Don't you see that's just what I mean? On the
character of every one else you may find some little black speck; if
I were to take half an hour to it, some day, I've no doubt I should be
able to find one on yours. For my own, of course, I'm spotted like a
leopard. But on Madame Merle's nothing, nothing, nothing!"
"That's just what I think!" said Isabel with a toss of her head. "That
is why I like her so much."
"She's a capital person for you to know. Since you wish to see the world
you couldn't have a better guide."
"I suppose you mean by that that she's worldly?"
"Worldly? No," said Ralph, "she's the great round world itself!"
It had certainly not, as Isabel for the moment took it into her head to
believe, been a refinement of malice in him to say that he delighted in
Madame Merle. Ralph Touchett took his refreshment wherever he could find
it, and he would not have forgiven himself if he had been left wholly
unbeguiled by such a mistress of the social art. There are deep-lying
sympathies and antipathies, and it may have been that, in spite of the
administered justice she enjoyed at his hands, her absence from his
mother's house would not have made life barren to him. But Ralph
Touchett had learned more or less inscrutably to attend, and there could
have been nothing so "sustained" to attend to as the general performance
of Madame Merle. He tasted her in sips, he let her stand, with an
opportuneness she herself could not have surpassed. There were moments
when he felt almost sorry for her; and these, oddly enough, were the
moments when his kindness was least demonstrative. He was sure she had
been yearningly ambitious and that what she had visibly accomplished was
far below her secret measure. She had got herself into perfect training,
but had won none of the prizes. She was always plain Madame Merle,
the widow of a Swiss negociant, with a small income and a large
acquaintance, who stayed with people a great deal and was almost as
universally "liked" as some new volume of smooth twaddle. The contrast
between this position and any one of some half-dozen others that he
supposed to have at various moments engaged her hope had an element of
the tragical. His mother thought he got on beautifully with their genial
guest; to Mrs. Touchett's sense two persons who dealt so largely in
too-ingenious theories of conduct--that is of their own--would have much
in common. He had given due consideration to Isabel's intimacy with her
eminent friend, having long since made up his mind that he could not,
without opposition, keep his cousin to himself; and he made the best of
it, as he had done of worse things. He believed it would take care of
itself; it wouldn't last forever. Neither of these two superior persons
knew the other as well as she supposed, and when each had made an
important discovery or two there would be, if not a rupture, at least
a relaxation. Meanwhile he was quite willing to admit that the
conversation of the elder lady was an advantage to the younger, who had
a great deal to learn and would doubtless learn it better from Madame
Merle than from some other instructors of the young. It was not probable
that Isabel would be injured.
| Madame Merle has come to Florence at the invitation of Mrs. Touchett to spend a month with her at her house, the Palazzo Crescentini. She speaks to Isabel again about Gilbert Osmond, telling her that he is one of the greatest men in Europe. Isabel spends her mornings with Ralph, who enjoys taking her through the great monuments of Venice. Isabel loves coming back home to the Palazzo Crescentini. One day Gilbert Osmond comes to visit Madame Merle and Isabel meets him. She doesnt speak hardly at all during his entire visit. Isabel finds that there is "something in the visitor that checked her and held her in suspense. " She has the idea that she must first find out about him before she produces an impression of her own. He is not handsome, but fine, like an old art work; his voice is fine also, but not sweet. When he leaves, he asks Isabel if she will come to visit him next week. He would like her to meet his daughter and see his home. When he is gone, Madame Merle tells her she was perfectly charming and that she couldnt have asked for any other kind of behavior. Isabel is unaccountably irritated, and says she is under no obligation to charm Gilbert Osmond. Isabel is interested to find out what Ralph thinks of Gilbert Osmond. Ralph says he is "a vague, unexplained American" who has been living in Italy for thirty years. He knows nothing of Mr. Osmonds background, but thinks the man looks like some kind of "prince who has abdicated in a fit of fastidiousness and has been in a state of disgust ever since." Ralph says that Mr. Osmonds great dread of vulgarity is his "special line" and his only line. She tells Isabel he once met Mr. Osmonds sister, who is married to a Count, and found her to be nicer than Mr. Osmond, but impossible, and someone Isabel should not meet. When Isabel prompts him to say more, he tells her that if she falls in love with Mr. Osmond, she wont listen to anything he says about the man anyway. Then he enjoins her to judge everything and everyone for herself. They move on to a discussion of Madame Merle. Isabel tries to get Ralph to say why he doesnt like her. He explains that Madame Merle is too perfect. She seems inhuman in not having any faults whatsoever. Shes too controlled and too complete. Ralph thinks about Isabels spending so much time with Madame Merle. He thinks nothing will harm Isabel in the connection and feels that one day Isabel would understand something about Madame Merle that would make her relax her interest in the older woman if not break from her completely. | summary |
Madame Merle, who had come to Florence on Mrs. Touchett's arrival at
the invitation of this lady--Mrs. Touchett offering her for a month the
hospitality of Palazzo Crescentini--the judicious Madame Merle spoke to
Isabel afresh about Gilbert Osmond and expressed the hope she might know
him; making, however, no such point of the matter as we have seen her do
in recommending the girl herself to Mr. Osmond's attention. The reason
of this was perhaps that Isabel offered no resistance whatever to Madame
Merle's proposal. In Italy, as in England, the lady had a multitude of
friends, both among the natives of the country and its heterogeneous
visitors. She had mentioned to Isabel most of the people the girl would
find it well to "meet"--of course, she said, Isabel could know whomever
in the wide world she would--and had placed Mr. Osmond near the top of
the list. He was an old friend of her own; she had known him these dozen
years; he was one of the cleverest and most agreeable men--well, in
Europe simply. He was altogether above the respectable average; quite
another affair. He wasn't a professional charmer--far from it, and the
effect he produced depended a good deal on the state of his nerves and
his spirits. When not in the right mood he could fall as low as any one,
saved only by his looking at such hours rather like a demoralised prince
in exile. But if he cared or was interested or rightly challenged--just
exactly rightly it had to be--then one felt his cleverness and his
distinction. Those qualities didn't depend, in him, as in so many
people, on his not committing or exposing himself. He had his
perversities--which indeed Isabel would find to be the case with all the
men really worth knowing--and didn't cause his light to shine equally
for all persons. Madame Merle, however, thought she could undertake that
for Isabel he would be brilliant. He was easily bored, too easily, and
dull people always put him out; but a quick and cultivated girl like
Isabel would give him a stimulus which was too absent from his life. At
any rate he was a person not to miss. One shouldn't attempt to live in
Italy without making a friend of Gilbert Osmond, who knew more about the
country than any one except two or three German professors. And if
they had more knowledge than he it was he who had most perception and
taste--being artistic through and through. Isabel remembered that her
friend had spoken of him during their plunge, at Gardencourt, into the
deeps of talk, and wondered a little what was the nature of the tie
binding these superior spirits. She felt that Madame Merle's ties always
somehow had histories, and such an impression was part of the interest
created by this inordinate woman. As regards her relations with Mr.
Osmond, however, she hinted at nothing but a long-established calm
friendship. Isabel said she should be happy to know a person who had
enjoyed so high a confidence for so many years. "You ought to see a
great many men," Madame Merle remarked; "you ought to see as many as
possible, so as to get used to them."
"Used to them?" Isabel repeated with that solemn stare which sometimes
seemed to proclaim her deficient in the sense of comedy. "Why, I'm not
afraid of them--I'm as used to them as the cook to the butcher-boys."
"Used to them, I mean, so as to despise them. That's what one comes to
with most of them. You'll pick out, for your society, the few whom you
don't despise."
This was a note of cynicism that Madame Merle didn't often allow herself
to sound; but Isabel was not alarmed, for she had never supposed that
as one saw more of the world the sentiment of respect became the
most active of one's emotions. It was excited, none the less, by the
beautiful city of Florence, which pleased her not less than Madame Merle
had promised; and if her unassisted perception had not been able to
gauge its charms she had clever companions as priests to the mystery.
She was--in no want indeed of esthetic illumination, for Ralph found it
a joy that renewed his own early passion to act as cicerone to his
eager young kinswoman. Madame Merle remained at home; she had seen the
treasures of Florence again and again and had always something else
to do. But she talked of all things with remarkable vividness of
memory--she recalled the right-hand corner of the large Perugino and the
position of the hands of the Saint Elizabeth in the picture next to it.
She had her opinions as to the character of many famous works of art,
differing often from Ralph with great sharpness and defending her
interpretations with as much ingenuity as good-humour. Isabel listened
to the discussions taking place between the two with a sense that
she might derive much benefit from them and that they were among the
advantages she couldn't have enjoyed for instance in Albany. In the
clear May mornings before the formal breakfast--this repast at Mrs.
Touchett's was served at twelve o'clock--she wandered with her cousin
through the narrow and sombre Florentine streets, resting a while in
the thicker dusk of some historic church or the vaulted chambers of some
dispeopled convent. She went to the galleries and palaces; she looked at
the pictures and statues that had hitherto been great names to her,
and exchanged for a knowledge which was sometimes a limitation a
presentiment which proved usually to have been a blank. She performed
all those acts of mental prostration in which, on a first visit to
Italy, youth and enthusiasm so freely indulge; she felt her heart beat
in the presence of immortal genius and knew the sweetness of rising
tears in eyes to which faded fresco and darkened marble grew dim. But
the return, every day, was even pleasanter than the going forth; the
return into the wide, monumental court of the great house in which Mrs.
Touchett, many years before, had established herself, and into the
high, cool rooms where the carven rafters and pompous frescoes of the
sixteenth century looked down on the familiar commodities of the age of
advertisement. Mrs. Touchett inhabited an historic building in a narrow
street whose very name recalled the strife of medieval factions; and
found compensation for the darkness of her frontage in the modicity of
her rent and the brightness of a garden where nature itself looked as
archaic as the rugged architecture of the palace and which cleared
and scented the rooms in regular use. To live in such a place was, for
Isabel, to hold to her ear all day a shell of the sea of the past. This
vague eternal rumour kept her imagination awake.
Gilbert Osmond came to see Madame Merle, who presented him to the young
lady lurking at the other side of the room. Isabel took on this occasion
little part in the talk; she scarcely even smiled when the others turned
to her invitingly; she sat there as if she had been at the play and had
paid even a large sum for her place. Mrs. Touchett was not present, and
these two had it, for the effect of brilliancy, all their own way. They
talked of the Florentine, the Roman, the cosmopolite world, and might
have been distinguished performers figuring for a charity. It all had
the rich readiness that would have come from rehearsal. Madame Merle
appealed to her as if she had been on the stage, but she could ignore
any learnt cue without spoiling the scene--though of course she thus put
dreadfully in the wrong the friend who had told Mr. Osmond she could be
depended on. This was no matter for once; even if more had been involved
she could have made no attempt to shine. There was something in
the visitor that checked her and held her in suspense--made it more
important she should get an impression of him than that she should
produce one herself. Besides, she had little skill in producing an
impression which she knew to be expected: nothing could be happier, in
general, than to seem dazzling, but she had a perverse unwillingness to
glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred
air of expecting nothing, a quiet ease that covered everything, even the
first show of his own wit. This was the more grateful as his face, his
head, was sensitive; he was not handsome, but he was fine, as fine as
one of the drawings in the long gallery above the bridge of the
Uffizi. And his very voice was fine--the more strangely that, with its
clearness, it yet somehow wasn't sweet. This had had really to do with
making her abstain from interference. His utterance was the vibration
of glass, and if she had put out her finger she might have changed the
pitch and spoiled the concert. Yet before he went she had to speak.
"Madame Merle," he said, "consents to come up to my hill-top some day
next week and drink tea in my garden. It would give me much pleasure if
you would come with her. It's thought rather pretty--there's what they
call a general view. My daughter too would be so glad--or rather, for
she's too young to have strong emotions, I should be so glad--so very
glad." And Mr. Osmond paused with a slight air of embarrassment, leaving
his sentence unfinished. "I should be so happy if you could know my
daughter," he went on a moment afterwards.
Isabel replied that she should be delighted to see Miss Osmond and that
if Madame Merle would show her the way to the hill-top she should be
very grateful. Upon this assurance the visitor took his leave; after
which Isabel fully expected her friend would scold her for having been
so stupid. But to her surprise that lady, who indeed never fell into the
mere matter-of-course, said to her in a few moments,
"You were charming, my dear; you were just as one would have wished you.
You're never disappointing."
A rebuke might possibly have been irritating, though it is much more
probable that Isabel would have taken it in good part; but, strange
to say, the words that Madame Merle actually used caused her the first
feeling of displeasure she had known this ally to excite. "That's more
than I intended," she answered coldly. "I'm under no obligation that I
know of to charm Mr. Osmond."
Madame Merle perceptibly flushed, but we know it was not her habit to
retract. "My dear child, I didn't speak for him, poor man; I spoke for
yourself. It's not of course a question as to his liking you; it matters
little whether he likes you or not! But I thought you liked HIM."
"I did," said Isabel honestly. "But I don't see what that matters
either."
"Everything that concerns you matters to me," Madame Merle returned
with her weary nobleness; "especially when at the same time another old
friend's concerned."
Whatever Isabel's obligations may have been to Mr. Osmond, it must be
admitted that she found them sufficient to lead her to put to Ralph
sundry questions about him. She thought Ralph's judgements distorted by
his trials, but she flattered herself she had learned to make allowance
for that.
"Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well,
but on the whole enough. I've never cultivated his society, and he
apparently has never found mine indispensable to his happiness. Who is
he, what is he? He's a vague, unexplained American who has been living
these thirty years, or less, in Italy. Why do I call him unexplained?
Only as a cover for my ignorance; I don't know his antecedents, his
family, his origin. For all I do know he may be a prince in disguise; he
rather looks like one, by the way--like a prince who has abdicated in a
fit of fastidiousness and has been in a state of disgust ever since. He
used to live in Rome; but of late years he has taken up his abode here;
I remember hearing him say that Rome has grown vulgar. He has a great
dread of vulgarity; that's his special line; he hasn't any other that I
know of. He lives on his income, which I suspect of not being vulgarly
large. He's a poor but honest gentleman that's what he calls himself.
He married young and lost his wife, and I believe he has a daughter. He
also has a sister, who's married to some small Count or other, of these
parts; I remember meeting her of old. She's nicer than he, I should
think, but rather impossible. I remember there used to be some stories
about her. I don't think I recommend you to know her. But why don't you
ask Madame Merle about these people? She knows them all much better than
I."
"I ask you because I want your opinion as well as hers," said Isabel.
"A fig for my opinion! If you fall in love with Mr. Osmond what will you
care for that?"
"Not much, probably. But meanwhile it has a certain importance. The more
information one has about one's dangers the better."
"I don't agree to that--it may make them dangers. We know too much about
people in these days; we hear too much. Our ears, our minds, our mouths,
are stuffed with personalities. Don't mind anything any one tells you
about any one else. Judge everyone and everything for yourself."
"That's what I try to do," said Isabel "but when you do that people call
you conceited."
"You're not to mind them--that's precisely my argument; not to mind what
they say about yourself any more than what they say about your friend or
your enemy."
Isabel considered. "I think you're right; but there are some things I
can't help minding: for instance when my friend's attacked or when I
myself am praised."
"Of course you're always at liberty to judge the critic. Judge people as
critics, however," Ralph added, "and you'll condemn them all!"
"I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay
him a visit."
"To pay him a visit?"
"To go and see his view, his pictures, his daughter--I don't know
exactly what. Madame Merle's to take me; she tells me a great many
ladies call on him."
"Ah, with Madame Merle you may go anywhere, de confiance," said Ralph.
"She knows none but the best people."
Isabel said no more about Mr. Osmond, but she presently remarked to her
cousin that she was not satisfied with his tone about Madame Merle. "It
seems to me you insinuate things about her. I don't know what you mean,
but if you've any grounds for disliking her I think you should either
mention them frankly or else say nothing at all."
Ralph, however, resented this charge with more apparent earnestness than
he commonly used. "I speak of Madame Merle exactly as I speak to her:
with an even exaggerated respect."
"Exaggerated, precisely. That's what I complain of."
"I do so because Madame Merle's merits are exaggerated."
"By whom, pray? By me? If so I do her a poor service."
"No, no; by herself."
"Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who
made small claims--!"
"You put your finger on it," Ralph interrupted. "Her modesty's
exaggerated. She has no business with small claims--she has a perfect
right to make large ones."
"Her merits are large then. You contradict yourself."
"Her merits are immense," said Ralph. "She's indescribably blameless; a
pathless desert of virtue; the only woman I know who never gives one a
chance."
"A chance for what?"
"Well, say to call her a fool! She's the only woman I know who has but
that one little fault."
Isabel turned away with impatience. "I don't understand you; you're too
paradoxical for my plain mind."
"Let me explain. When I say she exaggerates I don't mean it in the
vulgar sense--that she boasts, overstates, gives too fine an account of
herself. I mean literally that she pushes the search for perfection too
far--that her merits are in themselves overstrained. She's too good, too
kind, too clever, too learned, too accomplished, too everything. She's
too complete, in a word. I confess to you that she acts on my nerves and
that I feel about her a good deal as that intensely human Athenian felt
about Aristides the Just."
Isabel looked hard at her cousin; but the mocking spirit, if it lurked
in his words, failed on this occasion to peep from his face. "Do you
wish Madame Merle to be banished?"
"By no means. She's much too good company. I delight in Madame Merle,"
said Ralph Touchett simply.
"You're very odious, sir!" Isabel exclaimed. And then she asked him if
he knew anything that was not to the honour of her brilliant friend.
"Nothing whatever. Don't you see that's just what I mean? On the
character of every one else you may find some little black speck; if
I were to take half an hour to it, some day, I've no doubt I should be
able to find one on yours. For my own, of course, I'm spotted like a
leopard. But on Madame Merle's nothing, nothing, nothing!"
"That's just what I think!" said Isabel with a toss of her head. "That
is why I like her so much."
"She's a capital person for you to know. Since you wish to see the world
you couldn't have a better guide."
"I suppose you mean by that that she's worldly?"
"Worldly? No," said Ralph, "she's the great round world itself!"
It had certainly not, as Isabel for the moment took it into her head to
believe, been a refinement of malice in him to say that he delighted in
Madame Merle. Ralph Touchett took his refreshment wherever he could find
it, and he would not have forgiven himself if he had been left wholly
unbeguiled by such a mistress of the social art. There are deep-lying
sympathies and antipathies, and it may have been that, in spite of the
administered justice she enjoyed at his hands, her absence from his
mother's house would not have made life barren to him. But Ralph
Touchett had learned more or less inscrutably to attend, and there could
have been nothing so "sustained" to attend to as the general performance
of Madame Merle. He tasted her in sips, he let her stand, with an
opportuneness she herself could not have surpassed. There were moments
when he felt almost sorry for her; and these, oddly enough, were the
moments when his kindness was least demonstrative. He was sure she had
been yearningly ambitious and that what she had visibly accomplished was
far below her secret measure. She had got herself into perfect training,
but had won none of the prizes. She was always plain Madame Merle,
the widow of a Swiss negociant, with a small income and a large
acquaintance, who stayed with people a great deal and was almost as
universally "liked" as some new volume of smooth twaddle. The contrast
between this position and any one of some half-dozen others that he
supposed to have at various moments engaged her hope had an element of
the tragical. His mother thought he got on beautifully with their genial
guest; to Mrs. Touchett's sense two persons who dealt so largely in
too-ingenious theories of conduct--that is of their own--would have much
in common. He had given due consideration to Isabel's intimacy with her
eminent friend, having long since made up his mind that he could not,
without opposition, keep his cousin to himself; and he made the best of
it, as he had done of worse things. He believed it would take care of
itself; it wouldn't last forever. Neither of these two superior persons
knew the other as well as she supposed, and when each had made an
important discovery or two there would be, if not a rupture, at least
a relaxation. Meanwhile he was quite willing to admit that the
conversation of the elder lady was an advantage to the younger, who had
a great deal to learn and would doubtless learn it better from Madame
Merle than from some other instructors of the young. It was not probable
that Isabel would be injured.
| Notes Isabels first meeting with Gilbert Osmond demonstrates in Henry James usual oblique way that something big is in the works. Instead of acting her usual self with him, Isabel is silent and withdrawn. Since the reader has been informed of the plot-- to get Isabel to marry Gilbert Osmond--this chapter is full of dramatic irony. The reader sees Isabel falling into their trap perfectly. She has few hints that something is wrong. One of these hints is her instinctive displeasure at Madame Merles praise of how she behaved in front of Gilbert Osmond. Isabel recoils from this praise sensing that it implies that she should be on show for some superior. The second hint is Ralphs clear dislike of both Madame Merle and Gilbert Osmond. Isabel is too innocent to listen carefully to Ralphs subtext. He is too cultivated a man to warn her openly. He does so only by hints and he withdraws every hint at direct questioning. | analysis |
It would certainly have been hard to see what injury could arise to
her from the visit she presently paid to Mr. Osmond's hill-top. Nothing
could have been more charming than this occasion--a soft afternoon in
the full maturity of the Tuscan spring. The companions drove out of the
Roman Gate, beneath the enormous blank superstructure which crowns the
fine clear arch of that portal and makes it nakedly impressive, and
wound between high-walled lanes into which the wealth of blossoming
orchards over-drooped and flung a fragrance, until they reached the
small superurban piazza, of crooked shape, where the long brown wall of
the villa occupied in part by Mr. Osmond formed a principal, or at least
a very imposing, object. Isabel went with her friend through a wide,
high court, where a clear shadow rested below and a pair of light-arched
galleries, facing each other above, caught the upper sunshine upon their
slim columns and the flowering plants in which they were dressed. There
was something grave and strong in the place; it looked somehow as
if, once you were in, you would need an act of energy to get out. For
Isabel, however, there was of course as yet no thought of getting out,
but only of advancing. Mr. Osmond met her in the cold ante-chamber--it
was cold even in the month of May--and ushered her, with her
conductress, into the apartment to which we have already been
introduced. Madame Merle was in front, and while Isabel lingered a
little, talking with him, she went forward familiarly and greeted two
persons who were seated in the saloon. One of these was little Pansy, on
whom she bestowed a kiss; the other was a lady whom Mr. Osmond indicated
to Isabel as his sister, the Countess Gemini. "And that's my little
girl," he said, "who has just come out of her convent."
Pansy had on a scant white dress, and her fair hair was neatly arranged
in a net; she wore her small shoes tied sandal-fashion about her ankles.
She made Isabel a little conventual curtsey and then came to be kissed.
The Countess Gemini simply nodded without getting up: Isabel could see
she was a woman of high fashion. She was thin and dark and not at
all pretty, having features that suggested some tropical bird--a long
beak-like nose, small, quickly-moving eyes and a mouth and chin
that receded extremely. Her expression, however, thanks to various
intensities of emphasis and wonder, of horror and joy, was not inhuman,
and, as regards her appearance, it was plain she understood herself
and made the most of her points. Her attire, voluminous and delicate,
bristling with elegance, had the look of shimmering plumage, and her
attitudes were as light and sudden as those of a creature who perched
upon twigs. She had a great deal of manner; Isabel, who had never
known any one with so much manner, immediately classed her as the most
affected of women. She remembered that Ralph had not recommended her as
an acquaintance; but she was ready to acknowledge that to a casual view
the Countess Gemini revealed no depths. Her demonstrations suggested the
violent waving of some flag of general truce--white silk with fluttering
streamers.
"You'll believe I'm glad to see you when I tell you it's only because
I knew you were to be here that I came myself. I don't come and see my
brother--I make him come and see me. This hill of his is impossible--I
don't see what possesses him. Really, Osmond, you'll be the ruin of my
horses some day, and if it hurts them you'll have to give me another
pair. I heard them wheezing to-day; I assure you I did. It's very
disagreeable to hear one's horses wheezing when one's sitting in the
carriage; it sounds too as if they weren't what they should be. But
I've always had good horses; whatever else I may have lacked I've always
managed that. My husband doesn't know much, but I think he knows a
horse. In general Italians don't, but my husband goes in, according to
his poor light, for everything English. My horses are English--so it's
all the greater pity they should be ruined. I must tell you," she went
on, directly addressing Isabel, "that Osmond doesn't often invite me;
I don't think he likes to have me. It was quite my own idea, coming
to-day. I like to see new people, and I'm sure you're very new. But
don't sit there; that chair's not what it looks. There are some very
good seats here, but there are also some horrors."
These remarks were delivered with a series of little jerks and pecks, of
roulades of shrillness, and in an accent that was as some fond recall of
good English, or rather of good American, in adversity.
"I don't like to have you, my dear?" said her brother. "I'm sure you're
invaluable."
"I don't see any horrors anywhere," Isabel returned, looking about her.
"Everything seems to me beautiful and precious."
"I've a few good things," Mr. Osmond allowed; "indeed I've nothing very
bad. But I've not what I should have liked."
He stood there a little awkwardly, smiling and glancing about; his
manner was an odd mixture of the detached and the involved. He seemed to
hint that nothing but the right "values" was of any consequence. Isabel
made a rapid induction: perfect simplicity was not the badge of his
family. Even the little girl from the convent, who, in her prim white
dress, with her small submissive face and her hands locked before her,
stood there as if she were about to partake of her first communion,
even Mr. Osmond's diminutive daughter had a kind of finish that was not
entirely artless.
"You'd have liked a few things from the Uffizi and the Pitti--that's what
you'd have liked," said Madame Merle.
"Poor Osmond, with his old curtains and crucifixes!" the Countess Gemini
exclaimed: she appeared to call her brother only by his family-name. Her
ejaculation had no particular object; she smiled at Isabel as she made
it and looked at her from head to foot.
Her brother had not heard her; he seemed to be thinking what he could
say to Isabel. "Won't you have some tea?--you must be very tired," he at
last bethought himself of remarking.
"No indeed, I'm not tired; what have I done to tire me?" Isabel felt a
certain need of being very direct, of pretending to nothing; there was
something in the air, in her general impression of things--she could
hardly have said what it was--that deprived her of all disposition to
put herself forward. The place, the occasion, the combination of people,
signified more than lay on the surface; she would try to understand--she
would not simply utter graceful platitudes. Poor Isabel was doubtless
not aware that many women would have uttered graceful platitudes to
cover the working of their observation. It must be confessed that her
pride was a trifle alarmed. A man she had heard spoken of in terms
that excited interest and who was evidently capable of distinguishing
himself, had invited her, a young lady not lavish of her favours,
to come to his house. Now that she had done so the burden of the
entertainment rested naturally on his wit. Isabel was not rendered
less observant, and for the moment, we judge, she was not rendered
more indulgent, by perceiving that Mr. Osmond carried his burden less
complacently than might have been expected. "What a fool I was to
have let myself so needlessly in--!" she could fancy his exclaiming to
himself.
"You'll be tired when you go home, if he shows you all his bibelots and
gives you a lecture on each," said the Countess Gemini.
"I'm not afraid of that; but if I'm tired I shall at least have learned
something."
"Very little, I suspect. But my sister's dreadfully afraid of learning
anything," said Mr. Osmond.
"Oh, I confess to that; I don't want to know anything more--I know too
much already. The more you know the more unhappy you are."
"You should not undervalue knowledge before Pansy, who has not finished
her education," Madame Merle interposed with a smile. "Pansy will
never know any harm," said the child's father. "Pansy's a little
convent-flower."
"Oh, the convents, the convents!" cried the Countess with a flutter of
her ruffles. "Speak to me of the convents! You may learn anything there;
I'm a convent-flower myself. I don't pretend to be good, but the nuns
do. Don't you see what I mean?" she went on, appealing to Isabel.
Isabel was not sure she saw, and she answered that she was very bad
at following arguments. The Countess then declared that she herself
detested arguments, but that this was her brother's taste--he would
always discuss. "For me," she said, "one should like a thing or one
shouldn't; one can't like everything, of course. But one shouldn't
attempt to reason it out--you never know where it may lead you. There
are some very good feelings that may have bad reasons, don't you know?
And then there are very bad feelings, sometimes, that have good reasons.
Don't you see what I mean? I don't care anything about reasons, but I
know what I like."
"Ah, that's the great thing," said Isabel, smiling and suspecting that
her acquaintance with this lightly flitting personage would not lead to
intellectual repose. If the Countess objected to argument Isabel at this
moment had as little taste for it, and she put out her hand to Pansy
with a pleasant sense that such a gesture committed her to nothing that
would admit of a divergence of views. Gilbert Osmond apparently took a
rather hopeless view of his sister's tone; he turned the conversation to
another topic. He presently sat down on the other side of his daughter,
who had shyly brushed Isabel's fingers with her own; but he ended by
drawing her out of her chair and making her stand between his knees,
leaning against him while he passed his arm round her slimness. The
child fixed her eyes on Isabel with a still, disinterested gaze which
seemed void of an intention, yet conscious of an attraction. Mr. Osmond
talked of many things; Madame Merle had said he could be agreeable
when he chose, and to-day, after a little, he appeared not only to have
chosen but to have determined. Madame Merle and the Countess Gemini sat
a little apart, conversing in the effortless manner of persons who knew
each other well enough to take their ease; but every now and then Isabel
heard the Countess, at something said by her companion, plunge into the
latter's lucidity as a poodle splashes after a thrown stick. It was as
if Madame Merle were seeing how far she would go. Mr. Osmond talked of
Florence, of Italy, of the pleasure of living in that country and of the
abatements to the pleasure. There were both satisfactions and drawbacks;
the drawbacks were numerous; strangers were too apt to see such a world
as all romantic. It met the case soothingly for the human, for the
social failure--by which he meant the people who couldn't "realise," as
they said, on their sensibility: they could keep it about them there,
in their poverty, without ridicule, as you might keep an heirloom or an
inconvenient entailed place that brought you in nothing. Thus there were
advantages in living in the country which contained the greatest sum of
beauty. Certain impressions you could get only there. Others, favourable
to life, you never got, and you got some that were very bad. But from
time to time you got one of a quality that made up for everything.
Italy, all the same, had spoiled a great many people; he was even
fatuous enough to believe at times that he himself might have been a
better man if he had spent less of his life there. It made one idle and
dilettantish and second-rate; it had no discipline for the character,
didn't cultivate in you, otherwise expressed, the successful social
and other "cheek" that flourished in Paris and London. "We're sweetly
provincial," said Mr. Osmond, "and I'm perfectly aware that I myself am
as rusty as a key that has no lock to fit it. It polishes me up a little
to talk with you--not that I venture to pretend I can turn that very
complicated lock I suspect your intellect of being! But you'll be going
away before I've seen you three times, and I shall perhaps never see you
after that. That's what it is to live in a country that people come to.
When they're disagreeable here it's bad enough; when they're agreeable
it's still worse. As soon as you like them they're off again! I've been
deceived too often; I've ceased to form attachments, to permit myself
to feel attractions. You mean to stay--to settle? That would be really
comfortable. Ah yes, your aunt's a sort of guarantee; I believe she may
be depended on. Oh, she's an old Florentine; I mean literally an old
one; not a modern outsider. She's a contemporary of the Medici; she must
have been present at the burning of Savonarola, and I'm not sure she
didn't throw a handful of chips into the flame. Her face is very much
like some faces in the early pictures; little, dry, definite faces that
must have had a good deal of expression, but almost always the same one.
Indeed I can show you her portrait in a fresco of Ghirlandaio's. I hope
you don't object to my speaking that way of your aunt, eh? I've an idea
you don't. Perhaps you think that's even worse. I assure you there's
no want of respect in it, to either of you. You know I'm a particular
admirer of Mrs. Touchett."
While Isabel's host exerted himself to entertain her in this somewhat
confidential fashion she looked occasionally at Madame Merle, who met
her eyes with an inattentive smile in which, on this occasion, there
was no infelicitous intimation that our heroine appeared to advantage.
Madame Merle eventually proposed to the Countess Gemini that they
should go into the garden, and the Countess, rising and shaking out
her feathers, began to rustle toward the door. "Poor Miss Archer!" she
exclaimed, surveying the other group with expressive compassion. "She
has been brought quite into the family."
"Miss Archer can certainly have nothing but sympathy for a family to
which you belong," Mr. Osmond answered, with a laugh which, though it
had something of a mocking ring, had also a finer patience.
"I don't know what you mean by that! I'm sure she'll see no harm in
me but what you tell her. I'm better than he says, Miss Archer," the
Countess went on. "I'm only rather an idiot and a bore. Is that all he
has said? Ah then, you keep him in good-humour. Has he opened on one of
his favourite subjects? I give you notice that there are two or three
that he treats a fond. In that case you had better take off your
bonnet."
"I don't think I know what Mr. Osmond's favourite subjects are," said
Isabel, who had risen to her feet.
The Countess assumed for an instant an attitude of intense meditation,
pressing one of her hands, with the finger-tips gathered together, to
her forehead. "I'll tell you in a moment. One's Machiavelli; the other's
Vittoria Colonna; the next is Metastasio."
"Ah, with me," said Madame Merle, passing her arm into the Countess
Gemini's as if to guide her course to the garden, "Mr. Osmond's never so
historical."
"Oh you," the Countess answered as they moved away, "you yourself are
Machiavelli--you yourself are Vittoria Colonna!"
"We shall hear next that poor Madame Merle is Metastasio!" Gilbert
Osmond resignedly sighed.
Isabel had got up on the assumption that they too were to go into the
garden; but her host stood there with no apparent inclination to leave
the room, his hands in the pockets of his jacket and his daughter, who
had now locked her arm into one of his own, clinging to him and looking
up while her eyes moved from his own face to Isabel's. Isabel waited,
with a certain unuttered contentedness, to have her movements directed;
she liked Mr. Osmond's talk, his company: she had what always gave her
a very private thrill, the consciousness of a new relation. Through
the open doors of the great room she saw Madame Merle and the Countess
stroll across the fine grass of the garden; then she turned, and her
eyes wandered over the things scattered about her. The understanding
had been that Mr. Osmond should show her his treasures; his pictures and
cabinets all looked like treasures. Isabel after a moment went toward
one of the pictures to see it better; but just as she had done so he
said to her abruptly: "Miss Archer, what do you think of my sister?"
She faced him with some surprise. "Ah, don't ask me that--I've seen your
sister too little."
"Yes, you've seen her very little; but you must have observed that
there is not a great deal of her to see. What do you think of our family
tone?" he went on with his cool smile. "I should like to know how
it strikes a fresh, unprejudiced mind. I know what you're going to
say--you've had almost no observation of it. Of course this is only
a glimpse. But just take notice, in future, if you have a chance. I
sometimes think we've got into a rather bad way, living off here among
things and people not our own, without responsibilities or attachments,
with nothing to hold us together or keep us up; marrying foreigners,
forming artificial tastes, playing tricks with our natural mission. Let
me add, though, that I say that much more for myself than for my sister.
She's a very honest lady--more so than she seems. She's rather
unhappy, and as she's not of a serious turn she doesn't tend to show
it tragically: she shows it comically instead. She has got a horrid
husband, though I'm not sure she makes the best of him. Of course,
however, a horrid husband's an awkward thing. Madame Merle gives her
excellent advice, but it's a good deal like giving a child a dictionary
to learn a language with. He can look out the words, but he can't put
them together. My sister needs a grammar, but unfortunately she's not
grammatical. Pardon my troubling you with these details; my sister was
very right in saying you've been taken into the family. Let me take down
that picture; you want more light."
He took down the picture, carried it toward the window, related some
curious facts about it. She looked at the other works of art, and he
gave her such further information as might appear most acceptable to
a young lady making a call on a summer afternoon. His pictures, his
medallions and tapestries were interesting; but after a while Isabel
felt the owner much more so, and independently of them, thickly as they
seemed to overhang him. He resembled no one she had ever seen; most
of the people she knew might be divided into groups of half a dozen
specimens. There were one or two exceptions to this; she could think for
instance of no group that would contain her aunt Lydia. There were other
people who were, relatively speaking, original--original, as one might
say, by courtesy such as Mr. Goodwood, as her cousin Ralph, as Henrietta
Stackpole, as Lord Warburton, as Madame Merle. But in essentials, when
one came to look at them, these individuals belonged to types already
present to her mind. Her mind contained no class offering a natural
place to Mr. Osmond--he was a specimen apart. It was not that she
recognised all these truths at the hour, but they were falling into
order before her. For the moment she only said to herself that this "new
relation" would perhaps prove her very most distinguished. Madame Merle
had had that note of rarity, but what quite other power it immediately
gained when sounded by a man! It was not so much what he said and did,
but rather what he withheld, that marked him for her as by one of those
signs of the highly curious that he was showing her on the underside of
old plates and in the corner of sixteenth-century drawings: he indulged
in no striking deflections from common usage, he was an original without
being an eccentric. She had never met a person of so fine a grain.
The peculiarity was physical, to begin with, and it extended to
impalpabilities. His dense, delicate hair, his overdrawn, retouched
features, his clear complexion, ripe without being coarse, the very
evenness of the growth of his beard, and that light, smooth slenderness
of structure which made the movement of a single one of his fingers
produce the effect of an expressive gesture--these personal points
struck our sensitive young woman as signs of quality, of intensity,
somehow as promises of interest. He was certainly fastidious and
critical; he was probably irritable. His sensibility had governed
him--possibly governed him too much; it had made him impatient of
vulgar troubles and had led him to live by himself, in a sorted, sifted,
arranged world, thinking about art and beauty and history. He had
consulted his taste in everything--his taste alone perhaps, as a sick
man consciously incurable consults at last only his lawyer: that was
what made him so different from every one else. Ralph had something of
this same quality, this appearance of thinking that life was a matter
of connoisseurship; but in Ralph it was an anomaly, a kind of humorous
excrescence, whereas in Mr. Osmond it was the keynote, and everything
was in harmony with it. She was certainly far from understanding him
completely; his meaning was not at all times obvious. It was hard to see
what he meant for instance by speaking of his provincial side--which
was exactly the side she would have taken him most to lack. Was it a
harmless paradox, intended to puzzle her? or was it the last refinement
of high culture? She trusted she should learn in time; it would be very
interesting to learn. If it was provincial to have that harmony, what
then was the finish of the capital? And she could put this question
in spite of so feeling her host a shy personage; since such shyness as
his--the shyness of ticklish nerves and fine perceptions--was perfectly
consistent with the best breeding. Indeed it was almost a proof of
standards and touchstones other than the vulgar: he must be so sure the
vulgar would be first on the ground. He wasn't a man of easy assurance,
who chatted and gossiped with the fluency of a superficial nature; he
was critical of himself as well as of others, and, exacting a good deal
of others, to think them agreeable, probably took a rather ironical view
of what he himself offered: a proof into the bargain that he was not
grossly conceited. If he had not been shy he wouldn't have effected that
gradual, subtle, successful conversion of it to which she owed both what
pleased her in him and what mystified her. If he had suddenly asked her
what she thought of the Countess Gemini, that was doubtless a proof that
he was interested in her; it could scarcely be as a help to knowledge
of his own sister. That he should be so interested showed an enquiring
mind; but it was a little singular he should sacrifice his fraternal
feeling to his curiosity. This was the most eccentric thing he had done.
There were two other rooms, beyond the one in which she had been
received, equally full of romantic objects, and in these apartments
Isabel spent a quarter of an hour. Everything was in the last degree
curious and precious, and Mr. Osmond continued to be the kindest of
ciceroni as he led her from one fine piece to another and still held his
little girl by the hand. His kindness almost surprised our young friend,
who wondered why he should take so much trouble for her; and she was
oppressed at last with the accumulation of beauty and knowledge to which
she found herself introduced. There was enough for the present; she had
ceased to attend to what he said; she listened to him with attentive
eyes, but was not thinking of what he told her. He probably thought
her quicker, cleverer in every way, more prepared, than she was. Madame
Merle would have pleasantly exaggerated; which was a pity, because in
the end he would be sure to find out, and then perhaps even her real
intelligence wouldn't reconcile him to his mistake. A part of Isabel's
fatigue came from the effort to appear as intelligent as she believed
Madame Merle had described her, and from the fear (very unusual with
her) of exposing--not her ignorance; for that she cared comparatively
little--but her possible grossness of perception. It would have annoyed
her to express a liking for something he, in his superior enlightenment,
would think she oughtn't to like; or to pass by something at which the
truly initiated mind would arrest itself. She had no wish to fall into
that grotesqueness--in which she had seen women (and it was a warning)
serenely, yet ignobly, flounder. She was very careful therefore as to
what she said, as to what she noticed or failed to notice; more careful
than she had ever been before.
They came back into the first of the rooms, where the tea had been
served; but as the two other ladies were still on the terrace, and as
Isabel had not yet been made acquainted with the view, the paramount
distinction of the place, Mr. Osmond directed her steps into the garden
without more delay. Madame Merle and the Countess had had chairs brought
out, and as the afternoon was lovely the Countess proposed they should
take their tea in the open air. Pansy therefore was sent to bid the
servant bring out the preparations. The sun had got low, the golden
light took a deeper tone, and on the mountains and the plain that
stretched beneath them the masses of purple shadow glowed as richly
as the places that were still exposed. The scene had an extraordinary
charm. The air was almost solemnly still, and the large expanse of the
landscape, with its garden-like culture and nobleness of outline,
its teeming valley and delicately-fretted hills, its peculiarly
human-looking touches of habitation, lay there in splendid harmony and
classic grace. "You seem so well pleased that I think you can be trusted
to come back," Osmond said as he led his companion to one of the angles
of the terrace.
"I shall certainly come back," she returned, "in spite of what you say
about its being bad to live in Italy. What was that you said about one's
natural mission? I wonder if I should forsake my natural mission if I
were to settle in Florence."
"A woman's natural mission is to be where she's most appreciated."
"The point's to find out where that is."
"Very true--she often wastes a great deal of time in the enquiry. People
ought to make it very plain to her."
"Such a matter would have to be made very plain to me," smiled Isabel.
"I'm glad, at any rate, to hear you talk of settling. Madame Merle had
given me an idea that you were of a rather roving disposition. I thought
she spoke of your having some plan of going round the world."
"I'm rather ashamed of my plans; I make a new one every day."
"I don't see why you should be ashamed; it's the greatest of pleasures."
"It seems frivolous, I think," said Isabel. "One ought to choose
something very deliberately, and be faithful to that."
"By that rule then, I've not been frivolous."
"Have you never made plans?"
"Yes, I made one years ago, and I'm acting on it to-day."
"It must have been a very pleasant one," Isabel permitted herself to
observe.
"It was very simple. It was to be as quiet as possible."
"As quiet?" the girl repeated.
"Not to worry--not to strive nor struggle. To resign myself. To be
content with little." He spoke these sentences slowly, with short pauses
between, and his intelligent regard was fixed on his visitor's with the
conscious air of a man who has brought himself to confess something.
"Do you call that simple?" she asked with mild irony.
"Yes, because it's negative."
"Has your life been negative?"
"Call it affirmative if you like. Only it has affirmed my indifference.
Mind you, not my natural indifference--I HAD none. But my studied, my
wilful renunciation."
She scarcely understood him; it seemed a question whether he were
joking or not. Why should a man who struck her as having a great fund
of reserve suddenly bring himself to be so confidential? This was his
affair, however, and his confidences were interesting. "I don't see why
you should have renounced," she said in a moment.
"Because I could do nothing. I had no prospects, I was poor, and I was
not a man of genius. I had no talents even; I took my measure early in
life. I was simply the most fastidious young gentleman living. There
were two or three people in the world I envied--the Emperor of Russia,
for instance, and the Sultan of Turkey! There were even moments when I
envied the Pope of Rome--for the consideration he enjoys. I should have
been delighted to be considered to that extent; but since that couldn't
be I didn't care for anything less, and I made up my mind not to go
in for honours. The leanest gentleman can always consider himself,
and fortunately I was, though lean, a gentleman. I could do nothing in
Italy--I couldn't even be an Italian patriot. To do that I should have
had to get out of the country; and I was too fond of it to leave it, to
say nothing of my being too well satisfied with it, on the whole, as it
then was, to wish it altered. So I've passed a great many years here on
that quiet plan I spoke of. I've not been at all unhappy. I don't mean
to say I've cared for nothing; but the things I've cared for have
been definite--limited. The events of my life have been absolutely
unperceived by any one save myself; getting an old silver crucifix at a
bargain (I've never bought anything dear, of course), or discovering,
as I once did, a sketch by Correggio on a panel daubed over by some
inspired idiot."
This would have been rather a dry account of Mr. Osmond's career if
Isabel had fully believed it; but her imagination supplied the human
element which she was sure had not been wanting. His life had been
mingled with other lives more than he admitted; naturally she couldn't
expect him to enter into this. For the present she abstained from
provoking further revelations; to intimate that he had not told her
everything would be more familiar and less considerate than she now
desired to be--would in fact be uproariously vulgar. He had certainly
told her quite enough. It was her present inclination, however, to
express a measured sympathy for the success with which he had preserved
his independence. "That's a very pleasant life," she said, "to renounce
everything but Correggio!"
"Oh, I've made in my way a good thing of it. Don't imagine I'm whining
about it. It's one's own fault if one isn't happy."
This was large; she kept down to something smaller. "Have you lived here
always?"
"No, not always. I lived a long time at Naples, and many years in
Rome. But I've been here a good while. Perhaps I shall have to change,
however; to do something else. I've no longer myself to think of. My
daughter's growing up and may very possibly not care so much for the
Correggios and crucifixes as I. I shall have to do what's best for
Pansy."
"Yes, do that," said Isabel. "She's such a dear little girl."
"Ah," cried Gilbert Osmond beautifully, "she's a little saint of heaven!
She is my great happiness!"
| Notes Gilbert Osmond takes the first step in fulfilling Madame Merles ambitions for him. He woos Isabel Archer in the most subtle way. Isabel Archer has a few categories in her mind in which she finds a place for all the people she knows. Mr. Osmond, however, fits none of these categories, and it is just such a nature that is likely to attract Isabel intensely. The other elements of this scene that are sure to attract Isabel include the romantic and the artistic. Ralph has said in the previous chapter that Mr. Osmond is like a prince who abdicated in a fit of fastidiousness and then lived the rest of his life in a state of constant disgust. Gilbert Osmond says almost the same thing of himself, but puts it in a more flattering light. He tells her that he was "the most fastidious young gentleman living" in his youth and decided that since he could do nothing really to distinguish himself, he would do nothing at all. So he renounced all activity. Isabel falls into the trap that many new lovers do. She doesnt believe what he says. She supplies the romantic cloak to drape over the bare truth that he has told her. She says to herself that there must be a "human element" in this renunciation and that he is just not telling her all of it at once. In Gilbert Osmonds family, the reader might find an ominous note for any future wife. His daughter is praised for her abject submissiveness. She is treated as an otherworldly angel or a this- worldly piece of art. His sister is unhappily married and a frenetic talker who cant pause for a moment, it seems, to be real with a new person she meets. If Madame Merle can be considered part of the family by virtue of her intimacy with its members, she is also not the best figure to produce warm family feeling. What is it here then that would attract a young woman from American who has spent most of her life in a library reading? Gilbert Osmond is the prince without a princess. His sister is a countess. Pansy Osmond is the precious jewel of a daughter. Perhaps Madame Merle is the fairly godmother. | analysis |
While this sufficiently intimate colloquy (prolonged for some time after
we cease to follow it) went forward Madame Merle and her companion,
breaking a silence of some duration, had begun to exchange remarks.
They were sitting in an attitude of unexpressed expectancy; an attitude
especially marked on the part of the Countess Gemini, who, being of a
more nervous temperament than her friend, practised with less success
the art of disguising impatience. What these ladies were waiting for
would not have been apparent and was perhaps not very definite to their
own minds. Madame Merle waited for Osmond to release their young friend
from her tete-a-tete, and the Countess waited because Madame Merle did.
The Countess, moreover, by waiting, found the time ripe for one of her
pretty perversities. She might have desired for some minutes to place
it. Her brother wandered with Isabel to the end of the garden, to which
point her eyes followed them.
"My dear," she then observed to her companion, "you'll excuse me if I
don't congratulate you!"
"Very willingly, for I don't in the least know why you should."
"Haven't you a little plan that you think rather well of?" And the
Countess nodded at the sequestered couple.
Madame Merle's eyes took the same direction; then she looked serenely at
her neighbour. "You know I never understand you very well," she smiled.
"No one can understand better than you when you wish. I see that just
now you DON'T wish."
"You say things to me that no one else does," said Madame Merle gravely,
yet without bitterness.
"You mean things you don't like? Doesn't Osmond sometimes say such
things?"
"What your brother says has a point."
"Yes, a poisoned one sometimes. If you mean that I'm not so clever as he
you mustn't think I shall suffer from your sense of our difference. But
it will be much better that you should understand me."
"Why so?" asked Madame Merle. "To what will it conduce?"
"If I don't approve of your plan you ought to know it in order to
appreciate the danger of my interfering with it."
Madame Merle looked as if she were ready to admit that there might be
something in this; but in a moment she said quietly: "You think me more
calculating than I am."
"It's not your calculating I think ill of; it's your calculating wrong.
You've done so in this case."
"You must have made extensive calculations yourself to discover that."
"No, I've not had time. I've seen the girl but this once," said the
Countess, "and the conviction has suddenly come to me. I like her very
much."
"So do I," Madame Merle mentioned.
"You've a strange way of showing it."
"Surely I've given her the advantage of making your acquaintance."
"That indeed," piped the Countess, "is perhaps the best thing that could
happen to her!"
Madame Merle said nothing for some time. The Countess's manner was
odious, was really low; but it was an old story, and with her eyes upon
the violet slope of Monte Morello she gave herself up to reflection. "My
dear lady," she finally resumed, "I advise you not to agitate yourself.
The matter you allude to concerns three persons much stronger of purpose
than yourself."
"Three persons? You and Osmond of course. But is Miss Archer also very
strong of purpose?"
"Quite as much so as we."
"Ah then," said the Countess radiantly, "if I convince her it's her
interest to resist you she'll do so successfully!"
"Resist us? Why do you express yourself so coarsely? She's not exposed
to compulsion or deception."
"I'm not sure of that. You're capable of anything, you and Osmond. I
don't mean Osmond by himself, and I don't mean you by yourself. But
together you're dangerous--like some chemical combination."
"You had better leave us alone then," smiled Madame Merle.
"I don't mean to touch you--but I shall talk to that girl."
"My poor Amy," Madame Merle murmured, "I don't see what has got into
your head."
"I take an interest in her--that's what has got into my head. I like
her."
Madame Merle hesitated a moment. "I don't think she likes you."
The Countess's bright little eyes expanded and her face was set in a
grimace. "Ah, you ARE dangerous--even by yourself!"
"If you want her to like you don't abuse your brother to her," said
Madame Merle.
"I don't suppose you pretend she has fallen in love with him in two
interviews."
Madame Merle looked a moment at Isabel and at the master of the house.
He was leaning against the parapet, facing her, his arms folded; and
she at present was evidently not lost in the mere impersonal view,
persistently as she gazed at it. As Madame Merle watched her she lowered
her eyes; she was listening, possibly with a certain embarrassment,
while she pressed the point of her parasol into the path. Madame Merle
rose from her chair. "Yes, I think so!" she pronounced.
The shabby footboy, summoned by Pansy--he might, tarnished as to livery
and quaint as to type, have issued from some stray sketch of old-time
manners, been "put in" by the brush of a Longhi or a Goya--had come out
with a small table and placed it on the grass, and then had gone back
and fetched the tea-tray; after which he had again disappeared, to
return with a couple of chairs. Pansy had watched these proceedings with
the deepest interest, standing with her small hands folded together
upon the front of her scanty frock; but she had not presumed to offer
assistance. When the tea-table had been arranged, however, she gently
approached her aunt.
"Do you think papa would object to my making the tea?"
The Countess looked at her with a deliberately critical gaze and without
answering her question. "My poor niece," she said, "is that your best
frock?"
"Ah no," Pansy answered, "it's just a little toilette for common
occasions."
"Do you call it a common occasion when I come to see you?--to say
nothing of Madame Merle and the pretty lady yonder."
Pansy reflected a moment, turning gravely from one of the persons
mentioned to the other. Then her face broke into its perfect smile.
"I have a pretty dress, but even that one's very simple. Why should I
expose it beside your beautiful things?"
"Because it's the prettiest you have; for me you must always wear the
prettiest. Please put it on the next time. It seems to me they don't
dress you so well as they might."
The child sparingly stroked down her antiquated skirt. "It's a good
little dress to make tea--don't you think? Don't you believe papa would
allow me?"
"Impossible for me to say, my child," said the Countess. "For me, your
father's ideas are unfathomable. Madame Merle understands them better.
Ask HER."
Madame Merle smiled with her usual grace. "It's a weighty question--let
me think. It seems to me it would please your father to see a careful
little daughter making his tea. It's the proper duty of the daughter of
the house--when she grows up."
"So it seems to me, Madame Merle!" Pansy cried. "You shall see how well
I'll make it. A spoonful for each." And she began to busy herself at the
table.
"Two spoonfuls for me," said the Countess, who, with Madame Merle,
remained for some moments watching her. "Listen to me, Pansy," the
Countess resumed at last. "I should like to know what you think of your
visitor."
"Ah, she's not mine--she's papa's," Pansy objected.
"Miss Archer came to see you as well," said Madame Merle.
"I'm very happy to hear that. She has been very polite to me."
"Do you like her then?" the Countess asked.
"She's charming--charming," Pansy repeated in her little neat
conversational tone. "She pleases me thoroughly."
"And how do you think she pleases your father?"
"Ah really, Countess!" murmured Madame Merle dissuasively. "Go and call
them to tea," she went on to the child.
"You'll see if they don't like it!" Pansy declared; and departed to
summon the others, who had still lingered at the end of the terrace.
"If Miss Archer's to become her mother it's surely interesting to know
if the child likes her," said the Countess.
"If your brother marries again it won't be for Pansy's sake," Madame
Merle replied. "She'll soon be sixteen, and after that she'll begin to
need a husband rather than a stepmother."
"And will you provide the husband as well?"
"I shall certainly take an interest in her marrying fortunately. I
imagine you'll do the same."
"Indeed I shan't!" cried the Countess. "Why should I, of all women, set
such a price on a husband?"
"You didn't marry fortunately; that's what I'm speaking of. When I say a
husband I mean a good one."
"There are no good ones. Osmond won't be a good one."
Madame Merle closed her eyes a moment. "You're irritated just now; I
don't know why," she presently said. "I don't think you'll really object
either to your brother's or to your niece's marrying, when the time
comes for them to do so; and as regards Pansy I'm confident that we
shall some day have the pleasure of looking for a husband for her
together. Your large acquaintance will be a great help."
"Yes, I'm irritated," the Countess answered. "You often irritate me.
Your own coolness is fabulous. You're a strange woman."
"It's much better that we should always act together," Madame Merle went
on.
"Do you mean that as a threat?" asked the Countess rising. Madame
Merle shook her head as for quiet amusement. "No indeed, you've not my
coolness!"
Isabel and Mr. Osmond were now slowly coming toward them and Isabel
had taken Pansy by the hand. "Do you pretend to believe he'd make her
happy?" the Countess demanded.
"If he should marry Miss Archer I suppose he'd behave like a gentleman."
The Countess jerked herself into a succession of attitudes. "Do you
mean as most gentlemen behave? That would be much to be thankful for! Of
course Osmond's a gentleman; his own sister needn't be reminded of that.
But does he think he can marry any girl he happens to pick out? Osmond's
a gentleman, of course; but I must say I've NEVER, no, no, never, seen
any one of Osmond's pretensions! What they're all founded on is more
than I can say. I'm his own sister; I might be supposed to know. Who
is he, if you please? What has he ever done? If there had been anything
particularly grand in his origin--if he were made of some superior
clay--I presume I should have got some inkling of it. If there had been
any great honours or splendours in the family I should certainly have
made the most of them: they would have been quite in my line. But
there's nothing, nothing, nothing. One's parents were charming people of
course; but so were yours, I've no doubt. Every one's a charming person
nowadays. Even I'm a charming person; don't laugh, it has literally
been said. As for Osmond, he has always appeared to believe that he's
descended from the gods."
"You may say what you please," said Madame Merle, who had listened to
this quick outbreak none the less attentively, we may believe, because
her eye wandered away from the speaker and her hands busied themselves
with adjusting the knots of ribbon on her dress. "You Osmonds are a fine
race--your blood must flow from some very pure source. Your brother,
like an intelligent man, has had the conviction of it if he has not
had the proofs. You're modest about it, but you yourself are extremely
distinguished. What do you say about your niece? The child's a little
princess. Nevertheless," Madame Merle added, "it won't be an easy matter
for Osmond to marry Miss Archer. Yet he can try."
"I hope she'll refuse him. It will take him down a little."
"We mustn't forget that he is one of the cleverest of men."
"I've heard you say that before, but I haven't yet discovered what he
has done."
"What he has done? He has done nothing that has had to be undone. And he
has known how to wait."
"To wait for Miss Archer's money? How much of it is there?"
"That's not what I mean," said Madame Merle. "Miss Archer has seventy
thousand pounds."
"Well, it's a pity she's so charming," the Countess declared. "To be
sacrificed, any girl would do. She needn't be superior."
"If she weren't superior your brother would never look at her. He must
have the best."
"Yes," returned the Countess as they went forward a little to meet
the others, "he's very hard to satisfy. That makes me tremble for her
happiness!"
| As Osmond and Isabel are chatting, Madame Merle and the Countess Gemini sit silently. Then the Countess starts up agitation, telling Madame Merle that she plans to interfere in her plan to get Isabel to marry her brother. She says she likes Isabel and wants to save her from their scheme. Madame Merle tells her she is running up against three people who have stronger wills than she does. She includes Isabel Archer in this group. She tells the Countess that she is sure that Isabel has already fallen in love with Gilbert Osmond. Pansy comes up to them and asks if they think her father would like her to serve tea. The Countess answers ironically about not knowing Gilbert Osmonds desires and Madame Merle says she should make the tea since her father would think it was exactly the thing a young daughter of the house should do. They continue their conversation. The Countess says Gilbert Osmond wont be a good husband. Madame Merle says he will probably be a gentleman. She says its better that they should always act together. The Countess takes this as a threat. The countess looks at her brother and says he is a nobody. He has never done anything and there is nothing grand in his origin. Madame Merle says the Osmonds are a fine race and Gilbert has just perceived this whether or not he has had proof. She adds that Pansy is clearly a young princess. She says Gilbert Osmond is the cleverest of men. The Countess comes back to Isabel, saying it is a shame she is being sacrificed just for her money since any girl would do; they dont have to have such a superior one. Madame Merle says Gilbert Osmond wouldnt have looked at any one inferior. The Countess says that since her brother is so hard to please, she trembles for Isabels happiness. | summary |
While this sufficiently intimate colloquy (prolonged for some time after
we cease to follow it) went forward Madame Merle and her companion,
breaking a silence of some duration, had begun to exchange remarks.
They were sitting in an attitude of unexpressed expectancy; an attitude
especially marked on the part of the Countess Gemini, who, being of a
more nervous temperament than her friend, practised with less success
the art of disguising impatience. What these ladies were waiting for
would not have been apparent and was perhaps not very definite to their
own minds. Madame Merle waited for Osmond to release their young friend
from her tete-a-tete, and the Countess waited because Madame Merle did.
The Countess, moreover, by waiting, found the time ripe for one of her
pretty perversities. She might have desired for some minutes to place
it. Her brother wandered with Isabel to the end of the garden, to which
point her eyes followed them.
"My dear," she then observed to her companion, "you'll excuse me if I
don't congratulate you!"
"Very willingly, for I don't in the least know why you should."
"Haven't you a little plan that you think rather well of?" And the
Countess nodded at the sequestered couple.
Madame Merle's eyes took the same direction; then she looked serenely at
her neighbour. "You know I never understand you very well," she smiled.
"No one can understand better than you when you wish. I see that just
now you DON'T wish."
"You say things to me that no one else does," said Madame Merle gravely,
yet without bitterness.
"You mean things you don't like? Doesn't Osmond sometimes say such
things?"
"What your brother says has a point."
"Yes, a poisoned one sometimes. If you mean that I'm not so clever as he
you mustn't think I shall suffer from your sense of our difference. But
it will be much better that you should understand me."
"Why so?" asked Madame Merle. "To what will it conduce?"
"If I don't approve of your plan you ought to know it in order to
appreciate the danger of my interfering with it."
Madame Merle looked as if she were ready to admit that there might be
something in this; but in a moment she said quietly: "You think me more
calculating than I am."
"It's not your calculating I think ill of; it's your calculating wrong.
You've done so in this case."
"You must have made extensive calculations yourself to discover that."
"No, I've not had time. I've seen the girl but this once," said the
Countess, "and the conviction has suddenly come to me. I like her very
much."
"So do I," Madame Merle mentioned.
"You've a strange way of showing it."
"Surely I've given her the advantage of making your acquaintance."
"That indeed," piped the Countess, "is perhaps the best thing that could
happen to her!"
Madame Merle said nothing for some time. The Countess's manner was
odious, was really low; but it was an old story, and with her eyes upon
the violet slope of Monte Morello she gave herself up to reflection. "My
dear lady," she finally resumed, "I advise you not to agitate yourself.
The matter you allude to concerns three persons much stronger of purpose
than yourself."
"Three persons? You and Osmond of course. But is Miss Archer also very
strong of purpose?"
"Quite as much so as we."
"Ah then," said the Countess radiantly, "if I convince her it's her
interest to resist you she'll do so successfully!"
"Resist us? Why do you express yourself so coarsely? She's not exposed
to compulsion or deception."
"I'm not sure of that. You're capable of anything, you and Osmond. I
don't mean Osmond by himself, and I don't mean you by yourself. But
together you're dangerous--like some chemical combination."
"You had better leave us alone then," smiled Madame Merle.
"I don't mean to touch you--but I shall talk to that girl."
"My poor Amy," Madame Merle murmured, "I don't see what has got into
your head."
"I take an interest in her--that's what has got into my head. I like
her."
Madame Merle hesitated a moment. "I don't think she likes you."
The Countess's bright little eyes expanded and her face was set in a
grimace. "Ah, you ARE dangerous--even by yourself!"
"If you want her to like you don't abuse your brother to her," said
Madame Merle.
"I don't suppose you pretend she has fallen in love with him in two
interviews."
Madame Merle looked a moment at Isabel and at the master of the house.
He was leaning against the parapet, facing her, his arms folded; and
she at present was evidently not lost in the mere impersonal view,
persistently as she gazed at it. As Madame Merle watched her she lowered
her eyes; she was listening, possibly with a certain embarrassment,
while she pressed the point of her parasol into the path. Madame Merle
rose from her chair. "Yes, I think so!" she pronounced.
The shabby footboy, summoned by Pansy--he might, tarnished as to livery
and quaint as to type, have issued from some stray sketch of old-time
manners, been "put in" by the brush of a Longhi or a Goya--had come out
with a small table and placed it on the grass, and then had gone back
and fetched the tea-tray; after which he had again disappeared, to
return with a couple of chairs. Pansy had watched these proceedings with
the deepest interest, standing with her small hands folded together
upon the front of her scanty frock; but she had not presumed to offer
assistance. When the tea-table had been arranged, however, she gently
approached her aunt.
"Do you think papa would object to my making the tea?"
The Countess looked at her with a deliberately critical gaze and without
answering her question. "My poor niece," she said, "is that your best
frock?"
"Ah no," Pansy answered, "it's just a little toilette for common
occasions."
"Do you call it a common occasion when I come to see you?--to say
nothing of Madame Merle and the pretty lady yonder."
Pansy reflected a moment, turning gravely from one of the persons
mentioned to the other. Then her face broke into its perfect smile.
"I have a pretty dress, but even that one's very simple. Why should I
expose it beside your beautiful things?"
"Because it's the prettiest you have; for me you must always wear the
prettiest. Please put it on the next time. It seems to me they don't
dress you so well as they might."
The child sparingly stroked down her antiquated skirt. "It's a good
little dress to make tea--don't you think? Don't you believe papa would
allow me?"
"Impossible for me to say, my child," said the Countess. "For me, your
father's ideas are unfathomable. Madame Merle understands them better.
Ask HER."
Madame Merle smiled with her usual grace. "It's a weighty question--let
me think. It seems to me it would please your father to see a careful
little daughter making his tea. It's the proper duty of the daughter of
the house--when she grows up."
"So it seems to me, Madame Merle!" Pansy cried. "You shall see how well
I'll make it. A spoonful for each." And she began to busy herself at the
table.
"Two spoonfuls for me," said the Countess, who, with Madame Merle,
remained for some moments watching her. "Listen to me, Pansy," the
Countess resumed at last. "I should like to know what you think of your
visitor."
"Ah, she's not mine--she's papa's," Pansy objected.
"Miss Archer came to see you as well," said Madame Merle.
"I'm very happy to hear that. She has been very polite to me."
"Do you like her then?" the Countess asked.
"She's charming--charming," Pansy repeated in her little neat
conversational tone. "She pleases me thoroughly."
"And how do you think she pleases your father?"
"Ah really, Countess!" murmured Madame Merle dissuasively. "Go and call
them to tea," she went on to the child.
"You'll see if they don't like it!" Pansy declared; and departed to
summon the others, who had still lingered at the end of the terrace.
"If Miss Archer's to become her mother it's surely interesting to know
if the child likes her," said the Countess.
"If your brother marries again it won't be for Pansy's sake," Madame
Merle replied. "She'll soon be sixteen, and after that she'll begin to
need a husband rather than a stepmother."
"And will you provide the husband as well?"
"I shall certainly take an interest in her marrying fortunately. I
imagine you'll do the same."
"Indeed I shan't!" cried the Countess. "Why should I, of all women, set
such a price on a husband?"
"You didn't marry fortunately; that's what I'm speaking of. When I say a
husband I mean a good one."
"There are no good ones. Osmond won't be a good one."
Madame Merle closed her eyes a moment. "You're irritated just now; I
don't know why," she presently said. "I don't think you'll really object
either to your brother's or to your niece's marrying, when the time
comes for them to do so; and as regards Pansy I'm confident that we
shall some day have the pleasure of looking for a husband for her
together. Your large acquaintance will be a great help."
"Yes, I'm irritated," the Countess answered. "You often irritate me.
Your own coolness is fabulous. You're a strange woman."
"It's much better that we should always act together," Madame Merle went
on.
"Do you mean that as a threat?" asked the Countess rising. Madame
Merle shook her head as for quiet amusement. "No indeed, you've not my
coolness!"
Isabel and Mr. Osmond were now slowly coming toward them and Isabel
had taken Pansy by the hand. "Do you pretend to believe he'd make her
happy?" the Countess demanded.
"If he should marry Miss Archer I suppose he'd behave like a gentleman."
The Countess jerked herself into a succession of attitudes. "Do you
mean as most gentlemen behave? That would be much to be thankful for! Of
course Osmond's a gentleman; his own sister needn't be reminded of that.
But does he think he can marry any girl he happens to pick out? Osmond's
a gentleman, of course; but I must say I've NEVER, no, no, never, seen
any one of Osmond's pretensions! What they're all founded on is more
than I can say. I'm his own sister; I might be supposed to know. Who
is he, if you please? What has he ever done? If there had been anything
particularly grand in his origin--if he were made of some superior
clay--I presume I should have got some inkling of it. If there had been
any great honours or splendours in the family I should certainly have
made the most of them: they would have been quite in my line. But
there's nothing, nothing, nothing. One's parents were charming people of
course; but so were yours, I've no doubt. Every one's a charming person
nowadays. Even I'm a charming person; don't laugh, it has literally
been said. As for Osmond, he has always appeared to believe that he's
descended from the gods."
"You may say what you please," said Madame Merle, who had listened to
this quick outbreak none the less attentively, we may believe, because
her eye wandered away from the speaker and her hands busied themselves
with adjusting the knots of ribbon on her dress. "You Osmonds are a fine
race--your blood must flow from some very pure source. Your brother,
like an intelligent man, has had the conviction of it if he has not
had the proofs. You're modest about it, but you yourself are extremely
distinguished. What do you say about your niece? The child's a little
princess. Nevertheless," Madame Merle added, "it won't be an easy matter
for Osmond to marry Miss Archer. Yet he can try."
"I hope she'll refuse him. It will take him down a little."
"We mustn't forget that he is one of the cleverest of men."
"I've heard you say that before, but I haven't yet discovered what he
has done."
"What he has done? He has done nothing that has had to be undone. And he
has known how to wait."
"To wait for Miss Archer's money? How much of it is there?"
"That's not what I mean," said Madame Merle. "Miss Archer has seventy
thousand pounds."
"Well, it's a pity she's so charming," the Countess declared. "To be
sacrificed, any girl would do. She needn't be superior."
"If she weren't superior your brother would never look at her. He must
have the best."
"Yes," returned the Countess as they went forward a little to meet
the others, "he's very hard to satisfy. That makes me tremble for her
happiness!"
| Notes In stark contrast to Isabels romantic musings of the previous chapter, this chapter gives us the jaded views of the two other women in Gilbert Osmonds life. His sister proves to be just as Ralph said she was--kinder than her brother. She recognizes the plot hatched by Madame Merle to marry Osmond to a rich young woman and she wants to find a way to stop it because she has taken a liking to Isabel. However, in the conversation itself, it is clear that she will prove ineffectual. Madame Merle and Gilbert Osmond seem to be much the superiors of the Countess Gemini in accomplishing their goals. | analysis |
Gilbert Osmond came to see Isabel again; that is he came to Palazzo
Crescentini. He had other friends there as well, and to Mrs. Touchett
and Madame Merle he was always impartially civil; but the former of
these ladies noted the fact that in the course of a fortnight he
called five times, and compared it with another fact that she found no
difficulty in remembering. Two visits a year had hitherto constituted
his regular tribute to Mrs. Touchett's worth, and she had never
observed him select for such visits those moments, of almost periodical
recurrence, when Madame Merle was under her roof. It was not for Madame
Merle that he came; these two were old friends and he never put himself
out for her. He was not fond of Ralph--Ralph had told her so--and it was
not supposable that Mr. Osmond had suddenly taken a fancy to her son.
Ralph was imperturbable--Ralph had a kind of loose-fitting urbanity
that wrapped him about like an ill-made overcoat, but of which he
never divested himself; he thought Mr. Osmond very good company and was
willing at any time to look at him in the light of hospitality. But he
didn't flatter himself that the desire to repair a past injustice was
the motive of their visitor's calls; he read the situation more clearly.
Isabel was the attraction, and in all conscience a sufficient one.
Osmond was a critic, a student of the exquisite, and it was natural he
should be curious of so rare an apparition. So when his mother observed
to him that it was plain what Mr. Osmond was thinking of, Ralph replied
that he was quite of her opinion. Mrs. Touchett had from far back found
a place on her scant list for this gentleman, though wondering dimly by
what art and what process--so negative and so wise as they were--he
had everywhere effectively imposed himself. As he had never been an
importunate visitor he had had no chance to be offensive, and he was
recommended to her by his appearance of being as well able to do without
her as she was to do without him--a quality that always, oddly enough,
affected her as providing ground for a relation with her. It gave her
no satisfaction, however, to think that he had taken it into his head to
marry her niece. Such an alliance, on Isabel's part, would have an air
of almost morbid perversity. Mrs. Touchett easily remembered that the
girl had refused an English peer; and that a young lady with whom Lord
Warburton had not successfully wrestled should content herself with an
obscure American dilettante, a middle-aged widower with an uncanny child
and an ambiguous income, this answered to nothing in Mrs. Touchett's
conception of success. She took, it will be observed, not the
sentimental, but the political, view of matrimony--a view which has
always had much to recommend it. "I trust she won't have the folly
to listen to him," she said to her son; to which Ralph replied that
Isabel's listening was one thing and Isabel's answering quite another.
He knew she had listened to several parties, as his father would
have said, but had made them listen in return; and he found much
entertainment in the idea that in these few months of his knowing her he
should observe a fresh suitor at her gate. She had wanted to see life,
and fortune was serving her to her taste; a succession of fine gentlemen
going down on their knees to her would do as well as anything else.
Ralph looked forward to a fourth, a fifth, a tenth besieger; he had no
conviction she would stop at a third. She would keep the gate ajar and
open a parley; she would certainly not allow number three to come in.
He expressed this view, somewhat after this fashion, to his mother, who
looked at him as if he had been dancing a jig. He had such a fanciful,
pictorial way of saying things that he might as well address her in the
deaf-mute's alphabet.
"I don't think I know what you mean," she said; "you use too many
figures of speech; I could never understand allegories. The two words in
the language I most respect are Yes and No. If Isabel wants to marry Mr.
Osmond she'll do so in spite of all your comparisons. Let her alone to
find a fine one herself for anything she undertakes. I know very little
about the young man in America; I don't think she spends much of her
time in thinking of him, and I suspect he has got tired of waiting for
her. There's nothing in life to prevent her marrying Mr. Osmond if
she only looks at him in a certain way. That's all very well; no one
approves more than I of one's pleasing one's self. But she takes her
pleasure in such odd things; she's capable of marrying Mr. Osmond for
the beauty of his opinions or for his autograph of Michael Angelo.
She wants to be disinterested: as if she were the only person who's
in danger of not being so! Will HE be so disinterested when he has the
spending of her money? That was her idea before your father's death, and
it has acquired new charms for her since. She ought to marry some one of
whose disinterestedness she shall herself be sure; and there would be no
such proof of that as his having a fortune of his own."
"My dear mother, I'm not afraid," Ralph answered. "She's making fools of
us all. She'll please herself, of course; but she'll do so by studying
human nature at close quarters and yet retaining her liberty. She has
started on an exploring expedition, and I don't think she'll change her
course, at the outset, at a signal from Gilbert Osmond. She may have
slackened speed for an hour, but before we know it she'll be steaming
away again. Excuse another metaphor."
Mrs. Touchett excused it perhaps, but was not so much reassured as to
withhold from Madame Merle the expression of her fears. "You who
know everything," she said, "you must know this: whether that curious
creature's really making love to my niece."
"Gilbert Osmond?" Madame Merle widened her clear eyes and, with a full
intelligence, "Heaven help us," she exclaimed, "that's an idea!"
"Hadn't it occurred to you?"
"You make me feel an idiot, but I confess it hadn't. I wonder," she
added, "if it has occurred to Isabel."
"Oh, I shall now ask her," said Mrs. Touchett.
Madame Merle reflected. "Don't put it into her head. The thing would be
to ask Mr. Osmond."
"I can't do that," said Mrs. Touchett. "I won't have him enquire
of me--as he perfectly may with that air of his, given Isabel's
situation--what business it is of mine."
"I'll ask him myself," Madame Merle bravely declared.
"But what business--for HIM--is it of yours?"
"It's being none whatever is just why I can afford to speak. It's so
much less my business than any one's else that he can put me off with
anything he chooses. But it will be by the way he does this that I shall
know."
"Pray let me hear then," said Mrs. Touchett, "of the fruits of your
penetration. If I can't speak to him, however, at least I can speak to
Isabel."
Her companion sounded at this the note of warning. "Don't be too quick
with her. Don't inflame her imagination."
"I never did anything in life to any one's imagination. But I'm always
sure of her doing something--well, not of MY kind."
"No, you wouldn't like this," Madame Merle observed without the point of
interrogation.
"Why in the world should I, pray? Mr. Osmond has nothing the least solid
to offer."
Again Madame Merle was silent while her thoughtful smile drew up her
mouth even more charmingly than usual toward the left corner. "Let us
distinguish. Gilbert Osmond's certainly not the first comer. He's a man
who in favourable conditions might very well make a great impression. He
has made a great impression, to my knowledge, more than once."
"Don't tell me about his probably quite cold-blooded love-affairs;
they're nothing to me!" Mrs. Touchett cried. "What you say's precisely
why I wish he would cease his visits. He has nothing in the world that
I know of but a dozen or two of early masters and a more or less pert
little daughter."
"The early masters are now worth a good deal of money," said Madame
Merle, "and the daughter's a very young and very innocent and very
harmless person."
"In other words she's an insipid little chit. Is that what you mean?
Having no fortune she can't hope to marry as they marry here; so that
Isabel will have to furnish her either with a maintenance or with a
dowry."
"Isabel probably wouldn't object to being kind to her. I think she likes
the poor child."
"Another reason then for Mr. Osmond's stopping at home! Otherwise, a
week hence, we shall have my niece arriving at the conviction that her
mission in life's to prove that a stepmother may sacrifice herself--and
that, to prove it, she must first become one."
"She would make a charming stepmother," smiled Madame Merle; "but I
quite agree with you that she had better not decide upon her mission
too hastily. Changing the form of one's mission's almost as difficult as
changing the shape of one's nose: there they are, each, in the middle of
one's face and one's character--one has to begin too far back. But I'll
investigate and report to you."
All this went on quite over Isabel's head; she had no suspicions that
her relations with Mr. Osmond were being discussed. Madame Merle had
said nothing to put her on her guard; she alluded no more pointedly to
him than to the other gentlemen of Florence, native and foreign, who now
arrived in considerable numbers to pay their respects to Miss Archer's
aunt. Isabel thought him interesting--she came back to that; she liked
so to think of him. She had carried away an image from her visit to his
hill-top which her subsequent knowledge of him did nothing to efface
and which put on for her a particular harmony with other supposed
and divined things, histories within histories: the image of a quiet,
clever, sensitive, distinguished man, strolling on a moss-grown terrace
above the sweet Val d'Arno and holding by the hand a little girl whose
bell-like clearness gave a new grace to childhood. The picture had no
flourishes, but she liked its lowness of tone and the atmosphere of
summer twilight that pervaded it. It spoke of the kind of personal issue
that touched her most nearly; of the choice between objects, subjects,
contacts--what might she call them?--of a thin and those of a rich
association; of a lonely, studious life in a lovely land; of an old
sorrow that sometimes ached to-day; of a feeling of pride that was
perhaps exaggerated, but that had an element of nobleness; of a care
for beauty and perfection so natural and so cultivated together that the
career appeared to stretch beneath it in the disposed vistas and with
the ranges of steps and terraces and fountains of a formal Italian
garden--allowing only for arid places freshened by the natural dews of
a quaint half-anxious, half-helpless fatherhood. At Palazzo Crescentini
Mr. Osmond's manner remained the same; diffident at first--oh
self-conscious beyond doubt! and full of the effort (visible only to a
sympathetic eye) to overcome this disadvantage; an effort which
usually resulted in a great deal of easy, lively, very positive, rather
aggressive, always suggestive talk. Mr. Osmond's talk was not injured by
the indication of an eagerness to shine; Isabel found no difficulty
in believing that a person was sincere who had so many of the signs of
strong conviction--as for instance an explicit and graceful appreciation
of anything that might be said on his own side of the question, said
perhaps by Miss Archer in especial. What continued to please this young
woman was that while he talked so for amusement he didn't talk, as she
had heard people, for "effect." He uttered his ideas as if, odd as
they often appeared, he were used to them and had lived with them; old
polished knobs and heads and handles, of precious substance, that could
be fitted if necessary to new walking-sticks--not switches plucked in
destitution from the common tree and then too elegantly waved about. One
day he brought his small daughter with him, and she rejoiced to renew
acquaintance with the child, who, as she presented her forehead to be
kissed by every member of the circle, reminded her vividly of an ingenue
in a French play. Isabel had never seen a little person of this pattern;
American girls were very different--different too were the maidens of
England. Pansy was so formed and finished for her tiny place in the
world, and yet in imagination, as one could see, so innocent and
infantine. She sat on the sofa by Isabel; she wore a small grenadine
mantle and a pair of the useful gloves that Madame Merle had given
her--little grey gloves with a single button. She was like a sheet of
blank paper--the ideal jeune fille of foreign fiction. Isabel hoped that
so fair and smooth a page would be covered with an edifying text.
The Countess Gemini also came to call upon her, but the Countess was
quite another affair. She was by no means a blank sheet; she had been
written over in a variety of hands, and Mrs. Touchett, who felt by no
means honoured by her visit, pronounced that a number of unmistakeable
blots were to be seen upon her surface. The Countess gave rise indeed to
some discussion between the mistress of the house and the visitor from
Rome, in which Madame Merle (who was not such a fool as to irritate
people by always agreeing with them) availed herself felicitously enough
of that large licence of dissent which her hostess permitted as freely
as she practised it. Mrs. Touchett had declared it a piece of audacity
that this highly compromised character should have presented herself at
such a time of day at the door of a house in which she was esteemed so
little as she must long have known herself to be at Palazzo Crescentini.
Isabel had been made acquainted with the estimate prevailing under that
roof: it represented Mr. Osmond's sister as a lady who had so mismanaged
her improprieties that they had ceased to hang together at all--which
was at the least what one asked of such matters--and had become the mere
floating fragments of a wrecked renown, incommoding social circulation.
She had been married by her mother--a more administrative person, with
an appreciation of foreign titles which the daughter, to do her justice,
had probably by this time thrown off--to an Italian nobleman who had
perhaps given her some excuse for attempting to quench the consciousness
of outrage. The Countess, however, had consoled herself outrageously,
and the list of her excuses had now lost itself in the labyrinth of her
adventures. Mrs. Touchett had never consented to receive her, though the
Countess had made overtures of old. Florence was not an austere city;
but, as Mrs. Touchett said, she had to draw the line somewhere.
Madame Merle defended the luckless lady with a great deal of zeal and
wit. She couldn't see why Mrs. Touchett should make a scapegoat of a
woman who had really done no harm, who had only done good in the wrong
way. One must certainly draw the line, but while one was about it one
should draw it straight: it was a very crooked chalk-mark that would
exclude the Countess Gemini. In that case Mrs. Touchett had better
shut up her house; this perhaps would be the best course so long as
she remained in Florence. One must be fair and not make arbitrary
differences: the Countess had doubtless been imprudent, she had not been
so clever as other women. She was a good creature, not clever at
all; but since when had that been a ground of exclusion from the best
society? For ever so long now one had heard nothing about her, and there
could be no better proof of her having renounced the error of her ways
than her desire to become a member of Mrs. Touchett's circle. Isabel
could contribute nothing to this interesting dispute, not even a patient
attention; she contented herself with having given a friendly welcome to
the unfortunate lady, who, whatever her defects, had at least the merit
of being Mr. Osmond's sister. As she liked the brother Isabel thought it
proper to try and like the sister: in spite of the growing complexity of
things she was still capable of these primitive sequences. She had not
received the happiest impression of the Countess on meeting her at the
villa, but was thankful for an opportunity to repair the accident.
Had not Mr. Osmond remarked that she was a respectable person? To have
proceeded from Gilbert Osmond this was a crude proposition, but Madame
Merle bestowed upon it a certain improving polish. She told Isabel
more about the poor Countess than Mr. Osmond had done, and related the
history of her marriage and its consequences. The Count was a member of
an ancient Tuscan family, but of such small estate that he had been glad
to accept Amy Osmond, in spite of the questionable beauty which had yet
not hampered her career, with the modest dowry her mother was able
to offer--a sum about equivalent to that which had already formed her
brother's share of their patrimony. Count Gemini since then, however,
had inherited money, and now they were well enough off, as Italians
went, though Amy was horribly extravagant. The Count was a low-lived
brute; he had given his wife every pretext. She had no children; she had
lost three within a year of their birth. Her mother, who had bristled
with pretensions to elegant learning and published descriptive poems and
corresponded on Italian subjects with the English weekly journals, her
mother had died three years after the Countess's marriage, the father,
lost in the grey American dawn of the situation, but reputed originally
rich and wild, having died much earlier. One could see this in Gilbert
Osmond, Madame Merle held--see that he had been brought up by a woman;
though, to do him justice, one would suppose it had been by a more
sensible woman than the American Corinne, as Mrs. Osmond had liked to be
called. She had brought her children to Italy after her husband's death,
and Mrs. Touchett remembered her during the year that followed her
arrival. She thought her a horrible snob; but this was an irregularity
of judgement on Mrs. Touchett's part, for she, like Mrs. Osmond,
approved of political marriages. The Countess was very good company and
not really the featherhead she seemed; all one had to do with her was
to observe the simple condition of not believing a word she said.
Madame Merle had always made the best of her for her brother's sake;
he appreciated any kindness shown to Amy, because (if it had to be
confessed for him) he rather felt she let down their common name.
Naturally he couldn't like her style, her shrillness, her egotism,
her violations of taste and above all of truth: she acted badly on his
nerves, she was not HIS sort of woman. What was his sort of woman? Oh,
the very opposite of the Countess, a woman to whom the truth should be
habitually sacred. Isabel was unable to estimate the number of times her
visitor had, in half an hour, profaned it: the Countess indeed had
given her an impression of rather silly sincerity. She had talked almost
exclusively about herself; how much she should like to know Miss Archer;
how thankful she should be for a real friend; how base the people in
Florence were; how tired she was of the place; how much she should
like to live somewhere else--in Paris, in London, in Washington; how
impossible it was to get anything nice to wear in Italy except a little
old lace; how dear the world was growing everywhere; what a life of
suffering and privation she had led. Madame Merle listened with interest
to Isabel's account of this passage, but she had not needed it to feel
exempt from anxiety. On the whole she was not afraid of the Countess,
and she could afford to do what was altogether best--not to appear so.
Isabel had meanwhile another visitor, whom it was not, even behind her
back, so easy a matter to patronise. Henrietta Stackpole, who had left
Paris after Mrs. Touchett's departure for San Remo and had worked her
way down, as she said, through the cities of North Italy, reached the
banks of the Arno about the middle of May. Madame Merle surveyed her
with a single glance, took her in from head to foot, and after a pang
of despair determined to endure her. She determined indeed to delight
in her. She mightn't be inhaled as a rose, but she might be grasped as
a nettle. Madame Merle genially squeezed her into insignificance, and
Isabel felt that in foreseeing this liberality she had done justice to
her friend's intelligence. Henrietta's arrival had been announced by
Mr. Bantling, who, coming down from Nice while she was at Venice, and
expecting to find her in Florence, which she had not yet reached, called
at Palazzo Crescentini to express his disappointment. Henrietta's own
advent occurred two days later and produced in Mr. Bantling an emotion
amply accounted for by the fact that he had not seen her since the
termination of the episode at Versailles. The humorous view of his
situation was generally taken, but it was uttered only by Ralph
Touchett, who, in the privacy of his own apartment, when Bantling smoked
a cigar there, indulged in goodness knew what strong comedy on the
subject of the all-judging one and her British backer. This gentleman
took the joke in perfectly good part and candidly confessed that he
regarded the affair as a positive intellectual adventure. He liked
Miss Stackpole extremely; he thought she had a wonderful head on her
shoulders, and found great comfort in the society of a woman who was not
perpetually thinking about what would be said and how what she did, how
what they did--and they had done things!--would look. Miss Stackpole
never cared how anything looked, and, if she didn't care, pray why
should he? But his curiosity had been roused; he wanted awfully to see
if she ever WOULD care. He was prepared to go as far as she--he didn't
see why he should break down first.
Henrietta showed no signs of breaking down. Her prospects had brightened
on her leaving England, and she was now in the full enjoyment of her
copious resources. She had indeed been obliged to sacrifice her hopes
with regard to the inner life; the social question, on the Continent,
bristled with difficulties even more numerous than those she had
encountered in England. But on the Continent there was the outer
life, which was palpable and visible at every turn, and more easily
convertible to literary uses than the customs of those opaque islanders.
Out of doors in foreign lands, as she ingeniously remarked, one seemed
to see the right side of the tapestry; out of doors in England one
seemed to see the wrong side, which gave one no notion of the figure.
The admission costs her historian a pang, but Henrietta, despairing of
more occult things, was now paying much attention to the outer life. She
had been studying it for two months at Venice, from which city she sent
to the Interviewer a conscientious account of the gondolas, the Piazza,
the Bridge of Sighs, the pigeons and the young boatman who chanted
Tasso. The Interviewer was perhaps disappointed, but Henrietta was at
least seeing Europe. Her present purpose was to get down to Rome before
the malaria should come on--she apparently supposed that it began on a
fixed day; and with this design she was to spend at present but few days
in Florence. Mr. Bantling was to go with her to Rome, and she pointed
out to Isabel that as he had been there before, as he was a military man
and as he had had a classical education--he had been bred at Eton, where
they study nothing but Latin and Whyte-Melville, said Miss Stackpole--he
would be a most useful companion in the city of the Caesars. At this
juncture Ralph had the happy idea of proposing to Isabel that she also,
under his own escort, should make a pilgrimage to Rome. She expected
to pass a portion of the next winter there--that was very well; but
meantime there was no harm in surveying the field. There were ten days
left of the beautiful month of May--the most precious month of all
to the true Rome-lover. Isabel would become a Rome-lover; that was a
foregone conclusion. She was provided with a trusty companion of her
own sex, whose society, thanks to the fact of other calls on this lady's
attention, would probably not be oppressive. Madame Merle would remain
with Mrs. Touchett; she had left Rome for the summer and wouldn't
care to return. She professed herself delighted to be left at peace
in Florence; she had locked up her apartment and sent her cook home to
Palestrina. She urged Isabel, however, to assent to Ralph's proposal,
and assured her that a good introduction to Rome was not a thing to
be despised. Isabel in truth needed no urging, and the party of four
arranged its little journey. Mrs. Touchett, on this occasion, had
resigned herself to the absence of a duenna; we have seen that she
now inclined to the belief that her niece should stand alone. One of
Isabel's preparations consisted of her seeing Gilbert Osmond before she
started and mentioning her intention to him.
"I should like to be in Rome with you," he commented. "I should like to
see you on that wonderful ground."
She scarcely faltered. "You might come then."
"But you'll have a lot of people with you."
"Ah," Isabel admitted, "of course I shall not be alone."
For a moment he said nothing more. "You'll like it," he went on at last.
"They've spoiled it, but you'll rave about it."
"Ought I to dislike it because, poor old dear--the Niobe of Nations, you
know--it has been spoiled?" she asked.
"No, I think not. It has been spoiled so often," he smiled. "If I were
to go, what should I do with my little girl?"
"Can't you leave her at the villa?"
"I don't know that I like that--though there's a very good old woman who
looks after her. I can't afford a governess."
"Bring her with you then," said Isabel promptly.
Mr. Osmond looked grave. "She has been in Rome all winter, at her
convent; and she's too young to make journeys of pleasure."
"You don't like bringing her forward?" Isabel enquired.
"No, I think young girls should be kept out of the world."
"I was brought up on a different system."
"You? Oh, with you it succeeded, because you--you were exceptional."
"I don't see why," said Isabel, who, however, was not sure there was not
some truth in the speech.
Mr. Osmond didn't explain; he simply went on: "If I thought it would
make her resemble you to join a social group in Rome I'd take her there
to-morrow."
"Don't make her resemble me," said Isabel. "Keep her like herself."
"I might send her to my sister," Mr. Osmond observed. He had almost
the air of asking advice; he seemed to like to talk over his domestic
matters with Miss Archer.
"Yes," she concurred; "I think that wouldn't do much towards making her
resemble me!"
After she had left Florence Gilbert Osmond met Madame Merle at the
Countess Gemini's. There were other people present; the Countess's
drawing-room was usually well filled, and the talk had been general,
but after a while Osmond left his place and came and sat on an ottoman
half-behind, half-beside Madame Merle's chair. "She wants me to go to
Rome with her," he remarked in a low voice.
"To go with her?"
"To be there while she's there. She proposed it.
"I suppose you mean that you proposed it and she assented."
"Of course I gave her a chance. But she's encouraging--she's very
encouraging."
"I rejoice to hear it--but don't cry victory too soon. Of course you'll
go to Rome."
"Ah," said Osmond, "it makes one work, this idea of yours!"
"Don't pretend you don't enjoy it--you're very ungrateful. You've not
been so well occupied these many years."
"The way you take it's beautiful," said Osmond. "I ought to be grateful
for that."
"Not too much so, however," Madame Merle answered. She talked with
her usual smile, leaning back in her chair and looking round the room.
"You've made a very good impression, and I've seen for myself that
you've received one. You've not come to Mrs. Touchett's seven times to
oblige me."
"The girl's not disagreeable," Osmond quietly conceded.
Madame Merle dropped her eye on him a moment, during which her lips
closed with a certain firmness. "Is that all you can find to say about
that fine creature?"
"All? Isn't it enough? Of how many people have you heard me say more?"
She made no answer to this, but still presented her talkative grace to
the room. "You're unfathomable," she murmured at last. "I'm frightened
at the abyss into which I shall have cast her."
He took it almost gaily. "You can't draw back--you've gone too far."
"Very good; but you must do the rest yourself."
"I shall do it," said Gilbert Osmond.
Madame Merle remained silent and he changed his place again; but when
she rose to go he also took leave. Mrs. Touchett's victoria was awaiting
her guest in the court, and after he had helped his friend into it he
stood there detaining her. "You're very indiscreet," she said rather
wearily; "you shouldn't have moved when I did."
He had taken off his hat; he passed his hand over his forehead. "I
always forget; I'm out of the habit."
"You're quite unfathomable," she repeated, glancing up at the windows of
the house, a modern structure in the new part of the town.
He paid no heed to this remark, but spoke in his own sense. "She's
really very charming. I've scarcely known any one more graceful."
"It does me good to hear you say that. The better you like her the
better for me."
"I like her very much. She's all you described her, and into the bargain
capable, I feel, of great devotion. She has only one fault."
"What's that?"
"Too many ideas."
"I warned you she was clever."
"Fortunately they're very bad ones," said Osmond.
"Why is that fortunate?"
"Dame, if they must be sacrificed!"
Madame Merle leaned back, looking straight before her; then she spoke to
the coachman. But her friend again detained her. "If I go to Rome what
shall I do with Pansy?"
"I'll go and see her," said Madame Merle.
| Gilbert Osmond comes to the Palazzo Crescentini five times. Mrs. Touchett realizes he has never come more than twice in a single year and that since he cant possibly be interested in Madame Merle, he must be interested in Isabel. She asks Ralph about it and he says it is sure that Gilbert Osmond is interested in Isabel, but that they neednt worry since Isabel has higher plans than would be fulfilled by Osmond. Mrs. Touchett also confers with Madame Merle about it. Madame Merle acts as if the thought hasnt occurred to her, but says she will sound Gilbert Osmond out about it and advises Mrs. Touchett not to say anything to Isabel. Isabel, her own part, has developed her initial romantic image of Gilbert Osmond as a "quiet, clever, sensitive, distinguished man, who is living a "lonely, studious life in a lovely land," picturesquely standing beside his remarkably innocent daughter. The Countess Gemini comes to call several times as well. Mrs. Touchett doesnt like to receive her since she is such a scandal to talk to. Madame Merle tries to soothe her about the Countess taking the latters part. By the way of doing this, she informs Isabel of Amy and Gilbert Osmonds parentage. Their mother had been a minor poet who moved to Italy with her two children after her husband, "originally rice and wild," had died. Isabel tries to be kind to the Countess only because she likes Gilbert Osmond and wants to like his sister. Meanwhile, Henrietta Stackpole comes to Venice and spends time with Isabel. She has been having a wonderful time in France and is now proceeding through Italy. She is preceded by Mr. Bantling, who tells Ralph of his admiration for her and his determination to follow through with all that she allows him of her company just to see how far shell go. When Henrietta arrives, she proposes a trip to Rome. Ralph wants to go as well. The four of them leave together. Gilbert Osmond meets Madame Merle at the Countess Geminis house at one of her parties. He sits slightly behind and to the side of Madame Merle and they carry on a conversation in whispers, acting like they are not together. They discuss the idea of Madame Merles of getting him and Isabel Archer married. He tells her that the way she takes his attention to the younger woman is beautiful. He tells her Isabel is "not disagreeable." She says he is "unfathomable" and that she is afraid "at the abyss into which shall have cast . " He gets up and leaves, but when she gets up to leave the house, he goes out with her. When they get outside and shes in her carriage, she scolds him with being so indiscreet. They continue their conversation. He tells her Isabel is very charming and graceful. Madame Merle says the more he likes Isabel, the better it is for her, Madame Merle. Gilbert says the only problem with Isabel is that she has too many ideas, but since theyre bad ideas, its not so bad, since they will have to be sacrificed. Their last words are about Pansy. Madame Merle says shell take care of Pansy while he goes to Rome. | summary |
Gilbert Osmond came to see Isabel again; that is he came to Palazzo
Crescentini. He had other friends there as well, and to Mrs. Touchett
and Madame Merle he was always impartially civil; but the former of
these ladies noted the fact that in the course of a fortnight he
called five times, and compared it with another fact that she found no
difficulty in remembering. Two visits a year had hitherto constituted
his regular tribute to Mrs. Touchett's worth, and she had never
observed him select for such visits those moments, of almost periodical
recurrence, when Madame Merle was under her roof. It was not for Madame
Merle that he came; these two were old friends and he never put himself
out for her. He was not fond of Ralph--Ralph had told her so--and it was
not supposable that Mr. Osmond had suddenly taken a fancy to her son.
Ralph was imperturbable--Ralph had a kind of loose-fitting urbanity
that wrapped him about like an ill-made overcoat, but of which he
never divested himself; he thought Mr. Osmond very good company and was
willing at any time to look at him in the light of hospitality. But he
didn't flatter himself that the desire to repair a past injustice was
the motive of their visitor's calls; he read the situation more clearly.
Isabel was the attraction, and in all conscience a sufficient one.
Osmond was a critic, a student of the exquisite, and it was natural he
should be curious of so rare an apparition. So when his mother observed
to him that it was plain what Mr. Osmond was thinking of, Ralph replied
that he was quite of her opinion. Mrs. Touchett had from far back found
a place on her scant list for this gentleman, though wondering dimly by
what art and what process--so negative and so wise as they were--he
had everywhere effectively imposed himself. As he had never been an
importunate visitor he had had no chance to be offensive, and he was
recommended to her by his appearance of being as well able to do without
her as she was to do without him--a quality that always, oddly enough,
affected her as providing ground for a relation with her. It gave her
no satisfaction, however, to think that he had taken it into his head to
marry her niece. Such an alliance, on Isabel's part, would have an air
of almost morbid perversity. Mrs. Touchett easily remembered that the
girl had refused an English peer; and that a young lady with whom Lord
Warburton had not successfully wrestled should content herself with an
obscure American dilettante, a middle-aged widower with an uncanny child
and an ambiguous income, this answered to nothing in Mrs. Touchett's
conception of success. She took, it will be observed, not the
sentimental, but the political, view of matrimony--a view which has
always had much to recommend it. "I trust she won't have the folly
to listen to him," she said to her son; to which Ralph replied that
Isabel's listening was one thing and Isabel's answering quite another.
He knew she had listened to several parties, as his father would
have said, but had made them listen in return; and he found much
entertainment in the idea that in these few months of his knowing her he
should observe a fresh suitor at her gate. She had wanted to see life,
and fortune was serving her to her taste; a succession of fine gentlemen
going down on their knees to her would do as well as anything else.
Ralph looked forward to a fourth, a fifth, a tenth besieger; he had no
conviction she would stop at a third. She would keep the gate ajar and
open a parley; she would certainly not allow number three to come in.
He expressed this view, somewhat after this fashion, to his mother, who
looked at him as if he had been dancing a jig. He had such a fanciful,
pictorial way of saying things that he might as well address her in the
deaf-mute's alphabet.
"I don't think I know what you mean," she said; "you use too many
figures of speech; I could never understand allegories. The two words in
the language I most respect are Yes and No. If Isabel wants to marry Mr.
Osmond she'll do so in spite of all your comparisons. Let her alone to
find a fine one herself for anything she undertakes. I know very little
about the young man in America; I don't think she spends much of her
time in thinking of him, and I suspect he has got tired of waiting for
her. There's nothing in life to prevent her marrying Mr. Osmond if
she only looks at him in a certain way. That's all very well; no one
approves more than I of one's pleasing one's self. But she takes her
pleasure in such odd things; she's capable of marrying Mr. Osmond for
the beauty of his opinions or for his autograph of Michael Angelo.
She wants to be disinterested: as if she were the only person who's
in danger of not being so! Will HE be so disinterested when he has the
spending of her money? That was her idea before your father's death, and
it has acquired new charms for her since. She ought to marry some one of
whose disinterestedness she shall herself be sure; and there would be no
such proof of that as his having a fortune of his own."
"My dear mother, I'm not afraid," Ralph answered. "She's making fools of
us all. She'll please herself, of course; but she'll do so by studying
human nature at close quarters and yet retaining her liberty. She has
started on an exploring expedition, and I don't think she'll change her
course, at the outset, at a signal from Gilbert Osmond. She may have
slackened speed for an hour, but before we know it she'll be steaming
away again. Excuse another metaphor."
Mrs. Touchett excused it perhaps, but was not so much reassured as to
withhold from Madame Merle the expression of her fears. "You who
know everything," she said, "you must know this: whether that curious
creature's really making love to my niece."
"Gilbert Osmond?" Madame Merle widened her clear eyes and, with a full
intelligence, "Heaven help us," she exclaimed, "that's an idea!"
"Hadn't it occurred to you?"
"You make me feel an idiot, but I confess it hadn't. I wonder," she
added, "if it has occurred to Isabel."
"Oh, I shall now ask her," said Mrs. Touchett.
Madame Merle reflected. "Don't put it into her head. The thing would be
to ask Mr. Osmond."
"I can't do that," said Mrs. Touchett. "I won't have him enquire
of me--as he perfectly may with that air of his, given Isabel's
situation--what business it is of mine."
"I'll ask him myself," Madame Merle bravely declared.
"But what business--for HIM--is it of yours?"
"It's being none whatever is just why I can afford to speak. It's so
much less my business than any one's else that he can put me off with
anything he chooses. But it will be by the way he does this that I shall
know."
"Pray let me hear then," said Mrs. Touchett, "of the fruits of your
penetration. If I can't speak to him, however, at least I can speak to
Isabel."
Her companion sounded at this the note of warning. "Don't be too quick
with her. Don't inflame her imagination."
"I never did anything in life to any one's imagination. But I'm always
sure of her doing something--well, not of MY kind."
"No, you wouldn't like this," Madame Merle observed without the point of
interrogation.
"Why in the world should I, pray? Mr. Osmond has nothing the least solid
to offer."
Again Madame Merle was silent while her thoughtful smile drew up her
mouth even more charmingly than usual toward the left corner. "Let us
distinguish. Gilbert Osmond's certainly not the first comer. He's a man
who in favourable conditions might very well make a great impression. He
has made a great impression, to my knowledge, more than once."
"Don't tell me about his probably quite cold-blooded love-affairs;
they're nothing to me!" Mrs. Touchett cried. "What you say's precisely
why I wish he would cease his visits. He has nothing in the world that
I know of but a dozen or two of early masters and a more or less pert
little daughter."
"The early masters are now worth a good deal of money," said Madame
Merle, "and the daughter's a very young and very innocent and very
harmless person."
"In other words she's an insipid little chit. Is that what you mean?
Having no fortune she can't hope to marry as they marry here; so that
Isabel will have to furnish her either with a maintenance or with a
dowry."
"Isabel probably wouldn't object to being kind to her. I think she likes
the poor child."
"Another reason then for Mr. Osmond's stopping at home! Otherwise, a
week hence, we shall have my niece arriving at the conviction that her
mission in life's to prove that a stepmother may sacrifice herself--and
that, to prove it, she must first become one."
"She would make a charming stepmother," smiled Madame Merle; "but I
quite agree with you that she had better not decide upon her mission
too hastily. Changing the form of one's mission's almost as difficult as
changing the shape of one's nose: there they are, each, in the middle of
one's face and one's character--one has to begin too far back. But I'll
investigate and report to you."
All this went on quite over Isabel's head; she had no suspicions that
her relations with Mr. Osmond were being discussed. Madame Merle had
said nothing to put her on her guard; she alluded no more pointedly to
him than to the other gentlemen of Florence, native and foreign, who now
arrived in considerable numbers to pay their respects to Miss Archer's
aunt. Isabel thought him interesting--she came back to that; she liked
so to think of him. She had carried away an image from her visit to his
hill-top which her subsequent knowledge of him did nothing to efface
and which put on for her a particular harmony with other supposed
and divined things, histories within histories: the image of a quiet,
clever, sensitive, distinguished man, strolling on a moss-grown terrace
above the sweet Val d'Arno and holding by the hand a little girl whose
bell-like clearness gave a new grace to childhood. The picture had no
flourishes, but she liked its lowness of tone and the atmosphere of
summer twilight that pervaded it. It spoke of the kind of personal issue
that touched her most nearly; of the choice between objects, subjects,
contacts--what might she call them?--of a thin and those of a rich
association; of a lonely, studious life in a lovely land; of an old
sorrow that sometimes ached to-day; of a feeling of pride that was
perhaps exaggerated, but that had an element of nobleness; of a care
for beauty and perfection so natural and so cultivated together that the
career appeared to stretch beneath it in the disposed vistas and with
the ranges of steps and terraces and fountains of a formal Italian
garden--allowing only for arid places freshened by the natural dews of
a quaint half-anxious, half-helpless fatherhood. At Palazzo Crescentini
Mr. Osmond's manner remained the same; diffident at first--oh
self-conscious beyond doubt! and full of the effort (visible only to a
sympathetic eye) to overcome this disadvantage; an effort which
usually resulted in a great deal of easy, lively, very positive, rather
aggressive, always suggestive talk. Mr. Osmond's talk was not injured by
the indication of an eagerness to shine; Isabel found no difficulty
in believing that a person was sincere who had so many of the signs of
strong conviction--as for instance an explicit and graceful appreciation
of anything that might be said on his own side of the question, said
perhaps by Miss Archer in especial. What continued to please this young
woman was that while he talked so for amusement he didn't talk, as she
had heard people, for "effect." He uttered his ideas as if, odd as
they often appeared, he were used to them and had lived with them; old
polished knobs and heads and handles, of precious substance, that could
be fitted if necessary to new walking-sticks--not switches plucked in
destitution from the common tree and then too elegantly waved about. One
day he brought his small daughter with him, and she rejoiced to renew
acquaintance with the child, who, as she presented her forehead to be
kissed by every member of the circle, reminded her vividly of an ingenue
in a French play. Isabel had never seen a little person of this pattern;
American girls were very different--different too were the maidens of
England. Pansy was so formed and finished for her tiny place in the
world, and yet in imagination, as one could see, so innocent and
infantine. She sat on the sofa by Isabel; she wore a small grenadine
mantle and a pair of the useful gloves that Madame Merle had given
her--little grey gloves with a single button. She was like a sheet of
blank paper--the ideal jeune fille of foreign fiction. Isabel hoped that
so fair and smooth a page would be covered with an edifying text.
The Countess Gemini also came to call upon her, but the Countess was
quite another affair. She was by no means a blank sheet; she had been
written over in a variety of hands, and Mrs. Touchett, who felt by no
means honoured by her visit, pronounced that a number of unmistakeable
blots were to be seen upon her surface. The Countess gave rise indeed to
some discussion between the mistress of the house and the visitor from
Rome, in which Madame Merle (who was not such a fool as to irritate
people by always agreeing with them) availed herself felicitously enough
of that large licence of dissent which her hostess permitted as freely
as she practised it. Mrs. Touchett had declared it a piece of audacity
that this highly compromised character should have presented herself at
such a time of day at the door of a house in which she was esteemed so
little as she must long have known herself to be at Palazzo Crescentini.
Isabel had been made acquainted with the estimate prevailing under that
roof: it represented Mr. Osmond's sister as a lady who had so mismanaged
her improprieties that they had ceased to hang together at all--which
was at the least what one asked of such matters--and had become the mere
floating fragments of a wrecked renown, incommoding social circulation.
She had been married by her mother--a more administrative person, with
an appreciation of foreign titles which the daughter, to do her justice,
had probably by this time thrown off--to an Italian nobleman who had
perhaps given her some excuse for attempting to quench the consciousness
of outrage. The Countess, however, had consoled herself outrageously,
and the list of her excuses had now lost itself in the labyrinth of her
adventures. Mrs. Touchett had never consented to receive her, though the
Countess had made overtures of old. Florence was not an austere city;
but, as Mrs. Touchett said, she had to draw the line somewhere.
Madame Merle defended the luckless lady with a great deal of zeal and
wit. She couldn't see why Mrs. Touchett should make a scapegoat of a
woman who had really done no harm, who had only done good in the wrong
way. One must certainly draw the line, but while one was about it one
should draw it straight: it was a very crooked chalk-mark that would
exclude the Countess Gemini. In that case Mrs. Touchett had better
shut up her house; this perhaps would be the best course so long as
she remained in Florence. One must be fair and not make arbitrary
differences: the Countess had doubtless been imprudent, she had not been
so clever as other women. She was a good creature, not clever at
all; but since when had that been a ground of exclusion from the best
society? For ever so long now one had heard nothing about her, and there
could be no better proof of her having renounced the error of her ways
than her desire to become a member of Mrs. Touchett's circle. Isabel
could contribute nothing to this interesting dispute, not even a patient
attention; she contented herself with having given a friendly welcome to
the unfortunate lady, who, whatever her defects, had at least the merit
of being Mr. Osmond's sister. As she liked the brother Isabel thought it
proper to try and like the sister: in spite of the growing complexity of
things she was still capable of these primitive sequences. She had not
received the happiest impression of the Countess on meeting her at the
villa, but was thankful for an opportunity to repair the accident.
Had not Mr. Osmond remarked that she was a respectable person? To have
proceeded from Gilbert Osmond this was a crude proposition, but Madame
Merle bestowed upon it a certain improving polish. She told Isabel
more about the poor Countess than Mr. Osmond had done, and related the
history of her marriage and its consequences. The Count was a member of
an ancient Tuscan family, but of such small estate that he had been glad
to accept Amy Osmond, in spite of the questionable beauty which had yet
not hampered her career, with the modest dowry her mother was able
to offer--a sum about equivalent to that which had already formed her
brother's share of their patrimony. Count Gemini since then, however,
had inherited money, and now they were well enough off, as Italians
went, though Amy was horribly extravagant. The Count was a low-lived
brute; he had given his wife every pretext. She had no children; she had
lost three within a year of their birth. Her mother, who had bristled
with pretensions to elegant learning and published descriptive poems and
corresponded on Italian subjects with the English weekly journals, her
mother had died three years after the Countess's marriage, the father,
lost in the grey American dawn of the situation, but reputed originally
rich and wild, having died much earlier. One could see this in Gilbert
Osmond, Madame Merle held--see that he had been brought up by a woman;
though, to do him justice, one would suppose it had been by a more
sensible woman than the American Corinne, as Mrs. Osmond had liked to be
called. She had brought her children to Italy after her husband's death,
and Mrs. Touchett remembered her during the year that followed her
arrival. She thought her a horrible snob; but this was an irregularity
of judgement on Mrs. Touchett's part, for she, like Mrs. Osmond,
approved of political marriages. The Countess was very good company and
not really the featherhead she seemed; all one had to do with her was
to observe the simple condition of not believing a word she said.
Madame Merle had always made the best of her for her brother's sake;
he appreciated any kindness shown to Amy, because (if it had to be
confessed for him) he rather felt she let down their common name.
Naturally he couldn't like her style, her shrillness, her egotism,
her violations of taste and above all of truth: she acted badly on his
nerves, she was not HIS sort of woman. What was his sort of woman? Oh,
the very opposite of the Countess, a woman to whom the truth should be
habitually sacred. Isabel was unable to estimate the number of times her
visitor had, in half an hour, profaned it: the Countess indeed had
given her an impression of rather silly sincerity. She had talked almost
exclusively about herself; how much she should like to know Miss Archer;
how thankful she should be for a real friend; how base the people in
Florence were; how tired she was of the place; how much she should
like to live somewhere else--in Paris, in London, in Washington; how
impossible it was to get anything nice to wear in Italy except a little
old lace; how dear the world was growing everywhere; what a life of
suffering and privation she had led. Madame Merle listened with interest
to Isabel's account of this passage, but she had not needed it to feel
exempt from anxiety. On the whole she was not afraid of the Countess,
and she could afford to do what was altogether best--not to appear so.
Isabel had meanwhile another visitor, whom it was not, even behind her
back, so easy a matter to patronise. Henrietta Stackpole, who had left
Paris after Mrs. Touchett's departure for San Remo and had worked her
way down, as she said, through the cities of North Italy, reached the
banks of the Arno about the middle of May. Madame Merle surveyed her
with a single glance, took her in from head to foot, and after a pang
of despair determined to endure her. She determined indeed to delight
in her. She mightn't be inhaled as a rose, but she might be grasped as
a nettle. Madame Merle genially squeezed her into insignificance, and
Isabel felt that in foreseeing this liberality she had done justice to
her friend's intelligence. Henrietta's arrival had been announced by
Mr. Bantling, who, coming down from Nice while she was at Venice, and
expecting to find her in Florence, which she had not yet reached, called
at Palazzo Crescentini to express his disappointment. Henrietta's own
advent occurred two days later and produced in Mr. Bantling an emotion
amply accounted for by the fact that he had not seen her since the
termination of the episode at Versailles. The humorous view of his
situation was generally taken, but it was uttered only by Ralph
Touchett, who, in the privacy of his own apartment, when Bantling smoked
a cigar there, indulged in goodness knew what strong comedy on the
subject of the all-judging one and her British backer. This gentleman
took the joke in perfectly good part and candidly confessed that he
regarded the affair as a positive intellectual adventure. He liked
Miss Stackpole extremely; he thought she had a wonderful head on her
shoulders, and found great comfort in the society of a woman who was not
perpetually thinking about what would be said and how what she did, how
what they did--and they had done things!--would look. Miss Stackpole
never cared how anything looked, and, if she didn't care, pray why
should he? But his curiosity had been roused; he wanted awfully to see
if she ever WOULD care. He was prepared to go as far as she--he didn't
see why he should break down first.
Henrietta showed no signs of breaking down. Her prospects had brightened
on her leaving England, and she was now in the full enjoyment of her
copious resources. She had indeed been obliged to sacrifice her hopes
with regard to the inner life; the social question, on the Continent,
bristled with difficulties even more numerous than those she had
encountered in England. But on the Continent there was the outer
life, which was palpable and visible at every turn, and more easily
convertible to literary uses than the customs of those opaque islanders.
Out of doors in foreign lands, as she ingeniously remarked, one seemed
to see the right side of the tapestry; out of doors in England one
seemed to see the wrong side, which gave one no notion of the figure.
The admission costs her historian a pang, but Henrietta, despairing of
more occult things, was now paying much attention to the outer life. She
had been studying it for two months at Venice, from which city she sent
to the Interviewer a conscientious account of the gondolas, the Piazza,
the Bridge of Sighs, the pigeons and the young boatman who chanted
Tasso. The Interviewer was perhaps disappointed, but Henrietta was at
least seeing Europe. Her present purpose was to get down to Rome before
the malaria should come on--she apparently supposed that it began on a
fixed day; and with this design she was to spend at present but few days
in Florence. Mr. Bantling was to go with her to Rome, and she pointed
out to Isabel that as he had been there before, as he was a military man
and as he had had a classical education--he had been bred at Eton, where
they study nothing but Latin and Whyte-Melville, said Miss Stackpole--he
would be a most useful companion in the city of the Caesars. At this
juncture Ralph had the happy idea of proposing to Isabel that she also,
under his own escort, should make a pilgrimage to Rome. She expected
to pass a portion of the next winter there--that was very well; but
meantime there was no harm in surveying the field. There were ten days
left of the beautiful month of May--the most precious month of all
to the true Rome-lover. Isabel would become a Rome-lover; that was a
foregone conclusion. She was provided with a trusty companion of her
own sex, whose society, thanks to the fact of other calls on this lady's
attention, would probably not be oppressive. Madame Merle would remain
with Mrs. Touchett; she had left Rome for the summer and wouldn't
care to return. She professed herself delighted to be left at peace
in Florence; she had locked up her apartment and sent her cook home to
Palestrina. She urged Isabel, however, to assent to Ralph's proposal,
and assured her that a good introduction to Rome was not a thing to
be despised. Isabel in truth needed no urging, and the party of four
arranged its little journey. Mrs. Touchett, on this occasion, had
resigned herself to the absence of a duenna; we have seen that she
now inclined to the belief that her niece should stand alone. One of
Isabel's preparations consisted of her seeing Gilbert Osmond before she
started and mentioning her intention to him.
"I should like to be in Rome with you," he commented. "I should like to
see you on that wonderful ground."
She scarcely faltered. "You might come then."
"But you'll have a lot of people with you."
"Ah," Isabel admitted, "of course I shall not be alone."
For a moment he said nothing more. "You'll like it," he went on at last.
"They've spoiled it, but you'll rave about it."
"Ought I to dislike it because, poor old dear--the Niobe of Nations, you
know--it has been spoiled?" she asked.
"No, I think not. It has been spoiled so often," he smiled. "If I were
to go, what should I do with my little girl?"
"Can't you leave her at the villa?"
"I don't know that I like that--though there's a very good old woman who
looks after her. I can't afford a governess."
"Bring her with you then," said Isabel promptly.
Mr. Osmond looked grave. "She has been in Rome all winter, at her
convent; and she's too young to make journeys of pleasure."
"You don't like bringing her forward?" Isabel enquired.
"No, I think young girls should be kept out of the world."
"I was brought up on a different system."
"You? Oh, with you it succeeded, because you--you were exceptional."
"I don't see why," said Isabel, who, however, was not sure there was not
some truth in the speech.
Mr. Osmond didn't explain; he simply went on: "If I thought it would
make her resemble you to join a social group in Rome I'd take her there
to-morrow."
"Don't make her resemble me," said Isabel. "Keep her like herself."
"I might send her to my sister," Mr. Osmond observed. He had almost
the air of asking advice; he seemed to like to talk over his domestic
matters with Miss Archer.
"Yes," she concurred; "I think that wouldn't do much towards making her
resemble me!"
After she had left Florence Gilbert Osmond met Madame Merle at the
Countess Gemini's. There were other people present; the Countess's
drawing-room was usually well filled, and the talk had been general,
but after a while Osmond left his place and came and sat on an ottoman
half-behind, half-beside Madame Merle's chair. "She wants me to go to
Rome with her," he remarked in a low voice.
"To go with her?"
"To be there while she's there. She proposed it.
"I suppose you mean that you proposed it and she assented."
"Of course I gave her a chance. But she's encouraging--she's very
encouraging."
"I rejoice to hear it--but don't cry victory too soon. Of course you'll
go to Rome."
"Ah," said Osmond, "it makes one work, this idea of yours!"
"Don't pretend you don't enjoy it--you're very ungrateful. You've not
been so well occupied these many years."
"The way you take it's beautiful," said Osmond. "I ought to be grateful
for that."
"Not too much so, however," Madame Merle answered. She talked with
her usual smile, leaning back in her chair and looking round the room.
"You've made a very good impression, and I've seen for myself that
you've received one. You've not come to Mrs. Touchett's seven times to
oblige me."
"The girl's not disagreeable," Osmond quietly conceded.
Madame Merle dropped her eye on him a moment, during which her lips
closed with a certain firmness. "Is that all you can find to say about
that fine creature?"
"All? Isn't it enough? Of how many people have you heard me say more?"
She made no answer to this, but still presented her talkative grace to
the room. "You're unfathomable," she murmured at last. "I'm frightened
at the abyss into which I shall have cast her."
He took it almost gaily. "You can't draw back--you've gone too far."
"Very good; but you must do the rest yourself."
"I shall do it," said Gilbert Osmond.
Madame Merle remained silent and he changed his place again; but when
she rose to go he also took leave. Mrs. Touchett's victoria was awaiting
her guest in the court, and after he had helped his friend into it he
stood there detaining her. "You're very indiscreet," she said rather
wearily; "you shouldn't have moved when I did."
He had taken off his hat; he passed his hand over his forehead. "I
always forget; I'm out of the habit."
"You're quite unfathomable," she repeated, glancing up at the windows of
the house, a modern structure in the new part of the town.
He paid no heed to this remark, but spoke in his own sense. "She's
really very charming. I've scarcely known any one more graceful."
"It does me good to hear you say that. The better you like her the
better for me."
"I like her very much. She's all you described her, and into the bargain
capable, I feel, of great devotion. She has only one fault."
"What's that?"
"Too many ideas."
"I warned you she was clever."
"Fortunately they're very bad ones," said Osmond.
"Why is that fortunate?"
"Dame, if they must be sacrificed!"
Madame Merle leaned back, looking straight before her; then she spoke to
the coachman. But her friend again detained her. "If I go to Rome what
shall I do with Pansy?"
"I'll go and see her," said Madame Merle.
| Notes This is an unusual chapter for this novel. In it, Henry James shifts point of view from one scene to the next and from one character to the next whereas in most of the chapters of the novel, he maintains more of a unity of scene and point of view. At most, he describes two scenes in one chapter. Here, however, he begins with Mrs. Touchetts point of view as she recognizes Gilbert Osmonds increase in visits to her house and her guess that he is interested in Isabel. Second, we get an almost imperceptible shift to Ralphs point of view as he thinks it is true that Gilbert Osmond is interested in Isabel, but feels sure that Isabel wont be interested in him for long. Next, the scene shifts to a conversation between Mrs. Touchett and Madame Merle in which Madame Merle pretends that she has had not inkling of the budding romance and then promises to sound Gilbert Osmond out about it. Fourth, there is a description of the Countess Gemini making visits to Mrs. Touchetts house and the flurry this causes. This gives James a chance to bring in more background on Gilbert Osmonds family background. Fifth, we get an update on the career of Henrietta Stackpole who has arrived in Venice and who proposes a trip to Rome. With Isabel and her party dispatched to Rome, we get the sixth and last scene, Gilbert Osmond and Madame Merle having a clandestine conversation together at a party about whether he should go to Rome as well. The chapter is structured almost as a play with six acts, the final one being the cliff hanger. We are left sure that Gilbert Osmond will proceed to Rome and finish off the wooing of Isabel Archer. Her champion--Ralph Touchett--is disarmed by his own romantic projections. He thinks too highly of his hopes for Isabel to think that she will spoil them by marrying Osmond. The structure of the chapter also functions to build up the final suspense before the end of Volume I. In this way, Volume I gains a certain wholeness, with its own rising action and climax. All the characters are brought together. All Isabels satellite figures are in place, ready to witness her decision in regard to her future. | analysis |
I may not attempt to report in its fulness our young woman's response
to the deep appeal of Rome, to analyse her feelings as she trod the
pavement of the Forum or to number her pulsations as she crossed the
threshold of Saint Peter's. It is enough to say that her impression was
such as might have been expected of a person of her freshness and her
eagerness. She had always been fond of history, and here was history
in the stones of the street and the atoms of the sunshine. She had an
imagination that kindled at the mention of great deeds, and wherever she
turned some great deed had been acted. These things strongly moved her,
but moved her all inwardly. It seemed to her companions that she talked
less than usual, and Ralph Touchett, when he appeared to be looking
listlessly and awkwardly over her head, was really dropping on her an
intensity of observation. By her own measure she was very happy; she
would even have been willing to take these hours for the happiest she
was ever to know. The sense of the terrible human past was heavy to her,
but that of something altogether contemporary would suddenly give it
wings that it could wave in the blue. Her consciousness was so mixed
that she scarcely knew where the different parts of it would lead her,
and she went about in a repressed ecstasy of contemplation, seeing often
in the things she looked at a great deal more than was there, and yet
not seeing many of the items enumerated in her Murray. Rome, as Ralph
said, confessed to the psychological moment. The herd of reechoing
tourists had departed and most of the solemn places had relapsed into
solemnity. The sky was a blaze of blue, and the plash of the fountains
in their mossy niches had lost its chill and doubled its music. On the
corners of the warm, bright streets one stumbled on bundles of flowers.
Our friends had gone one afternoon--it was the third of their stay--to
look at the latest excavations in the Forum, these labours having been
for some time previous largely extended. They had descended from the
modern street to the level of the Sacred Way, along which they wandered
with a reverence of step which was not the same on the part of each.
Henrietta Stackpole was struck with the fact that ancient Rome had been
paved a good deal like New York, and even found an analogy between the
deep chariot-ruts traceable in the antique street and the overjangled
iron grooves which express the intensity of American life. The sun had
begun to sink, the air was a golden haze, and the long shadows of broken
column and vague pedestal leaned across the field of ruin. Henrietta
wandered away with Mr. Bantling, whom it was apparently delightful to
her to hear speak of Julius Caesar as a "cheeky old boy," and Ralph
addressed such elucidations as he was prepared to offer to the attentive
ear of our heroine. One of the humble archeologists who hover about
the place had put himself at the disposal of the two, and repeated his
lesson with a fluency which the decline of the season had done nothing
to impair. A process of digging was on view in a remote corner of the
Forum, and he presently remarked that if it should please the signori
to go and watch it a little they might see something of interest. The
proposal commended itself more to Ralph than to Isabel, weary with much
wandering; so that she admonished her companion to satisfy his curiosity
while she patiently awaited his return. The hour and the place were much
to her taste--she should enjoy being briefly alone. Ralph accordingly
went off with the cicerone while Isabel sat down on a prostrate column
near the foundations of the Capitol. She wanted a short solitude, but
she was not long to enjoy it. Keen as was her interest in the rugged
relics of the Roman past that lay scattered about her and in which the
corrosion of centuries had still left so much of individual life, her
thoughts, after resting a while on these things, had wandered, by a
concatenation of stages it might require some subtlety to trace, to
regions and objects charged with a more active appeal. From the Roman
past to Isabel Archer's future was a long stride, but her imagination
had taken it in a single flight and now hovered in slow circles over
the nearer and richer field. She was so absorbed in her thoughts, as she
bent her eyes upon a row of cracked but not dislocated slabs covering
the ground at her feet, that she had not heard the sound of approaching
footsteps before a shadow was thrown across the line of her vision. She
looked up and saw a gentleman--a gentleman who was not Ralph come back
to say that the excavations were a bore. This personage was startled as
she was startled; he stood there baring his head to her perceptibly pale
surprise.
"Lord Warburton!" Isabel exclaimed as she rose.
"I had no idea it was you. I turned that corner and came upon you."
She looked about her to explain. "I'm alone, but my companions have just
left me. My cousin's gone to look at the work over there."
"Ah yes; I see." And Lord Warburton's eyes wandered vaguely in the
direction she had indicated. He stood firmly before her now; he had
recovered his balance and seemed to wish to show it, though very kindly.
"Don't let me disturb you," he went on, looking at her dejected pillar.
"I'm afraid you're tired."
"Yes, I'm rather tired." She hesitated a moment, but sat down again.
"Don't let me interrupt you," she added.
"Oh dear, I'm quite alone, I've nothing on earth to do. I had no
idea you were in Rome. I've just come from the East. I'm only passing
through."
"You've been making a long journey," said Isabel, who had learned from
Ralph that Lord Warburton was absent from England.
"Yes, I came abroad for six months--soon after I saw you last. I've been
in Turkey and Asia Minor; I came the other day from Athens." He managed
not to be awkward, but he wasn't easy, and after a longer look at the
girl he came down to nature. "Do you wish me to leave you, or will you
let me stay a little?"
She took it all humanely. "I don't wish you to leave me, Lord Warburton;
I'm very glad to see you."
"Thank you for saying that. May I sit down?"
The fluted shaft on which she had taken her seat would have afforded a
resting-place to several persons, and there was plenty of room even for
a highly-developed Englishman. This fine specimen of that great class
seated himself near our young lady, and in the course of five minutes he
had asked her several questions, taken rather at random and to which, as
he put some of them twice over, he apparently somewhat missed catching
the answer; had given her too some information about himself which was
not wasted upon her calmer feminine sense. He repeated more than once
that he had not expected to meet her, and it was evident that the
encounter touched him in a way that would have made preparation
advisable. He began abruptly to pass from the impunity of things
to their solemnity, and from their being delightful to their being
impossible. He was splendidly sunburnt; even his multitudinous beard had
been burnished by the fire of Asia. He was dressed in the loose-fitting,
heterogeneous garments in which the English traveller in foreign lands
is wont to consult his comfort and affirm his nationality; and with
his pleasant steady eyes, his bronzed complexion, fresh beneath its
seasoning, his manly figure, his minimising manner and his general air
of being a gentleman and an explorer, he was such a representative of
the British race as need not in any clime have been disavowed by those
who have a kindness for it. Isabel noted these things and was glad she
had always liked him. He had kept, evidently in spite of shocks, every
one of his merits--properties these partaking of the essence of great
decent houses, as one might put it; resembling their innermost fixtures
and ornaments, not subject to vulgar shifting and removable only by
some whole break-up. They talked of the matters naturally in order;
her uncle's death, Ralph's state of health, the way she had passed her
winter, her visit to Rome, her return to Florence, her plans for the
summer, the hotel she was staying at; and then of Lord Warburton's own
adventures, movements, intentions, impressions and present domicile. At
last there was a silence, and it said so much more than either had said
that it scarce needed his final words. "I've written to you several
times."
"Written to me? I've never had your letters."
"I never sent them. I burned them up."
"Ah," laughed Isabel, "it was better that you should do that than I!"
"I thought you wouldn't care for them," he went on with a simplicity
that touched her. "It seemed to me that after all I had no right to
trouble you with letters."
"I should have been very glad to have news of you. You know how I hoped
that--that--" But she stopped; there would be such a flatness in the
utterance of her thought.
"I know what you're going to say. You hoped we should always remain good
friends." This formula, as Lord Warburton uttered it, was certainly flat
enough; but then he was interested in making it appear so.
She found herself reduced simply to "Please don't talk of all that"; a
speech which hardly struck her as improvement on the other.
"It's a small consolation to allow me!" her companion exclaimed with
force.
"I can't pretend to console you," said the girl, who, all still as
she sat there, threw herself back with a sort of inward triumph on
the answer that had satisfied him so little six months before. He was
pleasant, he was powerful, he was gallant; there was no better man than
he. But her answer remained.
"It's very well you don't try to console me; it wouldn't be in your
power," she heard him say through the medium of her strange elation.
"I hoped we should meet again, because I had no fear you would attempt
to make me feel I had wronged you. But when you do that--the pain's
greater than the pleasure." And she got up with a small conscious
majesty, looking for her companions.
"I don't want to make you feel that; of course I can't say that. I only
just want you to know one or two things--in fairness to myself, as it
were. I won't return to the subject again. I felt very strongly what I
expressed to you last year; I couldn't think of anything else. I tried
to forget--energetically, systematically. I tried to take an interest in
somebody else. I tell you this because I want you to know I did my duty.
I didn't succeed. It was for the same purpose I went abroad--as far
away as possible. They say travelling distracts the mind, but it didn't
distract mine. I've thought of you perpetually, ever since I last saw
you. I'm exactly the same. I love you just as much, and everything I
said to you then is just as true. This instant at which I speak to you
shows me again exactly how, to my great misfortune, you just insuperably
charm me. There--I can't say less. I don't mean, however, to insist;
it's only for a moment. I may add that when I came upon you a few
minutes since, without the smallest idea of seeing you, I was, upon
my honour, in the very act of wishing I knew where you were." He had
recovered his self-control, and while he spoke it became complete. He
might have been addressing a small committee--making all quietly and
clearly a statement of importance; aided by an occasional look at a
paper of notes concealed in his hat, which he had not again put on. And
the committee, assuredly, would have felt the point proved.
"I've often thought of you, Lord Warburton," Isabel answered. "You may
be sure I shall always do that." And she added in a tone of which she
tried to keep up the kindness and keep down the meaning: "There's no
harm in that on either side."
They walked along together, and she was prompt to ask about his sisters
and request him to let them know she had done so. He made for the moment
no further reference to their great question, but dipped again into
shallower and safer waters. But he wished to know when she was to leave
Rome, and on her mentioning the limit of her stay declared he was glad
it was still so distant.
"Why do you say that if you yourself are only passing through?" she
enquired with some anxiety.
"Ah, when I said I was passing through I didn't mean that one would
treat Rome as if it were Clapham Junction. To pass through Rome is to
stop a week or two."
"Say frankly that you mean to stay as long as I do!"
His flushed smile, for a little, seemed to sound her. "You won't like
that. You're afraid you'll see too much of me."
"It doesn't matter what I like. I certainly can't expect you to leave
this delightful place on my account. But I confess I'm afraid of you."
"Afraid I'll begin again? I promise to be very careful."
They had gradually stopped and they stood a moment face to face. "Poor
Lord Warburton!" she said with a compassion intended to be good for both
of them.
"Poor Lord Warburton indeed! But I'll be careful."
"You may be unhappy, but you shall not make ME so. That I can't allow."
"If I believed I could make you unhappy I think I should try it." At
this she walked in advance and he also proceeded. "I'll never say a word
to displease you."
"Very good. If you do, our friendship's at an end."
"Perhaps some day--after a while--you'll give me leave."
"Give you leave to make me unhappy?"
He hesitated. "To tell you again--" But he checked himself. "I'll keep
it down. I'll keep it down always."
Ralph Touchett had been joined in his visit to the excavation by Miss
Stackpole and her attendant, and these three now emerged from among the
mounds of earth and stone collected round the aperture and came into
sight of Isabel and her companion. Poor Ralph hailed his friend with joy
qualified by wonder, and Henrietta exclaimed in a high voice "Gracious,
there's that lord!" Ralph and his English neighbour greeted with the
austerity with which, after long separations, English neighbours greet,
and Miss Stackpole rested her large intellectual gaze upon the sunburnt
traveller. But she soon established her relation to the crisis. "I don't
suppose you remember me, sir."
"Indeed I do remember you," said Lord Warburton. "I asked you to come
and see me, and you never came."
"I don't go everywhere I'm asked," Miss Stackpole answered coldly.
"Ah well, I won't ask you again," laughed the master of Lockleigh.
"If you do I'll go; so be sure!"
Lord Warburton, for all his hilarity, seemed sure enough. Mr. Bantling
had stood by without claiming a recognition, but he now took occasion
to nod to his lordship, who answered him with a friendly "Oh, you here,
Bantling?" and a hand-shake.
"Well," said Henrietta, "I didn't know you knew him!"
"I guess you don't know every one I know," Mr. Bantling rejoined
facetiously.
"I thought that when an Englishman knew a lord he always told you."
"Ah, I'm afraid Bantling was ashamed of me," Lord Warburton laughed
again. Isabel took pleasure in that note; she gave a small sigh of
relief as they kept their course homeward.
The next day was Sunday; she spent her morning over two long
letters--one to her sister Lily, the other to Madame Merle; but in
neither of these epistles did she mention the fact that a rejected
suitor had threatened her with another appeal. Of a Sunday afternoon
all good Romans (and the best Romans are often the northern barbarians)
follow the custom of going to vespers at Saint Peter's; and it had been
agreed among our friends that they would drive together to the great
church. After lunch, an hour before the carriage came, Lord Warburton
presented himself at the Hotel de Paris and paid a visit to the two
ladies, Ralph Touchett and Mr. Bantling having gone out together. The
visitor seemed to have wished to give Isabel a proof of his intention to
keep the promise made her the evening before; he was both discreet and
frank--not even dumbly importunate or remotely intense. He thus left
her to judge what a mere good friend he could be. He talked about his
travels, about Persia, about Turkey, and when Miss Stackpole asked him
whether it would "pay" for her to visit those countries assured her they
offered a great field to female enterprise. Isabel did him justice, but
she wondered what his purpose was and what he expected to gain even by
proving the superior strain of his sincerity. If he expected to melt
her by showing what a good fellow he was, he might spare himself the
trouble. She knew the superior strain of everything about him, and
nothing he could now do was required to light the view. Moreover
his being in Rome at all affected her as a complication of the wrong
sort--she liked so complications of the right. Nevertheless, when, on
bringing his call to a close, he said he too should be at Saint Peter's
and should look out for her and her friends, she was obliged to reply
that he must follow his convenience.
In the church, as she strolled over its tesselated acres, he was the
first person she encountered. She had not been one of the superior
tourists who are "disappointed" in Saint Peter's and find it smaller
than its fame; the first time she passed beneath the huge leathern
curtain that strains and bangs at the entrance, the first time she found
herself beneath the far-arching dome and saw the light drizzle down
through the air thickened with incense and with the reflections of
marble and gilt, of mosaic and bronze, her conception of greatness rose
and dizzily rose. After this it never lacked space to soar. She gazed
and wondered like a child or a peasant, she paid her silent tribute to
the seated sublime. Lord Warburton walked beside her and talked of Saint
Sophia of Constantinople; she feared for instance that he would end
by calling attention to his exemplary conduct. The service had not yet
begun, but at Saint Peter's there is much to observe, and as there is
something almost profane in the vastness of the place, which seems meant
as much for physical as for spiritual exercise, the different figures
and groups, the mingled worshippers and spectators, may follow their
various intentions without conflict or scandal. In that splendid
immensity individual indiscretion carries but a short distance. Isabel
and her companions, however, were guilty of none; for though Henrietta
was obliged in candour to declare that Michael Angelo's dome suffered
by comparison with that of the Capitol at Washington, she addressed
her protest chiefly to Mr. Bantling's ear and reserved it in its more
accentuated form for the columns of the Interviewer. Isabel made the
circuit of the church with his lordship, and as they drew near the choir
on the left of the entrance the voices of the Pope's singers were borne
to them over the heads of the large number of persons clustered outside
the doors. They paused a while on the skirts of this crowd, composed
in equal measure of Roman cockneys and inquisitive strangers, and while
they stood there the sacred concert went forward. Ralph, with Henrietta
and Mr. Bantling, was apparently within, where Isabel, looking beyond
the dense group in front of her, saw the afternoon light, silvered by
clouds of incense that seemed to mingle with the splendid chant, slope
through the embossed recesses of high windows. After a while the singing
stopped and then Lord Warburton seemed disposed to move off with her.
Isabel could only accompany him; whereupon she found herself confronted
with Gilbert Osmond, who appeared to have been standing at a short
distance behind her. He now approached with all the forms--he appeared
to have multiplied them on this occasion to suit the place.
"So you decided to come?" she said as she put out her hand.
"Yes, I came last night and called this afternoon at your hotel. They
told me you had come here, and I looked about for you."
"The others are inside," she decided to say.
"I didn't come for the others," he promptly returned.
She looked away; Lord Warburton was watching them; perhaps he had heard
this. Suddenly she remembered it to be just what he had said to her the
morning he came to Gardencourt to ask her to marry him. Mr. Osmond's
words had brought the colour to her cheek, and this reminiscence had not
the effect of dispelling it. She repaired any betrayal by mentioning to
each companion the name of the other, and fortunately at this moment Mr.
Bantling emerged from the choir, cleaving the crowd with British valour
and followed by Miss Stackpole and Ralph Touchett. I say fortunately,
but this is perhaps a superficial view of the matter; since on
perceiving the gentleman from Florence Ralph Touchett appeared to take
the case as not committing him to joy. He didn't hang back, however,
from civility, and presently observed to Isabel, with due benevolence,
that she would soon have all her friends about her. Miss Stackpole had
met Mr. Osmond in Florence, but she had already found occasion to say
to Isabel that she liked him no better than her other admirers--than Mr.
Touchett and Lord Warburton, and even than little Mr. Rosier in Paris.
"I don't know what it's in you," she had been pleased to remark, "but
for a nice girl you do attract the most unnatural people. Mr. Goodwood's
the only one I've any respect for, and he's just the one you don't
appreciate."
"What's your opinion of Saint Peter's?" Mr. Osmond was meanwhile
enquiring of our young lady.
"It's very large and very bright," she contented herself with replying.
"It's too large; it makes one feel like an atom."
"Isn't that the right way to feel in the greatest of human temples?" she
asked with rather a liking for her phrase.
"I suppose it's the right way to feel everywhere, when one IS nobody.
But I like it in a church as little as anywhere else."
"You ought indeed to be a Pope!" Isabel exclaimed, remembering something
he had referred to in Florence.
"Ah, I should have enjoyed that!" said Gilbert Osmond.
Lord Warburton meanwhile had joined Ralph Touchett, and the two strolled
away together. "Who's the fellow speaking to Miss Archer?" his lordship
demanded.
"His name's Gilbert Osmond--he lives in Florence," Ralph said.
"What is he besides?"
"Nothing at all. Oh yes, he's an American; but one forgets that--he's so
little of one."
"Has he known Miss Archer long?"
"Three or four weeks."
"Does she like him?"
"She's trying to find out."
"And will she?"
"Find out--?" Ralph asked.
"Will she like him?"
"Do you mean will she accept him?"
"Yes," said Lord Warburton after an instant; "I suppose that's what I
horribly mean."
"Perhaps not if one does nothing to prevent it," Ralph replied.
His lordship stared a moment, but apprehended. "Then we must be
perfectly quiet?"
"As quiet as the grave. And only on the chance!" Ralph added.
"The chance she may?"
"The chance she may not?"
Lord Warburton took this at first in silence, but he spoke again. "Is he
awfully clever?"
"Awfully," said Ralph.
His companion thought. "And what else?"
"What more do you want?" Ralph groaned.
"Do you mean what more does SHE?"
Ralph took him by the arm to turn him: they had to rejoin the others.
"She wants nothing that WE can give her."
"Ah well, if she won't have You--!" said his lordship handsomely as they
went.
| Isabel loves Rome and has a very happy time exploring it with her friends. One day, Isabel sits down to rest alone and is met by Lord Warburton, just returned from a six month journey to the east. His looks very handsome and English. He tells her he has written to her many times but has never sent the letters. He tells her he cant stop thinking of her. He promises to leave the matter to rest, but it is clear he wishes he could continue to press his case with her. He will be in Rome for a week or so. Isabel feels it is awkward to have Lord Warburton in Rome, but theres nothing to be done about it. One day, they go to Saint Peters and just as she is walking with Lord Warburton, she turns around to find Gilbert Osmond. He tells her he came to be with her and she blushes, worrying Lord Warburton will have heard this. Ralph and the others come out of the church and join them. Then Ralph and Lord Warburton walk off together and discuss the possibility of Isabel falling in love with Gilbert Osmond. Ralph says Isabel wants nothing either of the two of them can give her. | summary |
I may not attempt to report in its fulness our young woman's response
to the deep appeal of Rome, to analyse her feelings as she trod the
pavement of the Forum or to number her pulsations as she crossed the
threshold of Saint Peter's. It is enough to say that her impression was
such as might have been expected of a person of her freshness and her
eagerness. She had always been fond of history, and here was history
in the stones of the street and the atoms of the sunshine. She had an
imagination that kindled at the mention of great deeds, and wherever she
turned some great deed had been acted. These things strongly moved her,
but moved her all inwardly. It seemed to her companions that she talked
less than usual, and Ralph Touchett, when he appeared to be looking
listlessly and awkwardly over her head, was really dropping on her an
intensity of observation. By her own measure she was very happy; she
would even have been willing to take these hours for the happiest she
was ever to know. The sense of the terrible human past was heavy to her,
but that of something altogether contemporary would suddenly give it
wings that it could wave in the blue. Her consciousness was so mixed
that she scarcely knew where the different parts of it would lead her,
and she went about in a repressed ecstasy of contemplation, seeing often
in the things she looked at a great deal more than was there, and yet
not seeing many of the items enumerated in her Murray. Rome, as Ralph
said, confessed to the psychological moment. The herd of reechoing
tourists had departed and most of the solemn places had relapsed into
solemnity. The sky was a blaze of blue, and the plash of the fountains
in their mossy niches had lost its chill and doubled its music. On the
corners of the warm, bright streets one stumbled on bundles of flowers.
Our friends had gone one afternoon--it was the third of their stay--to
look at the latest excavations in the Forum, these labours having been
for some time previous largely extended. They had descended from the
modern street to the level of the Sacred Way, along which they wandered
with a reverence of step which was not the same on the part of each.
Henrietta Stackpole was struck with the fact that ancient Rome had been
paved a good deal like New York, and even found an analogy between the
deep chariot-ruts traceable in the antique street and the overjangled
iron grooves which express the intensity of American life. The sun had
begun to sink, the air was a golden haze, and the long shadows of broken
column and vague pedestal leaned across the field of ruin. Henrietta
wandered away with Mr. Bantling, whom it was apparently delightful to
her to hear speak of Julius Caesar as a "cheeky old boy," and Ralph
addressed such elucidations as he was prepared to offer to the attentive
ear of our heroine. One of the humble archeologists who hover about
the place had put himself at the disposal of the two, and repeated his
lesson with a fluency which the decline of the season had done nothing
to impair. A process of digging was on view in a remote corner of the
Forum, and he presently remarked that if it should please the signori
to go and watch it a little they might see something of interest. The
proposal commended itself more to Ralph than to Isabel, weary with much
wandering; so that she admonished her companion to satisfy his curiosity
while she patiently awaited his return. The hour and the place were much
to her taste--she should enjoy being briefly alone. Ralph accordingly
went off with the cicerone while Isabel sat down on a prostrate column
near the foundations of the Capitol. She wanted a short solitude, but
she was not long to enjoy it. Keen as was her interest in the rugged
relics of the Roman past that lay scattered about her and in which the
corrosion of centuries had still left so much of individual life, her
thoughts, after resting a while on these things, had wandered, by a
concatenation of stages it might require some subtlety to trace, to
regions and objects charged with a more active appeal. From the Roman
past to Isabel Archer's future was a long stride, but her imagination
had taken it in a single flight and now hovered in slow circles over
the nearer and richer field. She was so absorbed in her thoughts, as she
bent her eyes upon a row of cracked but not dislocated slabs covering
the ground at her feet, that she had not heard the sound of approaching
footsteps before a shadow was thrown across the line of her vision. She
looked up and saw a gentleman--a gentleman who was not Ralph come back
to say that the excavations were a bore. This personage was startled as
she was startled; he stood there baring his head to her perceptibly pale
surprise.
"Lord Warburton!" Isabel exclaimed as she rose.
"I had no idea it was you. I turned that corner and came upon you."
She looked about her to explain. "I'm alone, but my companions have just
left me. My cousin's gone to look at the work over there."
"Ah yes; I see." And Lord Warburton's eyes wandered vaguely in the
direction she had indicated. He stood firmly before her now; he had
recovered his balance and seemed to wish to show it, though very kindly.
"Don't let me disturb you," he went on, looking at her dejected pillar.
"I'm afraid you're tired."
"Yes, I'm rather tired." She hesitated a moment, but sat down again.
"Don't let me interrupt you," she added.
"Oh dear, I'm quite alone, I've nothing on earth to do. I had no
idea you were in Rome. I've just come from the East. I'm only passing
through."
"You've been making a long journey," said Isabel, who had learned from
Ralph that Lord Warburton was absent from England.
"Yes, I came abroad for six months--soon after I saw you last. I've been
in Turkey and Asia Minor; I came the other day from Athens." He managed
not to be awkward, but he wasn't easy, and after a longer look at the
girl he came down to nature. "Do you wish me to leave you, or will you
let me stay a little?"
She took it all humanely. "I don't wish you to leave me, Lord Warburton;
I'm very glad to see you."
"Thank you for saying that. May I sit down?"
The fluted shaft on which she had taken her seat would have afforded a
resting-place to several persons, and there was plenty of room even for
a highly-developed Englishman. This fine specimen of that great class
seated himself near our young lady, and in the course of five minutes he
had asked her several questions, taken rather at random and to which, as
he put some of them twice over, he apparently somewhat missed catching
the answer; had given her too some information about himself which was
not wasted upon her calmer feminine sense. He repeated more than once
that he had not expected to meet her, and it was evident that the
encounter touched him in a way that would have made preparation
advisable. He began abruptly to pass from the impunity of things
to their solemnity, and from their being delightful to their being
impossible. He was splendidly sunburnt; even his multitudinous beard had
been burnished by the fire of Asia. He was dressed in the loose-fitting,
heterogeneous garments in which the English traveller in foreign lands
is wont to consult his comfort and affirm his nationality; and with
his pleasant steady eyes, his bronzed complexion, fresh beneath its
seasoning, his manly figure, his minimising manner and his general air
of being a gentleman and an explorer, he was such a representative of
the British race as need not in any clime have been disavowed by those
who have a kindness for it. Isabel noted these things and was glad she
had always liked him. He had kept, evidently in spite of shocks, every
one of his merits--properties these partaking of the essence of great
decent houses, as one might put it; resembling their innermost fixtures
and ornaments, not subject to vulgar shifting and removable only by
some whole break-up. They talked of the matters naturally in order;
her uncle's death, Ralph's state of health, the way she had passed her
winter, her visit to Rome, her return to Florence, her plans for the
summer, the hotel she was staying at; and then of Lord Warburton's own
adventures, movements, intentions, impressions and present domicile. At
last there was a silence, and it said so much more than either had said
that it scarce needed his final words. "I've written to you several
times."
"Written to me? I've never had your letters."
"I never sent them. I burned them up."
"Ah," laughed Isabel, "it was better that you should do that than I!"
"I thought you wouldn't care for them," he went on with a simplicity
that touched her. "It seemed to me that after all I had no right to
trouble you with letters."
"I should have been very glad to have news of you. You know how I hoped
that--that--" But she stopped; there would be such a flatness in the
utterance of her thought.
"I know what you're going to say. You hoped we should always remain good
friends." This formula, as Lord Warburton uttered it, was certainly flat
enough; but then he was interested in making it appear so.
She found herself reduced simply to "Please don't talk of all that"; a
speech which hardly struck her as improvement on the other.
"It's a small consolation to allow me!" her companion exclaimed with
force.
"I can't pretend to console you," said the girl, who, all still as
she sat there, threw herself back with a sort of inward triumph on
the answer that had satisfied him so little six months before. He was
pleasant, he was powerful, he was gallant; there was no better man than
he. But her answer remained.
"It's very well you don't try to console me; it wouldn't be in your
power," she heard him say through the medium of her strange elation.
"I hoped we should meet again, because I had no fear you would attempt
to make me feel I had wronged you. But when you do that--the pain's
greater than the pleasure." And she got up with a small conscious
majesty, looking for her companions.
"I don't want to make you feel that; of course I can't say that. I only
just want you to know one or two things--in fairness to myself, as it
were. I won't return to the subject again. I felt very strongly what I
expressed to you last year; I couldn't think of anything else. I tried
to forget--energetically, systematically. I tried to take an interest in
somebody else. I tell you this because I want you to know I did my duty.
I didn't succeed. It was for the same purpose I went abroad--as far
away as possible. They say travelling distracts the mind, but it didn't
distract mine. I've thought of you perpetually, ever since I last saw
you. I'm exactly the same. I love you just as much, and everything I
said to you then is just as true. This instant at which I speak to you
shows me again exactly how, to my great misfortune, you just insuperably
charm me. There--I can't say less. I don't mean, however, to insist;
it's only for a moment. I may add that when I came upon you a few
minutes since, without the smallest idea of seeing you, I was, upon
my honour, in the very act of wishing I knew where you were." He had
recovered his self-control, and while he spoke it became complete. He
might have been addressing a small committee--making all quietly and
clearly a statement of importance; aided by an occasional look at a
paper of notes concealed in his hat, which he had not again put on. And
the committee, assuredly, would have felt the point proved.
"I've often thought of you, Lord Warburton," Isabel answered. "You may
be sure I shall always do that." And she added in a tone of which she
tried to keep up the kindness and keep down the meaning: "There's no
harm in that on either side."
They walked along together, and she was prompt to ask about his sisters
and request him to let them know she had done so. He made for the moment
no further reference to their great question, but dipped again into
shallower and safer waters. But he wished to know when she was to leave
Rome, and on her mentioning the limit of her stay declared he was glad
it was still so distant.
"Why do you say that if you yourself are only passing through?" she
enquired with some anxiety.
"Ah, when I said I was passing through I didn't mean that one would
treat Rome as if it were Clapham Junction. To pass through Rome is to
stop a week or two."
"Say frankly that you mean to stay as long as I do!"
His flushed smile, for a little, seemed to sound her. "You won't like
that. You're afraid you'll see too much of me."
"It doesn't matter what I like. I certainly can't expect you to leave
this delightful place on my account. But I confess I'm afraid of you."
"Afraid I'll begin again? I promise to be very careful."
They had gradually stopped and they stood a moment face to face. "Poor
Lord Warburton!" she said with a compassion intended to be good for both
of them.
"Poor Lord Warburton indeed! But I'll be careful."
"You may be unhappy, but you shall not make ME so. That I can't allow."
"If I believed I could make you unhappy I think I should try it." At
this she walked in advance and he also proceeded. "I'll never say a word
to displease you."
"Very good. If you do, our friendship's at an end."
"Perhaps some day--after a while--you'll give me leave."
"Give you leave to make me unhappy?"
He hesitated. "To tell you again--" But he checked himself. "I'll keep
it down. I'll keep it down always."
Ralph Touchett had been joined in his visit to the excavation by Miss
Stackpole and her attendant, and these three now emerged from among the
mounds of earth and stone collected round the aperture and came into
sight of Isabel and her companion. Poor Ralph hailed his friend with joy
qualified by wonder, and Henrietta exclaimed in a high voice "Gracious,
there's that lord!" Ralph and his English neighbour greeted with the
austerity with which, after long separations, English neighbours greet,
and Miss Stackpole rested her large intellectual gaze upon the sunburnt
traveller. But she soon established her relation to the crisis. "I don't
suppose you remember me, sir."
"Indeed I do remember you," said Lord Warburton. "I asked you to come
and see me, and you never came."
"I don't go everywhere I'm asked," Miss Stackpole answered coldly.
"Ah well, I won't ask you again," laughed the master of Lockleigh.
"If you do I'll go; so be sure!"
Lord Warburton, for all his hilarity, seemed sure enough. Mr. Bantling
had stood by without claiming a recognition, but he now took occasion
to nod to his lordship, who answered him with a friendly "Oh, you here,
Bantling?" and a hand-shake.
"Well," said Henrietta, "I didn't know you knew him!"
"I guess you don't know every one I know," Mr. Bantling rejoined
facetiously.
"I thought that when an Englishman knew a lord he always told you."
"Ah, I'm afraid Bantling was ashamed of me," Lord Warburton laughed
again. Isabel took pleasure in that note; she gave a small sigh of
relief as they kept their course homeward.
The next day was Sunday; she spent her morning over two long
letters--one to her sister Lily, the other to Madame Merle; but in
neither of these epistles did she mention the fact that a rejected
suitor had threatened her with another appeal. Of a Sunday afternoon
all good Romans (and the best Romans are often the northern barbarians)
follow the custom of going to vespers at Saint Peter's; and it had been
agreed among our friends that they would drive together to the great
church. After lunch, an hour before the carriage came, Lord Warburton
presented himself at the Hotel de Paris and paid a visit to the two
ladies, Ralph Touchett and Mr. Bantling having gone out together. The
visitor seemed to have wished to give Isabel a proof of his intention to
keep the promise made her the evening before; he was both discreet and
frank--not even dumbly importunate or remotely intense. He thus left
her to judge what a mere good friend he could be. He talked about his
travels, about Persia, about Turkey, and when Miss Stackpole asked him
whether it would "pay" for her to visit those countries assured her they
offered a great field to female enterprise. Isabel did him justice, but
she wondered what his purpose was and what he expected to gain even by
proving the superior strain of his sincerity. If he expected to melt
her by showing what a good fellow he was, he might spare himself the
trouble. She knew the superior strain of everything about him, and
nothing he could now do was required to light the view. Moreover
his being in Rome at all affected her as a complication of the wrong
sort--she liked so complications of the right. Nevertheless, when, on
bringing his call to a close, he said he too should be at Saint Peter's
and should look out for her and her friends, she was obliged to reply
that he must follow his convenience.
In the church, as she strolled over its tesselated acres, he was the
first person she encountered. She had not been one of the superior
tourists who are "disappointed" in Saint Peter's and find it smaller
than its fame; the first time she passed beneath the huge leathern
curtain that strains and bangs at the entrance, the first time she found
herself beneath the far-arching dome and saw the light drizzle down
through the air thickened with incense and with the reflections of
marble and gilt, of mosaic and bronze, her conception of greatness rose
and dizzily rose. After this it never lacked space to soar. She gazed
and wondered like a child or a peasant, she paid her silent tribute to
the seated sublime. Lord Warburton walked beside her and talked of Saint
Sophia of Constantinople; she feared for instance that he would end
by calling attention to his exemplary conduct. The service had not yet
begun, but at Saint Peter's there is much to observe, and as there is
something almost profane in the vastness of the place, which seems meant
as much for physical as for spiritual exercise, the different figures
and groups, the mingled worshippers and spectators, may follow their
various intentions without conflict or scandal. In that splendid
immensity individual indiscretion carries but a short distance. Isabel
and her companions, however, were guilty of none; for though Henrietta
was obliged in candour to declare that Michael Angelo's dome suffered
by comparison with that of the Capitol at Washington, she addressed
her protest chiefly to Mr. Bantling's ear and reserved it in its more
accentuated form for the columns of the Interviewer. Isabel made the
circuit of the church with his lordship, and as they drew near the choir
on the left of the entrance the voices of the Pope's singers were borne
to them over the heads of the large number of persons clustered outside
the doors. They paused a while on the skirts of this crowd, composed
in equal measure of Roman cockneys and inquisitive strangers, and while
they stood there the sacred concert went forward. Ralph, with Henrietta
and Mr. Bantling, was apparently within, where Isabel, looking beyond
the dense group in front of her, saw the afternoon light, silvered by
clouds of incense that seemed to mingle with the splendid chant, slope
through the embossed recesses of high windows. After a while the singing
stopped and then Lord Warburton seemed disposed to move off with her.
Isabel could only accompany him; whereupon she found herself confronted
with Gilbert Osmond, who appeared to have been standing at a short
distance behind her. He now approached with all the forms--he appeared
to have multiplied them on this occasion to suit the place.
"So you decided to come?" she said as she put out her hand.
"Yes, I came last night and called this afternoon at your hotel. They
told me you had come here, and I looked about for you."
"The others are inside," she decided to say.
"I didn't come for the others," he promptly returned.
She looked away; Lord Warburton was watching them; perhaps he had heard
this. Suddenly she remembered it to be just what he had said to her the
morning he came to Gardencourt to ask her to marry him. Mr. Osmond's
words had brought the colour to her cheek, and this reminiscence had not
the effect of dispelling it. She repaired any betrayal by mentioning to
each companion the name of the other, and fortunately at this moment Mr.
Bantling emerged from the choir, cleaving the crowd with British valour
and followed by Miss Stackpole and Ralph Touchett. I say fortunately,
but this is perhaps a superficial view of the matter; since on
perceiving the gentleman from Florence Ralph Touchett appeared to take
the case as not committing him to joy. He didn't hang back, however,
from civility, and presently observed to Isabel, with due benevolence,
that she would soon have all her friends about her. Miss Stackpole had
met Mr. Osmond in Florence, but she had already found occasion to say
to Isabel that she liked him no better than her other admirers--than Mr.
Touchett and Lord Warburton, and even than little Mr. Rosier in Paris.
"I don't know what it's in you," she had been pleased to remark, "but
for a nice girl you do attract the most unnatural people. Mr. Goodwood's
the only one I've any respect for, and he's just the one you don't
appreciate."
"What's your opinion of Saint Peter's?" Mr. Osmond was meanwhile
enquiring of our young lady.
"It's very large and very bright," she contented herself with replying.
"It's too large; it makes one feel like an atom."
"Isn't that the right way to feel in the greatest of human temples?" she
asked with rather a liking for her phrase.
"I suppose it's the right way to feel everywhere, when one IS nobody.
But I like it in a church as little as anywhere else."
"You ought indeed to be a Pope!" Isabel exclaimed, remembering something
he had referred to in Florence.
"Ah, I should have enjoyed that!" said Gilbert Osmond.
Lord Warburton meanwhile had joined Ralph Touchett, and the two strolled
away together. "Who's the fellow speaking to Miss Archer?" his lordship
demanded.
"His name's Gilbert Osmond--he lives in Florence," Ralph said.
"What is he besides?"
"Nothing at all. Oh yes, he's an American; but one forgets that--he's so
little of one."
"Has he known Miss Archer long?"
"Three or four weeks."
"Does she like him?"
"She's trying to find out."
"And will she?"
"Find out--?" Ralph asked.
"Will she like him?"
"Do you mean will she accept him?"
"Yes," said Lord Warburton after an instant; "I suppose that's what I
horribly mean."
"Perhaps not if one does nothing to prevent it," Ralph replied.
His lordship stared a moment, but apprehended. "Then we must be
perfectly quiet?"
"As quiet as the grave. And only on the chance!" Ralph added.
"The chance she may?"
"The chance she may not?"
Lord Warburton took this at first in silence, but he spoke again. "Is he
awfully clever?"
"Awfully," said Ralph.
His companion thought. "And what else?"
"What more do you want?" Ralph groaned.
"Do you mean what more does SHE?"
Ralph took him by the arm to turn him: they had to rejoin the others.
"She wants nothing that WE can give her."
"Ah well, if she won't have You--!" said his lordship handsomely as they
went.
| Notes Chapter 27, the last chapter of Volume I, brings all the satellite figures together around Isabel Archer. It ends on the discussion of Ralph Touchett and Lord Warburton about the likelihood of Isabels falling in love with Gilbert Osmond. | analysis |
On the morrow, in the evening, Lord Warburton went again to see his
friends at their hotel, and at this establishment he learned that they
had gone to the opera. He drove to the opera with the idea of paying
them a visit in their box after the easy Italian fashion; and when
he had obtained his admittance--it was one of the secondary
theatres--looked about the large, bare, ill-lighted house. An act
had just terminated and he was at liberty to pursue his quest. After
scanning two or three tiers of boxes he perceived in one of the largest
of these receptacles a lady whom he easily recognised. Miss Archer was
seated facing the stage and partly screened by the curtain of the box;
and beside her, leaning back in his chair, was Mr. Gilbert Osmond. They
appeared to have the place to themselves, and Warburton supposed their
companions had taken advantage of the recess to enjoy the relative
coolness of the lobby. He stood a while with his eyes on the interesting
pair; he asked himself if he should go up and interrupt the harmony. At
last he judged that Isabel had seen him, and this accident determined
him. There should be no marked holding off. He took his way to the upper
regions and on the staircase met Ralph Touchett slowly descending, his
hat at the inclination of ennui and his hands where they usually were.
"I saw you below a moment since and was going down to you. I feel lonely
and want company," was Ralph's greeting.
"You've some that's very good which you've yet deserted."
"Do you mean my cousin? Oh, she has a visitor and doesn't want me. Then
Miss Stackpole and Bantling have gone out to a cafe to eat an ice--Miss
Stackpole delights in an ice. I didn't think they wanted me either.
The opera's very bad; the women look like laundresses and sing like
peacocks. I feel very low."
"You had better go home," Lord Warburton said without affectation.
"And leave my young lady in this sad place? Ah no, I must watch over
her."
"She seems to have plenty of friends."
"Yes, that's why I must watch," said Ralph with the same large
mock-melancholy.
"If she doesn't want you it's probable she doesn't want me."
"No, you're different. Go to the box and stay there while I walk about."
Lord Warburton went to the box, where Isabel's welcome was as to a
friend so honourably old that he vaguely asked himself what queer
temporal province she was annexing. He exchanged greetings with Mr.
Osmond, to whom he had been introduced the day before and who, after he
came in, sat blandly apart and silent, as if repudiating competence in
the subjects of allusion now probable. It struck her second visitor
that Miss Archer had, in operatic conditions, a radiance, even a
slight exaltation; as she was, however, at all times a keenly-glancing,
quickly-moving, completely animated young woman, he may have been
mistaken on this point. Her talk with him moreover pointed to presence
of mind; it expressed a kindness so ingenious and deliberate as to
indicate that she was in undisturbed possession of her faculties. Poor
Lord Warburton had moments of bewilderment. She had discouraged him,
formally, as much as a woman could; what business had she then with
such arts and such felicities, above all with such tones of
reparation--preparation? Her voice had tricks of sweetness, but why play
them on HIM? The others came back; the bare, familiar, trivial opera
began again. The box was large, and there was room for him to remain
if he would sit a little behind and in the dark. He did so for half an
hour, while Mr. Osmond remained in front, leaning forward, his elbows
on his knees, just behind Isabel. Lord Warburton heard nothing, and from
his gloomy corner saw nothing but the clear profile of this young
lady defined against the dim illumination of the house. When there was
another interval no one moved. Mr. Osmond talked to Isabel, and Lord
Warburton kept his corner. He did so but for a short time, however;
after which he got up and bade good-night to the ladies. Isabel said
nothing to detain him, but it didn't prevent his being puzzled again.
Why should she mark so one of his values--quite the wrong one--when she
would have nothing to do with another, which was quite the right? He was
angry with himself for being puzzled, and then angry for being angry.
Verdi's music did little to comfort him, and he left the theatre and
walked homeward, without knowing his way, through the tortuous, tragic
streets of Rome, where heavier sorrows than his had been carried under
the stars.
"What's the character of that gentleman?" Osmond asked of Isabel after
he had retired.
"Irreproachable--don't you see it?"
"He owns about half England; that's his character," Henrietta remarked.
"That's what they call a free country!"
"Ah, he's a great proprietor? Happy man!" said Gilbert Osmond.
"Do you call that happiness--the ownership of wretched human beings?"
cried Miss Stackpole. "He owns his tenants and has thousands of them.
It's pleasant to own something, but inanimate objects are enough for me.
I don't insist on flesh and blood and minds and consciences."
"It seems to me you own a human being or two," Mr. Bantling suggested
jocosely. "I wonder if Warburton orders his tenants about as you do me."
"Lord Warburton's a great radical," Isabel said. "He has very advanced
opinions."
"He has very advanced stone walls. His park's enclosed by a gigantic
iron fence, some thirty miles round," Henrietta announced for the
information of Mr. Osmond. "I should like him to converse with a few of
our Boston radicals."
"Don't they approve of iron fences?" asked Mr. Bantling.
"Only to shut up wicked conservatives. I always feel as if I were
talking to YOU over something with a neat top-finish of broken glass."
"Do you know him well, this unreformed reformer?" Osmond went on,
questioning Isabel.
"Well enough for all the use I have for him."
"And how much of a use is that?"
"Well, I like to like him."
"'Liking to like'--why, it makes a passion!" said Osmond.
"No"--she considered--"keep that for liking to DISlike."
"Do you wish to provoke me then," Osmond laughed, "to a passion for
HIM?"
She said nothing for a moment, but then met the light question with a
disproportionate gravity. "No, Mr. Osmond; I don't think I should ever
dare to provoke you. Lord Warburton, at any rate," she more easily
added, "is a very nice man."
"Of great ability?" her friend enquired.
"Of excellent ability, and as good as he looks."
"As good as he's good-looking do you mean? He's very good-looking. How
detestably fortunate!--to be a great English magnate, to be clever and
handsome into the bargain, and, by way of finishing off, to enjoy your
high favour! That's a man I could envy."
Isabel considered him with interest. "You seem to me to be always
envying some one. Yesterday it was the Pope; to-day it's poor Lord
Warburton."
"My envy's not dangerous; it wouldn't hurt a mouse. I don't want to
destroy the people--I only want to BE them. You see it would destroy
only myself."
"You'd like to be the Pope?" said Isabel.
"I should love it--but I should have gone in for it earlier. But
why"--Osmond reverted--"do you speak of your friend as poor?"
"Women--when they are very, very good sometimes pity men after they've
hurt them; that's their great way of showing kindness," said Ralph,
joining in the conversation for the first time and with a cynicism so
transparently ingenious as to be virtually innocent.
"Pray, have I hurt Lord Warburton?" Isabel asked, raising her eyebrows
as if the idea were perfectly fresh.
"It serves him right if you have," said Henrietta while the curtain rose
for the ballet.
Isabel saw no more of her attributive victim for the next twenty-four
hours, but on the second day after the visit to the opera she
encountered him in the gallery of the Capitol, where he stood before the
lion of the collection, the statue of the Dying Gladiator. She had come
in with her companions, among whom, on this occasion again, Gilbert
Osmond had his place, and the party, having ascended the staircase,
entered the first and finest of the rooms. Lord Warburton addressed her
alertly enough, but said in a moment that he was leaving the gallery.
"And I'm leaving Rome," he added. "I must bid you goodbye." Isabel,
inconsequently enough, was now sorry to hear it. This was perhaps
because she had ceased to be afraid of his renewing his suit; she was
thinking of something else. She was on the point of naming her regret,
but she checked herself and simply wished him a happy journey; which
made him look at her rather unlightedly. "I'm afraid you'll think me
very 'volatile.' I told you the other day I wanted so much to stop."
"Oh no; you could easily change your mind."
"That's what I have done."
"Bon voyage then."
"You're in a great hurry to get rid of me," said his lordship quite
dismally.
"Not in the least. But I hate partings."
"You don't care what I do," he went on pitifully.
Isabel looked at him a moment. "Ah," she said, "you're not keeping your
promise!"
He coloured like a boy of fifteen. "If I'm not, then it's because I
can't; and that's why I'm going."
"Good-bye then."
"Good-bye." He lingered still, however. "When shall I see you again?"
Isabel hesitated, but soon, as if she had had a happy inspiration: "Some
day after you're married."
"That will never be. It will be after you are."
"That will do as well," she smiled.
"Yes, quite as well. Good-bye."
They shook hands, and he left her alone in the glorious room, among the
shining antique marbles. She sat down in the centre of the circle of
these presences, regarding them vaguely, resting her eyes on their
beautiful blank faces; listening, as it were, to their eternal silence.
It is impossible, in Rome at least, to look long at a great company of
Greek sculptures without feeling the effect of their noble quietude;
which, as with a high door closed for the ceremony, slowly drops on
the spirit the large white mantle of peace. I say in Rome especially,
because the Roman air is an exquisite medium for such impressions. The
golden sunshine mingles with them, the deep stillness of the past, so
vivid yet, though it is nothing but a void full of names, seems to throw
a solemn spell upon them. The blinds were partly closed in the windows
of the Capitol, and a clear, warm shadow rested on the figures and made
them more mildly human. Isabel sat there a long time, under the charm
of their motionless grace, wondering to what, of their experience, their
absent eyes were open, and how, to our ears, their alien lips would
sound. The dark red walls of the room threw them into relief; the
polished marble floor reflected their beauty. She had seen them all
before, but her enjoyment repeated itself, and it was all the greater
because she was glad again, for the time, to be alone. At last, however,
her attention lapsed, drawn off by a deeper tide of life. An occasional
tourist came in, stopped and stared a moment at the Dying Gladiator, and
then passed out of the other door, creaking over the smooth pavement. At
the end of half an hour Gilbert Osmond reappeared, apparently in advance
of his companions. He strolled toward her slowly, with his hands
behind him and his usual enquiring, yet not quite appealing smile. "I'm
surprised to find you alone, I thought you had company.
"So I have--the best." And she glanced at the Antinous and the Faun.
"Do you call them better company than an English peer?"
"Ah, my English peer left me some time ago." She got up, speaking with
intention a little dryly.
Mr. Osmond noted her dryness, which contributed for him to the interest
of his question. "I'm afraid that what I heard the other evening is
true: you're rather cruel to that nobleman."
Isabel looked a moment at the vanquished Gladiator. "It's not true. I'm
scrupulously kind."
"That's exactly what I mean!" Gilbert Osmond returned, and with such
happy hilarity that his joke needs to be explained. We know that he was
fond of originals, of rarities, of the superior and the exquisite; and
now that he had seen Lord Warburton, whom he thought a very fine example
of his race and order, he perceived a new attraction in the idea of
taking to himself a young lady who had qualified herself to figure in
his collection of choice objects by declining so noble a hand. Gilbert
Osmond had a high appreciation of this particular patriciate; not so
much for its distinction, which he thought easily surpassable, as for
its solid actuality. He had never forgiven his star for not appointing
him to an English dukedom, and he could measure the unexpectedness of
such conduct as Isabel's. It would be proper that the woman he might
marry should have done something of that sort.
| VOLUME 2 Chapter 28 The next evening Lord Warburton goes to the opera where he looks for Isabel and the others. He sees Isabel sitting in the opera box with Gilbert Osmond and feels sick at the sight. He meets Ralph on the stairs. Ralph looks dejected and tells him he feels very low. He stays only a short time with the others and then leaves. Gilbert Osmond asks Isabel about Lord Warburton. She tells him Lord Warburton is irreproachable. Henrietta Stackpole adds information about his wealth and his ideas. Isabel indicates that she is not interested in Lord Warburton, though she likes him. Ralph ironically notes Isabels tendency to call Warburton "poor Lord Warburton" is a way of coping with having hurt him. Lord Warburton finds Isabel a day later and tells her he plans to leave Rome early since he cant do as she has asked him to do-- not talk about his wish to marry her. She is by turns cold to him and kind to him. He leaves. As she is sitting alone looking at the Roman statues around her, Gilbert Osmond comes up. He asks her about Lord Warburton. She indicates the Lord Warburton has been gone for some time. He thinks to himself that it will be good to have Isabel among his "collection of choice objects" since she has turned down a British noble. He has always been peeved at fate for not having made him a noble, so he likes the idea of winning a woman who turned one down. | summary |
On the morrow, in the evening, Lord Warburton went again to see his
friends at their hotel, and at this establishment he learned that they
had gone to the opera. He drove to the opera with the idea of paying
them a visit in their box after the easy Italian fashion; and when
he had obtained his admittance--it was one of the secondary
theatres--looked about the large, bare, ill-lighted house. An act
had just terminated and he was at liberty to pursue his quest. After
scanning two or three tiers of boxes he perceived in one of the largest
of these receptacles a lady whom he easily recognised. Miss Archer was
seated facing the stage and partly screened by the curtain of the box;
and beside her, leaning back in his chair, was Mr. Gilbert Osmond. They
appeared to have the place to themselves, and Warburton supposed their
companions had taken advantage of the recess to enjoy the relative
coolness of the lobby. He stood a while with his eyes on the interesting
pair; he asked himself if he should go up and interrupt the harmony. At
last he judged that Isabel had seen him, and this accident determined
him. There should be no marked holding off. He took his way to the upper
regions and on the staircase met Ralph Touchett slowly descending, his
hat at the inclination of ennui and his hands where they usually were.
"I saw you below a moment since and was going down to you. I feel lonely
and want company," was Ralph's greeting.
"You've some that's very good which you've yet deserted."
"Do you mean my cousin? Oh, she has a visitor and doesn't want me. Then
Miss Stackpole and Bantling have gone out to a cafe to eat an ice--Miss
Stackpole delights in an ice. I didn't think they wanted me either.
The opera's very bad; the women look like laundresses and sing like
peacocks. I feel very low."
"You had better go home," Lord Warburton said without affectation.
"And leave my young lady in this sad place? Ah no, I must watch over
her."
"She seems to have plenty of friends."
"Yes, that's why I must watch," said Ralph with the same large
mock-melancholy.
"If she doesn't want you it's probable she doesn't want me."
"No, you're different. Go to the box and stay there while I walk about."
Lord Warburton went to the box, where Isabel's welcome was as to a
friend so honourably old that he vaguely asked himself what queer
temporal province she was annexing. He exchanged greetings with Mr.
Osmond, to whom he had been introduced the day before and who, after he
came in, sat blandly apart and silent, as if repudiating competence in
the subjects of allusion now probable. It struck her second visitor
that Miss Archer had, in operatic conditions, a radiance, even a
slight exaltation; as she was, however, at all times a keenly-glancing,
quickly-moving, completely animated young woman, he may have been
mistaken on this point. Her talk with him moreover pointed to presence
of mind; it expressed a kindness so ingenious and deliberate as to
indicate that she was in undisturbed possession of her faculties. Poor
Lord Warburton had moments of bewilderment. She had discouraged him,
formally, as much as a woman could; what business had she then with
such arts and such felicities, above all with such tones of
reparation--preparation? Her voice had tricks of sweetness, but why play
them on HIM? The others came back; the bare, familiar, trivial opera
began again. The box was large, and there was room for him to remain
if he would sit a little behind and in the dark. He did so for half an
hour, while Mr. Osmond remained in front, leaning forward, his elbows
on his knees, just behind Isabel. Lord Warburton heard nothing, and from
his gloomy corner saw nothing but the clear profile of this young
lady defined against the dim illumination of the house. When there was
another interval no one moved. Mr. Osmond talked to Isabel, and Lord
Warburton kept his corner. He did so but for a short time, however;
after which he got up and bade good-night to the ladies. Isabel said
nothing to detain him, but it didn't prevent his being puzzled again.
Why should she mark so one of his values--quite the wrong one--when she
would have nothing to do with another, which was quite the right? He was
angry with himself for being puzzled, and then angry for being angry.
Verdi's music did little to comfort him, and he left the theatre and
walked homeward, without knowing his way, through the tortuous, tragic
streets of Rome, where heavier sorrows than his had been carried under
the stars.
"What's the character of that gentleman?" Osmond asked of Isabel after
he had retired.
"Irreproachable--don't you see it?"
"He owns about half England; that's his character," Henrietta remarked.
"That's what they call a free country!"
"Ah, he's a great proprietor? Happy man!" said Gilbert Osmond.
"Do you call that happiness--the ownership of wretched human beings?"
cried Miss Stackpole. "He owns his tenants and has thousands of them.
It's pleasant to own something, but inanimate objects are enough for me.
I don't insist on flesh and blood and minds and consciences."
"It seems to me you own a human being or two," Mr. Bantling suggested
jocosely. "I wonder if Warburton orders his tenants about as you do me."
"Lord Warburton's a great radical," Isabel said. "He has very advanced
opinions."
"He has very advanced stone walls. His park's enclosed by a gigantic
iron fence, some thirty miles round," Henrietta announced for the
information of Mr. Osmond. "I should like him to converse with a few of
our Boston radicals."
"Don't they approve of iron fences?" asked Mr. Bantling.
"Only to shut up wicked conservatives. I always feel as if I were
talking to YOU over something with a neat top-finish of broken glass."
"Do you know him well, this unreformed reformer?" Osmond went on,
questioning Isabel.
"Well enough for all the use I have for him."
"And how much of a use is that?"
"Well, I like to like him."
"'Liking to like'--why, it makes a passion!" said Osmond.
"No"--she considered--"keep that for liking to DISlike."
"Do you wish to provoke me then," Osmond laughed, "to a passion for
HIM?"
She said nothing for a moment, but then met the light question with a
disproportionate gravity. "No, Mr. Osmond; I don't think I should ever
dare to provoke you. Lord Warburton, at any rate," she more easily
added, "is a very nice man."
"Of great ability?" her friend enquired.
"Of excellent ability, and as good as he looks."
"As good as he's good-looking do you mean? He's very good-looking. How
detestably fortunate!--to be a great English magnate, to be clever and
handsome into the bargain, and, by way of finishing off, to enjoy your
high favour! That's a man I could envy."
Isabel considered him with interest. "You seem to me to be always
envying some one. Yesterday it was the Pope; to-day it's poor Lord
Warburton."
"My envy's not dangerous; it wouldn't hurt a mouse. I don't want to
destroy the people--I only want to BE them. You see it would destroy
only myself."
"You'd like to be the Pope?" said Isabel.
"I should love it--but I should have gone in for it earlier. But
why"--Osmond reverted--"do you speak of your friend as poor?"
"Women--when they are very, very good sometimes pity men after they've
hurt them; that's their great way of showing kindness," said Ralph,
joining in the conversation for the first time and with a cynicism so
transparently ingenious as to be virtually innocent.
"Pray, have I hurt Lord Warburton?" Isabel asked, raising her eyebrows
as if the idea were perfectly fresh.
"It serves him right if you have," said Henrietta while the curtain rose
for the ballet.
Isabel saw no more of her attributive victim for the next twenty-four
hours, but on the second day after the visit to the opera she
encountered him in the gallery of the Capitol, where he stood before the
lion of the collection, the statue of the Dying Gladiator. She had come
in with her companions, among whom, on this occasion again, Gilbert
Osmond had his place, and the party, having ascended the staircase,
entered the first and finest of the rooms. Lord Warburton addressed her
alertly enough, but said in a moment that he was leaving the gallery.
"And I'm leaving Rome," he added. "I must bid you goodbye." Isabel,
inconsequently enough, was now sorry to hear it. This was perhaps
because she had ceased to be afraid of his renewing his suit; she was
thinking of something else. She was on the point of naming her regret,
but she checked herself and simply wished him a happy journey; which
made him look at her rather unlightedly. "I'm afraid you'll think me
very 'volatile.' I told you the other day I wanted so much to stop."
"Oh no; you could easily change your mind."
"That's what I have done."
"Bon voyage then."
"You're in a great hurry to get rid of me," said his lordship quite
dismally.
"Not in the least. But I hate partings."
"You don't care what I do," he went on pitifully.
Isabel looked at him a moment. "Ah," she said, "you're not keeping your
promise!"
He coloured like a boy of fifteen. "If I'm not, then it's because I
can't; and that's why I'm going."
"Good-bye then."
"Good-bye." He lingered still, however. "When shall I see you again?"
Isabel hesitated, but soon, as if she had had a happy inspiration: "Some
day after you're married."
"That will never be. It will be after you are."
"That will do as well," she smiled.
"Yes, quite as well. Good-bye."
They shook hands, and he left her alone in the glorious room, among the
shining antique marbles. She sat down in the centre of the circle of
these presences, regarding them vaguely, resting her eyes on their
beautiful blank faces; listening, as it were, to their eternal silence.
It is impossible, in Rome at least, to look long at a great company of
Greek sculptures without feeling the effect of their noble quietude;
which, as with a high door closed for the ceremony, slowly drops on
the spirit the large white mantle of peace. I say in Rome especially,
because the Roman air is an exquisite medium for such impressions. The
golden sunshine mingles with them, the deep stillness of the past, so
vivid yet, though it is nothing but a void full of names, seems to throw
a solemn spell upon them. The blinds were partly closed in the windows
of the Capitol, and a clear, warm shadow rested on the figures and made
them more mildly human. Isabel sat there a long time, under the charm
of their motionless grace, wondering to what, of their experience, their
absent eyes were open, and how, to our ears, their alien lips would
sound. The dark red walls of the room threw them into relief; the
polished marble floor reflected their beauty. She had seen them all
before, but her enjoyment repeated itself, and it was all the greater
because she was glad again, for the time, to be alone. At last, however,
her attention lapsed, drawn off by a deeper tide of life. An occasional
tourist came in, stopped and stared a moment at the Dying Gladiator, and
then passed out of the other door, creaking over the smooth pavement. At
the end of half an hour Gilbert Osmond reappeared, apparently in advance
of his companions. He strolled toward her slowly, with his hands
behind him and his usual enquiring, yet not quite appealing smile. "I'm
surprised to find you alone, I thought you had company.
"So I have--the best." And she glanced at the Antinous and the Faun.
"Do you call them better company than an English peer?"
"Ah, my English peer left me some time ago." She got up, speaking with
intention a little dryly.
Mr. Osmond noted her dryness, which contributed for him to the interest
of his question. "I'm afraid that what I heard the other evening is
true: you're rather cruel to that nobleman."
Isabel looked a moment at the vanquished Gladiator. "It's not true. I'm
scrupulously kind."
"That's exactly what I mean!" Gilbert Osmond returned, and with such
happy hilarity that his joke needs to be explained. We know that he was
fond of originals, of rarities, of the superior and the exquisite; and
now that he had seen Lord Warburton, whom he thought a very fine example
of his race and order, he perceived a new attraction in the idea of
taking to himself a young lady who had qualified herself to figure in
his collection of choice objects by declining so noble a hand. Gilbert
Osmond had a high appreciation of this particular patriciate; not so
much for its distinction, which he thought easily surpassable, as for
its solid actuality. He had never forgiven his star for not appointing
him to an English dukedom, and he could measure the unexpectedness of
such conduct as Isabel's. It would be proper that the woman he might
marry should have done something of that sort.
| Notes Volume 2 begins on an ominous note as Isabel Archer says good- bye to the noble Lord Warburton and turns to Gilbert Osmond and he, for his part, thinks to himself the ignoble thought that he will be happy to add Isabel to his collection of rare treasures. Since he has always felt cheated by the universe for not having given him an English dukedom, he can gloat about the thought that his wife turned an English peer down. | analysis |
Ralph Touchett, in talk with his excellent friend, had rather markedly
qualified, as we know, his recognition of Gilbert Osmond's personal
merits; but he might really have felt himself illiberal in the light of
that gentleman's conduct during the rest of the visit to Rome. Osmond
spent a portion of each day with Isabel and her companions, and ended
by affecting them as the easiest of men to live with. Who wouldn't have
seen that he could command, as it were, both tact and gaiety?--which
perhaps was exactly why Ralph had made his old-time look of superficial
sociability a reproach to him. Even Isabel's invidious kinsman was
obliged to admit that he was just now a delightful associate. His
good humour was imperturbable, his knowledge of the right fact, his
production of the right word, as convenient as the friendly flicker of
a match for your cigarette. Clearly he was amused--as amused as a man
could be who was so little ever surprised, and that made him almost
applausive. It was not that his spirits were visibly high--he would
never, in the concert of pleasure, touch the big drum by so much as a
knuckle: he had a mortal dislike to the high, ragged note, to what
he called random ravings. He thought Miss Archer sometimes of too
precipitate a readiness. It was pity she had that fault, because if she
had not had it she would really have had none; she would have been as
smooth to his general need of her as handled ivory to the palm. If he
was not personally loud, however, he was deep, and during these closing
days of the Roman May he knew a complacency that matched with slow
irregular walks under the pines of the Villa Borghese, among the
small sweet meadow-flowers and the mossy marbles. He was pleased with
everything; he had never before been pleased with so many things at
once. Old impressions, old enjoyments, renewed themselves; one evening,
going home to his room at the inn, he wrote down a little sonnet to
which he prefixed the title of "Rome Revisited." A day or two later he
showed this piece of correct and ingenious verse to Isabel, explaining
to her that it was an Italian fashion to commemorate the occasions of
life by a tribute to the muse.
He took his pleasures in general singly; he was too often--he would have
admitted that--too sorely aware of something wrong, something ugly; the
fertilising dew of a conceivable felicity too seldom descended on his
spirit. But at present he was happy--happier than he had perhaps ever
been in his life, and the feeling had a large foundation. This was
simply the sense of success--the most agreeable emotion of the human
heart. Osmond had never had too much of it; in this respect he had the
irritation of satiety, as he knew perfectly well and often reminded
himself. "Ah no, I've not been spoiled; certainly I've not been
spoiled," he used inwardly to repeat. "If I do succeed before I die
I shall thoroughly have earned it." He was too apt to reason as if
"earning" this boon consisted above all of covertly aching for it and
might be confined to that exercise. Absolutely void of it, also, his
career had not been; he might indeed have suggested to a spectator here
and there that he was resting on vague laurels. But his triumphs were,
some of them, now too old; others had been too easy. The present one had
been less arduous than might have been expected, but had been easy--that
is had been rapid--only because he had made an altogether exceptional
effort, a greater effort than he had believed it in him to make. The
desire to have something or other to show for his "parts"--to show
somehow or other--had been the dream of his youth; but as the years went
on the conditions attached to any marked proof of rarity had affected
him more and more as gross and detestable; like the swallowing of mugs
of beer to advertise what one could "stand." If an anonymous drawing on
a museum wall had been conscious and watchful it might have known this
peculiar pleasure of being at last and all of a sudden identified--as
from the hand of a great master--by the so high and so unnoticed fact of
style. His "style" was what the girl had discovered with a little help;
and now, beside herself enjoying it, she should publish it to the world
without his having any of the trouble. She should do the thing FOR him,
and he would not have waited in vain.
Shortly before the time fixed in advance for her departure this young
lady received from Mrs. Touchett a telegram running as follows: "Leave
Florence 4th June for Bellaggio, and take you if you have not other
views. But can't wait if you dawdle in Rome." The dawdling in Rome was
very pleasant, but Isabel had different views, and she let her aunt know
she would immediately join her. She told Gilbert Osmond that she had
done so, and he replied that, spending many of his summers as well as
his winters in Italy, he himself would loiter a little longer in the
cool shadow of Saint Peter's. He would not return to Florence for ten
days more, and in that time she would have started for Bellaggio.
It might be months in this case before he should see her again. This
exchange took place in the large decorated sitting-room occupied by our
friends at the hotel; it was late in the evening, and Ralph Touchett was
to take his cousin back to Florence on the morrow. Osmond had found the
girl alone; Miss Stackpole had contracted a friendship with a delightful
American family on the fourth floor and had mounted the interminable
staircase to pay them a visit. Henrietta contracted friendships, in
travelling, with great freedom, and had formed in railway-carriages
several that were among her most valued ties. Ralph was making
arrangements for the morrow's journey, and Isabel sat alone in a
wilderness of yellow upholstery. The chairs and sofas were orange;
the walls and windows were draped in purple and gilt. The mirrors, the
pictures had great flamboyant frames; the ceiling was deeply vaulted and
painted over with naked muses and cherubs. For Osmond the place was ugly
to distress; the false colours, the sham splendour were like vulgar,
bragging, lying talk. Isabel had taken in hand a volume of Ampere,
presented, on their arrival in Rome, by Ralph; but though she held it in
her lap with her finger vaguely kept in the place she was not impatient
to pursue her study. A lamp covered with a drooping veil of pink
tissue-paper burned on the table beside her and diffused a strange pale
rosiness over the scene.
"You say you'll come back; but who knows?" Gilbert Osmond said.
"I think you're much more likely to start on your voyage round the
world. You're under no obligation to come back; you can do exactly what
you choose; you can roam through space."
"Well, Italy's a part of space," Isabel answered. "I can take it on the
way."
"On the way round the world? No, don't do that. Don't put us in a
parenthesis--give us a chapter to ourselves. I don't want to see you on
your travels. I'd rather see you when they're over. I should like to see
you when you're tired and satiated," Osmond added in a moment. "I shall
prefer you in that state."
Isabel, with her eyes bent, fingered the pages of M. Ampere. "You turn
things into ridicule without seeming to do it, though not, I think,
without intending it. You've no respect for my travels--you think them
ridiculous."
"Where do you find that?"
She went on in the same tone, fretting the edge of her book with the
paper-knife. "You see my ignorance, my blunders, the way I wander about
as if the world belonged to me, simply because--because it has been put
into my power to do so. You don't think a woman ought to do that. You
think it bold and ungraceful."
"I think it beautiful," said Osmond. "You know my opinions--I've treated
you to enough of them. Don't you remember my telling you that one ought
to make one's life a work of art? You looked rather shocked at first;
but then I told you that it was exactly what you seemed to me to be
trying to do with your own."
She looked up from her book. "What you despise most in the world is bad,
is stupid art."
"Possibly. But yours seem to me very clear and very good."
"If I were to go to Japan next winter you would laugh at me," she went
on.
Osmond gave a smile--a keen one, but not a laugh, for the tone of their
conversation was not jocose. Isabel had in fact her solemnity; he had
seen it before. "You have one!"
"That's exactly what I say. You think such an idea absurd."
"I would give my little finger to go to Japan; it's one of the countries
I want most to see. Can't you believe that, with my taste for old
lacquer?"
"I haven't a taste for old lacquer to excuse me," said Isabel.
"You've a better excuse--the means of going. You're quite wrong in
your theory that I laugh at you. I don't know what has put it into your
head."
"It wouldn't be remarkable if you did think it ridiculous that I should
have the means to travel when you've not; for you know everything and I
know nothing."
"The more reason why you should travel and learn," smiled Osmond.
"Besides," he added as if it were a point to be made, "I don't know
everything."
Isabel was not struck with the oddity of his saying this gravely; she
was thinking that the pleasantest incident of her life--so it pleased
her to qualify these too few days in Rome, which she might musingly have
likened to the figure of some small princess of one of the ages of dress
overmuffled in a mantle of state and dragging a train that it took pages
or historians to hold up--that this felicity was coming to an end. That
most of the interest of the time had been owing to Mr. Osmond was a
reflexion she was not just now at pains to make; she had already done
the point abundant justice. But she said to herself that if there were
a danger they should never meet again, perhaps after all it would be
as well. Happy things don't repeat themselves, and her adventure wore
already the changed, the seaward face of some romantic island from
which, after feasting on purple grapes, she was putting off while the
breeze rose. She might come back to Italy and find him different--this
strange man who pleased her just as he was; and it would be better
not to come than run the risk of that. But if she was not to come the
greater the pity that the chapter was closed; she felt for a moment a
pang that touched the source of tears. The sensation kept her
silent, and Gilbert Osmond was silent too; he was looking at her. "Go
everywhere," he said at last, in a low, kind voice; "do everything; get
everything out of life. Be happy,--be triumphant."
"What do you mean by being triumphant?"
"Well, doing what you like."
"To triumph, then, it seems to me, is to fail! Doing all the vain things
one likes is often very tiresome."
"Exactly," said Osmond with his quiet quickness. "As I intimated just
now, you'll be tired some day." He paused a moment and then he went on:
"I don't know whether I had better not wait till then for something I
want to say to you."
"Ah, I can't advise you without knowing what it is. But I'm horrid when
I'm tired," Isabel added with due inconsequence.
"I don't believe that. You're angry, sometimes--that I can believe,
though I've never seen it. But I'm sure you're never 'cross.'"
"Not even when I lose my temper?"
"You don't lose it--you find it, and that must be beautiful." Osmond
spoke with a noble earnestness. "They must be great moments to see."
"If I could only find it now!" Isabel nervously cried.
"I'm not afraid; I should fold my arms and admire you. I'm speaking very
seriously." He leaned forward, a hand on each knee; for some moments he
bent his eyes on the floor. "What I wish to say to you," he went on at
last, looking up, "is that I find I'm in love with you."
She instantly rose. "Ah, keep that till I am tired!"
"Tired of hearing it from others?" He sat there raising his eyes to her.
"No, you may heed it now or never, as you please. But after all I must
say it now." She had turned away, but in the movement she had stopped
herself and dropped her gaze upon him. The two remained a while in this
situation, exchanging a long look--the large, conscious look of the
critical hours of life. Then he got up and came near her, deeply
respectful, as if he were afraid he had been too familiar. "I'm
absolutely in love with you."
He had repeated the announcement in a tone of almost impersonal
discretion, like a man who expected very little from it but who spoke
for his own needed relief. The tears came into her eyes: this time
they obeyed the sharpness of the pang that suggested to her somehow
the slipping of a fine bolt--backward, forward, she couldn't have said
which. The words he had uttered made him, as he stood there, beautiful
and generous, invested him as with the golden air of early autumn; but,
morally speaking, she retreated before them--facing him still--as she
had retreated in the other cases before a like encounter. "Oh don't say
that, please," she answered with an intensity that expressed the dread
of having, in this case too, to choose and decide. What made her dread
great was precisely the force which, as it would seem, ought to have
banished all dread--the sense of something within herself, deep down,
that she supposed to be inspired and trustful passion. It was there
like a large sum stored in a bank--which there was a terror in having to
begin to spend. If she touched it, it would all come out.
"I haven't the idea that it will matter much to you," said Osmond. "I've
too little to offer you. What I have--it's enough for me; but it's not
enough for you. I've neither fortune, nor fame, nor extrinsic advantages
of any kind. So I offer nothing. I only tell you because I think it
can't offend you, and some day or other it may give you pleasure. It
gives me pleasure, I assure you," he went on, standing there before her,
considerately inclined to her, turning his hat, which he had taken
up, slowly round with a movement which had all the decent tremor of
awkwardness and none of its oddity, and presenting to her his firm,
refined, slightly ravaged face. "It gives me no pain, because it's
perfectly simple. For me you'll always be the most important woman in
the world."
Isabel looked at herself in this character--looked intently, thinking
she filled it with a certain grace. But what she said was not an
expression of any such complacency. "You don't offend me; but you
ought to remember that, without being offended, one may be incommoded,
troubled." "Incommoded," she heard herself saying that, and it struck
her as a ridiculous word. But it was what stupidly came to her.
"I remember perfectly. Of course you're surprised and startled. But
if it's nothing but that, it will pass away. And it will perhaps leave
something that I may not be ashamed of."
"I don't know what it may leave. You see at all events that I'm not
overwhelmed," said Isabel with rather a pale smile. "I'm not too
troubled to think. And I think that I'm glad I leave Rome to-morrow."
"Of course I don't agree with you there."
"I don't at all KNOW you," she added abruptly; and then she coloured as
she heard herself saying what she had said almost a year before to Lord
Warburton.
"If you were not going away you'd know me better."
"I shall do that some other time."
"I hope so. I'm very easy to know."
"No, no," she emphatically answered--"there you're not sincere. You're
not easy to know; no one could be less so."
"Well," he laughed, "I said that because I know myself. It may be a
boast, but I do."
"Very likely; but you're very wise."
"So are you, Miss Archer!" Osmond exclaimed.
"I don't feel so just now. Still, I'm wise enough to think you had
better go. Good-night."
"God bless you!" said Gilbert Osmond, taking the hand which she failed
to surrender. After which he added: "If we meet again you'll find me as
you leave me. If we don't I shall be so all the same."
"Thank you very much. Good-bye."
There was something quietly firm about Isabel's visitor; he might go of
his own movement, but wouldn't be dismissed. "There's one thing more.
I haven't asked anything of you--not even a thought in the future; you
must do me that justice. But there's a little service I should like to
ask. I shall not return home for several days; Rome's delightful, and
it's a good place for a man in my state of mind. Oh, I know you're sorry
to leave it; but you're right to do what your aunt wishes."
"She doesn't even wish it!" Isabel broke out strangely.
Osmond was apparently on the point of saying something that would match
these words, but he changed his mind and rejoined simply: "Ah well, it's
proper you should go with her, very proper. Do everything that's proper;
I go in for that. Excuse my being so patronising. You say you don't
know me, but when you do you'll discover what a worship I have for
propriety."
"You're not conventional?" Isabel gravely asked.
"I like the way you utter that word! No, I'm not conventional: I'm
convention itself. You don't understand that?" And he paused a moment,
smiling. "I should like to explain it." Then with a sudden, quick,
bright naturalness, "Do come back again," he pleaded. "There are so many
things we might talk about."
She stood there with lowered eyes. "What service did you speak of just
now?"
"Go and see my little daughter before you leave Florence. She's alone at
the villa; I decided not to send her to my sister, who hasn't at all my
ideas. Tell her she must love her poor father very much," said Gilbert
Osmond gently.
"It will be a great pleasure to me to go," Isabel answered. "I'll tell
her what you say. Once more good-bye."
On this he took a rapid, respectful leave. When he had gone she stood
a moment looking about her and seated herself slowly and with an air of
deliberation. She sat there till her companions came back, with
folded hands, gazing at the ugly carpet. Her agitation--for it had not
diminished--was very still, very deep. What had happened was something
that for a week past her imagination had been going forward to meet; but
here, when it came, she stopped--that sublime principle somehow broke
down. The working of this young lady's spirit was strange, and I can
only give it to you as I see it, not hoping to make it seem altogether
natural. Her imagination, as I say, now hung back: there was a last
vague space it couldn't cross--a dusky, uncertain tract which looked
ambiguous and even slightly treacherous, like a moorland seen in the
winter twilight. But she was to cross it yet.
| Ralph Touchett has to admit that Gilbert Osmond is a delightful companion. Everyone is delighted with him. For his part, Gilbert Osmond is happy with everything about Isabel archer but one thing. He doesnt like her eagerness and enthusiasm in praising things they see. He feels that if it werent for this fault, "she would have been as smooth to his general need of her as handled ivory to the palm." He is so pleased with everything, that he realizes he has never been so happy in his life. Usually, his pleasure in life is ruined by his perception of some flaw that ruins the whole. Now, he has a strong sense of success. Since hes never had success before, he is relishing the feeling. Isabel gets word from Mrs. Touchett that she is planning a trip to Bellaggio and would be happy to have Isabel along. Isabel wants to go and so one evening she discusses her plan with Gilbert Osmond. The discuss her prospects, whether she will come back, how long shell be gone, and how she will find him when she comes back. Isabel thinks he is judging her for wanting to travel. She says "You dont think a woman ought to do that. You think it bold and ungraceful." He tells her this isnt so. He reminds her that his idea is that a person should treat life as if it were a work of art. Isabel should, therefore, do as she pleases. She tells him he knows everything and she knows nothing. He encourages her to travel, therefore, so she can learn. Isabel wonders if her travels will take her away from him so that she would never see him again. She thinks it wouldnt be a bad thing for this to happen because she doubts that she could be as happy with him again as she is now. He tells her he wants to tell her something. He tells her hes in love with her. She rises from her seat and tells him not to tell her this yet. He tells her again that he is "absolutely in love with . " Tears come to her eyes. She feels as if some "fine bolt" has slipped inside her and she doesnt know what it means. She feels as if shes holding something back and that if she touches it, it will all come out. He tells her this news shouldnt matter to her since he has nothing to offer her. He only tells her because its a relief. Being in love with her makes him happy and hes looking for nothing more than this. He tells her shes the "most important woman in the world." Isabel tells him she doesnt know him. As they part, he tells her he likes the fact that shes going with her aunt since its proper that she should. He tells her hes not just conventional, but convention itself. He asks her to do him one favor in Venice. He wants her to visit his daughter who he has left alone at the Villa since he doesnt think his sister has the same ideas as himself. He leaves. Isabel sits and thinks. Her imagination has been going toward this eventuality of being in love with Gilbert Osmond for a week now, but now that he has told her he loves her, she feels stifled. She holds back. She feels as if in front of her is some "last vague space" which she cant cross--"a dusky, uncertain tract which looked ambiguous and even slightly treacherous." | summary |
Ralph Touchett, in talk with his excellent friend, had rather markedly
qualified, as we know, his recognition of Gilbert Osmond's personal
merits; but he might really have felt himself illiberal in the light of
that gentleman's conduct during the rest of the visit to Rome. Osmond
spent a portion of each day with Isabel and her companions, and ended
by affecting them as the easiest of men to live with. Who wouldn't have
seen that he could command, as it were, both tact and gaiety?--which
perhaps was exactly why Ralph had made his old-time look of superficial
sociability a reproach to him. Even Isabel's invidious kinsman was
obliged to admit that he was just now a delightful associate. His
good humour was imperturbable, his knowledge of the right fact, his
production of the right word, as convenient as the friendly flicker of
a match for your cigarette. Clearly he was amused--as amused as a man
could be who was so little ever surprised, and that made him almost
applausive. It was not that his spirits were visibly high--he would
never, in the concert of pleasure, touch the big drum by so much as a
knuckle: he had a mortal dislike to the high, ragged note, to what
he called random ravings. He thought Miss Archer sometimes of too
precipitate a readiness. It was pity she had that fault, because if she
had not had it she would really have had none; she would have been as
smooth to his general need of her as handled ivory to the palm. If he
was not personally loud, however, he was deep, and during these closing
days of the Roman May he knew a complacency that matched with slow
irregular walks under the pines of the Villa Borghese, among the
small sweet meadow-flowers and the mossy marbles. He was pleased with
everything; he had never before been pleased with so many things at
once. Old impressions, old enjoyments, renewed themselves; one evening,
going home to his room at the inn, he wrote down a little sonnet to
which he prefixed the title of "Rome Revisited." A day or two later he
showed this piece of correct and ingenious verse to Isabel, explaining
to her that it was an Italian fashion to commemorate the occasions of
life by a tribute to the muse.
He took his pleasures in general singly; he was too often--he would have
admitted that--too sorely aware of something wrong, something ugly; the
fertilising dew of a conceivable felicity too seldom descended on his
spirit. But at present he was happy--happier than he had perhaps ever
been in his life, and the feeling had a large foundation. This was
simply the sense of success--the most agreeable emotion of the human
heart. Osmond had never had too much of it; in this respect he had the
irritation of satiety, as he knew perfectly well and often reminded
himself. "Ah no, I've not been spoiled; certainly I've not been
spoiled," he used inwardly to repeat. "If I do succeed before I die
I shall thoroughly have earned it." He was too apt to reason as if
"earning" this boon consisted above all of covertly aching for it and
might be confined to that exercise. Absolutely void of it, also, his
career had not been; he might indeed have suggested to a spectator here
and there that he was resting on vague laurels. But his triumphs were,
some of them, now too old; others had been too easy. The present one had
been less arduous than might have been expected, but had been easy--that
is had been rapid--only because he had made an altogether exceptional
effort, a greater effort than he had believed it in him to make. The
desire to have something or other to show for his "parts"--to show
somehow or other--had been the dream of his youth; but as the years went
on the conditions attached to any marked proof of rarity had affected
him more and more as gross and detestable; like the swallowing of mugs
of beer to advertise what one could "stand." If an anonymous drawing on
a museum wall had been conscious and watchful it might have known this
peculiar pleasure of being at last and all of a sudden identified--as
from the hand of a great master--by the so high and so unnoticed fact of
style. His "style" was what the girl had discovered with a little help;
and now, beside herself enjoying it, she should publish it to the world
without his having any of the trouble. She should do the thing FOR him,
and he would not have waited in vain.
Shortly before the time fixed in advance for her departure this young
lady received from Mrs. Touchett a telegram running as follows: "Leave
Florence 4th June for Bellaggio, and take you if you have not other
views. But can't wait if you dawdle in Rome." The dawdling in Rome was
very pleasant, but Isabel had different views, and she let her aunt know
she would immediately join her. She told Gilbert Osmond that she had
done so, and he replied that, spending many of his summers as well as
his winters in Italy, he himself would loiter a little longer in the
cool shadow of Saint Peter's. He would not return to Florence for ten
days more, and in that time she would have started for Bellaggio.
It might be months in this case before he should see her again. This
exchange took place in the large decorated sitting-room occupied by our
friends at the hotel; it was late in the evening, and Ralph Touchett was
to take his cousin back to Florence on the morrow. Osmond had found the
girl alone; Miss Stackpole had contracted a friendship with a delightful
American family on the fourth floor and had mounted the interminable
staircase to pay them a visit. Henrietta contracted friendships, in
travelling, with great freedom, and had formed in railway-carriages
several that were among her most valued ties. Ralph was making
arrangements for the morrow's journey, and Isabel sat alone in a
wilderness of yellow upholstery. The chairs and sofas were orange;
the walls and windows were draped in purple and gilt. The mirrors, the
pictures had great flamboyant frames; the ceiling was deeply vaulted and
painted over with naked muses and cherubs. For Osmond the place was ugly
to distress; the false colours, the sham splendour were like vulgar,
bragging, lying talk. Isabel had taken in hand a volume of Ampere,
presented, on their arrival in Rome, by Ralph; but though she held it in
her lap with her finger vaguely kept in the place she was not impatient
to pursue her study. A lamp covered with a drooping veil of pink
tissue-paper burned on the table beside her and diffused a strange pale
rosiness over the scene.
"You say you'll come back; but who knows?" Gilbert Osmond said.
"I think you're much more likely to start on your voyage round the
world. You're under no obligation to come back; you can do exactly what
you choose; you can roam through space."
"Well, Italy's a part of space," Isabel answered. "I can take it on the
way."
"On the way round the world? No, don't do that. Don't put us in a
parenthesis--give us a chapter to ourselves. I don't want to see you on
your travels. I'd rather see you when they're over. I should like to see
you when you're tired and satiated," Osmond added in a moment. "I shall
prefer you in that state."
Isabel, with her eyes bent, fingered the pages of M. Ampere. "You turn
things into ridicule without seeming to do it, though not, I think,
without intending it. You've no respect for my travels--you think them
ridiculous."
"Where do you find that?"
She went on in the same tone, fretting the edge of her book with the
paper-knife. "You see my ignorance, my blunders, the way I wander about
as if the world belonged to me, simply because--because it has been put
into my power to do so. You don't think a woman ought to do that. You
think it bold and ungraceful."
"I think it beautiful," said Osmond. "You know my opinions--I've treated
you to enough of them. Don't you remember my telling you that one ought
to make one's life a work of art? You looked rather shocked at first;
but then I told you that it was exactly what you seemed to me to be
trying to do with your own."
She looked up from her book. "What you despise most in the world is bad,
is stupid art."
"Possibly. But yours seem to me very clear and very good."
"If I were to go to Japan next winter you would laugh at me," she went
on.
Osmond gave a smile--a keen one, but not a laugh, for the tone of their
conversation was not jocose. Isabel had in fact her solemnity; he had
seen it before. "You have one!"
"That's exactly what I say. You think such an idea absurd."
"I would give my little finger to go to Japan; it's one of the countries
I want most to see. Can't you believe that, with my taste for old
lacquer?"
"I haven't a taste for old lacquer to excuse me," said Isabel.
"You've a better excuse--the means of going. You're quite wrong in
your theory that I laugh at you. I don't know what has put it into your
head."
"It wouldn't be remarkable if you did think it ridiculous that I should
have the means to travel when you've not; for you know everything and I
know nothing."
"The more reason why you should travel and learn," smiled Osmond.
"Besides," he added as if it were a point to be made, "I don't know
everything."
Isabel was not struck with the oddity of his saying this gravely; she
was thinking that the pleasantest incident of her life--so it pleased
her to qualify these too few days in Rome, which she might musingly have
likened to the figure of some small princess of one of the ages of dress
overmuffled in a mantle of state and dragging a train that it took pages
or historians to hold up--that this felicity was coming to an end. That
most of the interest of the time had been owing to Mr. Osmond was a
reflexion she was not just now at pains to make; she had already done
the point abundant justice. But she said to herself that if there were
a danger they should never meet again, perhaps after all it would be
as well. Happy things don't repeat themselves, and her adventure wore
already the changed, the seaward face of some romantic island from
which, after feasting on purple grapes, she was putting off while the
breeze rose. She might come back to Italy and find him different--this
strange man who pleased her just as he was; and it would be better
not to come than run the risk of that. But if she was not to come the
greater the pity that the chapter was closed; she felt for a moment a
pang that touched the source of tears. The sensation kept her
silent, and Gilbert Osmond was silent too; he was looking at her. "Go
everywhere," he said at last, in a low, kind voice; "do everything; get
everything out of life. Be happy,--be triumphant."
"What do you mean by being triumphant?"
"Well, doing what you like."
"To triumph, then, it seems to me, is to fail! Doing all the vain things
one likes is often very tiresome."
"Exactly," said Osmond with his quiet quickness. "As I intimated just
now, you'll be tired some day." He paused a moment and then he went on:
"I don't know whether I had better not wait till then for something I
want to say to you."
"Ah, I can't advise you without knowing what it is. But I'm horrid when
I'm tired," Isabel added with due inconsequence.
"I don't believe that. You're angry, sometimes--that I can believe,
though I've never seen it. But I'm sure you're never 'cross.'"
"Not even when I lose my temper?"
"You don't lose it--you find it, and that must be beautiful." Osmond
spoke with a noble earnestness. "They must be great moments to see."
"If I could only find it now!" Isabel nervously cried.
"I'm not afraid; I should fold my arms and admire you. I'm speaking very
seriously." He leaned forward, a hand on each knee; for some moments he
bent his eyes on the floor. "What I wish to say to you," he went on at
last, looking up, "is that I find I'm in love with you."
She instantly rose. "Ah, keep that till I am tired!"
"Tired of hearing it from others?" He sat there raising his eyes to her.
"No, you may heed it now or never, as you please. But after all I must
say it now." She had turned away, but in the movement she had stopped
herself and dropped her gaze upon him. The two remained a while in this
situation, exchanging a long look--the large, conscious look of the
critical hours of life. Then he got up and came near her, deeply
respectful, as if he were afraid he had been too familiar. "I'm
absolutely in love with you."
He had repeated the announcement in a tone of almost impersonal
discretion, like a man who expected very little from it but who spoke
for his own needed relief. The tears came into her eyes: this time
they obeyed the sharpness of the pang that suggested to her somehow
the slipping of a fine bolt--backward, forward, she couldn't have said
which. The words he had uttered made him, as he stood there, beautiful
and generous, invested him as with the golden air of early autumn; but,
morally speaking, she retreated before them--facing him still--as she
had retreated in the other cases before a like encounter. "Oh don't say
that, please," she answered with an intensity that expressed the dread
of having, in this case too, to choose and decide. What made her dread
great was precisely the force which, as it would seem, ought to have
banished all dread--the sense of something within herself, deep down,
that she supposed to be inspired and trustful passion. It was there
like a large sum stored in a bank--which there was a terror in having to
begin to spend. If she touched it, it would all come out.
"I haven't the idea that it will matter much to you," said Osmond. "I've
too little to offer you. What I have--it's enough for me; but it's not
enough for you. I've neither fortune, nor fame, nor extrinsic advantages
of any kind. So I offer nothing. I only tell you because I think it
can't offend you, and some day or other it may give you pleasure. It
gives me pleasure, I assure you," he went on, standing there before her,
considerately inclined to her, turning his hat, which he had taken
up, slowly round with a movement which had all the decent tremor of
awkwardness and none of its oddity, and presenting to her his firm,
refined, slightly ravaged face. "It gives me no pain, because it's
perfectly simple. For me you'll always be the most important woman in
the world."
Isabel looked at herself in this character--looked intently, thinking
she filled it with a certain grace. But what she said was not an
expression of any such complacency. "You don't offend me; but you
ought to remember that, without being offended, one may be incommoded,
troubled." "Incommoded," she heard herself saying that, and it struck
her as a ridiculous word. But it was what stupidly came to her.
"I remember perfectly. Of course you're surprised and startled. But
if it's nothing but that, it will pass away. And it will perhaps leave
something that I may not be ashamed of."
"I don't know what it may leave. You see at all events that I'm not
overwhelmed," said Isabel with rather a pale smile. "I'm not too
troubled to think. And I think that I'm glad I leave Rome to-morrow."
"Of course I don't agree with you there."
"I don't at all KNOW you," she added abruptly; and then she coloured as
she heard herself saying what she had said almost a year before to Lord
Warburton.
"If you were not going away you'd know me better."
"I shall do that some other time."
"I hope so. I'm very easy to know."
"No, no," she emphatically answered--"there you're not sincere. You're
not easy to know; no one could be less so."
"Well," he laughed, "I said that because I know myself. It may be a
boast, but I do."
"Very likely; but you're very wise."
"So are you, Miss Archer!" Osmond exclaimed.
"I don't feel so just now. Still, I'm wise enough to think you had
better go. Good-night."
"God bless you!" said Gilbert Osmond, taking the hand which she failed
to surrender. After which he added: "If we meet again you'll find me as
you leave me. If we don't I shall be so all the same."
"Thank you very much. Good-bye."
There was something quietly firm about Isabel's visitor; he might go of
his own movement, but wouldn't be dismissed. "There's one thing more.
I haven't asked anything of you--not even a thought in the future; you
must do me that justice. But there's a little service I should like to
ask. I shall not return home for several days; Rome's delightful, and
it's a good place for a man in my state of mind. Oh, I know you're sorry
to leave it; but you're right to do what your aunt wishes."
"She doesn't even wish it!" Isabel broke out strangely.
Osmond was apparently on the point of saying something that would match
these words, but he changed his mind and rejoined simply: "Ah well, it's
proper you should go with her, very proper. Do everything that's proper;
I go in for that. Excuse my being so patronising. You say you don't
know me, but when you do you'll discover what a worship I have for
propriety."
"You're not conventional?" Isabel gravely asked.
"I like the way you utter that word! No, I'm not conventional: I'm
convention itself. You don't understand that?" And he paused a moment,
smiling. "I should like to explain it." Then with a sudden, quick,
bright naturalness, "Do come back again," he pleaded. "There are so many
things we might talk about."
She stood there with lowered eyes. "What service did you speak of just
now?"
"Go and see my little daughter before you leave Florence. She's alone at
the villa; I decided not to send her to my sister, who hasn't at all my
ideas. Tell her she must love her poor father very much," said Gilbert
Osmond gently.
"It will be a great pleasure to me to go," Isabel answered. "I'll tell
her what you say. Once more good-bye."
On this he took a rapid, respectful leave. When he had gone she stood
a moment looking about her and seated herself slowly and with an air of
deliberation. She sat there till her companions came back, with
folded hands, gazing at the ugly carpet. Her agitation--for it had not
diminished--was very still, very deep. What had happened was something
that for a week past her imagination had been going forward to meet; but
here, when it came, she stopped--that sublime principle somehow broke
down. The working of this young lady's spirit was strange, and I can
only give it to you as I see it, not hoping to make it seem altogether
natural. Her imagination, as I say, now hung back: there was a last
vague space it couldn't cross--a dusky, uncertain tract which looked
ambiguous and even slightly treacherous, like a moorland seen in the
winter twilight. But she was to cross it yet.
| Notes For the third time, Isabel sits and listens to a man tell her his feelings for her. The difference, here, is that he doesnt ask her to marry him; he only tells her he loves her. This time, she feels the fear that if she lets go, she will lose her reticence and go to him. Gilbert Osmond has certainly played his part well. He has made himself agreeable even to Ralph who admits that Osmond is a "delightful associate." Just as Isabel is leaving Rome, he tells her he loves her and acts as though he expects nothing from this news. Such a seemingly passive position on his part is just what is required to let Isabel be active in choosing him for herself. To make sure of her, he adds one more element to his attractiveness. He asks her to go visit Pansy before she leaves. In this way, he makes Pansy part of the package. Since Pansy is a large part of why he wants to marry Isabel anyway--that is, to get Isabels money which will help Pansy marry well--it is fitting that he would include his daughter in his seduction of Isabel. For her own part, Isabel seems to have been quite won over. The manner of her succumbing is fairly disappointing, at least for a late twentieth century reader. She seems to have made of Gilbert Osmond some kind of god-like figure. She tells him he knows everything and she knows nothing. She worries that he thinks shes stupid for doing what she wants to do in traveling around the world. She worries that she is saying stupid words. She has lost much of her sense of self-confidence and her sense of her own powers of discretion and imagination. She seems to have ceded it all to him. Yet there are a couple of moments when she has an inkling that there is something about this relationship that should give hr pause. First, she thinks that if they dont meet again in the future, it will be fore the best since such a good experience cant be repeated. Second, she has a vague foreboding as she sits and thinks after hes left. She feels she will have to cross some treacherous ground in regard to him. | analysis |
She returned on the morrow to Florence, under her cousin's escort, and
Ralph Touchett, though usually restive under railway discipline, thought
very well of the successive hours passed in the train that hurried
his companion away from the city now distinguished by Gilbert Osmond's
preference--hours that were to form the first stage in a larger scheme
of travel. Miss Stackpole had remained behind; she was planning a little
trip to Naples, to be carried out with Mr. Bantling's aid. Isabel was
to have three days in Florence before the 4th of June, the date of Mrs.
Touchett's departure, and she determined to devote the last of these
to her promise to call on Pansy Osmond. Her plan, however, seemed for
a moment likely to modify itself in deference to an idea of Madame
Merle's. This lady was still at Casa Touchett; but she too was on the
point of leaving Florence, her next station being an ancient castle
in the mountains of Tuscany, the residence of a noble family of that
country, whose acquaintance (she had known them, as she said, "forever")
seemed to Isabel, in the light of certain photographs of their immense
crenellated dwelling which her friend was able to show her, a precious
privilege. She mentioned to this fortunate woman that Mr. Osmond had
asked her to take a look at his daughter, but didn't mention that he had
also made her a declaration of love.
"Ah, comme cela se trouve!" Madame Merle exclaimed. "I myself have been
thinking it would be a kindness to pay the child a little visit before I
go off."
"We can go together then," Isabel reasonably said: "reasonably" because
the proposal was not uttered in the spirit of enthusiasm. She had
prefigured her small pilgrimage as made in solitude; she should like
it better so. She was nevertheless prepared to sacrifice this mystic
sentiment to her great consideration for her friend.
That personage finely meditated. "After all, why should we both go;
having, each of us, so much to do during these last hours?"
"Very good; I can easily go alone."
"I don't know about your going alone--to the house of a handsome
bachelor. He has been married--but so long ago!"
Isabel stared. "When Mr. Osmond's away what does it matter?"
"They don't know he's away, you see."
"They? Whom do you mean?"
"Every one. But perhaps it doesn't signify."
"If you were going why shouldn't I?" Isabel asked.
"Because I'm an old frump and you're a beautiful young woman."
"Granting all that, you've not promised."
"How much you think of your promises!" said the elder woman in mild
mockery.
"I think a great deal of my promises. Does that surprise you?"
"You're right," Madame Merle audibly reflected. "I really think you wish
to be kind to the child."
"I wish very much to be kind to her."
"Go and see her then; no one will be the wiser. And tell her I'd have
come if you hadn't. Or rather," Madame Merle added, "DON'T tell her. She
won't care."
As Isabel drove, in the publicity of an open vehicle, along the winding
way which led to Mr. Osmond's hill-top, she wondered what her friend had
meant by no one's being the wiser. Once in a while, at large intervals,
this lady, whose voyaging discretion, as a general thing, was rather of
the open sea than of the risky channel, dropped a remark of ambiguous
quality, struck a note that sounded false. What cared Isabel Archer for
the vulgar judgements of obscure people? and did Madame Merle suppose
that she was capable of doing a thing at all if it had to be sneakingly
done? Of course not: she must have meant something else--something which
in the press of the hours that preceded her departure she had not had
time to explain. Isabel would return to this some day; there were sorts
of things as to which she liked to be clear. She heard Pansy strumming
at the piano in another place as she herself was ushered into Mr.
Osmond's drawing-room; the little girl was "practising," and Isabel was
pleased to think she performed this duty with rigour. She immediately
came in, smoothing down her frock, and did the honours of her father's
house with a wide-eyed earnestness of courtesy. Isabel sat there half an
hour, and Pansy rose to the occasion as the small, winged fairy in the
pantomime soars by the aid of the dissimulated wire--not chattering, but
conversing, and showing the same respectful interest in Isabel's affairs
that Isabel was so good as to take in hers. Isabel wondered at her;
she had never had so directly presented to her nose the white flower
of cultivated sweetness. How well the child had been taught, said our
admiring young woman; how prettily she had been directed and fashioned;
and yet how simple, how natural, how innocent she had been kept! Isabel
was fond, ever, of the question of character and quality, of sounding,
as who should say, the deep personal mystery, and it had pleased her,
up to this time, to be in doubt as to whether this tender slip were not
really all-knowing. Was the extremity of her candour but the perfection
of self-consciousness? Was it put on to please her father's visitor,
or was it the direct expression of an unspotted nature? The hour that
Isabel spent in Mr. Osmond's beautiful empty, dusky rooms--the windows
had been half-darkened, to keep out the heat, and here and there,
through an easy crevice, the splendid summer day peeped in, lighting a
gleam of faded colour or tarnished gilt in the rich gloom--her interview
with the daughter of the house, I say, effectually settled this
question. Pansy was really a blank page, a pure white surface,
successfully kept so; she had neither art, nor guile, nor temper, nor
talent--only two or three small exquisite instincts: for knowing a
friend, for avoiding a mistake, for taking care of an old toy or a new
frock. Yet to be so tender was to be touching withal, and she could
be felt as an easy victim of fate. She would have no will, no power to
resist, no sense of her own importance; she would easily be mystified,
easily crushed: her force would be all in knowing when and where to
cling. She moved about the place with her visitor, who had asked leave
to walk through the other rooms again, where Pansy gave her judgement on
several works of art. She spoke of her prospects, her occupations, her
father's intentions; she was not egotistical, but felt the propriety
of supplying the information so distinguished a guest would naturally
expect.
"Please tell me," she said, "did papa, in Rome, go to see Madame
Catherine? He told me he would if he had time. Perhaps he had not time.
Papa likes a great deal of time. He wished to speak about my education;
it isn't finished yet, you know. I don't know what they can do with me
more; but it appears it's far from finished. Papa told me one day he
thought he would finish it himself; for the last year or two, at the
convent, the masters that teach the tall girls are so very dear. Papa's
not rich, and I should be very sorry if he were to pay much money for
me, because I don't think I'm worth it. I don't learn quickly enough,
and I have no memory. For what I'm told, yes--especially when it's
pleasant; but not for what I learn in a book. There was a young girl who
was my best friend, and they took her away from the convent, when she
was fourteen, to make--how do you say it in English?--to make a dot. You
don't say it in English? I hope it isn't wrong; I only mean they wished
to keep the money to marry her. I don't know whether it is for that that
papa wishes to keep the money--to marry me. It costs so much to marry!"
Pansy went on with a sigh; "I think papa might make that economy. At
any rate I'm too young to think about it yet, and I don't care for any
gentleman; I mean for any but him. If he were not my papa I should like
to marry him; I would rather be his daughter than the wife of--of some
strange person. I miss him very much, but not so much as you might
think, for I've been so much away from him. Papa has always been
principally for holidays. I miss Madame Catherine almost more; but you
must not tell him that. You shall not see him again? I'm very sorry,
and he'll be sorry too. Of everyone who comes here I like you the best.
That's not a great compliment, for there are not many people. It was
very kind of you to come to-day--so far from your house; for I'm really
as yet only a child. Oh, yes, I've only the occupations of a child. When
did YOU give them up, the occupations of a child? I should like to know
how old you are, but I don't know whether it's right to ask. At the
convent they told us that we must never ask the age. I don't like to do
anything that's not expected; it looks as if one had not been properly
taught. I myself--I should never like to be taken by surprise. Papa left
directions for everything. I go to bed very early. When the sun goes off
that side I go into the garden. Papa left strict orders that I was not
to get scorched. I always enjoy the view; the mountains are so graceful.
In Rome, from the convent, we saw nothing but roofs and bell-towers. I
practise three hours. I don't play very well. You play yourself? I wish
very much you'd play something for me; papa has the idea that I should
hear good music. Madame Merle has played for me several times; that's
what I like best about Madame Merle; she has great facility. I shall
never have facility. And I've no voice--just a small sound like the
squeak of a slate-pencil making flourishes."
Isabel gratified this respectful wish, drew off her gloves and sat down
to the piano, while Pansy, standing beside her, watched her white
hands move quickly over the keys. When she stopped she kissed the child
good-bye, held her close, looked at her long. "Be very good," she said;
"give pleasure to your father."
"I think that's what I live for," Pansy answered. "He has not much
pleasure; he's rather a sad man."
Isabel listened to this assertion with an interest which she felt it
almost a torment to be obliged to conceal. It was her pride that obliged
her, and a certain sense of decency; there were still other things in
her head which she felt a strong impulse, instantly checked, to say
to Pansy about her father; there were things it would have given her
pleasure to hear the child, to make the child, say. But she no sooner
became conscious of these things than her imagination was hushed with
horror at the idea of taking advantage of the little girl--it was of
this she would have accused herself--and of exhaling into that air where
he might still have a subtle sense for it any breath of her charmed
state. She had come--she had come; but she had stayed only an hour. She
rose quickly from the music-stool; even then, however, she lingered a
moment, still holding her small companion, drawing the child's sweet
slimness closer and looking down at her almost in envy. She was obliged
to confess it to herself--she would have taken a passionate pleasure in
talking of Gilbert Osmond to this innocent, diminutive creature who
was so near him. But she said no other word; she only kissed Pansy once
again. They went together through the vestibule, to the door that
opened on the court; and there her young hostess stopped, looking rather
wistfully beyond. "I may go no further. I've promised papa not to pass
this door."
"You're right to obey him; he'll never ask you anything unreasonable."
"I shall always obey him. But when will you come again?"
"Not for a long time, I'm afraid."
"As soon as you can, I hope. I'm only a little girl," said Pansy, "but
I shall always expect you." And the small figure stood in the high, dark
doorway, watching Isabel cross the clear, grey court and disappear into
the brightness beyond the big portone, which gave a wider dazzle as it
opened.
| Isabel returns to Florence along with Ralph. She is to stay in Florence for three days before leaving with her aunt. She speaks to Madame Merle of her promise to visit Gilbert Osmonds daughter. Madame Merle says she too wants to visit her. Isabel is disappointed since she wanted to make "her small pilgrimage" in solitude. Madame Merle seems to sense this and tells her she wont go with her. She warns her, however, that it isnt quite proper for a young woman to go visit a single mans home even in his absence. Isabel thinks this is ridiculous. She feels as though theres a note of falsehood in Madame Merles tone. When she gets to the Osmonds house, she finds Pansy practicing at the piano. She wonders at "how prettily has been directed and fashioned; and yet how simple, how natural, how innocent she had been kept! " She even wonders for a moment if Pansy is ingenuous or if she is more self-conscious of the impressions she gives other people. Pansy tells her all of her life issues. One of these includes her curiosity about what her father plans to do with her. She says that one of her good friends at the convent was taken away a year earlier so her family could save the money for her dowry. She wonders if her father is doing this himself. When Isabel leaves, she embraces Pansy and looks at her a long time. She tells her to "be very good and give pleasure to father. " Pansy tells her thats just what she lives for. She adds that her father is a sad man. Isabel feels a strong urge to get Pansy to say more about her father, but thinks this would be taking advantage of Pansy. When she says good- bye, she looks at Pansy almost with envy. She thinks of how much pleasure she would get out of discussing Gilbert Osmond with Pansy. Instead she kisses Pansy good-bye and leaves. She tells Pansy shes right to obey her father and that hell never ask her to do anything unreasonable. | summary |
She returned on the morrow to Florence, under her cousin's escort, and
Ralph Touchett, though usually restive under railway discipline, thought
very well of the successive hours passed in the train that hurried
his companion away from the city now distinguished by Gilbert Osmond's
preference--hours that were to form the first stage in a larger scheme
of travel. Miss Stackpole had remained behind; she was planning a little
trip to Naples, to be carried out with Mr. Bantling's aid. Isabel was
to have three days in Florence before the 4th of June, the date of Mrs.
Touchett's departure, and she determined to devote the last of these
to her promise to call on Pansy Osmond. Her plan, however, seemed for
a moment likely to modify itself in deference to an idea of Madame
Merle's. This lady was still at Casa Touchett; but she too was on the
point of leaving Florence, her next station being an ancient castle
in the mountains of Tuscany, the residence of a noble family of that
country, whose acquaintance (she had known them, as she said, "forever")
seemed to Isabel, in the light of certain photographs of their immense
crenellated dwelling which her friend was able to show her, a precious
privilege. She mentioned to this fortunate woman that Mr. Osmond had
asked her to take a look at his daughter, but didn't mention that he had
also made her a declaration of love.
"Ah, comme cela se trouve!" Madame Merle exclaimed. "I myself have been
thinking it would be a kindness to pay the child a little visit before I
go off."
"We can go together then," Isabel reasonably said: "reasonably" because
the proposal was not uttered in the spirit of enthusiasm. She had
prefigured her small pilgrimage as made in solitude; she should like
it better so. She was nevertheless prepared to sacrifice this mystic
sentiment to her great consideration for her friend.
That personage finely meditated. "After all, why should we both go;
having, each of us, so much to do during these last hours?"
"Very good; I can easily go alone."
"I don't know about your going alone--to the house of a handsome
bachelor. He has been married--but so long ago!"
Isabel stared. "When Mr. Osmond's away what does it matter?"
"They don't know he's away, you see."
"They? Whom do you mean?"
"Every one. But perhaps it doesn't signify."
"If you were going why shouldn't I?" Isabel asked.
"Because I'm an old frump and you're a beautiful young woman."
"Granting all that, you've not promised."
"How much you think of your promises!" said the elder woman in mild
mockery.
"I think a great deal of my promises. Does that surprise you?"
"You're right," Madame Merle audibly reflected. "I really think you wish
to be kind to the child."
"I wish very much to be kind to her."
"Go and see her then; no one will be the wiser. And tell her I'd have
come if you hadn't. Or rather," Madame Merle added, "DON'T tell her. She
won't care."
As Isabel drove, in the publicity of an open vehicle, along the winding
way which led to Mr. Osmond's hill-top, she wondered what her friend had
meant by no one's being the wiser. Once in a while, at large intervals,
this lady, whose voyaging discretion, as a general thing, was rather of
the open sea than of the risky channel, dropped a remark of ambiguous
quality, struck a note that sounded false. What cared Isabel Archer for
the vulgar judgements of obscure people? and did Madame Merle suppose
that she was capable of doing a thing at all if it had to be sneakingly
done? Of course not: she must have meant something else--something which
in the press of the hours that preceded her departure she had not had
time to explain. Isabel would return to this some day; there were sorts
of things as to which she liked to be clear. She heard Pansy strumming
at the piano in another place as she herself was ushered into Mr.
Osmond's drawing-room; the little girl was "practising," and Isabel was
pleased to think she performed this duty with rigour. She immediately
came in, smoothing down her frock, and did the honours of her father's
house with a wide-eyed earnestness of courtesy. Isabel sat there half an
hour, and Pansy rose to the occasion as the small, winged fairy in the
pantomime soars by the aid of the dissimulated wire--not chattering, but
conversing, and showing the same respectful interest in Isabel's affairs
that Isabel was so good as to take in hers. Isabel wondered at her;
she had never had so directly presented to her nose the white flower
of cultivated sweetness. How well the child had been taught, said our
admiring young woman; how prettily she had been directed and fashioned;
and yet how simple, how natural, how innocent she had been kept! Isabel
was fond, ever, of the question of character and quality, of sounding,
as who should say, the deep personal mystery, and it had pleased her,
up to this time, to be in doubt as to whether this tender slip were not
really all-knowing. Was the extremity of her candour but the perfection
of self-consciousness? Was it put on to please her father's visitor,
or was it the direct expression of an unspotted nature? The hour that
Isabel spent in Mr. Osmond's beautiful empty, dusky rooms--the windows
had been half-darkened, to keep out the heat, and here and there,
through an easy crevice, the splendid summer day peeped in, lighting a
gleam of faded colour or tarnished gilt in the rich gloom--her interview
with the daughter of the house, I say, effectually settled this
question. Pansy was really a blank page, a pure white surface,
successfully kept so; she had neither art, nor guile, nor temper, nor
talent--only two or three small exquisite instincts: for knowing a
friend, for avoiding a mistake, for taking care of an old toy or a new
frock. Yet to be so tender was to be touching withal, and she could
be felt as an easy victim of fate. She would have no will, no power to
resist, no sense of her own importance; she would easily be mystified,
easily crushed: her force would be all in knowing when and where to
cling. She moved about the place with her visitor, who had asked leave
to walk through the other rooms again, where Pansy gave her judgement on
several works of art. She spoke of her prospects, her occupations, her
father's intentions; she was not egotistical, but felt the propriety
of supplying the information so distinguished a guest would naturally
expect.
"Please tell me," she said, "did papa, in Rome, go to see Madame
Catherine? He told me he would if he had time. Perhaps he had not time.
Papa likes a great deal of time. He wished to speak about my education;
it isn't finished yet, you know. I don't know what they can do with me
more; but it appears it's far from finished. Papa told me one day he
thought he would finish it himself; for the last year or two, at the
convent, the masters that teach the tall girls are so very dear. Papa's
not rich, and I should be very sorry if he were to pay much money for
me, because I don't think I'm worth it. I don't learn quickly enough,
and I have no memory. For what I'm told, yes--especially when it's
pleasant; but not for what I learn in a book. There was a young girl who
was my best friend, and they took her away from the convent, when she
was fourteen, to make--how do you say it in English?--to make a dot. You
don't say it in English? I hope it isn't wrong; I only mean they wished
to keep the money to marry her. I don't know whether it is for that that
papa wishes to keep the money--to marry me. It costs so much to marry!"
Pansy went on with a sigh; "I think papa might make that economy. At
any rate I'm too young to think about it yet, and I don't care for any
gentleman; I mean for any but him. If he were not my papa I should like
to marry him; I would rather be his daughter than the wife of--of some
strange person. I miss him very much, but not so much as you might
think, for I've been so much away from him. Papa has always been
principally for holidays. I miss Madame Catherine almost more; but you
must not tell him that. You shall not see him again? I'm very sorry,
and he'll be sorry too. Of everyone who comes here I like you the best.
That's not a great compliment, for there are not many people. It was
very kind of you to come to-day--so far from your house; for I'm really
as yet only a child. Oh, yes, I've only the occupations of a child. When
did YOU give them up, the occupations of a child? I should like to know
how old you are, but I don't know whether it's right to ask. At the
convent they told us that we must never ask the age. I don't like to do
anything that's not expected; it looks as if one had not been properly
taught. I myself--I should never like to be taken by surprise. Papa left
directions for everything. I go to bed very early. When the sun goes off
that side I go into the garden. Papa left strict orders that I was not
to get scorched. I always enjoy the view; the mountains are so graceful.
In Rome, from the convent, we saw nothing but roofs and bell-towers. I
practise three hours. I don't play very well. You play yourself? I wish
very much you'd play something for me; papa has the idea that I should
hear good music. Madame Merle has played for me several times; that's
what I like best about Madame Merle; she has great facility. I shall
never have facility. And I've no voice--just a small sound like the
squeak of a slate-pencil making flourishes."
Isabel gratified this respectful wish, drew off her gloves and sat down
to the piano, while Pansy, standing beside her, watched her white
hands move quickly over the keys. When she stopped she kissed the child
good-bye, held her close, looked at her long. "Be very good," she said;
"give pleasure to your father."
"I think that's what I live for," Pansy answered. "He has not much
pleasure; he's rather a sad man."
Isabel listened to this assertion with an interest which she felt it
almost a torment to be obliged to conceal. It was her pride that obliged
her, and a certain sense of decency; there were still other things in
her head which she felt a strong impulse, instantly checked, to say
to Pansy about her father; there were things it would have given her
pleasure to hear the child, to make the child, say. But she no sooner
became conscious of these things than her imagination was hushed with
horror at the idea of taking advantage of the little girl--it was of
this she would have accused herself--and of exhaling into that air where
he might still have a subtle sense for it any breath of her charmed
state. She had come--she had come; but she had stayed only an hour. She
rose quickly from the music-stool; even then, however, she lingered a
moment, still holding her small companion, drawing the child's sweet
slimness closer and looking down at her almost in envy. She was obliged
to confess it to herself--she would have taken a passionate pleasure in
talking of Gilbert Osmond to this innocent, diminutive creature who
was so near him. But she said no other word; she only kissed Pansy once
again. They went together through the vestibule, to the door that
opened on the court; and there her young hostess stopped, looking rather
wistfully beyond. "I may go no further. I've promised papa not to pass
this door."
"You're right to obey him; he'll never ask you anything unreasonable."
"I shall always obey him. But when will you come again?"
"Not for a long time, I'm afraid."
"As soon as you can, I hope. I'm only a little girl," said Pansy, "but
I shall always expect you." And the small figure stood in the high, dark
doorway, watching Isabel cross the clear, grey court and disappear into
the brightness beyond the big portone, which gave a wider dazzle as it
opened.
| Notes Isabels visit to Pansy gives Henry James a way to demonstrate indirectly for the reader how Isabel feels about Gilbert Osmond. When Pansy says her father is a sad man, Isabel feels a strong urge to get her to say more of her father, but holds herself back. When Pansy repeats her fathers instructions over and over and her own eagerness to obey them, Isabel agrees eagerly that Pansy should obey everything he tells her and assures the girl that her father will never tell her to do anything that isnt reasonable. In her attraction to this kind of upbringing for a girl, the reader might be puzzled. Isabel herself received a vastly different kind of education. Instead of being treated as if she were a blank page to be written on, she was left to herself to decide for herself what she wanted to read and do. Why is Isabel so quick to valorize this kind of upbringing for a girl? One reason might be Isabels own childhood. Though she doesnt seem to have found it a problem, the adults around her found her father negligent in his duties towards her and her sisters and even neglectful. One incident is repeated twice in the novel of the time in Isabels childhood when she and her sisters were abandoned by their governess and left at an Inn. When people tried to help them, they couldnt find the girls father anywhere. The girls seem to have thought of it as some sort of adventure, but everyone else thought it was a scandal. Perhaps the neglected daughter, essentially abandoned by her distracted father, is fascinated by a daughter who is so strictly cared for that she is given detailed instructions for almost every hour of the day. | analysis |
Isabel came back to Florence, but only after several months; an interval
sufficiently replete with incident. It is not, however, during this
interval that we are closely concerned with her; our attention is
engaged again on a certain day in the late spring-time, shortly after
her return to Palazzo Crescentini and a year from the date of the
incidents just narrated. She was alone on this occasion, in one of the
smaller of the numerous rooms devoted by Mrs. Touchett to social uses,
and there was that in her expression and attitude which would have
suggested that she was expecting a visitor. The tall window was open,
and though its green shutters were partly drawn the bright air of the
garden had come in through a broad interstice and filled the room with
warmth and perfume. Our young woman stood near it for some time, her
hands clasped behind her; she gazed abroad with the vagueness of unrest.
Too troubled for attention she moved in a vain circle. Yet it could not
be in her thought to catch a glimpse of her visitor before he should
pass into the house, since the entrance to the palace was not through
the garden, in which stillness and privacy always reigned. She wished
rather to forestall his arrival by a process of conjecture, and to judge
by the expression of her face this attempt gave her plenty to do. Grave
she found herself, and positively more weighted, as by the experience of
the lapse of the year she had spent in seeing the world. She had ranged,
she would have said, through space and surveyed much of mankind, and
was therefore now, in her own eyes, a very different person from the
frivolous young woman from Albany who had begun to take the measure
of Europe on the lawn at Gardencourt a couple of years before. She
flattered herself she had harvested wisdom and learned a great deal
more of life than this light-minded creature had even suspected. If
her thoughts just now had inclined themselves to retrospect, instead
of fluttering their wings nervously about the present, they would have
evoked a multitude of interesting pictures. These pictures would have
been both landscapes and figure-pieces; the latter, however, would have
been the more numerous. With several of the images that might have been
projected on such a field we are already acquainted. There would be for
instance the conciliatory Lily, our heroine's sister and Edmund Ludlow's
wife, who had come out from New York to spend five months with her
relative. She had left her husband behind her, but had brought
her children, to whom Isabel now played with equal munificence and
tenderness the part of maiden-aunt. Mr. Ludlow, toward the last, had
been able to snatch a few weeks from his forensic triumphs and, crossing
the ocean with extreme rapidity, had spent a month with the two ladies
in Paris before taking his wife home. The little Ludlows had not yet,
even from the American point of view, reached the proper tourist-age; so
that while her sister was with her Isabel had confined her movements to
a narrow circle. Lily and the babies had joined her in Switzerland in
the month of July, and they had spent a summer of fine weather in an
Alpine valley where the flowers were thick in the meadows and the shade
of great chestnuts made a resting-place for such upward wanderings as
might be undertaken by ladies and children on warm afternoons. They had
afterwards reached the French capital, which was worshipped, and with
costly ceremonies, by Lily, but thought of as noisily vacant by Isabel,
who in these days made use of her memory of Rome as she might have done,
in a hot and crowded room, of a phial of something pungent hidden in her
handkerchief.
Mrs. Ludlow sacrificed, as I say, to Paris, yet had doubts and
wonderments not allayed at that altar; and after her husband had joined
her found further chagrin in his failure to throw himself into these
speculations. They all had Isabel for subject; but Edmund Ludlow, as
he had always done before, declined to be surprised, or distressed, or
mystified, or elated, at anything his sister-in-law might have done
or have failed to do. Mrs. Ludlow's mental motions were sufficiently
various. At one moment she thought it would be so natural for that young
woman to come home and take a house in New York--the Rossiters', for
instance, which had an elegant conservatory and was just round the
corner from her own; at another she couldn't conceal her surprise at the
girl's not marrying some member of one of the great aristocracies. On
the whole, as I have said, she had fallen from high communion with the
probabilities. She had taken more satisfaction in Isabel's accession of
fortune than if the money had been left to herself; it had seemed to her
to offer just the proper setting for her sister's slightly meagre, but
scarce the less eminent figure. Isabel had developed less, however, than
Lily had thought likely--development, to Lily's understanding, being
somehow mysteriously connected with morning-calls and evening-parties.
Intellectually, doubtless, she had made immense strides; but she
appeared to have achieved few of those social conquests of which Mrs.
Ludlow had expected to admire the trophies. Lily's conception of such
achievements was extremely vague; but this was exactly what she had
expected of Isabel--to give it form and body. Isabel could have done
as well as she had done in New York; and Mrs. Ludlow appealed to her
husband to know whether there was any privilege she enjoyed in Europe
which the society of that city might not offer her. We know ourselves
that Isabel had made conquests--whether inferior or not to those she
might have effected in her native land it would be a delicate matter to
decide; and it is not altogether with a feeling of complacency that
I again mention that she had not rendered these honourable victories
public. She had not told her sister the history of Lord Warburton, nor
had she given her a hint of Mr. Osmond's state of mind; and she had had
no better reason for her silence than that she didn't wish to speak.
It was more romantic to say nothing, and, drinking deep, in secret, of
romance, she was as little disposed to ask poor Lily's advice as she
would have been to close that rare volume forever. But Lily knew nothing
of these discriminations, and could only pronounce her sister's career
a strange anti-climax--an impression confirmed by the fact that Isabel's
silence about Mr. Osmond, for instance, was in direct proportion to the
frequency with which he occupied her thoughts. As this happened very
often it sometimes appeared to Mrs. Ludlow that she had lost her
courage. So uncanny a result of so exhilarating an incident as
inheriting a fortune was of course perplexing to the cheerful Lily; it
added to her general sense that Isabel was not at all like other people.
Our young lady's courage, however, might have been taken as reaching
its height after her relations had gone home. She could imagine braver
things than spending the winter in Paris--Paris had sides by which it
so resembled New York, Paris was like smart, neat prose--and her close
correspondence with Madame Merle did much to stimulate such flights. She
had never had a keener sense of freedom, of the absolute boldness and
wantonness of liberty, than when she turned away from the platform
at the Euston Station on one of the last days of November, after the
departure of the train that was to convey poor Lily, her husband and her
children to their ship at Liverpool. It had been good for her to regale;
she was very conscious of that; she was very observant, as we know, of
what was good for her, and her effort was constantly to find something
that was good enough. To profit by the present advantage till the latest
moment she had made the journey from Paris with the unenvied travellers.
She would have accompanied them to Liverpool as well, only Edmund Ludlow
had asked her, as a favour, not to do so; it made Lily so fidgety and
she asked such impossible questions. Isabel watched the train move away;
she kissed her hand to the elder of her small nephews, a demonstrative
child who leaned dangerously far out of the window of the carriage and
made separation an occasion of violent hilarity, and then she walked
back into the foggy London street. The world lay before her--she could
do whatever she chose. There was a deep thrill in it all, but for the
present her choice was tolerably discreet; she chose simply to walk back
from Euston Square to her hotel. The early dusk of a November afternoon
had already closed in; the street-lamps, in the thick, brown air, looked
weak and red; our heroine was unattended and Euston Square was a long
way from Piccadilly. But Isabel performed the journey with a positive
enjoyment of its dangers and lost her way almost on purpose, in order
to get more sensations, so that she was disappointed when an obliging
policeman easily set her right again. She was so fond of the spectacle
of human life that she enjoyed even the aspect of gathering dusk in the
London streets--the moving crowds, the hurrying cabs, the lighted shops,
the flaring stalls, the dark, shining dampness of everything. That
evening, at her hotel, she wrote to Madame Merle that she should start
in a day or two for Rome. She made her way down to Rome without touching
at Florence--having gone first to Venice and then proceeded southward by
Ancona. She accomplished this journey without other assistance than that
of her servant, for her natural protectors were not now on the ground.
Ralph Touchett was spending the winter at Corfu, and Miss Stackpole, in
the September previous, had been recalled to America by a telegram from
the Interviewer. This journal offered its brilliant correspondent a
fresher field for her genius than the mouldering cities of Europe, and
Henrietta was cheered on her way by a promise from Mr. Bantling that
he would soon come over to see her. Isabel wrote to Mrs. Touchett to
apologise for not presenting herself just yet in Florence, and her aunt
replied characteristically enough. Apologies, Mrs. Touchett intimated,
were of no more use to her than bubbles, and she herself never dealt
in such articles. One either did the thing or one didn't, and what one
"would" have done belonged to the sphere of the irrelevant, like the
idea of a future life or of the origin of things. Her letter was frank,
but (a rare case with Mrs. Touchett) not so frank as it pretended. She
easily forgave her niece for not stopping at Florence, because she
took it for a sign that Gilbert Osmond was less in question there than
formerly. She watched of course to see if he would now find a pretext
for going to Rome, and derived some comfort from learning that he had
not been guilty of an absence. Isabel, on her side, had not been a
fortnight in Rome before she proposed to Madame Merle that they should
make a little pilgrimage to the East. Madame Merle remarked that her
friend was restless, but she added that she herself had always been
consumed with the desire to visit Athens and Constantinople. The two
ladies accordingly embarked on this expedition, and spent three months
in Greece, in Turkey, in Egypt. Isabel found much to interest her in
these countries, though Madame Merle continued to remark that even among
the most classic sites, the scenes most calculated to suggest repose
and reflexion, a certain incoherence prevailed in her. Isabel travelled
rapidly and recklessly; she was like a thirsty person draining cup
after cup. Madame Merle meanwhile, as lady-in-waiting to a princess
circulating incognita, panted a little in her rear. It was on Isabel's
invitation she had come, and she imparted all due dignity to the girl's
uncountenanced state. She played her part with the tact that might have
been expected of her, effacing herself and accepting the position of a
companion whose expenses were profusely paid. The situation, however,
had no hardships, and people who met this reserved though striking
pair on their travels would not have been able to tell you which
was patroness and which client. To say that Madame Merle improved on
acquaintance states meagrely the impression she made on her friend,
who had found her from the first so ample and so easy. At the end of an
intimacy of three months Isabel felt she knew her better; her character
had revealed itself, and the admirable woman had also at last redeemed
her promise of relating her history from her own point of view--a
consummation the more desirable as Isabel had already heard it related
from the point of view of others. This history was so sad a one (in so
far as it concerned the late M. Merle, a positive adventurer, she might
say, though originally so plausible, who had taken advantage, years
before, of her youth and of an inexperience in which doubtless those who
knew her only now would find it difficult to believe); it abounded so in
startling and lamentable incidents that her companion wondered a person
so eprouvee could have kept so much of her freshness, her interest in
life. Into this freshness of Madame Merle's she obtained a considerable
insight; she seemed to see it as professional, as slightly mechanical,
carried about in its case like the fiddle of the virtuoso, or blanketed
and bridled like the "favourite" of the jockey. She liked her as much
as ever, but there was a corner of the curtain that never was lifted;
it was as if she had remained after all something of a public performer,
condemned to emerge only in character and in costume. She had once
said that she came from a distance, that she belonged to the "old, old"
world, and Isabel never lost the impression that she was the product of
a different moral or social clime from her own, that she had grown up
under other stars.
She believed then that at bottom she had a different morality. Of course
the morality of civilised persons has always much in common; but our
young woman had a sense in her of values gone wrong or, as they said at
the shops, marked down. She considered, with the presumption of youth,
that a morality differing from her own must be inferior to it; and this
conviction was an aid to detecting an occasional flash of cruelty, an
occasional lapse from candour, in the conversation of a person who had
raised delicate kindness to an art and whose pride was too high for
the narrow ways of deception. Her conception of human motives might,
in certain lights, have been acquired at the court of some kingdom in
decadence, and there were several in her list of which our heroine had
not even heard. She had not heard of everything, that was very plain;
and there were evidently things in the world of which it was not
advantageous to hear. She had once or twice had a positive scare; since
it so affected her to have to exclaim, of her friend, "Heaven forgive
her, she doesn't understand me!" Absurd as it may seem this discovery
operated as a shock, left her with a vague dismay in which there was
even an element of foreboding. The dismay of course subsided, in the
light of some sudden proof of Madame Merle's remarkable intelligence;
but it stood for a high-water-mark in the ebb and flow of confidence.
Madame Merle had once declared her belief that when a friendship ceases
to grow it immediately begins to decline--there being no point of
equilibrium between liking more and liking less. A stationary affection,
in other words, was impossible--it must move one way or the other.
However that might be, the girl had in these days a thousand uses for
her sense of the romantic, which was more active than it had ever been.
I do not allude to the impulse it received as she gazed at the Pyramids
in the course of an excursion from Cairo, or as she stood among the
broken columns of the Acropolis and fixed her eyes upon the point
designated to her as the Strait of Salamis; deep and memorable as these
emotions had remained. She came back by the last of March from Egypt
and Greece and made another stay in Rome. A few days after her arrival
Gilbert Osmond descended from Florence and remained three weeks, during
which the fact of her being with his old friend Madame Merle, in whose
house she had gone to lodge, made it virtually inevitable that he
should see her every day. When the last of April came she wrote to Mrs.
Touchett that she should now rejoice to accept an invitation given long
before, and went to pay a visit at Palazzo Crescentini, Madame Merle on
this occasion remaining in Rome. She found her aunt alone; her cousin
was still at Corfu. Ralph, however, was expected in Florence from day
to day, and Isabel, who had not seen him for upwards of a year, was
prepared to give him the most affectionate welcome.
| Isabel comes back to Florence, but only a year later. During that year, she spends five months with her sister Lily and Lilys children and, briefly, Lilys husband. Lily finds herself disappointed in what Isabel has done with herself all this time. Lily was expecting to find Isabel the center of social life in Europe and she finds her still retiring and quiet. Isabel for her part, never speaks to her sister about the proposal of Lord Warburton or the protestation of love from Gilbert Osmond. It feels too romantic to have it all to herself. After she sees Lily and her family off at Euston Station, she feels exhilarated by a sense of freedom. She feels as if the "world lay before her." She writes to Madame Merle that she will come to Rome to spend some time. Ralph Touchett is spending the winter in Corfu and Henrietta Stackpole has been called back to the States. Mrs. Touchett, meanwhile in Florence, is happy to notice that Isabel isnt hurrying back to Florence and Gilbert Osmond and that he isnt hurrying to Rome to meet her there. After arriving in Rome, Isabel proposes a trip to the East, Athens and Constantinople. She travels "rapidly and recklessly." Madame Merle is her traveling companion, all expenses paid lavishly. After spending three months of traveling with Madame Merle, Isabel feels as if she knows her better. She has heard Madame Merles story. She was married to Monsieur Merle years before and he turned out to be an adventurer who seems to have behaved abominably. Isabel is surprise that Madame Merle can still be so interested in life after such an experience. She always feels that Madame Merle holds back something essential. She thinks of the older woman of having a different, and inferior, morality. Sometimes she catches her in a flash of cruelty or a lapse of candor. Sometimes she feels a sense of "vague dismay" and even a foreboding where Madame Merle is concerned. They return to Rome and Gilbert Osmond arrives from Florence and sees Isabel every day. At the end of April, Isabel returns to Florence and waits expectantly for Ralph to arrive. She hasnt seen him in almost a year. | summary |
Isabel came back to Florence, but only after several months; an interval
sufficiently replete with incident. It is not, however, during this
interval that we are closely concerned with her; our attention is
engaged again on a certain day in the late spring-time, shortly after
her return to Palazzo Crescentini and a year from the date of the
incidents just narrated. She was alone on this occasion, in one of the
smaller of the numerous rooms devoted by Mrs. Touchett to social uses,
and there was that in her expression and attitude which would have
suggested that she was expecting a visitor. The tall window was open,
and though its green shutters were partly drawn the bright air of the
garden had come in through a broad interstice and filled the room with
warmth and perfume. Our young woman stood near it for some time, her
hands clasped behind her; she gazed abroad with the vagueness of unrest.
Too troubled for attention she moved in a vain circle. Yet it could not
be in her thought to catch a glimpse of her visitor before he should
pass into the house, since the entrance to the palace was not through
the garden, in which stillness and privacy always reigned. She wished
rather to forestall his arrival by a process of conjecture, and to judge
by the expression of her face this attempt gave her plenty to do. Grave
she found herself, and positively more weighted, as by the experience of
the lapse of the year she had spent in seeing the world. She had ranged,
she would have said, through space and surveyed much of mankind, and
was therefore now, in her own eyes, a very different person from the
frivolous young woman from Albany who had begun to take the measure
of Europe on the lawn at Gardencourt a couple of years before. She
flattered herself she had harvested wisdom and learned a great deal
more of life than this light-minded creature had even suspected. If
her thoughts just now had inclined themselves to retrospect, instead
of fluttering their wings nervously about the present, they would have
evoked a multitude of interesting pictures. These pictures would have
been both landscapes and figure-pieces; the latter, however, would have
been the more numerous. With several of the images that might have been
projected on such a field we are already acquainted. There would be for
instance the conciliatory Lily, our heroine's sister and Edmund Ludlow's
wife, who had come out from New York to spend five months with her
relative. She had left her husband behind her, but had brought
her children, to whom Isabel now played with equal munificence and
tenderness the part of maiden-aunt. Mr. Ludlow, toward the last, had
been able to snatch a few weeks from his forensic triumphs and, crossing
the ocean with extreme rapidity, had spent a month with the two ladies
in Paris before taking his wife home. The little Ludlows had not yet,
even from the American point of view, reached the proper tourist-age; so
that while her sister was with her Isabel had confined her movements to
a narrow circle. Lily and the babies had joined her in Switzerland in
the month of July, and they had spent a summer of fine weather in an
Alpine valley where the flowers were thick in the meadows and the shade
of great chestnuts made a resting-place for such upward wanderings as
might be undertaken by ladies and children on warm afternoons. They had
afterwards reached the French capital, which was worshipped, and with
costly ceremonies, by Lily, but thought of as noisily vacant by Isabel,
who in these days made use of her memory of Rome as she might have done,
in a hot and crowded room, of a phial of something pungent hidden in her
handkerchief.
Mrs. Ludlow sacrificed, as I say, to Paris, yet had doubts and
wonderments not allayed at that altar; and after her husband had joined
her found further chagrin in his failure to throw himself into these
speculations. They all had Isabel for subject; but Edmund Ludlow, as
he had always done before, declined to be surprised, or distressed, or
mystified, or elated, at anything his sister-in-law might have done
or have failed to do. Mrs. Ludlow's mental motions were sufficiently
various. At one moment she thought it would be so natural for that young
woman to come home and take a house in New York--the Rossiters', for
instance, which had an elegant conservatory and was just round the
corner from her own; at another she couldn't conceal her surprise at the
girl's not marrying some member of one of the great aristocracies. On
the whole, as I have said, she had fallen from high communion with the
probabilities. She had taken more satisfaction in Isabel's accession of
fortune than if the money had been left to herself; it had seemed to her
to offer just the proper setting for her sister's slightly meagre, but
scarce the less eminent figure. Isabel had developed less, however, than
Lily had thought likely--development, to Lily's understanding, being
somehow mysteriously connected with morning-calls and evening-parties.
Intellectually, doubtless, she had made immense strides; but she
appeared to have achieved few of those social conquests of which Mrs.
Ludlow had expected to admire the trophies. Lily's conception of such
achievements was extremely vague; but this was exactly what she had
expected of Isabel--to give it form and body. Isabel could have done
as well as she had done in New York; and Mrs. Ludlow appealed to her
husband to know whether there was any privilege she enjoyed in Europe
which the society of that city might not offer her. We know ourselves
that Isabel had made conquests--whether inferior or not to those she
might have effected in her native land it would be a delicate matter to
decide; and it is not altogether with a feeling of complacency that
I again mention that she had not rendered these honourable victories
public. She had not told her sister the history of Lord Warburton, nor
had she given her a hint of Mr. Osmond's state of mind; and she had had
no better reason for her silence than that she didn't wish to speak.
It was more romantic to say nothing, and, drinking deep, in secret, of
romance, she was as little disposed to ask poor Lily's advice as she
would have been to close that rare volume forever. But Lily knew nothing
of these discriminations, and could only pronounce her sister's career
a strange anti-climax--an impression confirmed by the fact that Isabel's
silence about Mr. Osmond, for instance, was in direct proportion to the
frequency with which he occupied her thoughts. As this happened very
often it sometimes appeared to Mrs. Ludlow that she had lost her
courage. So uncanny a result of so exhilarating an incident as
inheriting a fortune was of course perplexing to the cheerful Lily; it
added to her general sense that Isabel was not at all like other people.
Our young lady's courage, however, might have been taken as reaching
its height after her relations had gone home. She could imagine braver
things than spending the winter in Paris--Paris had sides by which it
so resembled New York, Paris was like smart, neat prose--and her close
correspondence with Madame Merle did much to stimulate such flights. She
had never had a keener sense of freedom, of the absolute boldness and
wantonness of liberty, than when she turned away from the platform
at the Euston Station on one of the last days of November, after the
departure of the train that was to convey poor Lily, her husband and her
children to their ship at Liverpool. It had been good for her to regale;
she was very conscious of that; she was very observant, as we know, of
what was good for her, and her effort was constantly to find something
that was good enough. To profit by the present advantage till the latest
moment she had made the journey from Paris with the unenvied travellers.
She would have accompanied them to Liverpool as well, only Edmund Ludlow
had asked her, as a favour, not to do so; it made Lily so fidgety and
she asked such impossible questions. Isabel watched the train move away;
she kissed her hand to the elder of her small nephews, a demonstrative
child who leaned dangerously far out of the window of the carriage and
made separation an occasion of violent hilarity, and then she walked
back into the foggy London street. The world lay before her--she could
do whatever she chose. There was a deep thrill in it all, but for the
present her choice was tolerably discreet; she chose simply to walk back
from Euston Square to her hotel. The early dusk of a November afternoon
had already closed in; the street-lamps, in the thick, brown air, looked
weak and red; our heroine was unattended and Euston Square was a long
way from Piccadilly. But Isabel performed the journey with a positive
enjoyment of its dangers and lost her way almost on purpose, in order
to get more sensations, so that she was disappointed when an obliging
policeman easily set her right again. She was so fond of the spectacle
of human life that she enjoyed even the aspect of gathering dusk in the
London streets--the moving crowds, the hurrying cabs, the lighted shops,
the flaring stalls, the dark, shining dampness of everything. That
evening, at her hotel, she wrote to Madame Merle that she should start
in a day or two for Rome. She made her way down to Rome without touching
at Florence--having gone first to Venice and then proceeded southward by
Ancona. She accomplished this journey without other assistance than that
of her servant, for her natural protectors were not now on the ground.
Ralph Touchett was spending the winter at Corfu, and Miss Stackpole, in
the September previous, had been recalled to America by a telegram from
the Interviewer. This journal offered its brilliant correspondent a
fresher field for her genius than the mouldering cities of Europe, and
Henrietta was cheered on her way by a promise from Mr. Bantling that
he would soon come over to see her. Isabel wrote to Mrs. Touchett to
apologise for not presenting herself just yet in Florence, and her aunt
replied characteristically enough. Apologies, Mrs. Touchett intimated,
were of no more use to her than bubbles, and she herself never dealt
in such articles. One either did the thing or one didn't, and what one
"would" have done belonged to the sphere of the irrelevant, like the
idea of a future life or of the origin of things. Her letter was frank,
but (a rare case with Mrs. Touchett) not so frank as it pretended. She
easily forgave her niece for not stopping at Florence, because she
took it for a sign that Gilbert Osmond was less in question there than
formerly. She watched of course to see if he would now find a pretext
for going to Rome, and derived some comfort from learning that he had
not been guilty of an absence. Isabel, on her side, had not been a
fortnight in Rome before she proposed to Madame Merle that they should
make a little pilgrimage to the East. Madame Merle remarked that her
friend was restless, but she added that she herself had always been
consumed with the desire to visit Athens and Constantinople. The two
ladies accordingly embarked on this expedition, and spent three months
in Greece, in Turkey, in Egypt. Isabel found much to interest her in
these countries, though Madame Merle continued to remark that even among
the most classic sites, the scenes most calculated to suggest repose
and reflexion, a certain incoherence prevailed in her. Isabel travelled
rapidly and recklessly; she was like a thirsty person draining cup
after cup. Madame Merle meanwhile, as lady-in-waiting to a princess
circulating incognita, panted a little in her rear. It was on Isabel's
invitation she had come, and she imparted all due dignity to the girl's
uncountenanced state. She played her part with the tact that might have
been expected of her, effacing herself and accepting the position of a
companion whose expenses were profusely paid. The situation, however,
had no hardships, and people who met this reserved though striking
pair on their travels would not have been able to tell you which
was patroness and which client. To say that Madame Merle improved on
acquaintance states meagrely the impression she made on her friend,
who had found her from the first so ample and so easy. At the end of an
intimacy of three months Isabel felt she knew her better; her character
had revealed itself, and the admirable woman had also at last redeemed
her promise of relating her history from her own point of view--a
consummation the more desirable as Isabel had already heard it related
from the point of view of others. This history was so sad a one (in so
far as it concerned the late M. Merle, a positive adventurer, she might
say, though originally so plausible, who had taken advantage, years
before, of her youth and of an inexperience in which doubtless those who
knew her only now would find it difficult to believe); it abounded so in
startling and lamentable incidents that her companion wondered a person
so eprouvee could have kept so much of her freshness, her interest in
life. Into this freshness of Madame Merle's she obtained a considerable
insight; she seemed to see it as professional, as slightly mechanical,
carried about in its case like the fiddle of the virtuoso, or blanketed
and bridled like the "favourite" of the jockey. She liked her as much
as ever, but there was a corner of the curtain that never was lifted;
it was as if she had remained after all something of a public performer,
condemned to emerge only in character and in costume. She had once
said that she came from a distance, that she belonged to the "old, old"
world, and Isabel never lost the impression that she was the product of
a different moral or social clime from her own, that she had grown up
under other stars.
She believed then that at bottom she had a different morality. Of course
the morality of civilised persons has always much in common; but our
young woman had a sense in her of values gone wrong or, as they said at
the shops, marked down. She considered, with the presumption of youth,
that a morality differing from her own must be inferior to it; and this
conviction was an aid to detecting an occasional flash of cruelty, an
occasional lapse from candour, in the conversation of a person who had
raised delicate kindness to an art and whose pride was too high for
the narrow ways of deception. Her conception of human motives might,
in certain lights, have been acquired at the court of some kingdom in
decadence, and there were several in her list of which our heroine had
not even heard. She had not heard of everything, that was very plain;
and there were evidently things in the world of which it was not
advantageous to hear. She had once or twice had a positive scare; since
it so affected her to have to exclaim, of her friend, "Heaven forgive
her, she doesn't understand me!" Absurd as it may seem this discovery
operated as a shock, left her with a vague dismay in which there was
even an element of foreboding. The dismay of course subsided, in the
light of some sudden proof of Madame Merle's remarkable intelligence;
but it stood for a high-water-mark in the ebb and flow of confidence.
Madame Merle had once declared her belief that when a friendship ceases
to grow it immediately begins to decline--there being no point of
equilibrium between liking more and liking less. A stationary affection,
in other words, was impossible--it must move one way or the other.
However that might be, the girl had in these days a thousand uses for
her sense of the romantic, which was more active than it had ever been.
I do not allude to the impulse it received as she gazed at the Pyramids
in the course of an excursion from Cairo, or as she stood among the
broken columns of the Acropolis and fixed her eyes upon the point
designated to her as the Strait of Salamis; deep and memorable as these
emotions had remained. She came back by the last of March from Egypt
and Greece and made another stay in Rome. A few days after her arrival
Gilbert Osmond descended from Florence and remained three weeks, during
which the fact of her being with his old friend Madame Merle, in whose
house she had gone to lodge, made it virtually inevitable that he
should see her every day. When the last of April came she wrote to Mrs.
Touchett that she should now rejoice to accept an invitation given long
before, and went to pay a visit at Palazzo Crescentini, Madame Merle on
this occasion remaining in Rome. She found her aunt alone; her cousin
was still at Corfu. Ralph, however, was expected in Florence from day
to day, and Isabel, who had not seen him for upwards of a year, was
prepared to give him the most affectionate welcome.
| Notes This chapter opens one year later, when Isabel returns to Florence, but then it back-tracks and relates what shes done during the year. It begins with her time spent with her sister Lily. The key feature of this time is that Isabel Archer is thinking of Gilbert Osmond almost constantly, though not telling her sister this. She thinks its more romantic to say nothing. She thinks that if she asked Lilys advice, it would be like shutting a rare romance novel. The chapter seems to function largely as a time marker. If gives the sense that Isabel Archer didnt just fall into Gilbert Osmonds arms, but will do so only after having done all the traveling she wants to do. The sense one gets is that Isabel is relishing freedom as much as possible before she resigns herself to a married existence. Freedom is the keynote of this chapter. When she leaves her sister in London, she walks alone back to her hotel and feels exhilarated by her sense of freedom. When she travels, "she travel rapidly and recklessly; she like a thirsty person draining cup after cup." | analysis |
It was not of him, nevertheless, that she was thinking while she stood
at the window near which we found her a while ago, and it was not of any
of the matters I have rapidly sketched. She was not turned to the past,
but to the immediate, impending hour. She had reason to expect a scene,
and she was not fond of scenes. She was not asking herself what she
should say to her visitor; this question had already been answered. What
he would say to her--that was the interesting issue. It could be nothing
in the least soothing--she had warrant for this, and the conviction
doubtless showed in the cloud on her brow. For the rest, however, all
clearness reigned in her; she had put away her mourning and she walked
in no small shimmering splendour. She only, felt older--ever so much,
and as if she were "worth more" for it, like some curious piece in an
antiquary's collection. She was not at any rate left indefinitely to her
apprehensions, for a servant at last stood before her with a card on his
tray. "Let the gentleman come in," she said, and continued to gaze out
of the window after the footman had retired. It was only when she had
heard the door close behind the person who presently entered that she
looked round.
Caspar Goodwood stood there--stood and received a moment, from head to
foot, the bright, dry gaze with which she rather withheld than offered
a greeting. Whether his sense of maturity had kept pace with Isabel's
we shall perhaps presently ascertain; let me say meanwhile that to
her critical glance he showed nothing of the injury of time. Straight,
strong and hard, there was nothing in his appearance that spoke
positively either of youth or of age; if he had neither innocence nor
weakness, so he had no practical philosophy. His jaw showed the same
voluntary cast as in earlier days; but a crisis like the present had in
it of course something grim. He had the air of a man who had travelled
hard; he said nothing at first, as if he had been out of breath. This
gave Isabel time to make a reflexion: "Poor fellow, what great things
he's capable of, and what a pity he should waste so dreadfully his
splendid force! What a pity too that one can't satisfy everybody!" It
gave her time to do more to say at the end of a minute: "I can't tell
you how I hoped you wouldn't come!"
"I've no doubt of that." And he looked about him for a seat. Not only
had he come, but he meant to settle.
"You must be very tired," said Isabel, seating herself, and generously,
as she thought, to give him his opportunity.
"No, I'm not at all tired. Did you ever know me to be tired?"
"Never; I wish I had! When did you arrive?"
"Last night, very late; in a kind of snail-train they call the express.
These Italian trains go at about the rate of an American funeral."
"That's in keeping--you must have felt as if you were coming to bury
me!" And she forced a smile of encouragement to an easy view of their
situation. She had reasoned the matter well out, making it perfectly
clear that she broke no faith and falsified no contract; but for all
this she was afraid of her visitor. She was ashamed of her fear; but she
was devoutly thankful there was nothing else to be ashamed of. He looked
at her with his stiff insistence, an insistence in which there was such
a want of tact; especially when the dull dark beam in his eye rested on
her as a physical weight.
"No, I didn't feel that; I couldn't think of you as dead. I wish I
could!" he candidly declared.
"I thank you immensely."
"I'd rather think of you as dead than as married to another man."
"That's very selfish of you!" she returned with the ardour of a real
conviction. "If you're not happy yourself others have yet a right to
be."
"Very likely it's selfish; but I don't in the least mind your saying so.
I don't mind anything you can say now--I don't feel it. The cruellest
things you could think of would be mere pin-pricks. After what you've
done I shall never feel anything--I mean anything but that. That I shall
feel all my life."
Mr. Goodwood made these detached assertions with dry deliberateness,
in his hard, slow American tone, which flung no atmospheric colour over
propositions intrinsically crude. The tone made Isabel angry rather than
touched her; but her anger perhaps was fortunate, inasmuch as it gave
her a further reason for controlling herself. It was under the pressure
of this control that she became, after a little, irrelevant. "When did
you leave New York?"
He threw up his head as if calculating. "Seventeen days ago."
"You must have travelled fast in spite of your slow trains."
"I came as fast as I could. I'd have come five days ago if I had been
able."
"It wouldn't have made any difference, Mr. Goodwood," she coldly smiled.
"Not to you--no. But to me."
"You gain nothing that I see."
"That's for me to judge!"
"Of course. To me it seems that you only torment yourself." And then, to
change the subject, she asked him if he had seen Henrietta Stackpole.
He looked as if he had not come from Boston to Florence to talk of
Henrietta Stackpole; but he answered, distinctly enough, that this young
lady had been with him just before he left America. "She came to see
you?" Isabel then demanded.
"Yes, she was in Boston, and she called at my office. It was the day I
had got your letter."
"Did you tell her?" Isabel asked with a certain anxiety.
"Oh no," said Caspar Goodwood simply; "I didn't want to do that. She'll
hear it quick enough; she hears everything."
"I shall write to her, and then she'll write to me and scold me," Isabel
declared, trying to smile again.
Caspar, however, remained sternly grave. "I guess she'll come right
out," he said.
"On purpose to scold me?"
"I don't know. She seemed to think she had not seen Europe thoroughly."
"I'm glad you tell me that," Isabel said. "I must prepare for her."
Mr. Goodwood fixed his eyes for a moment on the floor; then at last,
raising them, "Does she know Mr. Osmond?" he enquired.
"A little. And she doesn't like him. But of course I don't marry to
please Henrietta," she added. It would have been better for poor Caspar
if she had tried a little more to gratify Miss Stackpole; but he didn't
say so; he only asked, presently, when her marriage would take place. To
which she made answer that she didn't know yet. "I can only say it will
be soon. I've told no one but yourself and one other person--an old
friend of Mr. Osmond's."
"Is it a marriage your friends won't like?" he demanded.
"I really haven't an idea. As I say, I don't marry for my friends."
He went on, making no exclamation, no comment, only asking questions,
doing it quite without delicacy. "Who and what then is Mr. Gilbert
Osmond?"
"Who and what? Nobody and nothing but a very good and very honourable
man. He's not in business," said Isabel. "He's not rich; he's not known
for anything in particular."
She disliked Mr. Goodwood's questions, but she said to herself that she
owed it to him to satisfy him as far as possible. The satisfaction poor
Caspar exhibited was, however, small; he sat very upright, gazing at
her. "Where does he come from? Where does he belong?"
She had never been so little pleased with the way he said "belawng." "He
comes from nowhere. He has spent most of his life in Italy."
"You said in your letter he was American. Hasn't he a native place?"
"Yes, but he has forgotten it. He left it as a small boy."
"Has he never gone back?"
"Why should he go back?" Isabel asked, flushing all defensively. "He has
no profession."
"He might have gone back for his pleasure. Doesn't he like the United
States?"
"He doesn't know them. Then he's very quiet and very simple--he contents
himself with Italy."
"With Italy and with you," said Mr. Goodwood with gloomy plainness and
no appearance of trying to make an epigram. "What has he ever done?" he
added abruptly.
"That I should marry him? Nothing at all," Isabel replied while her
patience helped itself by turning a little to hardness. "If he had done
great things would you forgive me any better? Give me up, Mr. Goodwood;
I'm marrying a perfect nonentity. Don't try to take an interest in him.
You can't."
"I can't appreciate him; that's what you mean. And you don't mean in
the least that he's a perfect nonentity. You think he's grand, you think
he's great, though no one else thinks so."
Isabel's colour deepened; she felt this really acute of her companion,
and it was certainly a proof of the aid that passion might render
perceptions she had never taken for fine. "Why do you always come back
to what others think? I can't discuss Mr. Osmond with you."
"Of course not," said Caspar reasonably. And he sat there with his air
of stiff helplessness, as if not only this were true, but there were
nothing else that they might discuss.
"You see how little you gain," she accordingly broke out--"how little
comfort or satisfaction I can give you."
"I didn't expect you to give me much."
"I don't understand then why you came."
"I came because I wanted to see you once more--even just as you are."
"I appreciate that; but if you had waited a while, sooner or later
we should have been sure to meet, and our meeting would have been
pleasanter for each of us than this."
"Waited till after you're married? That's just what I didn't want to do.
You'll be different then."
"Not very. I shall still be a great friend of yours. You'll see."
"That will make it all the worse," said Mr. Goodwood grimly.
"Ah, you're unaccommodating! I can't promise to dislike you in order to
help you to resign yourself."
"I shouldn't care if you did!"
Isabel got up with a movement of repressed impatience and walked to the
window, where she remained a moment looking out. When she turned round
her visitor was still motionless in his place. She came toward him again
and stopped, resting her hand on the back of the chair she had just
quitted. "Do you mean you came simply to look at me? That's better for
you perhaps than for me."
"I wished to hear the sound of your voice," he said.
"You've heard it, and you see it says nothing very sweet."
"It gives me pleasure, all the same." And with this he got up. She had
felt pain and displeasure on receiving early that day the news he was in
Florence and by her leave would come within an hour to see her. She
had been vexed and distressed, though she had sent back word by his
messenger that he might come when he would. She had not been better
pleased when she saw him; his being there at all was so full of heavy
implications. It implied things she could never assent to--rights,
reproaches, remonstrance, rebuke, the expectation of making her change
her purpose. These things, however, if implied, had not been expressed;
and now our young lady, strangely enough, began to resent her visitor's
remarkable self-control. There was a dumb misery about him that
irritated her; there was a manly staying of his hand that made her heart
beat faster. She felt her agitation rising, and she said to herself
that she was angry in the way a woman is angry when she has been in the
wrong. She was not in the wrong; she had fortunately not that bitterness
to swallow; but, all the same, she wished he would denounce her a
little. She had wished his visit would be short; it had no purpose, no
propriety; yet now that he seemed to be turning away she felt a sudden
horror of his leaving her without uttering a word that would give her an
opportunity to defend herself more than she had done in writing to him
a month before, in a few carefully chosen words, to announce her
engagement. If she were not in the wrong, however, why should she desire
to defend herself? It was an excess of generosity on Isabel's part to
desire that Mr. Goodwood should be angry. And if he had not meanwhile
held himself hard it might have made him so to hear the tone in which
she suddenly exclaimed, as if she were accusing him of having accused
her: "I've not deceived you! I was perfectly free!"
"Yes, I know that," said Caspar.
"I gave you full warning that I'd do as I chose."
"You said you'd probably never marry, and you said it with such a manner
that I pretty well believed it."
She considered this an instant. "No one can be more surprised than
myself at my present intention."
"You told me that if I heard you were engaged I was not to believe
it," Caspar went on. "I heard it twenty days ago from yourself, but I
remembered what you had said. I thought there might be some mistake, and
that's partly why I came."
"If you wish me to repeat it by word of mouth, that's soon done. There's
no mistake whatever."
"I saw that as soon as I came into the room."
"What good would it do you that I shouldn't marry?" she asked with a
certain fierceness.
"I should like it better than this."
"You're very selfish, as I said before."
"I know that. I'm selfish as iron."
"Even iron sometimes melts! If you'll be reasonable I'll see you again."
"Don't you call me reasonable now?"
"I don't know what to say to you," she answered with sudden humility.
"I shan't trouble you for a long time," the young man went on. He made
a step towards the door, but he stopped. "Another reason why I came was
that I wanted to hear what you would say in explanation of your having
changed your mind."
Her humbleness as suddenly deserted her. "In explanation? Do you think
I'm bound to explain?"
He gave her one of his long dumb looks. "You were very positive. I did
believe it."
"So did I. Do you think I could explain if I would?"
"No, I suppose not. Well," he added, "I've done what I wished. I've seen
you."
"How little you make of these terrible journeys," she felt the poverty
of her presently replying.
"If you're afraid I'm knocked up--in any such way as that--you may be
at your ease about it." He turned away, this time in earnest, and no
hand-shake, no sign of parting, was exchanged between them.
At the door he stopped with his hand on the knob. "I shall leave
Florence to-morrow," he said without a quaver.
"I'm delighted to hear it!" she answered passionately. Five minutes
after he had gone out she burst into tears.
| Isabel is waiting for Caspar Goodwood. She feels older after her travels, as if in some sense she is "worth more." She has been dreading the scene she expects with Caspar Goodwood. He comes in "straight, strong, and hard." He tells her he came as soon as he got her letter telling him she was engaged to marry Gilbert Osmond. She tells him only he and Madame Merle know of the engagement. She feels angry at points in the conversation. His questions about Gilbert Osmond irritate her. She tells him Gilbert Osmond is a nobody, from no where, who does nothing. Caspar says he came all the way to see her just so he could see her and hear her voice. He reminds her that she told him two years before that she would probably never marry and he had believed her sincerity. She says she couldnt have foreseen her choice then and insists that she never made him any promises. He tells her hed prefer that she never married than to marry another man. He admits his selfishness. Finally, he leaves and when he does, Isabel bursts into tears. | summary |
It was not of him, nevertheless, that she was thinking while she stood
at the window near which we found her a while ago, and it was not of any
of the matters I have rapidly sketched. She was not turned to the past,
but to the immediate, impending hour. She had reason to expect a scene,
and she was not fond of scenes. She was not asking herself what she
should say to her visitor; this question had already been answered. What
he would say to her--that was the interesting issue. It could be nothing
in the least soothing--she had warrant for this, and the conviction
doubtless showed in the cloud on her brow. For the rest, however, all
clearness reigned in her; she had put away her mourning and she walked
in no small shimmering splendour. She only, felt older--ever so much,
and as if she were "worth more" for it, like some curious piece in an
antiquary's collection. She was not at any rate left indefinitely to her
apprehensions, for a servant at last stood before her with a card on his
tray. "Let the gentleman come in," she said, and continued to gaze out
of the window after the footman had retired. It was only when she had
heard the door close behind the person who presently entered that she
looked round.
Caspar Goodwood stood there--stood and received a moment, from head to
foot, the bright, dry gaze with which she rather withheld than offered
a greeting. Whether his sense of maturity had kept pace with Isabel's
we shall perhaps presently ascertain; let me say meanwhile that to
her critical glance he showed nothing of the injury of time. Straight,
strong and hard, there was nothing in his appearance that spoke
positively either of youth or of age; if he had neither innocence nor
weakness, so he had no practical philosophy. His jaw showed the same
voluntary cast as in earlier days; but a crisis like the present had in
it of course something grim. He had the air of a man who had travelled
hard; he said nothing at first, as if he had been out of breath. This
gave Isabel time to make a reflexion: "Poor fellow, what great things
he's capable of, and what a pity he should waste so dreadfully his
splendid force! What a pity too that one can't satisfy everybody!" It
gave her time to do more to say at the end of a minute: "I can't tell
you how I hoped you wouldn't come!"
"I've no doubt of that." And he looked about him for a seat. Not only
had he come, but he meant to settle.
"You must be very tired," said Isabel, seating herself, and generously,
as she thought, to give him his opportunity.
"No, I'm not at all tired. Did you ever know me to be tired?"
"Never; I wish I had! When did you arrive?"
"Last night, very late; in a kind of snail-train they call the express.
These Italian trains go at about the rate of an American funeral."
"That's in keeping--you must have felt as if you were coming to bury
me!" And she forced a smile of encouragement to an easy view of their
situation. She had reasoned the matter well out, making it perfectly
clear that she broke no faith and falsified no contract; but for all
this she was afraid of her visitor. She was ashamed of her fear; but she
was devoutly thankful there was nothing else to be ashamed of. He looked
at her with his stiff insistence, an insistence in which there was such
a want of tact; especially when the dull dark beam in his eye rested on
her as a physical weight.
"No, I didn't feel that; I couldn't think of you as dead. I wish I
could!" he candidly declared.
"I thank you immensely."
"I'd rather think of you as dead than as married to another man."
"That's very selfish of you!" she returned with the ardour of a real
conviction. "If you're not happy yourself others have yet a right to
be."
"Very likely it's selfish; but I don't in the least mind your saying so.
I don't mind anything you can say now--I don't feel it. The cruellest
things you could think of would be mere pin-pricks. After what you've
done I shall never feel anything--I mean anything but that. That I shall
feel all my life."
Mr. Goodwood made these detached assertions with dry deliberateness,
in his hard, slow American tone, which flung no atmospheric colour over
propositions intrinsically crude. The tone made Isabel angry rather than
touched her; but her anger perhaps was fortunate, inasmuch as it gave
her a further reason for controlling herself. It was under the pressure
of this control that she became, after a little, irrelevant. "When did
you leave New York?"
He threw up his head as if calculating. "Seventeen days ago."
"You must have travelled fast in spite of your slow trains."
"I came as fast as I could. I'd have come five days ago if I had been
able."
"It wouldn't have made any difference, Mr. Goodwood," she coldly smiled.
"Not to you--no. But to me."
"You gain nothing that I see."
"That's for me to judge!"
"Of course. To me it seems that you only torment yourself." And then, to
change the subject, she asked him if he had seen Henrietta Stackpole.
He looked as if he had not come from Boston to Florence to talk of
Henrietta Stackpole; but he answered, distinctly enough, that this young
lady had been with him just before he left America. "She came to see
you?" Isabel then demanded.
"Yes, she was in Boston, and she called at my office. It was the day I
had got your letter."
"Did you tell her?" Isabel asked with a certain anxiety.
"Oh no," said Caspar Goodwood simply; "I didn't want to do that. She'll
hear it quick enough; she hears everything."
"I shall write to her, and then she'll write to me and scold me," Isabel
declared, trying to smile again.
Caspar, however, remained sternly grave. "I guess she'll come right
out," he said.
"On purpose to scold me?"
"I don't know. She seemed to think she had not seen Europe thoroughly."
"I'm glad you tell me that," Isabel said. "I must prepare for her."
Mr. Goodwood fixed his eyes for a moment on the floor; then at last,
raising them, "Does she know Mr. Osmond?" he enquired.
"A little. And she doesn't like him. But of course I don't marry to
please Henrietta," she added. It would have been better for poor Caspar
if she had tried a little more to gratify Miss Stackpole; but he didn't
say so; he only asked, presently, when her marriage would take place. To
which she made answer that she didn't know yet. "I can only say it will
be soon. I've told no one but yourself and one other person--an old
friend of Mr. Osmond's."
"Is it a marriage your friends won't like?" he demanded.
"I really haven't an idea. As I say, I don't marry for my friends."
He went on, making no exclamation, no comment, only asking questions,
doing it quite without delicacy. "Who and what then is Mr. Gilbert
Osmond?"
"Who and what? Nobody and nothing but a very good and very honourable
man. He's not in business," said Isabel. "He's not rich; he's not known
for anything in particular."
She disliked Mr. Goodwood's questions, but she said to herself that she
owed it to him to satisfy him as far as possible. The satisfaction poor
Caspar exhibited was, however, small; he sat very upright, gazing at
her. "Where does he come from? Where does he belong?"
She had never been so little pleased with the way he said "belawng." "He
comes from nowhere. He has spent most of his life in Italy."
"You said in your letter he was American. Hasn't he a native place?"
"Yes, but he has forgotten it. He left it as a small boy."
"Has he never gone back?"
"Why should he go back?" Isabel asked, flushing all defensively. "He has
no profession."
"He might have gone back for his pleasure. Doesn't he like the United
States?"
"He doesn't know them. Then he's very quiet and very simple--he contents
himself with Italy."
"With Italy and with you," said Mr. Goodwood with gloomy plainness and
no appearance of trying to make an epigram. "What has he ever done?" he
added abruptly.
"That I should marry him? Nothing at all," Isabel replied while her
patience helped itself by turning a little to hardness. "If he had done
great things would you forgive me any better? Give me up, Mr. Goodwood;
I'm marrying a perfect nonentity. Don't try to take an interest in him.
You can't."
"I can't appreciate him; that's what you mean. And you don't mean in
the least that he's a perfect nonentity. You think he's grand, you think
he's great, though no one else thinks so."
Isabel's colour deepened; she felt this really acute of her companion,
and it was certainly a proof of the aid that passion might render
perceptions she had never taken for fine. "Why do you always come back
to what others think? I can't discuss Mr. Osmond with you."
"Of course not," said Caspar reasonably. And he sat there with his air
of stiff helplessness, as if not only this were true, but there were
nothing else that they might discuss.
"You see how little you gain," she accordingly broke out--"how little
comfort or satisfaction I can give you."
"I didn't expect you to give me much."
"I don't understand then why you came."
"I came because I wanted to see you once more--even just as you are."
"I appreciate that; but if you had waited a while, sooner or later
we should have been sure to meet, and our meeting would have been
pleasanter for each of us than this."
"Waited till after you're married? That's just what I didn't want to do.
You'll be different then."
"Not very. I shall still be a great friend of yours. You'll see."
"That will make it all the worse," said Mr. Goodwood grimly.
"Ah, you're unaccommodating! I can't promise to dislike you in order to
help you to resign yourself."
"I shouldn't care if you did!"
Isabel got up with a movement of repressed impatience and walked to the
window, where she remained a moment looking out. When she turned round
her visitor was still motionless in his place. She came toward him again
and stopped, resting her hand on the back of the chair she had just
quitted. "Do you mean you came simply to look at me? That's better for
you perhaps than for me."
"I wished to hear the sound of your voice," he said.
"You've heard it, and you see it says nothing very sweet."
"It gives me pleasure, all the same." And with this he got up. She had
felt pain and displeasure on receiving early that day the news he was in
Florence and by her leave would come within an hour to see her. She
had been vexed and distressed, though she had sent back word by his
messenger that he might come when he would. She had not been better
pleased when she saw him; his being there at all was so full of heavy
implications. It implied things she could never assent to--rights,
reproaches, remonstrance, rebuke, the expectation of making her change
her purpose. These things, however, if implied, had not been expressed;
and now our young lady, strangely enough, began to resent her visitor's
remarkable self-control. There was a dumb misery about him that
irritated her; there was a manly staying of his hand that made her heart
beat faster. She felt her agitation rising, and she said to herself
that she was angry in the way a woman is angry when she has been in the
wrong. She was not in the wrong; she had fortunately not that bitterness
to swallow; but, all the same, she wished he would denounce her a
little. She had wished his visit would be short; it had no purpose, no
propriety; yet now that he seemed to be turning away she felt a sudden
horror of his leaving her without uttering a word that would give her an
opportunity to defend herself more than she had done in writing to him
a month before, in a few carefully chosen words, to announce her
engagement. If she were not in the wrong, however, why should she desire
to defend herself? It was an excess of generosity on Isabel's part to
desire that Mr. Goodwood should be angry. And if he had not meanwhile
held himself hard it might have made him so to hear the tone in which
she suddenly exclaimed, as if she were accusing him of having accused
her: "I've not deceived you! I was perfectly free!"
"Yes, I know that," said Caspar.
"I gave you full warning that I'd do as I chose."
"You said you'd probably never marry, and you said it with such a manner
that I pretty well believed it."
She considered this an instant. "No one can be more surprised than
myself at my present intention."
"You told me that if I heard you were engaged I was not to believe
it," Caspar went on. "I heard it twenty days ago from yourself, but I
remembered what you had said. I thought there might be some mistake, and
that's partly why I came."
"If you wish me to repeat it by word of mouth, that's soon done. There's
no mistake whatever."
"I saw that as soon as I came into the room."
"What good would it do you that I shouldn't marry?" she asked with a
certain fierceness.
"I should like it better than this."
"You're very selfish, as I said before."
"I know that. I'm selfish as iron."
"Even iron sometimes melts! If you'll be reasonable I'll see you again."
"Don't you call me reasonable now?"
"I don't know what to say to you," she answered with sudden humility.
"I shan't trouble you for a long time," the young man went on. He made
a step towards the door, but he stopped. "Another reason why I came was
that I wanted to hear what you would say in explanation of your having
changed your mind."
Her humbleness as suddenly deserted her. "In explanation? Do you think
I'm bound to explain?"
He gave her one of his long dumb looks. "You were very positive. I did
believe it."
"So did I. Do you think I could explain if I would?"
"No, I suppose not. Well," he added, "I've done what I wished. I've seen
you."
"How little you make of these terrible journeys," she felt the poverty
of her presently replying.
"If you're afraid I'm knocked up--in any such way as that--you may be
at your ease about it." He turned away, this time in earnest, and no
hand-shake, no sign of parting, was exchanged between them.
At the door he stopped with his hand on the knob. "I shall leave
Florence to-morrow," he said without a quaver.
"I'm delighted to hear it!" she answered passionately. Five minutes
after he had gone out she burst into tears.
| Notes In his usual oblique way, Henry James announces Isabel Archers engagement to Gilbert Osmond with a scene between her and the sad but stiff Caspar Goodwood. The oblique way pays off in several respects. First, the reader sees Isabel Archers ambivalence about Caspar Goodwood. She feels guilty for rejecting him. She feels as if she has betrayed him, though she knows that in a strict sense of things, she hasnt really done so. Second, the reader gets another description of Gilbert Osmond. This description is special since it is told to Caspar Goodwood, his exact opposite. Isabel says over and over again that Gilbert Osmond is a nothing, that he does nothing, that he thinks nothing of America, and that he is from nowhere. Such an odd description of ones finance warrants some attention. Why would someone of Isabels lively temperament be so taken with someone whom she describes as a nonentity? Perhaps the answer can be found in the contrast between Gilbert Osmond and Caspar Goodwood. Caspar Goodwood is often described as having such a forceful personality that Isabel feels weighed down by him, even oppressed by his presence. For someone who wants to exercise self-determination, a man who doesnt exert such a force, but is instead a vague gentlemen, who wants to make art out of life and stand picturesquely on his hill on the outskirts of Vienna with his perfect daughter at his side, is the more likely choice. | analysis |
Her fit of weeping, however, was soon smothered, and the signs of it had
vanished when, an hour later, she broke the news to her aunt. I use this
expression because she had been sure Mrs. Touchett would not be pleased;
Isabel had only waited to tell her till she had seen Mr. Goodwood. She
had an odd impression that it would not be honourable to make the fact
public before she should have heard what Mr. Goodwood would say about
it. He had said rather less than she expected, and she now had a
somewhat angry sense of having lost time. But she would lose no more;
she waited till Mrs. Touchett came into the drawing-room before the
mid-day breakfast, and then she began. "Aunt Lydia, I've something to
tell you."
Mrs. Touchett gave a little jump and looked at her almost fiercely. "You
needn't tell me; I know what it is."
"I don't know how you know."
"The same way that I know when the window's open--by feeling a draught.
You're going to marry that man."
"What man do you mean?" Isabel enquired with great dignity.
"Madame Merle's friend--Mr. Osmond."
"I don't know why you call him Madame Merle's friend. Is that the
principal thing he's known by?"
"If he's not her friend he ought to be--after what she has done for
him!" cried Mrs. Touchett. "I shouldn't have expected it of her; I'm
disappointed."
"If you mean that Madame Merle has had anything to do with my engagement
you're greatly mistaken," Isabel declared with a sort of ardent
coldness.
"You mean that your attractions were sufficient, without the gentleman's
having had to be lashed up? You're quite right. They're immense, your
attractions, and he would never have presumed to think of you if she
hadn't put him up to it. He has a very good opinion of himself, but he
was not a man to take trouble. Madame Merle took the trouble for him."
"He has taken a great deal for himself!" cried Isabel with a voluntary
laugh.
Mrs. Touchett gave a sharp nod. "I think he must, after all, to have
made you like him so much."
"I thought he even pleased YOU."
"He did, at one time; and that's why I'm angry with him."
"Be angry with me, not with him," said the girl.
"Oh, I'm always angry with you; that's no satisfaction! Was it for this
that you refused Lord Warburton?"
"Please don't go back to that. Why shouldn't I like Mr. Osmond, since
others have done so?"
"Others, at their wildest moments, never wanted to marry him. There's
nothing OF him," Mrs. Touchett explained.
"Then he can't hurt me," said Isabel.
"Do you think you're going to be happy? No one's happy, in such doings,
you should know."
"I shall set the fashion then. What does one marry for?"
"What YOU will marry for, heaven only knows. People usually marry as
they go into partnership--to set up a house. But in your partnership
you'll bring everything."
"Is it that Mr. Osmond isn't rich? Is that what you're talking about?"
Isabel asked.
"He has no money; he has no name; he has no importance. I value such
things and I have the courage to say it; I think they're very precious.
Many other people think the same, and they show it. But they give some
other reason."
Isabel hesitated a little. "I think I value everything that's valuable.
I care very much for money, and that's why I wish Mr. Osmond to have a
little."
"Give it to him then; but marry some one else."
"His name's good enough for me," the girl went on. "It's a very pretty
name. Have I such a fine one myself?"
"All the more reason you should improve on it. There are only a dozen
American names. Do you marry him out of charity?"
"It was my duty to tell you, Aunt Lydia, but I don't think it's my duty
to explain to you. Even if it were I shouldn't be able. So please don't
remonstrate; in talking about it you have me at a disadvantage. I can't
talk about it."
"I don't remonstrate, I simply answer you: I must give some sign of
intelligence. I saw it coming, and I said nothing. I never meddle."
"You never do, and I'm greatly obliged to you. You've been very
considerate."
"It was not considerate--it was convenient," said Mrs. Touchett. "But I
shall talk to Madame Merle."
"I don't see why you keep bringing her in. She has been a very good
friend to me."
"Possibly; but she has been a poor one to me."
"What has she done to you?"
"She has deceived me. She had as good as promised me to prevent your
engagement."
"She couldn't have prevented it."
"She can do anything; that's what I've always liked her for. I knew she
could play any part; but I understood that she played them one by one. I
didn't understand that she would play two at the same time."
"I don't know what part she may have played to you," Isabel said;
"that's between yourselves. To me she has been honest and kind and
devoted."
"Devoted, of course; she wished you to marry her candidate. She told me
she was watching you only in order to interpose."
"She said that to please you," the girl answered; conscious, however, of
the inadequacy of the explanation.
"To please me by deceiving me? She knows me better. Am I pleased
to-day?"
"I don't think you're ever much pleased," Isabel was obliged to reply.
"If Madame Merle knew you would learn the truth what had she to gain by
insincerity?"
"She gained time, as you see. While I waited for her to interfere you
were marching away, and she was really beating the drum."
"That's very well. But by your own admission you saw I was marching, and
even if she had given the alarm you wouldn't have tried to stop me."
"No, but some one else would."
"Whom do you mean?" Isabel asked, looking very hard at her aunt. Mrs.
Touchett's little bright eyes, active as they usually were, sustained
her gaze rather than returned it. "Would you have listened to Ralph?"
"Not if he had abused Mr. Osmond."
"Ralph doesn't abuse people; you know that perfectly. He cares very much
for you."
"I know he does," said Isabel; "and I shall feel the value of it now,
for he knows that whatever I do I do with reason."
"He never believed you would do this. I told him you were capable of it,
and he argued the other way."
"He did it for the sake of argument," the girl smiled. "You don't accuse
him of having deceived you; why should you accuse Madame Merle?"
"He never pretended he'd prevent it."
"I'm glad of that!" cried Isabel gaily. "I wish very much," she
presently added, "that when he comes you'd tell him first of my
engagement."
"Of course I'll mention it," said Mrs. Touchett. "I shall say nothing
more to you about it, but I give you notice I shall talk to others."
"That's as you please. I only meant that it's rather better the
announcement should come from you than from me."
"I quite agree with you; it's much more proper!" And on this the aunt
and the niece went to breakfast, where Mrs. Touchett, as good as her
word, made no allusion to Gilbert Osmond. After an interval of silence,
however, she asked her companion from whom she had received a visit an
hour before.
"From an old friend--an American gentleman," Isabel said with a colour
in her cheek.
"An American gentleman of course. It's only an American gentleman who
calls at ten o'clock in the morning."
"It was half-past ten; he was in a great hurry; he goes away this
evening."
"Couldn't he have come yesterday, at the usual time?"
"He only arrived last night."
"He spends but twenty-four hours in Florence?" Mrs. Touchett cried.
"He's an American gentleman truly."
"He is indeed," said Isabel, thinking with perverse admiration of what
Caspar Goodwood had done for her.
Two days afterward Ralph arrived; but though Isabel was sure that Mrs.
Touchett had lost no time in imparting to him the great fact, he showed
at first no open knowledge of it. Their prompted talk was naturally of
his health; Isabel had many questions to ask about Corfu. She had been
shocked by his appearance when he came into the room; she had forgotten
how ill he looked. In spite of Corfu he looked very ill to-day, and she
wondered if he were really worse or if she were simply disaccustomed
to living with an invalid. Poor Ralph made no nearer approach to
conventional beauty as he advanced in life, and the now apparently
complete loss of his health had done little to mitigate the natural
oddity of his person. Blighted and battered, but still responsive and
still ironic, his face was like a lighted lantern patched with paper
and unsteadily held; his thin whisker languished upon a lean cheek; the
exorbitant curve of his nose defined itself more sharply. Lean he was
altogether, lean and long and loose-jointed; an accidental cohesion of
relaxed angles. His brown velvet jacket had become perennial; his
hands had fixed themselves in his pockets; he shambled and stumbled and
shuffled in a manner that denoted great physical helplessness. It was
perhaps this whimsical gait that helped to mark his character more than
ever as that of the humorous invalid--the invalid for whom even his own
disabilities are part of the general joke. They might well indeed with
Ralph have been the chief cause of the want of seriousness marking his
view of a world in which the reason for his own continued presence was
past finding out. Isabel had grown fond of his ugliness; his awkwardness
had become dear to her. They had been sweetened by association; they
struck her as the very terms on which it had been given him to be
charming. He was so charming that her sense of his being ill had
hitherto had a sort of comfort in it; the state of his health had seemed
not a limitation, but a kind of intellectual advantage; it absolved him
from all professional and official emotions and left him the luxury of
being exclusively personal. The personality so resulting was delightful;
he had remained proof against the staleness of disease; he had had to
consent to be deplorably ill, yet had somehow escaped being formally
sick. Such had been the girl's impression of her cousin; and when she
had pitied him it was only on reflection. As she reflected a good deal
she had allowed him a certain amount of compassion; but she always had
a dread of wasting that essence--a precious article, worth more to the
giver than to any one else. Now, however, it took no great sensibility
to feel that poor Ralph's tenure of life was less elastic than it should
be. He was a bright, free, generous spirit, he had all the illumination
of wisdom and none of its pedantry, and yet he was distressfully dying.
Isabel noted afresh that life was certainly hard for some people,
and she felt a delicate glow of shame as she thought how easy it now
promised to become for herself. She was prepared to learn that Ralph was
not pleased with her engagement; but she was not prepared, in spite of
her affection for him, to let this fact spoil the situation. She was not
even prepared, or so she thought, to resent his want of sympathy; for
it would be his privilege--it would be indeed his natural line--to find
fault with any step she might take toward marriage. One's cousin always
pretended to hate one's husband; that was traditional, classical; it
was a part of one's cousin's always pretending to adore one. Ralph was
nothing if not critical; and though she would certainly, other things
being equal, have been as glad to marry to please him as to please any
one, it would be absurd to regard as important that her choice should
square with his views. What were his views after all? He had pretended
to believe she had better have married Lord Warburton; but this was
only because she had refused that excellent man. If she had accepted
him Ralph would certainly have taken another tone; he always took the
opposite. You could criticise any marriage; it was the essence of a
marriage to be open to criticism. How well she herself, should she only
give her mind to it, might criticise this union of her own! She had
other employment, however, and Ralph was welcome to relieve her of the
care. Isabel was prepared to be most patient and most indulgent. He must
have seen that, and this made it the more odd he should say nothing.
After three days had elapsed without his speaking our young woman
wearied of waiting; dislike it as he would, he might at least go through
the form. We, who know more about poor Ralph than his cousin, may easily
believe that during the hours that followed his arrival at Palazzo
Crescentini he had privately gone through many forms. His mother had
literally greeted him with the great news, which had been even more
sensibly chilling than Mrs. Touchett's maternal kiss. Ralph was shocked
and humiliated; his calculations had been false and the person in the
world in whom he was most interested was lost. He drifted about the
house like a rudderless vessel in a rocky stream, or sat in the garden
of the palace on a great cane chair, his long legs extended, his head
thrown back and his hat pulled over his eyes. He felt cold about the
heart; he had never liked anything less. What could he do, what could
he say? If the girl were irreclaimable could he pretend to like it?
To attempt to reclaim her was permissible only if the attempt should
succeed. To try to persuade her of anything sordid or sinister in the
man to whose deep art she had succumbed would be decently discreet only
in the event of her being persuaded. Otherwise he should simply have
damned himself. It cost him an equal effort to speak his thought and to
dissemble; he could neither assent with sincerity nor protest with hope.
Meanwhile he knew--or rather he supposed--that the affianced pair were
daily renewing their mutual vows. Osmond at this moment showed himself
little at Palazzo Crescentini; but Isabel met him every day elsewhere,
as she was free to do after their engagement had been made public. She
had taken a carriage by the month, so as not to be indebted to her aunt
for the means of pursuing a course of which Mrs. Touchett disapproved,
and she drove in the morning to the Cascine. This suburban wilderness,
during the early hours, was void of all intruders, and our young lady,
joined by her lover in its quietest part, strolled with him a while
through the grey Italian shade and listened to the nightingales.
| After finishing crying, Isabel goes to tell her aunt of her engagement with Gilbert Osmond. Mrs. Touchett has guessed it. She immediately realizes she has been deceived by Madame Merle who promised to help prevent the engagement thereby keeping Mrs. Touchett from action. Mrs. Touchett says she might not have acted to prevent it, but perhaps Ralph would have had something to say. Mrs. Touchett asks Isabel why shes so interested in someone like Gilbert Osmond--"theres nothing of him." Isabel responds, "Then he cant hurt me." Ralph arrives two days later. Isabel knows he has been told and waits for him to bring the matter up, but he doesnt. He looks dreadful ill. She has never thought of his illness as being so dangerous as now. She dismisses his low opinion of her engagement--which she only guesses--as conventional. For her, all cousins are supposed to be critical of ones marriage. In the meantime, Isabel sees Gilbert Osmond every day. They meet each other in the Cascine, a park outside of Florence. | summary |
Her fit of weeping, however, was soon smothered, and the signs of it had
vanished when, an hour later, she broke the news to her aunt. I use this
expression because she had been sure Mrs. Touchett would not be pleased;
Isabel had only waited to tell her till she had seen Mr. Goodwood. She
had an odd impression that it would not be honourable to make the fact
public before she should have heard what Mr. Goodwood would say about
it. He had said rather less than she expected, and she now had a
somewhat angry sense of having lost time. But she would lose no more;
she waited till Mrs. Touchett came into the drawing-room before the
mid-day breakfast, and then she began. "Aunt Lydia, I've something to
tell you."
Mrs. Touchett gave a little jump and looked at her almost fiercely. "You
needn't tell me; I know what it is."
"I don't know how you know."
"The same way that I know when the window's open--by feeling a draught.
You're going to marry that man."
"What man do you mean?" Isabel enquired with great dignity.
"Madame Merle's friend--Mr. Osmond."
"I don't know why you call him Madame Merle's friend. Is that the
principal thing he's known by?"
"If he's not her friend he ought to be--after what she has done for
him!" cried Mrs. Touchett. "I shouldn't have expected it of her; I'm
disappointed."
"If you mean that Madame Merle has had anything to do with my engagement
you're greatly mistaken," Isabel declared with a sort of ardent
coldness.
"You mean that your attractions were sufficient, without the gentleman's
having had to be lashed up? You're quite right. They're immense, your
attractions, and he would never have presumed to think of you if she
hadn't put him up to it. He has a very good opinion of himself, but he
was not a man to take trouble. Madame Merle took the trouble for him."
"He has taken a great deal for himself!" cried Isabel with a voluntary
laugh.
Mrs. Touchett gave a sharp nod. "I think he must, after all, to have
made you like him so much."
"I thought he even pleased YOU."
"He did, at one time; and that's why I'm angry with him."
"Be angry with me, not with him," said the girl.
"Oh, I'm always angry with you; that's no satisfaction! Was it for this
that you refused Lord Warburton?"
"Please don't go back to that. Why shouldn't I like Mr. Osmond, since
others have done so?"
"Others, at their wildest moments, never wanted to marry him. There's
nothing OF him," Mrs. Touchett explained.
"Then he can't hurt me," said Isabel.
"Do you think you're going to be happy? No one's happy, in such doings,
you should know."
"I shall set the fashion then. What does one marry for?"
"What YOU will marry for, heaven only knows. People usually marry as
they go into partnership--to set up a house. But in your partnership
you'll bring everything."
"Is it that Mr. Osmond isn't rich? Is that what you're talking about?"
Isabel asked.
"He has no money; he has no name; he has no importance. I value such
things and I have the courage to say it; I think they're very precious.
Many other people think the same, and they show it. But they give some
other reason."
Isabel hesitated a little. "I think I value everything that's valuable.
I care very much for money, and that's why I wish Mr. Osmond to have a
little."
"Give it to him then; but marry some one else."
"His name's good enough for me," the girl went on. "It's a very pretty
name. Have I such a fine one myself?"
"All the more reason you should improve on it. There are only a dozen
American names. Do you marry him out of charity?"
"It was my duty to tell you, Aunt Lydia, but I don't think it's my duty
to explain to you. Even if it were I shouldn't be able. So please don't
remonstrate; in talking about it you have me at a disadvantage. I can't
talk about it."
"I don't remonstrate, I simply answer you: I must give some sign of
intelligence. I saw it coming, and I said nothing. I never meddle."
"You never do, and I'm greatly obliged to you. You've been very
considerate."
"It was not considerate--it was convenient," said Mrs. Touchett. "But I
shall talk to Madame Merle."
"I don't see why you keep bringing her in. She has been a very good
friend to me."
"Possibly; but she has been a poor one to me."
"What has she done to you?"
"She has deceived me. She had as good as promised me to prevent your
engagement."
"She couldn't have prevented it."
"She can do anything; that's what I've always liked her for. I knew she
could play any part; but I understood that she played them one by one. I
didn't understand that she would play two at the same time."
"I don't know what part she may have played to you," Isabel said;
"that's between yourselves. To me she has been honest and kind and
devoted."
"Devoted, of course; she wished you to marry her candidate. She told me
she was watching you only in order to interpose."
"She said that to please you," the girl answered; conscious, however, of
the inadequacy of the explanation.
"To please me by deceiving me? She knows me better. Am I pleased
to-day?"
"I don't think you're ever much pleased," Isabel was obliged to reply.
"If Madame Merle knew you would learn the truth what had she to gain by
insincerity?"
"She gained time, as you see. While I waited for her to interfere you
were marching away, and she was really beating the drum."
"That's very well. But by your own admission you saw I was marching, and
even if she had given the alarm you wouldn't have tried to stop me."
"No, but some one else would."
"Whom do you mean?" Isabel asked, looking very hard at her aunt. Mrs.
Touchett's little bright eyes, active as they usually were, sustained
her gaze rather than returned it. "Would you have listened to Ralph?"
"Not if he had abused Mr. Osmond."
"Ralph doesn't abuse people; you know that perfectly. He cares very much
for you."
"I know he does," said Isabel; "and I shall feel the value of it now,
for he knows that whatever I do I do with reason."
"He never believed you would do this. I told him you were capable of it,
and he argued the other way."
"He did it for the sake of argument," the girl smiled. "You don't accuse
him of having deceived you; why should you accuse Madame Merle?"
"He never pretended he'd prevent it."
"I'm glad of that!" cried Isabel gaily. "I wish very much," she
presently added, "that when he comes you'd tell him first of my
engagement."
"Of course I'll mention it," said Mrs. Touchett. "I shall say nothing
more to you about it, but I give you notice I shall talk to others."
"That's as you please. I only meant that it's rather better the
announcement should come from you than from me."
"I quite agree with you; it's much more proper!" And on this the aunt
and the niece went to breakfast, where Mrs. Touchett, as good as her
word, made no allusion to Gilbert Osmond. After an interval of silence,
however, she asked her companion from whom she had received a visit an
hour before.
"From an old friend--an American gentleman," Isabel said with a colour
in her cheek.
"An American gentleman of course. It's only an American gentleman who
calls at ten o'clock in the morning."
"It was half-past ten; he was in a great hurry; he goes away this
evening."
"Couldn't he have come yesterday, at the usual time?"
"He only arrived last night."
"He spends but twenty-four hours in Florence?" Mrs. Touchett cried.
"He's an American gentleman truly."
"He is indeed," said Isabel, thinking with perverse admiration of what
Caspar Goodwood had done for her.
Two days afterward Ralph arrived; but though Isabel was sure that Mrs.
Touchett had lost no time in imparting to him the great fact, he showed
at first no open knowledge of it. Their prompted talk was naturally of
his health; Isabel had many questions to ask about Corfu. She had been
shocked by his appearance when he came into the room; she had forgotten
how ill he looked. In spite of Corfu he looked very ill to-day, and she
wondered if he were really worse or if she were simply disaccustomed
to living with an invalid. Poor Ralph made no nearer approach to
conventional beauty as he advanced in life, and the now apparently
complete loss of his health had done little to mitigate the natural
oddity of his person. Blighted and battered, but still responsive and
still ironic, his face was like a lighted lantern patched with paper
and unsteadily held; his thin whisker languished upon a lean cheek; the
exorbitant curve of his nose defined itself more sharply. Lean he was
altogether, lean and long and loose-jointed; an accidental cohesion of
relaxed angles. His brown velvet jacket had become perennial; his
hands had fixed themselves in his pockets; he shambled and stumbled and
shuffled in a manner that denoted great physical helplessness. It was
perhaps this whimsical gait that helped to mark his character more than
ever as that of the humorous invalid--the invalid for whom even his own
disabilities are part of the general joke. They might well indeed with
Ralph have been the chief cause of the want of seriousness marking his
view of a world in which the reason for his own continued presence was
past finding out. Isabel had grown fond of his ugliness; his awkwardness
had become dear to her. They had been sweetened by association; they
struck her as the very terms on which it had been given him to be
charming. He was so charming that her sense of his being ill had
hitherto had a sort of comfort in it; the state of his health had seemed
not a limitation, but a kind of intellectual advantage; it absolved him
from all professional and official emotions and left him the luxury of
being exclusively personal. The personality so resulting was delightful;
he had remained proof against the staleness of disease; he had had to
consent to be deplorably ill, yet had somehow escaped being formally
sick. Such had been the girl's impression of her cousin; and when she
had pitied him it was only on reflection. As she reflected a good deal
she had allowed him a certain amount of compassion; but she always had
a dread of wasting that essence--a precious article, worth more to the
giver than to any one else. Now, however, it took no great sensibility
to feel that poor Ralph's tenure of life was less elastic than it should
be. He was a bright, free, generous spirit, he had all the illumination
of wisdom and none of its pedantry, and yet he was distressfully dying.
Isabel noted afresh that life was certainly hard for some people,
and she felt a delicate glow of shame as she thought how easy it now
promised to become for herself. She was prepared to learn that Ralph was
not pleased with her engagement; but she was not prepared, in spite of
her affection for him, to let this fact spoil the situation. She was not
even prepared, or so she thought, to resent his want of sympathy; for
it would be his privilege--it would be indeed his natural line--to find
fault with any step she might take toward marriage. One's cousin always
pretended to hate one's husband; that was traditional, classical; it
was a part of one's cousin's always pretending to adore one. Ralph was
nothing if not critical; and though she would certainly, other things
being equal, have been as glad to marry to please him as to please any
one, it would be absurd to regard as important that her choice should
square with his views. What were his views after all? He had pretended
to believe she had better have married Lord Warburton; but this was
only because she had refused that excellent man. If she had accepted
him Ralph would certainly have taken another tone; he always took the
opposite. You could criticise any marriage; it was the essence of a
marriage to be open to criticism. How well she herself, should she only
give her mind to it, might criticise this union of her own! She had
other employment, however, and Ralph was welcome to relieve her of the
care. Isabel was prepared to be most patient and most indulgent. He must
have seen that, and this made it the more odd he should say nothing.
After three days had elapsed without his speaking our young woman
wearied of waiting; dislike it as he would, he might at least go through
the form. We, who know more about poor Ralph than his cousin, may easily
believe that during the hours that followed his arrival at Palazzo
Crescentini he had privately gone through many forms. His mother had
literally greeted him with the great news, which had been even more
sensibly chilling than Mrs. Touchett's maternal kiss. Ralph was shocked
and humiliated; his calculations had been false and the person in the
world in whom he was most interested was lost. He drifted about the
house like a rudderless vessel in a rocky stream, or sat in the garden
of the palace on a great cane chair, his long legs extended, his head
thrown back and his hat pulled over his eyes. He felt cold about the
heart; he had never liked anything less. What could he do, what could
he say? If the girl were irreclaimable could he pretend to like it?
To attempt to reclaim her was permissible only if the attempt should
succeed. To try to persuade her of anything sordid or sinister in the
man to whose deep art she had succumbed would be decently discreet only
in the event of her being persuaded. Otherwise he should simply have
damned himself. It cost him an equal effort to speak his thought and to
dissemble; he could neither assent with sincerity nor protest with hope.
Meanwhile he knew--or rather he supposed--that the affianced pair were
daily renewing their mutual vows. Osmond at this moment showed himself
little at Palazzo Crescentini; but Isabel met him every day elsewhere,
as she was free to do after their engagement had been made public. She
had taken a carriage by the month, so as not to be indebted to her aunt
for the means of pursuing a course of which Mrs. Touchett disapproved,
and she drove in the morning to the Cascine. This suburban wilderness,
during the early hours, was void of all intruders, and our young lady,
joined by her lover in its quietest part, strolled with him a while
through the grey Italian shade and listened to the nightingales.
| Notes This short chapter serves to give the reader Ralph Touchetts insight into the engagement of Isabel and Gilbert. He hates the news. It seems in fact to sicken him further. Yet he knows he cant say anything since it wont change Isabels mind and because it wont it would only cause problems between them. On the other hand, he also cant bring himself to congratulate her. So he goes for three days without saying anything to her. In regard to the Madame Merle-Gilbert Osmond plot, the chapter brings more to light. Mrs. Touchett is quite sure of the scheme and says as much to Isabel. In this way, the idea of the scheme is brought out in the open. Isabel rejects it now, but later will recall it and realize its true. | analysis |
One morning, on her return from her drive, some half-hour before
luncheon, she quitted her vehicle in the court of the palace and,
instead of ascending the great staircase, crossed the court, passed
beneath another archway and entered the garden. A sweeter spot at this
moment could not have been imagined. The stillness of noontide hung over
it, and the warm shade, enclosed and still, made bowers like spacious
caves. Ralph was sitting there in the clear gloom, at the base of a
statue of Terpsichore--a dancing nymph with taper fingers and inflated
draperies in the manner of Bernini; the extreme relaxation of his
attitude suggested at first to Isabel that he was asleep. Her light
footstep on the grass had not roused him, and before turning away she
stood for a moment looking at him. During this instant he opened his
eyes; upon which she sat down on a rustic chair that matched with his
own. Though in her irritation she had accused him of indifference she
was not blind to the fact that he had visibly had something to brood
over. But she had explained his air of absence partly by the languor of
his increased weakness, partly by worries connected with the property
inherited from his father--the fruit of eccentric arrangements of
which Mrs. Touchett disapproved and which, as she had told Isabel, now
encountered opposition from the other partners in the bank. He ought to
have gone to England, his mother said, instead of coming to Florence;
he had not been there for months, and took no more interest in the bank
than in the state of Patagonia.
"I'm sorry I waked you," Isabel said; "you look too tired."
"I feel too tired. But I was not asleep. I was thinking of you."
"Are you tired of that?"
"Very much so. It leads to nothing. The road's long and I never arrive."
"What do you wish to arrive at?" she put to him, closing her parasol.
"At the point of expressing to myself properly what I think of your
engagement."
"Don't think too much of it," she lightly returned.
"Do you mean that it's none of my business?"
"Beyond a certain point, yes."
"That's the point I want to fix. I had an idea you may have found me
wanting in good manners. I've never congratulated you."
"Of course I've noticed that. I wondered why you were silent."
"There have been a good many reasons. I'll tell you now," Ralph said.
He pulled off his hat and laid it on the ground; then he sat looking at
her. He leaned back under the protection of Bernini, his head against
his marble pedestal, his arms dropped on either side of him, his hands
laid upon the rests of his wide chair. He looked awkward, uncomfortable;
he hesitated long. Isabel said nothing; when people were embarrassed she
was usually sorry for them, but she was determined not to help Ralph to
utter a word that should not be to the honour of her high decision. "I
think I've hardly got over my surprise," he went on at last. "You were
the last person I expected to see caught."
"I don't know why you call it caught."
"Because you're going to be put into a cage."
"If I like my cage, that needn't trouble you," she answered.
"That's what I wonder at; that's what I've been thinking of."
"If you've been thinking you may imagine how I've thought! I'm satisfied
that I'm doing well."
"You must have changed immensely. A year ago you valued your liberty
beyond everything. You wanted only to see life."
"I've seen it," said Isabel. "It doesn't look to me now, I admit, such
an inviting expanse."
"I don't pretend it is; only I had an idea that you took a genial view
of it and wanted to survey the whole field."
"I've seen that one can't do anything so general. One must choose a
corner and cultivate that."
"That's what I think. And one must choose as good a corner as possible.
I had no idea, all winter, while I read your delightful letters, that
you were choosing. You said nothing about it, and your silence put me
off my guard."
"It was not a matter I was likely to write to you about. Besides, I knew
nothing of the future. It has all come lately. If you had been on your
guard, however," Isabel asked, "what would you have done?"
"I should have said 'Wait a little longer.'"
"Wait for what?"
"Well, for a little more light," said Ralph with rather an absurd smile,
while his hands found their way into his pockets.
"Where should my light have come from? From you?"
"I might have struck a spark or two."
Isabel had drawn off her gloves; she smoothed them out as they lay
upon her knee. The mildness of this movement was accidental, for her
expression was not conciliatory. "You're beating about the bush, Ralph.
You wish to say you don't like Mr. Osmond, and yet you're afraid."
"Willing to wound and yet afraid to strike? I'm willing to wound HIM,
yes--but not to wound you. I'm afraid of you, not of him. If you marry
him it won't be a fortunate way for me to have spoken."
"IF I marry him! Have you had any expectation of dissuading me?"
"Of course that seems to you too fatuous."
"No," said Isabel after a little; "it seems to me too touching."
"That's the same thing. It makes me so ridiculous that you pity me."
She stroked out her long gloves again. "I know you've a great affection
for me. I can't get rid of that."
"For heaven's sake don't try. Keep that well in sight. It will convince
you how intensely I want you to do well."
"And how little you trust me!"
There was a moment's silence; the warm noontide seemed to listen. "I
trust you, but I don't trust him," said Ralph.
She raised her eyes and gave him a wide, deep look. "You've said it now,
and I'm glad you've made it so clear. But you'll suffer by it."
"Not if you're just."
"I'm very just," said Isabel. "What better proof of it can there be than
that I'm not angry with you? I don't know what's the matter with me, but
I'm not. I was when you began, but it has passed away. Perhaps I ought
to be angry, but Mr. Osmond wouldn't think so. He wants me to know
everything; that's what I like him for. You've nothing to gain, I know
that. I've never been so nice to you, as a girl, that you should have
much reason for wishing me to remain one. You give very good advice;
you've often done so. No, I'm very quiet; I've always believed in your
wisdom," she went on, boasting of her quietness, yet speaking with a
kind of contained exaltation. It was her passionate desire to be
just; it touched Ralph to the heart, affected him like a caress from a
creature he had injured. He wished to interrupt, to reassure her; for a
moment he was absurdly inconsistent; he would have retracted what he had
said. But she gave him no chance; she went on, having caught a glimpse,
as she thought, of the heroic line and desiring to advance in that
direction. "I see you've some special idea; I should like very much to
hear it. I'm sure it's disinterested; I feel that. It seems a strange
thing to argue about, and of course I ought to tell you definitely that
if you expect to dissuade me you may give it up. You'll not move me
an inch; it's too late. As you say, I'm caught. Certainly it won't be
pleasant for you to remember this, but your pain will be in your own
thoughts. I shall never reproach you."
"I don't think you ever will," said Ralph. "It's not in the least the
sort of marriage I thought you'd make."
"What sort of marriage was that, pray?"
"Well, I can hardly say. I hadn't exactly a positive view of it, but I
had a negative. I didn't think you'd decide for--well, for that type."
"What's the matter with Mr. Osmond's type, if it be one? His being
so independent, so individual, is what I most see in him," the girl
declared. "What do you know against him? You know him scarcely at all."
"Yes," Ralph said, "I know him very little, and I confess I haven't
facts and items to prove him a villain. But all the same I can't help
feeling that you're running a grave risk."
"Marriage is always a grave risk, and his risk's as grave as mine."
"That's his affair! If he's afraid, let him back out. I wish to God he
would."
Isabel reclined in her chair, folding her arms and gazing a while at her
cousin. "I don't think I understand you," she said at last coldly. "I
don't know what you're talking about."
"I believed you'd marry a man of more importance."
Cold, I say, her tone had been, but at this a colour like a flame leaped
into her face. "Of more importance to whom? It seems to me enough that
one's husband should be of importance to one's self!"
Ralph blushed as well; his attitude embarrassed him. Physically speaking
he proceeded to change it; he straightened himself, then leaned forward,
resting a hand on each knee. He fixed his eyes on the ground; he had an
air of the most respectful deliberation.
"I'll tell you in a moment what I mean," he presently said. He felt
agitated, intensely eager; now that he had opened the discussion he
wished to discharge his mind. But he wished also to be superlatively
gentle.
Isabel waited a little--then she went on with majesty. "In everything
that makes one care for people Mr. Osmond is pre-eminent. There may
be nobler natures, but I've never had the pleasure of meeting one. Mr.
Osmond's is the finest I know; he's good enough for me, and interesting
enough, and clever enough. I'm far more struck with what he has and what
he represents than with what he may lack."
"I had treated myself to a charming vision of your future," Ralph
observed without answering this; "I had amused myself with planning out
a high destiny for you. There was to be nothing of this sort in it. You
were not to come down so easily or so soon."
"Come down, you say?"
"Well, that renders my sense of what has happened to you. You seemed to
me to be soaring far up in the blue--to be, sailing in the bright light,
over the heads of men. Suddenly some one tosses up a faded rosebud--a
missile that should never have reached you--and straight you drop to
the ground. It hurts me," said Ralph audaciously, "hurts me as if I had
fallen myself!"
The look of pain and bewilderment deepened in his companion's face. "I
don't understand you in the least," she repeated. "You say you amused
yourself with a project for my career--I don't understand that.
Don't amuse yourself too much, or I shall think you're doing it at my
expense."
Ralph shook his head. "I'm not afraid of your not believing that I've
had great ideas for you."
"What do you mean by my soaring and sailing?" she pursued.
"I've never moved on a higher plane than I'm moving on now. There's
nothing higher for a girl than to marry a--a person she likes," said
poor Isabel, wandering into the didactic.
"It's your liking the person we speak of that I venture to criticise, my
dear cousin. I should have said that the man for you would have been a
more active, larger, freer sort of nature." Ralph hesitated, then added:
"I can't get over the sense that Osmond is somehow--well, small." He had
uttered the last word with no great assurance; he was afraid she would
flash out again. But to his surprise she was quiet; she had the air of
considering.
"Small?" She made it sound immense.
"I think he's narrow, selfish. He takes himself so seriously!"
"He has a great respect for himself; I don't blame him for that," said
Isabel. "It makes one more sure to respect others."
Ralph for a moment felt almost reassured by her reasonable tone.
"Yes, but everything is relative; one ought to feel one's relation to
things--to others. I don't think Mr. Osmond does that."
"I've chiefly to do with his relation to me. In that he's excellent."
"He's the incarnation of taste," Ralph went on, thinking hard how he
could best express Gilbert Osmond's sinister attributes without putting
himself in the wrong by seeming to describe him coarsely. He wished
to describe him impersonally, scientifically. "He judges and measures,
approves and condemns, altogether by that."
"It's a happy thing then that his taste should be exquisite."
"It's exquisite, indeed, since it has led him to select you as
his bride. But have you ever seen such a taste--a really exquisite
one--ruffled?"
"I hope it may never be my fortune to fail to gratify my husband's."
At these words a sudden passion leaped to Ralph's lips. "Ah, that's
wilful, that's unworthy of you! You were not meant to be measured in
that way--you were meant for something better than to keep guard over
the sensibilities of a sterile dilettante!"
Isabel rose quickly and he did the same, so that they stood for a moment
looking at each other as if he had flung down a defiance or an insult.
But "You go too far," she simply breathed.
"I've said what I had on my mind--and I've said it because I love you!"
Isabel turned pale: was he too on that tiresome list? She had a sudden
wish to strike him off. "Ah then, you're not disinterested!"
"I love you, but I love without hope," said Ralph quickly, forcing a
smile and feeling that in that last declaration he had expressed more
than he intended.
Isabel moved away and stood looking into the sunny stillness of the
garden; but after a little she turned back to him. "I'm afraid your talk
then is the wildness of despair! I don't understand it--but it doesn't
matter. I'm not arguing with you; it's impossible I should; I've only
tried to listen to you. I'm much obliged to you for attempting to
explain," she said gently, as if the anger with which she had just
sprung up had already subsided. "It's very good of you to try to warn
me, if you're really alarmed; but I won't promise to think of what
you've said: I shall forget it as soon as possible. Try and forget it
yourself; you've done your duty, and no man can do more. I can't explain
to you what I feel, what I believe, and I wouldn't if I could." She
paused a moment and then went on with an inconsequence that Ralph
observed even in the midst of his eagerness to discover some symptom of
concession. "I can't enter into your idea of Mr. Osmond; I can't do it
justice, because I see him in quite another way. He's not important--no,
he's not important; he's a man to whom importance is supremely
indifferent. If that's what you mean when you call him 'small,' then
he's as small as you please. I call that large--it's the largest thing
I know. I won't pretend to argue with you about a person I'm going to
marry," Isabel repeated. "I'm not in the least concerned to defend Mr.
Osmond; he's not so weak as to need my defence. I should think it would
seem strange even to yourself that I should talk of him so quietly and
coldly, as if he were any one else. I wouldn't talk of him at all to any
one but you; and you, after what you've said--I may just answer you once
for all. Pray, would you wish me to make a mercenary marriage--what
they call a marriage of ambition? I've only one ambition--to be free to
follow out a good feeling. I had others once, but they've passed away.
Do you complain of Mr. Osmond because he's not rich? That's just what I
like him for. I've fortunately money enough; I've never felt so thankful
for it as to-day. There have been moments when I should like to go and
kneel down by your father's grave: he did perhaps a better thing than
he knew when he put it into my power to marry a poor man--a man who has
borne his poverty with such dignity, with such indifference. Mr. Osmond
has never scrambled nor struggled--he has cared for no worldly prize. If
that's to be narrow, if that's to be selfish, then it's very well. I'm
not frightened by such words, I'm not even displeased; I'm only sorry
that you should make a mistake. Others might have done so, but I'm
surprised that you should. You might know a gentleman when you see
one--you might know a fine mind. Mr. Osmond makes no mistakes! He knows
everything, he understands everything, he has the kindest, gentlest,
highest spirit. You've got hold of some false idea. It's a pity, but
I can't help it; it regards you more than me." Isabel paused a moment,
looking at her cousin with an eye illumined by a sentiment which
contradicted the careful calmness of her manner--a mingled sentiment,
to which the angry pain excited by his words and the wounded pride of
having needed to justify a choice of which she felt only the nobleness
and purity, equally contributed. Though she paused Ralph said
nothing; he saw she had more to say. She was grand, but she was highly
solicitous; she was indifferent, but she was all in a passion. "What
sort of a person should you have liked me to marry?" she asked suddenly.
"You talk about one's soaring and sailing, but if one marries at all one
touches the earth. One has human feelings and needs, one has a heart in
one's bosom, and one must marry a particular individual. Your mother
has never forgiven me for not having come to a better understanding
with Lord Warburton, and she's horrified at my contenting myself with a
person who has none of his great advantages--no property, no title,
no honours, no houses, nor lands, nor position, nor reputation, nor
brilliant belongings of any sort. It's the total absence of all these
things that pleases me. Mr. Osmond's simply a very lonely, a very
cultivated and a very honest man--he's not a prodigious proprietor."
Ralph had listened with great attention, as if everything she said
merited deep consideration; but in truth he was only half thinking of
the things she said, he was for the rest simply accommodating himself
to the weight of his total impression--the impression of her ardent good
faith. She was wrong, but she believed; she was deluded, but she was
dismally consistent. It was wonderfully characteristic of her that,
having invented a fine theory, about Gilbert Osmond, she loved him not
for what he really possessed, but for his very poverties dressed out as
honours. Ralph remembered what he had said to his father about wishing
to put it into her power to meet the requirements of her imagination. He
had done so, and the girl had taken full advantage of the luxury. Poor
Ralph felt sick; he felt ashamed. Isabel had uttered her last words with
a low solemnity of conviction which virtually terminated the discussion,
and she closed it formally by turning away and walking back to the
house. Ralph walked beside her, and they passed into the court together
and reached the big staircase. Here he stopped and Isabel paused,
turning on him a face of elation--absolutely and perversely of
gratitude. His opposition had made her own conception of her conduct
clearer to her. "Shall you not come up to breakfast?" she asked.
"No; I want no breakfast; I'm not hungry."
"You ought to eat," said the girl; "you live on air."
"I do, very much, and I shall go back into the garden and take another
mouthful. I came thus far simply to say this. I told you last year that
if you were to get into trouble I should feel terribly sold. That's how
I feel to-day."
"Do you think I'm in trouble?"
"One's in trouble when one's in error."
"Very well," said Isabel; "I shall never complain of my trouble to you!"
And she moved up the staircase.
Ralph, standing there with his hands in his pockets, followed her with
his eyes; then the lurking chill of the high-walled court struck him and
made him shiver, so that he returned to the garden to breakfast on the
Florentine sunshine.
| Isabel gets home one morning after her drive to see Gilbert Osmond and finds Ralph in the garden. He seems asleep and as she is about to leave, he opens his eyes and says he wasnt sleeping but thinking of her. He tells her hes been trying to think of how to express himself properly about her engagement. He tells her he thinks she is going to be put into a cage, that she has changed immensely in the past year, that he had wanted her to have the chance to "survey the whole field of life." He says that if she had told him sooner, he would have advised her to wait a little longer. He tells her he trusts her, but he doesnt trust Gilbert Osmond. Isabel defends Gilbert Osmond, saying he wants her to know everything and that is why she likes him. Ralph tells her shes "running a grave risk." He tells her he had thought she would marry someone of more importance, someone with more energy and freedom. He finds Gilbert Osmond small, narrow, selfish, and a man who takes himself too seriously. Since he does so, he never thinks of himself in relation to other people. Isabel says Gilbert Osmond is the finest person she knows. Ralph says he had thought he would see he soar, but in seeing her fall like this, he is hurt as if he himself has fallen. Ralph tries hard to express Gilbert Osmonds sinister aspects without hurting Isabel or seeming petty. He asks Isabel if she has ever seen such an exquisite taste ruffled. He tells her she was "meant for something better than to keep guard over the sensibilities of a sterile dilettante." Finally, he tells her he loves her, but loves her without hope. Isabel tells him she sometimes feels like kneeling at Mr. Touchetts grave in thanks for giving her the means to marry a poor man. She is sure Ralph is sincere, but feels that he is making a mistake in judgment. She says it is the absence of wealth and position and other attributes that pleases her so much in Gilbert Osmond. Ralph is sad at heart in hearing this. He admires Isabel for her fine good faith, but feels that she has invented a fine theory about Gilbert Osmond and is dressing his poverties out with honors. He walks Isabel inside and before she ascends to stairs, he looks at her again. He feels sick and ashamed. He tells her in parting that he feels "terribly sold." He goes back out to the garden, refusing breakfast. | summary |
One morning, on her return from her drive, some half-hour before
luncheon, she quitted her vehicle in the court of the palace and,
instead of ascending the great staircase, crossed the court, passed
beneath another archway and entered the garden. A sweeter spot at this
moment could not have been imagined. The stillness of noontide hung over
it, and the warm shade, enclosed and still, made bowers like spacious
caves. Ralph was sitting there in the clear gloom, at the base of a
statue of Terpsichore--a dancing nymph with taper fingers and inflated
draperies in the manner of Bernini; the extreme relaxation of his
attitude suggested at first to Isabel that he was asleep. Her light
footstep on the grass had not roused him, and before turning away she
stood for a moment looking at him. During this instant he opened his
eyes; upon which she sat down on a rustic chair that matched with his
own. Though in her irritation she had accused him of indifference she
was not blind to the fact that he had visibly had something to brood
over. But she had explained his air of absence partly by the languor of
his increased weakness, partly by worries connected with the property
inherited from his father--the fruit of eccentric arrangements of
which Mrs. Touchett disapproved and which, as she had told Isabel, now
encountered opposition from the other partners in the bank. He ought to
have gone to England, his mother said, instead of coming to Florence;
he had not been there for months, and took no more interest in the bank
than in the state of Patagonia.
"I'm sorry I waked you," Isabel said; "you look too tired."
"I feel too tired. But I was not asleep. I was thinking of you."
"Are you tired of that?"
"Very much so. It leads to nothing. The road's long and I never arrive."
"What do you wish to arrive at?" she put to him, closing her parasol.
"At the point of expressing to myself properly what I think of your
engagement."
"Don't think too much of it," she lightly returned.
"Do you mean that it's none of my business?"
"Beyond a certain point, yes."
"That's the point I want to fix. I had an idea you may have found me
wanting in good manners. I've never congratulated you."
"Of course I've noticed that. I wondered why you were silent."
"There have been a good many reasons. I'll tell you now," Ralph said.
He pulled off his hat and laid it on the ground; then he sat looking at
her. He leaned back under the protection of Bernini, his head against
his marble pedestal, his arms dropped on either side of him, his hands
laid upon the rests of his wide chair. He looked awkward, uncomfortable;
he hesitated long. Isabel said nothing; when people were embarrassed she
was usually sorry for them, but she was determined not to help Ralph to
utter a word that should not be to the honour of her high decision. "I
think I've hardly got over my surprise," he went on at last. "You were
the last person I expected to see caught."
"I don't know why you call it caught."
"Because you're going to be put into a cage."
"If I like my cage, that needn't trouble you," she answered.
"That's what I wonder at; that's what I've been thinking of."
"If you've been thinking you may imagine how I've thought! I'm satisfied
that I'm doing well."
"You must have changed immensely. A year ago you valued your liberty
beyond everything. You wanted only to see life."
"I've seen it," said Isabel. "It doesn't look to me now, I admit, such
an inviting expanse."
"I don't pretend it is; only I had an idea that you took a genial view
of it and wanted to survey the whole field."
"I've seen that one can't do anything so general. One must choose a
corner and cultivate that."
"That's what I think. And one must choose as good a corner as possible.
I had no idea, all winter, while I read your delightful letters, that
you were choosing. You said nothing about it, and your silence put me
off my guard."
"It was not a matter I was likely to write to you about. Besides, I knew
nothing of the future. It has all come lately. If you had been on your
guard, however," Isabel asked, "what would you have done?"
"I should have said 'Wait a little longer.'"
"Wait for what?"
"Well, for a little more light," said Ralph with rather an absurd smile,
while his hands found their way into his pockets.
"Where should my light have come from? From you?"
"I might have struck a spark or two."
Isabel had drawn off her gloves; she smoothed them out as they lay
upon her knee. The mildness of this movement was accidental, for her
expression was not conciliatory. "You're beating about the bush, Ralph.
You wish to say you don't like Mr. Osmond, and yet you're afraid."
"Willing to wound and yet afraid to strike? I'm willing to wound HIM,
yes--but not to wound you. I'm afraid of you, not of him. If you marry
him it won't be a fortunate way for me to have spoken."
"IF I marry him! Have you had any expectation of dissuading me?"
"Of course that seems to you too fatuous."
"No," said Isabel after a little; "it seems to me too touching."
"That's the same thing. It makes me so ridiculous that you pity me."
She stroked out her long gloves again. "I know you've a great affection
for me. I can't get rid of that."
"For heaven's sake don't try. Keep that well in sight. It will convince
you how intensely I want you to do well."
"And how little you trust me!"
There was a moment's silence; the warm noontide seemed to listen. "I
trust you, but I don't trust him," said Ralph.
She raised her eyes and gave him a wide, deep look. "You've said it now,
and I'm glad you've made it so clear. But you'll suffer by it."
"Not if you're just."
"I'm very just," said Isabel. "What better proof of it can there be than
that I'm not angry with you? I don't know what's the matter with me, but
I'm not. I was when you began, but it has passed away. Perhaps I ought
to be angry, but Mr. Osmond wouldn't think so. He wants me to know
everything; that's what I like him for. You've nothing to gain, I know
that. I've never been so nice to you, as a girl, that you should have
much reason for wishing me to remain one. You give very good advice;
you've often done so. No, I'm very quiet; I've always believed in your
wisdom," she went on, boasting of her quietness, yet speaking with a
kind of contained exaltation. It was her passionate desire to be
just; it touched Ralph to the heart, affected him like a caress from a
creature he had injured. He wished to interrupt, to reassure her; for a
moment he was absurdly inconsistent; he would have retracted what he had
said. But she gave him no chance; she went on, having caught a glimpse,
as she thought, of the heroic line and desiring to advance in that
direction. "I see you've some special idea; I should like very much to
hear it. I'm sure it's disinterested; I feel that. It seems a strange
thing to argue about, and of course I ought to tell you definitely that
if you expect to dissuade me you may give it up. You'll not move me
an inch; it's too late. As you say, I'm caught. Certainly it won't be
pleasant for you to remember this, but your pain will be in your own
thoughts. I shall never reproach you."
"I don't think you ever will," said Ralph. "It's not in the least the
sort of marriage I thought you'd make."
"What sort of marriage was that, pray?"
"Well, I can hardly say. I hadn't exactly a positive view of it, but I
had a negative. I didn't think you'd decide for--well, for that type."
"What's the matter with Mr. Osmond's type, if it be one? His being
so independent, so individual, is what I most see in him," the girl
declared. "What do you know against him? You know him scarcely at all."
"Yes," Ralph said, "I know him very little, and I confess I haven't
facts and items to prove him a villain. But all the same I can't help
feeling that you're running a grave risk."
"Marriage is always a grave risk, and his risk's as grave as mine."
"That's his affair! If he's afraid, let him back out. I wish to God he
would."
Isabel reclined in her chair, folding her arms and gazing a while at her
cousin. "I don't think I understand you," she said at last coldly. "I
don't know what you're talking about."
"I believed you'd marry a man of more importance."
Cold, I say, her tone had been, but at this a colour like a flame leaped
into her face. "Of more importance to whom? It seems to me enough that
one's husband should be of importance to one's self!"
Ralph blushed as well; his attitude embarrassed him. Physically speaking
he proceeded to change it; he straightened himself, then leaned forward,
resting a hand on each knee. He fixed his eyes on the ground; he had an
air of the most respectful deliberation.
"I'll tell you in a moment what I mean," he presently said. He felt
agitated, intensely eager; now that he had opened the discussion he
wished to discharge his mind. But he wished also to be superlatively
gentle.
Isabel waited a little--then she went on with majesty. "In everything
that makes one care for people Mr. Osmond is pre-eminent. There may
be nobler natures, but I've never had the pleasure of meeting one. Mr.
Osmond's is the finest I know; he's good enough for me, and interesting
enough, and clever enough. I'm far more struck with what he has and what
he represents than with what he may lack."
"I had treated myself to a charming vision of your future," Ralph
observed without answering this; "I had amused myself with planning out
a high destiny for you. There was to be nothing of this sort in it. You
were not to come down so easily or so soon."
"Come down, you say?"
"Well, that renders my sense of what has happened to you. You seemed to
me to be soaring far up in the blue--to be, sailing in the bright light,
over the heads of men. Suddenly some one tosses up a faded rosebud--a
missile that should never have reached you--and straight you drop to
the ground. It hurts me," said Ralph audaciously, "hurts me as if I had
fallen myself!"
The look of pain and bewilderment deepened in his companion's face. "I
don't understand you in the least," she repeated. "You say you amused
yourself with a project for my career--I don't understand that.
Don't amuse yourself too much, or I shall think you're doing it at my
expense."
Ralph shook his head. "I'm not afraid of your not believing that I've
had great ideas for you."
"What do you mean by my soaring and sailing?" she pursued.
"I've never moved on a higher plane than I'm moving on now. There's
nothing higher for a girl than to marry a--a person she likes," said
poor Isabel, wandering into the didactic.
"It's your liking the person we speak of that I venture to criticise, my
dear cousin. I should have said that the man for you would have been a
more active, larger, freer sort of nature." Ralph hesitated, then added:
"I can't get over the sense that Osmond is somehow--well, small." He had
uttered the last word with no great assurance; he was afraid she would
flash out again. But to his surprise she was quiet; she had the air of
considering.
"Small?" She made it sound immense.
"I think he's narrow, selfish. He takes himself so seriously!"
"He has a great respect for himself; I don't blame him for that," said
Isabel. "It makes one more sure to respect others."
Ralph for a moment felt almost reassured by her reasonable tone.
"Yes, but everything is relative; one ought to feel one's relation to
things--to others. I don't think Mr. Osmond does that."
"I've chiefly to do with his relation to me. In that he's excellent."
"He's the incarnation of taste," Ralph went on, thinking hard how he
could best express Gilbert Osmond's sinister attributes without putting
himself in the wrong by seeming to describe him coarsely. He wished
to describe him impersonally, scientifically. "He judges and measures,
approves and condemns, altogether by that."
"It's a happy thing then that his taste should be exquisite."
"It's exquisite, indeed, since it has led him to select you as
his bride. But have you ever seen such a taste--a really exquisite
one--ruffled?"
"I hope it may never be my fortune to fail to gratify my husband's."
At these words a sudden passion leaped to Ralph's lips. "Ah, that's
wilful, that's unworthy of you! You were not meant to be measured in
that way--you were meant for something better than to keep guard over
the sensibilities of a sterile dilettante!"
Isabel rose quickly and he did the same, so that they stood for a moment
looking at each other as if he had flung down a defiance or an insult.
But "You go too far," she simply breathed.
"I've said what I had on my mind--and I've said it because I love you!"
Isabel turned pale: was he too on that tiresome list? She had a sudden
wish to strike him off. "Ah then, you're not disinterested!"
"I love you, but I love without hope," said Ralph quickly, forcing a
smile and feeling that in that last declaration he had expressed more
than he intended.
Isabel moved away and stood looking into the sunny stillness of the
garden; but after a little she turned back to him. "I'm afraid your talk
then is the wildness of despair! I don't understand it--but it doesn't
matter. I'm not arguing with you; it's impossible I should; I've only
tried to listen to you. I'm much obliged to you for attempting to
explain," she said gently, as if the anger with which she had just
sprung up had already subsided. "It's very good of you to try to warn
me, if you're really alarmed; but I won't promise to think of what
you've said: I shall forget it as soon as possible. Try and forget it
yourself; you've done your duty, and no man can do more. I can't explain
to you what I feel, what I believe, and I wouldn't if I could." She
paused a moment and then went on with an inconsequence that Ralph
observed even in the midst of his eagerness to discover some symptom of
concession. "I can't enter into your idea of Mr. Osmond; I can't do it
justice, because I see him in quite another way. He's not important--no,
he's not important; he's a man to whom importance is supremely
indifferent. If that's what you mean when you call him 'small,' then
he's as small as you please. I call that large--it's the largest thing
I know. I won't pretend to argue with you about a person I'm going to
marry," Isabel repeated. "I'm not in the least concerned to defend Mr.
Osmond; he's not so weak as to need my defence. I should think it would
seem strange even to yourself that I should talk of him so quietly and
coldly, as if he were any one else. I wouldn't talk of him at all to any
one but you; and you, after what you've said--I may just answer you once
for all. Pray, would you wish me to make a mercenary marriage--what
they call a marriage of ambition? I've only one ambition--to be free to
follow out a good feeling. I had others once, but they've passed away.
Do you complain of Mr. Osmond because he's not rich? That's just what I
like him for. I've fortunately money enough; I've never felt so thankful
for it as to-day. There have been moments when I should like to go and
kneel down by your father's grave: he did perhaps a better thing than
he knew when he put it into my power to marry a poor man--a man who has
borne his poverty with such dignity, with such indifference. Mr. Osmond
has never scrambled nor struggled--he has cared for no worldly prize. If
that's to be narrow, if that's to be selfish, then it's very well. I'm
not frightened by such words, I'm not even displeased; I'm only sorry
that you should make a mistake. Others might have done so, but I'm
surprised that you should. You might know a gentleman when you see
one--you might know a fine mind. Mr. Osmond makes no mistakes! He knows
everything, he understands everything, he has the kindest, gentlest,
highest spirit. You've got hold of some false idea. It's a pity, but
I can't help it; it regards you more than me." Isabel paused a moment,
looking at her cousin with an eye illumined by a sentiment which
contradicted the careful calmness of her manner--a mingled sentiment,
to which the angry pain excited by his words and the wounded pride of
having needed to justify a choice of which she felt only the nobleness
and purity, equally contributed. Though she paused Ralph said
nothing; he saw she had more to say. She was grand, but she was highly
solicitous; she was indifferent, but she was all in a passion. "What
sort of a person should you have liked me to marry?" she asked suddenly.
"You talk about one's soaring and sailing, but if one marries at all one
touches the earth. One has human feelings and needs, one has a heart in
one's bosom, and one must marry a particular individual. Your mother
has never forgiven me for not having come to a better understanding
with Lord Warburton, and she's horrified at my contenting myself with a
person who has none of his great advantages--no property, no title,
no honours, no houses, nor lands, nor position, nor reputation, nor
brilliant belongings of any sort. It's the total absence of all these
things that pleases me. Mr. Osmond's simply a very lonely, a very
cultivated and a very honest man--he's not a prodigious proprietor."
Ralph had listened with great attention, as if everything she said
merited deep consideration; but in truth he was only half thinking of
the things she said, he was for the rest simply accommodating himself
to the weight of his total impression--the impression of her ardent good
faith. She was wrong, but she believed; she was deluded, but she was
dismally consistent. It was wonderfully characteristic of her that,
having invented a fine theory, about Gilbert Osmond, she loved him not
for what he really possessed, but for his very poverties dressed out as
honours. Ralph remembered what he had said to his father about wishing
to put it into her power to meet the requirements of her imagination. He
had done so, and the girl had taken full advantage of the luxury. Poor
Ralph felt sick; he felt ashamed. Isabel had uttered her last words with
a low solemnity of conviction which virtually terminated the discussion,
and she closed it formally by turning away and walking back to the
house. Ralph walked beside her, and they passed into the court together
and reached the big staircase. Here he stopped and Isabel paused,
turning on him a face of elation--absolutely and perversely of
gratitude. His opposition had made her own conception of her conduct
clearer to her. "Shall you not come up to breakfast?" she asked.
"No; I want no breakfast; I'm not hungry."
"You ought to eat," said the girl; "you live on air."
"I do, very much, and I shall go back into the garden and take another
mouthful. I came thus far simply to say this. I told you last year that
if you were to get into trouble I should feel terribly sold. That's how
I feel to-day."
"Do you think I'm in trouble?"
"One's in trouble when one's in error."
"Very well," said Isabel; "I shall never complain of my trouble to you!"
And she moved up the staircase.
Ralph, standing there with his hands in his pockets, followed her with
his eyes; then the lurking chill of the high-walled court struck him and
made him shiver, so that he returned to the garden to breakfast on the
Florentine sunshine.
| Notes The discussion between Isabel and Ralph is both sad and maddening. Isabel takes on a noble view of her situation, being in love with someone whose nobility only she recognizes. Ralph speaks straight-forwardly. He tells her everything he has honestly been feeling and she doesnt seem to hear any of it, the warnings or the high compliments. She instead reacts by being more noble in her loyalty to Gilbert Osmond and Ralph responds by admiring her more. In admiring her more, he feels her loss more. | analysis |
Isabel, when she strolled in the Cascine with her lover, felt no impulse
to tell him how little he was approved at Palazzo Crescentini. The
discreet opposition offered to her marriage by her aunt and her cousin
made on the whole no great impression upon her; the moral of it was
simply that they disliked Gilbert Osmond. This dislike was not alarming
to Isabel; she scarcely even regretted it; for it served mainly to
throw into higher relief the fact, in every way so honourable, that she
married to please herself. One did other things to please other people;
one did this for a more personal satisfaction; and Isabel's satisfaction
was confirmed by her lover's admirable good conduct. Gilbert Osmond was
in love, and he had never deserved less than during these still, bright
days, each of them numbered, which preceded the fulfilment of his
hopes, the harsh criticism passed upon him by Ralph Touchett. The chief
impression produced on Isabel's spirit by this criticism was that the
passion of love separated its victim terribly from every one but the
loved object. She felt herself disjoined from every one she had ever
known before--from her two sisters, who wrote to express a dutiful hope
that she would be happy, and a surprise, somewhat more vague, at her
not having chosen a consort who was the hero of a richer accumulation of
anecdote; from Henrietta, who, she was sure, would come out, too late,
on purpose to remonstrate; from Lord Warburton, who would certainly
console himself, and from Caspar Goodwood, who perhaps would not; from
her aunt, who had cold, shallow ideas about marriage, for which she
was not sorry to display her contempt; and from Ralph, whose talk
about having great views for her was surely but a whimsical cover for
a personal disappointment. Ralph apparently wished her not to marry
at all--that was what it really meant--because he was amused with the
spectacle of her adventures as a single woman. His disappointment made
him say angry things about the man she had preferred even to him: Isabel
flattered herself that she believed Ralph had been angry. It was the
more easy for her to believe this because, as I say, she had now little
free or unemployed emotion for minor needs, and accepted as an incident,
in fact quite as an ornament, of her lot the idea that to prefer Gilbert
Osmond as she preferred him was perforce to break all other ties. She
tasted of the sweets of this preference, and they made her conscious,
almost with awe, of the invidious and remorseless tide of the charmed
and possessed condition, great as was the traditional honour and imputed
virtue of being in love. It was the tragic part of happiness; one's
right was always made of the wrong of some one else.
The elation of success, which surely now flamed high in Osmond, emitted
meanwhile very little smoke for so brilliant a blaze. Contentment, on
his part, took no vulgar form; excitement, in the most self-conscious of
men, was a kind of ecstasy of self-control. This disposition, however,
made him an admirable lover; it gave him a constant view of the smitten
and dedicated state. He never forgot himself, as I say; and so he
never forgot to be graceful and tender, to wear the appearance--which
presented indeed no difficulty--of stirred senses and deep intentions.
He was immensely pleased with his young lady; Madame Merle had made him
a present of incalculable value. What could be a finer thing to live
with than a high spirit attuned to softness? For would not the softness
be all for one's self, and the strenuousness for society, which admired
the air of superiority? What could be a happier gift in a companion than
a quick, fanciful mind which saved one repetitions and reflected one's
thought on a polished, elegant surface? Osmond hated to see his thought
reproduced literally--that made it look stale and stupid; he preferred
it to be freshened in the reproduction even as "words" by music. His
egotism had never taken the crude form of desiring a dull wife; this
lady's intelligence was to be a silver plate, not an earthen one--a
plate that he might heap up with ripe fruits, to which it would give
a decorative value, so that talk might become for him a sort of served
dessert. He found the silver quality in this perfection in Isabel; he
could tap her imagination with his knuckle and make it ring. He knew
perfectly, though he had not been told, that their union enjoyed little
favour with the girl's relations; but he had always treated her so
completely as an independent person that it hardly seemed necessary
to express regret for the attitude of her family. Nevertheless, one
morning, he made an abrupt allusion to it. "It's the difference in our
fortune they don't like," he said. "They think I'm in love with your
money."
"Are you speaking of my aunt--of my cousin?" Isabel asked. "How do you
know what they think?"
"You've not told me they're pleased, and when I wrote to Mrs. Touchett
the other day she never answered my note. If they had been delighted I
should have had some sign of it, and the fact of my being poor and you
rich is the most obvious explanation of their reserve. But of course
when a poor man marries a rich girl he must be prepared for imputations.
I don't mind them; I only care for one thing--for your not having
the shadow of a doubt. I don't care what people of whom I ask nothing
think--I'm not even capable perhaps of wanting to know. I've never so
concerned myself, God forgive me, and why should I begin to-day, when I
have taken to myself a compensation for everything? I won't pretend
I'm sorry you're rich; I'm delighted. I delight in everything that's
yours--whether it be money or virtue. Money's a horrid thing to follow,
but a charming thing to meet. It seems to me, however, that I've
sufficiently proved the limits of my itch for it: I never in my life
tried to earn a penny, and I ought to be less subject to suspicion than
most of the people one sees grubbing and grabbing. I suppose it's their
business to suspect--that of your family; it's proper on the whole they
should. They'll like me better some day; so will you, for that matter.
Meanwhile my business is not to make myself bad blood, but simply to
be thankful for life and love." "It has made me better, loving you," he
said on another occasion; "it has made me wiser and easier and--I won't
pretend to deny--brighter and nicer and even stronger. I used to want
a great many things before and to be angry I didn't have them.
Theoretically I was satisfied, as I once told you. I flattered myself
I had limited my wants. But I was subject to irritation; I used to
have morbid, sterile, hateful fits of hunger, of desire. Now I'm really
satisfied, because I can't think of anything better. It's just as when
one has been trying to spell out a book in the twilight and suddenly the
lamp comes in. I had been putting out my eyes over the book of life and
finding nothing to reward me for my pains; but now that I can read it
properly I see it's a delightful story. My dear girl, I can't tell you
how life seems to stretch there before us--what a long summer afternoon
awaits us. It's the latter half of an Italian day--with a golden haze,
and the shadows just lengthening, and that divine delicacy in the light,
the air, the landscape, which I have loved all my life and which you
love to-day. Upon my honour, I don't see why we shouldn't get on. We've
got what we like--to say nothing of having each other. We've the faculty
of admiration and several capital convictions. We're not stupid, we're
not mean, we're not under bonds to any kind of ignorance or dreariness.
You're remarkably fresh, and I'm remarkably well-seasoned. We've my poor
child to amuse us; we'll try and make up some little life for her. It's
all soft and mellow--it has the Italian colouring."
They made a good many plans, but they left themselves also a good deal
of latitude; it was a matter of course, however, that they should live
for the present in Italy. It was in Italy that they had met, Italy had
been a party to their first impressions of each other, and Italy
should be a party to their happiness. Osmond had the attachment of old
acquaintance and Isabel the stimulus of new, which seemed to assure her
a future at a high level of consciousness of the beautiful. The desire
for unlimited expansion had been succeeded in her soul by the sense
that life was vacant without some private duty that might gather one's
energies to a point. She had told Ralph she had "seen life" in a year
or two and that she was already tired, not of the act of living, but of
that of observing. What had become of all her ardours, her aspirations,
her theories, her high estimate of her independence and her incipient
conviction that she should never marry? These things had been absorbed
in a more primitive need--a need the answer to which brushed away
numberless questions, yet gratified infinite desires. It simplified the
situation at a stroke, it came down from above like the light of the
stars, and it needed no explanation. There was explanation enough in the
fact that he was her lover, her own, and that she should be able to be
of use to him. She could surrender to him with a kind of humility, she
could marry him with a kind of pride; she was not only taking, she was
giving.
He brought Pansy with him two or three times to the Cascine--Pansy who
was very little taller than a year before, and not much older. That she
would always be a child was the conviction expressed by her father, who
held her by the hand when she was in her sixteenth year and told her to
go and play while he sat down a little with the pretty lady. Pansy wore
a short dress and a long coat; her hat always seemed too big for her.
She found pleasure in walking off, with quick, short steps, to the
end of the alley, and then in walking back with a smile that seemed an
appeal for approbation. Isabel approved in abundance, and the abundance
had the personal touch that the child's affectionate nature craved.
She watched her indications as if for herself also much depended on
them--Pansy already so represented part of the service she could render,
part of the responsibility she could face. Her father took so the
childish view of her that he had not yet explained to her the new
relation in which he stood to the elegant Miss Archer. "She doesn't
know," he said to Isabel; "she doesn't guess; she thinks it perfectly
natural that you and I should come and walk here together simply as good
friends. There seems to me something enchantingly innocent in that; it's
the way I like her to be. No, I'm not a failure, as I used to think;
I've succeeded in two things. I'm to marry the woman I adore, and I've
brought up my child, as I wished, in the old way."
He was very fond, in all things, of the "old way"; that had struck
Isabel as one of his fine, quiet, sincere notes. "It occurs to me that
you'll not know whether you've succeeded until you've told her," she
said. "You must see how she takes your news, She may be horrified--she
may be jealous."
"I'm not afraid of that; she's too fond of you on her own account. I
should like to leave her in the dark a little longer--to see if it will
come into her head that if we're not engaged we ought to be."
Isabel was impressed by Osmond's artistic, the plastic view, as it
somehow appeared, of Pansy's innocence--her own appreciation of it being
more anxiously moral. She was perhaps not the less pleased when he told
her a few days later that he had communicated the fact to his daughter,
who had made such a pretty little speech--"Oh, then I shall have a
beautiful sister!" She was neither surprised nor alarmed; she had not
cried, as he expected.
"Perhaps she had guessed it," said Isabel.
"Don't say that; I should be disgusted if I believed that. I thought it
would be just a little shock; but the way she took it proves that her
good manners are paramount. That's also what I wished. You shall see for
yourself; to-morrow she shall make you her congratulations in person."
The meeting, on the morrow, took place at the Countess Gemini's, whither
Pansy had been conducted by her father, who knew that Isabel was to come
in the afternoon to return a visit made her by the Countess on learning
that they were to become sisters-in-law. Calling at Casa Touchett the
visitor had not found Isabel at home; but after our young woman had been
ushered into the Countess's drawing-room Pansy arrived to say that her
aunt would presently appear. Pansy was spending the day with that lady,
who thought her of an age to begin to learn how to carry herself in
company. It was Isabel's view that the little girl might have given
lessons in deportment to her relative, and nothing could have justified
this conviction more than the manner in which Pansy acquitted herself
while they waited together for the Countess. Her father's decision, the
year before, had finally been to send her back to the convent to receive
the last graces, and Madame Catherine had evidently carried out her
theory that Pansy was to be fitted for the great world.
"Papa has told me that you've kindly consented to marry him," said this
excellent woman's pupil. "It's very delightful; I think you'll suit very
well."
"You think I shall suit YOU?"
"You'll suit me beautifully; but what I mean is that you and papa will
suit each other. You're both so quiet and so serious. You're not so
quiet as he--or even as Madame Merle; but you're more quiet than many
others. He should not for instance have a wife like my aunt. She's
always in motion, in agitation--to-day especially; you'll see when she
comes in. They told us at the convent it was wrong to judge our elders,
but I suppose there's no harm if we judge them favourably. You'll be a
delightful companion for papa."
"For you too, I hope," Isabel said.
"I speak first of him on purpose. I've told you already what I myself
think of you; I liked you from the first. I admire you so much that I
think it will be a good fortune to have you always before me. You'll be
my model; I shall try to imitate you though I'm afraid it will be
very feeble. I'm very glad for papa--he needed something more than
me. Without you I don't see how he could have got it. You'll be my
stepmother, but we mustn't use that word. They're always said to be
cruel; but I don't think you'll ever so much as pinch or even push me.
I'm not afraid at all."
"My good little Pansy," said Isabel gently, "I shall be ever so kind to
you." A vague, inconsequent vision of her coming in some odd way to need
it had intervened with the effect of a chill.
"Very well then, I've nothing to fear," the child returned with her
note of prepared promptitude. What teaching she had had, it seemed to
suggest--or what penalties for non-performance she dreaded!
Her description of her aunt had not been incorrect; the Countess Gemini
was further than ever from having folded her wings. She entered the room
with a flutter through the air and kissed Isabel first on the forehead
and then on each cheek as if according to some ancient prescribed rite.
She drew the visitor to a sofa and, looking at her with a variety of
turns of the head, began to talk very much as if, seated brush in hand
before an easel, she were applying a series of considered touches to
a composition of figures already sketched in. "If you expect me to
congratulate you I must beg you to excuse me. I don't suppose you care
if I do or not; I believe you're supposed not to care--through being so
clever--for all sorts of ordinary things. But I care myself if I tell
fibs; I never tell them unless there's something rather good to be
gained. I don't see what's to be gained with you--especially as you
wouldn't believe me. I don't make professions any more than I make paper
flowers or flouncey lampshades--I don't know how. My lampshades would be
sure to take fire, my roses and my fibs to be larger than life. I'm very
glad for my own sake that you're to marry Osmond; but I won't pretend
I'm glad for yours. You're very brilliant--you know that's the way
you're always spoken of; you're an heiress and very good-looking and
original, not banal; so it's a good thing to have you in the family.
Our family's very good, you know; Osmond will have told you that; and
my mother was rather distinguished--she was called the American Corinne.
But we're dreadfully fallen, I think, and perhaps you'll pick us up.
I've great confidence in you; there are ever so many things I want to
talk to you about. I never congratulate any girl on marrying; I think
they ought to make it somehow not quite so awful a steel trap. I suppose
Pansy oughtn't to hear all this; but that's what she has come to me
for--to acquire the tone of society. There's no harm in her knowing what
horrors she may be in for. When first I got an idea that my brother had
designs on you I thought of writing to you, to recommend you, in the
strongest terms, not to listen to him. Then I thought it would be
disloyal, and I hate anything of that kind. Besides, as I say, I was
enchanted for myself; and after all I'm very selfish. By the way, you
won't respect me, not one little mite, and we shall never be intimate.
I should like it, but you won't. Some day, all the same, we shall be
better friends than you will believe at first. My husband will come and
see you, though, as you probably know, he's on no sort of terms with
Osmond. He's very fond of going to see pretty women, but I'm not afraid
of you. In the first place I don't care what he does. In the second, you
won't care a straw for him; he won't be a bit, at any time, your affair,
and, stupid as he is, he'll see you're not his. Some day, if you can
stand it, I'll tell you all about him. Do you think my niece ought to go
out of the room? Pansy, go and practise a little in my boudoir."
"Let her stay, please," said Isabel. "I would rather hear nothing that
Pansy may not!"
| Isabel never tells Gilbert Osmond of her family and friends opposition to the marriage. She feels as if in loving him, she is forced to break all her other ties. For his part, Gilbert Osmond is elated with his success. He feels that Madame Merle has given him an enormous gift in giving him Isabel Archer. She is intelligent enough to reflect back his own thoughts in a flattering way. Se is like a silver platter that reflects his ideas to perfection. One day as they are walking in he park, he mentions that he realizes her family disapproves of him. He says he has never strived for money and so they shouldnt think hes marrying Isabel for this reason. He tells her he is a better man for loving her. He says he used to want many things and had "morbid, sterile, hateful fits of hunger, of desire." He says now a long summer afternoon of life awaits the two of them and they will have his charming daughter to entertain them. When he finally tells Pansy, she expresses her pleasure in having Isabel as a "beautiful sister. " One day Isabel meets pansy at the Countess Geminis. Pansy greets her sweetly, telling her shell be happy to have her as a stepmother. Isabel tells her she will always be kind to her and suddenly feels a sense of chill as if she realizes for a moment that some day Pansy will need her help. The Countess Gemini comes in and chatters on for a long time about her feelings in hearing about the news and her sense that Isabel will improve their family. She says she wants to tell Isabel some things about marriage and Pansy should leave the room. Isabel tells her she wants Pansy to stay because she doesnt want to hear anything Pansy cant hear. | summary |
Isabel, when she strolled in the Cascine with her lover, felt no impulse
to tell him how little he was approved at Palazzo Crescentini. The
discreet opposition offered to her marriage by her aunt and her cousin
made on the whole no great impression upon her; the moral of it was
simply that they disliked Gilbert Osmond. This dislike was not alarming
to Isabel; she scarcely even regretted it; for it served mainly to
throw into higher relief the fact, in every way so honourable, that she
married to please herself. One did other things to please other people;
one did this for a more personal satisfaction; and Isabel's satisfaction
was confirmed by her lover's admirable good conduct. Gilbert Osmond was
in love, and he had never deserved less than during these still, bright
days, each of them numbered, which preceded the fulfilment of his
hopes, the harsh criticism passed upon him by Ralph Touchett. The chief
impression produced on Isabel's spirit by this criticism was that the
passion of love separated its victim terribly from every one but the
loved object. She felt herself disjoined from every one she had ever
known before--from her two sisters, who wrote to express a dutiful hope
that she would be happy, and a surprise, somewhat more vague, at her
not having chosen a consort who was the hero of a richer accumulation of
anecdote; from Henrietta, who, she was sure, would come out, too late,
on purpose to remonstrate; from Lord Warburton, who would certainly
console himself, and from Caspar Goodwood, who perhaps would not; from
her aunt, who had cold, shallow ideas about marriage, for which she
was not sorry to display her contempt; and from Ralph, whose talk
about having great views for her was surely but a whimsical cover for
a personal disappointment. Ralph apparently wished her not to marry
at all--that was what it really meant--because he was amused with the
spectacle of her adventures as a single woman. His disappointment made
him say angry things about the man she had preferred even to him: Isabel
flattered herself that she believed Ralph had been angry. It was the
more easy for her to believe this because, as I say, she had now little
free or unemployed emotion for minor needs, and accepted as an incident,
in fact quite as an ornament, of her lot the idea that to prefer Gilbert
Osmond as she preferred him was perforce to break all other ties. She
tasted of the sweets of this preference, and they made her conscious,
almost with awe, of the invidious and remorseless tide of the charmed
and possessed condition, great as was the traditional honour and imputed
virtue of being in love. It was the tragic part of happiness; one's
right was always made of the wrong of some one else.
The elation of success, which surely now flamed high in Osmond, emitted
meanwhile very little smoke for so brilliant a blaze. Contentment, on
his part, took no vulgar form; excitement, in the most self-conscious of
men, was a kind of ecstasy of self-control. This disposition, however,
made him an admirable lover; it gave him a constant view of the smitten
and dedicated state. He never forgot himself, as I say; and so he
never forgot to be graceful and tender, to wear the appearance--which
presented indeed no difficulty--of stirred senses and deep intentions.
He was immensely pleased with his young lady; Madame Merle had made him
a present of incalculable value. What could be a finer thing to live
with than a high spirit attuned to softness? For would not the softness
be all for one's self, and the strenuousness for society, which admired
the air of superiority? What could be a happier gift in a companion than
a quick, fanciful mind which saved one repetitions and reflected one's
thought on a polished, elegant surface? Osmond hated to see his thought
reproduced literally--that made it look stale and stupid; he preferred
it to be freshened in the reproduction even as "words" by music. His
egotism had never taken the crude form of desiring a dull wife; this
lady's intelligence was to be a silver plate, not an earthen one--a
plate that he might heap up with ripe fruits, to which it would give
a decorative value, so that talk might become for him a sort of served
dessert. He found the silver quality in this perfection in Isabel; he
could tap her imagination with his knuckle and make it ring. He knew
perfectly, though he had not been told, that their union enjoyed little
favour with the girl's relations; but he had always treated her so
completely as an independent person that it hardly seemed necessary
to express regret for the attitude of her family. Nevertheless, one
morning, he made an abrupt allusion to it. "It's the difference in our
fortune they don't like," he said. "They think I'm in love with your
money."
"Are you speaking of my aunt--of my cousin?" Isabel asked. "How do you
know what they think?"
"You've not told me they're pleased, and when I wrote to Mrs. Touchett
the other day she never answered my note. If they had been delighted I
should have had some sign of it, and the fact of my being poor and you
rich is the most obvious explanation of their reserve. But of course
when a poor man marries a rich girl he must be prepared for imputations.
I don't mind them; I only care for one thing--for your not having
the shadow of a doubt. I don't care what people of whom I ask nothing
think--I'm not even capable perhaps of wanting to know. I've never so
concerned myself, God forgive me, and why should I begin to-day, when I
have taken to myself a compensation for everything? I won't pretend
I'm sorry you're rich; I'm delighted. I delight in everything that's
yours--whether it be money or virtue. Money's a horrid thing to follow,
but a charming thing to meet. It seems to me, however, that I've
sufficiently proved the limits of my itch for it: I never in my life
tried to earn a penny, and I ought to be less subject to suspicion than
most of the people one sees grubbing and grabbing. I suppose it's their
business to suspect--that of your family; it's proper on the whole they
should. They'll like me better some day; so will you, for that matter.
Meanwhile my business is not to make myself bad blood, but simply to
be thankful for life and love." "It has made me better, loving you," he
said on another occasion; "it has made me wiser and easier and--I won't
pretend to deny--brighter and nicer and even stronger. I used to want
a great many things before and to be angry I didn't have them.
Theoretically I was satisfied, as I once told you. I flattered myself
I had limited my wants. But I was subject to irritation; I used to
have morbid, sterile, hateful fits of hunger, of desire. Now I'm really
satisfied, because I can't think of anything better. It's just as when
one has been trying to spell out a book in the twilight and suddenly the
lamp comes in. I had been putting out my eyes over the book of life and
finding nothing to reward me for my pains; but now that I can read it
properly I see it's a delightful story. My dear girl, I can't tell you
how life seems to stretch there before us--what a long summer afternoon
awaits us. It's the latter half of an Italian day--with a golden haze,
and the shadows just lengthening, and that divine delicacy in the light,
the air, the landscape, which I have loved all my life and which you
love to-day. Upon my honour, I don't see why we shouldn't get on. We've
got what we like--to say nothing of having each other. We've the faculty
of admiration and several capital convictions. We're not stupid, we're
not mean, we're not under bonds to any kind of ignorance or dreariness.
You're remarkably fresh, and I'm remarkably well-seasoned. We've my poor
child to amuse us; we'll try and make up some little life for her. It's
all soft and mellow--it has the Italian colouring."
They made a good many plans, but they left themselves also a good deal
of latitude; it was a matter of course, however, that they should live
for the present in Italy. It was in Italy that they had met, Italy had
been a party to their first impressions of each other, and Italy
should be a party to their happiness. Osmond had the attachment of old
acquaintance and Isabel the stimulus of new, which seemed to assure her
a future at a high level of consciousness of the beautiful. The desire
for unlimited expansion had been succeeded in her soul by the sense
that life was vacant without some private duty that might gather one's
energies to a point. She had told Ralph she had "seen life" in a year
or two and that she was already tired, not of the act of living, but of
that of observing. What had become of all her ardours, her aspirations,
her theories, her high estimate of her independence and her incipient
conviction that she should never marry? These things had been absorbed
in a more primitive need--a need the answer to which brushed away
numberless questions, yet gratified infinite desires. It simplified the
situation at a stroke, it came down from above like the light of the
stars, and it needed no explanation. There was explanation enough in the
fact that he was her lover, her own, and that she should be able to be
of use to him. She could surrender to him with a kind of humility, she
could marry him with a kind of pride; she was not only taking, she was
giving.
He brought Pansy with him two or three times to the Cascine--Pansy who
was very little taller than a year before, and not much older. That she
would always be a child was the conviction expressed by her father, who
held her by the hand when she was in her sixteenth year and told her to
go and play while he sat down a little with the pretty lady. Pansy wore
a short dress and a long coat; her hat always seemed too big for her.
She found pleasure in walking off, with quick, short steps, to the
end of the alley, and then in walking back with a smile that seemed an
appeal for approbation. Isabel approved in abundance, and the abundance
had the personal touch that the child's affectionate nature craved.
She watched her indications as if for herself also much depended on
them--Pansy already so represented part of the service she could render,
part of the responsibility she could face. Her father took so the
childish view of her that he had not yet explained to her the new
relation in which he stood to the elegant Miss Archer. "She doesn't
know," he said to Isabel; "she doesn't guess; she thinks it perfectly
natural that you and I should come and walk here together simply as good
friends. There seems to me something enchantingly innocent in that; it's
the way I like her to be. No, I'm not a failure, as I used to think;
I've succeeded in two things. I'm to marry the woman I adore, and I've
brought up my child, as I wished, in the old way."
He was very fond, in all things, of the "old way"; that had struck
Isabel as one of his fine, quiet, sincere notes. "It occurs to me that
you'll not know whether you've succeeded until you've told her," she
said. "You must see how she takes your news, She may be horrified--she
may be jealous."
"I'm not afraid of that; she's too fond of you on her own account. I
should like to leave her in the dark a little longer--to see if it will
come into her head that if we're not engaged we ought to be."
Isabel was impressed by Osmond's artistic, the plastic view, as it
somehow appeared, of Pansy's innocence--her own appreciation of it being
more anxiously moral. She was perhaps not the less pleased when he told
her a few days later that he had communicated the fact to his daughter,
who had made such a pretty little speech--"Oh, then I shall have a
beautiful sister!" She was neither surprised nor alarmed; she had not
cried, as he expected.
"Perhaps she had guessed it," said Isabel.
"Don't say that; I should be disgusted if I believed that. I thought it
would be just a little shock; but the way she took it proves that her
good manners are paramount. That's also what I wished. You shall see for
yourself; to-morrow she shall make you her congratulations in person."
The meeting, on the morrow, took place at the Countess Gemini's, whither
Pansy had been conducted by her father, who knew that Isabel was to come
in the afternoon to return a visit made her by the Countess on learning
that they were to become sisters-in-law. Calling at Casa Touchett the
visitor had not found Isabel at home; but after our young woman had been
ushered into the Countess's drawing-room Pansy arrived to say that her
aunt would presently appear. Pansy was spending the day with that lady,
who thought her of an age to begin to learn how to carry herself in
company. It was Isabel's view that the little girl might have given
lessons in deportment to her relative, and nothing could have justified
this conviction more than the manner in which Pansy acquitted herself
while they waited together for the Countess. Her father's decision, the
year before, had finally been to send her back to the convent to receive
the last graces, and Madame Catherine had evidently carried out her
theory that Pansy was to be fitted for the great world.
"Papa has told me that you've kindly consented to marry him," said this
excellent woman's pupil. "It's very delightful; I think you'll suit very
well."
"You think I shall suit YOU?"
"You'll suit me beautifully; but what I mean is that you and papa will
suit each other. You're both so quiet and so serious. You're not so
quiet as he--or even as Madame Merle; but you're more quiet than many
others. He should not for instance have a wife like my aunt. She's
always in motion, in agitation--to-day especially; you'll see when she
comes in. They told us at the convent it was wrong to judge our elders,
but I suppose there's no harm if we judge them favourably. You'll be a
delightful companion for papa."
"For you too, I hope," Isabel said.
"I speak first of him on purpose. I've told you already what I myself
think of you; I liked you from the first. I admire you so much that I
think it will be a good fortune to have you always before me. You'll be
my model; I shall try to imitate you though I'm afraid it will be
very feeble. I'm very glad for papa--he needed something more than
me. Without you I don't see how he could have got it. You'll be my
stepmother, but we mustn't use that word. They're always said to be
cruel; but I don't think you'll ever so much as pinch or even push me.
I'm not afraid at all."
"My good little Pansy," said Isabel gently, "I shall be ever so kind to
you." A vague, inconsequent vision of her coming in some odd way to need
it had intervened with the effect of a chill.
"Very well then, I've nothing to fear," the child returned with her
note of prepared promptitude. What teaching she had had, it seemed to
suggest--or what penalties for non-performance she dreaded!
Her description of her aunt had not been incorrect; the Countess Gemini
was further than ever from having folded her wings. She entered the room
with a flutter through the air and kissed Isabel first on the forehead
and then on each cheek as if according to some ancient prescribed rite.
She drew the visitor to a sofa and, looking at her with a variety of
turns of the head, began to talk very much as if, seated brush in hand
before an easel, she were applying a series of considered touches to
a composition of figures already sketched in. "If you expect me to
congratulate you I must beg you to excuse me. I don't suppose you care
if I do or not; I believe you're supposed not to care--through being so
clever--for all sorts of ordinary things. But I care myself if I tell
fibs; I never tell them unless there's something rather good to be
gained. I don't see what's to be gained with you--especially as you
wouldn't believe me. I don't make professions any more than I make paper
flowers or flouncey lampshades--I don't know how. My lampshades would be
sure to take fire, my roses and my fibs to be larger than life. I'm very
glad for my own sake that you're to marry Osmond; but I won't pretend
I'm glad for yours. You're very brilliant--you know that's the way
you're always spoken of; you're an heiress and very good-looking and
original, not banal; so it's a good thing to have you in the family.
Our family's very good, you know; Osmond will have told you that; and
my mother was rather distinguished--she was called the American Corinne.
But we're dreadfully fallen, I think, and perhaps you'll pick us up.
I've great confidence in you; there are ever so many things I want to
talk to you about. I never congratulate any girl on marrying; I think
they ought to make it somehow not quite so awful a steel trap. I suppose
Pansy oughtn't to hear all this; but that's what she has come to me
for--to acquire the tone of society. There's no harm in her knowing what
horrors she may be in for. When first I got an idea that my brother had
designs on you I thought of writing to you, to recommend you, in the
strongest terms, not to listen to him. Then I thought it would be
disloyal, and I hate anything of that kind. Besides, as I say, I was
enchanted for myself; and after all I'm very selfish. By the way, you
won't respect me, not one little mite, and we shall never be intimate.
I should like it, but you won't. Some day, all the same, we shall be
better friends than you will believe at first. My husband will come and
see you, though, as you probably know, he's on no sort of terms with
Osmond. He's very fond of going to see pretty women, but I'm not afraid
of you. In the first place I don't care what he does. In the second, you
won't care a straw for him; he won't be a bit, at any time, your affair,
and, stupid as he is, he'll see you're not his. Some day, if you can
stand it, I'll tell you all about him. Do you think my niece ought to go
out of the room? Pansy, go and practise a little in my boudoir."
"Let her stay, please," said Isabel. "I would rather hear nothing that
Pansy may not!"
| Notes Isabel is isolated from all her usual sources of moral guidance. She seems to like this state of affairs at the moment. It makes her engagement to Gilbert Osmond even more romantic. Henry James relates only a bit of the kind of love talk she and Gilbert Osmond engage in during their walks in the park. He comes across as charming and loving and sweet. Isabel is also charmed by Pansy, whose innocence Isabel continues to admire. At one point, however, there is a note of foreboding when Isabel tells Pansy she will always be kind to her. She gets a sense that there will be a point at which Pansy will need such affection very much. This foreboding however is stifled like all the others. The reader notes it and sees Isabel note it but pass it by as is expected of anyone about to get married. When Isabel meets the Countess Gemini, it is clear that the Countess has been subdued by Madame Merle in her early intention of warming Isabel away from Madame Merle and Gilbert Osmonds machinations. She treats her to her usual flow of chatter. The last image of the chapter is of Isabel putting herself on the same plane as Pansy, asking to be left innocent of anything the Countess might want to relate to her of the horrors of marriage. | analysis |
One afternoon of the autumn of 1876, toward dusk, a young man of
pleasing appearance rang at the door of a small apartment on the third
floor of an old Roman house. On its being opened he enquired for Madame
Merle; whereupon the servant, a neat, plain woman, with a French face
and a lady's maid's manner, ushered him into a diminutive drawing-room
and requested the favour of his name. "Mr. Edward Rosier," said the
young man, who sat down to wait till his hostess should appear.
The reader will perhaps not have forgotten that Mr. Rosier was an
ornament of the American circle in Paris, but it may also be remembered
that he sometimes vanished from its horizon. He had spent a portion of
several winters at Pau, and as he was a gentleman of constituted habits
he might have continued for years to pay his annual visit to this
charming resort. In the summer of 1876, however, an incident befell him
which changed the current not only of his thoughts, but of his customary
sequences. He passed a month in the Upper Engadine and encountered at
Saint Moritz a charming young girl. To this little person he began to
pay, on the spot, particular attention: she struck him as exactly the
household angel he had long been looking for. He was never precipitate,
he was nothing if not discreet, so he forbore for the present to declare
his passion; but it seemed to him when they parted--the young lady to go
down into Italy and her admirer to proceed to Geneva, where he was under
bonds to join other friends--that he should be romantically wretched if
he were not to see her again. The simplest way to do so was to go in
the autumn to Rome, where Miss Osmond was domiciled with her family. Mr.
Rosier started on his pilgrimage to the Italian capital and reached it
on the first of November. It was a pleasant thing to do, but for the
young man there was a strain of the heroic in the enterprise. He might
expose himself, unseasoned, to the poison of the Roman air, which in
November lay, notoriously, much in wait. Fortune, however, favours the
brave; and this adventurer, who took three grains of quinine a day, had
at the end of a month no cause to deplore his temerity. He had made to
a certain extent good use of his time; he had devoted it in vain
to finding a flaw in Pansy Osmond's composition. She was admirably
finished; she had had the last touch; she was really a consummate piece.
He thought of her in amorous meditation a good deal as he might have
thought of a Dresden-china shepherdess. Miss Osmond, indeed, in the
bloom of her juvenility, had a hint of the rococo which Rosier, whose
taste was predominantly for that manner, could not fail to appreciate.
That he esteemed the productions of comparatively frivolous periods
would have been apparent from the attention he bestowed upon Madame
Merle's drawing-room, which, although furnished with specimens of every
style, was especially rich in articles of the last two centuries. He
had immediately put a glass into one eye and looked round; and then "By
Jove, she has some jolly good things!" he had yearningly murmured. The
room was small and densely filled with furniture; it gave an impression
of faded silk and little statuettes which might totter if one moved.
Rosier got up and wandered about with his careful tread, bending over
the tables charged with knick-knacks and the cushions embossed with
princely arms. When Madame Merle came in she found him standing before
the fireplace with his nose very close to the great lace flounce
attached to the damask cover of the mantel. He had lifted it delicately,
as if he were smelling it.
"It's old Venetian," she said; "it's rather good."
"It's too good for this; you ought to wear it."
"They tell me you have some better in Paris, in the same situation."
"Ah, but I can't wear mine," smiled the visitor.
"I don't see why you shouldn't! I've better lace than that to wear."
His eyes wandered, lingeringly, round the room again. "You've some very
good things."
"Yes, but I hate them."
"Do you want to get rid of them?" the young man quickly asked.
"No, it's good to have something to hate: one works it off!"
"I love my things," said Mr. Rosier as he sat there flushed with all his
recognitions. "But it's not about them, nor about yours, that I came
to talk to you." He paused a moment and then, with greater softness: "I
care more for Miss Osmond than for all the bibelots in Europe!"
Madame Merle opened wide eyes. "Did you come to tell me that?"
"I came to ask your advice."
She looked at him with a friendly frown, stroking her chin with her
large white hand. "A man in love, you know, doesn't ask advice."
"Why not, if he's in a difficult position? That's often the case with a
man in love. I've been in love before, and I know. But never so much as
this time--really never so much. I should like particularly to know what
you think of my prospects. I'm afraid that for Mr. Osmond I'm not--well,
a real collector's piece."
"Do you wish me to intercede?" Madame Merle asked with her fine arms
folded and her handsome mouth drawn up to the left.
"If you could say a good word for me I should be greatly obliged. There
will be no use in my troubling Miss Osmond unless I have good reason to
believe her father will consent."
"You're very considerate; that's in your favour. But you assume in
rather an off-hand way that I think you a prize."
"You've been very kind to me," said the young man. "That's why I came."
"I'm always kind to people who have good Louis Quatorze. It's very rare
now, and there's no telling what one may get by it." With which the
left-hand corner of Madame Merle's mouth gave expression to the joke.
But he looked, in spite of it, literally apprehensive and consistently
strenuous. "Ah, I thought you liked me for myself!"
"I like you very much; but, if you please, we won't analyse. Pardon me
if I seem patronising, but I think you a perfect little gentleman. I
must tell you, however, that I've not the marrying of Pansy Osmond."
"I didn't suppose that. But you've seemed to me intimate with her
family, and I thought you might have influence."
Madame Merle considered. "Whom do you call her family?"
"Why, her father; and--how do you say it in English?--her belle-mere."
"Mr. Osmond's her father, certainly; but his wife can scarcely be termed
a member of her family. Mrs. Osmond has nothing to do with marrying
her."
"I'm sorry for that," said Rosier with an amiable sigh of good faith. "I
think Mrs. Osmond would favour me."
"Very likely--if her husband doesn't."
He raised his eyebrows. "Does she take the opposite line from him?"
"In everything. They think quite differently."
"Well," said Rosier, "I'm sorry for that; but it's none of my business.
She's very fond of Pansy."
"Yes, she's very fond of Pansy."
"And Pansy has a great affection for her. She has told me how she loves
her as if she were her own mother."
"You must, after all, have had some very intimate talk with the poor
child," said Madame Merle. "Have you declared your sentiments?"
"Never!" cried Rosier, lifting his neatly-gloved hand. "Never till I've
assured myself of those of the parents."
"You always wait for that? You've excellent principles; you observe the
proprieties."
"I think you're laughing at me," the young man murmured, dropping back
in his chair and feeling his small moustache. "I didn't expect that of
you, Madame Merle."
She shook her head calmly, like a person who saw things as she saw them.
"You don't do me justice. I think your conduct in excellent taste and
the best you could adopt. Yes, that's what I think."
"I wouldn't agitate her--only to agitate her; I love her too much for
that," said Ned Rosier.
"I'm glad, after all, that you've told me," Madame Merle went on. "Leave
it to me a little; I think I can help you."
"I said you were the person to come to!" her visitor cried with prompt
elation.
"You were very clever," Madame Merle returned more dryly. "When I say I
can help you I mean once assuming your cause to be good. Let us think a
little if it is."
"I'm awfully decent, you know," said Rosier earnestly. "I won't say I've
no faults, but I'll say I've no vices."
"All that's negative, and it always depends, also, on what people call
vices. What's the positive side? What's the virtuous? What have you got
besides your Spanish lace and your Dresden teacups?"
"I've a comfortable little fortune--about forty thousand francs a year.
With the talent I have for arranging, we can live beautifully on such an
income."
"Beautifully, no. Sufficiently, yes. Even that depends on where you
live."
"Well, in Paris. I would undertake it in Paris."
Madame Merle's mouth rose to the left. "It wouldn't be famous; you'd
have to make use of the teacups, and they'd get broken."
"We don't want to be famous. If Miss Osmond should have everything
pretty it would be enough. When one's as pretty as she one can
afford--well, quite cheap faience. She ought never to wear anything but
muslin--without the sprig," said Rosier reflectively.
"Wouldn't you even allow her the sprig? She'd be much obliged to you at
any rate for that theory."
"It's the correct one, I assure you; and I'm sure she'd enter into it.
She understands all that; that's why I love her."
"She's a very good little girl, and most tidy--also extremely graceful.
But her father, to the best of my belief, can give her nothing."
Rosier scarce demurred. "I don't in the least desire that he should. But
I may remark, all the same, that he lives like a rich man."
"The money's his wife's; she brought him a large fortune."
"Mrs. Osmond then is very fond of her stepdaughter; she may do
something."
"For a love-sick swain you have your eyes about you!" Madame Merle
exclaimed with a laugh.
"I esteem a dot very much. I can do without it, but I esteem it."
"Mrs. Osmond," Madame Merle went on, "will probably prefer to keep her
money for her own children."
"Her own children? Surely she has none."
"She may have yet. She had a poor little boy, who died two years ago,
six months after his birth. Others therefore may come."
"I hope they will, if it will make her happy. She's a splendid woman."
Madame Merle failed to burst into speech. "Ah, about her there's much to
be said. Splendid as you like! We've not exactly made out that you're a
parti. The absence of vices is hardly a source of income.
"Pardon me, I think it may be," said Rosier quite lucidly.
"You'll be a touching couple, living on your innocence!"
"I think you underrate me."
"You're not so innocent as that? Seriously," said Madame Merle,
"of course forty thousand francs a year and a nice character are a
combination to be considered. I don't say it's to be jumped at, but
there might be a worse offer. Mr. Osmond, however, will probably incline
to believe he can do better."
"HE can do so perhaps; but what can his daughter do? She can't do better
than marry the man she loves. For she does, you know," Rosier added
eagerly.
"She does--I know it."
"Ah," cried the young man, "I said you were the person to come to."
"But I don't know how you know it, if you haven't asked her," Madame
Merle went on.
"In such a case there's no need of asking and telling; as you say, we're
an innocent couple. How did YOU know it?"
"I who am not innocent? By being very crafty. Leave it to me; I'll find
out for you."
Rosier got up and stood smoothing his hat. "You say that rather coldly.
Don't simply find out how it is, but try to make it as it should be."
"I'll do my best. I'll try to make the most of your advantages."
"Thank you so very much. Meanwhile then I'll say a word to Mrs. Osmond."
"Gardez-vous-en bien!" And Madame Merle was on her feet. "Don't set her
going, or you'll spoil everything."
Rosier gazed into his hat; he wondered whether his hostess HAD been
after all the right person to come to. "I don't think I understand
you. I'm an old friend of Mrs. Osmond, and I think she would like me to
succeed."
"Be an old friend as much as you like; the more old friends she has the
better, for she doesn't get on very well with some of her new. But don't
for the present try to make her take up the cudgels for you. Her husband
may have other views, and, as a person who wishes her well, I advise you
not to multiply points of difference between them."
Poor Rosier's face assumed an expression of alarm; a suit for the hand
of Pansy Osmond was even a more complicated business than his taste
for proper transitions had allowed. But the extreme good sense which
he concealed under a surface suggesting that of a careful owner's "best
set" came to his assistance. "I don't see that I'm bound to consider Mr.
Osmond so very much!" he exclaimed. "No, but you should consider HER.
You say you're an old friend. Would you make her suffer?"
"Not for the world."
"Then be very careful, and let the matter alone till I've taken a few
soundings."
"Let the matter alone, dear Madame Merle? Remember that I'm in love."
"Oh, you won't burn up! Why did you come to me, if you're not to heed
what I say?"
"You're very kind; I'll be very good," the young man promised. "But I'm
afraid Mr. Osmond's pretty hard," he added in his mild voice as he went
to the door.
Madame Merle gave a short laugh. "It has been said before. But his wife
isn't easy either."
"Ah, she's a splendid woman!" Ned Rosier repeated, for departure.
He resolved that his conduct should be worthy of an aspirant who was
already a model of discretion; but he saw nothing in any pledge he
had given Madame Merle that made it improper he should keep himself
in spirits by an occasional visit to Miss Osmond's home. He reflected
constantly on what his adviser had said to him, and turned over in his
mind the impression of her rather circumspect tone. He had gone to her
de confiance, as they put it in Paris; but it was possible he had been
precipitate. He found difficulty in thinking of himself as rash--he had
incurred this reproach so rarely; but it certainly was true that he had
known Madame Merle only for the last month, and that his thinking her
a delightful woman was not, when one came to look into it, a reason for
assuming that she would be eager to push Pansy Osmond into his arms,
gracefully arranged as these members might be to receive her. She had
indeed shown him benevolence, and she was a person of consideration
among the girl's people, where she had a rather striking appearance
(Rosier had more than once wondered how she managed it) of being
intimate without being familiar. But possibly he had exaggerated these
advantages. There was no particular reason why she should take trouble
for him; a charming woman was charming to every one, and Rosier felt
rather a fool when he thought of his having appealed to her on the
ground that she had distinguished him. Very likely--though she had
appeared to say it in joke--she was really only thinking of his
bibelots. Had it come into her head that he might offer her two or three
of the gems of his collection? If she would only help him to marry Miss
Osmond he would present her with his whole museum. He could hardly say
so to her outright; it would seem too gross a bribe. But he should like
her to believe it.
It was with these thoughts that he went again to Mrs. Osmond's,
Mrs. Osmond having an "evening"--she had taken the Thursday of each
week--when his presence could be accounted for on general principles of
civility. The object of Mr. Rosier's well-regulated affection dwelt in
a high house in the very heart of Rome; a dark and massive structure
overlooking a sunny piazzetta in the neighbourhood of the Farnese
Palace. In a palace, too, little Pansy lived--a palace by Roman measure,
but a dungeon to poor Rosier's apprehensive mind. It seemed to him of
evil omen that the young lady he wished to marry, and whose fastidious
father he doubted of his ability to conciliate, should be immured in
a kind of domestic fortress, a pile which bore a stern old Roman name,
which smelt of historic deeds, of crime and craft and violence, which
was mentioned in "Murray" and visited by tourists who looked, on a vague
survey, disappointed and depressed, and which had frescoes by Caravaggio
in the piano nobile and a row of mutilated statues and dusty urns in the
wide, nobly-arched loggia overhanging the damp court where a fountain
gushed out of a mossy niche. In a less preoccupied frame of mind he
could have done justice to the Palazzo Roccanera; he could have entered
into the sentiment of Mrs. Osmond, who had once told him that on
settling themselves in Rome she and her husband had chosen this
habitation for the love of local colour. It had local colour enough,
and though he knew less about architecture than about Limoges enamels
he could see that the proportions of the windows and even the details
of the cornice had quite the grand air. But Rosier was haunted by the
conviction that at picturesque periods young girls had been shut up
there to keep them from their true loves, and then, under the threat of
being thrown into convents, had been forced into unholy marriages. There
was one point, however, to which he always did justice when once he
found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which
were on the second floor. He acknowledged that these people were very
strong in "good things." It was a taste of Osmond's own--not at all of
hers; this she had told him the first time he came to the house, when,
after asking himself for a quarter of an hour whether they had even
better "French" than he in Paris, he was obliged on the spot to admit
that they had, very much, and vanquished his envy, as a gentleman
should, to the point of expressing to his hostess his pure admiration of
her treasures. He learned from Mrs. Osmond that her husband had made a
large collection before their marriage and that, though he had annexed
a number of fine pieces within the last three years, he had achieved his
greatest finds at a time when he had not the advantage of her advice.
Rosier interpreted this information according to principles of his own.
For "advice" read "cash," he said to himself; and the fact that Gilbert
Osmond had landed his highest prizes during his impecunious season
confirmed his most cherished doctrine--the doctrine that a collector may
freely be poor if he be only patient. In general, when Rosier presented
himself on a Thursday evening, his first recognition was for the walls
of the saloon; there were three or four objects his eyes really
yearned for. But after his talk with Madame Merle he felt the extreme
seriousness of his position; and now, when he came in, he looked about
for the daughter of the house with such eagerness as might be permitted
a gentleman whose smile, as he crossed a threshold, always took
everything comfortable for granted.
| In the autumn of 1876, Edward Rosier calls on Madame Merle to ask her to put in a good word for him with Gilbert Osmond. He wants to marry Pansy Osmond. He tells Madame Merle that he wants to speak to Mrs. Isabel Osmond about it also and feels that Mrs. Osmond will be a help to him. Madame Merle advises against his speaking to Mrs. Osmond since the Osmonds take opposite views from each other in everything. She mentions that Mrs. Osmond had a son two years ago who died when he was six months old. She intimates that he cant expect any dowry money from Mrs. Osmond, who will probably save it all for her own future children. She warns Mr. Rosier again not to consult with Mrs. Osmond, because in "setting her going" he will certainly spoil his chances. She tells him he should be friendly to Mrs. Osmond, though, since she doesnt get along well with her new friends and therefore needs all the old ones she can find. He leaves her house and fears that he has gone to the wrong person. He hadnt realized how naive he was being in thinking that just because she was charming with him when he met her in Paris, that Madame Merle would speak on his behalf to Mr. Osmond. He goes to Mrs. Osmonds "evening" which she has every Thursday evening. They live at the Palazzo Roccanera, the name of which reminds one of a fortress. He thinks of Pansy as being immured in this place as if it were a dungeon. When he first started coming here, he had noticed all the good things in the house. As a collector, he was extremely interested to see that the Osmonds have better Parisian things than the Parisians do. Tonight, though, he has realized that he must be serious since he has learned that he will encounter serious opposition to marrying Pansy. | summary |
One afternoon of the autumn of 1876, toward dusk, a young man of
pleasing appearance rang at the door of a small apartment on the third
floor of an old Roman house. On its being opened he enquired for Madame
Merle; whereupon the servant, a neat, plain woman, with a French face
and a lady's maid's manner, ushered him into a diminutive drawing-room
and requested the favour of his name. "Mr. Edward Rosier," said the
young man, who sat down to wait till his hostess should appear.
The reader will perhaps not have forgotten that Mr. Rosier was an
ornament of the American circle in Paris, but it may also be remembered
that he sometimes vanished from its horizon. He had spent a portion of
several winters at Pau, and as he was a gentleman of constituted habits
he might have continued for years to pay his annual visit to this
charming resort. In the summer of 1876, however, an incident befell him
which changed the current not only of his thoughts, but of his customary
sequences. He passed a month in the Upper Engadine and encountered at
Saint Moritz a charming young girl. To this little person he began to
pay, on the spot, particular attention: she struck him as exactly the
household angel he had long been looking for. He was never precipitate,
he was nothing if not discreet, so he forbore for the present to declare
his passion; but it seemed to him when they parted--the young lady to go
down into Italy and her admirer to proceed to Geneva, where he was under
bonds to join other friends--that he should be romantically wretched if
he were not to see her again. The simplest way to do so was to go in
the autumn to Rome, where Miss Osmond was domiciled with her family. Mr.
Rosier started on his pilgrimage to the Italian capital and reached it
on the first of November. It was a pleasant thing to do, but for the
young man there was a strain of the heroic in the enterprise. He might
expose himself, unseasoned, to the poison of the Roman air, which in
November lay, notoriously, much in wait. Fortune, however, favours the
brave; and this adventurer, who took three grains of quinine a day, had
at the end of a month no cause to deplore his temerity. He had made to
a certain extent good use of his time; he had devoted it in vain
to finding a flaw in Pansy Osmond's composition. She was admirably
finished; she had had the last touch; she was really a consummate piece.
He thought of her in amorous meditation a good deal as he might have
thought of a Dresden-china shepherdess. Miss Osmond, indeed, in the
bloom of her juvenility, had a hint of the rococo which Rosier, whose
taste was predominantly for that manner, could not fail to appreciate.
That he esteemed the productions of comparatively frivolous periods
would have been apparent from the attention he bestowed upon Madame
Merle's drawing-room, which, although furnished with specimens of every
style, was especially rich in articles of the last two centuries. He
had immediately put a glass into one eye and looked round; and then "By
Jove, she has some jolly good things!" he had yearningly murmured. The
room was small and densely filled with furniture; it gave an impression
of faded silk and little statuettes which might totter if one moved.
Rosier got up and wandered about with his careful tread, bending over
the tables charged with knick-knacks and the cushions embossed with
princely arms. When Madame Merle came in she found him standing before
the fireplace with his nose very close to the great lace flounce
attached to the damask cover of the mantel. He had lifted it delicately,
as if he were smelling it.
"It's old Venetian," she said; "it's rather good."
"It's too good for this; you ought to wear it."
"They tell me you have some better in Paris, in the same situation."
"Ah, but I can't wear mine," smiled the visitor.
"I don't see why you shouldn't! I've better lace than that to wear."
His eyes wandered, lingeringly, round the room again. "You've some very
good things."
"Yes, but I hate them."
"Do you want to get rid of them?" the young man quickly asked.
"No, it's good to have something to hate: one works it off!"
"I love my things," said Mr. Rosier as he sat there flushed with all his
recognitions. "But it's not about them, nor about yours, that I came
to talk to you." He paused a moment and then, with greater softness: "I
care more for Miss Osmond than for all the bibelots in Europe!"
Madame Merle opened wide eyes. "Did you come to tell me that?"
"I came to ask your advice."
She looked at him with a friendly frown, stroking her chin with her
large white hand. "A man in love, you know, doesn't ask advice."
"Why not, if he's in a difficult position? That's often the case with a
man in love. I've been in love before, and I know. But never so much as
this time--really never so much. I should like particularly to know what
you think of my prospects. I'm afraid that for Mr. Osmond I'm not--well,
a real collector's piece."
"Do you wish me to intercede?" Madame Merle asked with her fine arms
folded and her handsome mouth drawn up to the left.
"If you could say a good word for me I should be greatly obliged. There
will be no use in my troubling Miss Osmond unless I have good reason to
believe her father will consent."
"You're very considerate; that's in your favour. But you assume in
rather an off-hand way that I think you a prize."
"You've been very kind to me," said the young man. "That's why I came."
"I'm always kind to people who have good Louis Quatorze. It's very rare
now, and there's no telling what one may get by it." With which the
left-hand corner of Madame Merle's mouth gave expression to the joke.
But he looked, in spite of it, literally apprehensive and consistently
strenuous. "Ah, I thought you liked me for myself!"
"I like you very much; but, if you please, we won't analyse. Pardon me
if I seem patronising, but I think you a perfect little gentleman. I
must tell you, however, that I've not the marrying of Pansy Osmond."
"I didn't suppose that. But you've seemed to me intimate with her
family, and I thought you might have influence."
Madame Merle considered. "Whom do you call her family?"
"Why, her father; and--how do you say it in English?--her belle-mere."
"Mr. Osmond's her father, certainly; but his wife can scarcely be termed
a member of her family. Mrs. Osmond has nothing to do with marrying
her."
"I'm sorry for that," said Rosier with an amiable sigh of good faith. "I
think Mrs. Osmond would favour me."
"Very likely--if her husband doesn't."
He raised his eyebrows. "Does she take the opposite line from him?"
"In everything. They think quite differently."
"Well," said Rosier, "I'm sorry for that; but it's none of my business.
She's very fond of Pansy."
"Yes, she's very fond of Pansy."
"And Pansy has a great affection for her. She has told me how she loves
her as if she were her own mother."
"You must, after all, have had some very intimate talk with the poor
child," said Madame Merle. "Have you declared your sentiments?"
"Never!" cried Rosier, lifting his neatly-gloved hand. "Never till I've
assured myself of those of the parents."
"You always wait for that? You've excellent principles; you observe the
proprieties."
"I think you're laughing at me," the young man murmured, dropping back
in his chair and feeling his small moustache. "I didn't expect that of
you, Madame Merle."
She shook her head calmly, like a person who saw things as she saw them.
"You don't do me justice. I think your conduct in excellent taste and
the best you could adopt. Yes, that's what I think."
"I wouldn't agitate her--only to agitate her; I love her too much for
that," said Ned Rosier.
"I'm glad, after all, that you've told me," Madame Merle went on. "Leave
it to me a little; I think I can help you."
"I said you were the person to come to!" her visitor cried with prompt
elation.
"You were very clever," Madame Merle returned more dryly. "When I say I
can help you I mean once assuming your cause to be good. Let us think a
little if it is."
"I'm awfully decent, you know," said Rosier earnestly. "I won't say I've
no faults, but I'll say I've no vices."
"All that's negative, and it always depends, also, on what people call
vices. What's the positive side? What's the virtuous? What have you got
besides your Spanish lace and your Dresden teacups?"
"I've a comfortable little fortune--about forty thousand francs a year.
With the talent I have for arranging, we can live beautifully on such an
income."
"Beautifully, no. Sufficiently, yes. Even that depends on where you
live."
"Well, in Paris. I would undertake it in Paris."
Madame Merle's mouth rose to the left. "It wouldn't be famous; you'd
have to make use of the teacups, and they'd get broken."
"We don't want to be famous. If Miss Osmond should have everything
pretty it would be enough. When one's as pretty as she one can
afford--well, quite cheap faience. She ought never to wear anything but
muslin--without the sprig," said Rosier reflectively.
"Wouldn't you even allow her the sprig? She'd be much obliged to you at
any rate for that theory."
"It's the correct one, I assure you; and I'm sure she'd enter into it.
She understands all that; that's why I love her."
"She's a very good little girl, and most tidy--also extremely graceful.
But her father, to the best of my belief, can give her nothing."
Rosier scarce demurred. "I don't in the least desire that he should. But
I may remark, all the same, that he lives like a rich man."
"The money's his wife's; she brought him a large fortune."
"Mrs. Osmond then is very fond of her stepdaughter; she may do
something."
"For a love-sick swain you have your eyes about you!" Madame Merle
exclaimed with a laugh.
"I esteem a dot very much. I can do without it, but I esteem it."
"Mrs. Osmond," Madame Merle went on, "will probably prefer to keep her
money for her own children."
"Her own children? Surely she has none."
"She may have yet. She had a poor little boy, who died two years ago,
six months after his birth. Others therefore may come."
"I hope they will, if it will make her happy. She's a splendid woman."
Madame Merle failed to burst into speech. "Ah, about her there's much to
be said. Splendid as you like! We've not exactly made out that you're a
parti. The absence of vices is hardly a source of income.
"Pardon me, I think it may be," said Rosier quite lucidly.
"You'll be a touching couple, living on your innocence!"
"I think you underrate me."
"You're not so innocent as that? Seriously," said Madame Merle,
"of course forty thousand francs a year and a nice character are a
combination to be considered. I don't say it's to be jumped at, but
there might be a worse offer. Mr. Osmond, however, will probably incline
to believe he can do better."
"HE can do so perhaps; but what can his daughter do? She can't do better
than marry the man she loves. For she does, you know," Rosier added
eagerly.
"She does--I know it."
"Ah," cried the young man, "I said you were the person to come to."
"But I don't know how you know it, if you haven't asked her," Madame
Merle went on.
"In such a case there's no need of asking and telling; as you say, we're
an innocent couple. How did YOU know it?"
"I who am not innocent? By being very crafty. Leave it to me; I'll find
out for you."
Rosier got up and stood smoothing his hat. "You say that rather coldly.
Don't simply find out how it is, but try to make it as it should be."
"I'll do my best. I'll try to make the most of your advantages."
"Thank you so very much. Meanwhile then I'll say a word to Mrs. Osmond."
"Gardez-vous-en bien!" And Madame Merle was on her feet. "Don't set her
going, or you'll spoil everything."
Rosier gazed into his hat; he wondered whether his hostess HAD been
after all the right person to come to. "I don't think I understand
you. I'm an old friend of Mrs. Osmond, and I think she would like me to
succeed."
"Be an old friend as much as you like; the more old friends she has the
better, for she doesn't get on very well with some of her new. But don't
for the present try to make her take up the cudgels for you. Her husband
may have other views, and, as a person who wishes her well, I advise you
not to multiply points of difference between them."
Poor Rosier's face assumed an expression of alarm; a suit for the hand
of Pansy Osmond was even a more complicated business than his taste
for proper transitions had allowed. But the extreme good sense which
he concealed under a surface suggesting that of a careful owner's "best
set" came to his assistance. "I don't see that I'm bound to consider Mr.
Osmond so very much!" he exclaimed. "No, but you should consider HER.
You say you're an old friend. Would you make her suffer?"
"Not for the world."
"Then be very careful, and let the matter alone till I've taken a few
soundings."
"Let the matter alone, dear Madame Merle? Remember that I'm in love."
"Oh, you won't burn up! Why did you come to me, if you're not to heed
what I say?"
"You're very kind; I'll be very good," the young man promised. "But I'm
afraid Mr. Osmond's pretty hard," he added in his mild voice as he went
to the door.
Madame Merle gave a short laugh. "It has been said before. But his wife
isn't easy either."
"Ah, she's a splendid woman!" Ned Rosier repeated, for departure.
He resolved that his conduct should be worthy of an aspirant who was
already a model of discretion; but he saw nothing in any pledge he
had given Madame Merle that made it improper he should keep himself
in spirits by an occasional visit to Miss Osmond's home. He reflected
constantly on what his adviser had said to him, and turned over in his
mind the impression of her rather circumspect tone. He had gone to her
de confiance, as they put it in Paris; but it was possible he had been
precipitate. He found difficulty in thinking of himself as rash--he had
incurred this reproach so rarely; but it certainly was true that he had
known Madame Merle only for the last month, and that his thinking her
a delightful woman was not, when one came to look into it, a reason for
assuming that she would be eager to push Pansy Osmond into his arms,
gracefully arranged as these members might be to receive her. She had
indeed shown him benevolence, and she was a person of consideration
among the girl's people, where she had a rather striking appearance
(Rosier had more than once wondered how she managed it) of being
intimate without being familiar. But possibly he had exaggerated these
advantages. There was no particular reason why she should take trouble
for him; a charming woman was charming to every one, and Rosier felt
rather a fool when he thought of his having appealed to her on the
ground that she had distinguished him. Very likely--though she had
appeared to say it in joke--she was really only thinking of his
bibelots. Had it come into her head that he might offer her two or three
of the gems of his collection? If she would only help him to marry Miss
Osmond he would present her with his whole museum. He could hardly say
so to her outright; it would seem too gross a bribe. But he should like
her to believe it.
It was with these thoughts that he went again to Mrs. Osmond's,
Mrs. Osmond having an "evening"--she had taken the Thursday of each
week--when his presence could be accounted for on general principles of
civility. The object of Mr. Rosier's well-regulated affection dwelt in
a high house in the very heart of Rome; a dark and massive structure
overlooking a sunny piazzetta in the neighbourhood of the Farnese
Palace. In a palace, too, little Pansy lived--a palace by Roman measure,
but a dungeon to poor Rosier's apprehensive mind. It seemed to him of
evil omen that the young lady he wished to marry, and whose fastidious
father he doubted of his ability to conciliate, should be immured in
a kind of domestic fortress, a pile which bore a stern old Roman name,
which smelt of historic deeds, of crime and craft and violence, which
was mentioned in "Murray" and visited by tourists who looked, on a vague
survey, disappointed and depressed, and which had frescoes by Caravaggio
in the piano nobile and a row of mutilated statues and dusty urns in the
wide, nobly-arched loggia overhanging the damp court where a fountain
gushed out of a mossy niche. In a less preoccupied frame of mind he
could have done justice to the Palazzo Roccanera; he could have entered
into the sentiment of Mrs. Osmond, who had once told him that on
settling themselves in Rome she and her husband had chosen this
habitation for the love of local colour. It had local colour enough,
and though he knew less about architecture than about Limoges enamels
he could see that the proportions of the windows and even the details
of the cornice had quite the grand air. But Rosier was haunted by the
conviction that at picturesque periods young girls had been shut up
there to keep them from their true loves, and then, under the threat of
being thrown into convents, had been forced into unholy marriages. There
was one point, however, to which he always did justice when once he
found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which
were on the second floor. He acknowledged that these people were very
strong in "good things." It was a taste of Osmond's own--not at all of
hers; this she had told him the first time he came to the house, when,
after asking himself for a quarter of an hour whether they had even
better "French" than he in Paris, he was obliged on the spot to admit
that they had, very much, and vanquished his envy, as a gentleman
should, to the point of expressing to his hostess his pure admiration of
her treasures. He learned from Mrs. Osmond that her husband had made a
large collection before their marriage and that, though he had annexed
a number of fine pieces within the last three years, he had achieved his
greatest finds at a time when he had not the advantage of her advice.
Rosier interpreted this information according to principles of his own.
For "advice" read "cash," he said to himself; and the fact that Gilbert
Osmond had landed his highest prizes during his impecunious season
confirmed his most cherished doctrine--the doctrine that a collector may
freely be poor if he be only patient. In general, when Rosier presented
himself on a Thursday evening, his first recognition was for the walls
of the saloon; there were three or four objects his eyes really
yearned for. But after his talk with Madame Merle he felt the extreme
seriousness of his position; and now, when he came in, he looked about
for the daughter of the house with such eagerness as might be permitted
a gentleman whose smile, as he crossed a threshold, always took
everything comfortable for granted.
| Notes This chapter is set three years later. The reader finds out about Isabel Archer and Gilbert Osmonds marriage through innuendo. During the conversation between Edward Rosier and Madame Merle, we find out that Isabel and Gilbert Osmond are not a happy couple and that they seem to have been conducting a sort of a war since they got married. We learn that Isabel had a baby boy two years ago who died when he was six months old. We learn also that Isabel is given no family status by virtue of her marriage. Madame Merle tells Rosier that Gilbert Osmonds "wife can scarcely be termed a member of family." Last, we learn that they have moved to Rome and set up house where Isabel entertains every Thursday evening and Gilbert slowly acquires more art for the house. In setting up the marriage in this way, that is, in retrospect, James steps past the need to describe Isabels realization that she was fooled into the marriage and her gradual acceptance of her sad fate as serving as nothing more than a money maker and a social hostess for her husband. The next time we see Isabel, we will see her radically more mature, someone whose eyes have been sadly opened to the depravity of people who were supposedly trustworthy and who has been forced to continue to live amongst them. In light of this insight on the readers part, the actual subject of the chapter--Edward Rosiers attempt to win approval to marry Pansy--is thrown into light. The suit for Pansys hand is doomed at the outset. Edward has an inkling of this when he suspects that he was impolitic to have gone to Madame Merle for help. In terms of plot development, this new twist seems to be here mainly to put Isabel into action. If she loves Pansy, perhaps she will do something to help her marry someone she loves. In doing so, she will have to stop submitting to her husbands rule. | analysis |
Pansy was not in the first of the rooms, a large apartment with a
concave ceiling and walls covered with old red damask; it was here
Mrs. Osmond usually sat--though she was not in her most customary place
to-night--and that a circle of more especial intimates gathered about
the fire. The room was flushed with subdued, diffused brightness; it
contained the larger things and--almost always--an odour of flowers.
Pansy on this occasion was presumably in the next of the series, the
resort of younger visitors, where tea was served. Osmond stood before
the chimney, leaning back with his hands behind him; he had one foot up
and was warming the sole. Half a dozen persons, scattered near him, were
talking together; but he was not in the conversation; his eyes had an
expression, frequent with them, that seemed to represent them as engaged
with objects more worth their while than the appearances actually
thrust upon them. Rosier, coming in unannounced, failed to attract his
attention; but the young man, who was very punctilious, though he was
even exceptionally conscious that it was the wife, not the husband, he
had come to see, went up to shake hands with him. Osmond put out his
left hand, without changing his attitude.
"How d'ye do? My wife's somewhere about."
"Never fear; I shall find her," said Rosier cheerfully.
Osmond, however, took him in; he had never in his life felt himself so
efficiently looked at. "Madame Merle has told him, and he doesn't like
it," he privately reasoned. He had hoped Madame Merle would be there,
but she was not in sight; perhaps she was in one of the other rooms or
would come later. He had never especially delighted in Gilbert Osmond,
having a fancy he gave himself airs. But Rosier was not quickly
resentful, and where politeness was concerned had ever a strong need of
being quite in the right. He looked round him and smiled, all without
help, and then in a moment, "I saw a jolly good piece of Capo di Monte
to-day," he said.
Osmond answered nothing at first; but presently, while he warmed his
boot-sole, "I don't care a fig for Capo di Monte!" he returned.
"I hope you're not losing your interest?"
"In old pots and plates? Yes, I'm losing my interest."
Rosier for an instant forgot the delicacy of his position. "You're not
thinking of parting with a--a piece or two?"
"No, I'm not thinking of parting with anything at all, Mr. Rosier," said
Osmond, with his eyes still on the eyes of his visitor.
"Ah, you want to keep, but not to add," Rosier remarked brightly.
"Exactly. I've nothing I wish to match."
Poor Rosier was aware he had blushed; he was distressed at his want of
assurance. "Ah, well, I have!" was all he could murmur; and he knew
his murmur was partly lost as he turned away. He took his course to the
adjoining room and met Mrs. Osmond coming out of the deep doorway. She
was dressed in black velvet; she looked high and splendid, as he had
said, and yet oh so radiantly gentle! We know what Mr. Rosier thought
of her and the terms in which, to Madame Merle, he had expressed his
admiration. Like his appreciation of her dear little stepdaughter it
was based partly on his eye for decorative character, his instinct for
authenticity; but also on a sense for uncatalogued values, for that
secret of a "lustre" beyond any recorded losing or rediscovering,
which his devotion to brittle wares had still not disqualified him
to recognise. Mrs. Osmond, at present, might well have gratified such
tastes. The years had touched her only to enrich her; the flower of her
youth had not faded, it only hung more quietly on its stem. She had lost
something of that quick eagerness to which her husband had privately
taken exception--she had more the air of being able to wait. Now, at all
events, framed in the gilded doorway, she struck our young man as the
picture of a gracious lady. "You see I'm very regular," he said. "But
who should be if I'm not?"
"Yes, I've known you longer than any one here. But we mustn't indulge in
tender reminiscences. I want to introduce you to a young lady."
"Ah, please, what young lady?" Rosier was immensely obliging; but this
was not what he had come for.
"She sits there by the fire in pink and has no one to speak to." Rosier
hesitated a moment. "Can't Mr. Osmond speak to her? He's within six feet
of her."
Mrs. Osmond also hesitated. "She's not very lively, and he doesn't like
dull people."
"But she's good enough for me? Ah now, that's hard!"
"I only mean that you've ideas for two. And then you're so obliging."
"No, he's not--to me." And Mrs. Osmond vaguely smiled.
"That's a sign he should be doubly so to other women.
"So I tell him," she said, still smiling.
"You see I want some tea," Rosier went on, looking wistfully beyond.
"That's perfect. Go and give some to my young lady."
"Very good; but after that I'll abandon her to her fate. The simple
truth is I'm dying to have a little talk with Miss Osmond."
"Ah," said Isabel, turning away, "I can't help you there!"
Five minutes later, while he handed a tea-cup to the damsel in pink,
whom he had conducted into the other room, he wondered whether, in
making to Mrs. Osmond the profession I have just quoted, he had broken
the spirit of his promise to Madame Merle. Such a question was capable
of occupying this young man's mind for a considerable time. At last,
however, he became--comparatively speaking--reckless; he cared little
what promises he might break. The fate to which he had threatened to
abandon the damsel in pink proved to be none so terrible; for Pansy
Osmond, who had given him the tea for his companion--Pansy was as fond
as ever of making tea--presently came and talked to her. Into this mild
colloquy Edward Rosier entered little; he sat by moodily, watching his
small sweetheart. If we look at her now through his eyes we shall at
first not see much to remind us of the obedient little girl who, at
Florence, three years before, was sent to walk short distances in the
Cascine while her father and Miss Archer talked together of matters
sacred to elder people. But after a moment we shall perceive that if at
nineteen Pansy has become a young lady she doesn't really fill out the
part; that if she has grown very pretty she lacks in a deplorable degree
the quality known and esteemed in the appearance of females as style;
and that if she is dressed with great freshness she wears her smart
attire with an undisguised appearance of saving it--very much as if it
were lent her for the occasion. Edward Rosier, it would seem, would have
been just the man to note these defects; and in point of fact there was
not a quality of this young lady, of any sort, that he had not noted.
Only he called her qualities by names of his own--some of which indeed
were happy enough. "No, she's unique--she's absolutely unique," he used
to say to himself; and you may be sure that not for an instant would he
have admitted to you that she was wanting in style. Style? Why, she had
the style of a little princess; if you couldn't see it you had no eye.
It was not modern, it was not conscious, it would produce no impression
in Broadway; the small, serious damsel, in her stiff little dress, only
looked like an Infanta of Velasquez. This was enough for Edward Rosier,
who thought her delightfully old-fashioned. Her anxious eyes, her
charming lips, her slip of a figure, were as touching as a childish
prayer. He had now an acute desire to know just to what point she liked
him--a desire which made him fidget as he sat in his chair. It made him
feel hot, so that he had to pat his forehead with his handkerchief; he
had never been so uncomfortable. She was such a perfect jeune fille, and
one couldn't make of a jeune fille the enquiry requisite for throwing
light on such a point. A jeune fille was what Rosier had always dreamed
of--a jeune fille who should yet not be French, for he had felt that
this nationality would complicate the question. He was sure Pansy had
never looked at a newspaper and that, in the way of novels, if she
had read Sir Walter Scott it was the very most. An American jeune
fille--what could be better than that? She would be frank and gay, and
yet would not have walked alone, nor have received letters from men,
nor have been taken to the theatre to see the comedy of manners. Rosier
could not deny that, as the matter stood, it would be a breach of
hospitality to appeal directly to this unsophisticated creature; but
he was now in imminent danger of asking himself if hospitality were
the most sacred thing in the world. Was not the sentiment that he
entertained for Miss Osmond of infinitely greater importance? Of greater
importance to him--yes; but not probably to the master of the house.
There was one comfort; even if this gentleman had been placed on his
guard by Madame Merle he would not have extended the warning to Pansy;
it would not have been part of his policy to let her know that a
prepossessing young man was in love with her. But he WAS in love
with her, the prepossessing young man; and all these restrictions of
circumstance had ended by irritating him. What had Gilbert Osmond meant
by giving him two fingers of his left hand? If Osmond was rude, surely
he himself might be bold. He felt extremely bold after the dull girl
in so vain a disguise of rose-colour had responded to the call of her
mother, who came in to say, with a significant simper at Rosier, that
she must carry her off to other triumphs. The mother and daughter
departed together, and now it depended only upon him that he should be
virtually alone with Pansy. He had never been alone with her before;
he had never been alone with a jeune fille. It was a great moment; poor
Rosier began to pat his forehead again. There was another room beyond
the one in which they stood--a small room that had been thrown open and
lighted, but that, the company not being numerous, had remained empty
all the evening. It was empty yet; it was upholstered in pale yellow;
there were several lamps; through the open door it looked the very
temple of authorised love. Rosier gazed a moment through this aperture;
he was afraid that Pansy would run away, and felt almost capable of
stretching out a hand to detain her. But she lingered where the other
maiden had left them, making no motion to join a knot of visitors on
the far side of the room. For a little it occurred to him that she was
frightened--too frightened perhaps to move; but a second glance assured
him she was not, and he then reflected that she was too innocent indeed
for that. After a supreme hesitation he asked her if he might go and
look at the yellow room, which seemed so attractive yet so virginal. He
had been there already with Osmond, to inspect the furniture, which was
of the First French Empire, and especially to admire the clock (which he
didn't really admire), an immense classic structure of that period. He
therefore felt that he had now begun to manoeuvre.
"Certainly, you may go," said Pansy; "and if you like I'll show you."
She was not in the least frightened.
"That's just what I hoped you'd say; you're so very kind," Rosier
murmured.
They went in together; Rosier really thought the room very ugly, and it
seemed cold. The same idea appeared to have struck Pansy. "It's not for
winter evenings; it's more for summer," she said. "It's papa's taste; he
has so much."
He had a good deal, Rosier thought; but some of it was very bad. He
looked about him; he hardly knew what to say in such a situation.
"Doesn't Mrs. Osmond care how her rooms are done? Has she no taste?" he
asked.
"Oh yes, a great deal; but it's more for literature," said Pansy--"and
for conversation. But papa cares also for those things. I think he knows
everything."
Rosier was silent a little. "There's one thing I'm sure he knows!" he
broke out presently. "He knows that when I come here it's, with all
respect to him, with all respect to Mrs. Osmond, who's so charming--it's
really," said the young man, "to see you!"
"To see me?" And Pansy raised her vaguely troubled eyes.
"To see you; that's what I come for," Rosier repeated, feeling the
intoxication of a rupture with authority.
Pansy stood looking at him, simply, intently, openly; a blush was not
needed to make her face more modest. "I thought it was for that."
"And it was not disagreeable to you?"
"I couldn't tell; I didn't know. You never told me," said Pansy.
"I was afraid of offending you."
"You don't offend me," the young girl murmured, smiling as if an angel
had kissed her.
"You like me then, Pansy?" Rosier asked very gently, feeling very happy.
"Yes--I like you."
They had walked to the chimney-piece where the big cold Empire clock
was perched; they were well within the room and beyond observation from
without. The tone in which she had said these four words seemed to him
the very breath of nature, and his only answer could be to take her
hand and hold it a moment. Then he raised it to his lips. She submitted,
still with her pure, trusting smile, in which there was something
ineffably passive. She liked him--she had liked him all the while; now
anything might happen! She was ready--she had been ready always, waiting
for him to speak. If he had not spoken she would have waited for ever;
but when the word came she dropped like the peach from the shaken tree.
Rosier felt that if he should draw her toward him and hold her to his
heart she would submit without a murmur, would rest there without a
question. It was true that this would be a rash experiment in a yellow
Empire salottino. She had known it was for her he came, and yet like
what a perfect little lady she had carried it off!
"You're very dear to me," he murmured, trying to believe that there was
after all such a thing as hospitality.
She looked a moment at her hand, where he had kissed it. "Did you say
papa knows?"
"You told me just now he knows everything."
"I think you must make sure," said Pansy.
"Ah, my dear, when once I'm sure of YOU!" Rosier murmured in her ear;
whereupon she turned back to the other rooms with a little air of
consistency which seemed to imply that their appeal should be immediate.
The other rooms meanwhile had become conscious of the arrival of Madame
Merle, who, wherever she went, produced an impression when she entered.
How she did it the most attentive spectator could not have told you, for
she neither spoke loud, nor laughed profusely, nor moved rapidly, nor
dressed with splendour, nor appealed in any appreciable manner to the
audience. Large, fair, smiling, serene, there was something in her very
tranquillity that diffused itself, and when people looked round it was
because of a sudden quiet. On this occasion she had done the quietest
thing she could do; after embracing Mrs. Osmond, which was more
striking, she had sat down on a small sofa to commune with the master
of the house. There was a brief exchange of commonplaces between these
two--they always paid, in public, a certain formal tribute to the
commonplace--and then Madame Merle, whose eyes had been wandering, asked
if little Mr. Rosier had come this evening.
"He came nearly an hour ago--but he has disappeared," Osmond said.
"And where's Pansy?"
"In the other room. There are several people there."
"He's probably among them," said Madame Merle.
"Do you wish to see him?" Osmond asked in a provokingly pointless tone.
Madame Merle looked at him a moment; she knew each of his tones to the
eighth of a note. "Yes, I should like to say to him that I've told you
what he wants, and that it interests you but feebly."
"Don't tell him that. He'll try to interest me more--which is exactly
what I don't want. Tell him I hate his proposal."
"But you don't hate it."
"It doesn't signify; I don't love it. I let him see that, myself, this
evening; I was rude to him on purpose. That sort of thing's a great
bore. There's no hurry."
"I'll tell him that you'll take time and think it over."
"No, don't do that. He'll hang on."
"If I discourage him he'll do the same."
"Yes, but in the one case he'll try to talk and explain--which would be
exceedingly tiresome. In the other he'll probably hold his tongue and go
in for some deeper game. That will leave me quiet. I hate talking with a
donkey."
"Is that what you call poor Mr. Rosier?"
"Oh, he's a nuisance--with his eternal majolica."
Madame Merle dropped her eyes; she had a faint smile. "He's a gentleman,
he has a charming temper; and, after all, an income of forty thousand
francs!"
"It's misery--'genteel' misery," Osmond broke in. "It's not what I've
dreamed of for Pansy."
"Very good then. He has promised me not to speak to her."
"Do you believe him?" Osmond asked absentmindedly.
"Perfectly. Pansy has thought a great deal about him; but I don't
suppose you consider that that matters."
"I don't consider it matters at all; but neither do I believe she has
thought of him."
"That opinion's more convenient," said Madame Merle quietly.
"Has she told you she's in love with him?"
"For what do you take her? And for what do you take me?" Madame Merle
added in a moment.
Osmond had raised his foot and was resting his slim ankle on the other
knee; he clasped his ankle in his hand familiarly--his long, fine
forefinger and thumb could make a ring for it--and gazed a while
before him. "This kind of thing doesn't find me unprepared. It's what I
educated her for. It was all for this--that when such a case should come
up she should do what I prefer."
"I'm not afraid that she'll not do it."
"Well then, where's the hitch?"
"I don't see any. But, all the same, I recommend you not to get rid of
Mr. Rosier. Keep him on hand; he may be useful."
"I can't keep him. Keep him yourself."
"Very good; I'll put him into a corner and allow him so much a day."
Madame Merle had, for the most part, while they talked, been glancing
about her; it was her habit in this situation, just as it was her habit
to interpose a good many blank-looking pauses. A long drop followed the
last words I have quoted; and before it had ended she saw Pansy come out
of the adjoining room, followed by Edward Rosier. The girl advanced a
few steps and then stopped and stood looking at Madame Merle and at her
father.
"He has spoken to her," Madame Merle went on to Osmond.
Her companion never turned his head. "So much for your belief in his
promises. He ought to be horsewhipped."
"He intends to confess, poor little man!"
Osmond got up; he had now taken a sharp look at his daughter. "It
doesn't matter," he murmured, turning away.
Pansy after a moment came up to Madame Merle with her little manner
of unfamiliar politeness. This lady's reception of her was not more
intimate; she simply, as she rose from the sofa, gave her a friendly
smile.
"You're very late," the young creature gently said.
"My dear child, I'm never later than I intend to be."
Madame Merle had not got up to be gracious to Pansy; she moved toward
Edward Rosier. He came to meet her and, very quickly, as if to get it
off his mind, "I've spoken to her!" he whispered.
"I know it, Mr. Rosier."
"Did she tell you?"
"Yes, she told me. Behave properly for the rest of the evening, and come
and see me to-morrow at a quarter past five." She was severe, and in
the manner in which she turned her back to him there was a degree of
contempt which caused him to mutter a decent imprecation.
He had no intention of speaking to Osmond; it was neither the time nor
the place. But he instinctively wandered toward Isabel, who sat talking
with an old lady. He sat down on the other side of her; the old lady
was Italian, and Rosier took for granted she understood no English. "You
said just now you wouldn't help me," he began to Mrs. Osmond. "Perhaps
you'll feel differently when you know--when you know--!"
Isabel met his hesitation. "When I know what?"
"That she's all right."
"What do you mean by that?"
"Well, that we've come to an understanding."
"She's all wrong," said Isabel. "It won't do."
Poor Rosier gazed at her half-pleadingly, half-angrily; a sudden flush
testified to his sense of injury. "I've never been treated so," he said.
"What is there against me, after all? That's not the way I'm usually
considered. I could have married twenty times."
"It's a pity you didn't. I don't mean twenty times, but once,
comfortably," Isabel added, smiling kindly. "You're not rich enough for
Pansy."
"She doesn't care a straw for one's money."
"No, but her father does."
"Ah yes, he has proved that!" cried the young man.
Isabel got up, turning away from him, leaving her old lady without
ceremony; and he occupied himself for the next ten minutes in pretending
to look at Gilbert Osmond's collection of miniatures, which were neatly
arranged on a series of small velvet screens. But he looked without
seeing; his cheek burned; he was too full of his sense of injury. It was
certain that he had never been treated that way before; he was not used
to being thought not good enough. He knew how good he was, and if such
a fallacy had not been so pernicious he could have laughed at it. He
searched again for Pansy, but she had disappeared, and his main desire
was now to get out of the house. Before doing so he spoke once more to
Isabel; it was not agreeable to him to reflect that he had just said a
rude thing to her--the only point that would now justify a low view of
him.
"I referred to Mr. Osmond as I shouldn't have done, a while ago," he
began. "But you must remember my situation."
"I don't remember what you said," she answered coldly.
"Ah, you're offended, and now you'll never help me."
She was silent an instant, and then with a change of tone: "It's not
that I won't; I simply can't!" Her manner was almost passionate.
"If you COULD, just a little, I'd never again speak of your husband save
as an angel."
"The inducement's great," said Isabel gravely--inscrutably, as he
afterwards, to himself, called it; and she gave him, straight in the
eyes, a look which was also inscrutable. It made him remember somehow
that he had known her as a child; and yet it was keener than he liked,
and he took himself off.
| Edward Rosier enters the Osmonds house and begins looking for Pansy Osmond. He doesnt find her in the first room and goes to the next room where he finds Mr. Osmond. Mr. Osmond snubs him by offering only two fingers of his left hand when Rosier holds his hand out for a handshake. They briefly discuss their collecting. Osmond says hes tired of collection and Rosier asks if he wants to sell anything. Osmond says no and then adds, "Ive nothing I wish to match." Rosier understands the implication and realizes Madame Merle has already spoken to him. He finds Mrs. Osmond in the next room. She tells him she wants him to go and speak to a young woman who is awkwardly sitting alone in another room. He tells her she should get her husband to speak to this young woman and she says her husband wont oblige her in such favors. He tells her he isnt interested in seeing anyone but Pansy. He finds the young woman and Pansy is with her. He is so taken with Pansy that he sits fidgeting during the conversation wiping the perspiration from his forehead. He thinks Pansy is a perfect jeune fille especially since he doesnt want a French but an American jeune fille. He is sure Pansy has never read a newspaper, has never walked alone with a man, has read nothing more of novels than perhaps Sir Walter Scot, and has never seen a comedy of manners. He rankles at the memory of Mr. Osmond giving him only two fingers of his left hand in place of a handshake. He asks Pansy to come with him to another room to show it to him. They get to the next room which is empty, decorated by Mr. Osmond in a style Rosier finds distasteful. He tells Pansy he comes only to see her. In doing so, he is going against Madame Merles warning not to speak to Pansy. He feels "the intoxication of a rupture with authority." Pansy tells him she likes him. He finds her "ineffably passive." Meanwhile in the other room, Madame Merle has entered. She comes and sits down for a chat with Gilbert Osmond in the middle of the room. She asks where Pansy is and Gilbert tells her shes in the other room with Rosier and that he has been rude to Rosier. He says he is bored by the problem of dealing with Rosier. Madame Merle says Pansy has thought a lot about Rosier but she knows Gilbert cares nothing about what Pansy thinks about. He says he doesnt in fact care. He says that is why he educated her the way she did: so she would act in such a circumstance exactly in the way he wants her to. Madame Merle says he should keep Rosier on hand since he might be useful. Gilbert refuses to do so, telling her to do it herself. They see that Rosier and Pansy are coming out of the room opposite. Madame Merle says its clear from their looks that he has spoken to her and that he intends to confess. Osmond gets up and glances sharply at Pansy then walks away. Pansy greets Madame Merle and then leaves. Madame Merle scolds Rosier for going against her advice and tells him to come to her house the next afternoon. Rosier is desperate. He finds Mrs. Osmond who tells him she can do nothing to help him, that he is not rich enough for Pansy according to her husband. Rosier feels offended at being so ill-treated. Isabel indicates that she wishes she could help him, but that she will be powerless to do so. | summary |
Pansy was not in the first of the rooms, a large apartment with a
concave ceiling and walls covered with old red damask; it was here
Mrs. Osmond usually sat--though she was not in her most customary place
to-night--and that a circle of more especial intimates gathered about
the fire. The room was flushed with subdued, diffused brightness; it
contained the larger things and--almost always--an odour of flowers.
Pansy on this occasion was presumably in the next of the series, the
resort of younger visitors, where tea was served. Osmond stood before
the chimney, leaning back with his hands behind him; he had one foot up
and was warming the sole. Half a dozen persons, scattered near him, were
talking together; but he was not in the conversation; his eyes had an
expression, frequent with them, that seemed to represent them as engaged
with objects more worth their while than the appearances actually
thrust upon them. Rosier, coming in unannounced, failed to attract his
attention; but the young man, who was very punctilious, though he was
even exceptionally conscious that it was the wife, not the husband, he
had come to see, went up to shake hands with him. Osmond put out his
left hand, without changing his attitude.
"How d'ye do? My wife's somewhere about."
"Never fear; I shall find her," said Rosier cheerfully.
Osmond, however, took him in; he had never in his life felt himself so
efficiently looked at. "Madame Merle has told him, and he doesn't like
it," he privately reasoned. He had hoped Madame Merle would be there,
but she was not in sight; perhaps she was in one of the other rooms or
would come later. He had never especially delighted in Gilbert Osmond,
having a fancy he gave himself airs. But Rosier was not quickly
resentful, and where politeness was concerned had ever a strong need of
being quite in the right. He looked round him and smiled, all without
help, and then in a moment, "I saw a jolly good piece of Capo di Monte
to-day," he said.
Osmond answered nothing at first; but presently, while he warmed his
boot-sole, "I don't care a fig for Capo di Monte!" he returned.
"I hope you're not losing your interest?"
"In old pots and plates? Yes, I'm losing my interest."
Rosier for an instant forgot the delicacy of his position. "You're not
thinking of parting with a--a piece or two?"
"No, I'm not thinking of parting with anything at all, Mr. Rosier," said
Osmond, with his eyes still on the eyes of his visitor.
"Ah, you want to keep, but not to add," Rosier remarked brightly.
"Exactly. I've nothing I wish to match."
Poor Rosier was aware he had blushed; he was distressed at his want of
assurance. "Ah, well, I have!" was all he could murmur; and he knew
his murmur was partly lost as he turned away. He took his course to the
adjoining room and met Mrs. Osmond coming out of the deep doorway. She
was dressed in black velvet; she looked high and splendid, as he had
said, and yet oh so radiantly gentle! We know what Mr. Rosier thought
of her and the terms in which, to Madame Merle, he had expressed his
admiration. Like his appreciation of her dear little stepdaughter it
was based partly on his eye for decorative character, his instinct for
authenticity; but also on a sense for uncatalogued values, for that
secret of a "lustre" beyond any recorded losing or rediscovering,
which his devotion to brittle wares had still not disqualified him
to recognise. Mrs. Osmond, at present, might well have gratified such
tastes. The years had touched her only to enrich her; the flower of her
youth had not faded, it only hung more quietly on its stem. She had lost
something of that quick eagerness to which her husband had privately
taken exception--she had more the air of being able to wait. Now, at all
events, framed in the gilded doorway, she struck our young man as the
picture of a gracious lady. "You see I'm very regular," he said. "But
who should be if I'm not?"
"Yes, I've known you longer than any one here. But we mustn't indulge in
tender reminiscences. I want to introduce you to a young lady."
"Ah, please, what young lady?" Rosier was immensely obliging; but this
was not what he had come for.
"She sits there by the fire in pink and has no one to speak to." Rosier
hesitated a moment. "Can't Mr. Osmond speak to her? He's within six feet
of her."
Mrs. Osmond also hesitated. "She's not very lively, and he doesn't like
dull people."
"But she's good enough for me? Ah now, that's hard!"
"I only mean that you've ideas for two. And then you're so obliging."
"No, he's not--to me." And Mrs. Osmond vaguely smiled.
"That's a sign he should be doubly so to other women.
"So I tell him," she said, still smiling.
"You see I want some tea," Rosier went on, looking wistfully beyond.
"That's perfect. Go and give some to my young lady."
"Very good; but after that I'll abandon her to her fate. The simple
truth is I'm dying to have a little talk with Miss Osmond."
"Ah," said Isabel, turning away, "I can't help you there!"
Five minutes later, while he handed a tea-cup to the damsel in pink,
whom he had conducted into the other room, he wondered whether, in
making to Mrs. Osmond the profession I have just quoted, he had broken
the spirit of his promise to Madame Merle. Such a question was capable
of occupying this young man's mind for a considerable time. At last,
however, he became--comparatively speaking--reckless; he cared little
what promises he might break. The fate to which he had threatened to
abandon the damsel in pink proved to be none so terrible; for Pansy
Osmond, who had given him the tea for his companion--Pansy was as fond
as ever of making tea--presently came and talked to her. Into this mild
colloquy Edward Rosier entered little; he sat by moodily, watching his
small sweetheart. If we look at her now through his eyes we shall at
first not see much to remind us of the obedient little girl who, at
Florence, three years before, was sent to walk short distances in the
Cascine while her father and Miss Archer talked together of matters
sacred to elder people. But after a moment we shall perceive that if at
nineteen Pansy has become a young lady she doesn't really fill out the
part; that if she has grown very pretty she lacks in a deplorable degree
the quality known and esteemed in the appearance of females as style;
and that if she is dressed with great freshness she wears her smart
attire with an undisguised appearance of saving it--very much as if it
were lent her for the occasion. Edward Rosier, it would seem, would have
been just the man to note these defects; and in point of fact there was
not a quality of this young lady, of any sort, that he had not noted.
Only he called her qualities by names of his own--some of which indeed
were happy enough. "No, she's unique--she's absolutely unique," he used
to say to himself; and you may be sure that not for an instant would he
have admitted to you that she was wanting in style. Style? Why, she had
the style of a little princess; if you couldn't see it you had no eye.
It was not modern, it was not conscious, it would produce no impression
in Broadway; the small, serious damsel, in her stiff little dress, only
looked like an Infanta of Velasquez. This was enough for Edward Rosier,
who thought her delightfully old-fashioned. Her anxious eyes, her
charming lips, her slip of a figure, were as touching as a childish
prayer. He had now an acute desire to know just to what point she liked
him--a desire which made him fidget as he sat in his chair. It made him
feel hot, so that he had to pat his forehead with his handkerchief; he
had never been so uncomfortable. She was such a perfect jeune fille, and
one couldn't make of a jeune fille the enquiry requisite for throwing
light on such a point. A jeune fille was what Rosier had always dreamed
of--a jeune fille who should yet not be French, for he had felt that
this nationality would complicate the question. He was sure Pansy had
never looked at a newspaper and that, in the way of novels, if she
had read Sir Walter Scott it was the very most. An American jeune
fille--what could be better than that? She would be frank and gay, and
yet would not have walked alone, nor have received letters from men,
nor have been taken to the theatre to see the comedy of manners. Rosier
could not deny that, as the matter stood, it would be a breach of
hospitality to appeal directly to this unsophisticated creature; but
he was now in imminent danger of asking himself if hospitality were
the most sacred thing in the world. Was not the sentiment that he
entertained for Miss Osmond of infinitely greater importance? Of greater
importance to him--yes; but not probably to the master of the house.
There was one comfort; even if this gentleman had been placed on his
guard by Madame Merle he would not have extended the warning to Pansy;
it would not have been part of his policy to let her know that a
prepossessing young man was in love with her. But he WAS in love
with her, the prepossessing young man; and all these restrictions of
circumstance had ended by irritating him. What had Gilbert Osmond meant
by giving him two fingers of his left hand? If Osmond was rude, surely
he himself might be bold. He felt extremely bold after the dull girl
in so vain a disguise of rose-colour had responded to the call of her
mother, who came in to say, with a significant simper at Rosier, that
she must carry her off to other triumphs. The mother and daughter
departed together, and now it depended only upon him that he should be
virtually alone with Pansy. He had never been alone with her before;
he had never been alone with a jeune fille. It was a great moment; poor
Rosier began to pat his forehead again. There was another room beyond
the one in which they stood--a small room that had been thrown open and
lighted, but that, the company not being numerous, had remained empty
all the evening. It was empty yet; it was upholstered in pale yellow;
there were several lamps; through the open door it looked the very
temple of authorised love. Rosier gazed a moment through this aperture;
he was afraid that Pansy would run away, and felt almost capable of
stretching out a hand to detain her. But she lingered where the other
maiden had left them, making no motion to join a knot of visitors on
the far side of the room. For a little it occurred to him that she was
frightened--too frightened perhaps to move; but a second glance assured
him she was not, and he then reflected that she was too innocent indeed
for that. After a supreme hesitation he asked her if he might go and
look at the yellow room, which seemed so attractive yet so virginal. He
had been there already with Osmond, to inspect the furniture, which was
of the First French Empire, and especially to admire the clock (which he
didn't really admire), an immense classic structure of that period. He
therefore felt that he had now begun to manoeuvre.
"Certainly, you may go," said Pansy; "and if you like I'll show you."
She was not in the least frightened.
"That's just what I hoped you'd say; you're so very kind," Rosier
murmured.
They went in together; Rosier really thought the room very ugly, and it
seemed cold. The same idea appeared to have struck Pansy. "It's not for
winter evenings; it's more for summer," she said. "It's papa's taste; he
has so much."
He had a good deal, Rosier thought; but some of it was very bad. He
looked about him; he hardly knew what to say in such a situation.
"Doesn't Mrs. Osmond care how her rooms are done? Has she no taste?" he
asked.
"Oh yes, a great deal; but it's more for literature," said Pansy--"and
for conversation. But papa cares also for those things. I think he knows
everything."
Rosier was silent a little. "There's one thing I'm sure he knows!" he
broke out presently. "He knows that when I come here it's, with all
respect to him, with all respect to Mrs. Osmond, who's so charming--it's
really," said the young man, "to see you!"
"To see me?" And Pansy raised her vaguely troubled eyes.
"To see you; that's what I come for," Rosier repeated, feeling the
intoxication of a rupture with authority.
Pansy stood looking at him, simply, intently, openly; a blush was not
needed to make her face more modest. "I thought it was for that."
"And it was not disagreeable to you?"
"I couldn't tell; I didn't know. You never told me," said Pansy.
"I was afraid of offending you."
"You don't offend me," the young girl murmured, smiling as if an angel
had kissed her.
"You like me then, Pansy?" Rosier asked very gently, feeling very happy.
"Yes--I like you."
They had walked to the chimney-piece where the big cold Empire clock
was perched; they were well within the room and beyond observation from
without. The tone in which she had said these four words seemed to him
the very breath of nature, and his only answer could be to take her
hand and hold it a moment. Then he raised it to his lips. She submitted,
still with her pure, trusting smile, in which there was something
ineffably passive. She liked him--she had liked him all the while; now
anything might happen! She was ready--she had been ready always, waiting
for him to speak. If he had not spoken she would have waited for ever;
but when the word came she dropped like the peach from the shaken tree.
Rosier felt that if he should draw her toward him and hold her to his
heart she would submit without a murmur, would rest there without a
question. It was true that this would be a rash experiment in a yellow
Empire salottino. She had known it was for her he came, and yet like
what a perfect little lady she had carried it off!
"You're very dear to me," he murmured, trying to believe that there was
after all such a thing as hospitality.
She looked a moment at her hand, where he had kissed it. "Did you say
papa knows?"
"You told me just now he knows everything."
"I think you must make sure," said Pansy.
"Ah, my dear, when once I'm sure of YOU!" Rosier murmured in her ear;
whereupon she turned back to the other rooms with a little air of
consistency which seemed to imply that their appeal should be immediate.
The other rooms meanwhile had become conscious of the arrival of Madame
Merle, who, wherever she went, produced an impression when she entered.
How she did it the most attentive spectator could not have told you, for
she neither spoke loud, nor laughed profusely, nor moved rapidly, nor
dressed with splendour, nor appealed in any appreciable manner to the
audience. Large, fair, smiling, serene, there was something in her very
tranquillity that diffused itself, and when people looked round it was
because of a sudden quiet. On this occasion she had done the quietest
thing she could do; after embracing Mrs. Osmond, which was more
striking, she had sat down on a small sofa to commune with the master
of the house. There was a brief exchange of commonplaces between these
two--they always paid, in public, a certain formal tribute to the
commonplace--and then Madame Merle, whose eyes had been wandering, asked
if little Mr. Rosier had come this evening.
"He came nearly an hour ago--but he has disappeared," Osmond said.
"And where's Pansy?"
"In the other room. There are several people there."
"He's probably among them," said Madame Merle.
"Do you wish to see him?" Osmond asked in a provokingly pointless tone.
Madame Merle looked at him a moment; she knew each of his tones to the
eighth of a note. "Yes, I should like to say to him that I've told you
what he wants, and that it interests you but feebly."
"Don't tell him that. He'll try to interest me more--which is exactly
what I don't want. Tell him I hate his proposal."
"But you don't hate it."
"It doesn't signify; I don't love it. I let him see that, myself, this
evening; I was rude to him on purpose. That sort of thing's a great
bore. There's no hurry."
"I'll tell him that you'll take time and think it over."
"No, don't do that. He'll hang on."
"If I discourage him he'll do the same."
"Yes, but in the one case he'll try to talk and explain--which would be
exceedingly tiresome. In the other he'll probably hold his tongue and go
in for some deeper game. That will leave me quiet. I hate talking with a
donkey."
"Is that what you call poor Mr. Rosier?"
"Oh, he's a nuisance--with his eternal majolica."
Madame Merle dropped her eyes; she had a faint smile. "He's a gentleman,
he has a charming temper; and, after all, an income of forty thousand
francs!"
"It's misery--'genteel' misery," Osmond broke in. "It's not what I've
dreamed of for Pansy."
"Very good then. He has promised me not to speak to her."
"Do you believe him?" Osmond asked absentmindedly.
"Perfectly. Pansy has thought a great deal about him; but I don't
suppose you consider that that matters."
"I don't consider it matters at all; but neither do I believe she has
thought of him."
"That opinion's more convenient," said Madame Merle quietly.
"Has she told you she's in love with him?"
"For what do you take her? And for what do you take me?" Madame Merle
added in a moment.
Osmond had raised his foot and was resting his slim ankle on the other
knee; he clasped his ankle in his hand familiarly--his long, fine
forefinger and thumb could make a ring for it--and gazed a while
before him. "This kind of thing doesn't find me unprepared. It's what I
educated her for. It was all for this--that when such a case should come
up she should do what I prefer."
"I'm not afraid that she'll not do it."
"Well then, where's the hitch?"
"I don't see any. But, all the same, I recommend you not to get rid of
Mr. Rosier. Keep him on hand; he may be useful."
"I can't keep him. Keep him yourself."
"Very good; I'll put him into a corner and allow him so much a day."
Madame Merle had, for the most part, while they talked, been glancing
about her; it was her habit in this situation, just as it was her habit
to interpose a good many blank-looking pauses. A long drop followed the
last words I have quoted; and before it had ended she saw Pansy come out
of the adjoining room, followed by Edward Rosier. The girl advanced a
few steps and then stopped and stood looking at Madame Merle and at her
father.
"He has spoken to her," Madame Merle went on to Osmond.
Her companion never turned his head. "So much for your belief in his
promises. He ought to be horsewhipped."
"He intends to confess, poor little man!"
Osmond got up; he had now taken a sharp look at his daughter. "It
doesn't matter," he murmured, turning away.
Pansy after a moment came up to Madame Merle with her little manner
of unfamiliar politeness. This lady's reception of her was not more
intimate; she simply, as she rose from the sofa, gave her a friendly
smile.
"You're very late," the young creature gently said.
"My dear child, I'm never later than I intend to be."
Madame Merle had not got up to be gracious to Pansy; she moved toward
Edward Rosier. He came to meet her and, very quickly, as if to get it
off his mind, "I've spoken to her!" he whispered.
"I know it, Mr. Rosier."
"Did she tell you?"
"Yes, she told me. Behave properly for the rest of the evening, and come
and see me to-morrow at a quarter past five." She was severe, and in
the manner in which she turned her back to him there was a degree of
contempt which caused him to mutter a decent imprecation.
He had no intention of speaking to Osmond; it was neither the time nor
the place. But he instinctively wandered toward Isabel, who sat talking
with an old lady. He sat down on the other side of her; the old lady
was Italian, and Rosier took for granted she understood no English. "You
said just now you wouldn't help me," he began to Mrs. Osmond. "Perhaps
you'll feel differently when you know--when you know--!"
Isabel met his hesitation. "When I know what?"
"That she's all right."
"What do you mean by that?"
"Well, that we've come to an understanding."
"She's all wrong," said Isabel. "It won't do."
Poor Rosier gazed at her half-pleadingly, half-angrily; a sudden flush
testified to his sense of injury. "I've never been treated so," he said.
"What is there against me, after all? That's not the way I'm usually
considered. I could have married twenty times."
"It's a pity you didn't. I don't mean twenty times, but once,
comfortably," Isabel added, smiling kindly. "You're not rich enough for
Pansy."
"She doesn't care a straw for one's money."
"No, but her father does."
"Ah yes, he has proved that!" cried the young man.
Isabel got up, turning away from him, leaving her old lady without
ceremony; and he occupied himself for the next ten minutes in pretending
to look at Gilbert Osmond's collection of miniatures, which were neatly
arranged on a series of small velvet screens. But he looked without
seeing; his cheek burned; he was too full of his sense of injury. It was
certain that he had never been treated that way before; he was not used
to being thought not good enough. He knew how good he was, and if such
a fallacy had not been so pernicious he could have laughed at it. He
searched again for Pansy, but she had disappeared, and his main desire
was now to get out of the house. Before doing so he spoke once more to
Isabel; it was not agreeable to him to reflect that he had just said a
rude thing to her--the only point that would now justify a low view of
him.
"I referred to Mr. Osmond as I shouldn't have done, a while ago," he
began. "But you must remember my situation."
"I don't remember what you said," she answered coldly.
"Ah, you're offended, and now you'll never help me."
She was silent an instant, and then with a change of tone: "It's not
that I won't; I simply can't!" Her manner was almost passionate.
"If you COULD, just a little, I'd never again speak of your husband save
as an angel."
"The inducement's great," said Isabel gravely--inscrutably, as he
afterwards, to himself, called it; and she gave him, straight in the
eyes, a look which was also inscrutable. It made him remember somehow
that he had known her as a child; and yet it was keener than he liked,
and he took himself off.
| Notes The situation is an evening at the Osmonds and the narrative treatment of it is as if it were a tableaux. A tableau is a kind of stage performance in which the actors dont speak but act out their parts in a way that conveys the meaning. The dialogue is less important than the implication of the position of the players. Rosier comes in looking for Pansy. He is snubbed by Gilbert Osmond. He takes Pansy aside and they exchange words that indicate they care for each other. They come back in and their looks show what theyve been discussing. Meanwhile, Madame Merle and Gilbert Osmond have had their own private talk in public. They have discussed and essentially dispensed with the subject of Pansy and Rosier. Madame Merle indicates to Rosier that he has fumbled seriously and dismisses him. He rushes to Isabel who insists on her powerlessness. Then he leaves. This is the second view weve gotten of Isabels marriage and it is as distanced as the first view. Here, Isabel is shown as the social organizer of Gilbert Osmonds house. She speaks hardly at all and when she does, it is to insist on her inability to control or influence her husband. The scene is quite sinister. Madame Merle and Gilbert Osmond are clearly running things as they wish them to be done. | analysis |
He went to see Madame Merle on the morrow, and to his surprise she let
him off rather easily. But she made him promise that he would stop
there till something should have been decided. Mr. Osmond had had higher
expectations; it was very true that as he had no intention of giving his
daughter a portion such expectations were open to criticism or even, if
one would, to ridicule. But she would advise Mr. Rosier not to take that
tone; if he would possess his soul in patience he might arrive at his
felicity. Mr. Osmond was not favourable to his suit, but it wouldn't be
a miracle if he should gradually come round. Pansy would never defy
her father, he might depend on that; so nothing was to be gained by
precipitation. Mr. Osmond needed to accustom his mind to an offer of a
sort that he had not hitherto entertained, and this result must come of
itself--it was useless to try to force it. Rosier remarked that his own
situation would be in the meanwhile the most uncomfortable in the world,
and Madame Merle assured him that she felt for him. But, as she justly
declared, one couldn't have everything one wanted; she had learned that
lesson for herself. There would be no use in his writing to Gilbert
Osmond, who had charged her to tell him as much. He wished the matter
dropped for a few weeks and would himself write when he should have
anything to communicate that it might please Mr. Rosier to hear.
"He doesn't like your having spoken to Pansy, Ah, he doesn't like it at
all," said Madame Merle.
"I'm perfectly willing to give him a chance to tell me so!"
"If you do that he'll tell you more than you care to hear. Go to the
house, for the next month, as little as possible, and leave the rest to
me."
"As little as possible? Who's to measure the possibility?"
"Let me measure it. Go on Thursday evenings with the rest of the world,
but don't go at all at odd times, and don't fret about Pansy. I'll see
that she understands everything. She's a calm little nature; she'll take
it quietly."
Edward Rosier fretted about Pansy a good deal, but he did as he was
advised, and awaited another Thursday evening before returning to
Palazzo Roccanera. There had been a party at dinner, so that though he
went early the company was already tolerably numerous. Osmond, as usual,
was in the first room, near the fire, staring straight at the door, so
that, not to be distinctly uncivil, Rosier had to go and speak to him.
"I'm glad that you can take a hint," Pansy's father said, slightly
closing his keen, conscious eyes.
"I take no hints. But I took a message, as I supposed it to be."
"You took it? Where did you take it?"
It seemed to poor Rosier he was being insulted, and he waited a moment,
asking himself how much a true lover ought to submit to. "Madame Merle
gave me, as I understood it, a message from you--to the effect that you
declined to give me the opportunity I desire, the opportunity to explain
my wishes to you." And he flattered himself he spoke rather sternly.
"I don't see what Madame Merle has to do with it. Why did you apply to
Madame Merle?"
"I asked her for an opinion--for nothing more. I did so because she had
seemed to me to know you very well."
"She doesn't know me so well as she thinks," said Osmond.
"I'm sorry for that, because she has given me some little ground for
hope."
Osmond stared into the fire a moment. "I set a great price on my
daughter."
"You can't set a higher one than I do. Don't I prove it by wishing to
marry her?"
"I wish to marry her very well," Osmond went on with a dry impertinence
which, in another mood, poor Rosier would have admired.
"Of course I pretend she'd marry well in marrying me. She couldn't
marry a man who loves her more--or whom, I may venture to add, she loves
more."
"I'm not bound to accept your theories as to whom my daughter
loves"--and Osmond looked up with a quick, cold smile.
"I'm not theorising. Your daughter has spoken."
"Not to me," Osmond continued, now bending forward a little and dropping
his eyes to his boot-toes.
"I have her promise, sir!" cried Rosier with the sharpness of
exasperation.
As their voices had been pitched very low before, such a note attracted
some attention from the company. Osmond waited till this little movement
had subsided; then he said, all undisturbed: "I think she has no
recollection of having given it."
They had been standing with their faces to the fire, and after he had
uttered these last words the master of the house turned round again
to the room. Before Rosier had time to reply he perceived that a
gentleman--a stranger--had just come in, unannounced, according to the
Roman custom, and was about to present himself to his host. The latter
smiled blandly, but somewhat blankly; the visitor had a handsome face
and a large, fair beard, and was evidently an Englishman.
"You apparently don't recognise me," he said with a smile that expressed
more than Osmond's.
"Ah yes, now I do. I expected so little to see you."
Rosier departed and went in direct pursuit of Pansy. He sought her, as
usual, in the neighbouring room, but he again encountered Mrs. Osmond
in his path. He gave his hostess no greeting--he was too righteously
indignant, but said to her crudely: "Your husband's awfully
cold-blooded."
She gave the same mystical smile he had noticed before. "You can't
expect every one to be as hot as yourself."
"I don't pretend to be cold, but I'm cool. What has he been doing to his
daughter?"
"I've no idea."
"Don't you take any interest?" Rosier demanded with his sense that she
too was irritating.
For a moment she answered nothing; then, "No!" she said abruptly and
with a quickened light in her eyes which directly contradicted the word.
"Pardon me if I don't believe that. Where's Miss Osmond?"
"In the corner, making tea. Please leave her there."
Rosier instantly discovered his friend, who had been hidden by
intervening groups. He watched her, but her own attention was entirely
given to her occupation. "What on earth has he done to her?" he asked
again imploringly. "He declares to me she has given me up."
"She has not given you up," Isabel said in a low tone and without
looking at him.
"Ah, thank you for that! Now I'll leave her alone as long as you think
proper!"
He had hardly spoken when he saw her change colour, and became aware
that Osmond was coming toward her accompanied by the gentleman who had
just entered. He judged the latter, in spite of the advantage of good
looks and evident social experience, a little embarrassed. "Isabel,"
said her husband, "I bring you an old friend."
Mrs. Osmond's face, though it wore a smile, was, like her old friend's,
not perfectly confident. "I'm very happy to see Lord Warburton," she
said. Rosier turned away and, now that his talk with her had been
interrupted, felt absolved from the little pledge he had just taken. He
had a quick impression that Mrs. Osmond wouldn't notice what he did.
Isabel in fact, to do him justice, for some time quite ceased to observe
him. She had been startled; she hardly knew if she felt a pleasure or
a pain. Lord Warburton, however, now that he was face to face with her,
was plainly quite sure of his own sense of the matter; though his grey
eyes had still their fine original property of keeping recognition and
attestation strictly sincere. He was "heavier" than of yore and looked
older; he stood there very solidly and sensibly.
"I suppose you didn't expect to see me," he said; "I've but just
arrived. Literally, I only got here this evening. You see I've lost
no time in coming to pay you my respects. I knew you were at home on
Thursdays."
"You see the fame of your Thursdays has spread to England," Osmond
remarked to his wife.
"It's very kind of Lord Warburton to come so soon; we're greatly
flattered," Isabel said.
"Ah well, it's better than stopping in one of those horrible inns,"
Osmond went on.
"The hotel seems very good; I think it's the same at which I saw you
four years since. You know it was here in Rome that we first met; it's a
long time ago. Do you remember where I bade you good-bye?" his lordship
asked of his hostess. "It was in the Capitol, in the first room."
"I remember that myself," said Osmond. "I was there at the time."
"Yes, I remember you there. I was very sorry to leave Rome--so sorry
that, somehow or other, it became almost a dismal memory, and I've never
cared to come back till to-day. But I knew you were living here," her
old friend went on to Isabel, "and I assure you I've often thought of
you. It must be a charming place to live in," he added with a look,
round him, at her established home, in which she might have caught the
dim ghost of his old ruefulness.
"We should have been glad to see you at any time," Osmond observed with
propriety.
"Thank you very much. I haven't been out of England since then. Till a
month ago I really supposed my travels over."
"I've heard of you from time to time," said Isabel, who had already,
with her rare capacity for such inward feats, taken the measure of what
meeting him again meant for her.
"I hope you've heard no harm. My life has been a remarkably complete
blank."
"Like the good reigns in history," Osmond suggested. He appeared to
think his duties as a host now terminated--he had performed them so
conscientiously. Nothing could have been more adequate, more
nicely measured, than his courtesy to his wife's old friend. It
was punctilious, it was explicit, it was everything but natural--a
deficiency which Lord Warburton, who, himself, had on the whole a good
deal of nature, may be supposed to have perceived. "I'll leave you and
Mrs. Osmond together," he added. "You have reminiscences into which I
don't enter."
"I'm afraid you lose a good deal!" Lord Warburton called after him, as
he moved away, in a tone which perhaps betrayed overmuch an appreciation
of his generosity. Then the visitor turned on Isabel the deeper, the
deepest, consciousness of his look, which gradually became more serious.
"I'm really very glad to see you."
"It's very pleasant. You're very kind."
"Do you know that you're changed--a little?"
She just hesitated. "Yes--a good deal."
"I don't mean for the worse, of course; and yet how can I say for the
better?"
"I think I shall have no scruple in saying that to YOU," she bravely
returned.
"Ah well, for me--it's a long time. It would be a pity there shouldn't
be something to show for it." They sat down and she asked him about
his sisters, with other enquiries of a somewhat perfunctory kind. He
answered her questions as if they interested him, and in a few moments
she saw--or believed she saw--that he would press with less of his
whole weight than of yore. Time had breathed upon his heart and, without
chilling it, given it a relieved sense of having taken the air. Isabel
felt her usual esteem for Time rise at a bound. Her friend's manner was
certainly that of a contented man, one who would rather like people, or
like her at least, to know him for such. "There's something I must tell
you without more delay," he resumed. "I've brought Ralph Touchett with
me."
"Brought him with you?" Isabel's surprise was great.
"He's at the hotel; he was too tired to come out and has gone to bed."
"I'll go to see him," she immediately said.
"That's exactly what I hoped you'd do. I had an idea you hadn't seen
much of him since your marriage, that in fact your relations were a--a
little more formal. That's why I hesitated--like an awkward Briton."
"I'm as fond of Ralph as ever," Isabel answered. "But why has he come to
Rome?" The declaration was very gentle, the question a little sharp.
"Because he's very far gone, Mrs. Osmond."
"Rome then is no place for him. I heard from him that he had determined
to give up his custom of wintering abroad and to remain in England,
indoors, in what he called an artificial climate."
"Poor fellow, he doesn't succeed with the artificial! I went to see him
three weeks ago, at Gardencourt, and found him thoroughly ill. He has
been getting worse every year, and now he has no strength left. He
smokes no more cigarettes! He had got up an artificial climate indeed;
the house was as hot as Calcutta. Nevertheless he had suddenly taken it
into his head to start for Sicily. I didn't believe in it--neither did
the doctors, nor any of his friends. His mother, as I suppose you know,
is in America, so there was no one to prevent him. He stuck to his idea
that it would be the saving of him to spend the winter at Catania.
He said he could take servants and furniture, could make himself
comfortable, but in point of fact he hasn't brought anything. I wanted
him at least to go by sea, to save fatigue; but he said he hated the sea
and wished to stop at Rome. After that, though I thought it all rubbish,
I made up my mind to come with him. I'm acting as--what do you call it
in America?--as a kind of moderator. Poor Ralph's very moderate now. We
left England a fortnight ago, and he has been very bad on the way. He
can't keep warm, and the further south we come the more he feels the
cold. He has got rather a good man, but I'm afraid he's beyond human
help. I wanted him to take with him some clever fellow--I mean some
sharp young doctor; but he wouldn't hear of it. If you don't mind my
saying so, I think it was a most extraordinary time for Mrs. Touchett to
decide on going to America."
Isabel had listened eagerly; her face was full of pain and wonder. "My
aunt does that at fixed periods and lets nothing turn her aside. When
the date comes round she starts; I think she'd have started if Ralph had
been dying."
"I sometimes think he IS dying," Lord Warburton said.
Isabel sprang up. "I'll go to him then now."
He checked her; he was a little disconcerted at the quick effect of his
words. "I don't mean I thought so to-night. On the contrary, to-day,
in the train, he seemed particularly well; the idea of our reaching
Rome--he's very fond of Rome, you know--gave him strength. An hour ago,
when I bade him goodnight, he told me he was very tired, but very happy.
Go to him in the morning; that's all I mean. I didn't tell him I was
coming here; I didn't decide to till after we had separated. Then I
remembered he had told me you had an evening, and that it was this very
Thursday. It occurred to me to come in and tell you he's here, and let
you know you had perhaps better not wait for him to call. I think he
said he hadn't written to you." There was no need of Isabel's declaring
that she would act upon Lord Warburton's information; she looked, as she
sat there, like a winged creature held back. "Let alone that I wanted to
see you for myself," her visitor gallantly added.
"I don't understand Ralph's plan; it seems to me very wild," she said.
"I was glad to think of him between those thick walls at Gardencourt."
"He was completely alone there; the thick walls were his only company."
"You went to see him; you've been extremely kind."
"Oh dear, I had nothing to do," said Lord Warburton.
"We hear, on the contrary, that you're doing great things. Every one
speaks of you as a great statesman, and I'm perpetually seeing your name
in the Times, which, by the way, doesn't appear to hold it in reverence.
You're apparently as wild a radical as ever."
"I don't feel nearly so wild; you know the world has come round to me.
Touchett and I have kept up a sort of parliamentary debate all the way
from London. I tell him he's the last of the Tories, and he calls me
the King of the Goths--says I have, down to the details of my personal
appearance, every sign of the brute. So you see there's life in him
yet."
Isabel had many questions to ask about Ralph, but she abstained from
asking them all. She would see for herself on the morrow. She perceived
that after a little Lord Warburton would tire of that subject--he had a
conception of other possible topics. She was more and more able to say
to herself that he had recovered, and, what is more to the point, she
was able to say it without bitterness. He had been for her, of old,
such an image of urgency, of insistence, of something to be resisted
and reasoned with, that his reappearance at first menaced her with a new
trouble. But she was now reassured; she could see he only wished to live
with her on good terms, that she was to understand he had forgiven her
and was incapable of the bad taste of making pointed allusions. This was
not a form of revenge, of course; she had no suspicion of his wishing to
punish her by an exhibition of disillusionment; she did him the justice
to believe it had simply occurred to him that she would now take a
good-natured interest in knowing he was resigned. It was the resignation
of a healthy, manly nature, in which sentimental wounds could never
fester. British politics had cured him; she had known they would. She
gave an envious thought to the happier lot of men, who are always free
to plunge into the healing waters of action. Lord Warburton of course
spoke of the past, but he spoke of it without implications; he even
went so far as to allude to their former meeting in Rome as a very jolly
time. And he told her he had been immensely interested in hearing of her
marriage and that it was a great pleasure for him to make Mr. Osmond's
acquaintance--since he could hardly be said to have made it on the other
occasion. He had not written to her at the time of that passage in her
history, but he didn't apologise to her for this. The only thing he
implied was that they were old friends, intimate friends. It was very
much as an intimate friend that he said to her, suddenly, after a short
pause which he had occupied in smiling, as he looked about him, like a
person amused, at a provincial entertainment, by some innocent game of
guesses--
"Well now, I suppose you're very happy and all that sort of thing?"
Isabel answered with a quick laugh; the tone of his remark struck her
almost as the accent of comedy. "Do you suppose if I were not I'd tell
you?"
"Well, I don't know. I don't see why not."
"I do then. Fortunately, however, I'm very happy."
"You've got an awfully good house."
"Yes, it's very pleasant. But that's not my merit--it's my husband's."
"You mean he has arranged it?"
"Yes, it was nothing when we came."
"He must be very clever."
"He has a genius for upholstery," said Isabel.
"There's a great rage for that sort of thing now. But you must have a
taste of your own."
"I enjoy things when they're done, but I've no ideas. I can never
propose anything."
"Do you mean you accept what others propose?"
"Very willingly, for the most part."
"That's a good thing to know. I shall propose to you something."
"It will be very kind. I must say, however, that I've in a few small
ways a certain initiative. I should like for instance to introduce you
to some of these people."
"Oh, please don't; I prefer sitting here. Unless it be to that young
lady in the blue dress. She has a charming face."
"The one talking to the rosy young man? That's my husband's daughter."
"Lucky man, your husband. What a dear little maid!"
"You must make her acquaintance."
"In a moment--with pleasure. I like looking at her from here." He ceased
to look at her, however, very soon; his eyes constantly reverted to Mrs.
Osmond. "Do you know I was wrong just now in saying you had changed?" he
presently went on. "You seem to me, after all, very much the same."
"And yet I find it a great change to be married," said Isabel with mild
gaiety.
"It affects most people more than it has affected you. You see I haven't
gone in for that."
"It rather surprises me."
"You ought to understand it, Mrs. Osmond. But I do want to marry," he
added more simply.
"It ought to be very easy," Isabel said, rising--after which she
reflected, with a pang perhaps too visible, that she was hardly the
person to say this. It was perhaps because Lord Warburton divined the
pang that he generously forbore to call her attention to her not having
contributed then to the facility.
Edward Rosier had meanwhile seated himself on an ottoman beside Pansy's
tea-table. He pretended at first to talk to her about trifles, and she
asked him who was the new gentleman conversing with her stepmother.
"He's an English lord," said Rosier. "I don't know more."
"I wonder if he'll have some tea. The English are so fond of tea."
"Never mind that; I've something particular to say to you."
"Don't speak so loud every one will hear," said Pansy.
"They won't hear if you continue to look that way: as if your only
thought in life was the wish the kettle would boil."
"It has just been filled; the servants never know!"--and she sighed with
the weight of her responsibility.
"Do you know what your father said to me just now? That you didn't mean
what you said a week ago."
"I don't mean everything I say. How can a young girl do that? But I mean
what I say to you."
"He told me you had forgotten me."
"Ah no, I don't forget," said Pansy, showing her pretty teeth in a fixed
smile.
"Then everything's just the very same?"
"Ah no, not the very same. Papa has been terribly severe."
"What has he done to you?"
"He asked me what you had done to me, and I told him everything. Then he
forbade me to marry you."
"You needn't mind that."
"Oh yes, I must indeed. I can't disobey papa."
"Not for one who loves you as I do, and whom you pretend to love?"
She raised the lid of the tea-pot, gazing into this vessel for a moment;
then she dropped six words into its aromatic depths. "I love you just as
much."
"What good will that do me?"
"Ah," said Pansy, raising her sweet, vague eyes, "I don't know that."
"You disappoint me," groaned poor Rosier.
She was silent a little; she handed a tea-cup to a servant. "Please
don't talk any more."
"Is this to be all my satisfaction?"
"Papa said I was not to talk with you."
"Do you sacrifice me like that? Ah, it's too much!"
"I wish you'd wait a little," said the girl in a voice just distinct
enough to betray a quaver.
"Of course I'll wait if you'll give me hope. But you take my life away."
"I'll not give you up--oh no!" Pansy went on.
"He'll try and make you marry some one else."
"I'll never do that."
"What then are we to wait for?"
She hesitated again. "I'll speak to Mrs. Osmond and she'll help us." It
was in this manner that she for the most part designated her stepmother.
"She won't help us much. She's afraid."
"Afraid of what?"
"Of your father, I suppose."
Pansy shook her little head. "She's not afraid of any one. We must have
patience."
"Ah, that's an awful word," Rosier groaned; he was deeply disconcerted.
Oblivious of the customs of good society, he dropped his head into his
hands and, supporting it with a melancholy grace, sat staring at the
carpet. Presently he became aware of a good deal of movement about
him and, as he looked up, saw Pansy making a curtsey--it was still her
little curtsey of the convent--to the English lord whom Mrs. Osmond had
introduced.
| Edward Rosier goes to see Madame Merle the next day and is surprised that she doesnt scold him for going against her advice. She tells him to be very patient and to visit Pansy only on Thursday evenings when everyone else does. He agrees. The next Thursday he enters the Osmonds and greets Mr. Osmond who tells him he is glad to see he can take a hint. He adds that he sets a "great price on daughter." He tells Edward that Pansy never gave him her pledge of love and that she will not marry him. Lord Warburton enters and greets Mr. Osmond who chats with him. Meanwhile, Rosier goes to speak briefly to Isabel who tells him Pansy has not given up on him as Mr. Osmond has asserted. He notices Isabel change color and sees that Mr. Osmond is approaching with Lord Warburton. They greet each other warmly and after a brief time of conversation, Osmond leaves them to talk alone. Warburton tells Isabel she has changed a bit since he last saw her in Rome. She says shes changed a good deal. He says he has come to Rome with Ralph Touchett who is in a very bad way and has decided unaccountably to spend the winter in Catania, Sicily against the advice of all the medical authorities. Ralph wanted to stop in Rome on the way. Isabel is alarmed but Warburton tells her she should go see Ralph in the morning, that when he left him that night, Ralph had said he was happy. Isabel tells Warburton she has heard that he has been doing good things with his reform plans. He tells her he keeps up a constant debate with Ralph, who is a conservative. She sees that he is contented with his life and realizes he has had the luxury of a man to plunge himself into his work. He asks her if shes happy and she says she is very happy after asking him if he really thinks she would tell him if she werent. He compliments her on her house and she says its all Osmonds doing. She says, "Ive no ideas. I can never propose anything." Isabel wants to introduce him to some of her guests and he says he only wants to speak to her. Then he notices Pansy and says he wouldnt mind meeting her. Isabel tells him who Pansy is. Warburton tells Isabel she hasnt changed after all. Isabel says marriage has changed her a great deal. Warburton says he does wish to marry. Meanwhile, Edward Rosier is speaking to Pansy who is busy pouring tea. She assures him that she hasnt forgotten him as her father said she had. She says she wont give him up, but that shell appeal to Mrs. Osmond for help. He says Mrs. Osmond can do nothing since shes afraid of Mr. Osmond, and Pansy says Mrs. Osmond isnt afraid of anyone. | summary |
He went to see Madame Merle on the morrow, and to his surprise she let
him off rather easily. But she made him promise that he would stop
there till something should have been decided. Mr. Osmond had had higher
expectations; it was very true that as he had no intention of giving his
daughter a portion such expectations were open to criticism or even, if
one would, to ridicule. But she would advise Mr. Rosier not to take that
tone; if he would possess his soul in patience he might arrive at his
felicity. Mr. Osmond was not favourable to his suit, but it wouldn't be
a miracle if he should gradually come round. Pansy would never defy
her father, he might depend on that; so nothing was to be gained by
precipitation. Mr. Osmond needed to accustom his mind to an offer of a
sort that he had not hitherto entertained, and this result must come of
itself--it was useless to try to force it. Rosier remarked that his own
situation would be in the meanwhile the most uncomfortable in the world,
and Madame Merle assured him that she felt for him. But, as she justly
declared, one couldn't have everything one wanted; she had learned that
lesson for herself. There would be no use in his writing to Gilbert
Osmond, who had charged her to tell him as much. He wished the matter
dropped for a few weeks and would himself write when he should have
anything to communicate that it might please Mr. Rosier to hear.
"He doesn't like your having spoken to Pansy, Ah, he doesn't like it at
all," said Madame Merle.
"I'm perfectly willing to give him a chance to tell me so!"
"If you do that he'll tell you more than you care to hear. Go to the
house, for the next month, as little as possible, and leave the rest to
me."
"As little as possible? Who's to measure the possibility?"
"Let me measure it. Go on Thursday evenings with the rest of the world,
but don't go at all at odd times, and don't fret about Pansy. I'll see
that she understands everything. She's a calm little nature; she'll take
it quietly."
Edward Rosier fretted about Pansy a good deal, but he did as he was
advised, and awaited another Thursday evening before returning to
Palazzo Roccanera. There had been a party at dinner, so that though he
went early the company was already tolerably numerous. Osmond, as usual,
was in the first room, near the fire, staring straight at the door, so
that, not to be distinctly uncivil, Rosier had to go and speak to him.
"I'm glad that you can take a hint," Pansy's father said, slightly
closing his keen, conscious eyes.
"I take no hints. But I took a message, as I supposed it to be."
"You took it? Where did you take it?"
It seemed to poor Rosier he was being insulted, and he waited a moment,
asking himself how much a true lover ought to submit to. "Madame Merle
gave me, as I understood it, a message from you--to the effect that you
declined to give me the opportunity I desire, the opportunity to explain
my wishes to you." And he flattered himself he spoke rather sternly.
"I don't see what Madame Merle has to do with it. Why did you apply to
Madame Merle?"
"I asked her for an opinion--for nothing more. I did so because she had
seemed to me to know you very well."
"She doesn't know me so well as she thinks," said Osmond.
"I'm sorry for that, because she has given me some little ground for
hope."
Osmond stared into the fire a moment. "I set a great price on my
daughter."
"You can't set a higher one than I do. Don't I prove it by wishing to
marry her?"
"I wish to marry her very well," Osmond went on with a dry impertinence
which, in another mood, poor Rosier would have admired.
"Of course I pretend she'd marry well in marrying me. She couldn't
marry a man who loves her more--or whom, I may venture to add, she loves
more."
"I'm not bound to accept your theories as to whom my daughter
loves"--and Osmond looked up with a quick, cold smile.
"I'm not theorising. Your daughter has spoken."
"Not to me," Osmond continued, now bending forward a little and dropping
his eyes to his boot-toes.
"I have her promise, sir!" cried Rosier with the sharpness of
exasperation.
As their voices had been pitched very low before, such a note attracted
some attention from the company. Osmond waited till this little movement
had subsided; then he said, all undisturbed: "I think she has no
recollection of having given it."
They had been standing with their faces to the fire, and after he had
uttered these last words the master of the house turned round again
to the room. Before Rosier had time to reply he perceived that a
gentleman--a stranger--had just come in, unannounced, according to the
Roman custom, and was about to present himself to his host. The latter
smiled blandly, but somewhat blankly; the visitor had a handsome face
and a large, fair beard, and was evidently an Englishman.
"You apparently don't recognise me," he said with a smile that expressed
more than Osmond's.
"Ah yes, now I do. I expected so little to see you."
Rosier departed and went in direct pursuit of Pansy. He sought her, as
usual, in the neighbouring room, but he again encountered Mrs. Osmond
in his path. He gave his hostess no greeting--he was too righteously
indignant, but said to her crudely: "Your husband's awfully
cold-blooded."
She gave the same mystical smile he had noticed before. "You can't
expect every one to be as hot as yourself."
"I don't pretend to be cold, but I'm cool. What has he been doing to his
daughter?"
"I've no idea."
"Don't you take any interest?" Rosier demanded with his sense that she
too was irritating.
For a moment she answered nothing; then, "No!" she said abruptly and
with a quickened light in her eyes which directly contradicted the word.
"Pardon me if I don't believe that. Where's Miss Osmond?"
"In the corner, making tea. Please leave her there."
Rosier instantly discovered his friend, who had been hidden by
intervening groups. He watched her, but her own attention was entirely
given to her occupation. "What on earth has he done to her?" he asked
again imploringly. "He declares to me she has given me up."
"She has not given you up," Isabel said in a low tone and without
looking at him.
"Ah, thank you for that! Now I'll leave her alone as long as you think
proper!"
He had hardly spoken when he saw her change colour, and became aware
that Osmond was coming toward her accompanied by the gentleman who had
just entered. He judged the latter, in spite of the advantage of good
looks and evident social experience, a little embarrassed. "Isabel,"
said her husband, "I bring you an old friend."
Mrs. Osmond's face, though it wore a smile, was, like her old friend's,
not perfectly confident. "I'm very happy to see Lord Warburton," she
said. Rosier turned away and, now that his talk with her had been
interrupted, felt absolved from the little pledge he had just taken. He
had a quick impression that Mrs. Osmond wouldn't notice what he did.
Isabel in fact, to do him justice, for some time quite ceased to observe
him. She had been startled; she hardly knew if she felt a pleasure or
a pain. Lord Warburton, however, now that he was face to face with her,
was plainly quite sure of his own sense of the matter; though his grey
eyes had still their fine original property of keeping recognition and
attestation strictly sincere. He was "heavier" than of yore and looked
older; he stood there very solidly and sensibly.
"I suppose you didn't expect to see me," he said; "I've but just
arrived. Literally, I only got here this evening. You see I've lost
no time in coming to pay you my respects. I knew you were at home on
Thursdays."
"You see the fame of your Thursdays has spread to England," Osmond
remarked to his wife.
"It's very kind of Lord Warburton to come so soon; we're greatly
flattered," Isabel said.
"Ah well, it's better than stopping in one of those horrible inns,"
Osmond went on.
"The hotel seems very good; I think it's the same at which I saw you
four years since. You know it was here in Rome that we first met; it's a
long time ago. Do you remember where I bade you good-bye?" his lordship
asked of his hostess. "It was in the Capitol, in the first room."
"I remember that myself," said Osmond. "I was there at the time."
"Yes, I remember you there. I was very sorry to leave Rome--so sorry
that, somehow or other, it became almost a dismal memory, and I've never
cared to come back till to-day. But I knew you were living here," her
old friend went on to Isabel, "and I assure you I've often thought of
you. It must be a charming place to live in," he added with a look,
round him, at her established home, in which she might have caught the
dim ghost of his old ruefulness.
"We should have been glad to see you at any time," Osmond observed with
propriety.
"Thank you very much. I haven't been out of England since then. Till a
month ago I really supposed my travels over."
"I've heard of you from time to time," said Isabel, who had already,
with her rare capacity for such inward feats, taken the measure of what
meeting him again meant for her.
"I hope you've heard no harm. My life has been a remarkably complete
blank."
"Like the good reigns in history," Osmond suggested. He appeared to
think his duties as a host now terminated--he had performed them so
conscientiously. Nothing could have been more adequate, more
nicely measured, than his courtesy to his wife's old friend. It
was punctilious, it was explicit, it was everything but natural--a
deficiency which Lord Warburton, who, himself, had on the whole a good
deal of nature, may be supposed to have perceived. "I'll leave you and
Mrs. Osmond together," he added. "You have reminiscences into which I
don't enter."
"I'm afraid you lose a good deal!" Lord Warburton called after him, as
he moved away, in a tone which perhaps betrayed overmuch an appreciation
of his generosity. Then the visitor turned on Isabel the deeper, the
deepest, consciousness of his look, which gradually became more serious.
"I'm really very glad to see you."
"It's very pleasant. You're very kind."
"Do you know that you're changed--a little?"
She just hesitated. "Yes--a good deal."
"I don't mean for the worse, of course; and yet how can I say for the
better?"
"I think I shall have no scruple in saying that to YOU," she bravely
returned.
"Ah well, for me--it's a long time. It would be a pity there shouldn't
be something to show for it." They sat down and she asked him about
his sisters, with other enquiries of a somewhat perfunctory kind. He
answered her questions as if they interested him, and in a few moments
she saw--or believed she saw--that he would press with less of his
whole weight than of yore. Time had breathed upon his heart and, without
chilling it, given it a relieved sense of having taken the air. Isabel
felt her usual esteem for Time rise at a bound. Her friend's manner was
certainly that of a contented man, one who would rather like people, or
like her at least, to know him for such. "There's something I must tell
you without more delay," he resumed. "I've brought Ralph Touchett with
me."
"Brought him with you?" Isabel's surprise was great.
"He's at the hotel; he was too tired to come out and has gone to bed."
"I'll go to see him," she immediately said.
"That's exactly what I hoped you'd do. I had an idea you hadn't seen
much of him since your marriage, that in fact your relations were a--a
little more formal. That's why I hesitated--like an awkward Briton."
"I'm as fond of Ralph as ever," Isabel answered. "But why has he come to
Rome?" The declaration was very gentle, the question a little sharp.
"Because he's very far gone, Mrs. Osmond."
"Rome then is no place for him. I heard from him that he had determined
to give up his custom of wintering abroad and to remain in England,
indoors, in what he called an artificial climate."
"Poor fellow, he doesn't succeed with the artificial! I went to see him
three weeks ago, at Gardencourt, and found him thoroughly ill. He has
been getting worse every year, and now he has no strength left. He
smokes no more cigarettes! He had got up an artificial climate indeed;
the house was as hot as Calcutta. Nevertheless he had suddenly taken it
into his head to start for Sicily. I didn't believe in it--neither did
the doctors, nor any of his friends. His mother, as I suppose you know,
is in America, so there was no one to prevent him. He stuck to his idea
that it would be the saving of him to spend the winter at Catania.
He said he could take servants and furniture, could make himself
comfortable, but in point of fact he hasn't brought anything. I wanted
him at least to go by sea, to save fatigue; but he said he hated the sea
and wished to stop at Rome. After that, though I thought it all rubbish,
I made up my mind to come with him. I'm acting as--what do you call it
in America?--as a kind of moderator. Poor Ralph's very moderate now. We
left England a fortnight ago, and he has been very bad on the way. He
can't keep warm, and the further south we come the more he feels the
cold. He has got rather a good man, but I'm afraid he's beyond human
help. I wanted him to take with him some clever fellow--I mean some
sharp young doctor; but he wouldn't hear of it. If you don't mind my
saying so, I think it was a most extraordinary time for Mrs. Touchett to
decide on going to America."
Isabel had listened eagerly; her face was full of pain and wonder. "My
aunt does that at fixed periods and lets nothing turn her aside. When
the date comes round she starts; I think she'd have started if Ralph had
been dying."
"I sometimes think he IS dying," Lord Warburton said.
Isabel sprang up. "I'll go to him then now."
He checked her; he was a little disconcerted at the quick effect of his
words. "I don't mean I thought so to-night. On the contrary, to-day,
in the train, he seemed particularly well; the idea of our reaching
Rome--he's very fond of Rome, you know--gave him strength. An hour ago,
when I bade him goodnight, he told me he was very tired, but very happy.
Go to him in the morning; that's all I mean. I didn't tell him I was
coming here; I didn't decide to till after we had separated. Then I
remembered he had told me you had an evening, and that it was this very
Thursday. It occurred to me to come in and tell you he's here, and let
you know you had perhaps better not wait for him to call. I think he
said he hadn't written to you." There was no need of Isabel's declaring
that she would act upon Lord Warburton's information; she looked, as she
sat there, like a winged creature held back. "Let alone that I wanted to
see you for myself," her visitor gallantly added.
"I don't understand Ralph's plan; it seems to me very wild," she said.
"I was glad to think of him between those thick walls at Gardencourt."
"He was completely alone there; the thick walls were his only company."
"You went to see him; you've been extremely kind."
"Oh dear, I had nothing to do," said Lord Warburton.
"We hear, on the contrary, that you're doing great things. Every one
speaks of you as a great statesman, and I'm perpetually seeing your name
in the Times, which, by the way, doesn't appear to hold it in reverence.
You're apparently as wild a radical as ever."
"I don't feel nearly so wild; you know the world has come round to me.
Touchett and I have kept up a sort of parliamentary debate all the way
from London. I tell him he's the last of the Tories, and he calls me
the King of the Goths--says I have, down to the details of my personal
appearance, every sign of the brute. So you see there's life in him
yet."
Isabel had many questions to ask about Ralph, but she abstained from
asking them all. She would see for herself on the morrow. She perceived
that after a little Lord Warburton would tire of that subject--he had a
conception of other possible topics. She was more and more able to say
to herself that he had recovered, and, what is more to the point, she
was able to say it without bitterness. He had been for her, of old,
such an image of urgency, of insistence, of something to be resisted
and reasoned with, that his reappearance at first menaced her with a new
trouble. But she was now reassured; she could see he only wished to live
with her on good terms, that she was to understand he had forgiven her
and was incapable of the bad taste of making pointed allusions. This was
not a form of revenge, of course; she had no suspicion of his wishing to
punish her by an exhibition of disillusionment; she did him the justice
to believe it had simply occurred to him that she would now take a
good-natured interest in knowing he was resigned. It was the resignation
of a healthy, manly nature, in which sentimental wounds could never
fester. British politics had cured him; she had known they would. She
gave an envious thought to the happier lot of men, who are always free
to plunge into the healing waters of action. Lord Warburton of course
spoke of the past, but he spoke of it without implications; he even
went so far as to allude to their former meeting in Rome as a very jolly
time. And he told her he had been immensely interested in hearing of her
marriage and that it was a great pleasure for him to make Mr. Osmond's
acquaintance--since he could hardly be said to have made it on the other
occasion. He had not written to her at the time of that passage in her
history, but he didn't apologise to her for this. The only thing he
implied was that they were old friends, intimate friends. It was very
much as an intimate friend that he said to her, suddenly, after a short
pause which he had occupied in smiling, as he looked about him, like a
person amused, at a provincial entertainment, by some innocent game of
guesses--
"Well now, I suppose you're very happy and all that sort of thing?"
Isabel answered with a quick laugh; the tone of his remark struck her
almost as the accent of comedy. "Do you suppose if I were not I'd tell
you?"
"Well, I don't know. I don't see why not."
"I do then. Fortunately, however, I'm very happy."
"You've got an awfully good house."
"Yes, it's very pleasant. But that's not my merit--it's my husband's."
"You mean he has arranged it?"
"Yes, it was nothing when we came."
"He must be very clever."
"He has a genius for upholstery," said Isabel.
"There's a great rage for that sort of thing now. But you must have a
taste of your own."
"I enjoy things when they're done, but I've no ideas. I can never
propose anything."
"Do you mean you accept what others propose?"
"Very willingly, for the most part."
"That's a good thing to know. I shall propose to you something."
"It will be very kind. I must say, however, that I've in a few small
ways a certain initiative. I should like for instance to introduce you
to some of these people."
"Oh, please don't; I prefer sitting here. Unless it be to that young
lady in the blue dress. She has a charming face."
"The one talking to the rosy young man? That's my husband's daughter."
"Lucky man, your husband. What a dear little maid!"
"You must make her acquaintance."
"In a moment--with pleasure. I like looking at her from here." He ceased
to look at her, however, very soon; his eyes constantly reverted to Mrs.
Osmond. "Do you know I was wrong just now in saying you had changed?" he
presently went on. "You seem to me, after all, very much the same."
"And yet I find it a great change to be married," said Isabel with mild
gaiety.
"It affects most people more than it has affected you. You see I haven't
gone in for that."
"It rather surprises me."
"You ought to understand it, Mrs. Osmond. But I do want to marry," he
added more simply.
"It ought to be very easy," Isabel said, rising--after which she
reflected, with a pang perhaps too visible, that she was hardly the
person to say this. It was perhaps because Lord Warburton divined the
pang that he generously forbore to call her attention to her not having
contributed then to the facility.
Edward Rosier had meanwhile seated himself on an ottoman beside Pansy's
tea-table. He pretended at first to talk to her about trifles, and she
asked him who was the new gentleman conversing with her stepmother.
"He's an English lord," said Rosier. "I don't know more."
"I wonder if he'll have some tea. The English are so fond of tea."
"Never mind that; I've something particular to say to you."
"Don't speak so loud every one will hear," said Pansy.
"They won't hear if you continue to look that way: as if your only
thought in life was the wish the kettle would boil."
"It has just been filled; the servants never know!"--and she sighed with
the weight of her responsibility.
"Do you know what your father said to me just now? That you didn't mean
what you said a week ago."
"I don't mean everything I say. How can a young girl do that? But I mean
what I say to you."
"He told me you had forgotten me."
"Ah no, I don't forget," said Pansy, showing her pretty teeth in a fixed
smile.
"Then everything's just the very same?"
"Ah no, not the very same. Papa has been terribly severe."
"What has he done to you?"
"He asked me what you had done to me, and I told him everything. Then he
forbade me to marry you."
"You needn't mind that."
"Oh yes, I must indeed. I can't disobey papa."
"Not for one who loves you as I do, and whom you pretend to love?"
She raised the lid of the tea-pot, gazing into this vessel for a moment;
then she dropped six words into its aromatic depths. "I love you just as
much."
"What good will that do me?"
"Ah," said Pansy, raising her sweet, vague eyes, "I don't know that."
"You disappoint me," groaned poor Rosier.
She was silent a little; she handed a tea-cup to a servant. "Please
don't talk any more."
"Is this to be all my satisfaction?"
"Papa said I was not to talk with you."
"Do you sacrifice me like that? Ah, it's too much!"
"I wish you'd wait a little," said the girl in a voice just distinct
enough to betray a quaver.
"Of course I'll wait if you'll give me hope. But you take my life away."
"I'll not give you up--oh no!" Pansy went on.
"He'll try and make you marry some one else."
"I'll never do that."
"What then are we to wait for?"
She hesitated again. "I'll speak to Mrs. Osmond and she'll help us." It
was in this manner that she for the most part designated her stepmother.
"She won't help us much. She's afraid."
"Afraid of what?"
"Of your father, I suppose."
Pansy shook her little head. "She's not afraid of any one. We must have
patience."
"Ah, that's an awful word," Rosier groaned; he was deeply disconcerted.
Oblivious of the customs of good society, he dropped his head into his
hands and, supporting it with a melancholy grace, sat staring at the
carpet. Presently he became aware of a good deal of movement about
him and, as he looked up, saw Pansy making a curtsey--it was still her
little curtsey of the convent--to the English lord whom Mrs. Osmond had
introduced.
| Notes The character of Pansy is given a bit more fullness in this chapter. Hitherto she has seemed almost vacant. Here, she seems almost vacant as well, but she does say some fairly surprising things. She seems to have a plan to get to marry the man she loves and she plans to use Isabel as an ally. Here, Isabel is finally given more than just a few lines. James has made a very gradual approach to describing Isabel in her present state in the last few chapters. Here, she speaks to Lord Warburton and seems more of her old self, caring for Ralph and hoping for good things for her old friend Lord Warburton. With the entry of Lord Warburton just at the moment when Gilbert Osmond is fending off Edward Rosier, the suitor with insufficient income for his daughter, it seems clear that James is setting up a new plot complication. Gilbert Osmond will likely set his sights on Lord Warburton for his daughter. | analysis |
It will probably not surprise the reflective reader that Ralph Touchett
should have seen less of his cousin since her marriage than he had done
before that event--an event of which he took such a view as could hardly
prove a confirmation of intimacy. He had uttered his thought, as we
know, and after this had held his peace, Isabel not having invited him
to resume a discussion which marked an era in their relations. That
discussion had made a difference--the difference he feared rather than
the one he hoped. It had not chilled the girl's zeal in carrying out her
engagement, but it had come dangerously near to spoiling a friendship.
No reference was ever again made between them to Ralph's opinion of
Gilbert Osmond, and by surrounding this topic with a sacred silence they
managed to preserve a semblance of reciprocal frankness. But there was a
difference, as Ralph often said to himself--there was a difference. She
had not forgiven him, she never would forgive him: that was all he had
gained. She thought she had forgiven him; she believed she didn't care;
and as she was both very generous and very proud these convictions
represented a certain reality. But whether or no the event should
justify him he would virtually have done her a wrong, and the wrong was
of the sort that women remember best. As Osmond's wife she could never
again be his friend. If in this character she should enjoy the felicity
she expected, she would have nothing but contempt for the man who had
attempted, in advance, to undermine a blessing so dear; and if on the
other hand his warning should be justified the vow she had taken that he
should never know it would lay upon her spirit such a burden as to make
her hate him. So dismal had been, during the year that followed
his cousin's marriage, Ralph's prevision of the future; and if his
meditations appear morbid we must remember he was not in the bloom
of health. He consoled himself as he might by behaving (as he deemed)
beautifully, and was present at the ceremony by which Isabel was united
to Mr. Osmond, and which was performed in Florence in the month of
June. He learned from his mother that Isabel at first had thought of
celebrating her nuptials in her native land, but that as simplicity was
what she chiefly desired to secure she had finally decided, in spite
of Osmond's professed willingness to make a journey of any length, that
this characteristic would be best embodied in their being married by the
nearest clergyman in the shortest time. The thing was done therefore at
the little American chapel, on a very hot day, in the presence only of
Mrs. Touchett and her son, of Pansy Osmond and the Countess Gemini. That
severity in the proceedings of which I just spoke was in part the result
of the absence of two persons who might have been looked for on the
occasion and who would have lent it a certain richness. Madame Merle
had been invited, but Madame Merle, who was unable to leave Rome, had
written a gracious letter of excuses. Henrietta Stackpole had not been
invited, as her departure from America, announced to Isabel by Mr.
Goodwood, was in fact frustrated by the duties of her profession; but
she had sent a letter, less gracious than Madame Merle's, intimating
that, had she been able to cross the Atlantic, she would have been
present not only as a witness but as a critic. Her return to Europe had
taken place somewhat later, and she had effected a meeting with Isabel
in the autumn, in Paris, when she had indulged--perhaps a trifle too
freely--her critical genius. Poor Osmond, who was chiefly the subject
of it, had protested so sharply that Henrietta was obliged to declare to
Isabel that she had taken a step which put a barrier between them. "It
isn't in the least that you've married--it is that you have married
HIM," she had deemed it her duty to remark; agreeing, it will be seen,
much more with Ralph Touchett than she suspected, though she had few of
his hesitations and compunctions. Henrietta's second visit to Europe,
however, was not apparently to have been made in vain; for just at the
moment when Osmond had declared to Isabel that he really must object to
that newspaper-woman, and Isabel had answered that it seemed to her he
took Henrietta too hard, the good Mr. Bantling had appeared upon
the scene and proposed that they should take a run down to Spain.
Henrietta's letters from Spain had proved the most acceptable she
had yet published, and there had been one in especial, dated from the
Alhambra and entitled 'Moors and Moonlight,' which generally passed for
her masterpiece. Isabel had been secretly disappointed at her husband's
not seeing his way simply to take the poor girl for funny. She even
wondered if his sense of fun, or of the funny--which would be his sense
of humour, wouldn't it?--were by chance defective. Of course she herself
looked at the matter as a person whose present happiness had nothing
to grudge to Henrietta's violated conscience. Osmond had thought their
alliance a kind of monstrosity; he couldn't imagine what they had in
common. For him, Mr. Bantling's fellow tourist was simply the most
vulgar of women, and he had also pronounced her the most abandoned.
Against this latter clause of the verdict Isabel had appealed with an
ardour that had made him wonder afresh at the oddity of some of his
wife's tastes. Isabel could explain it only by saying that she liked to
know people who were as different as possible from herself. "Why
then don't you make the acquaintance of your washerwoman?" Osmond
had enquired; to which Isabel had answered that she was afraid her
washerwoman wouldn't care for her. Now Henrietta cared so much.
Ralph had seen nothing of her for the greater part of the two years that
had followed her marriage; the winter that formed the beginning of her
residence in Rome he had spent again at San Remo, where he had been
joined in the spring by his mother, who afterwards had gone with him
to England, to see what they were doing at the bank--an operation she
couldn't induce him to perform. Ralph had taken a lease of his house at
San Remo, a small villa which he had occupied still another winter; but
late in the month of April of this second year he had come down to Rome.
It was the first time since her marriage that he had stood face to face
with Isabel; his desire to see her again was then of the keenest. She
had written to him from time to time, but her letters told him nothing
he wanted to know. He had asked his mother what she was making of her
life, and his mother had simply answered that she supposed she was
making the best of it. Mrs. Touchett had not the imagination that
communes with the unseen, and she now pretended to no intimacy with
her niece, whom she rarely encountered. This young woman appeared to
be living in a sufficiently honourable way, but Mrs. Touchett still
remained of the opinion that her marriage had been a shabby affair. It
had given her no pleasure to think of Isabel's establishment, which she
was sure was a very lame business. From time to time, in Florence, she
rubbed against the Countess Gemini, doing her best always to minimise
the contact; and the Countess reminded her of Osmond, who made her
think of Isabel. The Countess was less talked of in these days; but Mrs.
Touchett augured no good of that: it only proved how she had been talked
of before. There was a more direct suggestion of Isabel in the person
of Madame Merle; but Madame Merle's relations with Mrs. Touchett had
undergone a perceptible change. Isabel's aunt had told her, without
circumlocution, that she had played too ingenious a part; and Madame
Merle, who never quarrelled with any one, who appeared to think no one
worth it, and who had performed the miracle of living, more or less,
for several years with Mrs. Touchett and showing no symptom of
irritation--Madame Merle now took a very high tone and declared that
this was an accusation from which she couldn't stoop to defend herself.
She added, however (without stooping), that her behaviour had been only
too simple, that she had believed only what she saw, that she saw Isabel
was not eager to marry and Osmond not eager to please (his repeated
visits had been nothing; he was boring himself to death on his hill-top
and he came merely for amusement). Isabel had kept her sentiments to
herself, and her journey to Greece and Egypt had effectually thrown
dust in her companion's eyes. Madame Merle accepted the event--she was
unprepared to think of it as a scandal; but that she had played any part
in it, double or single, was an imputation against which she proudly
protested. It was doubtless in consequence of Mrs. Touchett's attitude,
and of the injury it offered to habits consecrated by many charming
seasons, that Madame Merle had, after this, chosen to pass many months
in England, where her credit was quite unimpaired. Mrs. Touchett had
done her a wrong; there are some things that can't be forgiven. But
Madame Merle suffered in silence; there was always something exquisite
in her dignity.
Ralph, as I say, had wished to see for himself; but while engaged in
this pursuit he had yet felt afresh what a fool he had been to put the
girl on her guard. He had played the wrong card, and now he had lost the
game. He should see nothing, he should learn nothing; for him she would
always wear a mask. His true line would have been to profess delight in
her union, so that later, when, as Ralph phrased it, the bottom should
fall out of it, she might have the pleasure of saying to him that he
had been a goose. He would gladly have consented to pass for a goose in
order to know Isabel's real situation. At present, however, she neither
taunted him with his fallacies nor pretended that her own confidence was
justified; if she wore a mask it completely covered her face. There was
something fixed and mechanical in the serenity painted on it; this was
not an expression, Ralph said--it was a representation, it was even an
advertisement. She had lost her child; that was a sorrow, but it was a
sorrow she scarcely spoke of; there was more to say about it than she
could say to Ralph. It belonged to the past, moreover; it had occurred
six months before and she had already laid aside the tokens of mourning.
She appeared to be leading the life of the world; Ralph heard her spoken
of as having a "charming position." He observed that she produced the
impression of being peculiarly enviable, that it was supposed, among
many people, to be a privilege even to know her. Her house was not open
to every one, and she had an evening in the week to which people
were not invited as a matter of course. She lived with a certain
magnificence, but you needed to be a member of her circle to perceive
it; for there was nothing to gape at, nothing to criticise, nothing even
to admire, in the daily proceedings of Mr. and Mrs. Osmond. Ralph, in
all this, recognised the hand of the master; for he knew that Isabel had
no faculty for producing studied impressions. She struck him as having
a great love of movement, of gaiety, of late hours, of long rides, of
fatigue; an eagerness to be entertained, to be interested, even to be
bored, to make acquaintances, to see people who were talked about, to
explore the neighbourhood of Rome, to enter into relation with certain
of the mustiest relics of its old society. In all this there was
much less discrimination than in that desire for comprehensiveness of
development on which he had been used to exercise his wit. There was
a kind of violence in some of her impulses, of crudity in some of her
experiments, which took him by surprise: it seemed to him that she even
spoke faster, moved faster, breathed faster, than before her marriage.
Certainly she had fallen into exaggerations--she who used to care so
much for the pure truth; and whereas of old she had a great delight
in good-humoured argument, in intellectual play (she never looked
so charming as when in the genial heat of discussion she received a
crushing blow full in the face and brushed it away as a feather), she
appeared now to think there was nothing worth people's either differing
about or agreeing upon. Of old she had been curious, and now she was
indifferent, and yet in spite of her indifference her activity was
greater than ever. Slender still, but lovelier than before, she had
gained no great maturity of aspect; yet there was an amplitude and a
brilliancy in her personal arrangements that gave a touch of insolence
to her beauty. Poor human-hearted Isabel, what perversity had bitten
her? Her light step drew a mass of drapery behind it; her intelligent
head sustained a majesty of ornament. The free, keen girl had become
quite another person; what he saw was the fine lady who was supposed to
represent something. What did Isabel represent? Ralph asked himself;
and he could only answer by saying that she represented Gilbert Osmond.
"Good heavens, what a function!" he then woefully exclaimed. He was lost
in wonder at the mystery of things.
He recognised Osmond, as I say; he recognised him at every turn. He
saw how he kept all things within limits; how he adjusted, regulated,
animated their manner of life. Osmond was in his element; at last he had
material to work with. He always had an eye to effect, and his effects
were deeply calculated. They were produced by no vulgar means, but the
motive was as vulgar as the art was great. To surround his interior
with a sort of invidious sanctity, to tantalise society with a sense
of exclusion, to make people believe his house was different from every
other, to impart to the face that he presented to the world a cold
originality--this was the ingenious effort of the personage to whom
Isabel had attributed a superior morality. "He works with superior
material," Ralph said to himself; "it's rich abundance compared with his
former resources." Ralph was a clever man; but Ralph had never--to his
own sense--been so clever as when he observed, in petto, that under the
guise of caring only for intrinsic values Osmond lived exclusively for
the world. Far from being its master as he pretended to be, he was
its very humble servant, and the degree of its attention was his only
measure of success. He lived with his eye on it from morning till night,
and the world was so stupid it never suspected the trick. Everything
he did was pose--pose so subtly considered that if one were not on the
lookout one mistook it for impulse. Ralph had never met a man who lived
so much in the land of consideration. His tastes, his studies, his
accomplishments, his collections, were all for a purpose. His life on
his hill-top at Florence had been the conscious attitude of years. His
solitude, his ennui, his love for his daughter, his good manners, his
bad manners, were so many features of a mental image constantly present
to him as a model of impertinence and mystification. His ambition was
not to please the world, but to please himself by exciting the world's
curiosity and then declining to satisfy it. It had made him feel great,
ever, to play the world a trick. The thing he had done in his life most
directly to please himself was his marrying Miss Archer; though in this
case indeed the gullible world was in a manner embodied in poor Isabel,
who had been mystified to the top of her bent. Ralph of course found
a fitness in being consistent; he had embraced a creed, and as he had
suffered for it he could not in honour forsake it. I give this little
sketch of its articles for what they may at the time have been worth.
It was certain that he was very skilful in fitting the facts to his
theory--even the fact that during the month he spent in Rome at this
period the husband of the woman he loved appeared to regard him not in
the least as an enemy.
For Gilbert Osmond Ralph had not now that importance. It was not that he
had the importance of a friend; it was rather that he had none at all.
He was Isabel's cousin and he was rather unpleasantly ill--it was on
this basis that Osmond treated with him. He made the proper enquiries,
asked about his health, about Mrs. Touchett, about his opinion of winter
climates, whether he were comfortable at his hotel. He addressed him, on
the few occasions of their meeting, not a word that was not necessary;
but his manner had always the urbanity proper to conscious success in
the presence of conscious failure. For all this, Ralph had had, toward
the end, a sharp inward vision of Osmond's making it of small ease to
his wife that she should continue to receive Mr. Touchett. He was not
jealous--he had not that excuse; no one could be jealous of Ralph. But
he made Isabel pay for her old-time kindness, of which so much was
still left; and as Ralph had no idea of her paying too much, so when his
suspicion had become sharp, he had taken himself off. In doing so he
had deprived Isabel of a very interesting occupation: she had been
constantly wondering what fine principle was keeping him alive. She had
decided that it was his love of conversation; his conversation had been
better than ever. He had given up walking; he was no longer a humorous
stroller. He sat all day in a chair--almost any chair would serve, and
was so dependent on what you would do for him that, had not his talk
been highly contemplative, you might have thought he was blind. The
reader already knows more about him than Isabel was ever to know, and
the reader may therefore be given the key to the mystery. What kept
Ralph alive was simply the fact that he had not yet seen enough of
the person in the world in whom he was most interested: he was not yet
satisfied. There was more to come; he couldn't make up his mind to lose
that. He wanted to see what she would make of her husband--or what her
husband would make of her. This was only the first act of the drama, and
he was determined to sit out the performance. His determination had held
good; it had kept him going some eighteen months more, till the time of
his return to Rome with Lord Warburton. It had given him indeed such an
air of intending to live indefinitely that Mrs. Touchett, though more
accessible to confusions of thought in the matter of this strange,
unremunerative--and unremunerated--son of hers than she had ever been
before, had, as we have learned, not scrupled to embark for a distant
land. If Ralph had been kept alive by suspense it was with a good deal
of the same emotion--the excitement of wondering in what state she
should find him--that Isabel mounted to his apartment the day after Lord
Warburton had notified her of his arrival in Rome.
She spent an hour with him; it was the first of several visits. Gilbert
Osmond called on him punctually, and on their sending their carriage for
him Ralph came more than once to Palazzo Roccanera. A fortnight elapsed,
at the end of which Ralph announced to Lord Warburton that he thought
after all he wouldn't go to Sicily. The two men had been dining together
after a day spent by the latter in ranging about the Campagna. They had
left the table, and Warburton, before the chimney, was lighting a cigar,
which he instantly removed from his lips.
"Won't go to Sicily? Where then will you go?"
"Well, I guess I won't go anywhere," said Ralph, from the sofa, all
shamelessly.
"Do you mean you'll return to England?"
"Oh dear no; I'll stay in Rome."
"Rome won't do for you. Rome's not warm enough."
"It will have to do. I'll make it do. See how well I've been."
Lord Warburton looked at him a while, puffing a cigar and as if trying
to see it. "You've been better than you were on the journey, certainly.
I wonder how you lived through that. But I don't understand your
condition. I recommend you to try Sicily."
"I can't try," said poor Ralph. "I've done trying. I can't move further.
I can't face that journey. Fancy me between Scylla and Charybdis! I
don't want to die on the Sicilian plains--to be snatched away, like
Proserpine in the same locality, to the Plutonian shades."
"What the deuce then did you come for?" his lordship enquired.
"Because the idea took me. I see it won't do. It really doesn't
matter where I am now. I've exhausted all remedies, I've swallowed
all climates. As I'm here I'll stay. I haven't a single cousin in
Sicily--much less a married one."
"Your cousin's certainly an inducement. But what does the doctor say?"
"I haven't asked him, and I don't care a fig. If I die here Mrs. Osmond
will bury me. But I shall not die here."
"I hope not." Lord Warburton continued to smoke reflectively. "Well,
I must say," he resumed, "for myself I'm very glad you don't insist on
Sicily. I had a horror of that journey."
"Ah, but for you it needn't have mattered. I had no idea of dragging you
in my train."
"I certainly didn't mean to let you go alone."
"My dear Warburton, I never expected you to come further than this,"
Ralph cried.
"I should have gone with you and seen you settled," said Lord Warburton.
"You're a very good Christian. You're a very kind man."
"Then I should have come back here."
"And then you'd have gone to England."
"No, no; I should have stayed."
"Well," said Ralph, "if that's what we are both up to, I don't see where
Sicily comes in!"
His companion was silent; he sat staring at the fire. At last, looking
up, "I say, tell me this," he broke out; "did you really mean to go to
Sicily when we started?"
"Ah, vous m'en demandez trop! Let me put a question first. Did you come
with me quite--platonically?"
"I don't know what you mean by that. I wanted to come abroad."
"I suspect we've each been playing our little game."
"Speak for yourself. I made no secret whatever of my desiring to be here
a while."
"Yes, I remember you said you wished to see the Minister of Foreign
Affairs."
"I've seen him three times. He's very amusing."
"I think you've forgotten what you came for," said Ralph.
"Perhaps I have," his companion answered rather gravely.
These two were gentlemen of a race which is not distinguished by the
absence of reserve, and they had travelled together from London to Rome
without an allusion to matters that were uppermost in the mind of each.
There was an old subject they had once discussed, but it had lost its
recognised place in their attention, and even after their arrival
in Rome, where many things led back to it, they had kept the same
half-diffident, half-confident silence.
"I recommend you to get the doctor's consent, all the same," Lord
Warburton went on, abruptly, after an interval.
"The doctor's consent will spoil it. I never have it when I can help
it."
"What then does Mrs. Osmond think?" Ralph's friend demanded. "I've not
told her. She'll probably say that Rome's too cold and even offer to go
with me to Catania. She's capable of that."
"In your place I should like it."
"Her husband won't like it."
"Ah well, I can fancy that; though it seems to me you're not bound to
mind his likings. They're his affair."
"I don't want to make any more trouble between them," said Ralph.
"Is there so much already?"
"There's complete preparation for it. Her going off with me would make
the explosion. Osmond isn't fond of his wife's cousin."
"Then of course he'd make a row. But won't he make a row if you stop
here?"
"That's what I want to see. He made one the last time I was in Rome, and
then I thought it my duty to disappear. Now I think it's my duty to stop
and defend her."
"My dear Touchett, your defensive powers--!" Lord Warburton began with
a smile. But he saw something in his companion's face that checked him.
"Your duty, in these premises, seems to me rather a nice question," he
observed instead.
Ralph for a short time answered nothing. "It's true that my defensive
powers are small," he returned at last; "but as my aggressive ones are
still smaller Osmond may after all not think me worth his gunpowder. At
any rate," he added, "there are things I'm curious to see."
"You're sacrificing your health to your curiosity then?"
"I'm not much interested in my health, and I'm deeply interested in Mrs.
Osmond."
"So am I. But not as I once was," Lord Warburton added quickly. This was
one of the allusions he had not hitherto found occasion to make.
"Does she strike you as very happy?" Ralph enquired, emboldened by this
confidence.
"Well, I don't know; I've hardly thought. She told me the other night
she was happy."
"Ah, she told YOU, of course," Ralph exclaimed, smiling.
"I don't know that. It seems to me I was rather the sort of person she
might have complained to."
"Complained? She'll never complain. She has done it--what she HAS
done--and she knows it. She'll complain to you least of all. She's very
careful."
"She needn't be. I don't mean to make love to her again."
"I'm delighted to hear it. There can be no doubt at least of YOUR duty."
"Ah no," said Lord Warburton gravely; "none!"
"Permit me to ask," Ralph went on, "whether it's to bring out the fact
that you don't mean to make love to her that you're so very civil to the
little girl?"
Lord Warburton gave a slight start; he got up and stood before the fire,
looking at it hard. "Does that strike you as very ridiculous?"
"Ridiculous? Not in the least, if you really like her."
"I think her a delightful little person. I don't know when a girl of
that age has pleased me more."
"She's a charming creature. Ah, she at least is genuine."
"Of course there's the difference in our ages--more than twenty years."
"My dear Warburton," said Ralph, "are you serious?"
"Perfectly serious--as far as I've got."
"I'm very glad. And, heaven help us," cried Ralph, "how cheered-up old
Osmond will be!"
His companion frowned. "I say, don't spoil it. I shouldn't propose for
his daughter to please HIM."
"He'll have the perversity to be pleased all the same."
"He's not so fond of me as that," said his lordship.
"As that? My dear Warburton, the drawback of your position is that
people needn't be fond of you at all to wish to be connected with you.
Now, with me in such a case, I should have the happy confidence that
they loved me."
Lord Warburton seemed scarcely in the mood for doing justice to general
axioms--he was thinking of a special case. "Do you judge she'll be
pleased?"
"The girl herself? Delighted, surely."
"No, no; I mean Mrs. Osmond."
Ralph looked at him a moment. "My dear fellow, what has she to do with
it?"
"Whatever she chooses. She's very fond of Pansy."
"Very true--very true." And Ralph slowly got up. "It's an interesting
question--how far her fondness for Pansy will carry her." He stood there
a moment with his hands in his pockets and rather a clouded brow. "I
hope, you know, that you're very--very sure. The deuce!" he broke off.
"I don't know how to say it."
"Yes, you do; you know how to say everything."
"Well, it's awkward. I hope you're sure that among Miss Osmond's merits
her being--a--so near her stepmother isn't a leading one?"
"Good heavens, Touchett!" cried Lord Warburton angrily, "for what do you
take me?"
| Ralph hasnt seem much of Isabel since shes been married. He realizes that the discussion he had with her when he found out she was engaged has nearly destroyed their friendship. He had attended the wedding. It was very small. Only he, Mrs. Touchett, Pansy, and Countess Gemini attended. Madame Merle sent excuses from Rome. Henrietta Stackpole had been out of the country at the time, but she wrote to tell Isabel she would only have tried to prevent the marriage. She showed up a few months after the marriage and drove Gilbert Osmond to tell his wife that she was just too much and that he thought of their friendship as a monstrosity. Isabel had been disappointed in her new husbands lack of a sense of humor in taking Henrietta Stackpole. Ralph didnt see Isabel for almost two years after her marriage. He saw her six months after her son died. Her letters never revealed anything of import. Meanwhile, Mrs. Touchett had almost severed all ties to Madame Merle. She had told Madame Merle her opinion of Madame Merles deception and Madame Merle had gotten offended and taken a high tone. Ralph, for his part, has felt stupid all this time for having spoken his mind to Isabel and putting such a distance between them. When he saw her after all that time, he noticed that she seemed to do everything faster. She had given up her love of debate. He felt that "The free, keep girl had become quite another person; what he saw was a fine lady who was supposed to represent something." He knew she was supposed to represent nothing other than Mr. Osmond. Ralph thinks of Mr. Osmond as a man who keeps everything within limits. He could see how Gilbert Osmond "adjusted, regulated, animated their manner of life." He sees that Gilbert Osmond acts disdainfully of the world but really wants nothing more than its attention. His life is nothing more than a pose. Gilbert Osmond had made a fuss about Isabel receiving Ralph when he had last seen her. He had realized this and left Rome to spare causing her any trouble. Isabel had been wondering what fine principle had been keeping Ralph alive all his time. She didnt know that what was keeping him alive was his desire to see what she would make of her husband. He felt that she had not finished with what she would do in the world and he was fascinated to find out. He had suddenly decided to go to Sicily after having spent all his time at Gardencourt where he has been dreadfully ill. When Lord Warburton speaks to him one evening, Ralph tells him he has decided to stay in Rome and forgo the visit to Sicily for the winter. Warburton is concerned for his health. Ralph tells him he wants to stay near Isabel. He says last time he was in Rome he thought it was his duty to leave in order to help Isabel. Now he feels that its his duty to stay in Rome and defend her. He wonders why Warburton has come to Rome with him, aside from his concern for Ralphs health. He asks Warburton if his interest in staying in Rome has anything to do with Pansy Osmond. Warburton admits that he is interested in Pansy as a wife despite their more than twenty year difference in age. He wonders what Isabel will think of it. Ralph is embarrassed to wonder if Warburton is interested in Pansy as a means to get close to Isabel. Warburton is offended at the thought. | summary |
It will probably not surprise the reflective reader that Ralph Touchett
should have seen less of his cousin since her marriage than he had done
before that event--an event of which he took such a view as could hardly
prove a confirmation of intimacy. He had uttered his thought, as we
know, and after this had held his peace, Isabel not having invited him
to resume a discussion which marked an era in their relations. That
discussion had made a difference--the difference he feared rather than
the one he hoped. It had not chilled the girl's zeal in carrying out her
engagement, but it had come dangerously near to spoiling a friendship.
No reference was ever again made between them to Ralph's opinion of
Gilbert Osmond, and by surrounding this topic with a sacred silence they
managed to preserve a semblance of reciprocal frankness. But there was a
difference, as Ralph often said to himself--there was a difference. She
had not forgiven him, she never would forgive him: that was all he had
gained. She thought she had forgiven him; she believed she didn't care;
and as she was both very generous and very proud these convictions
represented a certain reality. But whether or no the event should
justify him he would virtually have done her a wrong, and the wrong was
of the sort that women remember best. As Osmond's wife she could never
again be his friend. If in this character she should enjoy the felicity
she expected, she would have nothing but contempt for the man who had
attempted, in advance, to undermine a blessing so dear; and if on the
other hand his warning should be justified the vow she had taken that he
should never know it would lay upon her spirit such a burden as to make
her hate him. So dismal had been, during the year that followed
his cousin's marriage, Ralph's prevision of the future; and if his
meditations appear morbid we must remember he was not in the bloom
of health. He consoled himself as he might by behaving (as he deemed)
beautifully, and was present at the ceremony by which Isabel was united
to Mr. Osmond, and which was performed in Florence in the month of
June. He learned from his mother that Isabel at first had thought of
celebrating her nuptials in her native land, but that as simplicity was
what she chiefly desired to secure she had finally decided, in spite
of Osmond's professed willingness to make a journey of any length, that
this characteristic would be best embodied in their being married by the
nearest clergyman in the shortest time. The thing was done therefore at
the little American chapel, on a very hot day, in the presence only of
Mrs. Touchett and her son, of Pansy Osmond and the Countess Gemini. That
severity in the proceedings of which I just spoke was in part the result
of the absence of two persons who might have been looked for on the
occasion and who would have lent it a certain richness. Madame Merle
had been invited, but Madame Merle, who was unable to leave Rome, had
written a gracious letter of excuses. Henrietta Stackpole had not been
invited, as her departure from America, announced to Isabel by Mr.
Goodwood, was in fact frustrated by the duties of her profession; but
she had sent a letter, less gracious than Madame Merle's, intimating
that, had she been able to cross the Atlantic, she would have been
present not only as a witness but as a critic. Her return to Europe had
taken place somewhat later, and she had effected a meeting with Isabel
in the autumn, in Paris, when she had indulged--perhaps a trifle too
freely--her critical genius. Poor Osmond, who was chiefly the subject
of it, had protested so sharply that Henrietta was obliged to declare to
Isabel that she had taken a step which put a barrier between them. "It
isn't in the least that you've married--it is that you have married
HIM," she had deemed it her duty to remark; agreeing, it will be seen,
much more with Ralph Touchett than she suspected, though she had few of
his hesitations and compunctions. Henrietta's second visit to Europe,
however, was not apparently to have been made in vain; for just at the
moment when Osmond had declared to Isabel that he really must object to
that newspaper-woman, and Isabel had answered that it seemed to her he
took Henrietta too hard, the good Mr. Bantling had appeared upon
the scene and proposed that they should take a run down to Spain.
Henrietta's letters from Spain had proved the most acceptable she
had yet published, and there had been one in especial, dated from the
Alhambra and entitled 'Moors and Moonlight,' which generally passed for
her masterpiece. Isabel had been secretly disappointed at her husband's
not seeing his way simply to take the poor girl for funny. She even
wondered if his sense of fun, or of the funny--which would be his sense
of humour, wouldn't it?--were by chance defective. Of course she herself
looked at the matter as a person whose present happiness had nothing
to grudge to Henrietta's violated conscience. Osmond had thought their
alliance a kind of monstrosity; he couldn't imagine what they had in
common. For him, Mr. Bantling's fellow tourist was simply the most
vulgar of women, and he had also pronounced her the most abandoned.
Against this latter clause of the verdict Isabel had appealed with an
ardour that had made him wonder afresh at the oddity of some of his
wife's tastes. Isabel could explain it only by saying that she liked to
know people who were as different as possible from herself. "Why
then don't you make the acquaintance of your washerwoman?" Osmond
had enquired; to which Isabel had answered that she was afraid her
washerwoman wouldn't care for her. Now Henrietta cared so much.
Ralph had seen nothing of her for the greater part of the two years that
had followed her marriage; the winter that formed the beginning of her
residence in Rome he had spent again at San Remo, where he had been
joined in the spring by his mother, who afterwards had gone with him
to England, to see what they were doing at the bank--an operation she
couldn't induce him to perform. Ralph had taken a lease of his house at
San Remo, a small villa which he had occupied still another winter; but
late in the month of April of this second year he had come down to Rome.
It was the first time since her marriage that he had stood face to face
with Isabel; his desire to see her again was then of the keenest. She
had written to him from time to time, but her letters told him nothing
he wanted to know. He had asked his mother what she was making of her
life, and his mother had simply answered that she supposed she was
making the best of it. Mrs. Touchett had not the imagination that
communes with the unseen, and she now pretended to no intimacy with
her niece, whom she rarely encountered. This young woman appeared to
be living in a sufficiently honourable way, but Mrs. Touchett still
remained of the opinion that her marriage had been a shabby affair. It
had given her no pleasure to think of Isabel's establishment, which she
was sure was a very lame business. From time to time, in Florence, she
rubbed against the Countess Gemini, doing her best always to minimise
the contact; and the Countess reminded her of Osmond, who made her
think of Isabel. The Countess was less talked of in these days; but Mrs.
Touchett augured no good of that: it only proved how she had been talked
of before. There was a more direct suggestion of Isabel in the person
of Madame Merle; but Madame Merle's relations with Mrs. Touchett had
undergone a perceptible change. Isabel's aunt had told her, without
circumlocution, that she had played too ingenious a part; and Madame
Merle, who never quarrelled with any one, who appeared to think no one
worth it, and who had performed the miracle of living, more or less,
for several years with Mrs. Touchett and showing no symptom of
irritation--Madame Merle now took a very high tone and declared that
this was an accusation from which she couldn't stoop to defend herself.
She added, however (without stooping), that her behaviour had been only
too simple, that she had believed only what she saw, that she saw Isabel
was not eager to marry and Osmond not eager to please (his repeated
visits had been nothing; he was boring himself to death on his hill-top
and he came merely for amusement). Isabel had kept her sentiments to
herself, and her journey to Greece and Egypt had effectually thrown
dust in her companion's eyes. Madame Merle accepted the event--she was
unprepared to think of it as a scandal; but that she had played any part
in it, double or single, was an imputation against which she proudly
protested. It was doubtless in consequence of Mrs. Touchett's attitude,
and of the injury it offered to habits consecrated by many charming
seasons, that Madame Merle had, after this, chosen to pass many months
in England, where her credit was quite unimpaired. Mrs. Touchett had
done her a wrong; there are some things that can't be forgiven. But
Madame Merle suffered in silence; there was always something exquisite
in her dignity.
Ralph, as I say, had wished to see for himself; but while engaged in
this pursuit he had yet felt afresh what a fool he had been to put the
girl on her guard. He had played the wrong card, and now he had lost the
game. He should see nothing, he should learn nothing; for him she would
always wear a mask. His true line would have been to profess delight in
her union, so that later, when, as Ralph phrased it, the bottom should
fall out of it, she might have the pleasure of saying to him that he
had been a goose. He would gladly have consented to pass for a goose in
order to know Isabel's real situation. At present, however, she neither
taunted him with his fallacies nor pretended that her own confidence was
justified; if she wore a mask it completely covered her face. There was
something fixed and mechanical in the serenity painted on it; this was
not an expression, Ralph said--it was a representation, it was even an
advertisement. She had lost her child; that was a sorrow, but it was a
sorrow she scarcely spoke of; there was more to say about it than she
could say to Ralph. It belonged to the past, moreover; it had occurred
six months before and she had already laid aside the tokens of mourning.
She appeared to be leading the life of the world; Ralph heard her spoken
of as having a "charming position." He observed that she produced the
impression of being peculiarly enviable, that it was supposed, among
many people, to be a privilege even to know her. Her house was not open
to every one, and she had an evening in the week to which people
were not invited as a matter of course. She lived with a certain
magnificence, but you needed to be a member of her circle to perceive
it; for there was nothing to gape at, nothing to criticise, nothing even
to admire, in the daily proceedings of Mr. and Mrs. Osmond. Ralph, in
all this, recognised the hand of the master; for he knew that Isabel had
no faculty for producing studied impressions. She struck him as having
a great love of movement, of gaiety, of late hours, of long rides, of
fatigue; an eagerness to be entertained, to be interested, even to be
bored, to make acquaintances, to see people who were talked about, to
explore the neighbourhood of Rome, to enter into relation with certain
of the mustiest relics of its old society. In all this there was
much less discrimination than in that desire for comprehensiveness of
development on which he had been used to exercise his wit. There was
a kind of violence in some of her impulses, of crudity in some of her
experiments, which took him by surprise: it seemed to him that she even
spoke faster, moved faster, breathed faster, than before her marriage.
Certainly she had fallen into exaggerations--she who used to care so
much for the pure truth; and whereas of old she had a great delight
in good-humoured argument, in intellectual play (she never looked
so charming as when in the genial heat of discussion she received a
crushing blow full in the face and brushed it away as a feather), she
appeared now to think there was nothing worth people's either differing
about or agreeing upon. Of old she had been curious, and now she was
indifferent, and yet in spite of her indifference her activity was
greater than ever. Slender still, but lovelier than before, she had
gained no great maturity of aspect; yet there was an amplitude and a
brilliancy in her personal arrangements that gave a touch of insolence
to her beauty. Poor human-hearted Isabel, what perversity had bitten
her? Her light step drew a mass of drapery behind it; her intelligent
head sustained a majesty of ornament. The free, keen girl had become
quite another person; what he saw was the fine lady who was supposed to
represent something. What did Isabel represent? Ralph asked himself;
and he could only answer by saying that she represented Gilbert Osmond.
"Good heavens, what a function!" he then woefully exclaimed. He was lost
in wonder at the mystery of things.
He recognised Osmond, as I say; he recognised him at every turn. He
saw how he kept all things within limits; how he adjusted, regulated,
animated their manner of life. Osmond was in his element; at last he had
material to work with. He always had an eye to effect, and his effects
were deeply calculated. They were produced by no vulgar means, but the
motive was as vulgar as the art was great. To surround his interior
with a sort of invidious sanctity, to tantalise society with a sense
of exclusion, to make people believe his house was different from every
other, to impart to the face that he presented to the world a cold
originality--this was the ingenious effort of the personage to whom
Isabel had attributed a superior morality. "He works with superior
material," Ralph said to himself; "it's rich abundance compared with his
former resources." Ralph was a clever man; but Ralph had never--to his
own sense--been so clever as when he observed, in petto, that under the
guise of caring only for intrinsic values Osmond lived exclusively for
the world. Far from being its master as he pretended to be, he was
its very humble servant, and the degree of its attention was his only
measure of success. He lived with his eye on it from morning till night,
and the world was so stupid it never suspected the trick. Everything
he did was pose--pose so subtly considered that if one were not on the
lookout one mistook it for impulse. Ralph had never met a man who lived
so much in the land of consideration. His tastes, his studies, his
accomplishments, his collections, were all for a purpose. His life on
his hill-top at Florence had been the conscious attitude of years. His
solitude, his ennui, his love for his daughter, his good manners, his
bad manners, were so many features of a mental image constantly present
to him as a model of impertinence and mystification. His ambition was
not to please the world, but to please himself by exciting the world's
curiosity and then declining to satisfy it. It had made him feel great,
ever, to play the world a trick. The thing he had done in his life most
directly to please himself was his marrying Miss Archer; though in this
case indeed the gullible world was in a manner embodied in poor Isabel,
who had been mystified to the top of her bent. Ralph of course found
a fitness in being consistent; he had embraced a creed, and as he had
suffered for it he could not in honour forsake it. I give this little
sketch of its articles for what they may at the time have been worth.
It was certain that he was very skilful in fitting the facts to his
theory--even the fact that during the month he spent in Rome at this
period the husband of the woman he loved appeared to regard him not in
the least as an enemy.
For Gilbert Osmond Ralph had not now that importance. It was not that he
had the importance of a friend; it was rather that he had none at all.
He was Isabel's cousin and he was rather unpleasantly ill--it was on
this basis that Osmond treated with him. He made the proper enquiries,
asked about his health, about Mrs. Touchett, about his opinion of winter
climates, whether he were comfortable at his hotel. He addressed him, on
the few occasions of their meeting, not a word that was not necessary;
but his manner had always the urbanity proper to conscious success in
the presence of conscious failure. For all this, Ralph had had, toward
the end, a sharp inward vision of Osmond's making it of small ease to
his wife that she should continue to receive Mr. Touchett. He was not
jealous--he had not that excuse; no one could be jealous of Ralph. But
he made Isabel pay for her old-time kindness, of which so much was
still left; and as Ralph had no idea of her paying too much, so when his
suspicion had become sharp, he had taken himself off. In doing so he
had deprived Isabel of a very interesting occupation: she had been
constantly wondering what fine principle was keeping him alive. She had
decided that it was his love of conversation; his conversation had been
better than ever. He had given up walking; he was no longer a humorous
stroller. He sat all day in a chair--almost any chair would serve, and
was so dependent on what you would do for him that, had not his talk
been highly contemplative, you might have thought he was blind. The
reader already knows more about him than Isabel was ever to know, and
the reader may therefore be given the key to the mystery. What kept
Ralph alive was simply the fact that he had not yet seen enough of
the person in the world in whom he was most interested: he was not yet
satisfied. There was more to come; he couldn't make up his mind to lose
that. He wanted to see what she would make of her husband--or what her
husband would make of her. This was only the first act of the drama, and
he was determined to sit out the performance. His determination had held
good; it had kept him going some eighteen months more, till the time of
his return to Rome with Lord Warburton. It had given him indeed such an
air of intending to live indefinitely that Mrs. Touchett, though more
accessible to confusions of thought in the matter of this strange,
unremunerative--and unremunerated--son of hers than she had ever been
before, had, as we have learned, not scrupled to embark for a distant
land. If Ralph had been kept alive by suspense it was with a good deal
of the same emotion--the excitement of wondering in what state she
should find him--that Isabel mounted to his apartment the day after Lord
Warburton had notified her of his arrival in Rome.
She spent an hour with him; it was the first of several visits. Gilbert
Osmond called on him punctually, and on their sending their carriage for
him Ralph came more than once to Palazzo Roccanera. A fortnight elapsed,
at the end of which Ralph announced to Lord Warburton that he thought
after all he wouldn't go to Sicily. The two men had been dining together
after a day spent by the latter in ranging about the Campagna. They had
left the table, and Warburton, before the chimney, was lighting a cigar,
which he instantly removed from his lips.
"Won't go to Sicily? Where then will you go?"
"Well, I guess I won't go anywhere," said Ralph, from the sofa, all
shamelessly.
"Do you mean you'll return to England?"
"Oh dear no; I'll stay in Rome."
"Rome won't do for you. Rome's not warm enough."
"It will have to do. I'll make it do. See how well I've been."
Lord Warburton looked at him a while, puffing a cigar and as if trying
to see it. "You've been better than you were on the journey, certainly.
I wonder how you lived through that. But I don't understand your
condition. I recommend you to try Sicily."
"I can't try," said poor Ralph. "I've done trying. I can't move further.
I can't face that journey. Fancy me between Scylla and Charybdis! I
don't want to die on the Sicilian plains--to be snatched away, like
Proserpine in the same locality, to the Plutonian shades."
"What the deuce then did you come for?" his lordship enquired.
"Because the idea took me. I see it won't do. It really doesn't
matter where I am now. I've exhausted all remedies, I've swallowed
all climates. As I'm here I'll stay. I haven't a single cousin in
Sicily--much less a married one."
"Your cousin's certainly an inducement. But what does the doctor say?"
"I haven't asked him, and I don't care a fig. If I die here Mrs. Osmond
will bury me. But I shall not die here."
"I hope not." Lord Warburton continued to smoke reflectively. "Well,
I must say," he resumed, "for myself I'm very glad you don't insist on
Sicily. I had a horror of that journey."
"Ah, but for you it needn't have mattered. I had no idea of dragging you
in my train."
"I certainly didn't mean to let you go alone."
"My dear Warburton, I never expected you to come further than this,"
Ralph cried.
"I should have gone with you and seen you settled," said Lord Warburton.
"You're a very good Christian. You're a very kind man."
"Then I should have come back here."
"And then you'd have gone to England."
"No, no; I should have stayed."
"Well," said Ralph, "if that's what we are both up to, I don't see where
Sicily comes in!"
His companion was silent; he sat staring at the fire. At last, looking
up, "I say, tell me this," he broke out; "did you really mean to go to
Sicily when we started?"
"Ah, vous m'en demandez trop! Let me put a question first. Did you come
with me quite--platonically?"
"I don't know what you mean by that. I wanted to come abroad."
"I suspect we've each been playing our little game."
"Speak for yourself. I made no secret whatever of my desiring to be here
a while."
"Yes, I remember you said you wished to see the Minister of Foreign
Affairs."
"I've seen him three times. He's very amusing."
"I think you've forgotten what you came for," said Ralph.
"Perhaps I have," his companion answered rather gravely.
These two were gentlemen of a race which is not distinguished by the
absence of reserve, and they had travelled together from London to Rome
without an allusion to matters that were uppermost in the mind of each.
There was an old subject they had once discussed, but it had lost its
recognised place in their attention, and even after their arrival
in Rome, where many things led back to it, they had kept the same
half-diffident, half-confident silence.
"I recommend you to get the doctor's consent, all the same," Lord
Warburton went on, abruptly, after an interval.
"The doctor's consent will spoil it. I never have it when I can help
it."
"What then does Mrs. Osmond think?" Ralph's friend demanded. "I've not
told her. She'll probably say that Rome's too cold and even offer to go
with me to Catania. She's capable of that."
"In your place I should like it."
"Her husband won't like it."
"Ah well, I can fancy that; though it seems to me you're not bound to
mind his likings. They're his affair."
"I don't want to make any more trouble between them," said Ralph.
"Is there so much already?"
"There's complete preparation for it. Her going off with me would make
the explosion. Osmond isn't fond of his wife's cousin."
"Then of course he'd make a row. But won't he make a row if you stop
here?"
"That's what I want to see. He made one the last time I was in Rome, and
then I thought it my duty to disappear. Now I think it's my duty to stop
and defend her."
"My dear Touchett, your defensive powers--!" Lord Warburton began with
a smile. But he saw something in his companion's face that checked him.
"Your duty, in these premises, seems to me rather a nice question," he
observed instead.
Ralph for a short time answered nothing. "It's true that my defensive
powers are small," he returned at last; "but as my aggressive ones are
still smaller Osmond may after all not think me worth his gunpowder. At
any rate," he added, "there are things I'm curious to see."
"You're sacrificing your health to your curiosity then?"
"I'm not much interested in my health, and I'm deeply interested in Mrs.
Osmond."
"So am I. But not as I once was," Lord Warburton added quickly. This was
one of the allusions he had not hitherto found occasion to make.
"Does she strike you as very happy?" Ralph enquired, emboldened by this
confidence.
"Well, I don't know; I've hardly thought. She told me the other night
she was happy."
"Ah, she told YOU, of course," Ralph exclaimed, smiling.
"I don't know that. It seems to me I was rather the sort of person she
might have complained to."
"Complained? She'll never complain. She has done it--what she HAS
done--and she knows it. She'll complain to you least of all. She's very
careful."
"She needn't be. I don't mean to make love to her again."
"I'm delighted to hear it. There can be no doubt at least of YOUR duty."
"Ah no," said Lord Warburton gravely; "none!"
"Permit me to ask," Ralph went on, "whether it's to bring out the fact
that you don't mean to make love to her that you're so very civil to the
little girl?"
Lord Warburton gave a slight start; he got up and stood before the fire,
looking at it hard. "Does that strike you as very ridiculous?"
"Ridiculous? Not in the least, if you really like her."
"I think her a delightful little person. I don't know when a girl of
that age has pleased me more."
"She's a charming creature. Ah, she at least is genuine."
"Of course there's the difference in our ages--more than twenty years."
"My dear Warburton," said Ralph, "are you serious?"
"Perfectly serious--as far as I've got."
"I'm very glad. And, heaven help us," cried Ralph, "how cheered-up old
Osmond will be!"
His companion frowned. "I say, don't spoil it. I shouldn't propose for
his daughter to please HIM."
"He'll have the perversity to be pleased all the same."
"He's not so fond of me as that," said his lordship.
"As that? My dear Warburton, the drawback of your position is that
people needn't be fond of you at all to wish to be connected with you.
Now, with me in such a case, I should have the happy confidence that
they loved me."
Lord Warburton seemed scarcely in the mood for doing justice to general
axioms--he was thinking of a special case. "Do you judge she'll be
pleased?"
"The girl herself? Delighted, surely."
"No, no; I mean Mrs. Osmond."
Ralph looked at him a moment. "My dear fellow, what has she to do with
it?"
"Whatever she chooses. She's very fond of Pansy."
"Very true--very true." And Ralph slowly got up. "It's an interesting
question--how far her fondness for Pansy will carry her." He stood there
a moment with his hands in his pockets and rather a clouded brow. "I
hope, you know, that you're very--very sure. The deuce!" he broke off.
"I don't know how to say it."
"Yes, you do; you know how to say everything."
"Well, it's awkward. I hope you're sure that among Miss Osmond's merits
her being--a--so near her stepmother isn't a leading one?"
"Good heavens, Touchett!" cried Lord Warburton angrily, "for what do you
take me?"
| Notes The interest of Lord Warburton in Pansy Osmond complicates the plot just enough to give Ralph Touchett a good show. Isabel has already half promised to help Pansy get the man she wants, the less than impressive Edward Rosier. Its clear that Gilbert Osmond will be happy for Lord Warburton as a son-in-law and will use Isabels old connection with him in gaining her compliance. Isabel will have to show that she is not hindering Warburtons engagement to Pansy for personal reasons. If Ralph is staying alive just to see what Isabel will do with herself now that shes stuck in her marriage, he has arrived in Rome just in time. | analysis |
Isabel had not seen much of Madame Merle since her marriage, this lady
having indulged in frequent absences from Rome. At one time she had
spent six months in England; at another she had passed a portion of a
winter in Paris. She had made numerous visits to distant friends and
gave countenance to the idea that for the future she should be a less
inveterate Roman than in the past. As she had been inveterate in the
past only in the sense of constantly having an apartment in one of
the sunniest niches of the Pincian--an apartment which often stood
empty--this suggested a prospect of almost constant absence; a
danger which Isabel at one period had been much inclined to deplore.
Familiarity had modified in some degree her first impression of Madame
Merle, but it had not essentially altered it; there was still much
wonder of admiration in it. That personage was armed at all points; it
was a pleasure to see a character so completely equipped for the social
battle. She carried her flag discreetly, but her weapons were polished
steel, and she used them with a skill which struck Isabel as more
and more that of a veteran. She was never weary, never overcome with
disgust; she never appeared to need rest or consolation. She had her own
ideas; she had of old exposed a great many of them to Isabel, who
knew also that under an appearance of extreme self-control her
highly-cultivated friend concealed a rich sensibility. But her will was
mistress of her life; there was something gallant in the way she kept
going. It was as if she had learned the secret of it--as if the art of
life were some clever trick she had guessed. Isabel, as she herself grew
older, became acquainted with revulsions, with disgusts; there were days
when the world looked black and she asked herself with some sharpness
what it was that she was pretending to live for. Her old habit had
been to live by enthusiasm, to fall in love with suddenly-perceived
possibilities, with the idea of some new adventure. As a younger person
she had been used to proceed from one little exaltation to the other:
there were scarcely any dull places between. But Madame Merle had
suppressed enthusiasm; she fell in love now-a-days with nothing; she
lived entirely by reason and by wisdom. There were hours when Isabel
would have given anything for lessons in this art; if her brilliant
friend had been near she would have made an appeal to her. She had
become aware more than before of the advantage of being like that--of
having made one's self a firm surface, a sort of corselet of silver.
But, as I say, it was not till the winter during which we lately renewed
acquaintance with our heroine that the personage in question made again
a continuous stay in Rome. Isabel now saw more of her than she had done
since her marriage; but by this time Isabel's needs and inclinations
had considerably changed. It was not at present to Madame Merle that she
would have applied for instruction; she had lost the desire to know this
lady's clever trick. If she had troubles she must keep them to herself,
and if life was difficult it would not make it easier to confess herself
beaten. Madame Merle was doubtless of great use to herself and an
ornament to any circle; but was she--would she be--of use to others
in periods of refined embarrassment? The best way to profit by her
friend--this indeed Isabel had always thought--was to imitate her, to be
as firm and bright as she. She recognised no embarrassments, and Isabel,
considering this fact, determined for the fiftieth time to brush aside
her own. It seemed to her too, on the renewal of an intercourse which
had virtually been interrupted, that her old ally was different, was
almost detached--pushing to the extreme a certain rather artificial fear
of being indiscreet. Ralph Touchett, we know, had been of the opinion
that she was prone to exaggeration, to forcing the note--was apt, in the
vulgar phrase, to overdo it. Isabel had never admitted this charge--had
never indeed quite understood it; Madame Merle's conduct, to her
perception, always bore the stamp of good taste, was always "quiet."
But in this matter of not wishing to intrude upon the inner life of the
Osmond family it at last occurred to our young woman that she overdid a
little. That of course was not the best taste; that was rather violent.
She remembered too much that Isabel was married; that she had now other
interests; that though she, Madame Merle, had known Gilbert Osmond and
his little Pansy very well, better almost than any one, she was not
after all of the inner circle. She was on her guard; she never spoke of
their affairs till she was asked, even pressed--as when her opinion was
wanted; she had a dread of seeming to meddle. Madame Merle was as candid
as we know, and one day she candidly expressed this dread to Isabel.
"I MUST be on my guard," she said; "I might so easily, without
suspecting it, offend you. You would be right to be offended, even if my
intention should have been of the purest. I must not forget that I knew
your husband long before you did; I must not let that betray me. If you
were a silly woman you might be jealous. You're not a silly woman; I
know that perfectly. But neither am I; therefore I'm determined not
to get into trouble. A little harm's very soon done; a mistake's made
before one knows it. Of course if I had wished to make love to your
husband I had ten years to do it in, and nothing to prevent; so it isn't
likely I shall begin to-day, when I'm so much less attractive than I
was. But if I were to annoy you by seeming to take a place that doesn't
belong to me, you wouldn't make that reflection; you'd simply say I
was forgetting certain differences. I'm determined not to forget them.
Certainly a good friend isn't always thinking of that; one doesn't
suspect one's friends of injustice. I don't suspect you, my dear, in
the least; but I suspect human nature. Don't think I make myself
uncomfortable; I'm not always watching myself. I think I sufficiently
prove it in talking to you as I do now. All I wish to say is, however,
that if you were to be jealous--that's the form it would take--I should
be sure to think it was a little my fault. It certainly wouldn't be your
husband's."
Isabel had had three years to think over Mrs. Touchett's theory that
Madame Merle had made Gilbert Osmond's marriage. We know how she had
at first received it. Madame Merle might have made Gilbert Osmond's
marriage, but she certainly had not made Isabel Archer's. That was the
work of--Isabel scarcely knew what: of nature, providence, fortune, of
the eternal mystery of things. It was true her aunt's complaint had
been not so much of Madame Merle's activity as of her duplicity: she had
brought about the strange event and then she had denied her guilt. Such
guilt would not have been great, to Isabel's mind; she couldn't make
a crime of Madame Merle's having been the producing cause of the most
important friendship she had ever formed. This had occurred to her just
before her marriage, after her little discussion with her aunt and at a
time when she was still capable of that large inward reference, the
tone almost of the philosophic historian, to her scant young annals. If
Madame Merle had desired her change of state she could only say it had
been a very happy thought. With her, moreover, she had been perfectly
straightforward; she had never concealed her high opinion of Gilbert
Osmond. After their union Isabel discovered that her husband took a less
convenient view of the matter; he seldom consented to finger, in talk,
this roundest and smoothest bead of their social rosary. "Don't you like
Madame Merle?" Isabel had once said to him. "She thinks a great deal of
you."
"I'll tell you once for all," Osmond had answered. "I liked her once
better than I do to-day. I'm tired of her, and I'm rather ashamed of it.
She's so almost unnaturally good! I'm glad she's not in Italy; it makes
for relaxation--for a sort of moral detente. Don't talk of her too much;
it seems to bring her back. She'll come back in plenty of time."
Madame Merle, in fact, had come back before it was too late--too late,
I mean, to recover whatever advantage she might have lost. But meantime,
if, as I have said, she was sensibly different, Isabel's feelings were
also not quite the same. Her consciousness of the situation was as
acute as of old, but it was much less satisfying. A dissatisfied mind,
whatever else it may miss, is rarely in want of reasons; they bloom as
thick as buttercups in June. The fact of Madame Merle's having had a
hand in Gilbert Osmond's marriage ceased to be one of her titles to
consideration; it might have been written, after all, that there was not
so much to thank her for. As time went on there was less and less, and
Isabel once said to herself that perhaps without her these things would
not have been. That reflection indeed was instantly stifled; she knew an
immediate horror at having made it. "Whatever happens to me let me not
be unjust," she said; "let me bear my burdens myself and not shift them
upon others!" This disposition was tested, eventually, by that ingenious
apology for her present conduct which Madame Merle saw fit to make
and of which I have given a sketch; for there was something
irritating--there was almost an air of mockery--in her neat
discriminations and clear convictions. In Isabel's mind to-day there
was nothing clear; there was a confusion of regrets, a complication of
fears. She felt helpless as she turned away from her friend, who had
just made the statements I have quoted: Madame Merle knew so little
what she was thinking of! She was herself moreover so unable to
explain. Jealous of her--jealous of her with Gilbert? The idea just then
suggested no near reality. She almost wished jealousy had been possible;
it would have made in a manner for refreshment. Wasn't it in a manner
one of the symptoms of happiness? Madame Merle, however, was wise, so
wise that she might have been pretending to know Isabel better than
Isabel knew herself. This young woman had always been fertile in
resolutions--any of them of an elevated character; but at no period had
they flourished (in the privacy of her heart) more richly than to-day.
It is true that they all had a family likeness; they might have been
summed up in the determination that if she was to be unhappy it should
not be by a fault of her own. Her poor winged spirit had always had
a great desire to do its best, and it had not as yet been seriously
discouraged. It wished, therefore, to hold fast to justice--not to
pay itself by petty revenges. To associate Madame Merle with its
disappointment would be a petty revenge--especially as the pleasure to
be derived from that would be perfectly insincere. It might feed
her sense of bitterness, but it would not loosen her bonds. It was
impossible to pretend that she had not acted with her eyes open; if ever
a girl was a free agent she had been. A girl in love was doubtless not a
free agent; but the sole source of her mistake had been within herself.
There had been no plot, no snare; she had looked and considered and
chosen. When a woman had made such a mistake, there was only one way to
repair it--just immensely (oh, with the highest grandeur!) to accept it.
One folly was enough, especially when it was to last for ever; a second
one would not much set it off. In this vow of reticence there was a
certain nobleness which kept Isabel going; but Madame Merle had been
right, for all that, in taking her precautions.
One day about a month after Ralph Touchett's arrival in Rome Isabel
came back from a walk with Pansy. It was not only a part of her general
determination to be just that she was at present very thankful for
Pansy--it was also a part of her tenderness for things that were pure
and weak. Pansy was dear to her, and there was nothing else in her
life that had the rightness of the young creature's attachment or
the sweetness of her own clearness about it. It was like a soft
presence--like a small hand in her own; on Pansy's part it was more than
an affection--it was a kind of ardent coercive faith. On her own side
her sense of the girl's dependence was more than a pleasure; it operated
as a definite reason when motives threatened to fail her. She had said
to herself that we must take our duty where we find it, and that we
must look for it as much as possible. Pansy's sympathy was a direct
admonition; it seemed to say that here was an opportunity, not eminent
perhaps, but unmistakeable. Yet an opportunity for what Isabel could
hardly have said; in general, to be more for the child than the child
was able to be for herself. Isabel could have smiled, in these days, to
remember that her little companion had once been ambiguous, for she
now perceived that Pansy's ambiguities were simply her own grossness of
vision. She had been unable to believe any one could care so much--so
extraordinarily much--to please. But since then she had seen this
delicate faculty in operation, and now she knew what to think of it. It
was the whole creature--it was a sort of genius. Pansy had no pride to
interfere with it, and though she was constantly extending her conquests
she took no credit for them. The two were constantly together; Mrs.
Osmond was rarely seen without her stepdaughter. Isabel liked her
company; it had the effect of one's carrying a nosegay composed all
of the same flower. And then not to neglect Pansy, not under any
provocation to neglect her--this she had made an article of religion.
The young girl had every appearance of being happier in Isabel's society
than in that of any one save her father,--whom she admired with an
intensity justified by the fact that, as paternity was an exquisite
pleasure to Gilbert Osmond, he had always been luxuriously mild. Isabel
knew how Pansy liked to be with her and how she studied the means of
pleasing her. She had decided that the best way of pleasing her was
negative, and consisted in not giving her trouble--a conviction which
certainly could have had no reference to trouble already existing. She
was therefore ingeniously passive and almost imaginatively docile; she
was careful even to moderate the eagerness with which she assented to
Isabel's propositions and which might have implied that she could have
thought otherwise. She never interrupted, never asked social questions,
and though she delighted in approbation, to the point of turning pale
when it came to her, never held out her hand for it. She only looked
toward it wistfully--an attitude which, as she grew older, made her eyes
the prettiest in the world. When during the second winter at Palazzo
Roccanera she began to go to parties, to dances, she always, at a
reasonable hour, lest Mrs. Osmond should be tired, was the first to
propose departure. Isabel appreciated the sacrifice of the late dances,
for she knew her little companion had a passionate pleasure in this
exercise, taking her steps to the music like a conscientious fairy.
Society, moreover, had no drawbacks for her; she liked even the tiresome
parts--the heat of ball-rooms, the dulness of dinners, the crush at
the door, the awkward waiting for the carriage. During the day, in this
vehicle, beside her stepmother, she sat in a small fixed, appreciative
posture, bending forward and faintly smiling, as if she had been taken
to drive for the first time.
On the day I speak of they had been driven out of one of the gates of
the city and at the end of half an hour had left the carriage to await
them by the roadside while they walked away over the short grass of the
Campagna, which even in the winter months is sprinkled with delicate
flowers. This was almost a daily habit with Isabel, who was fond of a
walk and had a swift length of step, though not so swift a one as on her
first coming to Europe. It was not the form of exercise that Pansy loved
best, but she liked it, because she liked everything; and she moved with
a shorter undulation beside her father's wife, who afterwards, on their
return to Rome, paid a tribute to her preferences by making the circuit
of the Pincian or the Villa Borghese. She had gathered a handful of
flowers in a sunny hollow, far from the walls of Rome, and on reaching
Palazzo Roccanera she went straight to her room, to put them into
water. Isabel passed into the drawing-room, the one she herself usually
occupied, the second in order from the large ante-chamber which was
entered from the staircase and in which even Gilbert Osmond's rich
devices had not been able to correct a look of rather grand nudity. Just
beyond the threshold of the drawing-room she stopped short, the
reason for her doing so being that she had received an impression. The
impression had, in strictness, nothing unprecedented; but she felt it as
something new, and the soundlessness of her step gave her time to take
in the scene before she interrupted it. Madame Merle was there in her
bonnet, and Gilbert Osmond was talking to her; for a minute they were
unaware she had come in. Isabel had often seen that before, certainly;
but what she had not seen, or at least had not noticed, was that their
colloquy had for the moment converted itself into a sort of familiar
silence, from which she instantly perceived that her entrance would
startle them. Madame Merle was standing on the rug, a little way from
the fire; Osmond was in a deep chair, leaning back and looking at her.
Her head was erect, as usual, but her eyes were bent on his. What struck
Isabel first was that he was sitting while Madame Merle stood; there was
an anomaly in this that arrested her. Then she perceived that they had
arrived at a desultory pause in their exchange of ideas and were musing,
face to face, with the freedom of old friends who sometimes exchange
ideas without uttering them. There was nothing to shock in this; they
were old friends in fact. But the thing made an image, lasting only a
moment, like a sudden flicker of light. Their relative positions, their
absorbed mutual gaze, struck her as something detected. But it was all
over by the time she had fairly seen it. Madame Merle had seen her and
had welcomed her without moving; her husband, on the other hand, had
instantly jumped up. He presently murmured something about wanting a
walk and, after having asked their visitor to excuse him, left the room.
"I came to see you, thinking you would have come in; and as you hadn't I
waited for you," Madame Merle said.
"Didn't he ask you to sit down?" Isabel asked with a smile.
Madame Merle looked about her. "Ah, it's very true; I was going away."
"You must stay now."
"Certainly. I came for a reason; I've something on my mind."
"I've told you that before," Isabel said--"that it takes something
extraordinary to bring you to this house."
"And you know what I've told YOU; that whether I come or whether I stay
away, I've always the same motive--the affection I bear you."
"Yes, you've told me that."
"You look just now as if you didn't believe it," said Madame Merle.
"Ah," Isabel answered, "the profundity of your motives, that's the last
thing I doubt!"
"You doubt sooner of the sincerity of my words."
Isabel shook her head gravely. "I know you've always been kind to me."
"As often as you would let me. You don't always take it; then one has
to let you alone. It's not to do you a kindness, however, that I've come
to-day; it's quite another affair. I've come to get rid of a trouble of
my own--to make it over to you. I've been talking to your husband about
it."
"I'm surprised at that; he doesn't like troubles."
"Especially other people's; I know very well. But neither do you, I
suppose. At any rate, whether you do or not, you must help me. It's
about poor Mr. Rosier."
"Ah," said Isabel reflectively, "it's his trouble then, not yours."
"He has succeeded in saddling me with it. He comes to see me ten times a
week, to talk about Pansy."
"Yes, he wants to marry her. I know all about it."
Madame Merle hesitated. "I gathered from your husband that perhaps you
didn't."
"How should he know what I know? He has never spoken to me of the
matter."
"It's probably because he doesn't know how to speak of it."
"It's nevertheless the sort of question in which he's rarely at fault."
"Yes, because as a general thing he knows perfectly well what to think.
To-day he doesn't."
"Haven't you been telling him?" Isabel asked.
Madame Merle gave a bright, voluntary smile. "Do you know you're a
little dry?"
"Yes; I can't help it. Mr. Rosier has also talked to me."
"In that there's some reason. You're so near the child."
"Ah," said Isabel, "for all the comfort I've given him! If you think me
dry, I wonder what HE thinks."
"I believe he thinks you can do more than you have done."
"I can do nothing."
"You can do more at least than I. I don't know what mysterious
connection he may have discovered between me and Pansy; but he came to
me from the first, as if I held his fortune in my hand. Now he keeps
coming back, to spur me up, to know what hope there is, to pour out his
feelings."
"He's very much in love," said Isabel.
"Very much--for him."
"Very much for Pansy, you might say as well."
Madame Merle dropped her eyes a moment. "Don't you think she's
attractive?"
"The dearest little person possible--but very limited."
"She ought to be all the easier for Mr. Rosier to love. Mr. Rosier's not
unlimited."
"No," said Isabel, "he has about the extent of one's
pocket-handkerchief--the small ones with lace borders." Her humour had
lately turned a good deal to sarcasm, but in a moment she was ashamed
of exercising it on so innocent an object as Pansy's suitor. "He's very
kind, very honest," she presently added; "and he's not such a fool as he
seems."
"He assures me that she delights in him," said Madame Merle.
"I don't know; I've not asked her."
"You've never sounded her a little?"
"It's not my place; it's her father's."
"Ah, you're too literal!" said Madame Merle.
"I must judge for myself."
Madame Merle gave her smile again. "It isn't easy to help you."
"To help me?" said Isabel very seriously. "What do you mean?"
"It's easy to displease you. Don't you see how wise I am to be careful?
I notify you, at any rate, as I notified Osmond, that I wash my hands of
the love-affairs of Miss Pansy and Mr. Edward Rosier. Je n'y peux rien,
moi! I can't talk to Pansy about him. Especially," added Madame Merle,
"as I don't think him a paragon of husbands."
Isabel reflected a little; after which, with a smile, "You don't wash
your hands then!" she said. After which again she added in another tone:
"You can't--you're too much interested."
Madame Merle slowly rose; she had given Isabel a look as rapid as the
intimation that had gleamed before our heroine a few moments before.
Only this time the latter saw nothing. "Ask him the next time, and
you'll see."
"I can't ask him; he has ceased to come to the house. Gilbert has let
him know that he's not welcome."
"Ah yes," said Madame Merle, "I forgot that--though it's the burden of
his lamentation. He says Osmond has insulted him. All the same," she
went on, "Osmond doesn't dislike him so much as he thinks." She had got
up as if to close the conversation, but she lingered, looking about her,
and had evidently more to say. Isabel perceived this and even saw the
point she had in view; but Isabel also had her own reasons for not
opening the way.
"That must have pleased him, if you've told him," she answered, smiling.
"Certainly I've told him; as far as that goes I've encouraged him. I've
preached patience, have said that his case isn't desperate if he'll only
hold his tongue and be quiet. Unfortunately he has taken it into his
head to be jealous."
"Jealous?"
"Jealous of Lord Warburton, who, he says, is always here."
Isabel, who was tired, had remained sitting; but at this she also rose.
"Ah!" she exclaimed simply, moving slowly to the fireplace. Madame
Merle observed her as she passed and while she stood a moment before the
mantel-glass and pushed into its place a wandering tress of hair.
"Poor Mr. Rosier keeps saying there's nothing impossible in Lord
Warburton's falling in love with Pansy," Madame Merle went on. Isabel
was silent a little; she turned away from the glass. "It's true--there's
nothing impossible," she returned at last, gravely and more gently.
"So I've had to admit to Mr. Rosier. So, too, your husband thinks."
"That I don't know."
"Ask him and you'll see."
"I shall not ask him," said Isabel.
"Pardon me; I forgot you had pointed that out. Of course," Madame Merle
added, "you've had infinitely more observation of Lord Warburton's
behaviour than I."
"I see no reason why I shouldn't tell you that he likes my stepdaughter
very much."
Madame Merle gave one of her quick looks again. "Likes her, you mean--as
Mr. Rosier means?"
"I don't know how Mr. Rosier means; but Lord Warburton has let me know
that he's charmed with Pansy."
"And you've never told Osmond?" This observation was immediate,
precipitate; it almost burst from Madame Merle's lips.
Isabel's eyes rested on her. "I suppose he'll know in time; Lord
Warburton has a tongue and knows how to express himself."
Madame Merle instantly became conscious that she had spoken more quickly
than usual, and the reflection brought the colour to her cheek. She gave
the treacherous impulse time to subside and then said as if she had been
thinking it over a little: "That would be better than marrying poor Mr.
Rosier."
"Much better, I think."
"It would be very delightful; it would be a great marriage. It's really
very kind of him."
"Very kind of him?"
"To drop his eyes on a simple little girl."
"I don't see that."
"It's very good of you. But after all, Pansy Osmond--"
"After all, Pansy Osmond's the most attractive person he has ever
known!" Isabel exclaimed.
Madame Merle stared, and indeed she was justly bewildered. "Ah, a moment
ago I thought you seemed rather to disparage her."
"I said she was limited. And so she is. And so's Lord Warburton."
"So are we all, if you come to that. If it's no more than Pansy
deserves, all the better. But if she fixes her affections on Mr. Rosier
I won't admit that she deserves it. That will be too perverse."
"Mr. Rosier's a nuisance!" Isabel cried abruptly.
"I quite agree with you, and I'm delighted to know that I'm not expected
to feed his flame. For the future, when he calls on me, my door shall be
closed to him." And gathering her mantle together Madame Merle prepared
to depart. She was checked, however, on her progress to the door, by an
inconsequent request from Isabel.
"All the same, you know, be kind to him."
She lifted her shoulders and eyebrows and stood looking at her friend.
"I don't understand your contradictions! Decidedly I shan't be kind to
him, for it will be a false kindness. I want to see her married to Lord
Warburton."
"You had better wait till he asks her."
"If what you say's true, he'll ask her. Especially," said Madame Merle
in a moment, "if you make him."
"If I make him?"
"It's quite in your power. You've great influence with him."
Isabel frowned a little. "Where did you learn that?"
"Mrs. Touchett told me. Not you--never!" said Madame Merle, smiling.
"I certainly never told you anything of the sort."
"You MIGHT have done so--so far as opportunity went--when we were by
way of being confidential with each other. But you really told me very
little; I've often thought so since."
Isabel had thought so too, and sometimes with a certain satisfaction.
But she didn't admit it now--perhaps because she wished not to appear to
exult in it. "You seem to have had an excellent informant in my aunt,"
she simply returned.
"She let me know you had declined an offer of marriage from Lord
Warburton, because she was greatly vexed and was full of the subject.
Of course I think you've done better in doing as you did. But if you
wouldn't marry Lord Warburton yourself, make him the reparation of
helping him to marry some one else."
Isabel listened to this with a face that persisted in not reflecting
the bright expressiveness of Madame Merle's. But in a moment she said,
reasonably and gently enough: "I should be very glad indeed if, as
regards Pansy, it could be arranged." Upon which her companion, who
seemed to regard this as a speech of good omen, embraced her more
tenderly than might have been expected and triumphantly withdrew.
| Since Isabels marriage, Madame Merle has been almost constantly absent from Rome. Isabel had at first wished things were different since she wished to have Madame Merles advice about how to cope with her unhappiness. " Isabel, as she herself grew older, became acquainted with revulsions, with disgusts; there were days when the world looked black and she asked herself with some sharpness what I was that she was pretending to live for. " She admired Madame Merles habit of making of herself all surface. Nowadays, however, she has lost the desire to learn Madame Merles trick. She believes she should keep her troubles to herself. She has found Madame Merle annoying in her overly fastidious insistence that she be discreet in terms of her relationship with the Osmonds. Madame Merle has told her that she must be on her guard so that Isabel wont become jealous of her and Mr. Osmond. Isabel is very surprised by this idea. She thinks she would have to be happy with Gilbert in order to be jealous of him. Isabel has had three years to think about Mrs. Touchetts accusation that Madame Merle arranged her marriage to Gilbert Osmond. Isabel has decides that she must take responsibility for her own mistake. Madame Merle might have pushed Osmond into it, but she feels that she herself made the choice as a free person. She feels that theres no way to repair the mistake but to accept it. One day, when Ralph had been in Rome for a month, Isabel returns home from a walk with Pansy. She spends all her time with Pansy and loves being with her. She finds her "ingeniously passive and almost imaginatively docile." Isabel takes walks almost every day. When she returns from this one, she has a shock. She receives an "impression. " When she walks into the room, she sees Madame Merle is with her husband. They dont hear her approach so she has a moment to see them as they are when they arent on their guard. She is shocked to see that they are staring at each other silently in a pose of intimacy. She is more surprised to see that Gilbert is sitting while Madame Merle is standing. When they see her, Gilbert jumps up and leaves quickly. Madame Merle stays to talk with Isabel. She wants to tell Isabel she needs help getting rid of Edward Rosier who keeps bothering her to help with his marriage suit to Pansy. Isabel is ironic and distant. Madame Merle notices it. Madame Merle says she doesnt know "what mysterious connection may have discovered between and Pansy" but he is pleading with her to help him. She doesnt think hes the best husband for Pansy and so doesnt want to see him any more. She says she is washing her hands of the matter. Isabel tells her she cant be honestly washing her hands of the matter since she shows herself to be much too interested; that is, she doesnt want Pansy to marry Rosier. Madame Merle says Rosier is now jealous of Lord Warburton. Isabel is surprised at this. Madame Merle wants Isabel to speak to Pansy of Lord Warburton. Isabel refuses to intervene in any way. When Isabel mentions that Lord Warburton has already spoken to her of his affection for Pansy, Madame Mere exclaims that she is surprised Isabel hasnt spoken to Osmond of it. She realizes she has said too much and blushes. Isabel says Warburton will speak to Osmond on his own behalf. Madame Merle indicates that Isabel should try to get Warburton to speak to Pansy. Isabel again refuses to intervene. Madame Merle indicates that she knows Warburton once proposed marriage to Isabel even though Isabel herself never revealed this. Isabel says she thinks Warburton would be a good husband for Pansy. She adds the request that Madame Merle be kind to Rosier when she sends him away. | summary |
Isabel had not seen much of Madame Merle since her marriage, this lady
having indulged in frequent absences from Rome. At one time she had
spent six months in England; at another she had passed a portion of a
winter in Paris. She had made numerous visits to distant friends and
gave countenance to the idea that for the future she should be a less
inveterate Roman than in the past. As she had been inveterate in the
past only in the sense of constantly having an apartment in one of
the sunniest niches of the Pincian--an apartment which often stood
empty--this suggested a prospect of almost constant absence; a
danger which Isabel at one period had been much inclined to deplore.
Familiarity had modified in some degree her first impression of Madame
Merle, but it had not essentially altered it; there was still much
wonder of admiration in it. That personage was armed at all points; it
was a pleasure to see a character so completely equipped for the social
battle. She carried her flag discreetly, but her weapons were polished
steel, and she used them with a skill which struck Isabel as more
and more that of a veteran. She was never weary, never overcome with
disgust; she never appeared to need rest or consolation. She had her own
ideas; she had of old exposed a great many of them to Isabel, who
knew also that under an appearance of extreme self-control her
highly-cultivated friend concealed a rich sensibility. But her will was
mistress of her life; there was something gallant in the way she kept
going. It was as if she had learned the secret of it--as if the art of
life were some clever trick she had guessed. Isabel, as she herself grew
older, became acquainted with revulsions, with disgusts; there were days
when the world looked black and she asked herself with some sharpness
what it was that she was pretending to live for. Her old habit had
been to live by enthusiasm, to fall in love with suddenly-perceived
possibilities, with the idea of some new adventure. As a younger person
she had been used to proceed from one little exaltation to the other:
there were scarcely any dull places between. But Madame Merle had
suppressed enthusiasm; she fell in love now-a-days with nothing; she
lived entirely by reason and by wisdom. There were hours when Isabel
would have given anything for lessons in this art; if her brilliant
friend had been near she would have made an appeal to her. She had
become aware more than before of the advantage of being like that--of
having made one's self a firm surface, a sort of corselet of silver.
But, as I say, it was not till the winter during which we lately renewed
acquaintance with our heroine that the personage in question made again
a continuous stay in Rome. Isabel now saw more of her than she had done
since her marriage; but by this time Isabel's needs and inclinations
had considerably changed. It was not at present to Madame Merle that she
would have applied for instruction; she had lost the desire to know this
lady's clever trick. If she had troubles she must keep them to herself,
and if life was difficult it would not make it easier to confess herself
beaten. Madame Merle was doubtless of great use to herself and an
ornament to any circle; but was she--would she be--of use to others
in periods of refined embarrassment? The best way to profit by her
friend--this indeed Isabel had always thought--was to imitate her, to be
as firm and bright as she. She recognised no embarrassments, and Isabel,
considering this fact, determined for the fiftieth time to brush aside
her own. It seemed to her too, on the renewal of an intercourse which
had virtually been interrupted, that her old ally was different, was
almost detached--pushing to the extreme a certain rather artificial fear
of being indiscreet. Ralph Touchett, we know, had been of the opinion
that she was prone to exaggeration, to forcing the note--was apt, in the
vulgar phrase, to overdo it. Isabel had never admitted this charge--had
never indeed quite understood it; Madame Merle's conduct, to her
perception, always bore the stamp of good taste, was always "quiet."
But in this matter of not wishing to intrude upon the inner life of the
Osmond family it at last occurred to our young woman that she overdid a
little. That of course was not the best taste; that was rather violent.
She remembered too much that Isabel was married; that she had now other
interests; that though she, Madame Merle, had known Gilbert Osmond and
his little Pansy very well, better almost than any one, she was not
after all of the inner circle. She was on her guard; she never spoke of
their affairs till she was asked, even pressed--as when her opinion was
wanted; she had a dread of seeming to meddle. Madame Merle was as candid
as we know, and one day she candidly expressed this dread to Isabel.
"I MUST be on my guard," she said; "I might so easily, without
suspecting it, offend you. You would be right to be offended, even if my
intention should have been of the purest. I must not forget that I knew
your husband long before you did; I must not let that betray me. If you
were a silly woman you might be jealous. You're not a silly woman; I
know that perfectly. But neither am I; therefore I'm determined not
to get into trouble. A little harm's very soon done; a mistake's made
before one knows it. Of course if I had wished to make love to your
husband I had ten years to do it in, and nothing to prevent; so it isn't
likely I shall begin to-day, when I'm so much less attractive than I
was. But if I were to annoy you by seeming to take a place that doesn't
belong to me, you wouldn't make that reflection; you'd simply say I
was forgetting certain differences. I'm determined not to forget them.
Certainly a good friend isn't always thinking of that; one doesn't
suspect one's friends of injustice. I don't suspect you, my dear, in
the least; but I suspect human nature. Don't think I make myself
uncomfortable; I'm not always watching myself. I think I sufficiently
prove it in talking to you as I do now. All I wish to say is, however,
that if you were to be jealous--that's the form it would take--I should
be sure to think it was a little my fault. It certainly wouldn't be your
husband's."
Isabel had had three years to think over Mrs. Touchett's theory that
Madame Merle had made Gilbert Osmond's marriage. We know how she had
at first received it. Madame Merle might have made Gilbert Osmond's
marriage, but she certainly had not made Isabel Archer's. That was the
work of--Isabel scarcely knew what: of nature, providence, fortune, of
the eternal mystery of things. It was true her aunt's complaint had
been not so much of Madame Merle's activity as of her duplicity: she had
brought about the strange event and then she had denied her guilt. Such
guilt would not have been great, to Isabel's mind; she couldn't make
a crime of Madame Merle's having been the producing cause of the most
important friendship she had ever formed. This had occurred to her just
before her marriage, after her little discussion with her aunt and at a
time when she was still capable of that large inward reference, the
tone almost of the philosophic historian, to her scant young annals. If
Madame Merle had desired her change of state she could only say it had
been a very happy thought. With her, moreover, she had been perfectly
straightforward; she had never concealed her high opinion of Gilbert
Osmond. After their union Isabel discovered that her husband took a less
convenient view of the matter; he seldom consented to finger, in talk,
this roundest and smoothest bead of their social rosary. "Don't you like
Madame Merle?" Isabel had once said to him. "She thinks a great deal of
you."
"I'll tell you once for all," Osmond had answered. "I liked her once
better than I do to-day. I'm tired of her, and I'm rather ashamed of it.
She's so almost unnaturally good! I'm glad she's not in Italy; it makes
for relaxation--for a sort of moral detente. Don't talk of her too much;
it seems to bring her back. She'll come back in plenty of time."
Madame Merle, in fact, had come back before it was too late--too late,
I mean, to recover whatever advantage she might have lost. But meantime,
if, as I have said, she was sensibly different, Isabel's feelings were
also not quite the same. Her consciousness of the situation was as
acute as of old, but it was much less satisfying. A dissatisfied mind,
whatever else it may miss, is rarely in want of reasons; they bloom as
thick as buttercups in June. The fact of Madame Merle's having had a
hand in Gilbert Osmond's marriage ceased to be one of her titles to
consideration; it might have been written, after all, that there was not
so much to thank her for. As time went on there was less and less, and
Isabel once said to herself that perhaps without her these things would
not have been. That reflection indeed was instantly stifled; she knew an
immediate horror at having made it. "Whatever happens to me let me not
be unjust," she said; "let me bear my burdens myself and not shift them
upon others!" This disposition was tested, eventually, by that ingenious
apology for her present conduct which Madame Merle saw fit to make
and of which I have given a sketch; for there was something
irritating--there was almost an air of mockery--in her neat
discriminations and clear convictions. In Isabel's mind to-day there
was nothing clear; there was a confusion of regrets, a complication of
fears. She felt helpless as she turned away from her friend, who had
just made the statements I have quoted: Madame Merle knew so little
what she was thinking of! She was herself moreover so unable to
explain. Jealous of her--jealous of her with Gilbert? The idea just then
suggested no near reality. She almost wished jealousy had been possible;
it would have made in a manner for refreshment. Wasn't it in a manner
one of the symptoms of happiness? Madame Merle, however, was wise, so
wise that she might have been pretending to know Isabel better than
Isabel knew herself. This young woman had always been fertile in
resolutions--any of them of an elevated character; but at no period had
they flourished (in the privacy of her heart) more richly than to-day.
It is true that they all had a family likeness; they might have been
summed up in the determination that if she was to be unhappy it should
not be by a fault of her own. Her poor winged spirit had always had
a great desire to do its best, and it had not as yet been seriously
discouraged. It wished, therefore, to hold fast to justice--not to
pay itself by petty revenges. To associate Madame Merle with its
disappointment would be a petty revenge--especially as the pleasure to
be derived from that would be perfectly insincere. It might feed
her sense of bitterness, but it would not loosen her bonds. It was
impossible to pretend that she had not acted with her eyes open; if ever
a girl was a free agent she had been. A girl in love was doubtless not a
free agent; but the sole source of her mistake had been within herself.
There had been no plot, no snare; she had looked and considered and
chosen. When a woman had made such a mistake, there was only one way to
repair it--just immensely (oh, with the highest grandeur!) to accept it.
One folly was enough, especially when it was to last for ever; a second
one would not much set it off. In this vow of reticence there was a
certain nobleness which kept Isabel going; but Madame Merle had been
right, for all that, in taking her precautions.
One day about a month after Ralph Touchett's arrival in Rome Isabel
came back from a walk with Pansy. It was not only a part of her general
determination to be just that she was at present very thankful for
Pansy--it was also a part of her tenderness for things that were pure
and weak. Pansy was dear to her, and there was nothing else in her
life that had the rightness of the young creature's attachment or
the sweetness of her own clearness about it. It was like a soft
presence--like a small hand in her own; on Pansy's part it was more than
an affection--it was a kind of ardent coercive faith. On her own side
her sense of the girl's dependence was more than a pleasure; it operated
as a definite reason when motives threatened to fail her. She had said
to herself that we must take our duty where we find it, and that we
must look for it as much as possible. Pansy's sympathy was a direct
admonition; it seemed to say that here was an opportunity, not eminent
perhaps, but unmistakeable. Yet an opportunity for what Isabel could
hardly have said; in general, to be more for the child than the child
was able to be for herself. Isabel could have smiled, in these days, to
remember that her little companion had once been ambiguous, for she
now perceived that Pansy's ambiguities were simply her own grossness of
vision. She had been unable to believe any one could care so much--so
extraordinarily much--to please. But since then she had seen this
delicate faculty in operation, and now she knew what to think of it. It
was the whole creature--it was a sort of genius. Pansy had no pride to
interfere with it, and though she was constantly extending her conquests
she took no credit for them. The two were constantly together; Mrs.
Osmond was rarely seen without her stepdaughter. Isabel liked her
company; it had the effect of one's carrying a nosegay composed all
of the same flower. And then not to neglect Pansy, not under any
provocation to neglect her--this she had made an article of religion.
The young girl had every appearance of being happier in Isabel's society
than in that of any one save her father,--whom she admired with an
intensity justified by the fact that, as paternity was an exquisite
pleasure to Gilbert Osmond, he had always been luxuriously mild. Isabel
knew how Pansy liked to be with her and how she studied the means of
pleasing her. She had decided that the best way of pleasing her was
negative, and consisted in not giving her trouble--a conviction which
certainly could have had no reference to trouble already existing. She
was therefore ingeniously passive and almost imaginatively docile; she
was careful even to moderate the eagerness with which she assented to
Isabel's propositions and which might have implied that she could have
thought otherwise. She never interrupted, never asked social questions,
and though she delighted in approbation, to the point of turning pale
when it came to her, never held out her hand for it. She only looked
toward it wistfully--an attitude which, as she grew older, made her eyes
the prettiest in the world. When during the second winter at Palazzo
Roccanera she began to go to parties, to dances, she always, at a
reasonable hour, lest Mrs. Osmond should be tired, was the first to
propose departure. Isabel appreciated the sacrifice of the late dances,
for she knew her little companion had a passionate pleasure in this
exercise, taking her steps to the music like a conscientious fairy.
Society, moreover, had no drawbacks for her; she liked even the tiresome
parts--the heat of ball-rooms, the dulness of dinners, the crush at
the door, the awkward waiting for the carriage. During the day, in this
vehicle, beside her stepmother, she sat in a small fixed, appreciative
posture, bending forward and faintly smiling, as if she had been taken
to drive for the first time.
On the day I speak of they had been driven out of one of the gates of
the city and at the end of half an hour had left the carriage to await
them by the roadside while they walked away over the short grass of the
Campagna, which even in the winter months is sprinkled with delicate
flowers. This was almost a daily habit with Isabel, who was fond of a
walk and had a swift length of step, though not so swift a one as on her
first coming to Europe. It was not the form of exercise that Pansy loved
best, but she liked it, because she liked everything; and she moved with
a shorter undulation beside her father's wife, who afterwards, on their
return to Rome, paid a tribute to her preferences by making the circuit
of the Pincian or the Villa Borghese. She had gathered a handful of
flowers in a sunny hollow, far from the walls of Rome, and on reaching
Palazzo Roccanera she went straight to her room, to put them into
water. Isabel passed into the drawing-room, the one she herself usually
occupied, the second in order from the large ante-chamber which was
entered from the staircase and in which even Gilbert Osmond's rich
devices had not been able to correct a look of rather grand nudity. Just
beyond the threshold of the drawing-room she stopped short, the
reason for her doing so being that she had received an impression. The
impression had, in strictness, nothing unprecedented; but she felt it as
something new, and the soundlessness of her step gave her time to take
in the scene before she interrupted it. Madame Merle was there in her
bonnet, and Gilbert Osmond was talking to her; for a minute they were
unaware she had come in. Isabel had often seen that before, certainly;
but what she had not seen, or at least had not noticed, was that their
colloquy had for the moment converted itself into a sort of familiar
silence, from which she instantly perceived that her entrance would
startle them. Madame Merle was standing on the rug, a little way from
the fire; Osmond was in a deep chair, leaning back and looking at her.
Her head was erect, as usual, but her eyes were bent on his. What struck
Isabel first was that he was sitting while Madame Merle stood; there was
an anomaly in this that arrested her. Then she perceived that they had
arrived at a desultory pause in their exchange of ideas and were musing,
face to face, with the freedom of old friends who sometimes exchange
ideas without uttering them. There was nothing to shock in this; they
were old friends in fact. But the thing made an image, lasting only a
moment, like a sudden flicker of light. Their relative positions, their
absorbed mutual gaze, struck her as something detected. But it was all
over by the time she had fairly seen it. Madame Merle had seen her and
had welcomed her without moving; her husband, on the other hand, had
instantly jumped up. He presently murmured something about wanting a
walk and, after having asked their visitor to excuse him, left the room.
"I came to see you, thinking you would have come in; and as you hadn't I
waited for you," Madame Merle said.
"Didn't he ask you to sit down?" Isabel asked with a smile.
Madame Merle looked about her. "Ah, it's very true; I was going away."
"You must stay now."
"Certainly. I came for a reason; I've something on my mind."
"I've told you that before," Isabel said--"that it takes something
extraordinary to bring you to this house."
"And you know what I've told YOU; that whether I come or whether I stay
away, I've always the same motive--the affection I bear you."
"Yes, you've told me that."
"You look just now as if you didn't believe it," said Madame Merle.
"Ah," Isabel answered, "the profundity of your motives, that's the last
thing I doubt!"
"You doubt sooner of the sincerity of my words."
Isabel shook her head gravely. "I know you've always been kind to me."
"As often as you would let me. You don't always take it; then one has
to let you alone. It's not to do you a kindness, however, that I've come
to-day; it's quite another affair. I've come to get rid of a trouble of
my own--to make it over to you. I've been talking to your husband about
it."
"I'm surprised at that; he doesn't like troubles."
"Especially other people's; I know very well. But neither do you, I
suppose. At any rate, whether you do or not, you must help me. It's
about poor Mr. Rosier."
"Ah," said Isabel reflectively, "it's his trouble then, not yours."
"He has succeeded in saddling me with it. He comes to see me ten times a
week, to talk about Pansy."
"Yes, he wants to marry her. I know all about it."
Madame Merle hesitated. "I gathered from your husband that perhaps you
didn't."
"How should he know what I know? He has never spoken to me of the
matter."
"It's probably because he doesn't know how to speak of it."
"It's nevertheless the sort of question in which he's rarely at fault."
"Yes, because as a general thing he knows perfectly well what to think.
To-day he doesn't."
"Haven't you been telling him?" Isabel asked.
Madame Merle gave a bright, voluntary smile. "Do you know you're a
little dry?"
"Yes; I can't help it. Mr. Rosier has also talked to me."
"In that there's some reason. You're so near the child."
"Ah," said Isabel, "for all the comfort I've given him! If you think me
dry, I wonder what HE thinks."
"I believe he thinks you can do more than you have done."
"I can do nothing."
"You can do more at least than I. I don't know what mysterious
connection he may have discovered between me and Pansy; but he came to
me from the first, as if I held his fortune in my hand. Now he keeps
coming back, to spur me up, to know what hope there is, to pour out his
feelings."
"He's very much in love," said Isabel.
"Very much--for him."
"Very much for Pansy, you might say as well."
Madame Merle dropped her eyes a moment. "Don't you think she's
attractive?"
"The dearest little person possible--but very limited."
"She ought to be all the easier for Mr. Rosier to love. Mr. Rosier's not
unlimited."
"No," said Isabel, "he has about the extent of one's
pocket-handkerchief--the small ones with lace borders." Her humour had
lately turned a good deal to sarcasm, but in a moment she was ashamed
of exercising it on so innocent an object as Pansy's suitor. "He's very
kind, very honest," she presently added; "and he's not such a fool as he
seems."
"He assures me that she delights in him," said Madame Merle.
"I don't know; I've not asked her."
"You've never sounded her a little?"
"It's not my place; it's her father's."
"Ah, you're too literal!" said Madame Merle.
"I must judge for myself."
Madame Merle gave her smile again. "It isn't easy to help you."
"To help me?" said Isabel very seriously. "What do you mean?"
"It's easy to displease you. Don't you see how wise I am to be careful?
I notify you, at any rate, as I notified Osmond, that I wash my hands of
the love-affairs of Miss Pansy and Mr. Edward Rosier. Je n'y peux rien,
moi! I can't talk to Pansy about him. Especially," added Madame Merle,
"as I don't think him a paragon of husbands."
Isabel reflected a little; after which, with a smile, "You don't wash
your hands then!" she said. After which again she added in another tone:
"You can't--you're too much interested."
Madame Merle slowly rose; she had given Isabel a look as rapid as the
intimation that had gleamed before our heroine a few moments before.
Only this time the latter saw nothing. "Ask him the next time, and
you'll see."
"I can't ask him; he has ceased to come to the house. Gilbert has let
him know that he's not welcome."
"Ah yes," said Madame Merle, "I forgot that--though it's the burden of
his lamentation. He says Osmond has insulted him. All the same," she
went on, "Osmond doesn't dislike him so much as he thinks." She had got
up as if to close the conversation, but she lingered, looking about her,
and had evidently more to say. Isabel perceived this and even saw the
point she had in view; but Isabel also had her own reasons for not
opening the way.
"That must have pleased him, if you've told him," she answered, smiling.
"Certainly I've told him; as far as that goes I've encouraged him. I've
preached patience, have said that his case isn't desperate if he'll only
hold his tongue and be quiet. Unfortunately he has taken it into his
head to be jealous."
"Jealous?"
"Jealous of Lord Warburton, who, he says, is always here."
Isabel, who was tired, had remained sitting; but at this she also rose.
"Ah!" she exclaimed simply, moving slowly to the fireplace. Madame
Merle observed her as she passed and while she stood a moment before the
mantel-glass and pushed into its place a wandering tress of hair.
"Poor Mr. Rosier keeps saying there's nothing impossible in Lord
Warburton's falling in love with Pansy," Madame Merle went on. Isabel
was silent a little; she turned away from the glass. "It's true--there's
nothing impossible," she returned at last, gravely and more gently.
"So I've had to admit to Mr. Rosier. So, too, your husband thinks."
"That I don't know."
"Ask him and you'll see."
"I shall not ask him," said Isabel.
"Pardon me; I forgot you had pointed that out. Of course," Madame Merle
added, "you've had infinitely more observation of Lord Warburton's
behaviour than I."
"I see no reason why I shouldn't tell you that he likes my stepdaughter
very much."
Madame Merle gave one of her quick looks again. "Likes her, you mean--as
Mr. Rosier means?"
"I don't know how Mr. Rosier means; but Lord Warburton has let me know
that he's charmed with Pansy."
"And you've never told Osmond?" This observation was immediate,
precipitate; it almost burst from Madame Merle's lips.
Isabel's eyes rested on her. "I suppose he'll know in time; Lord
Warburton has a tongue and knows how to express himself."
Madame Merle instantly became conscious that she had spoken more quickly
than usual, and the reflection brought the colour to her cheek. She gave
the treacherous impulse time to subside and then said as if she had been
thinking it over a little: "That would be better than marrying poor Mr.
Rosier."
"Much better, I think."
"It would be very delightful; it would be a great marriage. It's really
very kind of him."
"Very kind of him?"
"To drop his eyes on a simple little girl."
"I don't see that."
"It's very good of you. But after all, Pansy Osmond--"
"After all, Pansy Osmond's the most attractive person he has ever
known!" Isabel exclaimed.
Madame Merle stared, and indeed she was justly bewildered. "Ah, a moment
ago I thought you seemed rather to disparage her."
"I said she was limited. And so she is. And so's Lord Warburton."
"So are we all, if you come to that. If it's no more than Pansy
deserves, all the better. But if she fixes her affections on Mr. Rosier
I won't admit that she deserves it. That will be too perverse."
"Mr. Rosier's a nuisance!" Isabel cried abruptly.
"I quite agree with you, and I'm delighted to know that I'm not expected
to feed his flame. For the future, when he calls on me, my door shall be
closed to him." And gathering her mantle together Madame Merle prepared
to depart. She was checked, however, on her progress to the door, by an
inconsequent request from Isabel.
"All the same, you know, be kind to him."
She lifted her shoulders and eyebrows and stood looking at her friend.
"I don't understand your contradictions! Decidedly I shan't be kind to
him, for it will be a false kindness. I want to see her married to Lord
Warburton."
"You had better wait till he asks her."
"If what you say's true, he'll ask her. Especially," said Madame Merle
in a moment, "if you make him."
"If I make him?"
"It's quite in your power. You've great influence with him."
Isabel frowned a little. "Where did you learn that?"
"Mrs. Touchett told me. Not you--never!" said Madame Merle, smiling.
"I certainly never told you anything of the sort."
"You MIGHT have done so--so far as opportunity went--when we were by
way of being confidential with each other. But you really told me very
little; I've often thought so since."
Isabel had thought so too, and sometimes with a certain satisfaction.
But she didn't admit it now--perhaps because she wished not to appear to
exult in it. "You seem to have had an excellent informant in my aunt,"
she simply returned.
"She let me know you had declined an offer of marriage from Lord
Warburton, because she was greatly vexed and was full of the subject.
Of course I think you've done better in doing as you did. But if you
wouldn't marry Lord Warburton yourself, make him the reparation of
helping him to marry some one else."
Isabel listened to this with a face that persisted in not reflecting
the bright expressiveness of Madame Merle's. But in a moment she said,
reasonably and gently enough: "I should be very glad indeed if, as
regards Pansy, it could be arranged." Upon which her companion, who
seemed to regard this as a speech of good omen, embraced her more
tenderly than might have been expected and triumphantly withdrew.
| Notes Henry James is famous for his subtle depiction of drawing room dynamics. The social codes that are unspoken but remarkably well observed, the deep meaning of gestures, slight departures from prescribed manners, significant looks, and such like are the matter of his most exquisite descriptions. In this chapter, an extraordinarily important plot development happens not in some external action, but in nothing more than a perception. Isabel Archer walks into the room and notices that her husband and Madame Merle are in the same room together and not speaking. She realizes in an instant that it takes a great deal of intimacy to be in the room with someone, stare into that persons eyes, and be silent. The second element of the scene that startles her into recognition is that Madame Merle is standing while Gilbert Osmond is sitting. As the host to the guest, this relationship demands just the opposite. Standing there means that Madame Merle is much more at home in Gilbert Osmonds home than her supposedly distant relationship to him would warrant. The result of this recognition also partakes of the Jamesian subtlety. Instead of breaking the social code and speaking to the two of them, Isabel responds with control and reserve. She merely speaks somewhat coldly and ironically to Madame Merle. Shes clearly holding her opinions about Pansys marriage to herself. | analysis |
Osmond touched on this matter that evening for the first time; coming
very late into the drawing-room, where she was sitting alone. They had
spent the evening at home, and Pansy had gone to bed; he himself had
been sitting since dinner in a small apartment in which he had arranged
his books and which he called his study. At ten o'clock Lord Warburton
had come in, as he always did when he knew from Isabel that she was to
be at home; he was going somewhere else and he sat for half an hour.
Isabel, after asking him for news of Ralph, said very little to him, on
purpose; she wished him to talk with her stepdaughter. She pretended to
read; she even went after a little to the piano; she asked herself if
she mightn't leave the room. She had come little by little to think
well of the idea of Pansy's becoming the wife of the master of beautiful
Lockleigh, though at first it had not presented itself in a manner to
excite her enthusiasm. Madame Merle, that afternoon, had applied the
match to an accumulation of inflammable material. When Isabel was
unhappy she always looked about her--partly from impulse and partly by
theory--for some form of positive exertion. She could never rid herself
of the sense that unhappiness was a state of disease--of suffering as
opposed to doing. To "do"--it hardly mattered what--would therefore
be an escape, perhaps in some degree a remedy. Besides, she wished to
convince herself that she had done everything possible to content her
husband; she was determined not to be haunted by visions of his wife's
limpness under appeal. It would please him greatly to see Pansy married
to an English nobleman, and justly please him, since this nobleman was
so sound a character. It seemed to Isabel that if she could make it her
duty to bring about such an event she should play the part of a good
wife. She wanted to be that; she wanted to be able to believe sincerely,
and with proof of it, that she had been that. Then such an undertaking
had other recommendations. It would occupy her, and she desired
occupation. It would even amuse her, and if she could really amuse
herself she perhaps might be saved. Lastly, it would be a service to
Lord Warburton, who evidently pleased himself greatly with the charming
girl. It was a little "weird" he should--being what he was; but there
was no accounting for such impressions. Pansy might captivate any
one--any one at least but Lord Warburton. Isabel would have thought her
too small, too slight, perhaps even too artificial for that. There was
always a little of the doll about her, and that was not what he had been
looking for. Still, who could say what men ever were looking for? They
looked for what they found; they knew what pleased them only when
they saw it. No theory was valid in such matters, and nothing was more
unaccountable or more natural than anything else. If he had cared for
HER it might seem odd he should care for Pansy, who was so different;
but he had not cared for her so much as he had supposed. Or if he had,
he had completely got over it, and it was natural that, as that affair
had failed, he should think something of quite another sort might
succeed. Enthusiasm, as I say, had not come at first to Isabel, but
it came to-day and made her feel almost happy. It was astonishing what
happiness she could still find in the idea of procuring a pleasure for
her husband. It was a pity, however, that Edward Rosier had crossed
their path!
At this reflection the light that had suddenly gleamed upon that path
lost something of its brightness. Isabel was unfortunately as sure that
Pansy thought Mr. Rosier the nicest of all the young men--as sure as if
she had held an interview with her on the subject. It was very tiresome
she should be so sure, when she had carefully abstained from informing
herself; almost as tiresome as that poor Mr. Rosier should have taken it
into his own head. He was certainly very inferior to Lord Warburton. It
was not the difference in fortune so much as the difference in the men;
the young American was really so light a weight. He was much more of
the type of the useless fine gentleman than the English nobleman. It
was true that there was no particular reason why Pansy should marry a
statesman; still, if a statesman admired her, that was his affair, and
she would make a perfect little pearl of a peeress.
It may seem to the reader that Mrs. Osmond had grown of a sudden
strangely cynical, for she ended by saying to herself that this
difficulty could probably be arranged. An impediment that was embodied
in poor Rosier could not anyhow present itself as a dangerous one; there
were always means of levelling secondary obstacles. Isabel was perfectly
aware that she had not taken the measure of Pansy's tenacity, which
might prove to be inconveniently great; but she inclined to see her
as rather letting go, under suggestion, than as clutching under
deprecation--since she had certainly the faculty of assent developed in
a very much higher degree than that of protest. She would cling, yes,
she would cling; but it really mattered to her very little what she
clung to. Lord Warburton would do as well as Mr. Rosier--especially as
she seemed quite to like him; she had expressed this sentiment to Isabel
without a single reservation; she had said she thought his conversation
most interesting--he had told her all about India. His manner to Pansy
had been of the rightest and easiest--Isabel noticed that for herself,
as she also observed that he talked to her not in the least in a
patronising way, reminding himself of her youth and simplicity, but
quite as if she understood his subjects with that sufficiency with which
she followed those of the fashionable operas. This went far enough
for attention to the music and the barytone. He was careful only to be
kind--he was as kind as he had been to another fluttered young chit at
Gardencourt. A girl might well be touched by that; she remembered how
she herself had been touched, and said to herself that if she had been
as simple as Pansy the impression would have been deeper still. She
had not been simple when she refused him; that operation had been
as complicated as, later, her acceptance of Osmond had been. Pansy,
however, in spite of HER simplicity, really did understand, and was
glad that Lord Warburton should talk to her, not about her partners and
bouquets, but about the state of Italy, the condition of the peasantry,
the famous grist-tax, the pellagra, his impressions of Roman society.
She looked at him, as she drew her needle through her tapestry, with
sweet submissive eyes, and when she lowered them she gave little quiet
oblique glances at his person, his hands, his feet, his clothes, as if
she were considering him. Even his person, Isabel might have reminded
her, was better than Mr. Rosier's. But Isabel contented herself at such
moments with wondering where this gentleman was; he came no more at all
to Palazzo Roccanera. It was surprising, as I say, the hold it had taken
of her--the idea of assisting her husband to be pleased.
It was surprising for a variety of reasons which I shall presently touch
upon. On the evening I speak of, while Lord Warburton sat there, she had
been on the point of taking the great step of going out of the room and
leaving her companions alone. I say the great step, because it was in
this light that Gilbert Osmond would have regarded it, and Isabel was
trying as much as possible to take her husband's view. She succeeded
after a fashion, but she fell short of the point I mention. After all
she couldn't rise to it; something held her and made this impossible.
It was not exactly that it would be base or insidious; for women as a
general thing practise such manoeuvres with a perfectly good conscience,
and Isabel was instinctively much more true than false to the common
genius of her sex. There was a vague doubt that interposed--a sense that
she was not quite sure. So she remained in the drawing-room, and after a
while Lord Warburton went off to his party, of which he promised to give
Pansy a full account on the morrow. After he had gone she wondered
if she had prevented something which would have happened if she
had absented herself for a quarter of an hour; and then she
pronounced--always mentally--that when their distinguished visitor
should wish her to go away he would easily find means to let her know
it. Pansy said nothing whatever about him after he had gone, and Isabel
studiously said nothing, as she had taken a vow of reserve until after
he should have declared himself. He was a little longer in coming to
this than might seem to accord with the description he had given Isabel
of his feelings. Pansy went to bed, and Isabel had to admit that
she could not now guess what her stepdaughter was thinking of. Her
transparent little companion was for the moment not to be seen through.
She remained alone, looking at the fire, until, at the end of half an
hour, her husband came in. He moved about a while in silence and
then sat down; he looked at the fire like herself. But she now had
transferred her eyes from the flickering flame in the chimney to
Osmond's face, and she watched him while he kept his silence. Covert
observation had become a habit with her; an instinct, of which it is not
an exaggeration to say that it was allied to that of self-defence, had
made it habitual. She wished as much as possible to know his thoughts,
to know what he would say, beforehand, so that she might prepare her
answer. Preparing answers had not been her strong point of old; she had
rarely in this respect got further than thinking afterwards of clever
things she might have said. But she had learned caution--learned it in
a measure from her husband's very countenance. It was the same face she
had looked into with eyes equally earnest perhaps, but less penetrating,
on the terrace of a Florentine villa; except that Osmond had grown
slightly stouter since his marriage. He still, however, might strike one
as very distinguished.
"Has Lord Warburton been here?" he presently asked.
"Yes, he stayed half an hour."
"Did he see Pansy?"
"Yes; he sat on the sofa beside her."
"Did he talk with her much?"
"He talked almost only to her."
"It seems to me he's attentive. Isn't that what you call it?"
"I don't call it anything," said Isabel; "I've waited for you to give it
a name."
"That's a consideration you don't always show," Osmond answered after a
moment.
"I've determined, this time, to try and act as you'd like. I've so often
failed of that."
Osmond turned his head slowly, looking at her. "Are you trying to
quarrel with me?"
"No, I'm trying to live at peace."
"Nothing's more easy; you know I don't quarrel myself."
"What do you call it when you try to make me angry?" Isabel asked.
"I don't try; if I've done so it has been the most natural thing in the
world. Moreover I'm not in the least trying now."
Isabel smiled. "It doesn't matter. I've determined never to be angry
again."
"That's an excellent resolve. Your temper isn't good."
"No--it's not good." She pushed away the book she had been reading and
took up the band of tapestry Pansy had left on the table.
"That's partly why I've not spoken to you about this business of my
daughter's," Osmond said, designating Pansy in the manner that was most
frequent with him. "I was afraid I should encounter opposition--that you
too would have views on the subject. I've sent little Rosier about his
business."
"You were afraid I'd plead for Mr. Rosier? Haven't you noticed that I've
never spoken to you of him?"
"I've never given you a chance. We've so little conversation in these
days. I know he was an old friend of yours."
"Yes; he's an old friend of mine." Isabel cared little more for him than
for the tapestry that she held in her hand; but it was true that he
was an old friend and that with her husband she felt a desire not to
extenuate such ties. He had a way of expressing contempt for them which
fortified her loyalty to them, even when, as in the present case, they
were in themselves insignificant. She sometimes felt a sort of passion
of tenderness for memories which had no other merit than that they
belonged to her unmarried life. "But as regards Pansy," she added in a
moment, "I've given him no encouragement."
"That's fortunate," Osmond observed.
"Fortunate for me, I suppose you mean. For him it matters little."
"There's no use talking of him," Osmond said. "As I tell you, I've
turned him out."
"Yes; but a lover outside's always a lover. He's sometimes even more of
one. Mr. Rosier still has hope."
"He's welcome to the comfort of it! My daughter has only to sit
perfectly quiet to become Lady Warburton."
"Should you like that?" Isabel asked with a simplicity which was not
so affected as it may appear. She was resolved to assume nothing, for
Osmond had a way of unexpectedly turning her assumptions against her.
The intensity with which he would like his daughter to become Lady
Warburton had been the very basis of her own recent reflections. But
that was for herself; she would recognise nothing until Osmond should
have put it into words; she would not take for granted with him that
he thought Lord Warburton a prize worth an amount of effort that was
unusual among the Osmonds. It was Gilbert's constant intimation that for
him nothing in life was a prize; that he treated as from equal to equal
with the most distinguished people in the world, and that his daughter
had only to look about her to pick out a prince. It cost him therefore
a lapse from consistency to say explicitly that he yearned for Lord
Warburton and that if this nobleman should escape his equivalent might
not be found; with which moreover it was another of his customary
implications that he was never inconsistent. He would have liked his
wife to glide over the point. But strangely enough, now that she
was face to face with him and although an hour before she had almost
invented a scheme for pleasing him, Isabel was not accommodating,
would not glide. And yet she knew exactly the effect on his mind of
her question: it would operate as an humiliation. Never mind; he was
terribly capable of humiliating her--all the more so that he was also
capable of waiting for great opportunities and of showing sometimes an
almost unaccountable indifference to small ones. Isabel perhaps took a
small opportunity because she would not have availed herself of a great
one.
Osmond at present acquitted himself very honourably. "I should like it
extremely; it would be a great marriage. And then Lord Warburton has
another advantage: he's an old friend of yours. It would be pleasant for
him to come into the family. It's very odd Pansy's admirers should all
be your old friends."
"It's natural that they should come to see me. In coming to see me they
see Pansy. Seeing her it's natural they should fall in love with her."
"So I think. But you're not bound to do so."
"If she should marry Lord Warburton I should be very glad," Isabel went
on frankly. "He's an excellent man. You say, however, that she has only
to sit perfectly still. Perhaps she won't sit perfectly still. If she
loses Mr. Rosier she may jump up!"
Osmond appeared to give no heed to this; he sat gazing at the fire.
"Pansy would like to be a great lady," he remarked in a moment with a
certain tenderness of tone. "She wishes above all to please," he added.
"To please Mr. Rosier, perhaps."
"No, to please me."
"Me too a little, I think," said Isabel.
"Yes, she has a great opinion of you. But she'll do what I like."
"If you're sure of that, it's very well," she went on.
"Meantime," said Osmond, "I should like our distinguished visitor to
speak."
"He has spoken--to me. He has told me it would be a great pleasure to
him to believe she could care for him."
Osmond turned his head quickly, but at first he said nothing. Then, "Why
didn't you tell me that?" he asked sharply.
"There was no opportunity. You know how we live. I've taken the first
chance that has offered."
"Did you speak to him of Rosier?"
"Oh yes, a little."
"That was hardly necessary."
"I thought it best he should know, so that, so that--" And Isabel
paused.
"So that what?"
"So that he might act accordingly."
"So that he might back out, do you mean?"
"No, so that he might advance while there's yet time."
"That's not the effect it seems to have had."
"You should have patience," said Isabel. "You know Englishmen are shy."
"This one's not. He was not when he made love to YOU."
She had been afraid Osmond would speak of that; it was disagreeable to
her. "I beg your pardon; he was extremely so," she returned.
He answered nothing for some time; he took up a book and fingered the
pages while she sat silent and occupied herself with Pansy's tapestry.
"You must have a great deal of influence with him," Osmond went on at
last. "The moment you really wish it you can bring him to the point."
This was more offensive still; but she felt the great naturalness of
his saying it, and it was after all extremely like what she had said
to herself. "Why should I have influence?" she asked. "What have I ever
done to put him under an obligation to me?"
"You refused to marry him," said Osmond with his eyes on his book.
"I must not presume too much on that," she replied.
He threw down the book presently and got up, standing before the fire
with his hands behind him. "Well, I hold that it lies in your hands. I
shall leave it there. With a little good-will you may manage it. Think
that over and remember how much I count on you." He waited a little,
to give her time to answer; but she answered nothing, and he presently
strolled out of the room.
| That evening Osmond brings the matter of Lord Warburton and Pansy up with Isabel for the first time. She is sitting alone in the drawing room. She had been there earlier with Pansy and Lord Warburton. Lord Warburton had come in earlier. Isabel says little to him because she wants to give him the chance to talk to Pansy. Isabel is wanting to please her husband. She knows he wants this marriage and she wants to act as the good wife in facilitating it. Shes a little surprised that Lord Warburton is so interested in Pansy since there is "always a little of the doll about her," but Isabel decides that theres no accounting for mens taste. She wonders about how Pansy will take the departure of Rosier. She thinks Pansy is too trained in submission to put up much of a fuss. She thinks Pansy will cling to anyone who is put before her. Isabel hears only good things in the intercourse between Warburton and Pansy. He doesnt condescend to her but talks to her of matters in the world that concern him. Isabel wonders if she should take the great step of leaving them alone for about thirty minutes. She wants to take her husbands view and she thinks he would like this. However, something holds her back and she remains in the room. After Lord Warburton leaves, Pansy says nothing about him and Isabel remains silent as well. When she is alone, Osmond comes in. Isabel watches his face covertly. She has gotten in the habit of looking at him when he isnt aware she is. She does so in order to gauge his mood and sentiments. She wants to have some warning of what hes going to say before he says it. She has so often in the past been taken by surprise. She wants to be able to respond with exactly the right words to whatever he says. After a while, he asks if Lord Warburton has been there and what the details of his visit were. In their conversation, there are several moments of near argument. Isabel tells him shes trying to take his part in this. He thinks she is trying to quarrel with him. She tells him that on the contrary shes trying to live in peace. He pushes the point and she doesnt take the bait. They discuss the fact that he has sent Rosier away and she asks him if he wants Pansy to marry Lord Warburton. She knows this question is perilous since it might make him feel humiliated. He has so often said that Pansy just has to sit quietly and any number of suitable men will come along. Now he has to admit that he wants a particular man for his daughter. He does so. Isabel tells him Warburton has already spoken to her. He cant imagine why she hasnt told him this information. She tells him that from the way they live, she hasnt had the opportunity. He implies that she should speak to Warburton to hurry him along in proposing to Pansy. He tells her she can bring this about since she once refused Warburton; because of that she has power over him. He leaves the room telling her hes counting on her. | summary |
Osmond touched on this matter that evening for the first time; coming
very late into the drawing-room, where she was sitting alone. They had
spent the evening at home, and Pansy had gone to bed; he himself had
been sitting since dinner in a small apartment in which he had arranged
his books and which he called his study. At ten o'clock Lord Warburton
had come in, as he always did when he knew from Isabel that she was to
be at home; he was going somewhere else and he sat for half an hour.
Isabel, after asking him for news of Ralph, said very little to him, on
purpose; she wished him to talk with her stepdaughter. She pretended to
read; she even went after a little to the piano; she asked herself if
she mightn't leave the room. She had come little by little to think
well of the idea of Pansy's becoming the wife of the master of beautiful
Lockleigh, though at first it had not presented itself in a manner to
excite her enthusiasm. Madame Merle, that afternoon, had applied the
match to an accumulation of inflammable material. When Isabel was
unhappy she always looked about her--partly from impulse and partly by
theory--for some form of positive exertion. She could never rid herself
of the sense that unhappiness was a state of disease--of suffering as
opposed to doing. To "do"--it hardly mattered what--would therefore
be an escape, perhaps in some degree a remedy. Besides, she wished to
convince herself that she had done everything possible to content her
husband; she was determined not to be haunted by visions of his wife's
limpness under appeal. It would please him greatly to see Pansy married
to an English nobleman, and justly please him, since this nobleman was
so sound a character. It seemed to Isabel that if she could make it her
duty to bring about such an event she should play the part of a good
wife. She wanted to be that; she wanted to be able to believe sincerely,
and with proof of it, that she had been that. Then such an undertaking
had other recommendations. It would occupy her, and she desired
occupation. It would even amuse her, and if she could really amuse
herself she perhaps might be saved. Lastly, it would be a service to
Lord Warburton, who evidently pleased himself greatly with the charming
girl. It was a little "weird" he should--being what he was; but there
was no accounting for such impressions. Pansy might captivate any
one--any one at least but Lord Warburton. Isabel would have thought her
too small, too slight, perhaps even too artificial for that. There was
always a little of the doll about her, and that was not what he had been
looking for. Still, who could say what men ever were looking for? They
looked for what they found; they knew what pleased them only when
they saw it. No theory was valid in such matters, and nothing was more
unaccountable or more natural than anything else. If he had cared for
HER it might seem odd he should care for Pansy, who was so different;
but he had not cared for her so much as he had supposed. Or if he had,
he had completely got over it, and it was natural that, as that affair
had failed, he should think something of quite another sort might
succeed. Enthusiasm, as I say, had not come at first to Isabel, but
it came to-day and made her feel almost happy. It was astonishing what
happiness she could still find in the idea of procuring a pleasure for
her husband. It was a pity, however, that Edward Rosier had crossed
their path!
At this reflection the light that had suddenly gleamed upon that path
lost something of its brightness. Isabel was unfortunately as sure that
Pansy thought Mr. Rosier the nicest of all the young men--as sure as if
she had held an interview with her on the subject. It was very tiresome
she should be so sure, when she had carefully abstained from informing
herself; almost as tiresome as that poor Mr. Rosier should have taken it
into his own head. He was certainly very inferior to Lord Warburton. It
was not the difference in fortune so much as the difference in the men;
the young American was really so light a weight. He was much more of
the type of the useless fine gentleman than the English nobleman. It
was true that there was no particular reason why Pansy should marry a
statesman; still, if a statesman admired her, that was his affair, and
she would make a perfect little pearl of a peeress.
It may seem to the reader that Mrs. Osmond had grown of a sudden
strangely cynical, for she ended by saying to herself that this
difficulty could probably be arranged. An impediment that was embodied
in poor Rosier could not anyhow present itself as a dangerous one; there
were always means of levelling secondary obstacles. Isabel was perfectly
aware that she had not taken the measure of Pansy's tenacity, which
might prove to be inconveniently great; but she inclined to see her
as rather letting go, under suggestion, than as clutching under
deprecation--since she had certainly the faculty of assent developed in
a very much higher degree than that of protest. She would cling, yes,
she would cling; but it really mattered to her very little what she
clung to. Lord Warburton would do as well as Mr. Rosier--especially as
she seemed quite to like him; she had expressed this sentiment to Isabel
without a single reservation; she had said she thought his conversation
most interesting--he had told her all about India. His manner to Pansy
had been of the rightest and easiest--Isabel noticed that for herself,
as she also observed that he talked to her not in the least in a
patronising way, reminding himself of her youth and simplicity, but
quite as if she understood his subjects with that sufficiency with which
she followed those of the fashionable operas. This went far enough
for attention to the music and the barytone. He was careful only to be
kind--he was as kind as he had been to another fluttered young chit at
Gardencourt. A girl might well be touched by that; she remembered how
she herself had been touched, and said to herself that if she had been
as simple as Pansy the impression would have been deeper still. She
had not been simple when she refused him; that operation had been
as complicated as, later, her acceptance of Osmond had been. Pansy,
however, in spite of HER simplicity, really did understand, and was
glad that Lord Warburton should talk to her, not about her partners and
bouquets, but about the state of Italy, the condition of the peasantry,
the famous grist-tax, the pellagra, his impressions of Roman society.
She looked at him, as she drew her needle through her tapestry, with
sweet submissive eyes, and when she lowered them she gave little quiet
oblique glances at his person, his hands, his feet, his clothes, as if
she were considering him. Even his person, Isabel might have reminded
her, was better than Mr. Rosier's. But Isabel contented herself at such
moments with wondering where this gentleman was; he came no more at all
to Palazzo Roccanera. It was surprising, as I say, the hold it had taken
of her--the idea of assisting her husband to be pleased.
It was surprising for a variety of reasons which I shall presently touch
upon. On the evening I speak of, while Lord Warburton sat there, she had
been on the point of taking the great step of going out of the room and
leaving her companions alone. I say the great step, because it was in
this light that Gilbert Osmond would have regarded it, and Isabel was
trying as much as possible to take her husband's view. She succeeded
after a fashion, but she fell short of the point I mention. After all
she couldn't rise to it; something held her and made this impossible.
It was not exactly that it would be base or insidious; for women as a
general thing practise such manoeuvres with a perfectly good conscience,
and Isabel was instinctively much more true than false to the common
genius of her sex. There was a vague doubt that interposed--a sense that
she was not quite sure. So she remained in the drawing-room, and after a
while Lord Warburton went off to his party, of which he promised to give
Pansy a full account on the morrow. After he had gone she wondered
if she had prevented something which would have happened if she
had absented herself for a quarter of an hour; and then she
pronounced--always mentally--that when their distinguished visitor
should wish her to go away he would easily find means to let her know
it. Pansy said nothing whatever about him after he had gone, and Isabel
studiously said nothing, as she had taken a vow of reserve until after
he should have declared himself. He was a little longer in coming to
this than might seem to accord with the description he had given Isabel
of his feelings. Pansy went to bed, and Isabel had to admit that
she could not now guess what her stepdaughter was thinking of. Her
transparent little companion was for the moment not to be seen through.
She remained alone, looking at the fire, until, at the end of half an
hour, her husband came in. He moved about a while in silence and
then sat down; he looked at the fire like herself. But she now had
transferred her eyes from the flickering flame in the chimney to
Osmond's face, and she watched him while he kept his silence. Covert
observation had become a habit with her; an instinct, of which it is not
an exaggeration to say that it was allied to that of self-defence, had
made it habitual. She wished as much as possible to know his thoughts,
to know what he would say, beforehand, so that she might prepare her
answer. Preparing answers had not been her strong point of old; she had
rarely in this respect got further than thinking afterwards of clever
things she might have said. But she had learned caution--learned it in
a measure from her husband's very countenance. It was the same face she
had looked into with eyes equally earnest perhaps, but less penetrating,
on the terrace of a Florentine villa; except that Osmond had grown
slightly stouter since his marriage. He still, however, might strike one
as very distinguished.
"Has Lord Warburton been here?" he presently asked.
"Yes, he stayed half an hour."
"Did he see Pansy?"
"Yes; he sat on the sofa beside her."
"Did he talk with her much?"
"He talked almost only to her."
"It seems to me he's attentive. Isn't that what you call it?"
"I don't call it anything," said Isabel; "I've waited for you to give it
a name."
"That's a consideration you don't always show," Osmond answered after a
moment.
"I've determined, this time, to try and act as you'd like. I've so often
failed of that."
Osmond turned his head slowly, looking at her. "Are you trying to
quarrel with me?"
"No, I'm trying to live at peace."
"Nothing's more easy; you know I don't quarrel myself."
"What do you call it when you try to make me angry?" Isabel asked.
"I don't try; if I've done so it has been the most natural thing in the
world. Moreover I'm not in the least trying now."
Isabel smiled. "It doesn't matter. I've determined never to be angry
again."
"That's an excellent resolve. Your temper isn't good."
"No--it's not good." She pushed away the book she had been reading and
took up the band of tapestry Pansy had left on the table.
"That's partly why I've not spoken to you about this business of my
daughter's," Osmond said, designating Pansy in the manner that was most
frequent with him. "I was afraid I should encounter opposition--that you
too would have views on the subject. I've sent little Rosier about his
business."
"You were afraid I'd plead for Mr. Rosier? Haven't you noticed that I've
never spoken to you of him?"
"I've never given you a chance. We've so little conversation in these
days. I know he was an old friend of yours."
"Yes; he's an old friend of mine." Isabel cared little more for him than
for the tapestry that she held in her hand; but it was true that he
was an old friend and that with her husband she felt a desire not to
extenuate such ties. He had a way of expressing contempt for them which
fortified her loyalty to them, even when, as in the present case, they
were in themselves insignificant. She sometimes felt a sort of passion
of tenderness for memories which had no other merit than that they
belonged to her unmarried life. "But as regards Pansy," she added in a
moment, "I've given him no encouragement."
"That's fortunate," Osmond observed.
"Fortunate for me, I suppose you mean. For him it matters little."
"There's no use talking of him," Osmond said. "As I tell you, I've
turned him out."
"Yes; but a lover outside's always a lover. He's sometimes even more of
one. Mr. Rosier still has hope."
"He's welcome to the comfort of it! My daughter has only to sit
perfectly quiet to become Lady Warburton."
"Should you like that?" Isabel asked with a simplicity which was not
so affected as it may appear. She was resolved to assume nothing, for
Osmond had a way of unexpectedly turning her assumptions against her.
The intensity with which he would like his daughter to become Lady
Warburton had been the very basis of her own recent reflections. But
that was for herself; she would recognise nothing until Osmond should
have put it into words; she would not take for granted with him that
he thought Lord Warburton a prize worth an amount of effort that was
unusual among the Osmonds. It was Gilbert's constant intimation that for
him nothing in life was a prize; that he treated as from equal to equal
with the most distinguished people in the world, and that his daughter
had only to look about her to pick out a prince. It cost him therefore
a lapse from consistency to say explicitly that he yearned for Lord
Warburton and that if this nobleman should escape his equivalent might
not be found; with which moreover it was another of his customary
implications that he was never inconsistent. He would have liked his
wife to glide over the point. But strangely enough, now that she
was face to face with him and although an hour before she had almost
invented a scheme for pleasing him, Isabel was not accommodating,
would not glide. And yet she knew exactly the effect on his mind of
her question: it would operate as an humiliation. Never mind; he was
terribly capable of humiliating her--all the more so that he was also
capable of waiting for great opportunities and of showing sometimes an
almost unaccountable indifference to small ones. Isabel perhaps took a
small opportunity because she would not have availed herself of a great
one.
Osmond at present acquitted himself very honourably. "I should like it
extremely; it would be a great marriage. And then Lord Warburton has
another advantage: he's an old friend of yours. It would be pleasant for
him to come into the family. It's very odd Pansy's admirers should all
be your old friends."
"It's natural that they should come to see me. In coming to see me they
see Pansy. Seeing her it's natural they should fall in love with her."
"So I think. But you're not bound to do so."
"If she should marry Lord Warburton I should be very glad," Isabel went
on frankly. "He's an excellent man. You say, however, that she has only
to sit perfectly still. Perhaps she won't sit perfectly still. If she
loses Mr. Rosier she may jump up!"
Osmond appeared to give no heed to this; he sat gazing at the fire.
"Pansy would like to be a great lady," he remarked in a moment with a
certain tenderness of tone. "She wishes above all to please," he added.
"To please Mr. Rosier, perhaps."
"No, to please me."
"Me too a little, I think," said Isabel.
"Yes, she has a great opinion of you. But she'll do what I like."
"If you're sure of that, it's very well," she went on.
"Meantime," said Osmond, "I should like our distinguished visitor to
speak."
"He has spoken--to me. He has told me it would be a great pleasure to
him to believe she could care for him."
Osmond turned his head quickly, but at first he said nothing. Then, "Why
didn't you tell me that?" he asked sharply.
"There was no opportunity. You know how we live. I've taken the first
chance that has offered."
"Did you speak to him of Rosier?"
"Oh yes, a little."
"That was hardly necessary."
"I thought it best he should know, so that, so that--" And Isabel
paused.
"So that what?"
"So that he might act accordingly."
"So that he might back out, do you mean?"
"No, so that he might advance while there's yet time."
"That's not the effect it seems to have had."
"You should have patience," said Isabel. "You know Englishmen are shy."
"This one's not. He was not when he made love to YOU."
She had been afraid Osmond would speak of that; it was disagreeable to
her. "I beg your pardon; he was extremely so," she returned.
He answered nothing for some time; he took up a book and fingered the
pages while she sat silent and occupied herself with Pansy's tapestry.
"You must have a great deal of influence with him," Osmond went on at
last. "The moment you really wish it you can bring him to the point."
This was more offensive still; but she felt the great naturalness of
his saying it, and it was after all extremely like what she had said
to herself. "Why should I have influence?" she asked. "What have I ever
done to put him under an obligation to me?"
"You refused to marry him," said Osmond with his eyes on his book.
"I must not presume too much on that," she replied.
He threw down the book presently and got up, standing before the fire
with his hands behind him. "Well, I hold that it lies in your hands. I
shall leave it there. With a little good-will you may manage it. Think
that over and remember how much I count on you." He waited a little,
to give her time to answer; but she answered nothing, and he presently
strolled out of the room.
| Notes Isabels earnest desire to be a good wife is sad and touching here. Despite how she has suffered in her marriage, she wants to remove herself from the ugliness of it enough to retain a moral standing. This is the same moral attitude she had in theory before she was tested, before she was married. She thought that she had only had happiness and wanted to have some kind of difficulty or suffering so she could prove to herself that she would remain good and noble. Now the situation has come to her and she is trying to follow through on her idealism in her reality. | analysis |
Three nights after this she took Pansy to a great party, to which
Osmond, who never went to dances, did not accompany them. Pansy was as
ready for a dance as ever; she was not of a generalising turn and had
not extended to other pleasures the interdict she had seen placed on
those of love. If she was biding her time or hoping to circumvent her
father she must have had a prevision of success. Isabel thought this
unlikely; it was much more likely that Pansy had simply determined to
be a good girl. She had never had such a chance, and she had a proper
esteem for chances. She carried herself no less attentively than usual
and kept no less anxious an eye upon her vaporous skirts; she held her
bouquet very tight and counted over the flowers for the twentieth time.
She made Isabel feel old; it seemed so long since she had been in a
flutter about a ball. Pansy, who was greatly admired, was never in want
of partners, and very soon after their arrival she gave Isabel, who was
not dancing, her bouquet to hold. Isabel had rendered her this service
for some minutes when she became aware of the near presence of Edward
Rosier. He stood before her; he had lost his affable smile and wore a
look of almost military resolution. The change in his appearance would
have made Isabel smile if she had not felt his case to be at bottom
a hard one: he had always smelt so much more of heliotrope than of
gunpowder. He looked at her a moment somewhat fiercely, as if to notify
her he was dangerous, and then dropped his eyes on her bouquet. After
he had inspected it his glance softened and he said quickly: "It's all
pansies; it must be hers!"
Isabel smiled kindly. "Yes, it's hers; she gave it to me to hold."
"May I hold it a little, Mrs. Osmond?" the poor young man asked.
"No, I can't trust you; I'm afraid you wouldn't give it back."
"I'm not sure that I should; I should leave the house with it instantly.
But may I not at least have a single flower?"
Isabel hesitated a moment, and then, smiling still, held out the
bouquet. "Choose one yourself. It's frightful what I'm doing for you."
"Ah, if you do no more than this, Mrs. Osmond!" Rosier exclaimed with
his glass in one eye, carefully choosing his flower.
"Don't put it into your button-hole," she said. "Don't for the world!"
"I should like her to see it. She has refused to dance with me, but I
wish to show her that I believe in her still."
"It's very well to show it to her, but it's out of place to show it to
others. Her father has told her not to dance with you."
"And is that all YOU can do for me? I expected more from you, Mrs.
Osmond," said the young man in a tone of fine general reference. "You
know our acquaintance goes back very far--quite into the days of our
innocent childhood."
"Don't make me out too old," Isabel patiently answered. "You come back
to that very often, and I've never denied it. But I must tell you that,
old friends as we are, if you had done me the honour to ask me to marry
you I should have refused you on the spot."
"Ah, you don't esteem me then. Say at once that you think me a mere
Parisian trifler!"
"I esteem you very much, but I'm not in love with you. What I mean by
that, of course, is that I'm not in love with you for Pansy."
"Very good; I see. You pity me--that's all." And Edward Rosier looked
all round, inconsequently, with his single glass. It was a revelation to
him that people shouldn't be more pleased; but he was at least too proud
to show that the deficiency struck him as general.
Isabel for a moment said nothing. His manner and appearance had not the
dignity of the deepest tragedy; his little glass, among other things,
was against that. But she suddenly felt touched; her own unhappiness,
after all, had something in common with his, and it came over her, more
than before, that here, in recognisable, if not in romantic form,
was the most affecting thing in the world--young love struggling with
adversity. "Would you really be very kind to her?" she finally asked in
a low tone.
He dropped his eyes devoutly and raised the little flower that he held
in his fingers to his lips. Then he looked at her. "You pity me; but
don't you pity HER a little?"
"I don't know; I'm not sure. She'll always enjoy life."
"It will depend on what you call life!" Mr. Rosier effectively said.
"She won't enjoy being tortured."
"There'll be nothing of that."
"I'm glad to hear it. She knows what she's about. You'll see."
"I think she does, and she'll never disobey her father. But she's coming
back to me," Isabel added, "and I must beg you to go away."
Rosier lingered a moment till Pansy came in sight on the arm of her
cavalier; he stood just long enough to look her in the face. Then he
walked away, holding up his head; and the manner in which he achieved
this sacrifice to expediency convinced Isabel he was very much in love.
Pansy, who seldom got disarranged in dancing, looking perfectly fresh
and cool after this exercise, waited a moment and then took back her
bouquet. Isabel watched her and saw she was counting the flowers;
whereupon she said to herself that decidedly there were deeper forces at
play than she had recognised. Pansy had seen Rosier turn away, but she
said nothing to Isabel about him; she talked only of her partner, after
he had made his bow and retired; of the music, the floor, the rare
misfortune of having already torn her dress. Isabel was sure, however,
she had discovered her lover to have abstracted a flower; though this
knowledge was not needed to account for the dutiful grace with which she
responded to the appeal of her next partner. That perfect amenity under
acute constraint was part of a larger system. She was again led forth
by a flushed young man, this time carrying her bouquet; and she had
not been absent many minutes when Isabel saw Lord Warburton advancing
through the crowd. He presently drew near and bade her good-evening;
she had not seen him since the day before. He looked about him, and then
"Where's the little maid?" he asked. It was in this manner that he had
formed the harmless habit of alluding to Miss Osmond.
"She's dancing," said Isabel. "You'll see her somewhere."
He looked among the dancers and at last caught Pansy's eye. "She sees
me, but she won't notice me," he then remarked. "Are you not dancing?"
"As you see, I'm a wall-flower."
"Won't you dance with me?"
"Thank you; I'd rather you should dance with the little maid."
"One needn't prevent the other--especially as she's engaged."
"She's not engaged for everything, and you can reserve yourself. She
dances very hard, and you'll be the fresher."
"She dances beautifully," said Lord Warburton, following her with his
eyes. "Ah, at last," he added, "she has given me a smile." He stood
there with his handsome, easy, important physiognomy; and as Isabel
observed him it came over her, as it had done before, that it was
strange a man of his mettle should take an interest in a little maid. It
struck her as a great incongruity; neither Pansy's small fascinations,
nor his own kindness, his good-nature, not even his need for amusement,
which was extreme and constant, were sufficient to account for it. "I
should like to dance with you," he went on in a moment, turning back to
Isabel; "but I think I like even better to talk with you."
"Yes, it's better, and it's more worthy of your dignity. Great statesmen
oughtn't to waltz."
"Don't be cruel. Why did you recommend me then to dance with Miss
Osmond?"
"Ah, that's different. If you danced with her it would look simply like
a piece of kindness--as if you were doing it for her amusement. If you
dance with me you'll look as if you were doing it for your own."
"And pray haven't I a right to amuse myself?"
"No, not with the affairs of the British Empire on your hands."
"The British Empire be hanged! You're always laughing at it."
"Amuse yourself with talking to me," said Isabel.
"I'm not sure it's really a recreation. You're too pointed; I've always
to be defending myself. And you strike me as more than usually dangerous
to-night. Will you absolutely not dance?"
"I can't leave my place. Pansy must find me here."
He was silent a little. "You're wonderfully good to her," he said
suddenly.
Isabel stared a little and smiled. "Can you imagine one's not being?"
"No indeed. I know how one is charmed with her. But you must have done a
great deal for her."
"I've taken her out with me," said Isabel, smiling still. "And I've seen
that she has proper clothes."
"Your society must have been a great benefit to her. You've talked to
her, advised her, helped her to develop."
"Ah yes, if she isn't the rose she has lived near it."
She laughed, and her companion did as much; but there was a certain
visible preoccupation in his face which interfered with complete
hilarity. "We all try to live as near it as we can," he said after a
moment's hesitation.
Isabel turned away; Pansy was about to be restored to her, and she
welcomed the diversion. We know how much she liked Lord Warburton; she
thought him pleasanter even than the sum of his merits warranted; there
was something in his friendship that appeared a kind of resource in case
of indefinite need; it was like having a large balance at the bank. She
felt happier when he was in the room; there was something reassuring in
his approach; the sound of his voice reminded her of the beneficence of
nature. Yet for all that it didn't suit her that he should be too near
her, that he should take too much of her good-will for granted. She was
afraid of that; she averted herself from it; she wished he wouldn't. She
felt that if he should come too near, as it were, it might be in her to
flash out and bid him keep his distance. Pansy came back to Isabel with
another rent in her skirt, which was the inevitable consequence of the
first and which she displayed to Isabel with serious eyes. There were
too many gentlemen in uniform; they wore those dreadful spurs, which
were fatal to the dresses of little maids. It hereupon became apparent
that the resources of women are innumerable. Isabel devoted herself
to Pansy's desecrated drapery; she fumbled for a pin and repaired the
injury; she smiled and listened to her account of her adventures. Her
attention, her sympathy were immediate and active; and they were
in direct proportion to a sentiment with which they were in no way
connected--a lively conjecture as to whether Lord Warburton might be
trying to make love to her. It was not simply his words just then; it
was others as well; it was the reference and the continuity. This was
what she thought about while she pinned up Pansy's dress. If it were
so, as she feared, he was of course unwitting; he himself had not taken
account of his intention. But this made it none the more auspicious,
made the situation none less impossible. The sooner he should get back
into right relations with things the better. He immediately began
to talk to Pansy--on whom it was certainly mystifying to see that he
dropped a smile of chastened devotion. Pansy replied, as usual, with a
little air of conscientious aspiration; he had to bend toward her a good
deal in conversation, and her eyes, as usual, wandered up and down his
robust person as if he had offered it to her for exhibition. She always
seemed a little frightened; yet her fright was not of the painful
character that suggests dislike; on the contrary, she looked as if she
knew that he knew she liked him. Isabel left them together a little and
wandered toward a friend whom she saw near and with whom she talked till
the music of the following dance began, for which she knew Pansy to be
also engaged. The girl joined her presently, with a little fluttered
flush, and Isabel, who scrupulously took Osmond's view of his daughter's
complete dependence, consigned her, as a precious and momentary loan,
to her appointed partner. About all this matter she had her own
imaginations, her own reserves; there were moments when Pansy's extreme
adhesiveness made each of them, to her sense, look foolish. But Osmond
had given her a sort of tableau of her position as his daughter's
duenna, which consisted of gracious alternations of concession and
contraction; and there were directions of his which she liked to think
she obeyed to the letter. Perhaps, as regards some of them, it was
because her doing so appeared to reduce them to the absurd.
After Pansy had been led away, she found Lord Warburton drawing near her
again. She rested her eyes on him steadily; she wished she could sound
his thoughts. But he had no appearance of confusion. "She has promised
to dance with me later," he said.
"I'm glad of that. I suppose you've engaged her for the cotillion."
At this he looked a little awkward. "No, I didn't ask her for that. It's
a quadrille."
"Ah, you're not clever!" said Isabel almost angrily. "I told her to keep
the cotillion in case you should ask for it."
"Poor little maid, fancy that!" And Lord Warburton laughed frankly. "Of
course I will if you like."
"If I like? Oh, if you dance with her only because I like it--!"
"I'm afraid I bore her. She seems to have a lot of young fellows on her
book."
Isabel dropped her eyes, reflecting rapidly; Lord Warburton stood there
looking at her and she felt his eyes on her face. She felt much inclined
to ask him to remove them. She didn't do so, however; she only said to
him, after a minute, with her own raised: "Please let me understand."
"Understand what?"
"You told me ten days ago that you'd like to marry my stepdaughter.
You've not forgotten it!"
"Forgotten it? I wrote to Mr. Osmond about it this morning."
"Ah," said Isabel, "he didn't mention to me that he had heard from you."
Lord Warburton stammered a little. "I--I didn't send my letter."
"Perhaps you forgot THAT."
"No, I wasn't satisfied with it. It's an awkward sort of letter to
write, you know. But I shall send it to-night."
"At three o'clock in the morning?"
"I mean later, in the course of the day."
"Very good. You still wish then to marry her?"
"Very much indeed."
"Aren't you afraid that you'll bore her?" And as her companion stared at
this enquiry Isabel added: "If she can't dance with you for half an hour
how will she be able to dance with you for life?"
"Ah," said Lord Warburton readily, "I'll let her dance with other
people! About the cotillion, the fact is I thought that you--that you--"
"That I would do it with you? I told you I'd do nothing."
"Exactly; so that while it's going on I might find some quiet corner
where we may sit down and talk."
"Oh," said Isabel gravely, "you're much too considerate of me."
When the cotillion came Pansy was found to have engaged herself,
thinking, in perfect humility, that Lord Warburton had no intentions.
Isabel recommended him to seek another partner, but he assured her that
he would dance with no one but herself. As, however, she had, in spite
of the remonstrances of her hostess, declined other invitations on the
ground that she was not dancing at all, it was not possible for her to
make an exception in Lord Warburton's favour.
"After all I don't care to dance," he said; "it's a barbarous amusement:
I'd much rather talk." And he intimated that he had discovered exactly
the corner he had been looking for--a quiet nook in one of the smaller
rooms, where the music would come to them faintly and not interfere
with conversation. Isabel had decided to let him carry out his idea; she
wished to be satisfied. She wandered away from the ball-room with him,
though she knew her husband desired she should not lose sight of his
daughter. It was with his daughter's pretendant, however; that would
make it right for Osmond. On her way out of the ball-room she came upon
Edward Rosier, who was standing in a doorway, with folded arms, looking
at the dance in the attitude of a young man without illusions. She
stopped a moment and asked him if he were not dancing.
"Certainly not, if I can't dance with HER!" he answered.
"You had better go away then," said Isabel with the manner of good
counsel.
"I shall not go till she does!" And he let Lord Warburton pass without
giving him a look.
This nobleman, however, had noticed the melancholy youth, and he
asked Isabel who her dismal friend was, remarking that he had seen him
somewhere before.
"It's the young man I've told you about, who's in love with Pansy."
"Ah yes, I remember. He looks rather bad."
"He has reason. My husband won't listen to him."
"What's the matter with him?" Lord Warburton enquired. "He seems very
harmless."
"He hasn't money enough, and he isn't very clever."
Lord Warburton listened with interest; he seemed struck with this
account of Edward Rosier. "Dear me; he looked a well-set-up young
fellow."
"So he is, but my husband's very particular."
"Oh, I see." And Lord Warburton paused a moment. "How much money has he
got?" he then ventured to ask.
"Some forty thousand francs a year."
"Sixteen hundred pounds? Ah, but that's very good, you know."
"So I think. My husband, however, has larger ideas."
"Yes; I've noticed that your husband has very large ideas. Is he really
an idiot, the young man?"
"An idiot? Not in the least; he's charming. When he was twelve years old
I myself was in love with him."
"He doesn't look much more than twelve to-day," Lord Warburton rejoined
vaguely, looking about him. Then with more point, "Don't you think we
might sit here?" he asked.
"Wherever you please." The room was a sort of boudoir, pervaded by a
subdued, rose-coloured light; a lady and gentleman moved out of it as
our friends came in. "It's very kind of you to take such an interest in
Mr. Rosier," Isabel said.
"He seems to me rather ill-treated. He had a face a yard long. I
wondered what ailed him."
"You're a just man," said Isabel. "You've a kind thought even for a
rival."
Lord Warburton suddenly turned with a stare. "A rival! Do you call him
my rival?"
"Surely--if you both wish to marry the same person."
"Yes--but since he has no chance!"
"I like you, however that may be, for putting your self in his place. It
shows imagination."
"You like me for it?" And Lord Warburton looked at her with an uncertain
eye. "I think you mean you're laughing at me for it."
"Yes, I'm laughing at you a little. But I like you as somebody to laugh
at."
"Ah well, then, let me enter into his situation a little more. What do
you suppose one could do for him?"
"Since I have been praising your imagination I'll leave you to imagine
that yourself," Isabel said. "Pansy too would like you for that."
"Miss Osmond? Ah, she, I flatter myself, likes me already."
"Very much, I think."
He waited a little; he was still questioning her face. "Well then, I
don't understand you. You don't mean that she cares for him?"
A quick blush sprang to his brow. "You told me she would have no wish
apart from her father's, and as I've gathered that he would favour
me--!" He paused a little and then suggested "Don't you see?" through
his blush.
"Yes, I told you she has an immense wish to please her father, and that
it would probably take her very far."
"That seems to me a very proper feeling," said Lord Warburton.
"Certainly; it's a very proper feeling." Isabel remained silent for some
moments; the room continued empty; the sound of the music reached them
with its richness softened by the interposing apartments. Then at last
she said: "But it hardly strikes me as the sort of feeling to which a
man would wish to be indebted for a wife."
"I don't know; if the wife's a good one and he thinks she does well!"
"Yes, of course you must think that."
"I do; I can't help it. You call that very British, of course."
"No, I don't. I think Pansy would do wonderfully well to marry you,
and I don't know who should know it better than you. But you're not in
love."
"Ah, yes I am, Mrs. Osmond!"
Isabel shook her head. "You like to think you are while you sit here
with me. But that's not how you strike me."
"I'm not like the young man in the doorway. I admit that. But what makes
it so unnatural? Could any one in the world be more loveable than Miss
Osmond?"
"No one, possibly. But love has nothing to do with good reasons."
"I don't agree with you. I'm delighted to have good reasons."
"Of course you are. If you were really in love you wouldn't care a straw
for them."
"Ah, really in love--really in love!" Lord Warburton exclaimed, folding
his arms, leaning back his head and stretching himself a little. "You
must remember that I'm forty-two years old. I won't pretend I'm as I
once was."
"Well, if you're sure," said Isabel, "it's all right."
He answered nothing; he sat there, with his head back, looking before
him. Abruptly, however, he changed his position; he turned quickly to
his friend. "Why are you so unwilling, so sceptical?" She met his eyes,
and for a moment they looked straight at each other. If she wished to
be satisfied she saw something that satisfied her; she saw in his
expression the gleam of an idea that she was uneasy on her own
account--that she was perhaps even in fear. It showed a suspicion, not a
hope, but such as it was it told her what she wanted to know. Not for an
instant should he suspect her of detecting in his proposal of marrying
her step-daughter an implication of increased nearness to herself, or
of thinking it, on such a betrayal, ominous. In that brief, extremely
personal gaze, however, deeper meanings passed between them than they
were conscious of at the moment.
"My dear Lord Warburton," she said, smiling, "you may do, so far as I'm
concerned, whatever comes into your head."
And with this she got up and wandered into the adjoining room, where,
within her companion's view, she was immediately addressed by a pair of
gentlemen, high personages in the Roman world, who met her as if they
had been looking for her. While she talked with them she found herself
regretting she had moved; it looked a little like running away--all the
more as Lord Warburton didn't follow her. She was glad of this, however,
and at any rate she was satisfied. She was so well satisfied that
when, in passing back into the ball-room, she found Edward Rosier still
planted in the doorway, she stopped and spoke to him again. "You did
right not to go away. I've some comfort for you."
"I need it," the young man softly wailed, "when I see you so awfully
thick with him!"
"Don't speak of him; I'll do what I can for you. I'm afraid it won't be
much, but what I can I'll do."
He looked at her with gloomy obliqueness. "What has suddenly brought you
round?"
"The sense that you are an inconvenience in doorways!" she answered,
smiling as she passed him. Half an hour later she took leave, with
Pansy, and at the foot of the staircase the two ladies, with many
other departing guests, waited a while for their carriage. Just as it
approached Lord Warburton came out of the house and assisted them to
reach their vehicle. He stood a moment at the door, asking Pansy if
she had amused herself; and she, having answered him, fell back with a
little air of fatigue. Then Isabel, at the window, detaining him by
a movement of her finger, murmured gently: "Don't forget to send your
letter to her father!"
| Three nights later, Isabel accompanies Pansy to a ball. She acts as Pansys guardian, holding her flowers for her and watching her dance. At one point when Pansy goes to dance, Edward Rosier approaches looking grim. He asks for one of Pansys flowers and after hesitating, Isabel lets him choose one. She tells him she isnt "in love with him for Pansy." When Pansy heads back towards them, Isabel asks him to leave, telling him Mr. Osmond has forbidden Pansy to dance with him. He waits until he sees Pansy see him and then he leaves. In his manner of leaving, Isabel realizes how in love he is. Pansy goes back out on the next dance and Lord Warburton arrives. Isabel is again struck by the fact that "a man of his mettle should take an interest in a little maid," as he calls Pansy. He tells Isabel that being with her must have been a very good thing for Pansy. Isabel jokes, "Ah yes, if she isnt the rose she has lived near it." Warburton says, "We all try to live as near it as we can." When Pansy returns to them, Isabel helps her with a tear in her dress, all the while wondering if Lord Warburton is still trying to be with her. Pansy goes back out to dance and Lord Warburton remains to talk with Isabel. She tells him she had thought he would have asked Pansy to dance the cotillion, a dance that takes thirty minutes, but instead she finds out he has asked Pansy to dance the quadrille, a group dance. He says he didnt ask Pansy for the cotillion because he thought he would have a chance to talk with Isabel for the time. When the cotillion comes, Lord Warburton asks Isabel to come sit with him in an adjoining room. She knows shes not supposed to leave Pansy out of her sight, but she wants to find out for sure what Lord Warburton is up to. On the way, they run into Edward Rosier who is looking wretched. Lord Warburton has forgotten who he is. Isabel tells him Rosier is his rival. Lord Warburton is shocked at this. He fells sorry for Edward Roseir for being rejected by Gilbert Osmond when he has a respectable income and seems to be a nice man. Isabel says Gilbert has larger ideas. He finds out also that Isabel has already told him that Pansy has feelings for Rosier. He blushes that he hadnt taken this into account. Isabel tells him hes not in love. After some talk, he tells her he cant pretend to be as he once was. They look at each other for a long time, then Isabel tells him he should do whatever comes into his head and leaves. Outside, after talking to some people, she runs into Rosier again and tells him she has some comfort for him. She tells him she will do what she can for him. When she gets outside to her carriage with Pansy later that evening, Lord Warburton sees them off. She tells him not to forget to send the letter he has written to Gilbert Osmond. | summary |
Three nights after this she took Pansy to a great party, to which
Osmond, who never went to dances, did not accompany them. Pansy was as
ready for a dance as ever; she was not of a generalising turn and had
not extended to other pleasures the interdict she had seen placed on
those of love. If she was biding her time or hoping to circumvent her
father she must have had a prevision of success. Isabel thought this
unlikely; it was much more likely that Pansy had simply determined to
be a good girl. She had never had such a chance, and she had a proper
esteem for chances. She carried herself no less attentively than usual
and kept no less anxious an eye upon her vaporous skirts; she held her
bouquet very tight and counted over the flowers for the twentieth time.
She made Isabel feel old; it seemed so long since she had been in a
flutter about a ball. Pansy, who was greatly admired, was never in want
of partners, and very soon after their arrival she gave Isabel, who was
not dancing, her bouquet to hold. Isabel had rendered her this service
for some minutes when she became aware of the near presence of Edward
Rosier. He stood before her; he had lost his affable smile and wore a
look of almost military resolution. The change in his appearance would
have made Isabel smile if she had not felt his case to be at bottom
a hard one: he had always smelt so much more of heliotrope than of
gunpowder. He looked at her a moment somewhat fiercely, as if to notify
her he was dangerous, and then dropped his eyes on her bouquet. After
he had inspected it his glance softened and he said quickly: "It's all
pansies; it must be hers!"
Isabel smiled kindly. "Yes, it's hers; she gave it to me to hold."
"May I hold it a little, Mrs. Osmond?" the poor young man asked.
"No, I can't trust you; I'm afraid you wouldn't give it back."
"I'm not sure that I should; I should leave the house with it instantly.
But may I not at least have a single flower?"
Isabel hesitated a moment, and then, smiling still, held out the
bouquet. "Choose one yourself. It's frightful what I'm doing for you."
"Ah, if you do no more than this, Mrs. Osmond!" Rosier exclaimed with
his glass in one eye, carefully choosing his flower.
"Don't put it into your button-hole," she said. "Don't for the world!"
"I should like her to see it. She has refused to dance with me, but I
wish to show her that I believe in her still."
"It's very well to show it to her, but it's out of place to show it to
others. Her father has told her not to dance with you."
"And is that all YOU can do for me? I expected more from you, Mrs.
Osmond," said the young man in a tone of fine general reference. "You
know our acquaintance goes back very far--quite into the days of our
innocent childhood."
"Don't make me out too old," Isabel patiently answered. "You come back
to that very often, and I've never denied it. But I must tell you that,
old friends as we are, if you had done me the honour to ask me to marry
you I should have refused you on the spot."
"Ah, you don't esteem me then. Say at once that you think me a mere
Parisian trifler!"
"I esteem you very much, but I'm not in love with you. What I mean by
that, of course, is that I'm not in love with you for Pansy."
"Very good; I see. You pity me--that's all." And Edward Rosier looked
all round, inconsequently, with his single glass. It was a revelation to
him that people shouldn't be more pleased; but he was at least too proud
to show that the deficiency struck him as general.
Isabel for a moment said nothing. His manner and appearance had not the
dignity of the deepest tragedy; his little glass, among other things,
was against that. But she suddenly felt touched; her own unhappiness,
after all, had something in common with his, and it came over her, more
than before, that here, in recognisable, if not in romantic form,
was the most affecting thing in the world--young love struggling with
adversity. "Would you really be very kind to her?" she finally asked in
a low tone.
He dropped his eyes devoutly and raised the little flower that he held
in his fingers to his lips. Then he looked at her. "You pity me; but
don't you pity HER a little?"
"I don't know; I'm not sure. She'll always enjoy life."
"It will depend on what you call life!" Mr. Rosier effectively said.
"She won't enjoy being tortured."
"There'll be nothing of that."
"I'm glad to hear it. She knows what she's about. You'll see."
"I think she does, and she'll never disobey her father. But she's coming
back to me," Isabel added, "and I must beg you to go away."
Rosier lingered a moment till Pansy came in sight on the arm of her
cavalier; he stood just long enough to look her in the face. Then he
walked away, holding up his head; and the manner in which he achieved
this sacrifice to expediency convinced Isabel he was very much in love.
Pansy, who seldom got disarranged in dancing, looking perfectly fresh
and cool after this exercise, waited a moment and then took back her
bouquet. Isabel watched her and saw she was counting the flowers;
whereupon she said to herself that decidedly there were deeper forces at
play than she had recognised. Pansy had seen Rosier turn away, but she
said nothing to Isabel about him; she talked only of her partner, after
he had made his bow and retired; of the music, the floor, the rare
misfortune of having already torn her dress. Isabel was sure, however,
she had discovered her lover to have abstracted a flower; though this
knowledge was not needed to account for the dutiful grace with which she
responded to the appeal of her next partner. That perfect amenity under
acute constraint was part of a larger system. She was again led forth
by a flushed young man, this time carrying her bouquet; and she had
not been absent many minutes when Isabel saw Lord Warburton advancing
through the crowd. He presently drew near and bade her good-evening;
she had not seen him since the day before. He looked about him, and then
"Where's the little maid?" he asked. It was in this manner that he had
formed the harmless habit of alluding to Miss Osmond.
"She's dancing," said Isabel. "You'll see her somewhere."
He looked among the dancers and at last caught Pansy's eye. "She sees
me, but she won't notice me," he then remarked. "Are you not dancing?"
"As you see, I'm a wall-flower."
"Won't you dance with me?"
"Thank you; I'd rather you should dance with the little maid."
"One needn't prevent the other--especially as she's engaged."
"She's not engaged for everything, and you can reserve yourself. She
dances very hard, and you'll be the fresher."
"She dances beautifully," said Lord Warburton, following her with his
eyes. "Ah, at last," he added, "she has given me a smile." He stood
there with his handsome, easy, important physiognomy; and as Isabel
observed him it came over her, as it had done before, that it was
strange a man of his mettle should take an interest in a little maid. It
struck her as a great incongruity; neither Pansy's small fascinations,
nor his own kindness, his good-nature, not even his need for amusement,
which was extreme and constant, were sufficient to account for it. "I
should like to dance with you," he went on in a moment, turning back to
Isabel; "but I think I like even better to talk with you."
"Yes, it's better, and it's more worthy of your dignity. Great statesmen
oughtn't to waltz."
"Don't be cruel. Why did you recommend me then to dance with Miss
Osmond?"
"Ah, that's different. If you danced with her it would look simply like
a piece of kindness--as if you were doing it for her amusement. If you
dance with me you'll look as if you were doing it for your own."
"And pray haven't I a right to amuse myself?"
"No, not with the affairs of the British Empire on your hands."
"The British Empire be hanged! You're always laughing at it."
"Amuse yourself with talking to me," said Isabel.
"I'm not sure it's really a recreation. You're too pointed; I've always
to be defending myself. And you strike me as more than usually dangerous
to-night. Will you absolutely not dance?"
"I can't leave my place. Pansy must find me here."
He was silent a little. "You're wonderfully good to her," he said
suddenly.
Isabel stared a little and smiled. "Can you imagine one's not being?"
"No indeed. I know how one is charmed with her. But you must have done a
great deal for her."
"I've taken her out with me," said Isabel, smiling still. "And I've seen
that she has proper clothes."
"Your society must have been a great benefit to her. You've talked to
her, advised her, helped her to develop."
"Ah yes, if she isn't the rose she has lived near it."
She laughed, and her companion did as much; but there was a certain
visible preoccupation in his face which interfered with complete
hilarity. "We all try to live as near it as we can," he said after a
moment's hesitation.
Isabel turned away; Pansy was about to be restored to her, and she
welcomed the diversion. We know how much she liked Lord Warburton; she
thought him pleasanter even than the sum of his merits warranted; there
was something in his friendship that appeared a kind of resource in case
of indefinite need; it was like having a large balance at the bank. She
felt happier when he was in the room; there was something reassuring in
his approach; the sound of his voice reminded her of the beneficence of
nature. Yet for all that it didn't suit her that he should be too near
her, that he should take too much of her good-will for granted. She was
afraid of that; she averted herself from it; she wished he wouldn't. She
felt that if he should come too near, as it were, it might be in her to
flash out and bid him keep his distance. Pansy came back to Isabel with
another rent in her skirt, which was the inevitable consequence of the
first and which she displayed to Isabel with serious eyes. There were
too many gentlemen in uniform; they wore those dreadful spurs, which
were fatal to the dresses of little maids. It hereupon became apparent
that the resources of women are innumerable. Isabel devoted herself
to Pansy's desecrated drapery; she fumbled for a pin and repaired the
injury; she smiled and listened to her account of her adventures. Her
attention, her sympathy were immediate and active; and they were
in direct proportion to a sentiment with which they were in no way
connected--a lively conjecture as to whether Lord Warburton might be
trying to make love to her. It was not simply his words just then; it
was others as well; it was the reference and the continuity. This was
what she thought about while she pinned up Pansy's dress. If it were
so, as she feared, he was of course unwitting; he himself had not taken
account of his intention. But this made it none the more auspicious,
made the situation none less impossible. The sooner he should get back
into right relations with things the better. He immediately began
to talk to Pansy--on whom it was certainly mystifying to see that he
dropped a smile of chastened devotion. Pansy replied, as usual, with a
little air of conscientious aspiration; he had to bend toward her a good
deal in conversation, and her eyes, as usual, wandered up and down his
robust person as if he had offered it to her for exhibition. She always
seemed a little frightened; yet her fright was not of the painful
character that suggests dislike; on the contrary, she looked as if she
knew that he knew she liked him. Isabel left them together a little and
wandered toward a friend whom she saw near and with whom she talked till
the music of the following dance began, for which she knew Pansy to be
also engaged. The girl joined her presently, with a little fluttered
flush, and Isabel, who scrupulously took Osmond's view of his daughter's
complete dependence, consigned her, as a precious and momentary loan,
to her appointed partner. About all this matter she had her own
imaginations, her own reserves; there were moments when Pansy's extreme
adhesiveness made each of them, to her sense, look foolish. But Osmond
had given her a sort of tableau of her position as his daughter's
duenna, which consisted of gracious alternations of concession and
contraction; and there were directions of his which she liked to think
she obeyed to the letter. Perhaps, as regards some of them, it was
because her doing so appeared to reduce them to the absurd.
After Pansy had been led away, she found Lord Warburton drawing near her
again. She rested her eyes on him steadily; she wished she could sound
his thoughts. But he had no appearance of confusion. "She has promised
to dance with me later," he said.
"I'm glad of that. I suppose you've engaged her for the cotillion."
At this he looked a little awkward. "No, I didn't ask her for that. It's
a quadrille."
"Ah, you're not clever!" said Isabel almost angrily. "I told her to keep
the cotillion in case you should ask for it."
"Poor little maid, fancy that!" And Lord Warburton laughed frankly. "Of
course I will if you like."
"If I like? Oh, if you dance with her only because I like it--!"
"I'm afraid I bore her. She seems to have a lot of young fellows on her
book."
Isabel dropped her eyes, reflecting rapidly; Lord Warburton stood there
looking at her and she felt his eyes on her face. She felt much inclined
to ask him to remove them. She didn't do so, however; she only said to
him, after a minute, with her own raised: "Please let me understand."
"Understand what?"
"You told me ten days ago that you'd like to marry my stepdaughter.
You've not forgotten it!"
"Forgotten it? I wrote to Mr. Osmond about it this morning."
"Ah," said Isabel, "he didn't mention to me that he had heard from you."
Lord Warburton stammered a little. "I--I didn't send my letter."
"Perhaps you forgot THAT."
"No, I wasn't satisfied with it. It's an awkward sort of letter to
write, you know. But I shall send it to-night."
"At three o'clock in the morning?"
"I mean later, in the course of the day."
"Very good. You still wish then to marry her?"
"Very much indeed."
"Aren't you afraid that you'll bore her?" And as her companion stared at
this enquiry Isabel added: "If she can't dance with you for half an hour
how will she be able to dance with you for life?"
"Ah," said Lord Warburton readily, "I'll let her dance with other
people! About the cotillion, the fact is I thought that you--that you--"
"That I would do it with you? I told you I'd do nothing."
"Exactly; so that while it's going on I might find some quiet corner
where we may sit down and talk."
"Oh," said Isabel gravely, "you're much too considerate of me."
When the cotillion came Pansy was found to have engaged herself,
thinking, in perfect humility, that Lord Warburton had no intentions.
Isabel recommended him to seek another partner, but he assured her that
he would dance with no one but herself. As, however, she had, in spite
of the remonstrances of her hostess, declined other invitations on the
ground that she was not dancing at all, it was not possible for her to
make an exception in Lord Warburton's favour.
"After all I don't care to dance," he said; "it's a barbarous amusement:
I'd much rather talk." And he intimated that he had discovered exactly
the corner he had been looking for--a quiet nook in one of the smaller
rooms, where the music would come to them faintly and not interfere
with conversation. Isabel had decided to let him carry out his idea; she
wished to be satisfied. She wandered away from the ball-room with him,
though she knew her husband desired she should not lose sight of his
daughter. It was with his daughter's pretendant, however; that would
make it right for Osmond. On her way out of the ball-room she came upon
Edward Rosier, who was standing in a doorway, with folded arms, looking
at the dance in the attitude of a young man without illusions. She
stopped a moment and asked him if he were not dancing.
"Certainly not, if I can't dance with HER!" he answered.
"You had better go away then," said Isabel with the manner of good
counsel.
"I shall not go till she does!" And he let Lord Warburton pass without
giving him a look.
This nobleman, however, had noticed the melancholy youth, and he
asked Isabel who her dismal friend was, remarking that he had seen him
somewhere before.
"It's the young man I've told you about, who's in love with Pansy."
"Ah yes, I remember. He looks rather bad."
"He has reason. My husband won't listen to him."
"What's the matter with him?" Lord Warburton enquired. "He seems very
harmless."
"He hasn't money enough, and he isn't very clever."
Lord Warburton listened with interest; he seemed struck with this
account of Edward Rosier. "Dear me; he looked a well-set-up young
fellow."
"So he is, but my husband's very particular."
"Oh, I see." And Lord Warburton paused a moment. "How much money has he
got?" he then ventured to ask.
"Some forty thousand francs a year."
"Sixteen hundred pounds? Ah, but that's very good, you know."
"So I think. My husband, however, has larger ideas."
"Yes; I've noticed that your husband has very large ideas. Is he really
an idiot, the young man?"
"An idiot? Not in the least; he's charming. When he was twelve years old
I myself was in love with him."
"He doesn't look much more than twelve to-day," Lord Warburton rejoined
vaguely, looking about him. Then with more point, "Don't you think we
might sit here?" he asked.
"Wherever you please." The room was a sort of boudoir, pervaded by a
subdued, rose-coloured light; a lady and gentleman moved out of it as
our friends came in. "It's very kind of you to take such an interest in
Mr. Rosier," Isabel said.
"He seems to me rather ill-treated. He had a face a yard long. I
wondered what ailed him."
"You're a just man," said Isabel. "You've a kind thought even for a
rival."
Lord Warburton suddenly turned with a stare. "A rival! Do you call him
my rival?"
"Surely--if you both wish to marry the same person."
"Yes--but since he has no chance!"
"I like you, however that may be, for putting your self in his place. It
shows imagination."
"You like me for it?" And Lord Warburton looked at her with an uncertain
eye. "I think you mean you're laughing at me for it."
"Yes, I'm laughing at you a little. But I like you as somebody to laugh
at."
"Ah well, then, let me enter into his situation a little more. What do
you suppose one could do for him?"
"Since I have been praising your imagination I'll leave you to imagine
that yourself," Isabel said. "Pansy too would like you for that."
"Miss Osmond? Ah, she, I flatter myself, likes me already."
"Very much, I think."
He waited a little; he was still questioning her face. "Well then, I
don't understand you. You don't mean that she cares for him?"
A quick blush sprang to his brow. "You told me she would have no wish
apart from her father's, and as I've gathered that he would favour
me--!" He paused a little and then suggested "Don't you see?" through
his blush.
"Yes, I told you she has an immense wish to please her father, and that
it would probably take her very far."
"That seems to me a very proper feeling," said Lord Warburton.
"Certainly; it's a very proper feeling." Isabel remained silent for some
moments; the room continued empty; the sound of the music reached them
with its richness softened by the interposing apartments. Then at last
she said: "But it hardly strikes me as the sort of feeling to which a
man would wish to be indebted for a wife."
"I don't know; if the wife's a good one and he thinks she does well!"
"Yes, of course you must think that."
"I do; I can't help it. You call that very British, of course."
"No, I don't. I think Pansy would do wonderfully well to marry you,
and I don't know who should know it better than you. But you're not in
love."
"Ah, yes I am, Mrs. Osmond!"
Isabel shook her head. "You like to think you are while you sit here
with me. But that's not how you strike me."
"I'm not like the young man in the doorway. I admit that. But what makes
it so unnatural? Could any one in the world be more loveable than Miss
Osmond?"
"No one, possibly. But love has nothing to do with good reasons."
"I don't agree with you. I'm delighted to have good reasons."
"Of course you are. If you were really in love you wouldn't care a straw
for them."
"Ah, really in love--really in love!" Lord Warburton exclaimed, folding
his arms, leaning back his head and stretching himself a little. "You
must remember that I'm forty-two years old. I won't pretend I'm as I
once was."
"Well, if you're sure," said Isabel, "it's all right."
He answered nothing; he sat there, with his head back, looking before
him. Abruptly, however, he changed his position; he turned quickly to
his friend. "Why are you so unwilling, so sceptical?" She met his eyes,
and for a moment they looked straight at each other. If she wished to
be satisfied she saw something that satisfied her; she saw in his
expression the gleam of an idea that she was uneasy on her own
account--that she was perhaps even in fear. It showed a suspicion, not a
hope, but such as it was it told her what she wanted to know. Not for an
instant should he suspect her of detecting in his proposal of marrying
her step-daughter an implication of increased nearness to herself, or
of thinking it, on such a betrayal, ominous. In that brief, extremely
personal gaze, however, deeper meanings passed between them than they
were conscious of at the moment.
"My dear Lord Warburton," she said, smiling, "you may do, so far as I'm
concerned, whatever comes into your head."
And with this she got up and wandered into the adjoining room, where,
within her companion's view, she was immediately addressed by a pair of
gentlemen, high personages in the Roman world, who met her as if they
had been looking for her. While she talked with them she found herself
regretting she had moved; it looked a little like running away--all the
more as Lord Warburton didn't follow her. She was glad of this, however,
and at any rate she was satisfied. She was so well satisfied that
when, in passing back into the ball-room, she found Edward Rosier still
planted in the doorway, she stopped and spoke to him again. "You did
right not to go away. I've some comfort for you."
"I need it," the young man softly wailed, "when I see you so awfully
thick with him!"
"Don't speak of him; I'll do what I can for you. I'm afraid it won't be
much, but what I can I'll do."
He looked at her with gloomy obliqueness. "What has suddenly brought you
round?"
"The sense that you are an inconvenience in doorways!" she answered,
smiling as she passed him. Half an hour later she took leave, with
Pansy, and at the foot of the staircase the two ladies, with many
other departing guests, waited a while for their carriage. Just as it
approached Lord Warburton came out of the house and assisted them to
reach their vehicle. He stood a moment at the door, asking Pansy if
she had amused herself; and she, having answered him, fell back with a
little air of fatigue. Then Isabel, at the window, detaining him by
a movement of her finger, murmured gently: "Don't forget to send your
letter to her father!"
| Notes Isabel seems to have made a turn in this chapter. She has turned back from her idea of pleasing Gilbert by encouraging Lord Warburton to marry Pansy. She has done so because she realizes Lord Warburton is not in love with Pansy but is instead still in love with her. Its not clear yet what her plan of action will be, but it is clear that she will become Rosiers ally. | analysis |
The Countess Gemini was often extremely bored--bored, in her own phrase,
to extinction. She had not been extinguished, however, and she
struggled bravely enough with her destiny, which had been to marry an
unaccommodating Florentine who insisted upon living in his native town,
where he enjoyed such consideration as might attach to a gentleman whose
talent for losing at cards had not the merit of being incidental to an
obliging disposition. The Count Gemini was not liked even by those who
won from him; and he bore a name which, having a measurable value in
Florence, was, like the local coin of the old Italian states, without
currency in other parts of the peninsula. In Rome he was simply a very
dull Florentine, and it is not remarkable that he should not have cared
to pay frequent visits to a place where, to carry it off, his dulness
needed more explanation than was convenient. The Countess lived with her
eyes upon Rome, and it was the constant grievance of her life that she
had not an habitation there. She was ashamed to say how seldom she had
been allowed to visit that city; it scarcely made the matter better that
there were other members of the Florentine nobility who never had been
there at all. She went whenever she could; that was all she could say.
Or rather not all, but all she said she could say. In fact she had much
more to say about it, and had often set forth the reasons why she hated
Florence and wished to end her days in the shadow of Saint Peter's. They
are reasons, however, that do not closely concern us, and were usually
summed up in the declaration that Rome, in short, was the Eternal City
and that Florence was simply a pretty little place like any other. The
Countess apparently needed to connect the idea of eternity with
her amusements. She was convinced that society was infinitely more
interesting in Rome, where you met celebrities all winter at evening
parties. At Florence there were no celebrities; none at least that one
had heard of. Since her brother's marriage her impatience had greatly
increased; she was so sure his wife had a more brilliant life than
herself. She was not so intellectual as Isabel, but she was intellectual
enough to do justice to Rome--not to the ruins and the catacombs, not
even perhaps to the monuments and museums, the church ceremonies and the
scenery; but certainly to all the rest. She heard a great deal about
her sister-in-law and knew perfectly that Isabel was having a beautiful
time. She had indeed seen it for herself on the only occasion on which
she had enjoyed the hospitality of Palazzo Roccanera. She had spent a
week there during the first winter of her brother's marriage, but she
had not been encouraged to renew this satisfaction. Osmond didn't want
her--that she was perfectly aware of; but she would have gone all the
same, for after all she didn't care two straws about Osmond. It was
her husband who wouldn't let her, and the money question was always
a trouble. Isabel had been very nice; the Countess, who had liked her
sister-in-law from the first, had not been blinded by envy to Isabel's
personal merits. She had always observed that she got on better with
clever women than with silly ones like herself; the silly ones could
never understand her wisdom, whereas the clever ones--the really
clever ones--always understood her silliness. It appeared to her that,
different as they were in appearance and general style, Isabel and she
had somewhere a patch of common ground that they would set their feet
upon at last. It was not very large, but it was firm, and they should
both know it when once they had really touched it. And then she lived,
with Mrs. Osmond, under the influence of a pleasant surprise; she was
constantly expecting that Isabel would "look down" on her, and she as
constantly saw this operation postponed. She asked herself when it would
begin, like fire-works, or Lent, or the opera season; not that she
cared much, but she wondered what kept it in abeyance. Her sister-in-law
regarded her with none but level glances and expressed for the poor
Countess as little contempt as admiration. In reality Isabel would as
soon have thought of despising her as of passing a moral judgement on a
grasshopper. She was not indifferent to her husband's sister, however;
she was rather a little afraid of her. She wondered at her; she thought
her very extraordinary. The Countess seemed to her to have no soul; she
was like a bright rare shell, with a polished surface and a remarkably
pink lip, in which something would rattle when you shook it. This rattle
was apparently the Countess's spiritual principle, a little loose nut
that tumbled about inside of her. She was too odd for disdain, too
anomalous for comparisons. Isabel would have invited her again (there
was no question of inviting the Count); but Osmond, after his marriage,
had not scrupled to say frankly that Amy was a fool of the worst
species--a fool whose folly had the irrepressibility of genius. He said
at another time that she had no heart; and he added in a moment that she
had given it all away--in small pieces, like a frosted wedding-cake.
The fact of not having been asked was of course another obstacle to
the Countess's going again to Rome; but at the period with which this
history has now to deal she was in receipt of an invitation to spend
several weeks at Palazzo Roccanera. The proposal had come from Osmond
himself, who wrote to his sister that she must be prepared to be very
quiet. Whether or no she found in this phrase all the meaning he had
put into it I am unable to say; but she accepted the invitation on any
terms. She was curious, moreover; for one of the impressions of her
former visit had been that her brother had found his match. Before the
marriage she had been sorry for Isabel, so sorry as to have had serious
thoughts--if any of the Countess's thoughts were serious--of putting
her on her guard. But she had let that pass, and after a little she was
reassured. Osmond was as lofty as ever, but his wife would not be an
easy victim. The Countess was not very exact at measurements, but it
seemed to her that if Isabel should draw herself up she would be the
taller spirit of the two. What she wanted to learn now was whether
Isabel had drawn herself up; it would give her immense pleasure to see
Osmond overtopped.
Several days before she was to start for Rome a servant brought her the
card of a visitor--a card with the simple superscription "Henrietta C.
Stackpole." The Countess pressed her finger-tips to her forehead; she
didn't remember to have known any such Henrietta as that. The servant
then remarked that the lady had requested him to say that if the
Countess should not recognise her name she would know her well enough on
seeing her. By the time she appeared before her visitor she had in fact
reminded herself that there was once a literary lady at Mrs. Touchett's;
the only woman of letters she had ever encountered--that is the only
modern one, since she was the daughter of a defunct poetess. She
recognised Miss Stackpole immediately, the more so that Miss Stackpole
seemed perfectly unchanged; and the Countess, who was thoroughly
good-natured, thought it rather fine to be called on by a person of that
sort of distinction. She wondered if Miss Stackpole had come on account
of her mother--whether she had heard of the American Corinne. Her mother
was not at all like Isabel's friend; the Countess could see at a
glance that this lady was much more contemporary; and she received
an impression of the improvements that were taking place--chiefly in
distant countries--in the character (the professional character) of
literary ladies. Her mother had been used to wear a Roman scarf thrown
over a pair of shoulders timorously bared of their tight black velvet
(oh the old clothes!) and a gold laurel-wreath set upon a multitude of
glossy ringlets. She had spoken softly and vaguely, with the accent of
her "Creole" ancestors, as she always confessed; she sighed a great deal
and was not at all enterprising. But Henrietta, the Countess could see,
was always closely buttoned and compactly braided; there was something
brisk and business-like in her appearance; her manner was almost
conscientiously familiar. It was as impossible to imagine her ever
vaguely sighing as to imagine a letter posted without its address. The
Countess could not but feel that the correspondent of the Interviewer
was much more in the movement than the American Corinne. She explained
that she had called on the Countess because she was the only person she
knew in Florence, and that when she visited a foreign city she liked to
see something more than superficial travellers. She knew Mrs. Touchett,
but Mrs. Touchett was in America, and even if she had been in Florence
Henrietta would not have put herself out for her, since Mrs. Touchett
was not one of her admirations.
"Do you mean by that that I am?" the Countess graciously asked.
"Well, I like you better than I do her," said Miss Stackpole. "I seem to
remember that when I saw you before you were very interesting. I don't
know whether it was an accident or whether it's your usual style. At
any rate I was a good deal struck with what you said. I made use of it
afterwards in print."
"Dear me!" cried the Countess, staring and half-alarmed; "I had no idea
I ever said anything remarkable! I wish I had known it at the time."
"It was about the position of woman in this city," Miss Stackpole
remarked. "You threw a good deal of light upon it."
"The position of woman's very uncomfortable. Is that what you mean? And
you wrote it down and published it?" the Countess went on. "Ah, do let
me see it!"
"I'll write to them to send you the paper if you like," Henrietta said.
"I didn't mention your name; I only said a lady of high rank. And then I
quoted your views."
The Countess threw herself hastily backward, tossing up her clasped
hands. "Do you know I'm rather sorry you didn't mention my name? I
should have rather liked to see my name in the papers. I forget what my
views were; I have so many! But I'm not ashamed of them. I'm not at all
like my brother--I suppose you know my brother? He thinks it a kind of
scandal to be put in the papers; if you were to quote him he'd never
forgive you."
"He needn't be afraid; I shall never refer to him," said Miss Stackpole
with bland dryness. "That's another reason," she added, "why I wanted to
come to see you. You know Mr. Osmond married my dearest friend."
"Ah, yes; you were a friend of Isabel's. I was trying to think what I
knew about you."
"I'm quite willing to be known by that," Henrietta declared. "But that
isn't what your brother likes to know me by. He has tried to break up my
relations with Isabel."
"Don't permit it," said the Countess.
"That's what I want to talk about. I'm going to Rome."
"So am I!" the Countess cried. "We'll go together."
"With great pleasure. And when I write about my journey I'll mention you
by name as my companion."
The Countess sprang from her chair and came and sat on the sofa beside
her visitor. "Ah, you must send me the paper! My husband won't like it,
but he need never see it. Besides, he doesn't know how to read."
Henrietta's large eyes became immense. "Doesn't know how to read? May I
put that into my letter?"
"Into your letter?"
"In the Interviewer. That's my paper."
"Oh yes, if you like; with his name. Are you going to stay with Isabel?"
Henrietta held up her head, gazing a little in silence at her hostess.
"She has not asked me. I wrote to her I was coming, and she answered
that she would engage a room for me at a pension. She gave no reason."
The Countess listened with extreme interest. "The reason's Osmond," she
pregnantly remarked.
"Isabel ought to make a stand," said Miss Stackpole. "I'm afraid she has
changed a great deal. I told her she would."
"I'm sorry to hear it; I hoped she would have her own way. Why doesn't
my brother like you?" the Countess ingenuously added.
"I don't know and I don't care. He's perfectly welcome not to like me;
I don't want every one to like me; I should think less of myself if some
people did. A journalist can't hope to do much good unless he gets a
good deal hated; that's the way he knows how his work goes on. And it's
just the same for a lady. But I didn't expect it of Isabel."
"Do you mean that she hates you?" the Countess enquired.
"I don't know; I want to see. That's what I'm going to Rome for."
"Dear me, what a tiresome errand!" the Countess exclaimed.
"She doesn't write to me in the same way; it's easy to see there's a
difference. If you know anything," Miss Stackpole went on, "I should
like to hear it beforehand, so as to decide on the line I shall take."
The Countess thrust out her under lip and gave a gradual shrug. "I know
very little; I see and hear very little of Osmond. He doesn't like me
any better than he appears to like you."
"Yet you're not a lady correspondent," said Henrietta pensively.
"Oh, he has plenty of reasons. Nevertheless they've invited me--I'm
to stay in the house!" And the Countess smiled almost fiercely; her
exultation, for the moment, took little account of Miss Stackpole's
disappointment.
This lady, however, regarded it very placidly. "I shouldn't have gone if
she HAD asked me. That is I think I shouldn't; and I'm glad I hadn't
to make up my mind. It would have been a very difficult question. I
shouldn't have liked to turn away from her, and yet I shouldn't have
been happy under her roof. A pension will suit me very well. But that's
not all."
"Rome's very good just now," said the Countess; "there are all sorts of
brilliant people. Did you ever hear of Lord Warburton?"
"Hear of him? I know him very well. Do you consider him very brilliant?"
Henrietta enquired.
"I don't know him, but I'm told he's extremely grand seigneur. He's
making love to Isabel."
"Making love to her?"
"So I'm told; I don't know the details," said the Countess lightly. "But
Isabel's pretty safe."
Henrietta gazed earnestly at her companion; for a moment she said
nothing. "When do you go to Rome?" she enquired abruptly.
"Not for a week, I'm afraid."
"I shall go to-morrow," Henrietta said. "I think I had better not wait."
"Dear me, I'm sorry; I'm having some dresses made. I'm told Isabel
receives immensely. But I shall see you there; I shall call on you
at your pension." Henrietta sat still--she was lost in thought; and
suddenly the Countess cried: "Ah, but if you don't go with me you can't
describe our journey!"
Miss Stackpole seemed unmoved by this consideration; she was thinking
of something else and presently expressed it. "I'm not sure that I
understand you about Lord Warburton."
"Understand me? I mean he's very nice, that's all."
"Do you consider it nice to make love to married women?" Henrietta
enquired with unprecedented distinctness.
The Countess stared, and then with a little violent laugh: "It's certain
all the nice men do it. Get married and you'll see!" she added.
"That idea would be enough to prevent me," said Miss Stackpole. "I
should want my own husband; I shouldn't want any one else's. Do you mean
that Isabel's guilty--guilty--?" And she paused a little, choosing her
expression.
"Do I mean she's guilty? Oh dear no, not yet, I hope. I only mean that
Osmond's very tiresome and that Lord Warburton, as I hear, is a great
deal at the house. I'm afraid you're scandalised."
"No, I'm just anxious," Henrietta said.
"Ah, you're not very complimentary to Isabel! You should have more
confidence. I'll tell you," the Countess added quickly: "if it will be a
comfort to you I engage to draw him off."
Miss Stackpole answered at first only with the deeper solemnity of her
gaze. "You don't understand me," she said after a while. "I haven't the
idea you seem to suppose. I'm not afraid for Isabel--in that way. I'm
only afraid she's unhappy--that's what I want to get at."
The Countess gave a dozen turns of the head; she looked impatient and
sarcastic. "That may very well be; for my part I should like to know
whether Osmond is." Miss Stackpole had begun a little to bore her.
"If she's really changed that must be at the bottom of it," Henrietta
went on.
"You'll see; she'll tell you," said the Countess.
"Ah, she may NOT tell me--that's what I'm afraid of!"
"Well, if Osmond isn't amusing himself--in his own old way--I flatter
myself I shall discover it," the Countess rejoined.
"I don't care for that," said Henrietta.
"I do immensely! If Isabel's unhappy I'm very sorry for her, but I can't
help it. I might tell her something that would make her worse, but I
can't tell her anything that would console her. What did she go and
marry him for? If she had listened to me she'd have got rid of him. I'll
forgive her, however, if I find she has made things hot for him! If she
has simply allowed him to trample upon her I don't know that I shall
even pity her. But I don't think that's very likely. I count upon
finding that if she's miserable she has at least made HIM so."
Henrietta got up; these seemed to her, naturally, very dreadful
expectations. She honestly believed she had no desire to see Mr. Osmond
unhappy; and indeed he could not be for her the subject of a flight of
fancy. She was on the whole rather disappointed in the Countess, whose
mind moved in a narrower circle than she had imagined, though with a
capacity for coarseness even there. "It will be better if they love each
other," she said for edification.
"They can't. He can't love any one."
"I presumed that was the case. But it only aggravates my fear for
Isabel. I shall positively start to-morrow."
"Isabel certainly has devotees," said the Countess, smiling very
vividly. "I declare I don't pity her."
"It may be I can't assist her," Miss Stackpole pursued, as if it were
well not to have illusions.
"You can have wanted to, at any rate; that's something. I believe that's
what you came from America for," the Countess suddenly added.
"Yes, I wanted to look after her," Henrietta said serenely.
Her hostess stood there smiling at her with small bright eyes and an
eager-looking nose; with cheeks into each of which a flush had come.
"Ah, that's very pretty c'est bien gentil! Isn't it what they call
friendship?"
"I don't know what they call it. I thought I had better come."
"She's very happy--she's very fortunate," the Countess went on. "She
has others besides." And then she broke out passionately. "She's more
fortunate than I! I'm as unhappy as she--I've a very bad husband; he's a
great deal worse than Osmond. And I've no friends. I thought I had, but
they're gone. No one, man or woman, would do for me what you've done for
her."
Henrietta was touched; there was nature in this bitter effusion. She
gazed at her companion a moment, and then: "Look here, Countess, I'll do
anything for you that you like. I'll wait over and travel with you."
"Never mind," the Countess answered with a quick change of tone: "only
describe me in the newspaper!"
Henrietta, before leaving her, however, was obliged to make her
understand that she could give no fictitious representation of her
journey to Rome. Miss Stackpole was a strictly veracious reporter. On
quitting her she took the way to the Lung' Arno, the sunny quay beside
the yellow river where the bright-faced inns familiar to tourists stand
all in a row. She had learned her way before this through the streets of
Florence (she was very quick in such matters), and was therefore able
to turn with great decision of step out of the little square which forms
the approach to the bridge of the Holy Trinity. She proceeded to the
left, toward the Ponte Vecchio, and stopped in front of one of the
hotels which overlook that delightful structure. Here she drew forth
a small pocket-book, took from it a card and a pencil and, after
meditating a moment, wrote a few words. It is our privilege to look over
her shoulder, and if we exercise it we may read the brief query: "Could
I see you this evening for a few moments on a very important matter?"
Henrietta added that she should start on the morrow for Rome. Armed with
this little document she approached the porter, who now had taken up
his station in the doorway, and asked if Mr. Goodwood were at home.
The porter replied, as porters always reply, that he had gone out about
twenty minutes before; whereupon Henrietta presented her card and begged
it might be handed him on his return. She left the inn and pursued her
course along the quay to the severe portico of the Uffizi, through which
she presently reached the entrance of the famous gallery of paintings.
Making her way in, she ascended the high staircase which leads to the
upper chambers. The long corridor, glazed on one side and decorated with
antique busts, which gives admission to these apartments, presented an
empty vista in which the bright winter light twinkled upon the marble
floor. The gallery is very cold and during the midwinter weeks but
scantily visited. Miss Stackpole may appear more ardent in her quest of
artistic beauty than she has hitherto struck us as being, but she had
after all her preferences and admirations. One of the latter was the
little Correggio of the Tribune--the Virgin kneeling down before the
sacred infant, who lies in a litter of straw, and clapping her hands
to him while he delightedly laughs and crows. Henrietta had a special
devotion to this intimate scene--she thought it the most beautiful
picture in the world. On her way, at present, from New York to Rome, she
was spending but three days in Florence, and yet reminded herself that
they must not elapse without her paying another visit to her favourite
work of art. She had a great sense of beauty in all ways, and it
involved a good many intellectual obligations. She was about to turn
into the Tribune when a gentleman came out of it; whereupon she gave a
little exclamation and stood before Caspar Goodwood.
"I've just been at your hotel," she said. "I left a card for you."
"I'm very much honoured," Caspar Goodwood answered as if he really meant
it.
"It was not to honour you I did it; I've called on you before and I know
you don't like it. It was to talk to you a little about something."
He looked for a moment at the buckle in her hat. "I shall be very glad
to hear what you wish to say."
"You don't like to talk with me," said Henrietta. "But I don't care for
that; I don't talk for your amusement. I wrote a word to ask you to come
and see me; but since I've met you here this will do as well."
"I was just going away," Goodwood stated; "but of course I'll stop." He
was civil, but not enthusiastic.
Henrietta, however, never looked for great professions, and she was
so much in earnest that she was thankful he would listen to her on
any terms. She asked him first, none the less, if he had seen all the
pictures.
"All I want to. I've been here an hour."
"I wonder if you've seen my Correggio," said Henrietta. "I came up on
purpose to have a look at it." She went into the Tribune and he slowly
accompanied her.
"I suppose I've seen it, but I didn't know it was yours. I don't
remember pictures--especially that sort." She had pointed out her
favourite work, and he asked her if it was about Correggio she wished to
talk with him.
"No," said Henrietta, "it's about something less harmonious!" They
had the small, brilliant room, a splendid cabinet of treasures, to
themselves; there was only a custode hovering about the Medicean Venus.
"I want you to do me a favour," Miss Stackpole went on.
Caspar Goodwood frowned a little, but he expressed no embarrassment at
the sense of not looking eager. His face was that of a much older man
than our earlier friend. "I'm sure it's something I shan't like," he
said rather loudly.
"No, I don't think you'll like it. If you did it would be no favour."
"Well, let's hear it," he went on in the tone of a man quite conscious
of his patience.
"You may say there's no particular reason why you should do me a favour.
Indeed I only know of one: the fact that if you'd let me I'd gladly do
you one." Her soft, exact tone, in which there was no attempt at effect,
had an extreme sincerity; and her companion, though he presented rather
a hard surface, couldn't help being touched by it. When he was touched
he rarely showed it, however, by the usual signs; he neither blushed,
nor looked away, nor looked conscious. He only fixed his attention more
directly; he seemed to consider with added firmness. Henrietta continued
therefore disinterestedly, without the sense of an advantage. "I may say
now, indeed--it seems a good time--that if I've ever annoyed you (and
I think sometimes I have) it's because I knew I was willing to suffer
annoyance for you. I've troubled you--doubtless. But I'd TAKE trouble
for you."
Goodwood hesitated. "You're taking trouble now."
"Yes, I am--some. I want you to consider whether it's better on the
whole that you should go to Rome."
"I thought you were going to say that!" he answered rather artlessly.
"You HAVE considered it then?"
"Of course I have, very carefully. I've looked all round it. Otherwise
I shouldn't have come so far as this. That's what I stayed in Paris two
months for. I was thinking it over."
"I'm afraid you decided as you liked. You decided it was best because
you were so much attracted."
"Best for whom, do you mean?" Goodwood demanded.
"Well, for yourself first. For Mrs. Osmond next."
"Oh, it won't do HER any good! I don't flatter myself that."
"Won't it do her some harm?--that's the question."
"I don't see what it will matter to her. I'm nothing to Mrs. Osmond. But
if you want to know, I do want to see her myself."
"Yes, and that's why you go."
"Of course it is. Could there be a better reason?"
"How will it help you?--that's what I want to know," said Miss
Stackpole.
"That's just what I can't tell you. It's just what I was thinking about
in Paris."
"It will make you more discontented."
"Why do you say 'more' so?" Goodwood asked rather sternly. "How do you
know I'm discontented?"
"Well," said Henrietta, hesitating a little, "you seem never to have
cared for another."
"How do you know what I care for?" he cried with a big blush. "Just now
I care to go to Rome."
Henrietta looked at him in silence, with a sad yet luminous expression.
"Well," she observed at last, "I only wanted to tell you what I think;
I had it on my mind. Of course you think it's none of my business. But
nothing is any one's business, on that principle."
"It's very kind of you; I'm greatly obliged to you for your interest,"
said Caspar Goodwood. "I shall go to Rome and I shan't hurt Mrs.
Osmond."
"You won't hurt her, perhaps. But will you help her?--that's the real
issue."
"Is she in need of help?" he asked slowly, with a penetrating look.
"Most women always are," said Henrietta, with conscientious evasiveness
and generalising less hopefully than usual. "If you go to Rome," she
added, "I hope you'll be a true friend--not a selfish one!" And she
turned off and began to look at the pictures.
Caspar Goodwood let her go and stood watching her while she wandered
round the room; but after a moment he rejoined her. "You've heard
something about her here," he then resumed. "I should like to know what
you've heard."
Henrietta had never prevaricated in her life, and, though on this
occasion there might have been a fitness in doing so, she decided, after
thinking some minutes, to make no superficial exception. "Yes, I've
heard," she answered; "but as I don't want you to go to Rome I won't
tell you."
"Just as you please. I shall see for myself," he said. Then
inconsistently, for him, "You've heard she's unhappy!" he added.
"Oh, you won't see that!" Henrietta exclaimed.
"I hope not. When do you start?"
"To-morrow, by the evening train. And you?"
Goodwood hung back; he had no desire to make his journey to Rome in Miss
Stackpole's company. His indifference to this advantage was not of the
same character as Gilbert Osmond's, but it had at this moment an equal
distinctness. It was rather a tribute to Miss Stackpole's virtues than a
reference to her faults. He thought her very remarkable, very brilliant,
and he had, in theory, no objection to the class to which she belonged.
Lady correspondents appeared to him a part of the natural scheme of
things in a progressive country, and though he never read their letters
he supposed that they ministered somehow to social prosperity. But
it was this very eminence of their position that made him wish Miss
Stackpole didn't take so much for granted. She took for granted that he
was always ready for some allusion to Mrs. Osmond; she had done so when
they met in Paris, six weeks after his arrival in Europe, and she had
repeated the assumption with every successive opportunity. He had no
wish whatever to allude to Mrs. Osmond; he was NOT always thinking of
her; he was perfectly sure of that. He was the most reserved, the least
colloquial of men, and this enquiring authoress was constantly flashing
her lantern into the quiet darkness of his soul. He wished she didn't
care so much; he even wished, though it might seem rather brutal of him,
that she would leave him alone. In spite of this, however, he just now
made other reflections--which show how widely different, in effect, his
ill-humour was from Gilbert Osmond's. He desired to go immediately to
Rome; he would have liked to go alone, in the night-train. He hated the
European railway-carriages, in which one sat for hours in a vise, knee
to knee and nose to nose with a foreigner to whom one presently found
one's self objecting with all the added vehemence of one's wish to have
the window open; and if they were worse at night even than by day, at
least at night one could sleep and dream of an American saloon-car. But
he couldn't take a night-train when Miss Stackpole was starting in the
morning; it struck him that this would be an insult to an unprotected
woman. Nor could he wait until after she had gone unless he should wait
longer than he had patience for. It wouldn't do to start the next day.
She worried him; she oppressed him; the idea of spending the day in
a European railway-carriage with her offered a complication of
irritations. Still, she was a lady travelling alone; it was his duty to
put himself out for her. There could be no two questions about that;
it was a perfectly clear necessity. He looked extremely grave for some
moments and then said, wholly without the flourish of gallantry but in a
tone of extreme distinctness, "Of course if you're going to-morrow I'll
go too, as I may be of assistance to you."
"Well, Mr. Goodwood, I should hope so!" Henrietta returned
imperturbably.
| Notes It seems that whenever James wants to bring out all of Isabels qualities or send her into action, he gathers around her a cast of characters who are conducive to action. These are, firstly, Henrietta Stackpole, Caspar Goodwood, but also Lord Warburton and Ralph Touchett. This chapter serves mainly as a set-up for further action. In it we learn that Caspar Goodwood still thinks a good deal of Isabel, though he doesnt like to admit it, that Henrietta Stackpole also thinks a good deal of Isabel and has now proposed to save her in some way. | analysis |
I have already had reason to say that Isabel knew her husband to be
displeased by the continuance of Ralph's visit to Rome. That knowledge
was very present to her as she went to her cousin's hotel the day
after she had invited Lord Warburton to give a tangible proof of his
sincerity; and at this moment, as at others, she had a sufficient
perception of the sources of Osmond's opposition. He wished her to have
no freedom of mind, and he knew perfectly well that Ralph was an apostle
of freedom. It was just because he was this, Isabel said to herself,
that it was a refreshment to go and see him. It will be perceived that
she partook of this refreshment in spite of her husband's aversion to
it, that is partook of it, as she flattered herself, discreetly. She had
not as yet undertaken to act in direct opposition to his wishes; he was
her appointed and inscribed master; she gazed at moments with a sort
of incredulous blankness at this fact. It weighed upon her imagination,
however; constantly present to her mind were all the traditionary
decencies and sanctities of marriage. The idea of violating them filled
her with shame as well as with dread, for on giving herself away she had
lost sight of this contingency in the perfect belief that her husband's
intentions were as generous as her own. She seemed to see, none the
less, the rapid approach of the day when she should have to take back
something she had solemnly bestown. Such a ceremony would be odious and
monstrous; she tried to shut her eyes to it meanwhile. Osmond would do
nothing to help it by beginning first; he would put that burden upon her
to the end. He had not yet formally forbidden her to call upon Ralph;
but she felt sure that unless Ralph should very soon depart this
prohibition would come. How could poor Ralph depart? The weather as yet
made it impossible. She could perfectly understand her husband's wish
for the event; she didn't, to be just, see how he COULD like her to be
with her cousin. Ralph never said a word against him, but Osmond's
sore, mute protest was none the less founded. If he should positively
interpose, if he should put forth his authority, she would have to
decide, and that wouldn't be easy. The prospect made her heart beat and
her cheeks burn, as I say, in advance; there were moments when, in her
wish to avoid an open rupture, she found herself wishing Ralph would
start even at a risk. And it was of no use that, when catching herself
in this state of mind, she called herself a feeble spirit, a coward.
It was not that she loved Ralph less, but that almost anything seemed
preferable to repudiating the most serious act--the single sacred
act--of her life. That appeared to make the whole future hideous.
To break with Osmond once would be to break for ever; any open
acknowledgement of irreconcilable needs would be an admission that
their whole attempt had proved a failure. For them there could be
no condonement, no compromise, no easy forgetfulness, no formal
readjustment. They had attempted only one thing, but that one thing was
to have been exquisite. Once they missed it nothing else would do; there
was no conceivable substitute for that success. For the moment, Isabel
went to the Hotel de Paris as often as she thought well; the measure
of propriety was in the canon of taste, and there couldn't have been
a better proof that morality was, so to speak, a matter of earnest
appreciation. Isabel's application of that measure had been particularly
free to-day, for in addition to the general truth that she couldn't
leave Ralph to die alone she had something important to ask of him. This
indeed was Gilbert's business as well as her own.
She came very soon to what she wished to speak of. "I want you to answer
me a question. It's about Lord Warburton."
"I think I guess your question," Ralph answered from his arm-chair, out
of which his thin legs protruded at greater length than ever.
"Very possibly you guess it. Please then answer it."
"Oh, I don't say I can do that."
"You're intimate with him," she said; "you've a great deal of
observation of him."
"Very true. But think how he must dissimulate!"
"Why should he dissimulate? That's not his nature."
"Ah, you must remember that the circumstances are peculiar," said Ralph
with an air of private amusement.
"To a certain extent--yes. But is he really in love?"
"Very much, I think. I can make that out."
"Ah!" said Isabel with a certain dryness.
Ralph looked at her as if his mild hilarity had been touched with
mystification. "You say that as if you were disappointed."
Isabel got up, slowly smoothing her gloves and eyeing them thoughtfully.
"It's after all no business of mine."
"You're very philosophic," said her cousin. And then in a moment: "May I
enquire what you're talking about?"
Isabel stared. "I thought you knew. Lord Warburton tells me he wants,
of all things in the world, to marry Pansy. I've told you that before,
without eliciting a comment from you. You might risk one this morning, I
think. Is it your belief that he really cares for her?"
"Ah, for Pansy, no!" cried Ralph very positively.
"But you said just now he did."
Ralph waited a moment. "That he cared for you, Mrs. Osmond."
Isabel shook her head gravely. "That's nonsense, you know."
"Of course it is. But the nonsense is Warburton's, not mine."
"That would be very tiresome." She spoke, as she flattered herself, with
much subtlety.
"I ought to tell you indeed," Ralph went on, "that to me he has denied
it."
"It's very good of you to talk about it together! Has he also told you
that he's in love with Pansy?"
"He has spoken very well of her--very properly. He has let me know, of
course, that he thinks she would do very well at Lockleigh."
"Does he really think it?"
"Ah, what Warburton really thinks--!" said Ralph.
Isabel fell to smoothing her gloves again; they were long, loose gloves
on which she could freely expend herself. Soon, however, she looked
up, and then, "Ah, Ralph, you give me no help!" she cried abruptly and
passionately.
It was the first time she had alluded to the need for help, and the
words shook her cousin with their violence. He gave a long murmur of
relief, of pity, of tenderness; it seemed to him that at last the gulf
between them had been bridged. It was this that made him exclaim in a
moment: "How unhappy you must be!"
He had no sooner spoken than she recovered her self-possession, and the
first use she made of it was to pretend she had not heard him. "When I
talk of your helping me I talk great nonsense," she said with a quick
smile. "The idea of my troubling you with my domestic embarrassments!
The matter's very simple; Lord Warburton must get on by himself. I can't
undertake to see him through."
"He ought to succeed easily," said Ralph.
Isabel debated. "Yes--but he has not always succeeded."
"Very true. You know, however, how that always surprised me. Is Miss
Osmond capable of giving us a surprise?"
"It will come from him, rather. I seem to see that after all he'll let
the matter drop."
"He'll do nothing dishonourable," said Ralph.
"I'm very sure of that. Nothing can be more honourable than for him to
leave the poor child alone. She cares for another person, and it's cruel
to attempt to bribe her by magnificent offers to give him up."
"Cruel to the other person perhaps--the one she cares for. But Warburton
isn't obliged to mind that."
"No, cruel to her," said Isabel. "She would be very unhappy if she were
to allow herself to be persuaded to desert poor Mr. Rosier. That idea
seems to amuse you; of course you're not in love with him. He has the
merit--for Pansy--of being in love with Pansy. She can see at a glance
that Lord Warburton isn't."
"He'd be very good to her," said Ralph.
"He has been good to her already. Fortunately, however, he has not said
a word to disturb her. He could come and bid her good-bye to-morrow with
perfect propriety."
"How would your husband like that?"
"Not at all; and he may be right in not liking it. Only he must obtain
satisfaction himself."
"Has he commissioned you to obtain it?" Ralph ventured to ask.
"It was natural that as an old friend of Lord Warburton's--an older
friend, that is, than Gilbert--I should take an interest in his
intentions."
"Take an interest in his renouncing them, you mean?"
Isabel hesitated, frowning a little. "Let me understand. Are you
pleading his cause?"
"Not in the least. I'm very glad he shouldn't become your stepdaughter's
husband. It makes such a very queer relation to you!" said Ralph,
smiling. "But I'm rather nervous lest your husband should think you
haven't pushed him enough."
Isabel found herself able to smile as well as he. "He knows me well
enough not to have expected me to push. He himself has no intention
of pushing, I presume. I'm not afraid I shall not be able to justify
myself!" she said lightly.
Her mask had dropped for an instant, but she had put it on again, to
Ralph's infinite disappointment. He had caught a glimpse of her natural
face and he wished immensely to look into it. He had an almost savage
desire to hear her complain of her husband--hear her say that she should
be held accountable for Lord Warburton's defection. Ralph was certain
that this was her situation; he knew by instinct, in advance, the form
that in such an event Osmond's displeasure would take. It could only
take the meanest and cruellest. He would have liked to warn Isabel of
it--to let her see at least how he judged for her and how he knew. It
little mattered that Isabel would know much better; it was for his own
satisfaction more than for hers that he longed to show her he was not
deceived. He tried and tried again to make her betray Osmond; he felt
cold-blooded, cruel, dishonourable almost, in doing so. But it scarcely
mattered, for he only failed. What had she come for then, and why did
she seem almost to offer him a chance to violate their tacit convention?
Why did she ask him his advice if she gave him no liberty to answer her?
How could they talk of her domestic embarrassments, as it pleased her
humorously to designate them, if the principal factor was not to be
mentioned? These contradictions were themselves but an indication of her
trouble, and her cry for help, just before, was the only thing he was
bound to consider. "You'll be decidedly at variance, all the same," he
said in a moment. And as she answered nothing, looking as if she scarce
understood, "You'll find yourselves thinking very differently," he
continued.
"That may easily happen, among the most united couples!" She took up her
parasol; he saw she was nervous, afraid of what he might say. "It's a
matter we can hardly quarrel about, however," she added; "for almost all
the interest is on his side. That's very natural. Pansy's after all his
daughter--not mine." And she put out her hand to wish him goodbye.
Ralph took an inward resolution that she shouldn't leave him without
his letting her know that he knew everything: it seemed too great an
opportunity to lose. "Do you know what his interest will make him say?"
he asked as he took her hand. She shook her head, rather dryly--not
discouragingly--and he went on. "It will make him say that your want
of zeal is owing to jealousy." He stopped a moment; her face made him
afraid.
"To jealousy?"
"To jealousy of his daughter."
She blushed red and threw back her head. "You're not kind," she said in
a voice that he had never heard on her lips.
"Be frank with me and you'll see," he answered.
But she made no reply; she only pulled her hand out of his own, which he
tried still to hold, and rapidly withdrew from the room. She made up her
mind to speak to Pansy, and she took an occasion on the same day, going
to the girl's room before dinner. Pansy was already dressed; she was
always in advance of the time: it seemed to illustrate her pretty
patience and the graceful stillness with which she could sit and wait.
At present she was seated, in her fresh array, before the bed-room
fire; she had blown out her candles on the completion of her toilet, in
accordance with the economical habits in which she had been brought up
and which she was now more careful than ever to observe; so that
the room was lighted only by a couple of logs. The rooms in Palazzo
Roccanera were as spacious as they were numerous, and Pansy's virginal
bower was an immense chamber with a dark, heavily-timbered ceiling.
Its diminutive mistress, in the midst of it, appeared but a speck of
humanity, and as she got up, with quick deference, to welcome Isabel,
the latter was more than ever struck with her shy sincerity. Isabel
had a difficult task--the only thing was to perform it as simply as
possible. She felt bitter and angry, but she warned herself against
betraying this heat. She was afraid even of looking too grave, or at
least too stern; she was afraid of causing alarm. But Pansy seemed to
have guessed she had come more or less as a confessor; for after she
had moved the chair in which she had been sitting a little nearer to the
fire and Isabel had taken her place in it, she kneeled down on a
cushion in front of her, looking up and resting her clasped hands on her
stepmother's knees. What Isabel wished to do was to hear from her own
lips that her mind was not occupied with Lord Warburton; but if she
desired the assurance she felt herself by no means at liberty to provoke
it. The girl's father would have qualified this as rank treachery; and
indeed Isabel knew that if Pansy should display the smallest germ of
a disposition to encourage Lord Warburton her own duty was to hold her
tongue. It was difficult to interrogate without appearing to suggest;
Pansy's supreme simplicity, an innocence even more complete than Isabel
had yet judged it, gave to the most tentative enquiry something of the
effect of an admonition. As she knelt there in the vague firelight, with
her pretty dress dimly shining, her hands folded half in appeal and half
in submission, her soft eyes, raised and fixed, full of the seriousness
of the situation, she looked to Isabel like a childish martyr decked
out for sacrifice and scarcely presuming even to hope to avert it. When
Isabel said to her that she had never yet spoken to her of what might
have been going on in relation to her getting married, but that her
silence had not been indifference or ignorance, had only been the desire
to leave her at liberty, Pansy bent forward, raised her face nearer
and nearer, and with a little murmur which evidently expressed a deep
longing, answered that she had greatly wished her to speak and that she
begged her to advise her now.
"It's difficult for me to advise you," Isabel returned. "I don't know
how I can undertake that. That's for your father; you must get his
advice and, above all, you must act on it."
At this Pansy dropped her eyes; for a moment she said nothing. "I think
I should like your advice better than papa's," she presently remarked.
"That's not as it should be," said Isabel coldly. "I love you very much,
but your father loves you better."
"It isn't because you love me--it's because you're a lady," Pansy
answered with the air of saying something very reasonable. "A lady can
advise a young girl better than a man."
"I advise you then to pay the greatest respect to your father's wishes."
"Ah yes," said the child eagerly, "I must do that."
"But if I speak to you now about your getting married it's not for your
own sake, it's for mine," Isabel went on. "If I try to learn from you
what you expect, what you desire, it's only that I may act accordingly."
Pansy stared, and then very quickly, "Will you do everything I want?"
she asked.
"Before I say yes I must know what such things are."
Pansy presently told her that the only thing she wanted in life was to
marry Mr. Rosier. He had asked her and she had told him she would do so
if her papa would allow it. Now her papa wouldn't allow it.
"Very well then, it's impossible," Isabel pronounced.
"Yes, it's impossible," said Pansy without a sigh and with the same
extreme attention in her clear little face.
"You must think of something else then," Isabel went on; but Pansy,
sighing at this, told her that she had attempted that feat without the
least success.
"You think of those who think of you," she said with a faint smile. "I
know Mr. Rosier thinks of me."
"He ought not to," said Isabel loftily. "Your father has expressly
requested he shouldn't."
"He can't help it, because he knows I think of HIM."
"You shouldn't think of him. There's some excuse for him, perhaps; but
there's none for you."
"I wish you would try to find one," the girl exclaimed as if she were
praying to the Madonna.
"I should be very sorry to attempt it," said the Madonna with unusual
frigidity. "If you knew some one else was thinking of you, would you
think of him?"
"No one can think of me as Mr. Rosier does; no one has the right."
"Ah, but I don't admit Mr. Rosier's right!" Isabel hypocritically cried.
Pansy only gazed at her, evidently much puzzled; and Isabel, taking
advantage of it, began to represent to her the wretched consequences of
disobeying her father. At this Pansy stopped her with the assurance that
she would never disobey him, would never marry without his consent. And
she announced, in the serenest, simplest tone, that, though she might
never marry Mr. Rosier, she would never cease to think of him. She
appeared to have accepted the idea of eternal singleness; but Isabel of
course was free to reflect that she had no conception of its meaning.
She was perfectly sincere; she was prepared to give up her lover. This
might seem an important step toward taking another, but for Pansy,
evidently, it failed to lead in that direction. She felt no bitterness
toward her father; there was no bitterness in her heart; there was only
the sweetness of fidelity to Edward Rosier, and a strange, exquisite
intimation that she could prove it better by remaining single than even
by marrying him.
"Your father would like you to make a better marriage," said Isabel.
"Mr. Rosier's fortune is not at all large."
"How do you mean better--if that would be good enough? And I have myself
so little money; why should I look for a fortune?"
"Your having so little is a reason for looking for more." With which
Isabel was grateful for the dimness of the room; she felt as if her face
were hideously insincere. It was what she was doing for Osmond; it was
what one had to do for Osmond! Pansy's solemn eyes, fixed on her own,
almost embarrassed her; she was ashamed to think she had made so light
of the girl's preference.
"What should you like me to do?" her companion softly demanded.
The question was a terrible one, and Isabel took refuge in timorous
vagueness. "To remember all the pleasure it's in your power to give your
father."
"To marry some one else, you mean--if he should ask me?"
For a moment Isabel's answer caused itself to be waited for; then she
heard herself utter it in the stillness that Pansy's attention seemed to
make. "Yes--to marry some one else."
The child's eyes grew more penetrating; Isabel believed she was doubting
her sincerity, and the impression took force from her slowly getting
up from her cushion. She stood there a moment with her small hands
unclasped and then quavered out: "Well, I hope no one will ask me!"
"There has been a question of that. Some one else would have been ready
to ask you."
"I don't think he can have been ready," said Pansy.
"It would appear so if he had been sure he'd succeed."
"If he had been sure? Then he wasn't ready!"
Isabel thought this rather sharp; she also got up and stood a moment
looking into the fire. "Lord Warburton has shown you great attention,"
she resumed; "of course you know it's of him I speak." She found
herself, against her expectation, almost placed in the position of
justifying herself; which led her to introduce this nobleman more
crudely than she had intended.
"He has been very kind to me, and I like him very much. But if you mean
that he'll propose for me I think you're mistaken."
"Perhaps I am. But your father would like it extremely."
Pansy shook her head with a little wise smile. "Lord Warburton won't
propose simply to please papa."
"Your father would like you to encourage him," Isabel went on
mechanically.
"How can I encourage him?"
"I don't know. Your father must tell you that."
Pansy said nothing for a moment; she only continued to smile as if
she were in possession of a bright assurance. "There's no danger--no
danger!" she declared at last.
There was a conviction in the way she said this, and a felicity in her
believing it, which conduced to Isabel's awkwardness. She felt accused
of dishonesty, and the idea was disgusting. To repair her self-respect
she was on the point of saying that Lord Warburton had let her know that
there was a danger. But she didn't; she only said--in her embarrassment
rather wide of the mark--that he surely had been most kind, most
friendly.
"Yes, he has been very kind," Pansy answered. "That's what I like him
for."
"Why then is the difficulty so great?"
"I've always felt sure of his knowing that I don't want--what did you
say I should do?--to encourage him. He knows I don't want to marry,
and he wants me to know that he therefore won't trouble me. That's the
meaning of his kindness. It's as if he said to me: 'I like you very
much, but if it doesn't please you I'll never say it again.' I
think that's very kind, very noble," Pansy went on with deepening
positiveness. "That is all we've said to each other. And he doesn't care
for me either. Ah no, there's no danger."
Isabel was touched with wonder at the depths of perception of which
this submissive little person was capable; she felt afraid of Pansy's
wisdom--began almost to retreat before it. "You must tell your father
that," she remarked reservedly.
"I think I'd rather not," Pansy unreservedly answered.
"You oughtn't to let him have false hopes."
"Perhaps not; but it will be good for me that he should. So long as he
believes that Lord Warburton intends anything of the kind you say, papa
won't propose any one else. And that will be an advantage for me," said
the child very lucidly.
There was something brilliant in her lucidity, and it made her companion
draw a long breath. It relieved this friend of a heavy responsibility.
Pansy had a sufficient illumination of her own, and Isabel felt that
she herself just now had no light to spare from her small stock.
Nevertheless it still clung to her that she must be loyal to Osmond,
that she was on her honour in dealing with his daughter. Under the
influence of this sentiment she threw out another suggestion before she
retired--a suggestion with which it seemed to her that she should have
done her utmost.
"Your father takes for granted at least that you would like to marry a
nobleman."
Pansy stood in the open doorway; she had drawn back the curtain for
Isabel to pass. "I think Mr. Rosier looks like one!" she remarked very
gravely.
| Isabel goes to see Ralph the next day. She is very worried lately about Gilberts opposition to her seeing so much of Ralph. She sees as much of him as she can without causing Gilbert to forbid it. She knows Gilbert wants her away from Ralph because "he wished her to have no freedom of mind, and he knew perfectly well that Ralph was an apostle of freedom." Isabel wants very much to avoid an open rift with Gilbert. She believes in the sanctity of marriage and doesnt want to be forced to choose between abandoning the dying Ralph and betraying her promise. At Ralphs she tells him right away that she wants to ask him something. He guesses what she wants to know and tells her it is true that Lord Warburton is in love. Then after some questioning, he reveals that he doesnt mean Warburton is in love with Pansy, but with Isabel. Ralph takes it all lightly and suddenly Isabel bursts out with "Ah, Ralph, you give me no help!" Its the first time shes asked for help and he feels as thought the gap between them suddenly disappeared. He says, "How unhappy you must be!" She acts like she didnt hear him. Isabel returns to the subject at hand and says she imagines that Lord Warburton will just let the matter of Pansy drop and, since he hasnt said anything to Pansy about his plans of marrying her, he can just leave with honor in tact. Ralph half listens to her. He wants her to tell him of her difficult marriage and wishes very much to let her know that he is quite aware of the very difficult position she is in with Osmond in terms of these marriage proposals. He finally tells her that Osmond will treat this news of Warburtons withdrawal as her doing, and he will accuse her of putting an end to it out of jealousy. She blushes intensely and tells him hes not kind. He tells her to be frank with him and she will see. Instead she prepares to leave. She goes straight home and to Pansys room. She finds the task before her very distasteful and very perilous, but she wants to get it over with. She finds Pansy waiting for dinner. Pansy begs her for advice. Isabel says she should obey her father completely in everything. Pansy tells Isbel that the only thing in life she wants is to marry Edward Rosier. She says she wont go against her father's wishes and will instead remain single. Isabel implies that Osmond doesnt want this but wants her instead to marry someone else. Isabel intimates that Osmond wants her to marry Warburton. Pansy is happy about his because she says there is no danger that Warburton will ask her to marry him. She doesnt want to tell her father this because Warburtons presence will block another candidate from coming in to woo her. Isabel is amazed at how clear thinking Pansy is. She returns to the thought that she must be loyal to Osmond no matter what. She tells Pansy that her father will insist that she marry an nobleman. Pansy answers that to her Rosier looks noble. | summary |
I have already had reason to say that Isabel knew her husband to be
displeased by the continuance of Ralph's visit to Rome. That knowledge
was very present to her as she went to her cousin's hotel the day
after she had invited Lord Warburton to give a tangible proof of his
sincerity; and at this moment, as at others, she had a sufficient
perception of the sources of Osmond's opposition. He wished her to have
no freedom of mind, and he knew perfectly well that Ralph was an apostle
of freedom. It was just because he was this, Isabel said to herself,
that it was a refreshment to go and see him. It will be perceived that
she partook of this refreshment in spite of her husband's aversion to
it, that is partook of it, as she flattered herself, discreetly. She had
not as yet undertaken to act in direct opposition to his wishes; he was
her appointed and inscribed master; she gazed at moments with a sort
of incredulous blankness at this fact. It weighed upon her imagination,
however; constantly present to her mind were all the traditionary
decencies and sanctities of marriage. The idea of violating them filled
her with shame as well as with dread, for on giving herself away she had
lost sight of this contingency in the perfect belief that her husband's
intentions were as generous as her own. She seemed to see, none the
less, the rapid approach of the day when she should have to take back
something she had solemnly bestown. Such a ceremony would be odious and
monstrous; she tried to shut her eyes to it meanwhile. Osmond would do
nothing to help it by beginning first; he would put that burden upon her
to the end. He had not yet formally forbidden her to call upon Ralph;
but she felt sure that unless Ralph should very soon depart this
prohibition would come. How could poor Ralph depart? The weather as yet
made it impossible. She could perfectly understand her husband's wish
for the event; she didn't, to be just, see how he COULD like her to be
with her cousin. Ralph never said a word against him, but Osmond's
sore, mute protest was none the less founded. If he should positively
interpose, if he should put forth his authority, she would have to
decide, and that wouldn't be easy. The prospect made her heart beat and
her cheeks burn, as I say, in advance; there were moments when, in her
wish to avoid an open rupture, she found herself wishing Ralph would
start even at a risk. And it was of no use that, when catching herself
in this state of mind, she called herself a feeble spirit, a coward.
It was not that she loved Ralph less, but that almost anything seemed
preferable to repudiating the most serious act--the single sacred
act--of her life. That appeared to make the whole future hideous.
To break with Osmond once would be to break for ever; any open
acknowledgement of irreconcilable needs would be an admission that
their whole attempt had proved a failure. For them there could be
no condonement, no compromise, no easy forgetfulness, no formal
readjustment. They had attempted only one thing, but that one thing was
to have been exquisite. Once they missed it nothing else would do; there
was no conceivable substitute for that success. For the moment, Isabel
went to the Hotel de Paris as often as she thought well; the measure
of propriety was in the canon of taste, and there couldn't have been
a better proof that morality was, so to speak, a matter of earnest
appreciation. Isabel's application of that measure had been particularly
free to-day, for in addition to the general truth that she couldn't
leave Ralph to die alone she had something important to ask of him. This
indeed was Gilbert's business as well as her own.
She came very soon to what she wished to speak of. "I want you to answer
me a question. It's about Lord Warburton."
"I think I guess your question," Ralph answered from his arm-chair, out
of which his thin legs protruded at greater length than ever.
"Very possibly you guess it. Please then answer it."
"Oh, I don't say I can do that."
"You're intimate with him," she said; "you've a great deal of
observation of him."
"Very true. But think how he must dissimulate!"
"Why should he dissimulate? That's not his nature."
"Ah, you must remember that the circumstances are peculiar," said Ralph
with an air of private amusement.
"To a certain extent--yes. But is he really in love?"
"Very much, I think. I can make that out."
"Ah!" said Isabel with a certain dryness.
Ralph looked at her as if his mild hilarity had been touched with
mystification. "You say that as if you were disappointed."
Isabel got up, slowly smoothing her gloves and eyeing them thoughtfully.
"It's after all no business of mine."
"You're very philosophic," said her cousin. And then in a moment: "May I
enquire what you're talking about?"
Isabel stared. "I thought you knew. Lord Warburton tells me he wants,
of all things in the world, to marry Pansy. I've told you that before,
without eliciting a comment from you. You might risk one this morning, I
think. Is it your belief that he really cares for her?"
"Ah, for Pansy, no!" cried Ralph very positively.
"But you said just now he did."
Ralph waited a moment. "That he cared for you, Mrs. Osmond."
Isabel shook her head gravely. "That's nonsense, you know."
"Of course it is. But the nonsense is Warburton's, not mine."
"That would be very tiresome." She spoke, as she flattered herself, with
much subtlety.
"I ought to tell you indeed," Ralph went on, "that to me he has denied
it."
"It's very good of you to talk about it together! Has he also told you
that he's in love with Pansy?"
"He has spoken very well of her--very properly. He has let me know, of
course, that he thinks she would do very well at Lockleigh."
"Does he really think it?"
"Ah, what Warburton really thinks--!" said Ralph.
Isabel fell to smoothing her gloves again; they were long, loose gloves
on which she could freely expend herself. Soon, however, she looked
up, and then, "Ah, Ralph, you give me no help!" she cried abruptly and
passionately.
It was the first time she had alluded to the need for help, and the
words shook her cousin with their violence. He gave a long murmur of
relief, of pity, of tenderness; it seemed to him that at last the gulf
between them had been bridged. It was this that made him exclaim in a
moment: "How unhappy you must be!"
He had no sooner spoken than she recovered her self-possession, and the
first use she made of it was to pretend she had not heard him. "When I
talk of your helping me I talk great nonsense," she said with a quick
smile. "The idea of my troubling you with my domestic embarrassments!
The matter's very simple; Lord Warburton must get on by himself. I can't
undertake to see him through."
"He ought to succeed easily," said Ralph.
Isabel debated. "Yes--but he has not always succeeded."
"Very true. You know, however, how that always surprised me. Is Miss
Osmond capable of giving us a surprise?"
"It will come from him, rather. I seem to see that after all he'll let
the matter drop."
"He'll do nothing dishonourable," said Ralph.
"I'm very sure of that. Nothing can be more honourable than for him to
leave the poor child alone. She cares for another person, and it's cruel
to attempt to bribe her by magnificent offers to give him up."
"Cruel to the other person perhaps--the one she cares for. But Warburton
isn't obliged to mind that."
"No, cruel to her," said Isabel. "She would be very unhappy if she were
to allow herself to be persuaded to desert poor Mr. Rosier. That idea
seems to amuse you; of course you're not in love with him. He has the
merit--for Pansy--of being in love with Pansy. She can see at a glance
that Lord Warburton isn't."
"He'd be very good to her," said Ralph.
"He has been good to her already. Fortunately, however, he has not said
a word to disturb her. He could come and bid her good-bye to-morrow with
perfect propriety."
"How would your husband like that?"
"Not at all; and he may be right in not liking it. Only he must obtain
satisfaction himself."
"Has he commissioned you to obtain it?" Ralph ventured to ask.
"It was natural that as an old friend of Lord Warburton's--an older
friend, that is, than Gilbert--I should take an interest in his
intentions."
"Take an interest in his renouncing them, you mean?"
Isabel hesitated, frowning a little. "Let me understand. Are you
pleading his cause?"
"Not in the least. I'm very glad he shouldn't become your stepdaughter's
husband. It makes such a very queer relation to you!" said Ralph,
smiling. "But I'm rather nervous lest your husband should think you
haven't pushed him enough."
Isabel found herself able to smile as well as he. "He knows me well
enough not to have expected me to push. He himself has no intention
of pushing, I presume. I'm not afraid I shall not be able to justify
myself!" she said lightly.
Her mask had dropped for an instant, but she had put it on again, to
Ralph's infinite disappointment. He had caught a glimpse of her natural
face and he wished immensely to look into it. He had an almost savage
desire to hear her complain of her husband--hear her say that she should
be held accountable for Lord Warburton's defection. Ralph was certain
that this was her situation; he knew by instinct, in advance, the form
that in such an event Osmond's displeasure would take. It could only
take the meanest and cruellest. He would have liked to warn Isabel of
it--to let her see at least how he judged for her and how he knew. It
little mattered that Isabel would know much better; it was for his own
satisfaction more than for hers that he longed to show her he was not
deceived. He tried and tried again to make her betray Osmond; he felt
cold-blooded, cruel, dishonourable almost, in doing so. But it scarcely
mattered, for he only failed. What had she come for then, and why did
she seem almost to offer him a chance to violate their tacit convention?
Why did she ask him his advice if she gave him no liberty to answer her?
How could they talk of her domestic embarrassments, as it pleased her
humorously to designate them, if the principal factor was not to be
mentioned? These contradictions were themselves but an indication of her
trouble, and her cry for help, just before, was the only thing he was
bound to consider. "You'll be decidedly at variance, all the same," he
said in a moment. And as she answered nothing, looking as if she scarce
understood, "You'll find yourselves thinking very differently," he
continued.
"That may easily happen, among the most united couples!" She took up her
parasol; he saw she was nervous, afraid of what he might say. "It's a
matter we can hardly quarrel about, however," she added; "for almost all
the interest is on his side. That's very natural. Pansy's after all his
daughter--not mine." And she put out her hand to wish him goodbye.
Ralph took an inward resolution that she shouldn't leave him without
his letting her know that he knew everything: it seemed too great an
opportunity to lose. "Do you know what his interest will make him say?"
he asked as he took her hand. She shook her head, rather dryly--not
discouragingly--and he went on. "It will make him say that your want
of zeal is owing to jealousy." He stopped a moment; her face made him
afraid.
"To jealousy?"
"To jealousy of his daughter."
She blushed red and threw back her head. "You're not kind," she said in
a voice that he had never heard on her lips.
"Be frank with me and you'll see," he answered.
But she made no reply; she only pulled her hand out of his own, which he
tried still to hold, and rapidly withdrew from the room. She made up her
mind to speak to Pansy, and she took an occasion on the same day, going
to the girl's room before dinner. Pansy was already dressed; she was
always in advance of the time: it seemed to illustrate her pretty
patience and the graceful stillness with which she could sit and wait.
At present she was seated, in her fresh array, before the bed-room
fire; she had blown out her candles on the completion of her toilet, in
accordance with the economical habits in which she had been brought up
and which she was now more careful than ever to observe; so that
the room was lighted only by a couple of logs. The rooms in Palazzo
Roccanera were as spacious as they were numerous, and Pansy's virginal
bower was an immense chamber with a dark, heavily-timbered ceiling.
Its diminutive mistress, in the midst of it, appeared but a speck of
humanity, and as she got up, with quick deference, to welcome Isabel,
the latter was more than ever struck with her shy sincerity. Isabel
had a difficult task--the only thing was to perform it as simply as
possible. She felt bitter and angry, but she warned herself against
betraying this heat. She was afraid even of looking too grave, or at
least too stern; she was afraid of causing alarm. But Pansy seemed to
have guessed she had come more or less as a confessor; for after she
had moved the chair in which she had been sitting a little nearer to the
fire and Isabel had taken her place in it, she kneeled down on a
cushion in front of her, looking up and resting her clasped hands on her
stepmother's knees. What Isabel wished to do was to hear from her own
lips that her mind was not occupied with Lord Warburton; but if she
desired the assurance she felt herself by no means at liberty to provoke
it. The girl's father would have qualified this as rank treachery; and
indeed Isabel knew that if Pansy should display the smallest germ of
a disposition to encourage Lord Warburton her own duty was to hold her
tongue. It was difficult to interrogate without appearing to suggest;
Pansy's supreme simplicity, an innocence even more complete than Isabel
had yet judged it, gave to the most tentative enquiry something of the
effect of an admonition. As she knelt there in the vague firelight, with
her pretty dress dimly shining, her hands folded half in appeal and half
in submission, her soft eyes, raised and fixed, full of the seriousness
of the situation, she looked to Isabel like a childish martyr decked
out for sacrifice and scarcely presuming even to hope to avert it. When
Isabel said to her that she had never yet spoken to her of what might
have been going on in relation to her getting married, but that her
silence had not been indifference or ignorance, had only been the desire
to leave her at liberty, Pansy bent forward, raised her face nearer
and nearer, and with a little murmur which evidently expressed a deep
longing, answered that she had greatly wished her to speak and that she
begged her to advise her now.
"It's difficult for me to advise you," Isabel returned. "I don't know
how I can undertake that. That's for your father; you must get his
advice and, above all, you must act on it."
At this Pansy dropped her eyes; for a moment she said nothing. "I think
I should like your advice better than papa's," she presently remarked.
"That's not as it should be," said Isabel coldly. "I love you very much,
but your father loves you better."
"It isn't because you love me--it's because you're a lady," Pansy
answered with the air of saying something very reasonable. "A lady can
advise a young girl better than a man."
"I advise you then to pay the greatest respect to your father's wishes."
"Ah yes," said the child eagerly, "I must do that."
"But if I speak to you now about your getting married it's not for your
own sake, it's for mine," Isabel went on. "If I try to learn from you
what you expect, what you desire, it's only that I may act accordingly."
Pansy stared, and then very quickly, "Will you do everything I want?"
she asked.
"Before I say yes I must know what such things are."
Pansy presently told her that the only thing she wanted in life was to
marry Mr. Rosier. He had asked her and she had told him she would do so
if her papa would allow it. Now her papa wouldn't allow it.
"Very well then, it's impossible," Isabel pronounced.
"Yes, it's impossible," said Pansy without a sigh and with the same
extreme attention in her clear little face.
"You must think of something else then," Isabel went on; but Pansy,
sighing at this, told her that she had attempted that feat without the
least success.
"You think of those who think of you," she said with a faint smile. "I
know Mr. Rosier thinks of me."
"He ought not to," said Isabel loftily. "Your father has expressly
requested he shouldn't."
"He can't help it, because he knows I think of HIM."
"You shouldn't think of him. There's some excuse for him, perhaps; but
there's none for you."
"I wish you would try to find one," the girl exclaimed as if she were
praying to the Madonna.
"I should be very sorry to attempt it," said the Madonna with unusual
frigidity. "If you knew some one else was thinking of you, would you
think of him?"
"No one can think of me as Mr. Rosier does; no one has the right."
"Ah, but I don't admit Mr. Rosier's right!" Isabel hypocritically cried.
Pansy only gazed at her, evidently much puzzled; and Isabel, taking
advantage of it, began to represent to her the wretched consequences of
disobeying her father. At this Pansy stopped her with the assurance that
she would never disobey him, would never marry without his consent. And
she announced, in the serenest, simplest tone, that, though she might
never marry Mr. Rosier, she would never cease to think of him. She
appeared to have accepted the idea of eternal singleness; but Isabel of
course was free to reflect that she had no conception of its meaning.
She was perfectly sincere; she was prepared to give up her lover. This
might seem an important step toward taking another, but for Pansy,
evidently, it failed to lead in that direction. She felt no bitterness
toward her father; there was no bitterness in her heart; there was only
the sweetness of fidelity to Edward Rosier, and a strange, exquisite
intimation that she could prove it better by remaining single than even
by marrying him.
"Your father would like you to make a better marriage," said Isabel.
"Mr. Rosier's fortune is not at all large."
"How do you mean better--if that would be good enough? And I have myself
so little money; why should I look for a fortune?"
"Your having so little is a reason for looking for more." With which
Isabel was grateful for the dimness of the room; she felt as if her face
were hideously insincere. It was what she was doing for Osmond; it was
what one had to do for Osmond! Pansy's solemn eyes, fixed on her own,
almost embarrassed her; she was ashamed to think she had made so light
of the girl's preference.
"What should you like me to do?" her companion softly demanded.
The question was a terrible one, and Isabel took refuge in timorous
vagueness. "To remember all the pleasure it's in your power to give your
father."
"To marry some one else, you mean--if he should ask me?"
For a moment Isabel's answer caused itself to be waited for; then she
heard herself utter it in the stillness that Pansy's attention seemed to
make. "Yes--to marry some one else."
The child's eyes grew more penetrating; Isabel believed she was doubting
her sincerity, and the impression took force from her slowly getting
up from her cushion. She stood there a moment with her small hands
unclasped and then quavered out: "Well, I hope no one will ask me!"
"There has been a question of that. Some one else would have been ready
to ask you."
"I don't think he can have been ready," said Pansy.
"It would appear so if he had been sure he'd succeed."
"If he had been sure? Then he wasn't ready!"
Isabel thought this rather sharp; she also got up and stood a moment
looking into the fire. "Lord Warburton has shown you great attention,"
she resumed; "of course you know it's of him I speak." She found
herself, against her expectation, almost placed in the position of
justifying herself; which led her to introduce this nobleman more
crudely than she had intended.
"He has been very kind to me, and I like him very much. But if you mean
that he'll propose for me I think you're mistaken."
"Perhaps I am. But your father would like it extremely."
Pansy shook her head with a little wise smile. "Lord Warburton won't
propose simply to please papa."
"Your father would like you to encourage him," Isabel went on
mechanically.
"How can I encourage him?"
"I don't know. Your father must tell you that."
Pansy said nothing for a moment; she only continued to smile as if
she were in possession of a bright assurance. "There's no danger--no
danger!" she declared at last.
There was a conviction in the way she said this, and a felicity in her
believing it, which conduced to Isabel's awkwardness. She felt accused
of dishonesty, and the idea was disgusting. To repair her self-respect
she was on the point of saying that Lord Warburton had let her know that
there was a danger. But she didn't; she only said--in her embarrassment
rather wide of the mark--that he surely had been most kind, most
friendly.
"Yes, he has been very kind," Pansy answered. "That's what I like him
for."
"Why then is the difficulty so great?"
"I've always felt sure of his knowing that I don't want--what did you
say I should do?--to encourage him. He knows I don't want to marry,
and he wants me to know that he therefore won't trouble me. That's the
meaning of his kindness. It's as if he said to me: 'I like you very
much, but if it doesn't please you I'll never say it again.' I
think that's very kind, very noble," Pansy went on with deepening
positiveness. "That is all we've said to each other. And he doesn't care
for me either. Ah no, there's no danger."
Isabel was touched with wonder at the depths of perception of which
this submissive little person was capable; she felt afraid of Pansy's
wisdom--began almost to retreat before it. "You must tell your father
that," she remarked reservedly.
"I think I'd rather not," Pansy unreservedly answered.
"You oughtn't to let him have false hopes."
"Perhaps not; but it will be good for me that he should. So long as he
believes that Lord Warburton intends anything of the kind you say, papa
won't propose any one else. And that will be an advantage for me," said
the child very lucidly.
There was something brilliant in her lucidity, and it made her companion
draw a long breath. It relieved this friend of a heavy responsibility.
Pansy had a sufficient illumination of her own, and Isabel felt that
she herself just now had no light to spare from her small stock.
Nevertheless it still clung to her that she must be loyal to Osmond,
that she was on her honour in dealing with his daughter. Under the
influence of this sentiment she threw out another suggestion before she
retired--a suggestion with which it seemed to her that she should have
done her utmost.
"Your father takes for granted at least that you would like to marry a
nobleman."
Pansy stood in the open doorway; she had drawn back the curtain for
Isabel to pass. "I think Mr. Rosier looks like one!" she remarked very
gravely.
| Notes Isabels interviews with Ralph and Pansy indicate that, though she is preparing the ground, she doesnt plan to break with Gilbert in going against his wishes. She seems naive in her attempt to act according to her conscience at the same time that she tries to follow Gilberts plan to marry Pansy to his choice of a husbands even if its against her will. | analysis |
Lord Warburton was not seen in Mrs. Osmond's drawing-room for several
days, and Isabel couldn't fail to observe that her husband said nothing
to her about having received a letter from him. She couldn't fail to
observe, either, that Osmond was in a state of expectancy and that,
though it was not agreeable to him to betray it, he thought their
distinguished friend kept him waiting quite too long. At the end of four
days he alluded to his absence.
"What has become of Warburton? What does he mean by treating one like a
tradesman with a bill?"
"I know nothing about him," Isabel said. "I saw him last Friday at the
German ball. He told me then that he meant to write to you."
"He has never written to me."
"So I supposed, from your not having told me."
"He's an odd fish," said Osmond comprehensively. And on Isabel's making
no rejoinder he went on to enquire whether it took his lordship five
days to indite a letter. "Does he form his words with such difficulty?"
"I don't know," Isabel was reduced to replying. "I've never had a letter
from him."
"Never had a letter? I had an idea that you were at one time in intimate
correspondence."
She answered that this had not been the case, and let the conversation
drop. On the morrow, however, coming into the drawing-room late in the
afternoon, her husband took it up again.
"When Lord Warburton told you of his intention of writing what did you
say to him?" he asked.
She just faltered. "I think I told him not to forget it.
"Did you believe there was a danger of that?"
"As you say, he's an odd fish."
"Apparently he has forgotten it," said Osmond. "Be so good as to remind
him."
"Should you like me to write to him?" she demanded.
"I've no objection whatever."
"You expect too much of me."
"Ah yes, I expect a great deal of you."
"I'm afraid I shall disappoint you," said Isabel.
"My expectations have survived a good deal of disappointment."
"Of course I know that. Think how I must have disappointed myself!
If you really wish hands laid on Lord Warburton you must lay them
yourself."
For a couple of minutes Osmond answered nothing; then he said: "That
won't be easy, with you working against me."
Isabel started; she felt herself beginning to tremble. He had a way of
looking at her through half-closed eyelids, as if he were thinking of
her but scarcely saw her, which seemed to her to have a wonderfully
cruel intention. It appeared to recognise her as a disagreeable
necessity of thought, but to ignore her for the time as a presence.
That effect had never been so marked as now. "I think you accuse me of
something very base," she returned.
"I accuse you of not being trustworthy. If he doesn't after all come
forward it will be because you've kept him off. I don't know that it's
base: it is the kind of thing a woman always thinks she may do. I've no
doubt you've the finest ideas about it."
"I told you I would do what I could," she went on.
"Yes, that gained you time."
It came over her, after he had said this, that she had once thought him
beautiful. "How much you must want to make sure of him!" she exclaimed
in a moment.
She had no sooner spoken than she perceived the full reach of her
words, of which she had not been conscious in uttering them. They made
a comparison between Osmond and herself, recalled the fact that she had
once held this coveted treasure in her hand and felt herself rich
enough to let it fall. A momentary exultation took possession of her--a
horrible delight in having wounded him; for his face instantly told her
that none of the force of her exclamation was lost. He expressed nothing
otherwise, however; he only said quickly: "Yes, I want it immensely."
At this moment a servant came in to usher a visitor, and he was followed
the next by Lord Warburton, who received a visible check on seeing
Osmond. He looked rapidly from the master of the house to the mistress;
a movement that seemed to denote a reluctance to interrupt or even a
perception of ominous conditions. Then he advanced, with his English
address, in which a vague shyness seemed to offer itself as an element
of good-breeding; in which the only defect was a difficulty in achieving
transitions. Osmond was embarrassed; he found nothing to say; but Isabel
remarked, promptly enough, that they had been in the act of talking
about their visitor. Upon this her husband added that they hadn't known
what was become of him--they had been afraid he had gone away. "No,"
he explained, smiling and looking at Osmond; "I'm only on the point of
going." And then he mentioned that he found himself suddenly recalled
to England: he should start on the morrow or the day after. "I'm awfully
sorry to leave poor Touchett!" he ended by exclaiming.
For a moment neither of his companions spoke; Osmond only leaned back
in his chair, listening. Isabel didn't look at him; she could only fancy
how he looked. Her eyes were on their visitor's face, where they were
the more free to rest that those of his lordship carefully avoided them.
Yet Isabel was sure that had she met his glance she would have found it
expressive. "You had better take poor Touchett with you," she heard her
husband say, lightly enough, in a moment.
"He had better wait for warmer weather," Lord Warburton answered. "I
shouldn't advise him to travel just now."
He sat there a quarter of an hour, talking as if he might not soon
see them again--unless indeed they should come to England, a course
he strongly recommended. Why shouldn't they come to England in the
autumn?--that struck him as a very happy thought. It would give him such
pleasure to do what he could for them--to have them come and spend a
month with him. Osmond, by his own admission, had been to England but
once; which was an absurd state of things for a man of his leisure and
intelligence. It was just the country for him--he would be sure to get
on well there. Then Lord Warburton asked Isabel if she remembered what
a good time she had had there and if she didn't want to try it again.
Didn't she want to see Gardencourt once more? Gardencourt was really
very good. Touchett didn't take proper care of it, but it was the sort
of place you could hardly spoil by letting it alone. Why didn't they
come and pay Touchett a visit? He surely must have asked them. Hadn't
asked them? What an ill-mannered wretch!--and Lord Warburton promised to
give the master of Gardencourt a piece of his mind. Of course it was a
mere accident; he would be delighted to have them. Spending a month with
Touchett and a month with himself, and seeing all the rest of the
people they must know there, they really wouldn't find it half bad. Lord
Warburton added that it would amuse Miss Osmond as well, who had told
him that she had never been to England and whom he had assured it was a
country she deserved to see. Of course she didn't need to go to England
to be admired--that was her fate everywhere; but she would be an immense
success there, she certainly would, if that was any inducement. He asked
if she were not at home: couldn't he say good-bye? Not that he liked
good-byes--he always funked them. When he left England the other day he
hadn't said good-bye to a two-legged creature. He had had half a mind
to leave Rome without troubling Mrs. Osmond for a final interview. What
could be more dreary than final interviews? One never said the things
one wanted--one remembered them all an hour afterwards. On the other
hand one usually said a lot of things one shouldn't, simply from a sense
that one had to say something. Such a sense was upsetting; it muddled
one's wits. He had it at present, and that was the effect it produced
on him. If Mrs. Osmond didn't think he spoke as he ought she must set
it down to agitation; it was no light thing to part with Mrs. Osmond.
He was really very sorry to be going. He had thought of writing to her
instead of calling--but he would write to her at any rate, to tell her a
lot of things that would be sure to occur to him as soon as he had left
the house. They must think seriously about coming to Lockleigh.
If there was anything awkward in the conditions of his visit or in the
announcement of his departure it failed to come to the surface. Lord
Warburton talked about his agitation; but he showed it in no other
manner, and Isabel saw that since he had determined on a retreat he was
capable of executing it gallantly. She was very glad for him; she liked
him quite well enough to wish him to appear to carry a thing off. He
would do that on any occasion--not from impudence but simply from the
habit of success; and Isabel felt it out of her husband's power to
frustrate this faculty. A complex operation, as she sat there, went on
in her mind. On one side she listened to their visitor; said what was
proper to him; read, more or less, between the lines of what he said
himself; and wondered how he would have spoken if he had found her
alone. On the other she had a perfect consciousness of Osmond's emotion.
She felt almost sorry for him; he was condemned to the sharp pain of
loss without the relief of cursing. He had had a great hope, and now, as
he saw it vanish into smoke, he was obliged to sit and smile and twirl
his thumbs. Not that he troubled himself to smile very brightly; he
treated their friend on the whole to as vacant a countenance as so
clever a man could very well wear. It was indeed a part of Osmond's
cleverness that he could look consummately uncompromised. His present
appearance, however, was not a confession of disappointment; it was
simply a part of Osmond's habitual system, which was to be inexpressive
exactly in proportion as he was really intent. He had been intent on
this prize from the first; but he had never allowed his eagerness to
irradiate his refined face. He had treated his possible son-in-law as he
treated every one--with an air of being interested in him only for his
own advantage, not for any profit to a person already so generally, so
perfectly provided as Gilbert Osmond. He would give no sign now of an
inward rage which was the result of a vanished prospect of gain--not
the faintest nor subtlest. Isabel could be sure of that, if it was any
satisfaction to her. Strangely, very strangely, it was a satisfaction;
she wished Lord Warburton to triumph before her husband, and at the same
time she wished her husband to be very superior before Lord Warburton.
Osmond, in his way, was admirable; he had, like their visitor, the
advantage of an acquired habit. It was not that of succeeding, but it
was something almost as good--that of not attempting. As he leaned back
in his place, listening but vaguely to the other's friendly offers and
suppressed explanations--as if it were only proper to assume that they
were addressed essentially to his wife--he had at least (since so little
else was left him) the comfort of thinking how well he personally had
kept out of it, and how the air of indifference, which he was now able
to wear, had the added beauty of consistency. It was something to be
able to look as if the leave-taker's movements had no relation to his
own mind. The latter did well, certainly; but Osmond's performance was
in its very nature more finished. Lord Warburton's position was after
all an easy one; there was no reason in the world why he shouldn't leave
Rome. He had had beneficent inclinations, but they had stopped short
of fruition; he had never committed himself, and his honour was safe.
Osmond appeared to take but a moderate interest in the proposal that
they should go and stay with him and in his allusion to the success
Pansy might extract from their visit. He murmured a recognition, but
left Isabel to say that it was a matter requiring grave consideration.
Isabel, even while she made this remark, could see the great vista
which had suddenly opened out in her husband's mind, with Pansy's little
figure marching up the middle of it.
Lord Warburton had asked leave to bid good-bye to Pansy, but neither
Isabel nor Osmond had made any motion to send for her. He had the air of
giving out that his visit must be short; he sat on a small chair, as if
it were only for a moment, keeping his hat in his hand. But he stayed
and stayed; Isabel wondered what he was waiting for. She believed it
was not to see Pansy; she had an impression that on the whole he would
rather not see Pansy. It was of course to see herself alone--he had
something to say to her. Isabel had no great wish to hear it, for she
was afraid it would be an explanation, and she could perfectly dispense
with explanations. Osmond, however, presently got up, like a man of good
taste to whom it had occurred that so inveterate a visitor might wish
to say just the last word of all to the ladies. "I've a letter to write
before dinner," he said; "you must excuse me. I'll see if my daughter's
disengaged, and if she is she shall know you're here. Of course when
you come to Rome you'll always look us up. Mrs. Osmond will talk to you
about the English expedition: she decides all those things."
The nod with which, instead of a hand-shake, he wound up this little
speech was perhaps rather a meagre form of salutation; but on the whole
it was all the occasion demanded. Isabel reflected that after he
left the room Lord Warburton would have no pretext for saying, "Your
husband's very angry"; which would have been extremely disagreeable to
her. Nevertheless, if he had done so, she would have said: "Oh, don't be
anxious. He doesn't hate you: it's me that he hates!"
It was only when they had been left alone together that her friend
showed a certain vague awkwardness--sitting down in another chair,
handling two or three of the objects that were near him. "I hope he'll
make Miss Osmond come," he presently remarked. "I want very much to see
her."
"I'm glad it's the last time," said Isabel.
"So am I. She doesn't care for me."
"No, she doesn't care for you."
"I don't wonder at it," he returned. Then he added with inconsequence:
"You'll come to England, won't you?"
"I think we had better not."
"Ah, you owe me a visit. Don't you remember that you were to have come
to Lockleigh once, and you never did?"
"Everything's changed since then," said Isabel.
"Not changed for the worse, surely--as far as we're concerned. To see
you under my roof"--and he hung fire but an instant--"would be a great
satisfaction."
She had feared an explanation; but that was the only one that occurred.
They talked a little of Ralph, and in another moment Pansy came in,
already dressed for dinner and with a little red spot in either cheek.
She shook hands with Lord Warburton and stood looking up into his
face with a fixed smile--a smile that Isabel knew, though his lordship
probably never suspected it, to be near akin to a burst of tears.
"I'm going away," he said. "I want to bid you good-bye."
"Good-bye, Lord Warburton." Her voice perceptibly trembled.
"And I want to tell you how much I wish you may be very happy."
"Thank you, Lord Warburton," Pansy answered.
He lingered a moment and gave a glance at Isabel. "You ought to be very
happy--you've got a guardian angel."
"I'm sure I shall be happy," said Pansy in the tone of a person whose
certainties were always cheerful.
"Such a conviction as that will take you a great way. But if it should
ever fail you, remember--remember--" And her interlocutor stammered a
little. "Think of me sometimes, you know!" he said with a vague laugh.
Then he shook hands with Isabel in silence, and presently he was gone.
When he had left the room she expected an effusion of tears from her
stepdaughter; but Pansy in fact treated her to something very different.
"I think you ARE my guardian angel!" she exclaimed very sweetly.
Isabel shook her head. "I'm not an angel of any kind. I'm at the most
your good friend."
"You're a very good friend then--to have asked papa to be gentle with
me."
"I've asked your father nothing," said Isabel, wondering.
"He told me just now to come to the drawing-room, and then he gave me a
very kind kiss."
"Ah," said Isabel, "that was quite his own idea!"
She recognised the idea perfectly; it was very characteristic, and she
was to see a great deal more of it. Even with Pansy he couldn't put
himself the least in the wrong. They were dining out that day, and after
their dinner they went to another entertainment; so that it was not till
late in the evening that Isabel saw him alone. When Pansy kissed him
before going to bed he returned her embrace with even more than his
usual munificence, and Isabel wondered if he meant it as a hint that his
daughter had been injured by the machinations of her stepmother. It was
a partial expression, at any rate, of what he continued to expect of his
wife. She was about to follow Pansy, but he remarked that he wished she
would remain; he had something to say to her. Then he walked about the
drawing-room a little, while she stood waiting in her cloak.
"I don't understand what you wish to do," he said in a moment. "I should
like to know--so that I may know how to act."
"Just now I wish to go to bed. I'm very tired."
"Sit down and rest; I shall not keep you long. Not there--take a
comfortable place." And he arranged a multitude of cushions that were
scattered in picturesque disorder upon a vast divan. This was not,
however, where she seated herself; she dropped into the nearest chair.
The fire had gone out; the lights in the great room were few. She drew
her cloak about her; she felt mortally cold. "I think you're trying to
humiliate me," Osmond went on. "It's a most absurd undertaking."
"I haven't the least idea what you mean," she returned.
"You've played a very deep game; you've managed it beautifully."
"What is it that I've managed?"
"You've not quite settled it, however; we shall see him again." And he
stopped in front of her, with his hands in his pockets, looking down at
her thoughtfully, in his usual way, which seemed meant to let her know
that she was not an object, but only a rather disagreeable incident, of
thought.
"If you mean that Lord Warburton's under an obligation to come back
you're wrong," Isabel said. "He's under none whatever."
"That's just what I complain of. But when I say he'll come back I don't
mean he'll come from a sense of duty."
"There's nothing else to make him. I think he has quite exhausted Rome."
"Ah no, that's a shallow judgement. Rome's inexhaustible." And Osmond
began to walk about again. "However, about that perhaps there's no
hurry," he added. "It's rather a good idea of his that we should go
to England. If it were not for the fear of finding your cousin there I
think I should try to persuade you."
"It may be that you'll not find my cousin," said Isabel.
"I should like to be sure of it. However, I shall be as sure as
possible. At the same time I should like to see his house, that you told
me so much about at one time: what do you call it?--Gardencourt. It must
be a charming thing. And then, you know, I've a devotion to the memory
of your uncle: you made me take a great fancy to him. I should like to
see where he lived and died. That indeed is a detail. Your friend was
right. Pansy ought to see England."
"I've no doubt she would enjoy it," said Isabel.
"But that's a long time hence; next autumn's far off," Osmond continued;
"and meantime there are things that more nearly interest us. Do you
think me so very proud?" he suddenly asked.
"I think you very strange."
"You don't understand me."
"No, not even when you insult me."
"I don't insult you; I'm incapable of it. I merely speak of certain
facts, and if the allusion's an injury to you the fault's not mine.
It's surely a fact that you have kept all this matter quite in your own
hands."
"Are you going back to Lord Warburton?" Isabel asked. "I'm very tired of
his name."
"You shall hear it again before we've done with it."
She had spoken of his insulting her, but it suddenly seemed to her that
this ceased to be a pain. He was going down--down; the vision of such a
fall made her almost giddy: that was the only pain. He was too strange,
too different; he didn't touch her. Still, the working of his morbid
passion was extraordinary, and she felt a rising curiosity to know in
what light he saw himself justified. "I might say to you that I judge
you've nothing to say to me that's worth hearing," she returned in a
moment. "But I should perhaps be wrong. There's a thing that would be
worth my hearing--to know in the plainest words of what it is you accuse
me."
"Of having prevented Pansy's marriage to Warburton. Are those words
plain enough?"
"On the contrary, I took a great interest in it. I told you so; and when
you told me that you counted on me--that I think was what you said--I
accepted the obligation. I was a fool to do so, but I did it."
"You pretended to do it, and you even pretended reluctance to make me
more willing to trust you. Then you began to use your ingenuity to get
him out of the way."
"I think I see what you mean," said Isabel.
"Where's the letter you told me he had written me?" her husband
demanded.
"I haven't the least idea; I haven't asked him."
"You stopped it on the way," said Osmond.
Isabel slowly got up; standing there in her white cloak, which covered
her to her feet, she might have represented the angel of disdain, first
cousin to that of pity. "Oh, Gilbert, for a man who was so fine--!" she
exclaimed in a long murmur.
"I was never so fine as you. You've done everything you wanted. You've
got him out of the way without appearing to do so, and you've placed
me in the position in which you wished to see me--that of a man who has
tried to marry his daughter to a lord, but has grotesquely failed."
"Pansy doesn't care for him. She's very glad he's gone," Isabel said.
"That has nothing to do with the matter."
"And he doesn't care for Pansy."
"That won't do; you told me he did. I don't know why you wanted this
particular satisfaction," Osmond continued; "you might have taken some
other. It doesn't seem to me that I've been presumptuous--that I have
taken too much for granted. I've been very modest about it, very quiet.
The idea didn't originate with me. He began to show that he liked her
before I ever thought of it. I left it all to you."
"Yes, you were very glad to leave it to me. After this you must attend
to such things yourself."
He looked at her a moment; then he turned away. "I thought you were very
fond of my daughter."
"I've never been more so than to-day."
"Your affection is attended with immense limitations. However, that
perhaps is natural."
"Is this all you wished to say to me?" Isabel asked, taking a candle
that stood on one of the tables.
"Are you satisfied? Am I sufficiently disappointed?"
"I don't think that on the whole you're disappointed. You've had another
opportunity to try to stupefy me."
"It's not that. It's proved that Pansy can aim high."
"Poor little Pansy!" said Isabel as she turned away with her candle.
| Lord Warburton stays away from the Osmonds for four days. Gilbert Osmond finally asks Isabel what has happened to him. Isabel realizes that Gilbert is accusing her of being untrustworthy and he says just that. As they are talking, Lord Warburton is announced. He is clearly unhappy to find Gilbert there, but he recovers and stays to chat for a while. He says he is on his way home to England and wanted to come by to say good-bye to them and Pansy. When he keeps staying, it becomes obvious that he wants to speak to Isabel alone. Gilbert leaves the room. Warburton tells her he wants to see Pansy. They agree that it is best that it will be the last time since he doesnt care enough for Pansy and she doesnt care for him. Pansy comes in and accepts Warburtons good words with grace. Then he leaves. Pansy thanks Isabel for being her guardian angel. She says her father just came to get her and kissed her tenderly on the head. She thinks Isabel spoke to him about Pansy. Isabel assures her that she had nothing to do with Gilberts behavior. She realizes it is part of Gilberts idea of himself. Even in defeat, he can play the role of the magnanimous father. That evening they go out to dinner and then to an entertainment. When they get back, Pansy goes to bed and Gilbert asks Isabel to remain in the parlor to talk to him. He tells her he believes she is trying to humiliate him. He says it is obvious that she had played him for a fool in making him want Lord Warburton as a son in law and them pushing Lord Warburton away. Isabel is fascinated at the working of his "morbid passion." She denies his accusations, but to no effect. Isabel looks like an angel of disdain as she gets up to leave. As she leaves, she says, "Poor little Pansy!" | summary |
Lord Warburton was not seen in Mrs. Osmond's drawing-room for several
days, and Isabel couldn't fail to observe that her husband said nothing
to her about having received a letter from him. She couldn't fail to
observe, either, that Osmond was in a state of expectancy and that,
though it was not agreeable to him to betray it, he thought their
distinguished friend kept him waiting quite too long. At the end of four
days he alluded to his absence.
"What has become of Warburton? What does he mean by treating one like a
tradesman with a bill?"
"I know nothing about him," Isabel said. "I saw him last Friday at the
German ball. He told me then that he meant to write to you."
"He has never written to me."
"So I supposed, from your not having told me."
"He's an odd fish," said Osmond comprehensively. And on Isabel's making
no rejoinder he went on to enquire whether it took his lordship five
days to indite a letter. "Does he form his words with such difficulty?"
"I don't know," Isabel was reduced to replying. "I've never had a letter
from him."
"Never had a letter? I had an idea that you were at one time in intimate
correspondence."
She answered that this had not been the case, and let the conversation
drop. On the morrow, however, coming into the drawing-room late in the
afternoon, her husband took it up again.
"When Lord Warburton told you of his intention of writing what did you
say to him?" he asked.
She just faltered. "I think I told him not to forget it.
"Did you believe there was a danger of that?"
"As you say, he's an odd fish."
"Apparently he has forgotten it," said Osmond. "Be so good as to remind
him."
"Should you like me to write to him?" she demanded.
"I've no objection whatever."
"You expect too much of me."
"Ah yes, I expect a great deal of you."
"I'm afraid I shall disappoint you," said Isabel.
"My expectations have survived a good deal of disappointment."
"Of course I know that. Think how I must have disappointed myself!
If you really wish hands laid on Lord Warburton you must lay them
yourself."
For a couple of minutes Osmond answered nothing; then he said: "That
won't be easy, with you working against me."
Isabel started; she felt herself beginning to tremble. He had a way of
looking at her through half-closed eyelids, as if he were thinking of
her but scarcely saw her, which seemed to her to have a wonderfully
cruel intention. It appeared to recognise her as a disagreeable
necessity of thought, but to ignore her for the time as a presence.
That effect had never been so marked as now. "I think you accuse me of
something very base," she returned.
"I accuse you of not being trustworthy. If he doesn't after all come
forward it will be because you've kept him off. I don't know that it's
base: it is the kind of thing a woman always thinks she may do. I've no
doubt you've the finest ideas about it."
"I told you I would do what I could," she went on.
"Yes, that gained you time."
It came over her, after he had said this, that she had once thought him
beautiful. "How much you must want to make sure of him!" she exclaimed
in a moment.
She had no sooner spoken than she perceived the full reach of her
words, of which she had not been conscious in uttering them. They made
a comparison between Osmond and herself, recalled the fact that she had
once held this coveted treasure in her hand and felt herself rich
enough to let it fall. A momentary exultation took possession of her--a
horrible delight in having wounded him; for his face instantly told her
that none of the force of her exclamation was lost. He expressed nothing
otherwise, however; he only said quickly: "Yes, I want it immensely."
At this moment a servant came in to usher a visitor, and he was followed
the next by Lord Warburton, who received a visible check on seeing
Osmond. He looked rapidly from the master of the house to the mistress;
a movement that seemed to denote a reluctance to interrupt or even a
perception of ominous conditions. Then he advanced, with his English
address, in which a vague shyness seemed to offer itself as an element
of good-breeding; in which the only defect was a difficulty in achieving
transitions. Osmond was embarrassed; he found nothing to say; but Isabel
remarked, promptly enough, that they had been in the act of talking
about their visitor. Upon this her husband added that they hadn't known
what was become of him--they had been afraid he had gone away. "No,"
he explained, smiling and looking at Osmond; "I'm only on the point of
going." And then he mentioned that he found himself suddenly recalled
to England: he should start on the morrow or the day after. "I'm awfully
sorry to leave poor Touchett!" he ended by exclaiming.
For a moment neither of his companions spoke; Osmond only leaned back
in his chair, listening. Isabel didn't look at him; she could only fancy
how he looked. Her eyes were on their visitor's face, where they were
the more free to rest that those of his lordship carefully avoided them.
Yet Isabel was sure that had she met his glance she would have found it
expressive. "You had better take poor Touchett with you," she heard her
husband say, lightly enough, in a moment.
"He had better wait for warmer weather," Lord Warburton answered. "I
shouldn't advise him to travel just now."
He sat there a quarter of an hour, talking as if he might not soon
see them again--unless indeed they should come to England, a course
he strongly recommended. Why shouldn't they come to England in the
autumn?--that struck him as a very happy thought. It would give him such
pleasure to do what he could for them--to have them come and spend a
month with him. Osmond, by his own admission, had been to England but
once; which was an absurd state of things for a man of his leisure and
intelligence. It was just the country for him--he would be sure to get
on well there. Then Lord Warburton asked Isabel if she remembered what
a good time she had had there and if she didn't want to try it again.
Didn't she want to see Gardencourt once more? Gardencourt was really
very good. Touchett didn't take proper care of it, but it was the sort
of place you could hardly spoil by letting it alone. Why didn't they
come and pay Touchett a visit? He surely must have asked them. Hadn't
asked them? What an ill-mannered wretch!--and Lord Warburton promised to
give the master of Gardencourt a piece of his mind. Of course it was a
mere accident; he would be delighted to have them. Spending a month with
Touchett and a month with himself, and seeing all the rest of the
people they must know there, they really wouldn't find it half bad. Lord
Warburton added that it would amuse Miss Osmond as well, who had told
him that she had never been to England and whom he had assured it was a
country she deserved to see. Of course she didn't need to go to England
to be admired--that was her fate everywhere; but she would be an immense
success there, she certainly would, if that was any inducement. He asked
if she were not at home: couldn't he say good-bye? Not that he liked
good-byes--he always funked them. When he left England the other day he
hadn't said good-bye to a two-legged creature. He had had half a mind
to leave Rome without troubling Mrs. Osmond for a final interview. What
could be more dreary than final interviews? One never said the things
one wanted--one remembered them all an hour afterwards. On the other
hand one usually said a lot of things one shouldn't, simply from a sense
that one had to say something. Such a sense was upsetting; it muddled
one's wits. He had it at present, and that was the effect it produced
on him. If Mrs. Osmond didn't think he spoke as he ought she must set
it down to agitation; it was no light thing to part with Mrs. Osmond.
He was really very sorry to be going. He had thought of writing to her
instead of calling--but he would write to her at any rate, to tell her a
lot of things that would be sure to occur to him as soon as he had left
the house. They must think seriously about coming to Lockleigh.
If there was anything awkward in the conditions of his visit or in the
announcement of his departure it failed to come to the surface. Lord
Warburton talked about his agitation; but he showed it in no other
manner, and Isabel saw that since he had determined on a retreat he was
capable of executing it gallantly. She was very glad for him; she liked
him quite well enough to wish him to appear to carry a thing off. He
would do that on any occasion--not from impudence but simply from the
habit of success; and Isabel felt it out of her husband's power to
frustrate this faculty. A complex operation, as she sat there, went on
in her mind. On one side she listened to their visitor; said what was
proper to him; read, more or less, between the lines of what he said
himself; and wondered how he would have spoken if he had found her
alone. On the other she had a perfect consciousness of Osmond's emotion.
She felt almost sorry for him; he was condemned to the sharp pain of
loss without the relief of cursing. He had had a great hope, and now, as
he saw it vanish into smoke, he was obliged to sit and smile and twirl
his thumbs. Not that he troubled himself to smile very brightly; he
treated their friend on the whole to as vacant a countenance as so
clever a man could very well wear. It was indeed a part of Osmond's
cleverness that he could look consummately uncompromised. His present
appearance, however, was not a confession of disappointment; it was
simply a part of Osmond's habitual system, which was to be inexpressive
exactly in proportion as he was really intent. He had been intent on
this prize from the first; but he had never allowed his eagerness to
irradiate his refined face. He had treated his possible son-in-law as he
treated every one--with an air of being interested in him only for his
own advantage, not for any profit to a person already so generally, so
perfectly provided as Gilbert Osmond. He would give no sign now of an
inward rage which was the result of a vanished prospect of gain--not
the faintest nor subtlest. Isabel could be sure of that, if it was any
satisfaction to her. Strangely, very strangely, it was a satisfaction;
she wished Lord Warburton to triumph before her husband, and at the same
time she wished her husband to be very superior before Lord Warburton.
Osmond, in his way, was admirable; he had, like their visitor, the
advantage of an acquired habit. It was not that of succeeding, but it
was something almost as good--that of not attempting. As he leaned back
in his place, listening but vaguely to the other's friendly offers and
suppressed explanations--as if it were only proper to assume that they
were addressed essentially to his wife--he had at least (since so little
else was left him) the comfort of thinking how well he personally had
kept out of it, and how the air of indifference, which he was now able
to wear, had the added beauty of consistency. It was something to be
able to look as if the leave-taker's movements had no relation to his
own mind. The latter did well, certainly; but Osmond's performance was
in its very nature more finished. Lord Warburton's position was after
all an easy one; there was no reason in the world why he shouldn't leave
Rome. He had had beneficent inclinations, but they had stopped short
of fruition; he had never committed himself, and his honour was safe.
Osmond appeared to take but a moderate interest in the proposal that
they should go and stay with him and in his allusion to the success
Pansy might extract from their visit. He murmured a recognition, but
left Isabel to say that it was a matter requiring grave consideration.
Isabel, even while she made this remark, could see the great vista
which had suddenly opened out in her husband's mind, with Pansy's little
figure marching up the middle of it.
Lord Warburton had asked leave to bid good-bye to Pansy, but neither
Isabel nor Osmond had made any motion to send for her. He had the air of
giving out that his visit must be short; he sat on a small chair, as if
it were only for a moment, keeping his hat in his hand. But he stayed
and stayed; Isabel wondered what he was waiting for. She believed it
was not to see Pansy; she had an impression that on the whole he would
rather not see Pansy. It was of course to see herself alone--he had
something to say to her. Isabel had no great wish to hear it, for she
was afraid it would be an explanation, and she could perfectly dispense
with explanations. Osmond, however, presently got up, like a man of good
taste to whom it had occurred that so inveterate a visitor might wish
to say just the last word of all to the ladies. "I've a letter to write
before dinner," he said; "you must excuse me. I'll see if my daughter's
disengaged, and if she is she shall know you're here. Of course when
you come to Rome you'll always look us up. Mrs. Osmond will talk to you
about the English expedition: she decides all those things."
The nod with which, instead of a hand-shake, he wound up this little
speech was perhaps rather a meagre form of salutation; but on the whole
it was all the occasion demanded. Isabel reflected that after he
left the room Lord Warburton would have no pretext for saying, "Your
husband's very angry"; which would have been extremely disagreeable to
her. Nevertheless, if he had done so, she would have said: "Oh, don't be
anxious. He doesn't hate you: it's me that he hates!"
It was only when they had been left alone together that her friend
showed a certain vague awkwardness--sitting down in another chair,
handling two or three of the objects that were near him. "I hope he'll
make Miss Osmond come," he presently remarked. "I want very much to see
her."
"I'm glad it's the last time," said Isabel.
"So am I. She doesn't care for me."
"No, she doesn't care for you."
"I don't wonder at it," he returned. Then he added with inconsequence:
"You'll come to England, won't you?"
"I think we had better not."
"Ah, you owe me a visit. Don't you remember that you were to have come
to Lockleigh once, and you never did?"
"Everything's changed since then," said Isabel.
"Not changed for the worse, surely--as far as we're concerned. To see
you under my roof"--and he hung fire but an instant--"would be a great
satisfaction."
She had feared an explanation; but that was the only one that occurred.
They talked a little of Ralph, and in another moment Pansy came in,
already dressed for dinner and with a little red spot in either cheek.
She shook hands with Lord Warburton and stood looking up into his
face with a fixed smile--a smile that Isabel knew, though his lordship
probably never suspected it, to be near akin to a burst of tears.
"I'm going away," he said. "I want to bid you good-bye."
"Good-bye, Lord Warburton." Her voice perceptibly trembled.
"And I want to tell you how much I wish you may be very happy."
"Thank you, Lord Warburton," Pansy answered.
He lingered a moment and gave a glance at Isabel. "You ought to be very
happy--you've got a guardian angel."
"I'm sure I shall be happy," said Pansy in the tone of a person whose
certainties were always cheerful.
"Such a conviction as that will take you a great way. But if it should
ever fail you, remember--remember--" And her interlocutor stammered a
little. "Think of me sometimes, you know!" he said with a vague laugh.
Then he shook hands with Isabel in silence, and presently he was gone.
When he had left the room she expected an effusion of tears from her
stepdaughter; but Pansy in fact treated her to something very different.
"I think you ARE my guardian angel!" she exclaimed very sweetly.
Isabel shook her head. "I'm not an angel of any kind. I'm at the most
your good friend."
"You're a very good friend then--to have asked papa to be gentle with
me."
"I've asked your father nothing," said Isabel, wondering.
"He told me just now to come to the drawing-room, and then he gave me a
very kind kiss."
"Ah," said Isabel, "that was quite his own idea!"
She recognised the idea perfectly; it was very characteristic, and she
was to see a great deal more of it. Even with Pansy he couldn't put
himself the least in the wrong. They were dining out that day, and after
their dinner they went to another entertainment; so that it was not till
late in the evening that Isabel saw him alone. When Pansy kissed him
before going to bed he returned her embrace with even more than his
usual munificence, and Isabel wondered if he meant it as a hint that his
daughter had been injured by the machinations of her stepmother. It was
a partial expression, at any rate, of what he continued to expect of his
wife. She was about to follow Pansy, but he remarked that he wished she
would remain; he had something to say to her. Then he walked about the
drawing-room a little, while she stood waiting in her cloak.
"I don't understand what you wish to do," he said in a moment. "I should
like to know--so that I may know how to act."
"Just now I wish to go to bed. I'm very tired."
"Sit down and rest; I shall not keep you long. Not there--take a
comfortable place." And he arranged a multitude of cushions that were
scattered in picturesque disorder upon a vast divan. This was not,
however, where she seated herself; she dropped into the nearest chair.
The fire had gone out; the lights in the great room were few. She drew
her cloak about her; she felt mortally cold. "I think you're trying to
humiliate me," Osmond went on. "It's a most absurd undertaking."
"I haven't the least idea what you mean," she returned.
"You've played a very deep game; you've managed it beautifully."
"What is it that I've managed?"
"You've not quite settled it, however; we shall see him again." And he
stopped in front of her, with his hands in his pockets, looking down at
her thoughtfully, in his usual way, which seemed meant to let her know
that she was not an object, but only a rather disagreeable incident, of
thought.
"If you mean that Lord Warburton's under an obligation to come back
you're wrong," Isabel said. "He's under none whatever."
"That's just what I complain of. But when I say he'll come back I don't
mean he'll come from a sense of duty."
"There's nothing else to make him. I think he has quite exhausted Rome."
"Ah no, that's a shallow judgement. Rome's inexhaustible." And Osmond
began to walk about again. "However, about that perhaps there's no
hurry," he added. "It's rather a good idea of his that we should go
to England. If it were not for the fear of finding your cousin there I
think I should try to persuade you."
"It may be that you'll not find my cousin," said Isabel.
"I should like to be sure of it. However, I shall be as sure as
possible. At the same time I should like to see his house, that you told
me so much about at one time: what do you call it?--Gardencourt. It must
be a charming thing. And then, you know, I've a devotion to the memory
of your uncle: you made me take a great fancy to him. I should like to
see where he lived and died. That indeed is a detail. Your friend was
right. Pansy ought to see England."
"I've no doubt she would enjoy it," said Isabel.
"But that's a long time hence; next autumn's far off," Osmond continued;
"and meantime there are things that more nearly interest us. Do you
think me so very proud?" he suddenly asked.
"I think you very strange."
"You don't understand me."
"No, not even when you insult me."
"I don't insult you; I'm incapable of it. I merely speak of certain
facts, and if the allusion's an injury to you the fault's not mine.
It's surely a fact that you have kept all this matter quite in your own
hands."
"Are you going back to Lord Warburton?" Isabel asked. "I'm very tired of
his name."
"You shall hear it again before we've done with it."
She had spoken of his insulting her, but it suddenly seemed to her that
this ceased to be a pain. He was going down--down; the vision of such a
fall made her almost giddy: that was the only pain. He was too strange,
too different; he didn't touch her. Still, the working of his morbid
passion was extraordinary, and she felt a rising curiosity to know in
what light he saw himself justified. "I might say to you that I judge
you've nothing to say to me that's worth hearing," she returned in a
moment. "But I should perhaps be wrong. There's a thing that would be
worth my hearing--to know in the plainest words of what it is you accuse
me."
"Of having prevented Pansy's marriage to Warburton. Are those words
plain enough?"
"On the contrary, I took a great interest in it. I told you so; and when
you told me that you counted on me--that I think was what you said--I
accepted the obligation. I was a fool to do so, but I did it."
"You pretended to do it, and you even pretended reluctance to make me
more willing to trust you. Then you began to use your ingenuity to get
him out of the way."
"I think I see what you mean," said Isabel.
"Where's the letter you told me he had written me?" her husband
demanded.
"I haven't the least idea; I haven't asked him."
"You stopped it on the way," said Osmond.
Isabel slowly got up; standing there in her white cloak, which covered
her to her feet, she might have represented the angel of disdain, first
cousin to that of pity. "Oh, Gilbert, for a man who was so fine--!" she
exclaimed in a long murmur.
"I was never so fine as you. You've done everything you wanted. You've
got him out of the way without appearing to do so, and you've placed
me in the position in which you wished to see me--that of a man who has
tried to marry his daughter to a lord, but has grotesquely failed."
"Pansy doesn't care for him. She's very glad he's gone," Isabel said.
"That has nothing to do with the matter."
"And he doesn't care for Pansy."
"That won't do; you told me he did. I don't know why you wanted this
particular satisfaction," Osmond continued; "you might have taken some
other. It doesn't seem to me that I've been presumptuous--that I have
taken too much for granted. I've been very modest about it, very quiet.
The idea didn't originate with me. He began to show that he liked her
before I ever thought of it. I left it all to you."
"Yes, you were very glad to leave it to me. After this you must attend
to such things yourself."
He looked at her a moment; then he turned away. "I thought you were very
fond of my daughter."
"I've never been more so than to-day."
"Your affection is attended with immense limitations. However, that
perhaps is natural."
"Is this all you wished to say to me?" Isabel asked, taking a candle
that stood on one of the tables.
"Are you satisfied? Am I sufficiently disappointed?"
"I don't think that on the whole you're disappointed. You've had another
opportunity to try to stupefy me."
"It's not that. It's proved that Pansy can aim high."
"Poor little Pansy!" said Isabel as she turned away with her candle.
| Notes The ugly scene between Isabel and Gilbert only confirms what the reader has been led to expect. At Lord Warburtons withdrawal, Gilbert has blamed Isabel of maneuvering to get him away. Henry James ahs set up the characters of Gilbert and Isabel carefully enough that their response to this latest change is predictable. The scene shows Gilbert as a cruel man who seems to believe his own fantasies about the depravity of Isabel and it shows Isabel trying to remain true to her most noble image of herself. | analysis |
It was from Henrietta Stackpole that she learned how Caspar Goodwood had
come to Rome; an event that took place three days after Lord Warburton's
departure. This latter fact had been preceded by an incident of some
importance to Isabel--the temporary absence, once again, of Madame
Merle, who had gone to Naples to stay with a friend, the happy possessor
of a villa at Posilippo. Madame Merle had ceased to minister to Isabel's
happiness, who found herself wondering whether the most discreet of
women might not also by chance be the most dangerous. Sometimes, at
night, she had strange visions; she seemed to see her husband and her
friend--his friend--in dim, indistinguishable combination. It seemed to
her that she had not done with her; this lady had something in reserve.
Isabel's imagination applied itself actively to this elusive point, but
every now and then it was checked by a nameless dread, so that when
the charming woman was away from Rome she had almost a consciousness
of respite. She had already learned from Miss Stackpole that Caspar
Goodwood was in Europe, Henrietta having written to make it known to
her immediately after meeting him in Paris. He himself never wrote to
Isabel, and though he was in Europe she thought it very possible he
might not desire to see her. Their last interview, before her marriage,
had had quite the character of a complete rupture; if she remembered
rightly he had said he wished to take his last look at her. Since then
he had been the most discordant survival of her earlier time--the only
one in fact with which a permanent pain was associated. He had left her
that morning with a sense of the most superfluous of shocks: it was like
a collision between vessels in broad daylight. There had been no mist,
no hidden current to excuse it, and she herself had only wished to steer
wide. He had bumped against her prow, however, while her hand was on the
tiller, and--to complete the metaphor--had given the lighter vessel a
strain which still occasionally betrayed itself in a faint creaking. It
had been horrid to see him, because he represented the only serious harm
that (to her belief) she had ever done in the world: he was the only
person with an unsatisfied claim on her. She had made him unhappy, she
couldn't help it; and his unhappiness was a grim reality. She had cried
with rage, after he had left her, at--she hardly knew what: she tried to
think it had been at his want of consideration. He had come to her with
his unhappiness when her own bliss was so perfect; he had done his best
to darken the brightness of those pure rays. He had not been violent,
and yet there had been a violence in the impression. There had been a
violence at any rate in something somewhere; perhaps it was only in her
own fit of weeping and in that after-sense of the same which had lasted
three or four days.
The effect of his final appeal had in short faded away, and all the
first year of her marriage he had dropped out of her books. He was a
thankless subject of reference; it was disagreeable to have to think
of a person who was sore and sombre about you and whom you could yet do
nothing to relieve. It would have been different if she had been able to
doubt, even a little, of his unreconciled state, as she doubted of Lord
Warburton's; unfortunately it was beyond question, and this aggressive,
uncompromising look of it was just what made it unattractive. She could
never say to herself that here was a sufferer who had compensations, as
she was able to say in the case of her English suitor. She had no faith
in Mr. Goodwood's compensations and no esteem for them. A cotton factory
was not a compensation for anything--least of all for having failed
to marry Isabel Archer. And yet, beyond that, she hardly knew what
he had--save of course his intrinsic qualities. Oh, he was intrinsic
enough; she never thought of his even looking for artificial aids. If
he extended his business--that, to the best of her belief, was the
only form exertion could take with him--it would be because it was an
enterprising thing, or good for the business; not in the least because
he might hope it would overlay the past. This gave his figure a kind of
bareness and bleakness which made the accident of meeting it in memory
or in apprehension a peculiar concussion; it was deficient in the social
drapery commonly muffling, in an overcivilized age, the sharpness of
human contacts. His perfect silence, moreover, the fact that she never
heard from him and very seldom heard any mention of him, deepened this
impression of his loneliness. She asked Lily for news of him, from
time to time; but Lily knew nothing of Boston--her imagination was
all bounded on the east by Madison Avenue. As time went on Isabel had
thought of him oftener, and with fewer restrictions; she had had more
than once the idea of writing to him. She had never told her husband
about him--never let Osmond know of his visits to her in Florence; a
reserve not dictated in the early period by a want of confidence
in Osmond, but simply by the consideration that the young man's
disappointment was not her secret but his own. It would be wrong of her,
she had believed, to convey it to another, and Mr. Goodwood's affairs
could have, after all, little interest for Gilbert. When it had come
to the point she had never written to him; it seemed to her that,
considering his grievance, the least she could do was to let him alone.
Nevertheless she would have been glad to be in some way nearer to him.
It was not that it ever occurred to her that she might have married him;
even after the consequences of her actual union had grown vivid to her
that particular reflection, though she indulged in so many, had not had
the assurance to present itself. But on finding herself in trouble he
had become a member of that circle of things with which she wished to
set herself right. I have mentioned how passionately she needed to feel
that her unhappiness should not have come to her through her own fault.
She had no near prospect of dying, and yet she wished to make her peace
with the world--to put her spiritual affairs in order. It came back to
her from time to time that there was an account still to be settled
with Caspar, and she saw herself disposed or able to settle it to-day
on terms easier for him than ever before. Still, when she learned he was
coming to Rome she felt all afraid; it would be more disagreeable for
him than for any one else to make out--since he WOULD make it out, as
over a falsified balance-sheet or something of that sort--the intimate
disarray of her affairs. Deep in her breast she believed that he had
invested his all in her happiness, while the others had invested only
a part. He was one more person from whom she should have to conceal her
stress. She was reassured, however, after he arrived in Rome, for he
spent several days without coming to see her.
Henrietta Stackpole, it may well be imagined, was more punctual, and
Isabel was largely favoured with the society of her friend. She threw
herself into it, for now that she had made such a point of keeping
her conscience clear, that was one way of proving she had not been
superficial--the more so as the years, in their flight, had rather
enriched than blighted those peculiarities which had been humorously
criticised by persons less interested than Isabel, and which were still
marked enough to give loyalty a spice of heroism. Henrietta was as
keen and quick and fresh as ever, and as neat and bright and fair. Her
remarkably open eyes, lighted like great glazed railway-stations, had
put up no shutters; her attire had lost none of its crispness, her
opinions none of their national reference. She was by no means quite
unchanged, however it struck Isabel she had grown vague. Of old she had
never been vague; though undertaking many enquiries at once, she had
managed to be entire and pointed about each. She had a reason for
everything she did; she fairly bristled with motives. Formerly, when
she came to Europe it was because she wished to see it, but now, having
already seen it, she had no such excuse. She didn't for a moment pretend
that the desire to examine decaying civilisations had anything to do
with her present enterprise; her journey was rather an expression of her
independence of the old world than of a sense of further obligations to
it. "It's nothing to come to Europe," she said to Isabel; "it doesn't
seem to me one needs so many reasons for that. It is something to stay
at home; this is much more important." It was not therefore with a sense
of doing anything very important that she treated herself to another
pilgrimage to Rome; she had seen the place before and carefully
inspected it; her present act was simply a sign of familiarity, of her
knowing all about it, of her having as good a right as any one else to
be there. This was all very well, and Henrietta was restless; she had a
perfect right to be restless too, if one came to that. But she had after
all a better reason for coming to Rome than that she cared for it so
little. Her friend easily recognised it, and with it the worth of the
other's fidelity. She had crossed the stormy ocean in midwinter because
she had guessed that Isabel was sad. Henrietta guessed a great deal, but
she had never guessed so happily as that. Isabel's satisfactions just
now were few, but even if they had been more numerous there would still
have been something of individual joy in her sense of being justified
in having always thought highly of Henrietta. She had made large
concessions with regard to her, and had yet insisted that, with all
abatements, she was very valuable. It was not her own triumph, however,
that she found good; it was simply the relief of confessing to this
confidant, the first person to whom she had owned it, that she was not
in the least at her ease. Henrietta had herself approached this point
with the smallest possible delay, and had accused her to her face of
being wretched. She was a woman, she was a sister; she was not Ralph,
nor Lord Warburton, nor Caspar Goodwood, and Isabel could speak.
"Yes, I'm wretched," she said very mildly. She hated to hear herself say
it; she tried to say it as judicially as possible.
"What does he do to you?" Henrietta asked, frowning as if she were
enquiring into the operations of a quack doctor.
"He does nothing. But he doesn't like me."
"He's very hard to please!" cried Miss Stackpole. "Why don't you leave
him?"
"I can't change that way," Isabel said.
"Why not, I should like to know? You won't confess that you've made a
mistake. You're too proud."
"I don't know whether I'm too proud. But I can't publish my mistake. I
don't think that's decent. I'd much rather die."
"You won't think so always," said Henrietta.
"I don't know what great unhappiness might bring me to; but it seems to
me I shall always be ashamed. One must accept one's deeds. I married
him before all the world; I was perfectly free; it was impossible to do
anything more deliberate. One can't change that way," Isabel repeated.
"You HAVE changed, in spite of the impossibility. I hope you don't mean
to say you like him."
Isabel debated. "No, I don't like him. I can tell you, because I'm weary
of my secret. But that's enough; I can't announce it on the housetops."
Henrietta gave a laugh. "Don't you think you're rather too considerate?"
"It's not of him that I'm considerate--it's of myself!" Isabel answered.
It was not surprising Gilbert Osmond should not have taken comfort in
Miss Stackpole; his instinct had naturally set him in opposition to a
young lady capable of advising his wife to withdraw from the conjugal
roof. When she arrived in Rome he had said to Isabel that he hoped she
would leave her friend the interviewer alone; and Isabel had answered
that he at least had nothing to fear from her. She said to Henrietta
that as Osmond didn't like her she couldn't invite her to dine, but
they could easily see each other in other ways. Isabel received Miss
Stackpole freely in her own sitting-room, and took her repeatedly to
drive, face to face with Pansy, who, bending a little forward, on the
opposite seat of the carriage, gazed at the celebrated authoress with a
respectful attention which Henrietta occasionally found irritating. She
complained to Isabel that Miss Osmond had a little look as if she should
remember everything one said. "I don't want to be remembered that way,"
Miss Stackpole declared; "I consider that my conversation refers only
to the moment, like the morning papers. Your stepdaughter, as she sits
there, looks as if she kept all the back numbers and would bring
them out some day against me." She could not teach herself to think
favourably of Pansy, whose absence of initiative, of conversation, of
personal claims, seemed to her, in a girl of twenty, unnatural and even
uncanny. Isabel presently saw that Osmond would have liked her to urge a
little the cause of her friend, insist a little upon his receiving her,
so that he might appear to suffer for good manners' sake. Her immediate
acceptance of his objections put him too much in the wrong--it being in
effect one of the disadvantages of expressing contempt that you cannot
enjoy at the same time the credit of expressing sympathy. Osmond held
to his credit, and yet he held to his objections--all of which were
elements difficult to reconcile. The right thing would have been that
Miss Stackpole should come to dine at Palazzo Roccanera once or twice,
so that (in spite of his superficial civility, always so great) she
might judge for herself how little pleasure it gave him. From the
moment, however, that both the ladies were so unaccommodating, there was
nothing for Osmond but to wish the lady from New York would take herself
off. It was surprising how little satisfaction he got from his wife's
friends; he took occasion to call Isabel's attention to it.
"You're certainly not fortunate in your intimates; I wish you might make
a new collection," he said to her one morning in reference to nothing
visible at the moment, but in a tone of ripe reflection which deprived
the remark of all brutal abruptness. "It's as if you had taken the
trouble to pick out the people in the world that I have least in common
with. Your cousin I have always thought a conceited ass--besides his
being the most ill-favoured animal I know. Then it's insufferably
tiresome that one can't tell him so; one must spare him on account of
his health. His health seems to me the best part of him; it gives him
privileges enjoyed by no one else. If he's so desperately ill there's
only one way to prove it; but he seems to have no mind for that. I can't
say much more for the great Warburton. When one really thinks of it,
the cool insolence of that performance was something rare! He comes and
looks at one's daughter as if she were a suite of apartments; he tries
the door-handles and looks out of the windows, raps on the walls and
almost thinks he'll take the place. Will you be so good as to draw up a
lease? Then, on the whole, he decides that the rooms are too small; he
doesn't think he could live on a third floor; he must look out for a
piano nobile. And he goes away after having got a month's lodging in the
poor little apartment for nothing. Miss Stackpole, however, is your most
wonderful invention. She strikes me as a kind of monster. One hasn't
a nerve in one's body that she doesn't set quivering. You know I never
have admitted that she's a woman. Do you know what she reminds me of? Of
a new steel pen--the most odious thing in nature. She talks as a steel
pen writes; aren't her letters, by the way, on ruled paper? She thinks
and moves and walks and looks exactly as she talks. You may say that
she doesn't hurt me, inasmuch as I don't see her. I don't see her, but I
hear her; I hear her all day long. Her voice is in my ears; I can't get
rid of it. I know exactly what she says, and every inflexion of the tone
in which she says it. She says charming things about me, and they give
you great comfort. I don't like at all to think she talks about me--I
feel as I should feel if I knew the footman were wearing my hat."
Henrietta talked about Gilbert Osmond, as his wife assured him, rather
less than he suspected. She had plenty of other subjects, in two of
which the reader may be supposed to be especially interested. She let
her friend know that Caspar Goodwood had discovered for himself that
she was unhappy, though indeed her ingenuity was unable to suggest what
comfort he hoped to give her by coming to Rome and yet not calling
on her. They met him twice in the street, but he had no appearance of
seeing them; they were driving, and he had a habit of looking straight
in front of him, as if he proposed to take in but one object at a time.
Isabel could have fancied she had seen him the day before; it must
have been with just that face and step that he had walked out of Mrs.
Touchett's door at the close of their last interview. He was dressed
just as he had been dressed on that day, Isabel remembered the colour
of his cravat; and yet in spite of this familiar look there was a
strangeness in his figure too, something that made her feel it afresh
to be rather terrible he should have come to Rome. He looked bigger and
more overtopping than of old, and in those days he certainly reached
high enough. She noticed that the people whom he passed looked back
after him; but he went straight forward, lifting above them a face like
a February sky.
Miss Stackpole's other topic was very different; she gave Isabel the
latest news about Mr. Bantling. He had been out in the United States
the year before, and she was happy to say she had been able to show him
considerable attention. She didn't know how much he had enjoyed it, but
she would undertake to say it had done him good; he wasn't the same man
when he left as he had been when he came. It had opened his eyes and
shown him that England wasn't everything. He had been very much liked in
most places, and thought extremely simple--more simple than the English
were commonly supposed to be. There were people who had thought him
affected; she didn't know whether they meant that his simplicity was an
affectation. Some of his questions were too discouraging; he thought all
the chambermaids were farmers' daughters--or all the farmers' daughters
were chambermaids--she couldn't exactly remember which. He hadn't seemed
able to grasp the great school system; it had been really too much
for him. On the whole he had behaved as if there were too much of
everything--as if he could only take in a small part. The part he had
chosen was the hotel system and the river navigation. He had seemed
really fascinated with the hotels; he had a photograph of every one
he had visited. But the river steamers were his principal interest;
he wanted to do nothing but sail on the big boats. They had travelled
together from New York to Milwaukee, stopping at the most interesting
cities on the route; and whenever they started afresh he had wanted
to know if they could go by the steamer. He seemed to have no idea of
geography--had an impression that Baltimore was a Western city and was
perpetually expecting to arrive at the Mississippi. He appeared never
to have heard of any river in America but the Mississippi and was
unprepared to recognise the existence of the Hudson, though obliged to
confess at last that it was fully equal to the Rhine. They had spent
some pleasant hours in the palace-cars; he was always ordering ice-cream
from the coloured man. He could never get used to that idea--that you
could get ice-cream in the cars. Of course you couldn't, nor fans,
nor candy, nor anything in the English cars! He found the heat quite
overwhelming, and she had told him she indeed expected it was
the biggest he had ever experienced. He was now in England,
hunting--"hunting round" Henrietta called it. These amusements were
those of the American red men; we had left that behind long ago, the
pleasures of the chase. It seemed to be generally believed in England
that we wore tomahawks and feathers; but such a costume was more in
keeping with English habits. Mr. Bantling would not have time to join
her in Italy, but when she should go to Paris again he expected to come
over. He wanted very much to see Versailles again; he was very fond of
the ancient regime. They didn't agree about that, but that was what she
liked Versailles for, that you could see the ancient regime had been
swept away. There were no dukes and marquises there now; she remembered
on the contrary one day when there were five American families, walking
all round. Mr. Bantling was very anxious that she should take up the
subject of England again, and he thought she might get on better with it
now; England had changed a good deal within two or three years. He was
determined that if she went there he should go to see his sister, Lady
Pensil, and that this time the invitation should come to her straight.
The mystery about that other one had never been explained.
Caspar Goodwood came at last to Palazzo Roccanera; he had written Isabel
a note beforehand, to ask leave. This was promptly granted; she would be
at home at six o'clock that afternoon. She spent the day wondering what
he was coming for--what good he expected to get of it. He had presented
himself hitherto as a person destitute of the faculty of compromise, who
would take what he had asked for or take nothing. Isabel's hospitality,
however, raised no questions, and she found no great difficulty in
appearing happy enough to deceive him. It was her conviction at
least that she deceived him, made him say to himself that he had
been misinformed. But she also saw, so she believed, that he was not
disappointed, as some other men, she was sure, would have been; he had
not come to Rome to look for an opportunity. She never found out what he
had come for; he offered her no explanation; there could be none but the
very simple one that he wanted to see her. In other words he had come
for his amusement. Isabel followed up this induction with a good deal of
eagerness, and was delighted to have found a formula that would lay the
ghost of this gentleman's ancient grievance. If he had come to Rome
for his amusement this was exactly what she wanted; for if he cared
for amusement he had got over his heartache. If he had got over his
heartache everything was as it should be and her responsibilities were
at an end. It was true that he took his recreation a little stiffly, but
he had never been loose and easy and she had every reason to believe
he was satisfied with what he saw. Henrietta was not in his confidence,
though he was in hers, and Isabel consequently received no side-light
upon his state of mind. He was open to little conversation on general
topics; it came back to her that she had said of him once, years before,
"Mr. Goodwood speaks a good deal, but he doesn't talk." He spoke a good
deal now, but he talked perhaps as little as ever; considering, that is,
how much there was in Rome to talk about. His arrival was not calculated
to simplify her relations with her husband, for if Mr. Osmond didn't
like her friends Mr. Goodwood had no claim upon his attention save as
having been one of the first of them. There was nothing for her to say
of him but that he was the very oldest; this rather meagre synthesis
exhausted the facts. She had been obliged to introduce him to Gilbert;
it was impossible she should not ask him to dinner, to her Thursday
evenings, of which she had grown very weary, but to which her husband
still held for the sake not so much of inviting people as of not
inviting them.
To the Thursdays Mr. Goodwood came regularly, solemnly, rather early;
he appeared to regard them with a good deal of gravity. Isabel every
now and then had a moment of anger; there was something so literal about
him; she thought he might know that she didn't know what to do with him.
But she couldn't call him stupid; he was not that in the least; he was
only extraordinarily honest. To be as honest as that made a man very
different from most people; one had to be almost equally honest with
HIM. She made this latter reflection at the very time she was flattering
herself she had persuaded him that she was the most light-hearted of
women. He never threw any doubt on this point, never asked her any
personal questions. He got on much better with Osmond than had seemed
probable. Osmond had a great dislike to being counted on; in such a case
he had an irresistible need of disappointing you. It was in virtue of
this principle that he gave himself the entertainment of taking a fancy
to a perpendicular Bostonian whom he had been depended upon to treat
with coldness. He asked Isabel if Mr. Goodwood also had wanted to marry
her, and expressed surprise at her not having accepted him. It would
have been an excellent thing, like living under some tall belfry which
would strike all the hours and make a queer vibration in the upper air.
He declared he liked to talk with the great Goodwood; it wasn't easy at
first, you had to climb up an interminable steep staircase up to the
top of the tower; but when you got there you had a big view and felt a
little fresh breeze. Osmond, as we know, had delightful qualities, and
he gave Caspar Goodwood the benefit of them all. Isabel could see that
Mr. Goodwood thought better of her husband than he had ever wished
to; he had given her the impression that morning in Florence of being
inaccessible to a good impression. Gilbert asked him repeatedly to
dinner, and Mr. Goodwood smoked a cigar with him afterwards and even
desired to be shown his collections. Gilbert said to Isabel that he was
very original; he was as strong and of as good a style as an English
portmanteau,--he had plenty of straps and buckles which would never wear
out, and a capital patent lock. Caspar Goodwood took to riding on the
Campagna and devoted much time to this exercise; it was therefore mainly
in the evening that Isabel saw him. She bethought herself of saying to
him one day that if he were willing he could render her a service. And
then she added smiling:
"I don't know, however, what right I have to ask a service of you."
"You're the person in the world who has most right," he answered. "I've
given you assurances that I've never given any one else."
The service was that he should go and see her cousin Ralph, who was ill
at the Hotel de Paris, alone, and be as kind to him as possible. Mr.
Goodwood had never seen him, but he would know who the poor fellow
was; if she was not mistaken Ralph had once invited him to Gardencourt.
Caspar remembered the invitation perfectly, and, though he was not
supposed to be a man of imagination, had enough to put himself in the
place of a poor gentleman who lay dying at a Roman inn. He called at the
Hotel de Paris and, on being shown into the presence of the master of
Gardencourt, found Miss Stackpole sitting beside his sofa. A singular
change had in fact occurred in this lady's relations with Ralph
Touchett. She had not been asked by Isabel to go and see him, but on
hearing that he was too ill to come out had immediately gone of her
own motion. After this she had paid him a daily visit--always under
the conviction that they were great enemies. "Oh yes, we're intimate
enemies," Ralph used to say; and he accused her freely--as freely as the
humour of it would allow--of coming to worry him to death. In reality
they became excellent friends, Henrietta much wondering that she should
never have liked him before. Ralph liked her exactly as much as he had
always done; he had never doubted for a moment that she was an excellent
fellow. They talked about everything and always differed; about
everything, that is, but Isabel--a topic as to which Ralph always had
a thin forefinger on his lips. Mr. Bantling on the other hand proved
a great resource; Ralph was capable of discussing Mr. Bantling with
Henrietta for hours. Discussion was stimulated of course by their
inevitable difference of view--Ralph having amused himself with taking
the ground that the genial ex-guardsman was a regular Machiavelli.
Caspar Goodwood could contribute nothing to such a debate; but after
he had been left alone with his host he found there were various other
matters they could take up. It must be admitted that the lady who had
just gone out was not one of these; Caspar granted all Miss Stackpole's
merits in advance, but had no further remark to make about her. Neither,
after the first allusions, did the two men expatiate upon Mrs. Osmond--a
theme in which Goodwood perceived as many dangers as Ralph. He felt very
sorry for that unclassable personage; he couldn't bear to see a pleasant
man, so pleasant for all his queerness, so beyond anything to be done.
There was always something to be done, for Goodwood, and he did it in
this case by repeating several times his visit to the Hotel de Paris.
It seemed to Isabel that she had been very clever; she had artfully
disposed of the superfluous Caspar. She had given him an occupation; she
had converted him into a caretaker of Ralph. She had a plan of making
him travel northward with her cousin as soon as the first mild weather
should allow it. Lord Warburton had brought Ralph to Rome and Mr.
Goodwood should take him away. There seemed a happy symmetry in this,
and she was now intensely eager that Ralph should depart. She had a
constant fear he would die there before her eyes and a horror of the
occurrence of this event at an inn, by her door, which he had so rarely
entered. Ralph must sink to his last rest in his own dear house, in
one of those deep, dim chambers of Gardencourt where the dark ivy would
cluster round the edges of the glimmering window. There seemed to Isabel
in these days something sacred in Gardencourt; no chapter of the past
was more perfectly irrecoverable. When she thought of the months she had
spent there the tears rose to her eyes. She flattered herself, as I
say, upon her ingenuity, but she had need of all she could muster;
for several events occurred which seemed to confront and defy her. The
Countess Gemini arrived from Florence--arrived with her trunks, her
dresses, her chatter, her falsehoods, her frivolity, the strange, the
unholy legend of the number of her lovers. Edward Rosier, who had been
away somewhere,--no one, not even Pansy, knew where,--reappeared in Rome
and began to write her long letters, which she never answered. Madame
Merle returned from Naples and said to her with a strange smile: "What
on earth did you do with Lord Warburton?" As if it were any business of
hers!
| Henrietta Stackpole tells Isabel that Caspar Goodwood is in Rome. Madame Merle has left Rome for a short trip. Her departure has set Isabel thinking once again of her relationship with Gilbert. Isabel has an inkling that Madame Merle is very dangerous. She also feels such a dread at the thought that she will suddenly realize something about the two of them that she often pushes the thoughts away. Isabel also spends time worrying over the thought of Caspar Goodwood in her mind. She feels that he is the only person in her life whom she has wronged. She has thought about him over the past few years and has always had an impression that he is a lonely man. She thinks of him now as one of a group of people to whom she could appeal if she were in trouble. She finds Henrietta Stackpole changed. She has "grown vague." Still, Isabel realizes that Henrietta Stackpole has come to Rome in the dead of winter just because she suspected that Isabel is sad. As soon as they first spoke, she asked Isabel is she was wretched and Isabel told her yes, she was. Henrietta wants to know why Isabel wont just leave Osmond. Isabel says she would rather die that let everyone know of her mistake. She says shell always be ashamed. Gilbert for his part is not happy that so many of Isabels intimates are in town. He doesnt like Ralph at all. He finds Henrietta Stackpole monstrous. Yet he finds a way to like Caspar Goodwood and impress him even. Isabel wants to find a way to get Goodwood out of the way, so she asks him to do her the favor of visiting Ralph. He does so and finds in Ralph a pleasant friend. Ralph has been having a wonderful time with Henrietta Stackpole who visits him every day and has come to like him immensely. Isabel hopes that when the weather gets warmer, Caspar Goodwood will take Ralph back to England. She ahs a horror that hell die in his hotel instead of where he should, at Gardencourt. When she thinks of Gardencourt, tears come to her eyes. It has become something of a sacred place to her. As the chapter closes, Isabel finds that the Countess Gemini has arrived in her house, Edward Rosier has returned to Rome after a mysterious absence and has commenced to writing long letters to Pansy, and Madame Merle has returned with the impertinent question, "What did you do with Lord Warburton?" | summary |
It was from Henrietta Stackpole that she learned how Caspar Goodwood had
come to Rome; an event that took place three days after Lord Warburton's
departure. This latter fact had been preceded by an incident of some
importance to Isabel--the temporary absence, once again, of Madame
Merle, who had gone to Naples to stay with a friend, the happy possessor
of a villa at Posilippo. Madame Merle had ceased to minister to Isabel's
happiness, who found herself wondering whether the most discreet of
women might not also by chance be the most dangerous. Sometimes, at
night, she had strange visions; she seemed to see her husband and her
friend--his friend--in dim, indistinguishable combination. It seemed to
her that she had not done with her; this lady had something in reserve.
Isabel's imagination applied itself actively to this elusive point, but
every now and then it was checked by a nameless dread, so that when
the charming woman was away from Rome she had almost a consciousness
of respite. She had already learned from Miss Stackpole that Caspar
Goodwood was in Europe, Henrietta having written to make it known to
her immediately after meeting him in Paris. He himself never wrote to
Isabel, and though he was in Europe she thought it very possible he
might not desire to see her. Their last interview, before her marriage,
had had quite the character of a complete rupture; if she remembered
rightly he had said he wished to take his last look at her. Since then
he had been the most discordant survival of her earlier time--the only
one in fact with which a permanent pain was associated. He had left her
that morning with a sense of the most superfluous of shocks: it was like
a collision between vessels in broad daylight. There had been no mist,
no hidden current to excuse it, and she herself had only wished to steer
wide. He had bumped against her prow, however, while her hand was on the
tiller, and--to complete the metaphor--had given the lighter vessel a
strain which still occasionally betrayed itself in a faint creaking. It
had been horrid to see him, because he represented the only serious harm
that (to her belief) she had ever done in the world: he was the only
person with an unsatisfied claim on her. She had made him unhappy, she
couldn't help it; and his unhappiness was a grim reality. She had cried
with rage, after he had left her, at--she hardly knew what: she tried to
think it had been at his want of consideration. He had come to her with
his unhappiness when her own bliss was so perfect; he had done his best
to darken the brightness of those pure rays. He had not been violent,
and yet there had been a violence in the impression. There had been a
violence at any rate in something somewhere; perhaps it was only in her
own fit of weeping and in that after-sense of the same which had lasted
three or four days.
The effect of his final appeal had in short faded away, and all the
first year of her marriage he had dropped out of her books. He was a
thankless subject of reference; it was disagreeable to have to think
of a person who was sore and sombre about you and whom you could yet do
nothing to relieve. It would have been different if she had been able to
doubt, even a little, of his unreconciled state, as she doubted of Lord
Warburton's; unfortunately it was beyond question, and this aggressive,
uncompromising look of it was just what made it unattractive. She could
never say to herself that here was a sufferer who had compensations, as
she was able to say in the case of her English suitor. She had no faith
in Mr. Goodwood's compensations and no esteem for them. A cotton factory
was not a compensation for anything--least of all for having failed
to marry Isabel Archer. And yet, beyond that, she hardly knew what
he had--save of course his intrinsic qualities. Oh, he was intrinsic
enough; she never thought of his even looking for artificial aids. If
he extended his business--that, to the best of her belief, was the
only form exertion could take with him--it would be because it was an
enterprising thing, or good for the business; not in the least because
he might hope it would overlay the past. This gave his figure a kind of
bareness and bleakness which made the accident of meeting it in memory
or in apprehension a peculiar concussion; it was deficient in the social
drapery commonly muffling, in an overcivilized age, the sharpness of
human contacts. His perfect silence, moreover, the fact that she never
heard from him and very seldom heard any mention of him, deepened this
impression of his loneliness. She asked Lily for news of him, from
time to time; but Lily knew nothing of Boston--her imagination was
all bounded on the east by Madison Avenue. As time went on Isabel had
thought of him oftener, and with fewer restrictions; she had had more
than once the idea of writing to him. She had never told her husband
about him--never let Osmond know of his visits to her in Florence; a
reserve not dictated in the early period by a want of confidence
in Osmond, but simply by the consideration that the young man's
disappointment was not her secret but his own. It would be wrong of her,
she had believed, to convey it to another, and Mr. Goodwood's affairs
could have, after all, little interest for Gilbert. When it had come
to the point she had never written to him; it seemed to her that,
considering his grievance, the least she could do was to let him alone.
Nevertheless she would have been glad to be in some way nearer to him.
It was not that it ever occurred to her that she might have married him;
even after the consequences of her actual union had grown vivid to her
that particular reflection, though she indulged in so many, had not had
the assurance to present itself. But on finding herself in trouble he
had become a member of that circle of things with which she wished to
set herself right. I have mentioned how passionately she needed to feel
that her unhappiness should not have come to her through her own fault.
She had no near prospect of dying, and yet she wished to make her peace
with the world--to put her spiritual affairs in order. It came back to
her from time to time that there was an account still to be settled
with Caspar, and she saw herself disposed or able to settle it to-day
on terms easier for him than ever before. Still, when she learned he was
coming to Rome she felt all afraid; it would be more disagreeable for
him than for any one else to make out--since he WOULD make it out, as
over a falsified balance-sheet or something of that sort--the intimate
disarray of her affairs. Deep in her breast she believed that he had
invested his all in her happiness, while the others had invested only
a part. He was one more person from whom she should have to conceal her
stress. She was reassured, however, after he arrived in Rome, for he
spent several days without coming to see her.
Henrietta Stackpole, it may well be imagined, was more punctual, and
Isabel was largely favoured with the society of her friend. She threw
herself into it, for now that she had made such a point of keeping
her conscience clear, that was one way of proving she had not been
superficial--the more so as the years, in their flight, had rather
enriched than blighted those peculiarities which had been humorously
criticised by persons less interested than Isabel, and which were still
marked enough to give loyalty a spice of heroism. Henrietta was as
keen and quick and fresh as ever, and as neat and bright and fair. Her
remarkably open eyes, lighted like great glazed railway-stations, had
put up no shutters; her attire had lost none of its crispness, her
opinions none of their national reference. She was by no means quite
unchanged, however it struck Isabel she had grown vague. Of old she had
never been vague; though undertaking many enquiries at once, she had
managed to be entire and pointed about each. She had a reason for
everything she did; she fairly bristled with motives. Formerly, when
she came to Europe it was because she wished to see it, but now, having
already seen it, she had no such excuse. She didn't for a moment pretend
that the desire to examine decaying civilisations had anything to do
with her present enterprise; her journey was rather an expression of her
independence of the old world than of a sense of further obligations to
it. "It's nothing to come to Europe," she said to Isabel; "it doesn't
seem to me one needs so many reasons for that. It is something to stay
at home; this is much more important." It was not therefore with a sense
of doing anything very important that she treated herself to another
pilgrimage to Rome; she had seen the place before and carefully
inspected it; her present act was simply a sign of familiarity, of her
knowing all about it, of her having as good a right as any one else to
be there. This was all very well, and Henrietta was restless; she had a
perfect right to be restless too, if one came to that. But she had after
all a better reason for coming to Rome than that she cared for it so
little. Her friend easily recognised it, and with it the worth of the
other's fidelity. She had crossed the stormy ocean in midwinter because
she had guessed that Isabel was sad. Henrietta guessed a great deal, but
she had never guessed so happily as that. Isabel's satisfactions just
now were few, but even if they had been more numerous there would still
have been something of individual joy in her sense of being justified
in having always thought highly of Henrietta. She had made large
concessions with regard to her, and had yet insisted that, with all
abatements, she was very valuable. It was not her own triumph, however,
that she found good; it was simply the relief of confessing to this
confidant, the first person to whom she had owned it, that she was not
in the least at her ease. Henrietta had herself approached this point
with the smallest possible delay, and had accused her to her face of
being wretched. She was a woman, she was a sister; she was not Ralph,
nor Lord Warburton, nor Caspar Goodwood, and Isabel could speak.
"Yes, I'm wretched," she said very mildly. She hated to hear herself say
it; she tried to say it as judicially as possible.
"What does he do to you?" Henrietta asked, frowning as if she were
enquiring into the operations of a quack doctor.
"He does nothing. But he doesn't like me."
"He's very hard to please!" cried Miss Stackpole. "Why don't you leave
him?"
"I can't change that way," Isabel said.
"Why not, I should like to know? You won't confess that you've made a
mistake. You're too proud."
"I don't know whether I'm too proud. But I can't publish my mistake. I
don't think that's decent. I'd much rather die."
"You won't think so always," said Henrietta.
"I don't know what great unhappiness might bring me to; but it seems to
me I shall always be ashamed. One must accept one's deeds. I married
him before all the world; I was perfectly free; it was impossible to do
anything more deliberate. One can't change that way," Isabel repeated.
"You HAVE changed, in spite of the impossibility. I hope you don't mean
to say you like him."
Isabel debated. "No, I don't like him. I can tell you, because I'm weary
of my secret. But that's enough; I can't announce it on the housetops."
Henrietta gave a laugh. "Don't you think you're rather too considerate?"
"It's not of him that I'm considerate--it's of myself!" Isabel answered.
It was not surprising Gilbert Osmond should not have taken comfort in
Miss Stackpole; his instinct had naturally set him in opposition to a
young lady capable of advising his wife to withdraw from the conjugal
roof. When she arrived in Rome he had said to Isabel that he hoped she
would leave her friend the interviewer alone; and Isabel had answered
that he at least had nothing to fear from her. She said to Henrietta
that as Osmond didn't like her she couldn't invite her to dine, but
they could easily see each other in other ways. Isabel received Miss
Stackpole freely in her own sitting-room, and took her repeatedly to
drive, face to face with Pansy, who, bending a little forward, on the
opposite seat of the carriage, gazed at the celebrated authoress with a
respectful attention which Henrietta occasionally found irritating. She
complained to Isabel that Miss Osmond had a little look as if she should
remember everything one said. "I don't want to be remembered that way,"
Miss Stackpole declared; "I consider that my conversation refers only
to the moment, like the morning papers. Your stepdaughter, as she sits
there, looks as if she kept all the back numbers and would bring
them out some day against me." She could not teach herself to think
favourably of Pansy, whose absence of initiative, of conversation, of
personal claims, seemed to her, in a girl of twenty, unnatural and even
uncanny. Isabel presently saw that Osmond would have liked her to urge a
little the cause of her friend, insist a little upon his receiving her,
so that he might appear to suffer for good manners' sake. Her immediate
acceptance of his objections put him too much in the wrong--it being in
effect one of the disadvantages of expressing contempt that you cannot
enjoy at the same time the credit of expressing sympathy. Osmond held
to his credit, and yet he held to his objections--all of which were
elements difficult to reconcile. The right thing would have been that
Miss Stackpole should come to dine at Palazzo Roccanera once or twice,
so that (in spite of his superficial civility, always so great) she
might judge for herself how little pleasure it gave him. From the
moment, however, that both the ladies were so unaccommodating, there was
nothing for Osmond but to wish the lady from New York would take herself
off. It was surprising how little satisfaction he got from his wife's
friends; he took occasion to call Isabel's attention to it.
"You're certainly not fortunate in your intimates; I wish you might make
a new collection," he said to her one morning in reference to nothing
visible at the moment, but in a tone of ripe reflection which deprived
the remark of all brutal abruptness. "It's as if you had taken the
trouble to pick out the people in the world that I have least in common
with. Your cousin I have always thought a conceited ass--besides his
being the most ill-favoured animal I know. Then it's insufferably
tiresome that one can't tell him so; one must spare him on account of
his health. His health seems to me the best part of him; it gives him
privileges enjoyed by no one else. If he's so desperately ill there's
only one way to prove it; but he seems to have no mind for that. I can't
say much more for the great Warburton. When one really thinks of it,
the cool insolence of that performance was something rare! He comes and
looks at one's daughter as if she were a suite of apartments; he tries
the door-handles and looks out of the windows, raps on the walls and
almost thinks he'll take the place. Will you be so good as to draw up a
lease? Then, on the whole, he decides that the rooms are too small; he
doesn't think he could live on a third floor; he must look out for a
piano nobile. And he goes away after having got a month's lodging in the
poor little apartment for nothing. Miss Stackpole, however, is your most
wonderful invention. She strikes me as a kind of monster. One hasn't
a nerve in one's body that she doesn't set quivering. You know I never
have admitted that she's a woman. Do you know what she reminds me of? Of
a new steel pen--the most odious thing in nature. She talks as a steel
pen writes; aren't her letters, by the way, on ruled paper? She thinks
and moves and walks and looks exactly as she talks. You may say that
she doesn't hurt me, inasmuch as I don't see her. I don't see her, but I
hear her; I hear her all day long. Her voice is in my ears; I can't get
rid of it. I know exactly what she says, and every inflexion of the tone
in which she says it. She says charming things about me, and they give
you great comfort. I don't like at all to think she talks about me--I
feel as I should feel if I knew the footman were wearing my hat."
Henrietta talked about Gilbert Osmond, as his wife assured him, rather
less than he suspected. She had plenty of other subjects, in two of
which the reader may be supposed to be especially interested. She let
her friend know that Caspar Goodwood had discovered for himself that
she was unhappy, though indeed her ingenuity was unable to suggest what
comfort he hoped to give her by coming to Rome and yet not calling
on her. They met him twice in the street, but he had no appearance of
seeing them; they were driving, and he had a habit of looking straight
in front of him, as if he proposed to take in but one object at a time.
Isabel could have fancied she had seen him the day before; it must
have been with just that face and step that he had walked out of Mrs.
Touchett's door at the close of their last interview. He was dressed
just as he had been dressed on that day, Isabel remembered the colour
of his cravat; and yet in spite of this familiar look there was a
strangeness in his figure too, something that made her feel it afresh
to be rather terrible he should have come to Rome. He looked bigger and
more overtopping than of old, and in those days he certainly reached
high enough. She noticed that the people whom he passed looked back
after him; but he went straight forward, lifting above them a face like
a February sky.
Miss Stackpole's other topic was very different; she gave Isabel the
latest news about Mr. Bantling. He had been out in the United States
the year before, and she was happy to say she had been able to show him
considerable attention. She didn't know how much he had enjoyed it, but
she would undertake to say it had done him good; he wasn't the same man
when he left as he had been when he came. It had opened his eyes and
shown him that England wasn't everything. He had been very much liked in
most places, and thought extremely simple--more simple than the English
were commonly supposed to be. There were people who had thought him
affected; she didn't know whether they meant that his simplicity was an
affectation. Some of his questions were too discouraging; he thought all
the chambermaids were farmers' daughters--or all the farmers' daughters
were chambermaids--she couldn't exactly remember which. He hadn't seemed
able to grasp the great school system; it had been really too much
for him. On the whole he had behaved as if there were too much of
everything--as if he could only take in a small part. The part he had
chosen was the hotel system and the river navigation. He had seemed
really fascinated with the hotels; he had a photograph of every one
he had visited. But the river steamers were his principal interest;
he wanted to do nothing but sail on the big boats. They had travelled
together from New York to Milwaukee, stopping at the most interesting
cities on the route; and whenever they started afresh he had wanted
to know if they could go by the steamer. He seemed to have no idea of
geography--had an impression that Baltimore was a Western city and was
perpetually expecting to arrive at the Mississippi. He appeared never
to have heard of any river in America but the Mississippi and was
unprepared to recognise the existence of the Hudson, though obliged to
confess at last that it was fully equal to the Rhine. They had spent
some pleasant hours in the palace-cars; he was always ordering ice-cream
from the coloured man. He could never get used to that idea--that you
could get ice-cream in the cars. Of course you couldn't, nor fans,
nor candy, nor anything in the English cars! He found the heat quite
overwhelming, and she had told him she indeed expected it was
the biggest he had ever experienced. He was now in England,
hunting--"hunting round" Henrietta called it. These amusements were
those of the American red men; we had left that behind long ago, the
pleasures of the chase. It seemed to be generally believed in England
that we wore tomahawks and feathers; but such a costume was more in
keeping with English habits. Mr. Bantling would not have time to join
her in Italy, but when she should go to Paris again he expected to come
over. He wanted very much to see Versailles again; he was very fond of
the ancient regime. They didn't agree about that, but that was what she
liked Versailles for, that you could see the ancient regime had been
swept away. There were no dukes and marquises there now; she remembered
on the contrary one day when there were five American families, walking
all round. Mr. Bantling was very anxious that she should take up the
subject of England again, and he thought she might get on better with it
now; England had changed a good deal within two or three years. He was
determined that if she went there he should go to see his sister, Lady
Pensil, and that this time the invitation should come to her straight.
The mystery about that other one had never been explained.
Caspar Goodwood came at last to Palazzo Roccanera; he had written Isabel
a note beforehand, to ask leave. This was promptly granted; she would be
at home at six o'clock that afternoon. She spent the day wondering what
he was coming for--what good he expected to get of it. He had presented
himself hitherto as a person destitute of the faculty of compromise, who
would take what he had asked for or take nothing. Isabel's hospitality,
however, raised no questions, and she found no great difficulty in
appearing happy enough to deceive him. It was her conviction at
least that she deceived him, made him say to himself that he had
been misinformed. But she also saw, so she believed, that he was not
disappointed, as some other men, she was sure, would have been; he had
not come to Rome to look for an opportunity. She never found out what he
had come for; he offered her no explanation; there could be none but the
very simple one that he wanted to see her. In other words he had come
for his amusement. Isabel followed up this induction with a good deal of
eagerness, and was delighted to have found a formula that would lay the
ghost of this gentleman's ancient grievance. If he had come to Rome
for his amusement this was exactly what she wanted; for if he cared
for amusement he had got over his heartache. If he had got over his
heartache everything was as it should be and her responsibilities were
at an end. It was true that he took his recreation a little stiffly, but
he had never been loose and easy and she had every reason to believe
he was satisfied with what he saw. Henrietta was not in his confidence,
though he was in hers, and Isabel consequently received no side-light
upon his state of mind. He was open to little conversation on general
topics; it came back to her that she had said of him once, years before,
"Mr. Goodwood speaks a good deal, but he doesn't talk." He spoke a good
deal now, but he talked perhaps as little as ever; considering, that is,
how much there was in Rome to talk about. His arrival was not calculated
to simplify her relations with her husband, for if Mr. Osmond didn't
like her friends Mr. Goodwood had no claim upon his attention save as
having been one of the first of them. There was nothing for her to say
of him but that he was the very oldest; this rather meagre synthesis
exhausted the facts. She had been obliged to introduce him to Gilbert;
it was impossible she should not ask him to dinner, to her Thursday
evenings, of which she had grown very weary, but to which her husband
still held for the sake not so much of inviting people as of not
inviting them.
To the Thursdays Mr. Goodwood came regularly, solemnly, rather early;
he appeared to regard them with a good deal of gravity. Isabel every
now and then had a moment of anger; there was something so literal about
him; she thought he might know that she didn't know what to do with him.
But she couldn't call him stupid; he was not that in the least; he was
only extraordinarily honest. To be as honest as that made a man very
different from most people; one had to be almost equally honest with
HIM. She made this latter reflection at the very time she was flattering
herself she had persuaded him that she was the most light-hearted of
women. He never threw any doubt on this point, never asked her any
personal questions. He got on much better with Osmond than had seemed
probable. Osmond had a great dislike to being counted on; in such a case
he had an irresistible need of disappointing you. It was in virtue of
this principle that he gave himself the entertainment of taking a fancy
to a perpendicular Bostonian whom he had been depended upon to treat
with coldness. He asked Isabel if Mr. Goodwood also had wanted to marry
her, and expressed surprise at her not having accepted him. It would
have been an excellent thing, like living under some tall belfry which
would strike all the hours and make a queer vibration in the upper air.
He declared he liked to talk with the great Goodwood; it wasn't easy at
first, you had to climb up an interminable steep staircase up to the
top of the tower; but when you got there you had a big view and felt a
little fresh breeze. Osmond, as we know, had delightful qualities, and
he gave Caspar Goodwood the benefit of them all. Isabel could see that
Mr. Goodwood thought better of her husband than he had ever wished
to; he had given her the impression that morning in Florence of being
inaccessible to a good impression. Gilbert asked him repeatedly to
dinner, and Mr. Goodwood smoked a cigar with him afterwards and even
desired to be shown his collections. Gilbert said to Isabel that he was
very original; he was as strong and of as good a style as an English
portmanteau,--he had plenty of straps and buckles which would never wear
out, and a capital patent lock. Caspar Goodwood took to riding on the
Campagna and devoted much time to this exercise; it was therefore mainly
in the evening that Isabel saw him. She bethought herself of saying to
him one day that if he were willing he could render her a service. And
then she added smiling:
"I don't know, however, what right I have to ask a service of you."
"You're the person in the world who has most right," he answered. "I've
given you assurances that I've never given any one else."
The service was that he should go and see her cousin Ralph, who was ill
at the Hotel de Paris, alone, and be as kind to him as possible. Mr.
Goodwood had never seen him, but he would know who the poor fellow
was; if she was not mistaken Ralph had once invited him to Gardencourt.
Caspar remembered the invitation perfectly, and, though he was not
supposed to be a man of imagination, had enough to put himself in the
place of a poor gentleman who lay dying at a Roman inn. He called at the
Hotel de Paris and, on being shown into the presence of the master of
Gardencourt, found Miss Stackpole sitting beside his sofa. A singular
change had in fact occurred in this lady's relations with Ralph
Touchett. She had not been asked by Isabel to go and see him, but on
hearing that he was too ill to come out had immediately gone of her
own motion. After this she had paid him a daily visit--always under
the conviction that they were great enemies. "Oh yes, we're intimate
enemies," Ralph used to say; and he accused her freely--as freely as the
humour of it would allow--of coming to worry him to death. In reality
they became excellent friends, Henrietta much wondering that she should
never have liked him before. Ralph liked her exactly as much as he had
always done; he had never doubted for a moment that she was an excellent
fellow. They talked about everything and always differed; about
everything, that is, but Isabel--a topic as to which Ralph always had
a thin forefinger on his lips. Mr. Bantling on the other hand proved
a great resource; Ralph was capable of discussing Mr. Bantling with
Henrietta for hours. Discussion was stimulated of course by their
inevitable difference of view--Ralph having amused himself with taking
the ground that the genial ex-guardsman was a regular Machiavelli.
Caspar Goodwood could contribute nothing to such a debate; but after
he had been left alone with his host he found there were various other
matters they could take up. It must be admitted that the lady who had
just gone out was not one of these; Caspar granted all Miss Stackpole's
merits in advance, but had no further remark to make about her. Neither,
after the first allusions, did the two men expatiate upon Mrs. Osmond--a
theme in which Goodwood perceived as many dangers as Ralph. He felt very
sorry for that unclassable personage; he couldn't bear to see a pleasant
man, so pleasant for all his queerness, so beyond anything to be done.
There was always something to be done, for Goodwood, and he did it in
this case by repeating several times his visit to the Hotel de Paris.
It seemed to Isabel that she had been very clever; she had artfully
disposed of the superfluous Caspar. She had given him an occupation; she
had converted him into a caretaker of Ralph. She had a plan of making
him travel northward with her cousin as soon as the first mild weather
should allow it. Lord Warburton had brought Ralph to Rome and Mr.
Goodwood should take him away. There seemed a happy symmetry in this,
and she was now intensely eager that Ralph should depart. She had a
constant fear he would die there before her eyes and a horror of the
occurrence of this event at an inn, by her door, which he had so rarely
entered. Ralph must sink to his last rest in his own dear house, in
one of those deep, dim chambers of Gardencourt where the dark ivy would
cluster round the edges of the glimmering window. There seemed to Isabel
in these days something sacred in Gardencourt; no chapter of the past
was more perfectly irrecoverable. When she thought of the months she had
spent there the tears rose to her eyes. She flattered herself, as I
say, upon her ingenuity, but she had need of all she could muster;
for several events occurred which seemed to confront and defy her. The
Countess Gemini arrived from Florence--arrived with her trunks, her
dresses, her chatter, her falsehoods, her frivolity, the strange, the
unholy legend of the number of her lovers. Edward Rosier, who had been
away somewhere,--no one, not even Pansy, knew where,--reappeared in Rome
and began to write her long letters, which she never answered. Madame
Merle returned from Naples and said to her with a strange smile: "What
on earth did you do with Lord Warburton?" As if it were any business of
hers!
| Notes This chapter brings all the most important people of Isabels past aside from Lord Warburton together. Isabel gets Caspar Goodwood to visit Ralph and Henrietta takes this duty on herself and becomes fast friends with him. The chapter has the feel of being prelude to some action. Here, we get caught up on their characters which have been absent for so long in the narrative. Later, they will perhaps be put into play. | analysis |
Madame Merle had not made her appearance at Palazzo Roccanera on the
evening of that Thursday of which I have narrated some of the incidents,
and Isabel, though she observed her absence, was not surprised by it.
Things had passed between them which added no stimulus to sociability,
and to appreciate which we must glance a little backward. It has been
mentioned that Madame Merle returned from Naples shortly after Lord
Warburton had left Rome, and that on her first meeting with Isabel
(whom, to do her justice, she came immediately to see) her first
utterance had been an enquiry as to the whereabouts of this nobleman,
for whom she appeared to hold her dear friend accountable.
"Please don't talk of him," said Isabel for answer; "we've heard so much
of him of late."
Madame Merle bent her head on one side a little, protestingly, and
smiled at the left corner of her mouth. "You've heard, yes. But you must
remember that I've not, in Naples. I hoped to find him here and to be
able to congratulate Pansy."
"You may congratulate Pansy still; but not on marrying Lord Warburton."
"How you say that! Don't you know I had set my heart on it?" Madame
Merle asked with a great deal of spirit, but still with the intonation
of good-humour.
Isabel was discomposed, but she was determined to be good-humoured too.
"You shouldn't have gone to Naples then. You should have stayed here to
watch the affair."
"I had too much confidence in you. But do you think it's too late?"
"You had better ask Pansy," said Isabel.
"I shall ask her what you've said to her."
These words seemed to justify the impulse of self-defence aroused
on Isabel's part by her perceiving that her visitor's attitude was a
critical one. Madame Merle, as we know, had been very discreet hitherto;
she had never criticised; she had been markedly afraid of intermeddling.
But apparently she had only reserved herself for this occasion, since
she now had a dangerous quickness in her eye and an air of irritation
which even her admirable ease was not able to transmute. She had
suffered a disappointment which excited Isabel's surprise--our heroine
having no knowledge of her zealous interest in Pansy's marriage; and
she betrayed it in a manner which quickened Mrs. Osmond's alarm. More
clearly than ever before Isabel heard a cold, mocking voice proceed from
she knew not where, in the dim void that surrounded her, and declare
that this bright, strong, definite, worldly woman, this incarnation of
the practical, the personal, the immediate, was a powerful agent in her
destiny. She was nearer to her than Isabel had yet discovered, and her
nearness was not the charming accident she had so long supposed. The
sense of accident indeed had died within her that day when she happened
to be struck with the manner in which the wonderful lady and her own
husband sat together in private. No definite suspicion had as yet
taken its place; but it was enough to make her view this friend with a
different eye, to have been led to reflect that there was more intention
in her past behaviour than she had allowed for at the time. Ah yes,
there had been intention, there had been intention, Isabel said to
herself; and she seemed to wake from a long pernicious dream. What was
it that brought home to her that Madame Merle's intention had not been
good? Nothing but the mistrust which had lately taken body and which
married itself now to the fruitful wonder produced by her visitor's
challenge on behalf of poor Pansy. There was something in this challenge
which had at the very outset excited an answering defiance; a nameless
vitality which she could see to have been absent from her friend's
professions of delicacy and caution. Madame Merle had been unwilling to
interfere, certainly, but only so long as there was nothing to interfere
with. It will perhaps seem to the reader that Isabel went fast in
casting doubt, on mere suspicion, on a sincerity proved by several
years of good offices. She moved quickly indeed, and with reason, for a
strange truth was filtering into her soul. Madame Merle's interest was
identical with Osmond's: that was enough. "I think Pansy will tell
you nothing that will make you more angry," she said in answer to her
companion's last remark.
"I'm not in the least angry. I've only a great desire to retrieve the
situation. Do you consider that Warburton has left us for ever?"
"I can't tell you; I don't understand you. It's all over; please let it
rest. Osmond has talked to me a great deal about it, and I've nothing
more to say or to hear. I've no doubt," Isabel added, "that he'll be
very happy to discuss the subject with you."
"I know what he thinks; he came to see me last evening."
"As soon as you had arrived? Then you know all about it and you needn't
apply to me for information."
"It isn't information I want. At bottom it's sympathy. I had set my
heart on that marriage; the idea did what so few things do--it satisfied
the imagination."
"Your imagination, yes. But not that of the persons concerned."
"You mean by that of course that I'm not concerned. Of course not
directly. But when one's such an old friend one can't help having
something at stake. You forget how long I've known Pansy. You mean,
of course," Madame Merle added, "that YOU are one of the persons
concerned."
"No; that's the last thing I mean. I'm very weary of it all."
Madame Merle hesitated a little. "Ah yes, your work's done."
"Take care what you say," said Isabel very gravely.
"Oh, I take care; never perhaps more than when it appears least. Your
husband judges you severely."
Isabel made for a moment no answer to this; she felt choked with
bitterness. It was not the insolence of Madame Merle's informing her
that Osmond had been taking her into his confidence as against his wife
that struck her most; for she was not quick to believe that this was
meant for insolence. Madame Merle was very rarely insolent, and only
when it was exactly right. It was not right now, or at least it was not
right yet. What touched Isabel like a drop of corrosive acid upon an
open wound was the knowledge that Osmond dishonoured her in his words as
well as in his thoughts. "Should you like to know how I judge HIM?" she
asked at last.
"No, because you'd never tell me. And it would be painful for me to
know."
There was a pause, and for the first time since she had known her Isabel
thought Madame Merle disagreeable. She wished she would leave her.
"Remember how attractive Pansy is, and don't despair," she said
abruptly, with a desire that this should close their interview.
But Madame Merle's expansive presence underwent no contraction. She only
gathered her mantle about her and, with the movement, scattered upon the
air a faint, agreeable fragrance. "I don't despair; I feel encouraged.
And I didn't come to scold you; I came if possible to learn the truth. I
know you'll tell it if I ask you. It's an immense blessing with you that
one can count upon that. No, you won't believe what a comfort I take in
it."
"What truth do you speak of?" Isabel asked, wondering.
"Just this: whether Lord Warburton changed his mind quite of his own
movement or because you recommended it. To please himself I mean, or to
please you. Think of the confidence I must still have in you, in spite
of having lost a little of it," Madame Merle continued with a smile, "to
ask such a question as that!" She sat looking at her friend, to judge
the effect of her words, and then went on: "Now don't be heroic, don't
be unreasonable, don't take offence. It seems to me I do you an honour
in speaking so. I don't know another woman to whom I would do it. I
haven't the least idea that any other woman would tell me the truth. And
don't you see how well it is that your husband should know it? It's
true that he doesn't appear to have had any tact whatever in trying to
extract it; he has indulged in gratuitous suppositions. But that doesn't
alter the fact that it would make a difference in his view of his
daughter's prospects to know distinctly what really occurred. If Lord
Warburton simply got tired of the poor child, that's one thing, and it's
a pity. If he gave her up to please you it's another. That's a pity too,
but in a different way. Then, in the latter case, you'd perhaps resign
yourself to not being pleased--to simply seeing your step-daughter
married. Let him off--let us have him!"
Madame Merle had proceeded very deliberately, watching her companion and
apparently thinking she could proceed safely. As she went on Isabel grew
pale; she clasped her hands more tightly in her lap. It was not that her
visitor had at last thought it the right time to be insolent; for this
was not what was most apparent. It was a worse horror than that. "Who
are you--what are you?" Isabel murmured. "What have you to do with my
husband?" It was strange that for the moment she drew as near to him as
if she had loved him.
"Ah then, you take it heroically! I'm very sorry. Don't think, however,
that I shall do so."
"What have you to do with me?" Isabel went on.
Madame Merle slowly got up, stroking her muff, but not removing her eyes
from Isabel's face. "Everything!" she answered.
Isabel sat there looking up at her, without rising; her face was almost
a prayer to be enlightened. But the light of this woman's eyes seemed
only a darkness. "Oh misery!" she murmured at last; and she fell
back, covering her face with her hands. It had come over her like a
high-surging wave that Mrs. Touchett was right. Madame Merle had married
her. Before she uncovered her face again that lady had left the room.
Isabel took a drive alone that afternoon; she wished to be far away,
under the sky, where she could descend from her carriage and tread
upon the daisies. She had long before this taken old Rome into her
confidence, for in a world of ruins the ruin of her happiness seemed a
less unnatural catastrophe. She rested her weariness upon things that
had crumbled for centuries and yet still were upright; she dropped her
secret sadness into the silence of lonely places, where its very modern
quality detached itself and grew objective, so that as she sat in a
sun-warmed angle on a winter's day, or stood in a mouldy church to which
no one came, she could almost smile at it and think of its smallness.
Small it was, in the large Roman record, and her haunting sense of the
continuity of the human lot easily carried her from the less to the
greater. She had become deeply, tenderly acquainted with Rome; it
interfused and moderated her passion. But she had grown to think of it
chiefly as the place where people had suffered. This was what came to
her in the starved churches, where the marble columns, transferred from
pagan ruins, seemed to offer her a companionship in endurance and the
musty incense to be a compound of long-unanswered prayers. There was
no gentler nor less consistent heretic than Isabel; the firmest of
worshippers, gazing at dark altar-pictures or clustered candles, could
not have felt more intimately the suggestiveness of these objects nor
have been more liable at such moments to a spiritual visitation. Pansy,
as we know, was almost always her companion, and of late the Countess
Gemini, balancing a pink parasol, had lent brilliancy to their equipage;
but she still occasionally found herself alone when it suited her
mood and where it suited the place. On such occasions she had several
resorts; the most accessible of which perhaps was a seat on the low
parapet which edges the wide grassy space before the high, cold front
of Saint John Lateran, whence you look across the Campagna at the
far-trailing outline of the Alban Mount and at that mighty plain,
between, which is still so full of all that has passed from it. After
the departure of her cousin and his companions she roamed more than
usual; she carried her sombre spirit from one familiar shrine to the
other. Even when Pansy and the Countess were with her she felt the touch
of a vanished world. The carriage, leaving the walls of Rome behind,
rolled through narrow lanes where the wild honeysuckle had begun to
tangle itself in the hedges, or waited for her in quiet places where
the fields lay near, while she strolled further and further over the
flower-freckled turf, or sat on a stone that had once had a use and
gazed through the veil of her personal sadness at the splendid sadness
of the scene--at the dense, warm light, the far gradations and soft
confusions of colour, the motionless shepherds in lonely attitudes, the
hills where the cloud-shadows had the lightness of a blush.
On the afternoon I began with speaking of, she had taken a resolution
not to think of Madame Merle; but the resolution proved vain, and this
lady's image hovered constantly before her. She asked herself, with an
almost childlike horror of the supposition, whether to this intimate
friend of several years the great historical epithet of wicked were
to be applied. She knew the idea only by the Bible and other literary
works; to the best of her belief she had had no personal acquaintance
with wickedness. She had desired a large acquaintance with human life,
and in spite of her having flattered herself that she cultivated it with
some success this elementary privilege had been denied her. Perhaps it
was not wicked--in the historic sense--to be even deeply false; for that
was what Madame Merle had been--deeply, deeply, deeply. Isabel's Aunt
Lydia had made this discovery long before, and had mentioned it to her
niece; but Isabel had flattered herself at this time that she had a much
richer view of things, especially of the spontaneity of her own
career and the nobleness of her own interpretations, than poor
stiffly-reasoning Mrs. Touchett. Madame Merle had done what she wanted;
she had brought about the union of her two friends; a reflection which
could not fail to make it a matter of wonder that she should so much
have desired such an event. There were people who had the match-making
passion, like the votaries of art for art; but Madame Merle, great
artist as she was, was scarcely one of these. She thought too ill of
marriage, too ill even of life; she had desired that particular marriage
but had not desired others. She had therefore had a conception of gain,
and Isabel asked herself where she had found her profit. It took her
naturally a long time to discover, and even then her discovery was
imperfect. It came back to her that Madame Merle, though she had seemed
to like her from their first meeting at Gardencourt, had been doubly
affectionate after Mr. Touchett's death and after learning that her
young friend had been subject to the good old man's charity. She had
found her profit not in the gross device of borrowing money, but in
the more refined idea of introducing one of her intimates to the young
woman's fresh and ingenuous fortune. She had naturally chosen her
closest intimate, and it was already vivid enough to Isabel that Gilbert
occupied this position. She found herself confronted in this manner with
the conviction that the man in the world whom she had supposed to be the
least sordid had married her, like a vulgar adventurer, for her money.
Strange to say, it had never before occurred to her; if she had thought
a good deal of harm of Osmond she had not done him this particular
injury. This was the worst she could think of, and she had been saying
to herself that the worst was still to come. A man might marry a woman
for her money perfectly well; the thing was often done. But at least
he should let her know. She wondered whether, since he had wanted her
money, her money would now satisfy him. Would he take her money and let
her go. Ah, if Mr. Touchett's great charity would but help her to-day it
would be blessed indeed! It was not slow to occur to her that if Madame
Merle had wished to do Gilbert a service his recognition to her of the
boon must have lost its warmth. What must be his feelings to-day in
regard to his too zealous benefactress, and what expression must they
have found on the part of such a master of irony? It is a singular, but
a characteristic, fact that before Isabel returned from her silent drive
she had broken its silence by the soft exclamation: "Poor, poor Madame
Merle!"
Her compassion would perhaps have been justified if on this same
afternoon she had been concealed behind one of the valuable curtains of
time-softened damask which dressed the interesting little salon of the
lady to whom it referred; the carefully-arranged apartment to which
we once paid a visit in company with the discreet Mr. Rosier. In that
apartment, towards six o'clock, Gilbert Osmond was seated, and his
hostess stood before him as Isabel had seen her stand on an occasion
commemorated in this history with an emphasis appropriate not so much to
its apparent as to its real importance.
"I don't believe you're unhappy; I believe you like it," said Madame
Merle.
"Did I say I was unhappy?" Osmond asked with a face grave enough to
suggest that he might have been.
"No, but you don't say the contrary, as you ought in common gratitude."
"Don't talk about gratitude," he returned dryly. "And don't aggravate
me," he added in a moment.
Madame Merle slowly seated herself, with her arms folded and her white
hands arranged as a support to one of them and an ornament, as it were,
to the other. She looked exquisitely calm but impressively sad. "On
your side, don't try to frighten me. I wonder if you guess some of my
thoughts."
"I trouble about them no more than I can help. I've quite enough of my
own."
"That's because they're so delightful."
Osmond rested his head against the back of his chair and looked at
his companion with a cynical directness which seemed also partly an
expression of fatigue. "You do aggravate me," he remarked in a moment.
"I'm very tired."
"Eh moi donc!" cried Madame Merle.
"With you it's because you fatigue yourself. With me it's not my own
fault."
"When I fatigue myself it's for you. I've given you an interest. That's
a great gift."
"Do you call it an interest?" Osmond enquired with detachment.
"Certainly, since it helps you to pass your time."
"The time has never seemed longer to me than this winter."
"You've never looked better; you've never been so agreeable, so
brilliant."
"Damn my brilliancy!" he thoughtfully murmured. "How little, after all,
you know me!"
"If I don't know you I know nothing," smiled Madame Merle. "You've the
feeling of complete success."
"No, I shall not have that till I've made you stop judging me."
"I did that long ago. I speak from old knowledge. But you express
yourself more too."
Osmond just hung fire. "I wish you'd express yourself less!"
"You wish to condemn me to silence? Remember that I've never been a
chatterbox. At any rate there are three or four things I should like to
say to you first. Your wife doesn't know what to do with herself," she
went on with a change of tone.
"Pardon me; she knows perfectly. She has a line sharply drawn. She means
to carry out her ideas."
"Her ideas to-day must be remarkable."
"Certainly they are. She has more of them than ever."
"She was unable to show me any this morning," said Madame Merle. "She
seemed in a very simple, almost in a stupid, state of mind. She was
completely bewildered."
"You had better say at once that she was pathetic."
"Ah no, I don't want to encourage you too much."
He still had his head against the cushion behind him; the ankle of one
foot rested on the other knee. So he sat for a while. "I should like to
know what's the matter with you," he said at last.
"The matter--the matter--!" And here Madame Merle stopped. Then she went
on with a sudden outbreak of passion, a burst of summer thunder in a
clear sky: "The matter is that I would give my right hand to be able to
weep, and that I can't!"
"What good would it do you to weep?"
"It would make me feel as I felt before I knew you."
"If I've dried your tears, that's something. But I've seen you shed
them."
"Oh, I believe you'll make me cry still. I mean make me howl like a
wolf. I've a great hope, I've a great need, of that. I was vile this
morning; I was horrid," she said.
"If Isabel was in the stupid state of mind you mention she probably
didn't perceive it," Osmond answered.
"It was precisely my deviltry that stupefied her. I couldn't help it; I
was full of something bad. Perhaps it was something good; I don't know.
You've not only dried up my tears; you've dried up my soul."
"It's not I then that am responsible for my wife's condition," Osmond
said. "It's pleasant to think that I shall get the benefit of your
influence upon her. Don't you know the soul is an immortal principle?
How can it suffer alteration?"
"I don't believe at all that it's an immortal principle. I believe it
can perfectly be destroyed. That's what has happened to mine, which
was a very good one to start with; and it's you I have to thank for it.
You're VERY bad," she added with gravity in her emphasis.
"Is this the way we're to end?" Osmond asked with the same studied
coldness.
"I don't know how we're to end. I wish I did--How do bad people
end?--especially as to their COMMON crimes. You have made me as bad as
yourself."
"I don't understand you. You seem to me quite good enough," said Osmond,
his conscious indifference giving an extreme effect to the words.
Madame Merle's self-possession tended on the contrary to diminish, and
she was nearer losing it than on any occasion on which we have had the
pleasure of meeting her. The glow of her eye turners sombre; her smile
betrayed a painful effort. "Good enough for anything that I've done with
myself? I suppose that's what you mean."
"Good enough to be always charming!" Osmond exclaimed, smiling too.
"Oh God!" his companion murmured; and, sitting there in her ripe
freshness, she had recourse to the same gesture she had provoked on
Isabel's part in the morning: she bent her face and covered it with her
hands.
"Are you going to weep after all?" Osmond asked; and on her remaining
motionless he went on: "Have I ever complained to you?"
She dropped her hands quickly. "No, you've taken your revenge
otherwise--you have taken it on HER."
Osmond threw back his head further; he looked a while at the ceiling
and might have been supposed to be appealing, in an informal way, to the
heavenly powers. "Oh, the imagination of women! It's always vulgar, at
bottom. You talk of revenge like a third-rate novelist."
"Of course you haven't complained. You've enjoyed your triumph too
much."
"I'm rather curious to know what you call my triumph."
"You've made your wife afraid of you."
Osmond changed his position; he leaned forward, resting his elbows on
his knees and looking a while at a beautiful old Persian rug, at
his feet. He had an air of refusing to accept any one's valuation
of anything, even of time, and of preferring to abide by his own; a
peculiarity which made him at moments an irritating person to converse
with. "Isabel's not afraid of me, and it's not what I wish," he said
at last. "To what do you want to provoke me when you say such things as
that?"
"I've thought over all the harm you can do me," Madame Merle answered.
"Your wife was afraid of me this morning, but in me it was really you
she feared."
"You may have said things that were in very bad taste; I'm not
responsible for that. I didn't see the use of your going to see her at
all: you're capable of acting without her. I've not made you afraid of
me that I can see," he went on; "how then should I have made her? You're
at least as brave. I can't think where you've picked up such rubbish;
one might suppose you knew me by this time." He got up as he spoke and
walked to the chimney, where he stood a moment bending his eye, as if
he had seen them for the first time, on the delicate specimens of rare
porcelain with which it was covered. He took up a small cup and held it
in his hand; then, still holding it and leaning his arm on the mantel,
he pursued: "You always see too much in everything; you overdo it; you
lose sight of the real. I'm much simpler than you think."
"I think you're very simple." And Madame Merle kept her eye on her cup.
"I've come to that with time. I judged you, as I say, of old; but it's
only since your marriage that I've understood you. I've seen better what
you have been to your wife than I ever saw what you were for me. Please
be very careful of that precious object."
"It already has a wee bit of a tiny crack," said Osmond dryly as he put
it down. "If you didn't understand me before I married it was cruelly
rash of you to put me into such a box. However, I took a fancy to my box
myself; I thought it would be a comfortable fit. I asked very little; I
only asked that she should like me."
"That she should like you so much!"
"So much, of course; in such a case one asks the maximum. That she
should adore me, if you will. Oh yes, I wanted that."
"I never adored you," said Madame Merle.
"Ah, but you pretended to!"
"It's true that you never accused me of being a comfortable fit," Madame
Merle went on.
"My wife has declined--declined to do anything of the sort," said
Osmond. "If you're determined to make a tragedy of that, the tragedy's
hardly for her."
"The tragedy's for me!" Madame Merle exclaimed, rising with a long
low sigh but having a glance at the same time for the contents of her
mantel-shelf.
"It appears that I'm to be severely taught the disadvantages of a false
position."
"You express yourself like a sentence in a copybook. We must look for
our comfort where we can find it. If my wife doesn't like me, at least
my child does. I shall look for compensations in Pansy. Fortunately I
haven't a fault to find with her."
"Ah," she said softly, "if I had a child--!"
Osmond waited, and then, with a little formal air, "The children of
others may be a great interest!" he announced.
"You're more like a copy-book than I. There's something after all that
holds us together."
"Is it the idea of the harm I may do you?" Osmond asked.
"No; it's the idea of the good I may do for you. It's that," Madame
Merle pursued, "that made me so jealous of Isabel. I want it to be
MY work," she added, with her face, which had grown hard and bitter,
relaxing to its habit of smoothness.
Her friend took up his hat and his umbrella, and after giving the
former article two or three strokes with his coat-cuff, "On the whole, I
think," he said, "you had better leave it to me."
After he had left her she went, the first thing, and lifted from the
mantel-shelf the attenuated coffee-cup in which he had mentioned the
existence of a crack; but she looked at it rather abstractedly. "Have I
been so vile all for nothing?" she vaguely wailed.
| The narrator goes back in time to the day that Madame Merle came back from Naples and saw Isabel, the incident only mentioned briefly before. On that day, after Madame Merle had asked Isabel what she had done to send Lord Warburton away, Isabel had asked her not to talk of him. Madame Merle says she cant help but talk about it since she had set her heart on the marriage. Isabel is bothered by Madame Merles presumption and by her critical air. Madame Merle makes it worse by telling Isabel she plans to ask Pansy what Isabel told her. At these words, Isabel is struck by a sense that Madame Merle "was a powerful agent in her destiny." She feels a strong mistrust of the older woman. She realizes after a moment that Madame Merles interest is identical with Osmonds. Madame Merle continues to imply half-obliquely that Isabel worked positively against the match. Then she tells Isabel that Osmond judges her severely. Isabel is shocked at Madame Merles insolence in speaking to her about Osmond. Finally, Madame Merle tells Isbel she didnt come to scold her but to learn the truth about what happened between her and Lord Warburton in regard to the marriage proposal. Its clear that Madame Merle is speaking on Osmonds behalf. She tells Isabel that Osmond made a mess of it by accusing Isabel and that she wants Isabel to be honest with her and tell her the truth. She tries to flatter Isabel by saying that shes showing her honor by asking her the question so forthrightly and expecting an honest reply. She ends her appeal by saying of Lord Warburton: "Let him off--let us have him!" Isabel has lost all color in her face as shes listened to Madame Merles speech. Finally she asks, "Who are you--what are you? What have you to do with my husband?" Madame Merle mocks her for taking it so "heroically." Isabel asks, "What have you to do with me?" Madame Merle gets up from her seat and stands over Isabel. She says, "Everything!" Isabel cries, "Oh, misery" and puts her hands over her face. When she removes them, Madame Merle is gone. Isabel realizes that Mrs. Touchett was right all along when she said Madame Merle arranged her marriage to Gilbert. Isabel drives alone that afternoon. Since her friends have left Rome, she has wandered more than usual. Most often she takes Pansy with her. Lately, the Countess Gemini has also come. Still, she likes to be alone much of the time. She wonders if she can say that Madame Merle is a "wicked" person. Shes never had experience with people of this sort. At least she is sure that Madame Merle has been "deeply false" with her. She cant figure out why Madame Merle has manipulated her so much. She realizes there must have been some concept of gain. She remembers that Madame Merle was doubly affectionate with her after Mr. Toucehetts death when she inherited all that money. She seems to have chosen her "closest intimate" and married her to him. She realizes now that Gilbert married her "like a vulgar adventure, for her money." She wonders if he would take her money and let her go or if she herself is also part of the bargain. By the end of her carriage ride that afternoon, she has come to say to herself, "Poor, poor Madame Merle!" at the thought of her husbands power over the older woman. That same afternoon, Gilbert Osmond is in Madame Merles parlor. They are in the same position Isabel found them in once. She is standing and he is sitting in front of her. She is intensely irritated with him for being so complaisant about their failed plans. He acts totally indifferent to her feelings and this indifference makes her more upset. She tells him Isabel doesnt know what to do with herself. he says Isabel plans to carry out her ideas. Madame Merle says she is unclear about what Isabels ideas are. She says that in their talk this morning, Isabel was completely bewildered. Madame Merle bursts out that she would give her right hand to be able to weep. She says if she could weep she would be able to feel as she used to feel before she met him. She says that this morning with Isabel, she was vile and horrid. She says it was her "deviltry" that bewildered Isabel. She tells Gilbert that he hasnt only dried up her tears, but he has dried up her soul. He argues with her on this point, saying the soul is immutable. She disagrees, saying the soul can be destroyed. She tells him he is very bad. She hates the fact that she has done such a poor job with herself. He says she is always charming. This makes her imitate Isabels gesture earlier. She covers her face with her hands. He asks her if she is going to cry now. Then he asks her if he has ever done anything to her. She says he is taking his revenge out on Isabel. Gilbert says all women have a vulgar imagination, just like bad novelists. Madame Merle goes on to tell him that he has made Isabel afraid of him. She says that it is only after his marriage to Isabel that she has understood him. As she speaks, he is picking up one of her porcelain cups from her mantle. She asks him to be careful of "that precious object." He puts it back down. He tells her he only wanted Isabel to like him, really, to adore him. Since she hasnt done this, he has to content himself with Pansy. She says, "Ah, if I had a child--!" he says she can take an interest in other peoples children. She says there is still something that holds them together. Osmond wants to know if it is the harm he can do to her. She says instead that it is the good she can still do for him. She says it is in this that she has been jealous of Isabel. She wants it to be her work. Gilbert gets up to leave. He tells her she should leave it to him. When he has gone, she goes to look at the coffee cup he had been handling and sees that he was right that it has a small crack in it. She asks herself, "Have I been so vile all for nothing?" | summary |
As the Countess Gemini was not acquainted with the ancient monuments
Isabel occasionally offered to introduce her to these interesting relics
and to give their afternoon drive an antiquarian aim. The Countess, who
professed to think her sister-in-law a prodigy of learning, never made
an objection, and gazed at masses of Roman brickwork as patiently as if
they had been mounds of modern drapery. She had not the historic sense,
though she had in some directions the anecdotic, and as regards herself
the apologetic, but she was so delighted to be in Rome that she only
desired to float with the current. She would gladly have passed an hour
every day in the damp darkness of the Baths of Titus if it had been a
condition of her remaining at Palazzo Roccanera. Isabel, however, was
not a severe cicerone; she used to visit the ruins chiefly because they
offered an excuse for talking about other matters than the love affairs
of the ladies of Florence, as to which her companion was never weary
of offering information. It must be added that during these visits the
Countess forbade herself every form of active research; her preference
was to sit in the carriage and exclaim that everything was most
interesting. It was in this manner that she had hitherto examined the
Coliseum, to the infinite regret of her niece, who--with all the respect
that she owed her--could not see why she should not descend from the
vehicle and enter the building. Pansy had so little chance to ramble
that her view of the case was not wholly disinterested; it may be
divined that she had a secret hope that, once inside, her parents' guest
might be induced to climb to the upper tiers. There came a day when
the Countess announced her willingness to undertake this feat--a mild
afternoon in March when the windy month expressed itself in occasional
puffs of spring. The three ladies went into the Coliseum together,
but Isabel left her companions to wander over the place. She had often
ascended to those desolate ledges from which the Roman crowd used to
bellow applause and where now the wild flowers (when they are allowed)
bloom in the deep crevices; and to-day she felt weary and disposed
to sit in the despoiled arena. It made an intermission too, for the
Countess often asked more from one's attention than she gave in return;
and Isabel believed that when she was alone with her niece she let the
dust gather for a moment on the ancient scandals of the Arnide. She so
remained below therefore, while Pansy guided her undiscriminating aunt
to the steep brick staircase at the foot of which the custodian unlocks
the tall wooden gate. The great enclosure was half in shadow; the
western sun brought out the pale red tone of the great blocks of
travertine--the latent colour that is the only living element in the
immense ruin. Here and there wandered a peasant or a tourist, looking
up at the far sky-line where, in the clear stillness, a multitude of
swallows kept circling and plunging. Isabel presently became aware
that one of the other visitors, planted in the middle of the arena, had
turned his attention to her own person and was looking at her with
a certain little poise of the head which she had some weeks before
perceived to be characteristic of baffled but indestructible purpose.
Such an attitude, to-day, could belong only to Mr. Edward Rosier; and
this gentleman proved in fact to have been considering the question of
speaking to her. When he had assured himself that she was unaccompanied
he drew near, remarking that though she would not answer his letters
she would perhaps not wholly close her ears to his spoken eloquence. She
replied that her stepdaughter was close at hand and that she could only
give him five minutes; whereupon he took out his watch and sat down upon
a broken block.
"It's very soon told," said Edward Rosier. "I've sold all my bibelots!"
Isabel gave instinctively an exclamation of horror; it was as if he had
told her he had had all his teeth drawn. "I've sold them by auction at
the Hotel Drouot," he went on. "The sale took place three days ago, and
they've telegraphed me the result. It's magnificent."
"I'm glad to hear it; but I wish you had kept your pretty things."
"I have the money instead--fifty thousand dollars. Will Mr. Osmond think
me rich enough now?"
"Is it for that you did it?" Isabel asked gently.
"For what else in the world could it be? That's the only thing I think
of. I went to Paris and made my arrangements. I couldn't stop for the
sale; I couldn't have seen them going off; I think it would have killed
me. But I put them into good hands, and they brought high prices. I
should tell you I have kept my enamels. Now I have the money in my
pocket, and he can't say I'm poor!" the young man exclaimed defiantly.
"He'll say now that you're not wise," said Isabel, as if Gilbert Osmond
had never said this before.
Rosier gave her a sharp look. "Do you mean that without my bibelots I'm
nothing? Do you mean they were the best thing about me? That's what they
told me in Paris; oh they were very frank about it. But they hadn't seen
HER!"
"My dear friend, you deserve to succeed," said Isabel very kindly.
"You say that so sadly that it's the same as if you said I shouldn't."
And he questioned her eyes with the clear trepidation of his own. He had
the air of a man who knows he has been the talk of Paris for a week and
is full half a head taller in consequence, but who also has a painful
suspicion that in spite of this increase of stature one or two persons
still have the perversity to think him diminutive. "I know what happened
here while I was away," he went on; "What does Mr. Osmond expect after
she has refused Lord Warburton?"
Isabel debated. "That she'll marry another nobleman."
"What other nobleman?"
"One that he'll pick out."
Rosier slowly got up, putting his watch into his waistcoat-pocket.
"You're laughing at some one, but this time I don't think it's at me."
"I didn't mean to laugh," said Isabel. "I laugh very seldom. Now you had
better go away."
"I feel very safe!" Rosier declared without moving. This might be; but
it evidently made him feel more so to make the announcement in rather
a loud voice, balancing himself a little complacently on his toes and
looking all round the Coliseum as if it were filled with an audience.
Suddenly Isabel saw him change colour; there was more of an audience
than he had suspected. She turned and perceived that her two companions
had returned from their excursion. "You must really go away," she said
quickly. "Ah, my dear lady, pity me!" Edward Rosier murmured in a voice
strangely at variance with the announcement I have just quoted. And then
he added eagerly, like a man who in the midst of his misery is seized by
a happy thought: "Is that lady the Countess Gemini? I've a great desire
to be presented to her."
Isabel looked at him a moment. "She has no influence with her brother."
"Ah, what a monster you make him out!" And Rosier faced the Countess,
who advanced, in front of Pansy, with an animation partly due perhaps
to the fact that she perceived her sister-in-law to be engaged in
conversation with a very pretty young man.
"I'm glad you've kept your enamels!" Isabel called as she left him. She
went straight to Pansy, who, on seeing Edward Rosier, had stopped short,
with lowered eyes. "We'll go back to the carriage," she said gently.
"Yes, it's getting late," Pansy returned more gently still. And she
went on without a murmur, without faltering or glancing back. Isabel,
however, allowing herself this last liberty, saw that a meeting had
immediately taken place between the Countess and Mr. Rosier. He had
removed his hat and was bowing and smiling; he had evidently introduced
himself, while the Countess's expressive back displayed to Isabel's eye
a gracious inclination. These facts, none the less, were presently lost
to sight, for Isabel and Pansy took their places again in the carriage.
Pansy, who faced her stepmother, at first kept her eyes fixed on her
lap; then she raised them and rested them on Isabel's. There shone out
of each of them a little melancholy ray--a spark of timid passion which
touched Isabel to the heart. At the same time a wave of envy passed over
her soul, as she compared the tremulous longing, the definite ideal
of the child with her own dry despair. "Poor little Pansy!" she
affectionately said.
"Oh never mind!" Pansy answered in the tone of eager apology. And then
there was a silence; the Countess was a long time coming. "Did you show
your aunt everything, and did she enjoy it?" Isabel asked at last.
"Yes, I showed her everything. I think she was very much pleased."
"And you're not tired, I hope."
"Oh no, thank you, I'm not tired."
The Countess still remained behind, so that Isabel requested the footman
to go into the Coliseum and tell her they were waiting. He presently
returned with the announcement that the Signora Contessa begged them not
to wait--she would come home in a cab!
About a week after this lady's quick sympathies had enlisted themselves
with Mr. Rosier, Isabel, going rather late to dress for dinner, found
Pansy sitting in her room. The girl seemed to have been awaiting her;
she got up from her low chair. "Pardon my taking the liberty," she said
in a small voice. "It will be the last--for some time."
Her voice was strange, and her eyes, widely opened, had an excited,
frightened look. "You're not going away!" Isabel exclaimed.
"I'm going to the convent."
"To the convent?"
Pansy drew nearer, till she was near enough to put her arms round
Isabel and rest her head on her shoulder. She stood this way a moment,
perfectly still; but her companion could feel her tremble. The quiver
of her little body expressed everything she was unable to say. Isabel
nevertheless pressed her. "Why are you going to the convent?"
"Because papa thinks it best. He says a young girl's better, every now
and then, for making a little retreat. He says the world, always the
world, is very bad for a young girl. This is just a chance for a little
seclusion--a little reflexion." Pansy spoke in short detached sentences,
as if she could scarce trust herself; and then she added with a triumph
of self-control: "I think papa's right; I've been so much in the world
this winter."
Her announcement had a strange effect on Isabel; it seemed to carry a
larger meaning than the girl herself knew. "When was this decided?" she
asked. "I've heard nothing of it."
"Papa told me half an hour ago; he thought it better it shouldn't be
too much talked about in advance. Madame Catherine's to come for me at a
quarter past seven, and I'm only to take two frocks. It's only for a few
weeks; I'm sure it will be very good. I shall find all those ladies who
used to be so kind to me, and I shall see the little girls who are being
educated. I'm very fond of little girls," said Pansy with an effect
of diminutive grandeur. "And I'm also very fond of Mother Catherine. I
shall be very quiet and think a great deal."
Isabel listened to her, holding her breath; she was almost awe-struck.
"Think of ME sometimes."
"Ah, come and see me soon!" cried Pansy; and the cry was very different
from the heroic remarks of which she had just delivered herself.
Isabel could say nothing more; she understood nothing; she only felt how
little she yet knew her husband. Her answer to his daughter was a long,
tender kiss.
Half an hour later she learned from her maid that Madame Catherine had
arrived in a cab and had departed again with the signorina. On going to
the drawing-room before dinner she found the Countess Gemini alone, and
this lady characterised the incident by exclaiming, with a wonderful
toss of the head, "En voila, ma chere, une pose!" But if it was an
affectation she was at a loss to see what her husband affected. She
could only dimly perceive that he had more traditions than she supposed.
It had become her habit to be so careful as to what she said to him
that, strange as it may appear, she hesitated, for several minutes after
he had come in, to allude to his daughter's sudden departure: she
spoke of it only after they were seated at table. But she had forbidden
herself ever to ask Osmond a question. All she could do was to make a
declaration, and there was one that came very naturally. "I shall miss
Pansy very much."
He looked a while, with his head inclined a little, at the basket of
flowers in the middle of the table. "Ah yes," he said at last, "I had
thought of that. You must go and see her, you know; but not too often. I
dare say you wonder why I sent her to the good sisters; but I doubt if I
can make you understand. It doesn't matter; don't trouble yourself about
it. That's why I had not spoken of it. I didn't believe you would enter
into it. But I've always had the idea; I've always thought it a part
of the education of one's daughter. One's daughter should be fresh and
fair; she should be innocent and gentle. With the manners of the present
time she is liable to become so dusty and crumpled. Pansy's a little
dusty, a little dishevelled; she has knocked about too much. This
bustling, pushing rabble that calls itself society--one should take her
out of it occasionally. Convents are very quiet, very convenient, very
salutary. I like to think of her there, in the old garden, under
the arcade, among those tranquil virtuous women. Many of them are
gentlewomen born; several of them are noble. She will have her books
and her drawing, she will have her piano. I've made the most liberal
arrangements. There is to be nothing ascetic; there's just to be a
certain little sense of sequestration. She'll have time to think, and
there's something I want her to think about." Osmond spoke deliberately,
reasonably, still with his head on one side, as if he were looking at
the basket of flowers. His tone, however, was that of a man not so
much offering an explanation as putting a thing into words--almost into
pictures--to see, himself, how it would look. He considered a while the
picture he had evoked and seemed greatly pleased with it. And then he
went on: "The Catholics are very wise after all. The convent is a great
institution; we can't do without it; it corresponds to an essential need
in families, in society. It's a school of good manners; it's a school
of repose. Oh, I don't want to detach my daughter from the world," he
added; "I don't want to make her fix her thoughts on any other. This
one's very well, as SHE should take it, and she may think of it as much
as she likes. Only she must think of it in the right way."
Isabel gave an extreme attention to this little sketch; she found
it indeed intensely interesting. It seemed to show her how far her
husband's desire to be effective was capable of going--to the point of
playing theoretic tricks on the delicate organism of his daughter. She
could not understand his purpose, no--not wholly; but she understood it
better than he supposed or desired, inasmuch as she was convinced
that the whole proceeding was an elaborate mystification, addressed to
herself and destined to act upon her imagination. He had wanted to do
something sudden and arbitrary, something unexpected and refined; to
mark the difference between his sympathies and her own, and show that
if he regarded his daughter as a precious work of art it was natural
he should be more and more careful about the finishing touches. If he
wished to be effective he had succeeded; the incident struck a chill
into Isabel's heart. Pansy had known the convent in her childhood and
had found a happy home there; she was fond of the good sisters, who were
very fond of her, and there was therefore for the moment no definite
hardship in her lot. But all the same the girl had taken fright; the
impression her father desired to make would evidently be sharp enough.
The old Protestant tradition had never faded from Isabel's imagination,
and as her thoughts attached themselves to this striking example of
her husband's genius--she sat looking, like him, at the basket of
flowers--poor little Pansy became the heroine of a tragedy. Osmond
wished it to be known that he shrank from nothing, and his wife found it
hard to pretend to eat her dinner. There was a certain relief presently,
in hearing the high, strained voice of her sister-in-law. The Countess
too, apparently, had been thinking the thing out, but had arrived at a
different conclusion from Isabel.
"It's very absurd, my dear Osmond," she said, "to invent so many pretty
reasons for poor Pansy's banishment. Why don't you say at once that you
want to get her out of my way? Haven't you discovered that I think very
well of Mr. Rosier? I do indeed; he seems to me simpaticissimo. He has
made me believe in true love; I never did before! Of course you've
made up your mind that with those convictions I'm dreadful company for
Pansy."
Osmond took a sip of a glass of wine; he looked perfectly good-humoured.
"My dear Amy," he answered, smiling as if he were uttering a piece
of gallantry, "I don't know anything about your convictions, but if
I suspected that they interfere with mine it would be much simpler to
banish YOU."
| Isabel likes to take the Countess Gemini with her on trips around Rome because it gives her sister-in-law something other than the sexual affairs of the women in Florence as a topic of conversation. While they are at the Coliseum one day, Isabel wanders off alone while the Countess and Pansy go exploring. She is greeted by Edward Rosier, who tells her he has sold his bibelots for fifty thousand dollars. He thinks this sacrifice will make him a good candidate for Pansys hand in Gilbert Osmonds eyes. Isabel tells him it wont help because Gilbert Osmond wants Pansy to marry a noble. He sees Pansy and the Countess approaching. He says he wants to speak to the Countess. Isabel advises him against it, saying she has no influence with her brother. Isabel goes to intercept Pansy who drops her eyes when she sees Rosier. She doesnt glance back to look at him when shes being led away. The Countess remains behind so long that Isabel has to send the footman to go and get her. A week later Isabel finds Pansy waiting for her in her room. She says her father has said she will go to the convent for a while. He has told her the world is bad for her. Isabel is surprised that she hasnt been told of these plans. Madame Catharine will be coming for Pansy in a short while. When Pansy is gone, Isabel goes into the room where Osmond is. She has forbidden herself from every asking him questions. She only says she will miss Pansy very much. Gilbert tells her why he sent Pansy to the convent. He wants to keep her innocent and he wants her to think about something and think of it in the right way. Isabel is amazed at how far Gilbert will go in his schemes. He will even go so far as to play "theoretic tricks on the delicate organism of his daughter." Isabel understands this last move on Gilberts part as having been designed for her own benefit. Gilbert had "wanted to do something sudden and arbitrary." Isabel knows Pansy has been frightened by this move. That night at dinner, the Countess talks to Gilbert about Pansys "banishment." She tells him its obvious that all his reasons are only covers for the real purpose of getting Pansy away from Mr. Rosier. She thinks Gilbert is getting Pansy away from the Countess. Gilbert says it would be much simpler just to banish her, the Countess, instead of banishing his daughter. | summary |
As the Countess Gemini was not acquainted with the ancient monuments
Isabel occasionally offered to introduce her to these interesting relics
and to give their afternoon drive an antiquarian aim. The Countess, who
professed to think her sister-in-law a prodigy of learning, never made
an objection, and gazed at masses of Roman brickwork as patiently as if
they had been mounds of modern drapery. She had not the historic sense,
though she had in some directions the anecdotic, and as regards herself
the apologetic, but she was so delighted to be in Rome that she only
desired to float with the current. She would gladly have passed an hour
every day in the damp darkness of the Baths of Titus if it had been a
condition of her remaining at Palazzo Roccanera. Isabel, however, was
not a severe cicerone; she used to visit the ruins chiefly because they
offered an excuse for talking about other matters than the love affairs
of the ladies of Florence, as to which her companion was never weary
of offering information. It must be added that during these visits the
Countess forbade herself every form of active research; her preference
was to sit in the carriage and exclaim that everything was most
interesting. It was in this manner that she had hitherto examined the
Coliseum, to the infinite regret of her niece, who--with all the respect
that she owed her--could not see why she should not descend from the
vehicle and enter the building. Pansy had so little chance to ramble
that her view of the case was not wholly disinterested; it may be
divined that she had a secret hope that, once inside, her parents' guest
might be induced to climb to the upper tiers. There came a day when
the Countess announced her willingness to undertake this feat--a mild
afternoon in March when the windy month expressed itself in occasional
puffs of spring. The three ladies went into the Coliseum together,
but Isabel left her companions to wander over the place. She had often
ascended to those desolate ledges from which the Roman crowd used to
bellow applause and where now the wild flowers (when they are allowed)
bloom in the deep crevices; and to-day she felt weary and disposed
to sit in the despoiled arena. It made an intermission too, for the
Countess often asked more from one's attention than she gave in return;
and Isabel believed that when she was alone with her niece she let the
dust gather for a moment on the ancient scandals of the Arnide. She so
remained below therefore, while Pansy guided her undiscriminating aunt
to the steep brick staircase at the foot of which the custodian unlocks
the tall wooden gate. The great enclosure was half in shadow; the
western sun brought out the pale red tone of the great blocks of
travertine--the latent colour that is the only living element in the
immense ruin. Here and there wandered a peasant or a tourist, looking
up at the far sky-line where, in the clear stillness, a multitude of
swallows kept circling and plunging. Isabel presently became aware
that one of the other visitors, planted in the middle of the arena, had
turned his attention to her own person and was looking at her with
a certain little poise of the head which she had some weeks before
perceived to be characteristic of baffled but indestructible purpose.
Such an attitude, to-day, could belong only to Mr. Edward Rosier; and
this gentleman proved in fact to have been considering the question of
speaking to her. When he had assured himself that she was unaccompanied
he drew near, remarking that though she would not answer his letters
she would perhaps not wholly close her ears to his spoken eloquence. She
replied that her stepdaughter was close at hand and that she could only
give him five minutes; whereupon he took out his watch and sat down upon
a broken block.
"It's very soon told," said Edward Rosier. "I've sold all my bibelots!"
Isabel gave instinctively an exclamation of horror; it was as if he had
told her he had had all his teeth drawn. "I've sold them by auction at
the Hotel Drouot," he went on. "The sale took place three days ago, and
they've telegraphed me the result. It's magnificent."
"I'm glad to hear it; but I wish you had kept your pretty things."
"I have the money instead--fifty thousand dollars. Will Mr. Osmond think
me rich enough now?"
"Is it for that you did it?" Isabel asked gently.
"For what else in the world could it be? That's the only thing I think
of. I went to Paris and made my arrangements. I couldn't stop for the
sale; I couldn't have seen them going off; I think it would have killed
me. But I put them into good hands, and they brought high prices. I
should tell you I have kept my enamels. Now I have the money in my
pocket, and he can't say I'm poor!" the young man exclaimed defiantly.
"He'll say now that you're not wise," said Isabel, as if Gilbert Osmond
had never said this before.
Rosier gave her a sharp look. "Do you mean that without my bibelots I'm
nothing? Do you mean they were the best thing about me? That's what they
told me in Paris; oh they were very frank about it. But they hadn't seen
HER!"
"My dear friend, you deserve to succeed," said Isabel very kindly.
"You say that so sadly that it's the same as if you said I shouldn't."
And he questioned her eyes with the clear trepidation of his own. He had
the air of a man who knows he has been the talk of Paris for a week and
is full half a head taller in consequence, but who also has a painful
suspicion that in spite of this increase of stature one or two persons
still have the perversity to think him diminutive. "I know what happened
here while I was away," he went on; "What does Mr. Osmond expect after
she has refused Lord Warburton?"
Isabel debated. "That she'll marry another nobleman."
"What other nobleman?"
"One that he'll pick out."
Rosier slowly got up, putting his watch into his waistcoat-pocket.
"You're laughing at some one, but this time I don't think it's at me."
"I didn't mean to laugh," said Isabel. "I laugh very seldom. Now you had
better go away."
"I feel very safe!" Rosier declared without moving. This might be; but
it evidently made him feel more so to make the announcement in rather
a loud voice, balancing himself a little complacently on his toes and
looking all round the Coliseum as if it were filled with an audience.
Suddenly Isabel saw him change colour; there was more of an audience
than he had suspected. She turned and perceived that her two companions
had returned from their excursion. "You must really go away," she said
quickly. "Ah, my dear lady, pity me!" Edward Rosier murmured in a voice
strangely at variance with the announcement I have just quoted. And then
he added eagerly, like a man who in the midst of his misery is seized by
a happy thought: "Is that lady the Countess Gemini? I've a great desire
to be presented to her."
Isabel looked at him a moment. "She has no influence with her brother."
"Ah, what a monster you make him out!" And Rosier faced the Countess,
who advanced, in front of Pansy, with an animation partly due perhaps
to the fact that she perceived her sister-in-law to be engaged in
conversation with a very pretty young man.
"I'm glad you've kept your enamels!" Isabel called as she left him. She
went straight to Pansy, who, on seeing Edward Rosier, had stopped short,
with lowered eyes. "We'll go back to the carriage," she said gently.
"Yes, it's getting late," Pansy returned more gently still. And she
went on without a murmur, without faltering or glancing back. Isabel,
however, allowing herself this last liberty, saw that a meeting had
immediately taken place between the Countess and Mr. Rosier. He had
removed his hat and was bowing and smiling; he had evidently introduced
himself, while the Countess's expressive back displayed to Isabel's eye
a gracious inclination. These facts, none the less, were presently lost
to sight, for Isabel and Pansy took their places again in the carriage.
Pansy, who faced her stepmother, at first kept her eyes fixed on her
lap; then she raised them and rested them on Isabel's. There shone out
of each of them a little melancholy ray--a spark of timid passion which
touched Isabel to the heart. At the same time a wave of envy passed over
her soul, as she compared the tremulous longing, the definite ideal
of the child with her own dry despair. "Poor little Pansy!" she
affectionately said.
"Oh never mind!" Pansy answered in the tone of eager apology. And then
there was a silence; the Countess was a long time coming. "Did you show
your aunt everything, and did she enjoy it?" Isabel asked at last.
"Yes, I showed her everything. I think she was very much pleased."
"And you're not tired, I hope."
"Oh no, thank you, I'm not tired."
The Countess still remained behind, so that Isabel requested the footman
to go into the Coliseum and tell her they were waiting. He presently
returned with the announcement that the Signora Contessa begged them not
to wait--she would come home in a cab!
About a week after this lady's quick sympathies had enlisted themselves
with Mr. Rosier, Isabel, going rather late to dress for dinner, found
Pansy sitting in her room. The girl seemed to have been awaiting her;
she got up from her low chair. "Pardon my taking the liberty," she said
in a small voice. "It will be the last--for some time."
Her voice was strange, and her eyes, widely opened, had an excited,
frightened look. "You're not going away!" Isabel exclaimed.
"I'm going to the convent."
"To the convent?"
Pansy drew nearer, till she was near enough to put her arms round
Isabel and rest her head on her shoulder. She stood this way a moment,
perfectly still; but her companion could feel her tremble. The quiver
of her little body expressed everything she was unable to say. Isabel
nevertheless pressed her. "Why are you going to the convent?"
"Because papa thinks it best. He says a young girl's better, every now
and then, for making a little retreat. He says the world, always the
world, is very bad for a young girl. This is just a chance for a little
seclusion--a little reflexion." Pansy spoke in short detached sentences,
as if she could scarce trust herself; and then she added with a triumph
of self-control: "I think papa's right; I've been so much in the world
this winter."
Her announcement had a strange effect on Isabel; it seemed to carry a
larger meaning than the girl herself knew. "When was this decided?" she
asked. "I've heard nothing of it."
"Papa told me half an hour ago; he thought it better it shouldn't be
too much talked about in advance. Madame Catherine's to come for me at a
quarter past seven, and I'm only to take two frocks. It's only for a few
weeks; I'm sure it will be very good. I shall find all those ladies who
used to be so kind to me, and I shall see the little girls who are being
educated. I'm very fond of little girls," said Pansy with an effect
of diminutive grandeur. "And I'm also very fond of Mother Catherine. I
shall be very quiet and think a great deal."
Isabel listened to her, holding her breath; she was almost awe-struck.
"Think of ME sometimes."
"Ah, come and see me soon!" cried Pansy; and the cry was very different
from the heroic remarks of which she had just delivered herself.
Isabel could say nothing more; she understood nothing; she only felt how
little she yet knew her husband. Her answer to his daughter was a long,
tender kiss.
Half an hour later she learned from her maid that Madame Catherine had
arrived in a cab and had departed again with the signorina. On going to
the drawing-room before dinner she found the Countess Gemini alone, and
this lady characterised the incident by exclaiming, with a wonderful
toss of the head, "En voila, ma chere, une pose!" But if it was an
affectation she was at a loss to see what her husband affected. She
could only dimly perceive that he had more traditions than she supposed.
It had become her habit to be so careful as to what she said to him
that, strange as it may appear, she hesitated, for several minutes after
he had come in, to allude to his daughter's sudden departure: she
spoke of it only after they were seated at table. But she had forbidden
herself ever to ask Osmond a question. All she could do was to make a
declaration, and there was one that came very naturally. "I shall miss
Pansy very much."
He looked a while, with his head inclined a little, at the basket of
flowers in the middle of the table. "Ah yes," he said at last, "I had
thought of that. You must go and see her, you know; but not too often. I
dare say you wonder why I sent her to the good sisters; but I doubt if I
can make you understand. It doesn't matter; don't trouble yourself about
it. That's why I had not spoken of it. I didn't believe you would enter
into it. But I've always had the idea; I've always thought it a part
of the education of one's daughter. One's daughter should be fresh and
fair; she should be innocent and gentle. With the manners of the present
time she is liable to become so dusty and crumpled. Pansy's a little
dusty, a little dishevelled; she has knocked about too much. This
bustling, pushing rabble that calls itself society--one should take her
out of it occasionally. Convents are very quiet, very convenient, very
salutary. I like to think of her there, in the old garden, under
the arcade, among those tranquil virtuous women. Many of them are
gentlewomen born; several of them are noble. She will have her books
and her drawing, she will have her piano. I've made the most liberal
arrangements. There is to be nothing ascetic; there's just to be a
certain little sense of sequestration. She'll have time to think, and
there's something I want her to think about." Osmond spoke deliberately,
reasonably, still with his head on one side, as if he were looking at
the basket of flowers. His tone, however, was that of a man not so
much offering an explanation as putting a thing into words--almost into
pictures--to see, himself, how it would look. He considered a while the
picture he had evoked and seemed greatly pleased with it. And then he
went on: "The Catholics are very wise after all. The convent is a great
institution; we can't do without it; it corresponds to an essential need
in families, in society. It's a school of good manners; it's a school
of repose. Oh, I don't want to detach my daughter from the world," he
added; "I don't want to make her fix her thoughts on any other. This
one's very well, as SHE should take it, and she may think of it as much
as she likes. Only she must think of it in the right way."
Isabel gave an extreme attention to this little sketch; she found
it indeed intensely interesting. It seemed to show her how far her
husband's desire to be effective was capable of going--to the point of
playing theoretic tricks on the delicate organism of his daughter. She
could not understand his purpose, no--not wholly; but she understood it
better than he supposed or desired, inasmuch as she was convinced
that the whole proceeding was an elaborate mystification, addressed to
herself and destined to act upon her imagination. He had wanted to do
something sudden and arbitrary, something unexpected and refined; to
mark the difference between his sympathies and her own, and show that
if he regarded his daughter as a precious work of art it was natural
he should be more and more careful about the finishing touches. If he
wished to be effective he had succeeded; the incident struck a chill
into Isabel's heart. Pansy had known the convent in her childhood and
had found a happy home there; she was fond of the good sisters, who were
very fond of her, and there was therefore for the moment no definite
hardship in her lot. But all the same the girl had taken fright; the
impression her father desired to make would evidently be sharp enough.
The old Protestant tradition had never faded from Isabel's imagination,
and as her thoughts attached themselves to this striking example of
her husband's genius--she sat looking, like him, at the basket of
flowers--poor little Pansy became the heroine of a tragedy. Osmond
wished it to be known that he shrank from nothing, and his wife found it
hard to pretend to eat her dinner. There was a certain relief presently,
in hearing the high, strained voice of her sister-in-law. The Countess
too, apparently, had been thinking the thing out, but had arrived at a
different conclusion from Isabel.
"It's very absurd, my dear Osmond," she said, "to invent so many pretty
reasons for poor Pansy's banishment. Why don't you say at once that you
want to get her out of my way? Haven't you discovered that I think very
well of Mr. Rosier? I do indeed; he seems to me simpaticissimo. He has
made me believe in true love; I never did before! Of course you've
made up your mind that with those convictions I'm dreadful company for
Pansy."
Osmond took a sip of a glass of wine; he looked perfectly good-humoured.
"My dear Amy," he answered, smiling as if he were uttering a piece
of gallantry, "I don't know anything about your convictions, but if
I suspected that they interfere with mine it would be much simpler to
banish YOU."
| Notes Two things occur in this chapter. First, Edward Rosier comes back to Rome with the news that he is $50,000 richer because he has sold his collection of bibelots. Second, Osmond sends Pansy to the convent for two weeks. In Isabels eyes, he does so to scare Pansy and Isabel into realizing that he is in complete control and is capable of acting ruthlessly. Gilbert Osmond will treat his daughter as he does everyone else in his life, as an instrument for his pleasure. The expectation this chapter seems intent on setting up has to do not with Gilbert, but with Isabel. If she wont act against Gilbert for her own happiness, will she do so for Pansys. | analysis |
There was a train for Turin and Paris that evening; and after the
Countess had left her Isabel had a rapid and decisive conference with
her maid, who was discreet, devoted and active. After this she thought
(except of her journey) only of one thing. She must go and see Pansy;
from her she couldn't turn away. She had not seen her yet, as Osmond had
given her to understand that it was too soon to begin. She drove at five
o'clock to a high floor in a narrow street in the quarter of the Piazza
Navona, and was admitted by the portress of the convent, a genial and
obsequious person. Isabel had been at this institution before; she had
come with Pansy to see the sisters. She knew they were good women,
and she saw that the large rooms were clean and cheerful and that
the well-used garden had sun for winter and shade for spring. But she
disliked the place, which affronted and almost frightened her; not for
the world would she have spent a night there. It produced to-day more
than before the impression of a well-appointed prison; for it was not
possible to pretend Pansy was free to leave it. This innocent creature
had been presented to her in a new and violent light, but the secondary
effect of the revelation was to make her reach out a hand.
The portress left her to wait in the parlour of the convent while she
went to make it known that there was a visitor for the dear young lady.
The parlour was a vast, cold apartment, with new-looking furniture; a
large clean stove of white porcelain, unlighted, a collection of wax
flowers under glass, and a series of engravings from religious pictures
on the walls. On the other occasion Isabel had thought it less like Rome
than like Philadelphia, but to-day she made no reflexions; the apartment
only seemed to her very empty and very soundless. The portress returned
at the end of some five minutes, ushering in another person. Isabel got
up, expecting to see one of the ladies of the sisterhood, but to her
extreme surprise found herself confronted with Madame Merle. The effect
was strange, for Madame Merle was already so present to her vision
that her appearance in the flesh was like suddenly, and rather awfully,
seeing a painted picture move. Isabel had been thinking all day of her
falsity, her audacity, her ability, her probable suffering; and these
dark things seemed to flash with a sudden light as she entered the
room. Her being there at all had the character of ugly evidence, of
handwritings, of profaned relics, of grim things produced in court. It
made Isabel feel faint; if it had been necessary to speak on the spot
she would have been quite unable. But no such necessity was distinct to
her; it seemed to her indeed that she had absolutely nothing to say to
Madame Merle. In one's relations with this lady, however, there were
never any absolute necessities; she had a manner which carried off
not only her own deficiencies but those of other people. But she was
different from usual; she came in slowly, behind the portress, and
Isabel instantly perceived that she was not likely to depend upon her
habitual resources. For her too the occasion was exceptional, and she
had undertaken to treat it by the light of the moment. This gave her a
peculiar gravity; she pretended not even to smile, and though Isabel saw
that she was more than ever playing a part it seemed to her that on the
whole the wonderful woman had never been so natural. She looked at her
young friend from head to foot, but not harshly nor defiantly; with a
cold gentleness rather, and an absence of any air of allusion to their
last meeting. It was as if she had wished to mark a distinction. She had
been irritated then, she was reconciled now.
"You can leave us alone," she said to the portress; "in five minutes
this lady will ring for you." And then she turned to Isabel, who, after
noting what has just been mentioned, had ceased to notice and had let
her eyes wander as far as the limits of the room would allow. She wished
never to look at Madame Merle again. "You're surprised to find me here,
and I'm afraid you're not pleased," this lady went on. "You don't see
why I should have come; it's as if I had anticipated you. I confess I've
been rather indiscreet--I ought to have asked your permission." There
was none of the oblique movement of irony in this; it was said simply
and mildly; but Isabel, far afloat on a sea of wonder and pain, could
not have told herself with what intention it was uttered. "But I've not
been sitting long," Madame Merle continued; "that is I've not been long
with Pansy. I came to see her because it occurred to me this afternoon
that she must be rather lonely and perhaps even a little miserable.
It may be good for a small girl; I know so little about small girls; I
can't tell. At any rate it's a little dismal. Therefore I came--on the
chance. I knew of course that you'd come, and her father as well;
still, I had not been told other visitors were forbidden. The good
woman--what's her name? Madame Catherine--made no objection whatever. I
stayed twenty minutes with Pansy; she has a charming little room, not
in the least conventual, with a piano and flowers. She has arranged
it delightfully; she has so much taste. Of course it's all none of my
business, but I feel happier since I've seen her. She may even have a
maid if she likes; but of course she has no occasion to dress. She wears
a little black frock; she looks so charming. I went afterwards to see
Mother Catherine, who has a very good room too; I assure you I don't
find the poor sisters at all monastic. Mother Catherine has a most
coquettish little toilet-table, with something that looked uncommonly
like a bottle of eau-de-Cologne. She speaks delightfully of Pansy; says
it's a great happiness for them to have her. She's a little saint of
heaven and a model to the oldest of them. Just as I was leaving Madame
Catherine the portress came to say to her that there was a lady for the
signorina. Of course I knew it must be you, and I asked her to let me
go and receive you in her place. She demurred greatly--I must tell you
that--and said it was her duty to notify the Mother Superior; it was
of such high importance that you should be treated with respect. I
requested her to let the Mother Superior alone and asked her how she
supposed I would treat you!"
So Madame Merle went on, with much of the brilliancy of a woman who had
long been a mistress of the art of conversation. But there were phases
and gradations in her speech, not one of which was lost upon Isabel's
ear, though her eyes were absent from her companion's face. She had not
proceeded far before Isabel noted a sudden break in her voice, a lapse
in her continuity, which was in itself a complete drama. This subtle
modulation marked a momentous discovery--the perception of an entirely
new attitude on the part of her listener. Madame Merle had guessed in
the space of an instant that everything was at end between them, and in
the space of another instant she had guessed the reason why. The person
who stood there was not the same one she had seen hitherto, but was a
very different person--a person who knew her secret. This discovery was
tremendous, and from the moment she made it the most accomplished of
women faltered and lost her courage. But only for that moment. Then the
conscious stream of her perfect manner gathered itself again and flowed
on as smoothly as might be to the end. But it was only because she had
the end in view that she was able to proceed. She had been touched with
a point that made her quiver, and she needed all the alertness of her
will to repress her agitation. Her only safety was in her not betraying
herself. She resisted this, but the startled quality of her voice
refused to improve--she couldn't help it--while she heard herself say
she hardly knew what. The tide of her confidence ebbed, and she was able
only just to glide into port, faintly grazing the bottom.
Isabel saw it all as distinctly as if it had been reflected in a large
clear glass. It might have been a great moment for her, for it might
have been a moment of triumph. That Madame Merle had lost her pluck and
saw before her the phantom of exposure--this in itself was a revenge,
this in itself was almost the promise of a brighter day. And for a
moment during which she stood apparently looking out of the window, with
her back half-turned, Isabel enjoyed that knowledge. On the other side
of the window lay the garden of the convent; but this is not what she
saw; she saw nothing of the budding plants and the glowing afternoon.
She saw, in the crude light of that revelation which had already become
a part of experience and to which the very frailty of the vessel in
which it had been offered her only gave an intrinsic price, the dry
staring fact that she had been an applied handled hung-up tool,
as senseless and convenient as mere shaped wood and iron. All the
bitterness of this knowledge surged into her soul again; it was as if
she felt on her lips the taste of dishonour. There was a moment during
which, if she had turned and spoken, she would have said something that
would hiss like a lash. But she closed her eyes, and then the hideous
vision dropped. What remained was the cleverest woman in the world
standing there within a few feet of her and knowing as little what to
think as the meanest. Isabel's only revenge was to be silent still--to
leave Madame Merle in this unprecedented situation. She left her there
for a period that must have seemed long to this lady, who at last
seated herself with a movement which was in itself a confession of
helplessness. Then Isabel turned slow eyes, looking down at her. Madame
Merle was very pale; her own eyes covered Isabel's face. She might see
what she would, but her danger was over. Isabel would never accuse
her, never reproach her; perhaps because she never would give her the
opportunity to defend herself.
"I'm come to bid Pansy good-bye," our young woman said at last. "I go to
England to-night."
"Go to England to-night!" Madame Merle repeated sitting there and
looking up at her.
"I'm going to Gardencourt. Ralph Touchett's dying."
"Ah, you'll feel that." Madame Merle recovered herself; she had a chance
to express sympathy. "Do you go alone?"
"Yes; without my husband."
Madame Merle gave a low vague murmur; a sort of recognition of the
general sadness of things. "Mr. Touchett never liked me, but I'm sorry
he's dying. Shall you see his mother?"
"Yes; she has returned from America."
"She used to be very kind to me; but she has changed. Others too have
changed," said Madame Merle with a quiet noble pathos. She paused a
moment, then added: "And you'll see dear old Gardencourt again!"
"I shall not enjoy it much," Isabel answered.
"Naturally--in your grief. But it's on the whole, of all the houses I
know, and I know many, the one I should have liked best to live in. I
don't venture to send a message to the people," Madame Merle added; "but
I should like to give my love to the place."
Isabel turned away. "I had better go to Pansy. I've not much time."
While she looked about her for the proper egress, the door opened and
admitted one of the ladies of the house, who advanced with a discreet
smile, gently rubbing, under her long loose sleeves, a pair of plump
white hands. Isabel recognised Madame Catherine, whose acquaintance she
had already made, and begged that she would immediately let her see Miss
Osmond. Madame Catherine looked doubly discreet, but smiled very blandly
and said: "It will be good for her to see you. I'll take you to her
myself." Then she directed her pleased guarded vision to Madame Merle.
"Will you let me remain a little?" this lady asked. "It's so good to be
here."
"You may remain always if you like!" And the good sister gave a knowing
laugh.
She led Isabel out of the room, through several corridors, and up a long
staircase. All these departments were solid and bare, light and clean;
so, thought Isabel, are the great penal establishments. Madame Catherine
gently pushed open the door of Pansy's room and ushered in the visitor;
then stood smiling with folded hands while the two others met and
embraced.
"She's glad to see you," she repeated; "it will do her good." And she
placed the best chair carefully for Isabel. But she made no movement
to seat herself; she seemed ready to retire. "How does this dear child
look?" she asked of Isabel, lingering a moment.
"She looks pale," Isabel answered.
"That's the pleasure of seeing you. She's very happy. Elle eclaire la
maison," said the good sister.
Pansy wore, as Madame Merle had said, a little black dress; it was
perhaps this that made her look pale. "They're very good to me--they
think of everything!" she exclaimed with all her customary eagerness to
accommodate.
"We think of you always--you're a precious charge," Madame Catherine
remarked in the tone of a woman with whom benevolence was a habit and
whose conception of duty was the acceptance of every care. It fell with
a leaden weight on Isabel's ears; it seemed to represent the surrender
of a personality, the authority of the Church.
When Madame Catherine had left them together Pansy kneeled down and hid
her head in her stepmother's lap. So she remained some moments, while
Isabel gently stroked her hair. Then she got up, averting her face and
looking about the room. "Don't you think I've arranged it well? I've
everything I have at home."
"It's very pretty; you're very comfortable." Isabel scarcely knew what
she could say to her. On the one hand she couldn't let her think she had
come to pity her, and on the other it would be a dull mockery to pretend
to rejoice with her. So she simply added after a moment: "I've come to
bid you good-bye. I'm going to England."
Pansy's white little face turned red. "To England! Not to come back?"
"I don't know when I shall come back."
"Ah, I'm sorry," Pansy breathed with faintness. She spoke as if she had
no right to criticise; but her tone expressed a depth of disappointment.
"My cousin, Mr. Touchett, is very ill; he'll probably die. I wish to see
him," Isabel said.
"Ah yes; you told me he would die. Of course you must go. And will papa
go?"
"No; I shall go alone."
For a moment the girl said nothing. Isabel had often wondered what she
thought of the apparent relations of her father with his wife; but never
by a glance, by an intimation, had she let it be seen that she deemed
them deficient in an air of intimacy. She made her reflexions, Isabel
was sure; and she must have had a conviction that there were husbands
and wives who were more intimate than that. But Pansy was not indiscreet
even in thought; she would as little have ventured to judge her gentle
stepmother as to criticise her magnificent father. Her heart may have
stood almost as still as it would have done had she seen two of the
saints in the great picture in the convent chapel turn their painted
heads and shake them at each other. But as in this latter case she would
(for very solemnity's sake) never have mentioned the awful phenomenon,
so she put away all knowledge of the secrets of larger lives than her
own. "You'll be very far away," she presently went on.
"Yes; I shall be far away. But it will scarcely matter," Isabel
explained; "since so long as you're here I can't be called near you."
"Yes, but you can come and see me; though you've not come very often."
"I've not come because your father forbade it. To-day I bring nothing
with me. I can't amuse you."
"I'm not to be amused. That's not what papa wishes."
"Then it hardly matters whether I'm in Rome or in England."
"You're not happy, Mrs. Osmond," said Pansy.
"Not very. But it doesn't matter."
"That's what I say to myself. What does it matter? But I should like to
come out."
"I wish indeed you might."
"Don't leave me here," Pansy went on gently.
Isabel said nothing for a minute; her heart beat fast. "Will you come
away with me now?" she asked.
Pansy looked at her pleadingly. "Did papa tell you to bring me?"
"No; it's my own proposal."
"I think I had better wait then. Did papa send me no message?"
"I don't think he knew I was coming."
"He thinks I've not had enough," said Pansy. "But I have. The ladies are
very kind to me and the little girls come to see me. There are some
very little ones--such charming children. Then my room--you can see for
yourself. All that's very delightful. But I've had enough. Papa wished
me to think a little--and I've thought a great deal."
"What have you thought?"
"Well, that I must never displease papa."
"You knew that before."
"Yes; but I know it better. I'll do anything--I'll do anything," said
Pansy. Then, as she heard her own words, a deep, pure blush came into
her face. Isabel read the meaning of it; she saw the poor girl had been
vanquished. It was well that Mr. Edward Rosier had kept his enamels!
Isabel looked into her eyes and saw there mainly a prayer to be treated
easily. She laid her hand on Pansy's as if to let her know that her
look conveyed no diminution of esteem; for the collapse of the girl's
momentary resistance (mute and modest thought it had been) seemed only
her tribute to the truth of things. She didn't presume to judge others,
but she had judged herself; she had seen the reality. She had no
vocation for struggling with combinations; in the solemnity of
sequestration there was something that overwhelmed her. She bowed her
pretty head to authority and only asked of authority to be merciful.
Yes; it was very well that Edward Rosier had reserved a few articles!
Isabel got up; her time was rapidly shortening. "Good-bye then. I leave
Rome to-night."
Pansy took hold of her dress; there was a sudden change in the child's
face. "You look strange, you frighten me."
"Oh, I'm very harmless," said Isabel.
"Perhaps you won't come back?"
"Perhaps not. I can't tell."
"Ah, Mrs. Osmond, you won't leave me!"
Isabel now saw she had guessed everything. "My dear child, what can I do
for you?" she asked.
"I don't know--but I'm happier when I think of you."
"You can always think of me."
"Not when you're so far. I'm a little afraid," said Pansy.
"What are you afraid of?"
"Of papa--a little. And of Madame Merle. She has just been to see me."
"You must not say that," Isabel observed.
"Oh, I'll do everything they want. Only if you're here I shall do it
more easily."
Isabel considered. "I won't desert you," she said at last. "Good-bye, my
child."
Then they held each other a moment in a silent embrace, like two
sisters; and afterwards Pansy walked along the corridor with her visitor
to the top of the staircase. "Madame Merle has been here," she remarked
as they went; and as Isabel answered nothing she added abruptly: "I
don't like Madame Merle!"
Isabel hesitated, then stopped. "You must never say that--that you don't
like Madame Merle."
Pansy looked at her in wonder; but wonder with Pansy had never been a
reason for non-compliance. "I never will again," she said with exquisite
gentleness. At the top of the staircase they had to separate, as it
appeared to be part of the mild but very definite discipline under which
Pansy lived that she should not go down. Isabel descended, and when she
reached the bottom the girl was standing above. "You'll come back?" she
called out in a voice that Isabel remembered afterwards.
"Yes--I'll come back."
Madame Catherine met Mrs. Osmond below and conducted her to the door of
the parlour, outside of which the two stood talking a minute. "I won't
go in," said the good sister. "Madame Merle's waiting for you."
At this announcement Isabel stiffened; she was on the point of asking
if there were no other egress from the convent. But a moment's reflexion
assured her that she would do well not to betray to the worthy nun her
desire to avoid Pansy's other friend. Her companion grasped her arm
very gently and, fixing her a moment with wise, benevolent eyes, said
in French and almost familiarly: "Eh bien, chere Madame, qu'en
pensez-vous?"
"About my step-daughter? Oh, it would take long to tell you."
"We think it's enough," Madame Catherine distinctly observed. And she
pushed open the door of the parlour.
Madame Merle was sitting just as Isabel had left her, like a woman so
absorbed in thought that she had not moved a little finger. As Madame
Catherine closed the door she got up, and Isabel saw that she had been
thinking to some purpose. She had recovered her balance; she was in full
possession of her resources. "I found I wished to wait for you," she
said urbanely. "But it's not to talk about Pansy."
Isabel wondered what it could be to talk about, and in spite of Madame
Merle's declaration she answered after a moment: "Madame Catherine says
it's enough."
"Yes; it also seems to me enough. I wanted to ask you another word about
poor Mr. Touchett," Madame Merle added. "Have you reason to believe that
he's really at his last?"
"I've no information but a telegram. Unfortunately it only confirms a
probability."
"I'm going to ask you a strange question," said Madame Merle. "Are
you very fond of your cousin?" And she gave a smile as strange as her
utterance.
"Yes, I'm very fond of him. But I don't understand you."
She just hung fire. "It's rather hard to explain. Something has occurred
to me which may not have occurred to you, and I give you the benefit
of my idea. Your cousin did you once a great service. Have you never
guessed it?"
"He has done me many services."
"Yes; but one was much above the rest. He made you a rich woman."
"HE made me--?"
Madame Merle appearing to see herself successful, she went on more
triumphantly: "He imparted to you that extra lustre which was required
to make you a brilliant match. At bottom it's him you've to thank." She
stopped; there was something in Isabel's eyes.
"I don't understand you. It was my uncle's money."
"Yes; it was your uncle's money, but it was your cousin's idea. He
brought his father over to it. Ah, my dear, the sum was large!"
Isabel stood staring; she seemed to-day to live in a world illumined by
lurid flashes. "I don't know why you say such things. I don't know what
you know."
"I know nothing but what I've guessed. But I've guessed that."
Isabel went to the door and, when she had opened it, stood a moment
with her hand on the latch. Then she said--it was her only revenge: "I
believed it was you I had to thank!"
Madame Merle dropped her eyes; she stood there in a kind of proud
penance. "You're very unhappy, I know. But I'm more so."
"Yes; I can believe that. I think I should like never to see you again."
Madame Merle raised her eyes. "I shall go to America," she quietly
remarked while Isabel passed out.
| Before Isabel leaves Rome, she goes to see Pansy at the convent. When she arrives, she is greeted by Madame Merle. She doesnt want to see this person, but knows she must for the sake of appearances. She realizes as she stands there that Madame Merle has sensed her knowledge. She is surprised to recognize that Madame Merle is, for the first time, at a loss for what to say. When she sees Pansy, she cant help but think of the convent as a refined prison. Pansy says her father doesnt think shes had enough confinement, but that she thinks she has had enough. She says she will do anything now that he asks of her. Isabel thinks it is a good thing that Edward Rosier retained a few of his precious keepsakes. Pansy wonders why Isabel looks so intense. Isabel tells her she must leave for England and doesnt know when she will return. Pansy asks her to come back to be with her. She says she will have to obey her father but that if Isabel is there it will be easier to do so. As they part, she tells Isabel she doesnt like Madame Merle. Isabel tells her she must never say that. They embrace and Isabel assures her that she wont desert her. As she goes down the stairs, Pansy calls out to her "Youll come back?" Isabel replies, "Yes-- Ill come back." Isabel is displeased to find out that Madame Merle is still waiting for her. When she says good-bye to Madame Catharine, the nun tells her they all think Pansy has had enough of confinement. Isabel reluctantly goes in to see Madame Merle, who reveals that it was Ralph who arranged for his father to give Isabel her fortune. She says she has just realized it. As Isabel leaves, she says, "I believed it was you I had to thank." Madame Merle says she knows Isabel is unhappy but she is more so. She says she is going to America. | summary |
There was a train for Turin and Paris that evening; and after the
Countess had left her Isabel had a rapid and decisive conference with
her maid, who was discreet, devoted and active. After this she thought
(except of her journey) only of one thing. She must go and see Pansy;
from her she couldn't turn away. She had not seen her yet, as Osmond had
given her to understand that it was too soon to begin. She drove at five
o'clock to a high floor in a narrow street in the quarter of the Piazza
Navona, and was admitted by the portress of the convent, a genial and
obsequious person. Isabel had been at this institution before; she had
come with Pansy to see the sisters. She knew they were good women,
and she saw that the large rooms were clean and cheerful and that
the well-used garden had sun for winter and shade for spring. But she
disliked the place, which affronted and almost frightened her; not for
the world would she have spent a night there. It produced to-day more
than before the impression of a well-appointed prison; for it was not
possible to pretend Pansy was free to leave it. This innocent creature
had been presented to her in a new and violent light, but the secondary
effect of the revelation was to make her reach out a hand.
The portress left her to wait in the parlour of the convent while she
went to make it known that there was a visitor for the dear young lady.
The parlour was a vast, cold apartment, with new-looking furniture; a
large clean stove of white porcelain, unlighted, a collection of wax
flowers under glass, and a series of engravings from religious pictures
on the walls. On the other occasion Isabel had thought it less like Rome
than like Philadelphia, but to-day she made no reflexions; the apartment
only seemed to her very empty and very soundless. The portress returned
at the end of some five minutes, ushering in another person. Isabel got
up, expecting to see one of the ladies of the sisterhood, but to her
extreme surprise found herself confronted with Madame Merle. The effect
was strange, for Madame Merle was already so present to her vision
that her appearance in the flesh was like suddenly, and rather awfully,
seeing a painted picture move. Isabel had been thinking all day of her
falsity, her audacity, her ability, her probable suffering; and these
dark things seemed to flash with a sudden light as she entered the
room. Her being there at all had the character of ugly evidence, of
handwritings, of profaned relics, of grim things produced in court. It
made Isabel feel faint; if it had been necessary to speak on the spot
she would have been quite unable. But no such necessity was distinct to
her; it seemed to her indeed that she had absolutely nothing to say to
Madame Merle. In one's relations with this lady, however, there were
never any absolute necessities; she had a manner which carried off
not only her own deficiencies but those of other people. But she was
different from usual; she came in slowly, behind the portress, and
Isabel instantly perceived that she was not likely to depend upon her
habitual resources. For her too the occasion was exceptional, and she
had undertaken to treat it by the light of the moment. This gave her a
peculiar gravity; she pretended not even to smile, and though Isabel saw
that she was more than ever playing a part it seemed to her that on the
whole the wonderful woman had never been so natural. She looked at her
young friend from head to foot, but not harshly nor defiantly; with a
cold gentleness rather, and an absence of any air of allusion to their
last meeting. It was as if she had wished to mark a distinction. She had
been irritated then, she was reconciled now.
"You can leave us alone," she said to the portress; "in five minutes
this lady will ring for you." And then she turned to Isabel, who, after
noting what has just been mentioned, had ceased to notice and had let
her eyes wander as far as the limits of the room would allow. She wished
never to look at Madame Merle again. "You're surprised to find me here,
and I'm afraid you're not pleased," this lady went on. "You don't see
why I should have come; it's as if I had anticipated you. I confess I've
been rather indiscreet--I ought to have asked your permission." There
was none of the oblique movement of irony in this; it was said simply
and mildly; but Isabel, far afloat on a sea of wonder and pain, could
not have told herself with what intention it was uttered. "But I've not
been sitting long," Madame Merle continued; "that is I've not been long
with Pansy. I came to see her because it occurred to me this afternoon
that she must be rather lonely and perhaps even a little miserable.
It may be good for a small girl; I know so little about small girls; I
can't tell. At any rate it's a little dismal. Therefore I came--on the
chance. I knew of course that you'd come, and her father as well;
still, I had not been told other visitors were forbidden. The good
woman--what's her name? Madame Catherine--made no objection whatever. I
stayed twenty minutes with Pansy; she has a charming little room, not
in the least conventual, with a piano and flowers. She has arranged
it delightfully; she has so much taste. Of course it's all none of my
business, but I feel happier since I've seen her. She may even have a
maid if she likes; but of course she has no occasion to dress. She wears
a little black frock; she looks so charming. I went afterwards to see
Mother Catherine, who has a very good room too; I assure you I don't
find the poor sisters at all monastic. Mother Catherine has a most
coquettish little toilet-table, with something that looked uncommonly
like a bottle of eau-de-Cologne. She speaks delightfully of Pansy; says
it's a great happiness for them to have her. She's a little saint of
heaven and a model to the oldest of them. Just as I was leaving Madame
Catherine the portress came to say to her that there was a lady for the
signorina. Of course I knew it must be you, and I asked her to let me
go and receive you in her place. She demurred greatly--I must tell you
that--and said it was her duty to notify the Mother Superior; it was
of such high importance that you should be treated with respect. I
requested her to let the Mother Superior alone and asked her how she
supposed I would treat you!"
So Madame Merle went on, with much of the brilliancy of a woman who had
long been a mistress of the art of conversation. But there were phases
and gradations in her speech, not one of which was lost upon Isabel's
ear, though her eyes were absent from her companion's face. She had not
proceeded far before Isabel noted a sudden break in her voice, a lapse
in her continuity, which was in itself a complete drama. This subtle
modulation marked a momentous discovery--the perception of an entirely
new attitude on the part of her listener. Madame Merle had guessed in
the space of an instant that everything was at end between them, and in
the space of another instant she had guessed the reason why. The person
who stood there was not the same one she had seen hitherto, but was a
very different person--a person who knew her secret. This discovery was
tremendous, and from the moment she made it the most accomplished of
women faltered and lost her courage. But only for that moment. Then the
conscious stream of her perfect manner gathered itself again and flowed
on as smoothly as might be to the end. But it was only because she had
the end in view that she was able to proceed. She had been touched with
a point that made her quiver, and she needed all the alertness of her
will to repress her agitation. Her only safety was in her not betraying
herself. She resisted this, but the startled quality of her voice
refused to improve--she couldn't help it--while she heard herself say
she hardly knew what. The tide of her confidence ebbed, and she was able
only just to glide into port, faintly grazing the bottom.
Isabel saw it all as distinctly as if it had been reflected in a large
clear glass. It might have been a great moment for her, for it might
have been a moment of triumph. That Madame Merle had lost her pluck and
saw before her the phantom of exposure--this in itself was a revenge,
this in itself was almost the promise of a brighter day. And for a
moment during which she stood apparently looking out of the window, with
her back half-turned, Isabel enjoyed that knowledge. On the other side
of the window lay the garden of the convent; but this is not what she
saw; she saw nothing of the budding plants and the glowing afternoon.
She saw, in the crude light of that revelation which had already become
a part of experience and to which the very frailty of the vessel in
which it had been offered her only gave an intrinsic price, the dry
staring fact that she had been an applied handled hung-up tool,
as senseless and convenient as mere shaped wood and iron. All the
bitterness of this knowledge surged into her soul again; it was as if
she felt on her lips the taste of dishonour. There was a moment during
which, if she had turned and spoken, she would have said something that
would hiss like a lash. But she closed her eyes, and then the hideous
vision dropped. What remained was the cleverest woman in the world
standing there within a few feet of her and knowing as little what to
think as the meanest. Isabel's only revenge was to be silent still--to
leave Madame Merle in this unprecedented situation. She left her there
for a period that must have seemed long to this lady, who at last
seated herself with a movement which was in itself a confession of
helplessness. Then Isabel turned slow eyes, looking down at her. Madame
Merle was very pale; her own eyes covered Isabel's face. She might see
what she would, but her danger was over. Isabel would never accuse
her, never reproach her; perhaps because she never would give her the
opportunity to defend herself.
"I'm come to bid Pansy good-bye," our young woman said at last. "I go to
England to-night."
"Go to England to-night!" Madame Merle repeated sitting there and
looking up at her.
"I'm going to Gardencourt. Ralph Touchett's dying."
"Ah, you'll feel that." Madame Merle recovered herself; she had a chance
to express sympathy. "Do you go alone?"
"Yes; without my husband."
Madame Merle gave a low vague murmur; a sort of recognition of the
general sadness of things. "Mr. Touchett never liked me, but I'm sorry
he's dying. Shall you see his mother?"
"Yes; she has returned from America."
"She used to be very kind to me; but she has changed. Others too have
changed," said Madame Merle with a quiet noble pathos. She paused a
moment, then added: "And you'll see dear old Gardencourt again!"
"I shall not enjoy it much," Isabel answered.
"Naturally--in your grief. But it's on the whole, of all the houses I
know, and I know many, the one I should have liked best to live in. I
don't venture to send a message to the people," Madame Merle added; "but
I should like to give my love to the place."
Isabel turned away. "I had better go to Pansy. I've not much time."
While she looked about her for the proper egress, the door opened and
admitted one of the ladies of the house, who advanced with a discreet
smile, gently rubbing, under her long loose sleeves, a pair of plump
white hands. Isabel recognised Madame Catherine, whose acquaintance she
had already made, and begged that she would immediately let her see Miss
Osmond. Madame Catherine looked doubly discreet, but smiled very blandly
and said: "It will be good for her to see you. I'll take you to her
myself." Then she directed her pleased guarded vision to Madame Merle.
"Will you let me remain a little?" this lady asked. "It's so good to be
here."
"You may remain always if you like!" And the good sister gave a knowing
laugh.
She led Isabel out of the room, through several corridors, and up a long
staircase. All these departments were solid and bare, light and clean;
so, thought Isabel, are the great penal establishments. Madame Catherine
gently pushed open the door of Pansy's room and ushered in the visitor;
then stood smiling with folded hands while the two others met and
embraced.
"She's glad to see you," she repeated; "it will do her good." And she
placed the best chair carefully for Isabel. But she made no movement
to seat herself; she seemed ready to retire. "How does this dear child
look?" she asked of Isabel, lingering a moment.
"She looks pale," Isabel answered.
"That's the pleasure of seeing you. She's very happy. Elle eclaire la
maison," said the good sister.
Pansy wore, as Madame Merle had said, a little black dress; it was
perhaps this that made her look pale. "They're very good to me--they
think of everything!" she exclaimed with all her customary eagerness to
accommodate.
"We think of you always--you're a precious charge," Madame Catherine
remarked in the tone of a woman with whom benevolence was a habit and
whose conception of duty was the acceptance of every care. It fell with
a leaden weight on Isabel's ears; it seemed to represent the surrender
of a personality, the authority of the Church.
When Madame Catherine had left them together Pansy kneeled down and hid
her head in her stepmother's lap. So she remained some moments, while
Isabel gently stroked her hair. Then she got up, averting her face and
looking about the room. "Don't you think I've arranged it well? I've
everything I have at home."
"It's very pretty; you're very comfortable." Isabel scarcely knew what
she could say to her. On the one hand she couldn't let her think she had
come to pity her, and on the other it would be a dull mockery to pretend
to rejoice with her. So she simply added after a moment: "I've come to
bid you good-bye. I'm going to England."
Pansy's white little face turned red. "To England! Not to come back?"
"I don't know when I shall come back."
"Ah, I'm sorry," Pansy breathed with faintness. She spoke as if she had
no right to criticise; but her tone expressed a depth of disappointment.
"My cousin, Mr. Touchett, is very ill; he'll probably die. I wish to see
him," Isabel said.
"Ah yes; you told me he would die. Of course you must go. And will papa
go?"
"No; I shall go alone."
For a moment the girl said nothing. Isabel had often wondered what she
thought of the apparent relations of her father with his wife; but never
by a glance, by an intimation, had she let it be seen that she deemed
them deficient in an air of intimacy. She made her reflexions, Isabel
was sure; and she must have had a conviction that there were husbands
and wives who were more intimate than that. But Pansy was not indiscreet
even in thought; she would as little have ventured to judge her gentle
stepmother as to criticise her magnificent father. Her heart may have
stood almost as still as it would have done had she seen two of the
saints in the great picture in the convent chapel turn their painted
heads and shake them at each other. But as in this latter case she would
(for very solemnity's sake) never have mentioned the awful phenomenon,
so she put away all knowledge of the secrets of larger lives than her
own. "You'll be very far away," she presently went on.
"Yes; I shall be far away. But it will scarcely matter," Isabel
explained; "since so long as you're here I can't be called near you."
"Yes, but you can come and see me; though you've not come very often."
"I've not come because your father forbade it. To-day I bring nothing
with me. I can't amuse you."
"I'm not to be amused. That's not what papa wishes."
"Then it hardly matters whether I'm in Rome or in England."
"You're not happy, Mrs. Osmond," said Pansy.
"Not very. But it doesn't matter."
"That's what I say to myself. What does it matter? But I should like to
come out."
"I wish indeed you might."
"Don't leave me here," Pansy went on gently.
Isabel said nothing for a minute; her heart beat fast. "Will you come
away with me now?" she asked.
Pansy looked at her pleadingly. "Did papa tell you to bring me?"
"No; it's my own proposal."
"I think I had better wait then. Did papa send me no message?"
"I don't think he knew I was coming."
"He thinks I've not had enough," said Pansy. "But I have. The ladies are
very kind to me and the little girls come to see me. There are some
very little ones--such charming children. Then my room--you can see for
yourself. All that's very delightful. But I've had enough. Papa wished
me to think a little--and I've thought a great deal."
"What have you thought?"
"Well, that I must never displease papa."
"You knew that before."
"Yes; but I know it better. I'll do anything--I'll do anything," said
Pansy. Then, as she heard her own words, a deep, pure blush came into
her face. Isabel read the meaning of it; she saw the poor girl had been
vanquished. It was well that Mr. Edward Rosier had kept his enamels!
Isabel looked into her eyes and saw there mainly a prayer to be treated
easily. She laid her hand on Pansy's as if to let her know that her
look conveyed no diminution of esteem; for the collapse of the girl's
momentary resistance (mute and modest thought it had been) seemed only
her tribute to the truth of things. She didn't presume to judge others,
but she had judged herself; she had seen the reality. She had no
vocation for struggling with combinations; in the solemnity of
sequestration there was something that overwhelmed her. She bowed her
pretty head to authority and only asked of authority to be merciful.
Yes; it was very well that Edward Rosier had reserved a few articles!
Isabel got up; her time was rapidly shortening. "Good-bye then. I leave
Rome to-night."
Pansy took hold of her dress; there was a sudden change in the child's
face. "You look strange, you frighten me."
"Oh, I'm very harmless," said Isabel.
"Perhaps you won't come back?"
"Perhaps not. I can't tell."
"Ah, Mrs. Osmond, you won't leave me!"
Isabel now saw she had guessed everything. "My dear child, what can I do
for you?" she asked.
"I don't know--but I'm happier when I think of you."
"You can always think of me."
"Not when you're so far. I'm a little afraid," said Pansy.
"What are you afraid of?"
"Of papa--a little. And of Madame Merle. She has just been to see me."
"You must not say that," Isabel observed.
"Oh, I'll do everything they want. Only if you're here I shall do it
more easily."
Isabel considered. "I won't desert you," she said at last. "Good-bye, my
child."
Then they held each other a moment in a silent embrace, like two
sisters; and afterwards Pansy walked along the corridor with her visitor
to the top of the staircase. "Madame Merle has been here," she remarked
as they went; and as Isabel answered nothing she added abruptly: "I
don't like Madame Merle!"
Isabel hesitated, then stopped. "You must never say that--that you don't
like Madame Merle."
Pansy looked at her in wonder; but wonder with Pansy had never been a
reason for non-compliance. "I never will again," she said with exquisite
gentleness. At the top of the staircase they had to separate, as it
appeared to be part of the mild but very definite discipline under which
Pansy lived that she should not go down. Isabel descended, and when she
reached the bottom the girl was standing above. "You'll come back?" she
called out in a voice that Isabel remembered afterwards.
"Yes--I'll come back."
Madame Catherine met Mrs. Osmond below and conducted her to the door of
the parlour, outside of which the two stood talking a minute. "I won't
go in," said the good sister. "Madame Merle's waiting for you."
At this announcement Isabel stiffened; she was on the point of asking
if there were no other egress from the convent. But a moment's reflexion
assured her that she would do well not to betray to the worthy nun her
desire to avoid Pansy's other friend. Her companion grasped her arm
very gently and, fixing her a moment with wise, benevolent eyes, said
in French and almost familiarly: "Eh bien, chere Madame, qu'en
pensez-vous?"
"About my step-daughter? Oh, it would take long to tell you."
"We think it's enough," Madame Catherine distinctly observed. And she
pushed open the door of the parlour.
Madame Merle was sitting just as Isabel had left her, like a woman so
absorbed in thought that she had not moved a little finger. As Madame
Catherine closed the door she got up, and Isabel saw that she had been
thinking to some purpose. She had recovered her balance; she was in full
possession of her resources. "I found I wished to wait for you," she
said urbanely. "But it's not to talk about Pansy."
Isabel wondered what it could be to talk about, and in spite of Madame
Merle's declaration she answered after a moment: "Madame Catherine says
it's enough."
"Yes; it also seems to me enough. I wanted to ask you another word about
poor Mr. Touchett," Madame Merle added. "Have you reason to believe that
he's really at his last?"
"I've no information but a telegram. Unfortunately it only confirms a
probability."
"I'm going to ask you a strange question," said Madame Merle. "Are
you very fond of your cousin?" And she gave a smile as strange as her
utterance.
"Yes, I'm very fond of him. But I don't understand you."
She just hung fire. "It's rather hard to explain. Something has occurred
to me which may not have occurred to you, and I give you the benefit
of my idea. Your cousin did you once a great service. Have you never
guessed it?"
"He has done me many services."
"Yes; but one was much above the rest. He made you a rich woman."
"HE made me--?"
Madame Merle appearing to see herself successful, she went on more
triumphantly: "He imparted to you that extra lustre which was required
to make you a brilliant match. At bottom it's him you've to thank." She
stopped; there was something in Isabel's eyes.
"I don't understand you. It was my uncle's money."
"Yes; it was your uncle's money, but it was your cousin's idea. He
brought his father over to it. Ah, my dear, the sum was large!"
Isabel stood staring; she seemed to-day to live in a world illumined by
lurid flashes. "I don't know why you say such things. I don't know what
you know."
"I know nothing but what I've guessed. But I've guessed that."
Isabel went to the door and, when she had opened it, stood a moment
with her hand on the latch. Then she said--it was her only revenge: "I
believed it was you I had to thank!"
Madame Merle dropped her eyes; she stood there in a kind of proud
penance. "You're very unhappy, I know. But I'm more so."
"Yes; I can believe that. I think I should like never to see you again."
Madame Merle raised her eyes. "I shall go to America," she quietly
remarked while Isabel passed out.
| Notes The visit to the convent reveals the next greatest plot complication in the novel. If it werent for her ties to Pansy, Isabel could leave Gilbert and Rome forever. She loves Pansy, though, and knows that she is the only part of Pansys life that is not mean-spirited, manipulating, and selfishly cruel. Pansys last appeal, "Youll come back?" is answered quickly by Isabel in the affirmative. Pansy is her daughter in spirit and Isabel it seems will sacrifice her last chance at escape in order to comfort Pansy in her confinement. The chapter is framed by two interviews with Madame Merle. Isabel reluctantly confronts Madame Merle. She realizes that Madame Merle sees her knowledge in her manner. Madame Merle loses her composure momentarily, the only bit of revenge Isabel gets. In the second part of the frame, Madame Merle reveals that it was Ralph who made it so that Isabel would inherit her fortune from her uncle. Since Madame Merle is the one who seized on the opportunities the money provided, it is only right that it would be she who would guess the origins of the money. Strangely, Madame Merles last words are that she will go to America. Its hard to imagine someone like Madame Merle in America, though she is American in origin. It seems as if this last destination is to be regarded as a defeat. All her schemes of marrying a noble or marrying her daughter to a noble have failed. She has realized that Gilbert Osmond is capable of cruelty to their daughter and she has no standing in her daughters life. | analysis |
It was not with surprise, it was with a feeling which in other
circumstances would have had much of the effect of joy, that as Isabel
descended from the Paris Mail at Charing Cross she stepped into the
arms, as it were--or at any rate into the hands--of Henrietta Stackpole.
She had telegraphed to her friend from Turin, and though she had not
definitely said to herself that Henrietta would meet her, she had felt
her telegram would produce some helpful result. On her long journey from
Rome her mind had been given up to vagueness; she was unable to question
the future. She performed this journey with sightless eyes and took
little pleasure in the countries she traversed, decked out though they
were in the richest freshness of spring. Her thoughts followed their
course through other countries--strange-looking, dimly-lighted, pathless
lands, in which there was no change of seasons, but only, as it seemed,
a perpetual dreariness of winter. She had plenty to think about; but
it was neither reflexion nor conscious purpose that filled her mind.
Disconnected visions passed through it, and sudden dull gleams of
memory, of expectation. The past and the future came and went at their
will, but she saw them only in fitful images, which rose and fell by a
logic of their own. It was extraordinary the things she remembered. Now
that she was in the secret, now that she knew something that so much
concerned her and the eclipse of which had made life resemble an attempt
to play whist with an imperfect pack of cards, the truth of things,
their mutual relations, their meaning, and for the most part their
horror, rose before her with a kind of architectural vastness. She
remembered a thousand trifles; they started to life with the spontaneity
of a shiver. She had thought them trifles at the time; now she saw that
they had been weighted with lead. Yet even now they were trifles after
all, for of what use was it to her to understand them? Nothing seemed of
use to her to-day. All purpose, all intention, was suspended; all
desire too save the single desire to reach her much-embracing refuge.
Gardencourt had been her starting-point, and to those muffled chambers
it was at least a temporary solution to return. She had gone forth in
her strength; she would come back in her weakness, and if the place had
been a rest to her before, it would be a sanctuary now. She envied Ralph
his dying, for if one were thinking of rest that was the most perfect
of all. To cease utterly, to give it all up and not know anything
more--this idea was as sweet as the vision of a cool bath in a marble
tank, in a darkened chamber, in a hot land.
She had moments indeed in her journey from Rome which were almost as
good as being dead. She sat in her corner, so motionless, so passive,
simply with the sense of being carried, so detached from hope and
regret, that she recalled to herself one of those Etruscan figures
couched upon the receptacle of their ashes. There was nothing to regret
now--that was all over. Not only the time of her folly, but the time of
her repentance was far. The only thing to regret was that Madame Merle
had been so--well, so unimaginable. Just here her intelligence dropped,
from literal inability to say what it was that Madame Merle had been.
Whatever it was it was for Madame Merle herself to regret it; and
doubtless she would do so in America, where she had announced she was
going. It concerned Isabel no more; she only had an impression that she
should never again see Madame Merle. This impression carried her into
the future, of which from time to time she had a mutilated glimpse. She
saw herself, in the distant years, still in the attitude of a woman who
had her life to live, and these intimations contradicted the spirit of
the present hour. It might be desirable to get quite away, really away,
further away than little grey-green England, but this privilege was
evidently to be denied her. Deep in her soul--deeper than any appetite
for renunciation--was the sense that life would be her business for a
long time to come. And at moments there was something inspiring, almost
enlivening, in the conviction. It was a proof of strength--it was a
proof she should some day be happy again. It couldn't be she was to live
only to suffer; she was still young, after all, and a great many things
might happen to her yet. To live only to suffer--only to feel the injury
of life repeated and enlarged--it seemed to her she was too valuable,
too capable, for that. Then she wondered if it were vain and stupid
to think so well of herself. When had it even been a guarantee to be
valuable? Wasn't all history full of the destruction of precious things?
Wasn't it much more probable that if one were fine one would suffer? It
involved then perhaps an admission that one had a certain grossness; but
Isabel recognised, as it passed before her eyes, the quick vague shadow
of a long future. She should never escape; she should last to the end.
Then the middle years wrapped her about again and the grey curtain of
her indifference closed her in.
Henrietta kissed her, as Henrietta usually kissed, as if she were afraid
she should be caught doing it; and then Isabel stood there in the crowd,
looking about her, looking for her servant. She asked nothing; she
wished to wait. She had a sudden perception that she should be helped.
She rejoiced Henrietta had come; there was something terrible in an
arrival in London. The dusky, smoky, far-arching vault of the station,
the strange, livid light, the dense, dark, pushing crowd, filled her
with a nervous fear and made her put her arm into her friend's. She
remembered she had once liked these things; they seemed part of a mighty
spectacle in which there was something that touched her. She remembered
how she walked away from Euston, in the winter dusk, in the crowded
streets, five years before. She could not have done that to-day, and the
incident came before her as the deed of another person.
"It's too beautiful that you should have come," said Henrietta, looking
at her as if she thought Isabel might be prepared to challenge the
proposition. "If you hadn't--if you hadn't; well, I don't know,"
remarked Miss Stackpole, hinting ominously at her powers of disapproval.
Isabel looked about without seeing her maid. Her eyes rested on another
figure, however, which she felt she had seen before; and in a moment
she recognised the genial countenance of Mr. Bantling. He stood a little
apart, and it was not in the power of the multitude that pressed about
him to make him yield an inch of the ground he had taken--that of
abstracting himself discreetly while the two ladies performed their
embraces.
"There's Mr. Bantling," said Isabel, gently, irrelevantly, scarcely
caring much now whether she should find her maid or not.
"Oh yes, he goes everywhere with me. Come here, Mr. Bantling!" Henrietta
exclaimed. Whereupon the gallant bachelor advanced with a smile--a smile
tempered, however, by the gravity of the occasion. "Isn't it lovely she
has come?" Henrietta asked. "He knows all about it," she added; "we had
quite a discussion. He said you wouldn't, I said you would."
"I thought you always agreed," Isabel smiled in return. She felt she
could smile now; she had seen in an instant, in Mr. Bantling's brave
eyes, that he had good news for her. They seemed to say he wished her to
remember he was an old friend of her cousin--that he understood, that
it was all right. Isabel gave him her hand; she thought of him,
extravagantly, as a beautiful blameless knight.
"Oh, I always agree," said Mr. Bantling. "But she doesn't, you know."
"Didn't I tell you that a maid was a nuisance?" Henrietta enquired.
"Your young lady has probably remained at Calais."
"I don't care," said Isabel, looking at Mr. Bantling, whom she had never
found so interesting.
"Stay with her while I go and see," Henrietta commanded, leaving the two
for a moment together.
They stood there at first in silence, and then Mr. Bantling asked Isabel
how it had been on the Channel.
"Very fine. No, I believe it was very rough," she said, to her
companion's obvious surprise. After which she added: "You've been to
Gardencourt, I know."
"Now how do you know that?"
"I can't tell you--except that you look like a person who has been to
Gardencourt."
"Do you think I look awfully sad? It's awfully sad there, you know."
"I don't believe you ever look awfully sad. You look awfully kind,"
said Isabel with a breadth that cost her no effort. It seemed to her she
should never again feel a superficial embarrassment.
Poor Mr. Bantling, however, was still in this inferior stage. He blushed
a good deal and laughed, he assured her that he was often very blue,
and that when he was blue he was awfully fierce. "You can ask Miss
Stackpole, you know. I was at Gardencourt two days ago."
"Did you see my cousin?"
"Only for a little. But he had been seeing people; Warburton had been
there the day before. Ralph was just the same as usual, except that he
was in bed and that he looks tremendously ill and that he can't speak,"
Mr. Bantling pursued. "He was awfully jolly and funny all the same. He
was just as clever as ever. It's awfully wretched."
Even in the crowded, noisy station this simple picture was vivid. "Was
that late in the day?"
"Yes; I went on purpose. We thought you'd like to know."
"I'm greatly obliged to you. Can I go down tonight?"
"Ah, I don't think SHE'LL let you go," said Mr. Bantling. "She wants you
to stop with her. I made Touchett's man promise to telegraph me to-day,
and I found the telegram an hour ago at my club. 'Quiet and easy,'
that's what it says, and it's dated two o'clock. So you see you can wait
till to-morrow. You must be awfully tired."
"Yes, I'm awfully tired. And I thank you again."
"Oh," said Mr. Bantling, "We were certain you would like the last news."
On which Isabel vaguely noted that he and Henrietta seemed after all to
agree. Miss Stackpole came back with Isabel's maid, whom she had caught
in the act of proving her utility. This excellent person, instead of
losing herself in the crowd, had simply attended to her mistress's
luggage, so that the latter was now at liberty to leave the station.
"You know you're not to think of going to the country to-night,"
Henrietta remarked to her. "It doesn't matter whether there's a train
or not. You're to come straight to me in Wimpole Street. There isn't a
corner to be had in London, but I've got you one all the same. It isn't
a Roman palace, but it will do for a night."
"I'll do whatever you wish," Isabel said.
"You'll come and answer a few questions; that's what I wish."
"She doesn't say anything about dinner, does she, Mrs. Osmond?" Mr.
Bantling enquired jocosely.
Henrietta fixed him a moment with her speculative gaze. "I see you're
in a great hurry to get your own. You'll be at the Paddington Station
to-morrow morning at ten."
"Don't come for my sake, Mr. Bantling," said Isabel.
"He'll come for mine," Henrietta declared as she ushered her friend into
a cab. And later, in a large dusky parlour in Wimpole Street--to do her
justice there had been dinner enough--she asked those questions to which
she had alluded at the station. "Did your husband make you a scene about
your coming?" That was Miss Stackpole's first enquiry.
"No; I can't say he made a scene."
"He didn't object then?"
"Yes, he objected very much. But it was not what you'd call a scene."
"What was it then?"
"It was a very quiet conversation."
Henrietta for a moment regarded her guest. "It must have been hellish,"
she then remarked. And Isabel didn't deny that it had been hellish. But
she confined herself to answering Henrietta's questions, which was easy,
as they were tolerably definite. For the present she offered her no
new information. "Well," said Miss Stackpole at last, "I've only one
criticism to make. I don't see why you promised little Miss Osmond to go
back."
"I'm not sure I myself see now," Isabel replied. "But I did then."
"If you've forgotten your reason perhaps you won't return."
Isabel waited a moment. "Perhaps I shall find another."
"You'll certainly never find a good one."
"In default of a better my having promised will do," Isabel suggested.
"Yes; that's why I hate it."
"Don't speak of it now. I've a little time. Coming away was a
complication, but what will going back be?"
"You must remember, after all, that he won't make you a scene!" said
Henrietta with much intention.
"He will, though," Isabel answered gravely. "It won't be the scene of a
moment; it will be a scene of the rest of my life."
For some minutes the two women sat and considered this remainder, and
then Miss Stackpole, to change the subject, as Isabel had requested,
announced abruptly: "I've been to stay with Lady Pensil!"
"Ah, the invitation came at last!"
"Yes; it took five years. But this time she wanted to see me."
"Naturally enough."
"It was more natural than I think you know," said Henrietta, who fixed
her eyes on a distant point. And then she added, turning suddenly:
"Isabel Archer, I beg your pardon. You don't know why? Because I
criticised you, and yet I've gone further than you. Mr. Osmond, at
least, was born on the other side!"
It was a moment before Isabel grasped her meaning; this sense was so
modestly, or at least so ingeniously, veiled. Isabel's mind was not
possessed at present with the comicality of things; but she greeted with
a quick laugh the image that her companion had raised. She immediately
recovered herself, however, and with the right excess of intensity,
"Henrietta Stackpole," she asked, "are you going to give up your
country?"
"Yes, my poor Isabel, I am. I won't pretend to deny it; I look the fact
in the face. I'm going to marry Mr. Bantling and locate right here in
London."
"It seems very strange," said Isabel, smiling now.
"Well yes, I suppose it does. I've come to it little by little. I think
I know what I'm doing; but I don't know as I can explain."
"One can't explain one's marriage," Isabel answered. "And yours doesn't
need to be explained. Mr. Bantling isn't a riddle."
"No, he isn't a bad pun--or even a high flight of American humour. He
has a beautiful nature," Henrietta went on. "I've studied him for many
years and I see right through him. He's as clear as the style of a good
prospectus. He's not intellectual, but he appreciates intellect. On the
other hand he doesn't exaggerate its claims. I sometimes think we do in
the United States."
"Ah," said Isabel, "you're changed indeed! It's the first time I've ever
heard you say anything against your native land."
"I only say that we're too infatuated with mere brain-power; that, after
all, isn't a vulgar fault. But I AM changed; a woman has to change a
good deal to marry."
"I hope you'll be very happy. You will at last--over here--see something
of the inner life."
Henrietta gave a little significant sigh. "That's the key to the
mystery, I believe. I couldn't endure to be kept off. Now I've as good
a right as any one!" she added with artless elation. Isabel was duly
diverted, but there was a certain melancholy in her view. Henrietta,
after all, had confessed herself human and feminine, Henrietta whom she
had hitherto regarded as a light keen flame, a disembodied voice. It was
a disappointment to find she had personal susceptibilities, that she was
subject to common passions, and that her intimacy with Mr. Bantling had
not been completely original. There was a want of originality in her
marrying him--there was even a kind of stupidity; and for a moment, to
Isabel's sense, the dreariness of the world took on a deeper tinge. A
little later indeed she reflected that Mr. Bantling himself at least was
original. But she didn't see how Henrietta could give up her country.
She herself had relaxed her hold of it, but it had never been her
country as it had been Henrietta's. She presently asked her if she had
enjoyed her visit to Lady Pensil.
"Oh yes," said Henrietta, "she didn't know what to make of me."
"And was that very enjoyable?"
"Very much so, because she's supposed to be a master mind. She thinks
she knows everything; but she doesn't understand a woman of my modern
type. It would be so much easier for her if I were only a little better
or a little worse. She's so puzzled; I believe she thinks it's my duty
to go and do something immoral. She thinks it's immoral that I should
marry her brother; but, after all, that isn't immoral enough. And she'll
never understand my mixture--never!"
"She's not so intelligent as her brother then," said Isabel. "He appears
to have understood."
"Oh no, he hasn't!" cried Miss Stackpole with decision. "I really
believe that's what he wants to marry me for--just to find out the
mystery and the proportions of it. That's a fixed idea--a kind of
fascination."
"It's very good in you to humour it."
"Oh well," said Henrietta, "I've something to find out too!" And Isabel
saw that she had not renounced an allegiance, but planned an attack. She
was at last about to grapple in earnest with England.
Isabel also perceived, however, on the morrow, at the Paddington
Station, where she found herself, at ten o'clock, in the company both
of Miss Stackpole and Mr. Bantling, that the gentleman bore his
perplexities lightly. If he had not found out everything he had found
out at least the great point--that Miss Stackpole would not be wanting
in initiative. It was evident that in the selection of a wife he had
been on his guard against this deficiency.
"Henrietta has told me, and I'm very glad," Isabel said as she gave him
her hand.
"I dare say you think it awfully odd," Mr. Bantling replied, resting on
his neat umbrella.
"Yes, I think it awfully odd."
"You can't think it so awfully odd as I do. But I've always rather liked
striking out a line," said Mr. Bantling serenely.
| Isabel is greeted by Henrietta Stackpole at Charring Cross railway station. She remembers that five years ago she had walked from this station into the crowd with so much confidence. Now she feels overwhelmed by the mass of people and holds onto Henriettas arm for safety. When she sees Mr. Bantling, she feels relieved. He seems so stable and sure. Henrietta tells her she will be staying the night in London instead of going directly to Gardencourt. Mr. Bantling tells her he just received a wire that day from Gardencourt that Ralph was doing well enough. That evening Henrietta tells her she will be marrying Mr. Bantling. She feels a little disappointed in this news. It seems such an anti-climax for Henrietta. It seems such a departure from what seemed like such an original relationship between a man and a women. Henrietta has been invited to see Lady Pensil, who cant figure her out. She thinks she should be either bad or good. She doesnt understand the modern woman that Henrietta is. The next morning when they arrive at the station and Isabel congratulates Mr. Bantling. | summary |
It was not with surprise, it was with a feeling which in other
circumstances would have had much of the effect of joy, that as Isabel
descended from the Paris Mail at Charing Cross she stepped into the
arms, as it were--or at any rate into the hands--of Henrietta Stackpole.
She had telegraphed to her friend from Turin, and though she had not
definitely said to herself that Henrietta would meet her, she had felt
her telegram would produce some helpful result. On her long journey from
Rome her mind had been given up to vagueness; she was unable to question
the future. She performed this journey with sightless eyes and took
little pleasure in the countries she traversed, decked out though they
were in the richest freshness of spring. Her thoughts followed their
course through other countries--strange-looking, dimly-lighted, pathless
lands, in which there was no change of seasons, but only, as it seemed,
a perpetual dreariness of winter. She had plenty to think about; but
it was neither reflexion nor conscious purpose that filled her mind.
Disconnected visions passed through it, and sudden dull gleams of
memory, of expectation. The past and the future came and went at their
will, but she saw them only in fitful images, which rose and fell by a
logic of their own. It was extraordinary the things she remembered. Now
that she was in the secret, now that she knew something that so much
concerned her and the eclipse of which had made life resemble an attempt
to play whist with an imperfect pack of cards, the truth of things,
their mutual relations, their meaning, and for the most part their
horror, rose before her with a kind of architectural vastness. She
remembered a thousand trifles; they started to life with the spontaneity
of a shiver. She had thought them trifles at the time; now she saw that
they had been weighted with lead. Yet even now they were trifles after
all, for of what use was it to her to understand them? Nothing seemed of
use to her to-day. All purpose, all intention, was suspended; all
desire too save the single desire to reach her much-embracing refuge.
Gardencourt had been her starting-point, and to those muffled chambers
it was at least a temporary solution to return. She had gone forth in
her strength; she would come back in her weakness, and if the place had
been a rest to her before, it would be a sanctuary now. She envied Ralph
his dying, for if one were thinking of rest that was the most perfect
of all. To cease utterly, to give it all up and not know anything
more--this idea was as sweet as the vision of a cool bath in a marble
tank, in a darkened chamber, in a hot land.
She had moments indeed in her journey from Rome which were almost as
good as being dead. She sat in her corner, so motionless, so passive,
simply with the sense of being carried, so detached from hope and
regret, that she recalled to herself one of those Etruscan figures
couched upon the receptacle of their ashes. There was nothing to regret
now--that was all over. Not only the time of her folly, but the time of
her repentance was far. The only thing to regret was that Madame Merle
had been so--well, so unimaginable. Just here her intelligence dropped,
from literal inability to say what it was that Madame Merle had been.
Whatever it was it was for Madame Merle herself to regret it; and
doubtless she would do so in America, where she had announced she was
going. It concerned Isabel no more; she only had an impression that she
should never again see Madame Merle. This impression carried her into
the future, of which from time to time she had a mutilated glimpse. She
saw herself, in the distant years, still in the attitude of a woman who
had her life to live, and these intimations contradicted the spirit of
the present hour. It might be desirable to get quite away, really away,
further away than little grey-green England, but this privilege was
evidently to be denied her. Deep in her soul--deeper than any appetite
for renunciation--was the sense that life would be her business for a
long time to come. And at moments there was something inspiring, almost
enlivening, in the conviction. It was a proof of strength--it was a
proof she should some day be happy again. It couldn't be she was to live
only to suffer; she was still young, after all, and a great many things
might happen to her yet. To live only to suffer--only to feel the injury
of life repeated and enlarged--it seemed to her she was too valuable,
too capable, for that. Then she wondered if it were vain and stupid
to think so well of herself. When had it even been a guarantee to be
valuable? Wasn't all history full of the destruction of precious things?
Wasn't it much more probable that if one were fine one would suffer? It
involved then perhaps an admission that one had a certain grossness; but
Isabel recognised, as it passed before her eyes, the quick vague shadow
of a long future. She should never escape; she should last to the end.
Then the middle years wrapped her about again and the grey curtain of
her indifference closed her in.
Henrietta kissed her, as Henrietta usually kissed, as if she were afraid
she should be caught doing it; and then Isabel stood there in the crowd,
looking about her, looking for her servant. She asked nothing; she
wished to wait. She had a sudden perception that she should be helped.
She rejoiced Henrietta had come; there was something terrible in an
arrival in London. The dusky, smoky, far-arching vault of the station,
the strange, livid light, the dense, dark, pushing crowd, filled her
with a nervous fear and made her put her arm into her friend's. She
remembered she had once liked these things; they seemed part of a mighty
spectacle in which there was something that touched her. She remembered
how she walked away from Euston, in the winter dusk, in the crowded
streets, five years before. She could not have done that to-day, and the
incident came before her as the deed of another person.
"It's too beautiful that you should have come," said Henrietta, looking
at her as if she thought Isabel might be prepared to challenge the
proposition. "If you hadn't--if you hadn't; well, I don't know,"
remarked Miss Stackpole, hinting ominously at her powers of disapproval.
Isabel looked about without seeing her maid. Her eyes rested on another
figure, however, which she felt she had seen before; and in a moment
she recognised the genial countenance of Mr. Bantling. He stood a little
apart, and it was not in the power of the multitude that pressed about
him to make him yield an inch of the ground he had taken--that of
abstracting himself discreetly while the two ladies performed their
embraces.
"There's Mr. Bantling," said Isabel, gently, irrelevantly, scarcely
caring much now whether she should find her maid or not.
"Oh yes, he goes everywhere with me. Come here, Mr. Bantling!" Henrietta
exclaimed. Whereupon the gallant bachelor advanced with a smile--a smile
tempered, however, by the gravity of the occasion. "Isn't it lovely she
has come?" Henrietta asked. "He knows all about it," she added; "we had
quite a discussion. He said you wouldn't, I said you would."
"I thought you always agreed," Isabel smiled in return. She felt she
could smile now; she had seen in an instant, in Mr. Bantling's brave
eyes, that he had good news for her. They seemed to say he wished her to
remember he was an old friend of her cousin--that he understood, that
it was all right. Isabel gave him her hand; she thought of him,
extravagantly, as a beautiful blameless knight.
"Oh, I always agree," said Mr. Bantling. "But she doesn't, you know."
"Didn't I tell you that a maid was a nuisance?" Henrietta enquired.
"Your young lady has probably remained at Calais."
"I don't care," said Isabel, looking at Mr. Bantling, whom she had never
found so interesting.
"Stay with her while I go and see," Henrietta commanded, leaving the two
for a moment together.
They stood there at first in silence, and then Mr. Bantling asked Isabel
how it had been on the Channel.
"Very fine. No, I believe it was very rough," she said, to her
companion's obvious surprise. After which she added: "You've been to
Gardencourt, I know."
"Now how do you know that?"
"I can't tell you--except that you look like a person who has been to
Gardencourt."
"Do you think I look awfully sad? It's awfully sad there, you know."
"I don't believe you ever look awfully sad. You look awfully kind,"
said Isabel with a breadth that cost her no effort. It seemed to her she
should never again feel a superficial embarrassment.
Poor Mr. Bantling, however, was still in this inferior stage. He blushed
a good deal and laughed, he assured her that he was often very blue,
and that when he was blue he was awfully fierce. "You can ask Miss
Stackpole, you know. I was at Gardencourt two days ago."
"Did you see my cousin?"
"Only for a little. But he had been seeing people; Warburton had been
there the day before. Ralph was just the same as usual, except that he
was in bed and that he looks tremendously ill and that he can't speak,"
Mr. Bantling pursued. "He was awfully jolly and funny all the same. He
was just as clever as ever. It's awfully wretched."
Even in the crowded, noisy station this simple picture was vivid. "Was
that late in the day?"
"Yes; I went on purpose. We thought you'd like to know."
"I'm greatly obliged to you. Can I go down tonight?"
"Ah, I don't think SHE'LL let you go," said Mr. Bantling. "She wants you
to stop with her. I made Touchett's man promise to telegraph me to-day,
and I found the telegram an hour ago at my club. 'Quiet and easy,'
that's what it says, and it's dated two o'clock. So you see you can wait
till to-morrow. You must be awfully tired."
"Yes, I'm awfully tired. And I thank you again."
"Oh," said Mr. Bantling, "We were certain you would like the last news."
On which Isabel vaguely noted that he and Henrietta seemed after all to
agree. Miss Stackpole came back with Isabel's maid, whom she had caught
in the act of proving her utility. This excellent person, instead of
losing herself in the crowd, had simply attended to her mistress's
luggage, so that the latter was now at liberty to leave the station.
"You know you're not to think of going to the country to-night,"
Henrietta remarked to her. "It doesn't matter whether there's a train
or not. You're to come straight to me in Wimpole Street. There isn't a
corner to be had in London, but I've got you one all the same. It isn't
a Roman palace, but it will do for a night."
"I'll do whatever you wish," Isabel said.
"You'll come and answer a few questions; that's what I wish."
"She doesn't say anything about dinner, does she, Mrs. Osmond?" Mr.
Bantling enquired jocosely.
Henrietta fixed him a moment with her speculative gaze. "I see you're
in a great hurry to get your own. You'll be at the Paddington Station
to-morrow morning at ten."
"Don't come for my sake, Mr. Bantling," said Isabel.
"He'll come for mine," Henrietta declared as she ushered her friend into
a cab. And later, in a large dusky parlour in Wimpole Street--to do her
justice there had been dinner enough--she asked those questions to which
she had alluded at the station. "Did your husband make you a scene about
your coming?" That was Miss Stackpole's first enquiry.
"No; I can't say he made a scene."
"He didn't object then?"
"Yes, he objected very much. But it was not what you'd call a scene."
"What was it then?"
"It was a very quiet conversation."
Henrietta for a moment regarded her guest. "It must have been hellish,"
she then remarked. And Isabel didn't deny that it had been hellish. But
she confined herself to answering Henrietta's questions, which was easy,
as they were tolerably definite. For the present she offered her no
new information. "Well," said Miss Stackpole at last, "I've only one
criticism to make. I don't see why you promised little Miss Osmond to go
back."
"I'm not sure I myself see now," Isabel replied. "But I did then."
"If you've forgotten your reason perhaps you won't return."
Isabel waited a moment. "Perhaps I shall find another."
"You'll certainly never find a good one."
"In default of a better my having promised will do," Isabel suggested.
"Yes; that's why I hate it."
"Don't speak of it now. I've a little time. Coming away was a
complication, but what will going back be?"
"You must remember, after all, that he won't make you a scene!" said
Henrietta with much intention.
"He will, though," Isabel answered gravely. "It won't be the scene of a
moment; it will be a scene of the rest of my life."
For some minutes the two women sat and considered this remainder, and
then Miss Stackpole, to change the subject, as Isabel had requested,
announced abruptly: "I've been to stay with Lady Pensil!"
"Ah, the invitation came at last!"
"Yes; it took five years. But this time she wanted to see me."
"Naturally enough."
"It was more natural than I think you know," said Henrietta, who fixed
her eyes on a distant point. And then she added, turning suddenly:
"Isabel Archer, I beg your pardon. You don't know why? Because I
criticised you, and yet I've gone further than you. Mr. Osmond, at
least, was born on the other side!"
It was a moment before Isabel grasped her meaning; this sense was so
modestly, or at least so ingeniously, veiled. Isabel's mind was not
possessed at present with the comicality of things; but she greeted with
a quick laugh the image that her companion had raised. She immediately
recovered herself, however, and with the right excess of intensity,
"Henrietta Stackpole," she asked, "are you going to give up your
country?"
"Yes, my poor Isabel, I am. I won't pretend to deny it; I look the fact
in the face. I'm going to marry Mr. Bantling and locate right here in
London."
"It seems very strange," said Isabel, smiling now.
"Well yes, I suppose it does. I've come to it little by little. I think
I know what I'm doing; but I don't know as I can explain."
"One can't explain one's marriage," Isabel answered. "And yours doesn't
need to be explained. Mr. Bantling isn't a riddle."
"No, he isn't a bad pun--or even a high flight of American humour. He
has a beautiful nature," Henrietta went on. "I've studied him for many
years and I see right through him. He's as clear as the style of a good
prospectus. He's not intellectual, but he appreciates intellect. On the
other hand he doesn't exaggerate its claims. I sometimes think we do in
the United States."
"Ah," said Isabel, "you're changed indeed! It's the first time I've ever
heard you say anything against your native land."
"I only say that we're too infatuated with mere brain-power; that, after
all, isn't a vulgar fault. But I AM changed; a woman has to change a
good deal to marry."
"I hope you'll be very happy. You will at last--over here--see something
of the inner life."
Henrietta gave a little significant sigh. "That's the key to the
mystery, I believe. I couldn't endure to be kept off. Now I've as good
a right as any one!" she added with artless elation. Isabel was duly
diverted, but there was a certain melancholy in her view. Henrietta,
after all, had confessed herself human and feminine, Henrietta whom she
had hitherto regarded as a light keen flame, a disembodied voice. It was
a disappointment to find she had personal susceptibilities, that she was
subject to common passions, and that her intimacy with Mr. Bantling had
not been completely original. There was a want of originality in her
marrying him--there was even a kind of stupidity; and for a moment, to
Isabel's sense, the dreariness of the world took on a deeper tinge. A
little later indeed she reflected that Mr. Bantling himself at least was
original. But she didn't see how Henrietta could give up her country.
She herself had relaxed her hold of it, but it had never been her
country as it had been Henrietta's. She presently asked her if she had
enjoyed her visit to Lady Pensil.
"Oh yes," said Henrietta, "she didn't know what to make of me."
"And was that very enjoyable?"
"Very much so, because she's supposed to be a master mind. She thinks
she knows everything; but she doesn't understand a woman of my modern
type. It would be so much easier for her if I were only a little better
or a little worse. She's so puzzled; I believe she thinks it's my duty
to go and do something immoral. She thinks it's immoral that I should
marry her brother; but, after all, that isn't immoral enough. And she'll
never understand my mixture--never!"
"She's not so intelligent as her brother then," said Isabel. "He appears
to have understood."
"Oh no, he hasn't!" cried Miss Stackpole with decision. "I really
believe that's what he wants to marry me for--just to find out the
mystery and the proportions of it. That's a fixed idea--a kind of
fascination."
"It's very good in you to humour it."
"Oh well," said Henrietta, "I've something to find out too!" And Isabel
saw that she had not renounced an allegiance, but planned an attack. She
was at last about to grapple in earnest with England.
Isabel also perceived, however, on the morrow, at the Paddington
Station, where she found herself, at ten o'clock, in the company both
of Miss Stackpole and Mr. Bantling, that the gentleman bore his
perplexities lightly. If he had not found out everything he had found
out at least the great point--that Miss Stackpole would not be wanting
in initiative. It was evident that in the selection of a wife he had
been on his guard against this deficiency.
"Henrietta has told me, and I'm very glad," Isabel said as she gave him
her hand.
"I dare say you think it awfully odd," Mr. Bantling replied, resting on
his neat umbrella.
"Yes, I think it awfully odd."
"You can't think it so awfully odd as I do. But I've always rather liked
striking out a line," said Mr. Bantling serenely.
| Notes This chapter gives the reader a bit of a respite from the more eventful preceding ones. Its news, that Henrietta Stackpole will marry Mr. Bantling and live in London, is surprising, but not shocking as the news Isabel has been receiving of late about her husband. Perhaps the main function of placing this bit of news here in the novel is that the reader gets a chance to see Isabels jaded response to news of a wedding. She finds it anti-climactic and is a bit disappointed in her original friend. | analysis |
Isabel's arrival at Gardencourt on this second occasion was even
quieter than it had been on the first. Ralph Touchett kept but a small
household, and to the new servants Mrs. Osmond was a stranger; so that
instead of being conducted to her own apartment she was coldly shown
into the drawing-room and left to wait while her name was carried up to
her aunt. She waited a long time; Mrs. Touchett appeared in no hurry to
come to her. She grew impatient at last; she grew nervous and scared--as
scared as if the objects about her had begun to show for conscious
things, watching her trouble with grotesque grimaces. The day was dark
and cold; the dusk was thick in the corners of the wide brown rooms. The
house was perfectly still--with a stillness that Isabel remembered; it
had filled all the place for days before the death of her uncle. She
left the drawing-room and wandered about--strolled into the library and
along the gallery of pictures, where, in the deep silence, her footstep
made an echo. Nothing was changed; she recognised everything she had
seen years before; it might have been only yesterday she had stood
there. She envied the security of valuable "pieces" which change by no
hair's breadth, only grow in value, while their owners lose inch by
inch youth, happiness, beauty; and she became aware that she was walking
about as her aunt had done on the day she had come to see her in Albany.
She was changed enough since then--that had been the beginning. It
suddenly struck her that if her Aunt Lydia had not come that day in just
that way and found her alone, everything might have been different. She
might have had another life and she might have been a woman more blest.
She stopped in the gallery in front of a small picture--a charming and
precious Bonington--upon which her eyes rested a long time. But she was
not looking at the picture; she was wondering whether if her aunt had
not come that day in Albany she would have married Caspar Goodwood.
Mrs. Touchett appeared at last, just after Isabel had returned to the
big uninhabited drawing-room. She looked a good deal older, but her
eye was as bright as ever and her head as erect; her thin lips seemed a
repository of latent meanings. She wore a little grey dress of the most
undecorated fashion, and Isabel wondered, as she had wondered the first
time, if her remarkable kinswoman resembled more a queen-regent or the
matron of a gaol. Her lips felt very thin indeed on Isabel's hot cheek.
"I've kept you waiting because I've been sitting with Ralph," Mrs.
Touchett said. "The nurse had gone to luncheon and I had taken her
place. He has a man who's supposed to look after him, but the man's good
for nothing; he's always looking out of the window--as if there were
anything to see! I didn't wish to move, because Ralph seemed to be
sleeping and I was afraid the sound would disturb him. I waited till the
nurse came back. I remembered you knew the house."
"I find I know it better even than I thought; I've been walking
everywhere," Isabel answered. And then she asked if Ralph slept much.
"He lies with his eyes closed; he doesn't move. But I'm not sure that
it's always sleep."
"Will he see me? Can he speak to me?"
Mrs. Touchett declined the office of saying. "You can try him," was the
limit of her extravagance. And then she offered to conduct Isabel to her
room. "I thought they had taken you there; but it's not my house, it's
Ralph's; and I don't know what they do. They must at least have taken
your luggage; I don't suppose you've brought much. Not that I care,
however. I believe they've given you the same room you had before; when
Ralph heard you were coming he said you must have that one."
"Did he say anything else?"
"Ah, my dear, he doesn't chatter as he used!" cried Mrs. Touchett as she
preceded her niece up the staircase.
It was the same room, and something told Isabel it had not been slept
in since she occupied it. Her luggage was there and was not voluminous;
Mrs. Touchett sat down a moment with her eyes upon it. "Is there really
no hope?" our young woman asked as she stood before her.
"None whatever. There never has been. It has not been a successful
life."
"No--it has only been a beautiful one." Isabel found herself already
contradicting her aunt; she was irritated by her dryness.
"I don't know what you mean by that; there's no beauty without health.
That is a very odd dress to travel in."
Isabel glanced at her garment. "I left Rome at an hour's notice; I took
the first that came."
"Your sisters, in America, wished to know how you dress. That seemed to
be their principal interest. I wasn't able to tell them--but they seemed
to have the right idea: that you never wear anything less than black
brocade."
"They think I'm more brilliant than I am; I'm afraid to tell them the
truth," said Isabel. "Lily wrote me you had dined with her."
"She invited me four times, and I went once. After the second time she
should have let me alone. The dinner was very good; it must have been
expensive. Her husband has a very bad manner. Did I enjoy my visit to
America? Why should I have enjoyed it? I didn't go for my pleasure."
These were interesting items, but Mrs. Touchett soon left her niece,
whom she was to meet in half an hour at the midday meal. For this
repast the two ladies faced each other at an abbreviated table in the
melancholy dining-room. Here, after a little, Isabel saw her aunt not
to be so dry as she appeared, and her old pity for the poor woman's
inexpressiveness, her want of regret, of disappointment, came back to
her. Unmistakeably she would have found it a blessing to-day to be able
to feel a defeat, a mistake, even a shame or two. She wondered if she
were not even missing those enrichments of consciousness and privately
trying--reaching out for some aftertaste of life, dregs of the banquet;
the testimony of pain or the cold recreation of remorse. On the other
hand perhaps she was afraid; if she should begin to know remorse at all
it might take her too far. Isabel could perceive, however, how it had
come over her dimly that she had failed of something, that she saw
herself in the future as an old woman without memories. Her little
sharp face looked tragical. She told her niece that Ralph had as yet not
moved, but that he probably would be able to see her before dinner.
And then in a moment she added that he had seen Lord Warburton the day
before; an announcement which startled Isabel a little, as it seemed
an intimation that this personage was in the neighbourhood and that an
accident might bring them together. Such an accident would not be happy;
she had not come to England to struggle again with Lord Warburton. She
none the less presently said to her aunt that he had been very kind to
Ralph; she had seen something of that in Rome.
"He has something else to think of now," Mrs. Touchett returned. And she
paused with a gaze like a gimlet.
Isabel saw she meant something, and instantly guessed what she meant.
But her reply concealed her guess; her heart beat faster and she wished
to gain a moment. "Ah yes--the House of Lords and all that."
"He's not thinking of the Lords; he's thinking of the ladies. At least
he's thinking of one of them; he told Ralph he's engaged to be married."
"Ah, to be married!" Isabel mildly exclaimed.
"Unless he breaks it off. He seemed to think Ralph would like to know.
Poor Ralph can't go to the wedding, though I believe it's to take place
very soon.
"And who's the young lady?"
"A member of the aristocracy; Lady Flora, Lady Felicia--something of
that sort."
"I'm very glad," Isabel said. "It must be a sudden decision."
"Sudden enough, I believe; a courtship of three weeks. It has only just
been made public."
"I'm very glad," Isabel repeated with a larger emphasis. She knew her
aunt was watching her--looking for the signs of some imputed soreness,
and the desire to prevent her companion from seeing anything of this
kind enabled her to speak in the tone of quick satisfaction, the tone
almost of relief. Mrs. Touchett of course followed the tradition that
ladies, even married ones, regard the marriage of their old lovers as
an offence to themselves. Isabel's first care therefore was to show
that however that might be in general she was not offended now. But
meanwhile, as I say, her heart beat faster; and if she sat for some
moments thoughtful--she presently forgot Mrs. Touchett's observation--it
was not because she had lost an admirer. Her imagination had traversed
half Europe; it halted, panting, and even trembling a little, in the
city of Rome. She figured herself announcing to her husband that Lord
Warburton was to lead a bride to the altar, and she was of course
not aware how extremely wan she must have looked while she made this
intellectual effort. But at last she collected herself and said to her
aunt: "He was sure to do it some time or other."
Mrs. Touchett was silent; then she gave a sharp little shake of the
head. "Ah, my dear, you're beyond me!" she cried suddenly. They went on
with their luncheon in silence; Isabel felt as if she had heard of Lord
Warburton's death. She had known him only as a suitor, and now that was
all over. He was dead for poor Pansy; by Pansy he might have lived. A
servant had been hovering about; at last Mrs. Touchett requested him
to leave them alone. She had finished her meal; she sat with her
hands folded on the edge of the table. "I should like to ask you three
questions," she observed when the servant had gone.
"Three are a great many."
"I can't do with less; I've been thinking. They're all very good ones."
"That's what I'm afraid of. The best questions are the worst," Isabel
answered. Mrs. Touchett had pushed back her chair, and as her niece left
the table and walked, rather consciously, to one of the deep windows,
she felt herself followed by her eyes.
"Have you ever been sorry you didn't marry Lord Warburton?" Mrs.
Touchett enquired.
Isabel shook her head slowly, but not heavily. "No, dear aunt."
"Good. I ought to tell you that I propose to believe what you say."
"Your believing me's an immense temptation," she declared, smiling
still.
"A temptation to lie? I don't recommend you to do that, for when I'm
misinformed I'm as dangerous as a poisoned rat. I don't mean to crow
over you."
"It's my husband who doesn't get on with me," said Isabel.
"I could have told him he wouldn't. I don't call that crowing over YOU,"
Mrs. Touchett added. "Do you still like Serena Merle?" she went on.
"Not as I once did. But it doesn't matter, for she's going to America."
"To America? She must have done something very bad."
"Yes--very bad."
"May I ask what it is?"
"She made a convenience of me."
"Ah," cried Mrs. Touchett, "so she did of me! She does of every one."
"She'll make a convenience of America," said Isabel, smiling again and
glad that her aunt's questions were over.
It was not till the evening that she was able to see Ralph. He had been
dozing all day; at least he had been lying unconscious. The doctor was
there, but after a while went away--the local doctor, who had attended
his father and whom Ralph liked. He came three or four times a day; he
was deeply interested in his patient. Ralph had had Sir Matthew Hope,
but he had got tired of this celebrated man, to whom he had asked his
mother to send word he was now dead and was therefore without further
need of medical advice. Mrs. Touchett had simply written to Sir Matthew
that her son disliked him. On the day of Isabel's arrival Ralph gave no
sign, as I have related, for many hours; but toward evening he raised
himself and said he knew that she had come.
How he knew was not apparent, inasmuch as for fear of exciting him no
one had offered the information. Isabel came in and sat by his bed in
the dim light; there was only a shaded candle in a corner of the room.
She told the nurse she might go--she herself would sit with him for the
rest of the evening. He had opened his eyes and recognised her, and had
moved his hand, which lay helpless beside him, so that she might take
it. But he was unable to speak; he closed his eyes again and remained
perfectly still, only keeping her hand in his own. She sat with him a
long time--till the nurse came back; but he gave no further sign. He
might have passed away while she looked at him; he was already the
figure and pattern of death. She had thought him far gone in Rome,
and this was worse; there was but one change possible now. There was a
strange tranquillity in his face; it was as still as the lid of a box.
With this he was a mere lattice of bones; when he opened his eyes to
greet her it was as if she were looking into immeasurable space. It was
not till midnight that the nurse came back; but the hours, to Isabel,
had not seemed long; it was exactly what she had come for. If she had
come simply to wait she found ample occasion, for he lay three days in
a kind of grateful silence. He recognised her and at moments seemed to
wish to speak; but he found no voice. Then he closed his eyes again, as
if he too were waiting for something--for something that certainly would
come. He was so absolutely quiet that it seemed to her what was coming
had already arrived; and yet she never lost the sense that they were
still together. But they were not always together; there were other
hours that she passed in wandering through the empty house and listening
for a voice that was not poor Ralph's. She had a constant fear; she
thought it possible her husband would write to her. But he remained
silent, and she only got a letter from Florence and from the Countess
Gemini. Ralph, however, spoke at last--on the evening of the third day.
"I feel better to-night," he murmured, abruptly, in the soundless
dimness of her vigil; "I think I can say something." She sank upon her
knees beside his pillow; took his thin hand in her own; begged him
not to make an effort--not to tire himself. His face was of necessity
serious--it was incapable of the muscular play of a smile; but its owner
apparently had not lost a perception of incongruities. "What does it
matter if I'm tired when I've all eternity to rest? There's no harm in
making an effort when it's the very last of all. Don't people always
feel better just before the end? I've often heard of that; it's what I
was waiting for. Ever since you've been here I thought it would come.
I tried two or three times; I was afraid you'd get tired of sitting
there." He spoke slowly, with painful breaks and long pauses; his voice
seemed to come from a distance. When he ceased he lay with his face
turned to Isabel and his large unwinking eyes open into her own. "It
was very good of you to come," he went on. "I thought you would; but I
wasn't sure."
"I was not sure either till I came," said Isabel.
"You've been like an angel beside my bed. You know they talk about the
angel of death. It's the most beautiful of all. You've been like that;
as if you were waiting for me."
"I was not waiting for your death; I was waiting for--for this. This is
not death, dear Ralph."
"Not for you--no. There's nothing makes us feel so much alive as to see
others die. That's the sensation of life--the sense that we remain. I've
had it--even I. But now I'm of no use but to give it to others. With me
it's all over." And then he paused. Isabel bowed her head further, till
it rested on the two hands that were clasped upon his own. She couldn't
see him now; but his far-away voice was close to her ear. "Isabel," he
went on suddenly, "I wish it were over for you." She answered nothing;
she had burst into sobs; she remained so, with her buried face. He lay
silent, listening to her sobs; at last he gave a long groan. "Ah, what
is it you have done for me?"
"What is it you did for me?" she cried, her now extreme agitation half
smothered by her attitude. She had lost all her shame, all wish to hide
things. Now he must know; she wished him to know, for it brought them
supremely together, and he was beyond the reach of pain. "You did
something once--you know it. O Ralph, you've been everything! What have
I done for you--what can I do to-day? I would die if you could live.
But I don't wish you to live; I would die myself, not to lose you." Her
voice was as broken as his own and full of tears and anguish.
"You won't lose me--you'll keep me. Keep me in your heart; I shall be
nearer to you than I've ever been. Dear Isabel, life is better; for in
life there's love. Death is good--but there's no love."
"I never thanked you--I never spoke--I never was what I should be!"
Isabel went on. She felt a passionate need to cry out and accuse
herself, to let her sorrow possess her. All her troubles, for the
moment, became single and melted together into this present pain. "What
must you have thought of me? Yet how could I know? I never knew, and I
only know to-day because there are people less stupid than I."
"Don't mind people," said Ralph. "I think I'm glad to leave people."
She raised her head and her clasped hands; she seemed for a moment to
pray to him. "Is it true--is it true?" she asked.
"True that you've been stupid? Oh no," said Ralph with a sensible
intention of wit.
"That you made me rich--that all I have is yours?"
He turned away his head, and for some time said nothing. Then at last:
"Ah, don't speak of that--that was not happy." Slowly he moved his face
toward her again, and they once more saw each other. "But for that--but
for that--!" And he paused. "I believe I ruined you," he wailed.
She was full of the sense that he was beyond the reach of pain; he
seemed already so little of this world. But even if she had not had
it she would still have spoken, for nothing mattered now but the only
knowledge that was not pure anguish--the knowledge that they were
looking at the truth together.
"He married me for the money," she said. She wished to say everything;
she was afraid he might die before she had done so. He gazed at her a
little, and for the first time his fixed eyes lowered their lids. But he
raised them in a moment, and then, "He was greatly in love with you," he
answered.
"Yes, he was in love with me. But he wouldn't have married me if I had
been poor. I don't hurt you in saying that. How can I? I only want you
to understand. I always tried to keep you from understanding; but that's
all over."
"I always understood," said Ralph.
"I thought you did, and I didn't like it. But now I like it."
"You don't hurt me--you make me very happy." And as Ralph said this
there was an extraordinary gladness in his voice. She bent her
head again, and pressed her lips to the back of his hand. "I always
understood," he continued, "though it was so strange--so pitiful. You
wanted to look at life for yourself--but you were not allowed; you
were punished for your wish. You were ground in the very mill of the
conventional!"
"Oh yes, I've been punished," Isabel sobbed.
He listened to her a little, and then continued: "Was he very bad about
your coming?"
"He made it very hard for me. But I don't care."
"It is all over then between you?"
"Oh no; I don't think anything's over."
"Are you going back to him?" Ralph gasped.
"I don't know--I can't tell. I shall stay here as long as I may. I don't
want to think--I needn't think. I don't care for anything but you, and
that's enough for the present. It will last a little yet. Here on my
knees, with you dying in my arms, I'm happier than I have been for a
long time. And I want you to be happy--not to think of anything sad;
only to feel that I'm near you and I love you. Why should there be
pain--? In such hours as this what have we to do with pain? That's not
the deepest thing; there's something deeper."
Ralph evidently found from moment to moment greater difficulty in
speaking; he had to wait longer to collect himself. At first he appeared
to make no response to these last words; he let a long time elapse. Then
he murmured simply: "You must stay here."
"I should like to stay--as long as seems right."
"As seems right--as seems right?" He repeated her words. "Yes, you think
a great deal about that."
"Of course one must. You're very tired," said Isabel.
"I'm very tired. You said just now that pain's not the deepest thing.
No--no. But it's very deep. If I could stay--"
"For me you'll always be here," she softly interrupted. It was easy to
interrupt him.
But he went on, after a moment: "It passes, after all; it's passing now.
But love remains. I don't know why we should suffer so much. Perhaps I
shall find out. There are many things in life. You're very young."
"I feel very old," said Isabel.
"You'll grow young again. That's how I see you. I don't believe--I don't
believe--" But he stopped again; his strength failed him.
She begged him to be quiet now. "We needn't speak to understand each
other," she said.
"I don't believe that such a generous mistake as yours can hurt you for
more than a little."
"Oh Ralph, I'm very happy now," she cried through her tears.
"And remember this," he continued, "that if you've been hated
you've also been loved. Ah but, Isabel--ADORED!" he just audibly and
lingeringly breathed.
"Oh my brother!" she cried with a movement of still deeper prostration.
| Isabel arrives at Gardencourt. The house is very quiet. She waits a long time for Mrs. Touchett to come down. She wanders through the art gallery thinking of her life. She wonders what would have come of it if Mrs. Touchett had never come to her in Albany and taken her to England. She wonders if she would have married Caspar Goodwood. Mrs. Touchett tells her news of her sisters, who seem to be consumed with curiosity over what Isabel is wearing. She tells her that Lord Warburton is to be married soon to an English lady. At dinner, Mrs. Toucehett asks Isabel if she is sorry she refused Lord Warburton. Isabel assures her that she isnt. Mrs. Touchett interrupts the conversation to say that Isabel must be honest in her answers or she will not be easy to get along with. Isabel tells her it is her husband who cant get along with her. Next, Mrs. Touchett wants to know if Isabel still likes Serena Merle. Isabel says she doesnt but it doesnt matter since shes planning to go to America. Mrs. Touchett says Madame Merle must have done something very bad to have to leave Europe. Isabel says "she made a convenience out of me." Mrs. Touchett says Madame Merle did the same to her and that she does it to everyone. That evening, Isabel sits with Ralph and for the three days following. On the third night, he rouses himself enough to talk. He tells her shes been like a beautiful angel sitting beside his bed. He tells her he wishes her hard times were over. She bursts into sobs and he asks her what it is that she has done for him in coming to him. She asks him what he has done for her. He says the money he got his father to leave her ruined her chances at happiness. he says, "You wanted to look at life for yourself--but you were not allowed; you were punished for your wish. You were ground in the very mill of the conventional!" She agrees that she has been punished. He wants to know if she plans to go back to Rome. She cant answer because she isnt sure. He tells her that even though she feels old now, she will grow young again. He says love remains and that she cant be punished for long for such a generous mistake as the one she made in marrying Gilbert Osmond. He tells her to remember that if she has been hated, she has also been loved, "adored. " She calls him her brother. | summary |
Isabel's arrival at Gardencourt on this second occasion was even
quieter than it had been on the first. Ralph Touchett kept but a small
household, and to the new servants Mrs. Osmond was a stranger; so that
instead of being conducted to her own apartment she was coldly shown
into the drawing-room and left to wait while her name was carried up to
her aunt. She waited a long time; Mrs. Touchett appeared in no hurry to
come to her. She grew impatient at last; she grew nervous and scared--as
scared as if the objects about her had begun to show for conscious
things, watching her trouble with grotesque grimaces. The day was dark
and cold; the dusk was thick in the corners of the wide brown rooms. The
house was perfectly still--with a stillness that Isabel remembered; it
had filled all the place for days before the death of her uncle. She
left the drawing-room and wandered about--strolled into the library and
along the gallery of pictures, where, in the deep silence, her footstep
made an echo. Nothing was changed; she recognised everything she had
seen years before; it might have been only yesterday she had stood
there. She envied the security of valuable "pieces" which change by no
hair's breadth, only grow in value, while their owners lose inch by
inch youth, happiness, beauty; and she became aware that she was walking
about as her aunt had done on the day she had come to see her in Albany.
She was changed enough since then--that had been the beginning. It
suddenly struck her that if her Aunt Lydia had not come that day in just
that way and found her alone, everything might have been different. She
might have had another life and she might have been a woman more blest.
She stopped in the gallery in front of a small picture--a charming and
precious Bonington--upon which her eyes rested a long time. But she was
not looking at the picture; she was wondering whether if her aunt had
not come that day in Albany she would have married Caspar Goodwood.
Mrs. Touchett appeared at last, just after Isabel had returned to the
big uninhabited drawing-room. She looked a good deal older, but her
eye was as bright as ever and her head as erect; her thin lips seemed a
repository of latent meanings. She wore a little grey dress of the most
undecorated fashion, and Isabel wondered, as she had wondered the first
time, if her remarkable kinswoman resembled more a queen-regent or the
matron of a gaol. Her lips felt very thin indeed on Isabel's hot cheek.
"I've kept you waiting because I've been sitting with Ralph," Mrs.
Touchett said. "The nurse had gone to luncheon and I had taken her
place. He has a man who's supposed to look after him, but the man's good
for nothing; he's always looking out of the window--as if there were
anything to see! I didn't wish to move, because Ralph seemed to be
sleeping and I was afraid the sound would disturb him. I waited till the
nurse came back. I remembered you knew the house."
"I find I know it better even than I thought; I've been walking
everywhere," Isabel answered. And then she asked if Ralph slept much.
"He lies with his eyes closed; he doesn't move. But I'm not sure that
it's always sleep."
"Will he see me? Can he speak to me?"
Mrs. Touchett declined the office of saying. "You can try him," was the
limit of her extravagance. And then she offered to conduct Isabel to her
room. "I thought they had taken you there; but it's not my house, it's
Ralph's; and I don't know what they do. They must at least have taken
your luggage; I don't suppose you've brought much. Not that I care,
however. I believe they've given you the same room you had before; when
Ralph heard you were coming he said you must have that one."
"Did he say anything else?"
"Ah, my dear, he doesn't chatter as he used!" cried Mrs. Touchett as she
preceded her niece up the staircase.
It was the same room, and something told Isabel it had not been slept
in since she occupied it. Her luggage was there and was not voluminous;
Mrs. Touchett sat down a moment with her eyes upon it. "Is there really
no hope?" our young woman asked as she stood before her.
"None whatever. There never has been. It has not been a successful
life."
"No--it has only been a beautiful one." Isabel found herself already
contradicting her aunt; she was irritated by her dryness.
"I don't know what you mean by that; there's no beauty without health.
That is a very odd dress to travel in."
Isabel glanced at her garment. "I left Rome at an hour's notice; I took
the first that came."
"Your sisters, in America, wished to know how you dress. That seemed to
be their principal interest. I wasn't able to tell them--but they seemed
to have the right idea: that you never wear anything less than black
brocade."
"They think I'm more brilliant than I am; I'm afraid to tell them the
truth," said Isabel. "Lily wrote me you had dined with her."
"She invited me four times, and I went once. After the second time she
should have let me alone. The dinner was very good; it must have been
expensive. Her husband has a very bad manner. Did I enjoy my visit to
America? Why should I have enjoyed it? I didn't go for my pleasure."
These were interesting items, but Mrs. Touchett soon left her niece,
whom she was to meet in half an hour at the midday meal. For this
repast the two ladies faced each other at an abbreviated table in the
melancholy dining-room. Here, after a little, Isabel saw her aunt not
to be so dry as she appeared, and her old pity for the poor woman's
inexpressiveness, her want of regret, of disappointment, came back to
her. Unmistakeably she would have found it a blessing to-day to be able
to feel a defeat, a mistake, even a shame or two. She wondered if she
were not even missing those enrichments of consciousness and privately
trying--reaching out for some aftertaste of life, dregs of the banquet;
the testimony of pain or the cold recreation of remorse. On the other
hand perhaps she was afraid; if she should begin to know remorse at all
it might take her too far. Isabel could perceive, however, how it had
come over her dimly that she had failed of something, that she saw
herself in the future as an old woman without memories. Her little
sharp face looked tragical. She told her niece that Ralph had as yet not
moved, but that he probably would be able to see her before dinner.
And then in a moment she added that he had seen Lord Warburton the day
before; an announcement which startled Isabel a little, as it seemed
an intimation that this personage was in the neighbourhood and that an
accident might bring them together. Such an accident would not be happy;
she had not come to England to struggle again with Lord Warburton. She
none the less presently said to her aunt that he had been very kind to
Ralph; she had seen something of that in Rome.
"He has something else to think of now," Mrs. Touchett returned. And she
paused with a gaze like a gimlet.
Isabel saw she meant something, and instantly guessed what she meant.
But her reply concealed her guess; her heart beat faster and she wished
to gain a moment. "Ah yes--the House of Lords and all that."
"He's not thinking of the Lords; he's thinking of the ladies. At least
he's thinking of one of them; he told Ralph he's engaged to be married."
"Ah, to be married!" Isabel mildly exclaimed.
"Unless he breaks it off. He seemed to think Ralph would like to know.
Poor Ralph can't go to the wedding, though I believe it's to take place
very soon.
"And who's the young lady?"
"A member of the aristocracy; Lady Flora, Lady Felicia--something of
that sort."
"I'm very glad," Isabel said. "It must be a sudden decision."
"Sudden enough, I believe; a courtship of three weeks. It has only just
been made public."
"I'm very glad," Isabel repeated with a larger emphasis. She knew her
aunt was watching her--looking for the signs of some imputed soreness,
and the desire to prevent her companion from seeing anything of this
kind enabled her to speak in the tone of quick satisfaction, the tone
almost of relief. Mrs. Touchett of course followed the tradition that
ladies, even married ones, regard the marriage of their old lovers as
an offence to themselves. Isabel's first care therefore was to show
that however that might be in general she was not offended now. But
meanwhile, as I say, her heart beat faster; and if she sat for some
moments thoughtful--she presently forgot Mrs. Touchett's observation--it
was not because she had lost an admirer. Her imagination had traversed
half Europe; it halted, panting, and even trembling a little, in the
city of Rome. She figured herself announcing to her husband that Lord
Warburton was to lead a bride to the altar, and she was of course
not aware how extremely wan she must have looked while she made this
intellectual effort. But at last she collected herself and said to her
aunt: "He was sure to do it some time or other."
Mrs. Touchett was silent; then she gave a sharp little shake of the
head. "Ah, my dear, you're beyond me!" she cried suddenly. They went on
with their luncheon in silence; Isabel felt as if she had heard of Lord
Warburton's death. She had known him only as a suitor, and now that was
all over. He was dead for poor Pansy; by Pansy he might have lived. A
servant had been hovering about; at last Mrs. Touchett requested him
to leave them alone. She had finished her meal; she sat with her
hands folded on the edge of the table. "I should like to ask you three
questions," she observed when the servant had gone.
"Three are a great many."
"I can't do with less; I've been thinking. They're all very good ones."
"That's what I'm afraid of. The best questions are the worst," Isabel
answered. Mrs. Touchett had pushed back her chair, and as her niece left
the table and walked, rather consciously, to one of the deep windows,
she felt herself followed by her eyes.
"Have you ever been sorry you didn't marry Lord Warburton?" Mrs.
Touchett enquired.
Isabel shook her head slowly, but not heavily. "No, dear aunt."
"Good. I ought to tell you that I propose to believe what you say."
"Your believing me's an immense temptation," she declared, smiling
still.
"A temptation to lie? I don't recommend you to do that, for when I'm
misinformed I'm as dangerous as a poisoned rat. I don't mean to crow
over you."
"It's my husband who doesn't get on with me," said Isabel.
"I could have told him he wouldn't. I don't call that crowing over YOU,"
Mrs. Touchett added. "Do you still like Serena Merle?" she went on.
"Not as I once did. But it doesn't matter, for she's going to America."
"To America? She must have done something very bad."
"Yes--very bad."
"May I ask what it is?"
"She made a convenience of me."
"Ah," cried Mrs. Touchett, "so she did of me! She does of every one."
"She'll make a convenience of America," said Isabel, smiling again and
glad that her aunt's questions were over.
It was not till the evening that she was able to see Ralph. He had been
dozing all day; at least he had been lying unconscious. The doctor was
there, but after a while went away--the local doctor, who had attended
his father and whom Ralph liked. He came three or four times a day; he
was deeply interested in his patient. Ralph had had Sir Matthew Hope,
but he had got tired of this celebrated man, to whom he had asked his
mother to send word he was now dead and was therefore without further
need of medical advice. Mrs. Touchett had simply written to Sir Matthew
that her son disliked him. On the day of Isabel's arrival Ralph gave no
sign, as I have related, for many hours; but toward evening he raised
himself and said he knew that she had come.
How he knew was not apparent, inasmuch as for fear of exciting him no
one had offered the information. Isabel came in and sat by his bed in
the dim light; there was only a shaded candle in a corner of the room.
She told the nurse she might go--she herself would sit with him for the
rest of the evening. He had opened his eyes and recognised her, and had
moved his hand, which lay helpless beside him, so that she might take
it. But he was unable to speak; he closed his eyes again and remained
perfectly still, only keeping her hand in his own. She sat with him a
long time--till the nurse came back; but he gave no further sign. He
might have passed away while she looked at him; he was already the
figure and pattern of death. She had thought him far gone in Rome,
and this was worse; there was but one change possible now. There was a
strange tranquillity in his face; it was as still as the lid of a box.
With this he was a mere lattice of bones; when he opened his eyes to
greet her it was as if she were looking into immeasurable space. It was
not till midnight that the nurse came back; but the hours, to Isabel,
had not seemed long; it was exactly what she had come for. If she had
come simply to wait she found ample occasion, for he lay three days in
a kind of grateful silence. He recognised her and at moments seemed to
wish to speak; but he found no voice. Then he closed his eyes again, as
if he too were waiting for something--for something that certainly would
come. He was so absolutely quiet that it seemed to her what was coming
had already arrived; and yet she never lost the sense that they were
still together. But they were not always together; there were other
hours that she passed in wandering through the empty house and listening
for a voice that was not poor Ralph's. She had a constant fear; she
thought it possible her husband would write to her. But he remained
silent, and she only got a letter from Florence and from the Countess
Gemini. Ralph, however, spoke at last--on the evening of the third day.
"I feel better to-night," he murmured, abruptly, in the soundless
dimness of her vigil; "I think I can say something." She sank upon her
knees beside his pillow; took his thin hand in her own; begged him
not to make an effort--not to tire himself. His face was of necessity
serious--it was incapable of the muscular play of a smile; but its owner
apparently had not lost a perception of incongruities. "What does it
matter if I'm tired when I've all eternity to rest? There's no harm in
making an effort when it's the very last of all. Don't people always
feel better just before the end? I've often heard of that; it's what I
was waiting for. Ever since you've been here I thought it would come.
I tried two or three times; I was afraid you'd get tired of sitting
there." He spoke slowly, with painful breaks and long pauses; his voice
seemed to come from a distance. When he ceased he lay with his face
turned to Isabel and his large unwinking eyes open into her own. "It
was very good of you to come," he went on. "I thought you would; but I
wasn't sure."
"I was not sure either till I came," said Isabel.
"You've been like an angel beside my bed. You know they talk about the
angel of death. It's the most beautiful of all. You've been like that;
as if you were waiting for me."
"I was not waiting for your death; I was waiting for--for this. This is
not death, dear Ralph."
"Not for you--no. There's nothing makes us feel so much alive as to see
others die. That's the sensation of life--the sense that we remain. I've
had it--even I. But now I'm of no use but to give it to others. With me
it's all over." And then he paused. Isabel bowed her head further, till
it rested on the two hands that were clasped upon his own. She couldn't
see him now; but his far-away voice was close to her ear. "Isabel," he
went on suddenly, "I wish it were over for you." She answered nothing;
she had burst into sobs; she remained so, with her buried face. He lay
silent, listening to her sobs; at last he gave a long groan. "Ah, what
is it you have done for me?"
"What is it you did for me?" she cried, her now extreme agitation half
smothered by her attitude. She had lost all her shame, all wish to hide
things. Now he must know; she wished him to know, for it brought them
supremely together, and he was beyond the reach of pain. "You did
something once--you know it. O Ralph, you've been everything! What have
I done for you--what can I do to-day? I would die if you could live.
But I don't wish you to live; I would die myself, not to lose you." Her
voice was as broken as his own and full of tears and anguish.
"You won't lose me--you'll keep me. Keep me in your heart; I shall be
nearer to you than I've ever been. Dear Isabel, life is better; for in
life there's love. Death is good--but there's no love."
"I never thanked you--I never spoke--I never was what I should be!"
Isabel went on. She felt a passionate need to cry out and accuse
herself, to let her sorrow possess her. All her troubles, for the
moment, became single and melted together into this present pain. "What
must you have thought of me? Yet how could I know? I never knew, and I
only know to-day because there are people less stupid than I."
"Don't mind people," said Ralph. "I think I'm glad to leave people."
She raised her head and her clasped hands; she seemed for a moment to
pray to him. "Is it true--is it true?" she asked.
"True that you've been stupid? Oh no," said Ralph with a sensible
intention of wit.
"That you made me rich--that all I have is yours?"
He turned away his head, and for some time said nothing. Then at last:
"Ah, don't speak of that--that was not happy." Slowly he moved his face
toward her again, and they once more saw each other. "But for that--but
for that--!" And he paused. "I believe I ruined you," he wailed.
She was full of the sense that he was beyond the reach of pain; he
seemed already so little of this world. But even if she had not had
it she would still have spoken, for nothing mattered now but the only
knowledge that was not pure anguish--the knowledge that they were
looking at the truth together.
"He married me for the money," she said. She wished to say everything;
she was afraid he might die before she had done so. He gazed at her a
little, and for the first time his fixed eyes lowered their lids. But he
raised them in a moment, and then, "He was greatly in love with you," he
answered.
"Yes, he was in love with me. But he wouldn't have married me if I had
been poor. I don't hurt you in saying that. How can I? I only want you
to understand. I always tried to keep you from understanding; but that's
all over."
"I always understood," said Ralph.
"I thought you did, and I didn't like it. But now I like it."
"You don't hurt me--you make me very happy." And as Ralph said this
there was an extraordinary gladness in his voice. She bent her
head again, and pressed her lips to the back of his hand. "I always
understood," he continued, "though it was so strange--so pitiful. You
wanted to look at life for yourself--but you were not allowed; you
were punished for your wish. You were ground in the very mill of the
conventional!"
"Oh yes, I've been punished," Isabel sobbed.
He listened to her a little, and then continued: "Was he very bad about
your coming?"
"He made it very hard for me. But I don't care."
"It is all over then between you?"
"Oh no; I don't think anything's over."
"Are you going back to him?" Ralph gasped.
"I don't know--I can't tell. I shall stay here as long as I may. I don't
want to think--I needn't think. I don't care for anything but you, and
that's enough for the present. It will last a little yet. Here on my
knees, with you dying in my arms, I'm happier than I have been for a
long time. And I want you to be happy--not to think of anything sad;
only to feel that I'm near you and I love you. Why should there be
pain--? In such hours as this what have we to do with pain? That's not
the deepest thing; there's something deeper."
Ralph evidently found from moment to moment greater difficulty in
speaking; he had to wait longer to collect himself. At first he appeared
to make no response to these last words; he let a long time elapse. Then
he murmured simply: "You must stay here."
"I should like to stay--as long as seems right."
"As seems right--as seems right?" He repeated her words. "Yes, you think
a great deal about that."
"Of course one must. You're very tired," said Isabel.
"I'm very tired. You said just now that pain's not the deepest thing.
No--no. But it's very deep. If I could stay--"
"For me you'll always be here," she softly interrupted. It was easy to
interrupt him.
But he went on, after a moment: "It passes, after all; it's passing now.
But love remains. I don't know why we should suffer so much. Perhaps I
shall find out. There are many things in life. You're very young."
"I feel very old," said Isabel.
"You'll grow young again. That's how I see you. I don't believe--I don't
believe--" But he stopped again; his strength failed him.
She begged him to be quiet now. "We needn't speak to understand each
other," she said.
"I don't believe that such a generous mistake as yours can hurt you for
more than a little."
"Oh Ralph, I'm very happy now," she cried through her tears.
"And remember this," he continued, "that if you've been hated
you've also been loved. Ah but, Isabel--ADORED!" he just audibly and
lingeringly breathed.
"Oh my brother!" she cried with a movement of still deeper prostration.
| Notes The two conversations in this chapter, one with Mrs. Touchett and one with Ralph, are ones in which Isabel returns to her family and is open about her life. Mrs. Touchett asks her three questions: if she is sorry not to have married Lord Warburton, if she still likes Serena Merle, and the third, unspoken, seems to be if she is happy in her choice of a husband. Isabel replies straightforwardly to each question. In her last conversation with Ralph, Isabel finally relaxes into the comfort of being open about how unhappy her life is. The conversation is very limited in what it reveals. The reader already knows all of it. Its value is in its pathos. Ralph and Isabel are able to show each other how much they love each other and have always done. | analysis |
He had told her, the first evening she ever spent at Gardencourt, that
if she should live to suffer enough she might some day see the ghost
with which the old house was duly provided. She apparently had fulfilled
the necessary condition; for the next morning, in the cold, faint
dawn, she knew that a spirit was standing by her bed. She had lain down
without undressing, it being her belief that Ralph would not outlast
the night. She had no inclination to sleep; she was waiting, and such
waiting was wakeful. But she closed her eyes; she believed that as the
night wore on she should hear a knock at her door. She heard no knock,
but at the time the darkness began vaguely to grow grey she started up
from her pillow as abruptly as if she had received a summons. It seemed
to her for an instant that he was standing there--a vague, hovering
figure in the vagueness of the room. She stared a moment; she saw his
white face--his kind eyes; then she saw there was nothing. She was not
afraid; she was only sure. She quitted the place and in her certainty
passed through dark corridors and down a flight of oaken steps that
shone in the vague light of a hall-window. Outside Ralph's door she
stopped a moment, listening, but she seemed to hear only the hush that
filled it. She opened the door with a hand as gentle as if she were
lifting a veil from the face of the dead, and saw Mrs. Touchett sitting
motionless and upright beside the couch of her son, with one of his
hands in her own. The doctor was on the other side, with poor Ralph's
further wrist resting in his professional fingers. The two nurses were
at the foot between them. Mrs. Touchett took no notice of Isabel, but
the doctor looked at her very hard; then he gently placed Ralph's hand
in a proper position, close beside him. The nurse looked at her very
hard too, and no one said a word; but Isabel only looked at what she had
come to see. It was fairer than Ralph had ever been in life, and there
was a strange resemblance to the face of his father, which, six years
before, she had seen lying on the same pillow. She went to her aunt
and put her arm around her; and Mrs. Touchett, who as a general thing
neither invited nor enjoyed caresses, submitted for a moment to this
one, rising, as might be, to take it. But she was stiff and dry-eyed;
her acute white face was terrible.
"Dear Aunt Lydia," Isabel murmured.
"Go and thank God you've no child," said Mrs. Touchett, disengaging
herself.
Three days after this a considerable number of people found time, at the
height of the London "season," to take a morning train down to a quiet
station in Berkshire and spend half an hour in a small grey church which
stood within an easy walk. It was in the green burial-place of this
edifice that Mrs. Touchett consigned her son to earth. She stood herself
at the edge of the grave, and Isabel stood beside her; the sexton
himself had not a more practical interest in the scene than Mrs.
Touchett. It was a solemn occasion, but neither a harsh nor a heavy one;
there was a certain geniality in the appearance of things. The weather
had changed to fair; the day, one of the last of the treacherous
May-time, was warm and windless, and the air had the brightness of the
hawthorn and the blackbird. If it was sad to think of poor Touchett, it
was not too sad, since death, for him, had had no violence. He had been
dying so long; he was so ready; everything had been so expected and
prepared. There were tears in Isabel's eyes, but they were not tears
that blinded. She looked through them at the beauty of the day, the
splendour of nature, the sweetness of the old English churchyard, the
bowed heads of good friends. Lord Warburton was there, and a group
of gentlemen all unknown to her, several of whom, as she afterwards
learned, were connected with the bank; and there were others whom she
knew. Miss Stackpole was among the first, with honest Mr. Bantling
beside her; and Caspar Goodwood, lifting his head higher than the
rest--bowing it rather less. During much of the time Isabel was
conscious of Mr. Goodwood's gaze; he looked at her somewhat harder than
he usually looked in public, while the others had fixed their eyes upon
the churchyard turf. But she never let him see that she saw him; she
thought of him only to wonder that he was still in England. She found
she had taken for granted that after accompanying Ralph to Gardencourt
he had gone away; she remembered how little it was a country that
pleased him. He was there, however, very distinctly there; and
something in his attitude seemed to say that he was there with a complex
intention. She wouldn't meet his eyes, though there was doubtless
sympathy in them; he made her rather uneasy. With the dispersal of the
little group he disappeared, and the only person who came to speak to
her--though several spoke to Mrs. Touchett--was Henrietta Stackpole.
Henrietta had been crying.
Ralph had said to Isabel that he hoped she would remain at Gardencourt,
and she made no immediate motion to leave the place. She said to herself
that it was but common charity to stay a little with her aunt. It was
fortunate she had so good a formula; otherwise she might have been
greatly in want of one. Her errand was over; she had done what she had
left her husband to do. She had a husband in a foreign city, counting
the hours of her absence; in such a case one needed an excellent motive.
He was not one of the best husbands, but that didn't alter the case.
Certain obligations were involved in the very fact of marriage, and were
quite independent of the quantity of enjoyment extracted from it. Isabel
thought of her husband as little as might be; but now that she was at a
distance, beyond its spell, she thought with a kind of spiritual shudder
of Rome. There was a penetrating chill in the image, and she drew
back into the deepest shade of Gardencourt. She lived from day to day,
postponing, closing her eyes, trying not to think. She knew she must
decide, but she decided nothing; her coming itself had not been a
decision. On that occasion she had simply started. Osmond gave no sound
and now evidently would give none; he would leave it all to her. From
Pansy she heard nothing, but that was very simple: her father had told
her not to write.
Mrs. Touchett accepted Isabel's company, but offered her no assistance;
she appeared to be absorbed in considering, without enthusiasm but
with perfect lucidity, the new conveniences of her own situation. Mrs.
Touchett was not an optimist, but even from painful occurrences she
managed to extract a certain utility. This consisted in the reflexion
that, after all, such things happened to other people and not to
herself. Death was disagreeable, but in this case it was her son's
death, not her own; she had never flattered herself that her own would
be disagreeable to any one but Mrs. Touchett. She was better off than
poor Ralph, who had left all the commodities of life behind him,
and indeed all the security; since the worst of dying was, to Mrs.
Touchett's mind, that it exposed one to be taken advantage of. For
herself she was on the spot; there was nothing so good as that. She
made known to Isabel very punctually--it was the evening her son was
buried--several of Ralph's testamentary arrangements. He had told her
everything, had consulted her about everything. He left her no money;
of course she had no need of money. He left her the furniture of
Gardencourt, exclusive of the pictures and books and the use of the
place for a year; after which it was to be sold. The money produced by
the sale was to constitute an endowment for a hospital for poor persons
suffering from the malady of which he died; and of this portion of the
will Lord Warburton was appointed executor. The rest of his property,
which was to be withdrawn from the bank, was disposed of in various
bequests, several of them to those cousins in Vermont to whom his
father had already been so bountiful. Then there were a number of small
legacies.
"Some of them are extremely peculiar," said Mrs. Touchett; "he has left
considerable sums to persons I never heard of. He gave me a list, and I
asked then who some of them were, and he told me they were people who at
various times had seemed to like him. Apparently he thought you didn't
like him, for he hasn't left you a penny. It was his opinion that you
had been handsomely treated by his father, which I'm bound to say I
think you were--though I don't mean that I ever heard him complain of
it. The pictures are to be dispersed; he has distributed them about, one
by one, as little keepsakes. The most valuable of the collection goes to
Lord Warburton. And what do you think he has done with his library?
It sounds like a practical joke. He has left it to your friend Miss
Stackpole--'in recognition of her services to literature.' Does he mean
her following him up from Rome? Was that a service to literature? It
contains a great many rare and valuable books, and as she can't carry
it about the world in her trunk he recommends her to sell it at auction.
She will sell it of course at Christie's, and with the proceeds she'll
set up a newspaper. Will that be a service to literature?"
This question Isabel forbore to answer, as it exceeded the little
interrogatory to which she had deemed it necessary to submit on her
arrival. Besides, she had never been less interested in literature than
to-day, as she found when she occasionally took down from the shelf one
of the rare and valuable volumes of which Mrs. Touchett had spoken. She
was quite unable to read; her attention had never been so little at her
command. One afternoon, in the library, about a week after the ceremony
in the churchyard, she was trying to fix it for an hour; but her eyes
often wandered from the book in her hand to the open window, which
looked down the long avenue. It was in this way that she saw a modest
vehicle approach the door and perceived Lord Warburton sitting, in
rather an uncomfortable attitude, in a corner of it. He had always had
a high standard of courtesy, and it was therefore not remarkable, under
the circumstances, that he should have taken the trouble to come down
from London to call on Mrs. Touchett. It was of course Mrs. Touchett
he had come to see, and not Mrs. Osmond; and to prove to herself the
validity of this thesis Isabel presently stepped out of the house and
wandered away into the park. Since her arrival at Gardencourt she
had been but little out of doors, the weather being unfavourable for
visiting the grounds. This evening, however, was fine, and at first it
struck her as a happy thought to have come out. The theory I have just
mentioned was plausible enough, but it brought her little rest, and
if you had seen her pacing about you would have said she had a bad
conscience. She was not pacified when at the end of a quarter of an
hour, finding herself in view of the house, she saw Mrs. Touchett emerge
from the portico accompanied by her visitor. Her aunt had evidently
proposed to Lord Warburton that they should come in search of her. She
was in no humour for visitors and, if she had had a chance, would have
drawn back behind one of the great trees. But she saw she had been seen
and that nothing was left her but to advance. As the lawn at Gardencourt
was a vast expanse this took some time; during which she observed that,
as he walked beside his hostess, Lord Warburton kept his hands rather
stiffly behind him and his eyes upon the ground. Both persons apparently
were silent; but Mrs. Touchett's thin little glance, as she directed it
toward Isabel, had even at a distance an expression. It seemed to say
with cutting sharpness: "Here's the eminently amenable nobleman you
might have married!" When Lord Warburton lifted his own eyes, however,
that was not what they said. They only said "This is rather awkward, you
know, and I depend upon you to help me." He was very grave, very proper
and, for the first time since Isabel had known him, greeted her without
a smile. Even in his days of distress he had always begun with a smile.
He looked extremely selfconscious.
"Lord Warburton has been so good as to come out to see me," said Mrs.
Touchett. "He tells me he didn't know you were still here. I know he's
an old friend of yours, and as I was told you were not in the house I
brought him out to see for himself."
"Oh, I saw there was a good train at 6.40, that would get me back
in time for dinner," Mrs. Touchett's companion rather irrelevantly
explained. "I'm so glad to find you've not gone."
"I'm not here for long, you know," Isabel said with a certain eagerness.
"I suppose not; but I hope it's for some weeks. You came to England
sooner than--a--than you thought?"
"Yes, I came very suddenly."
Mrs. Touchett turned away as if she were looking at the condition of the
grounds, which indeed was not what it should be, while Lord Warburton
hesitated a little. Isabel fancied he had been on the point of asking
about her husband--rather confusedly--and then had checked himself. He
continued immitigably grave, either because he thought it becoming in a
place over which death had just passed, or for more personal reasons. If
he was conscious of personal reasons it was very fortunate that he had
the cover of the former motive; he could make the most of that. Isabel
thought of all this. It was not that his face was sad, for that was
another matter; but it was strangely inexpressive.
"My sisters would have been so glad to come if they had known you were
still here--if they had thought you would see them," Lord Warburton went
on. "Do kindly let them see you before you leave England."
"It would give me great pleasure; I have such a friendly recollection of
them."
"I don't know whether you would come to Lockleigh for a day or two?
You know there's always that old promise." And his lordship coloured a
little as he made this suggestion, which gave his face a somewhat more
familiar air. "Perhaps I'm not right in saying that just now; of course
you're not thinking of visiting. But I meant what would hardly be a
visit. My sisters are to be at Lockleigh at Whitsuntide for five days;
and if you could come then--as you say you're not to be very long in
England--I would see that there should be literally no one else."
Isabel wondered if not even the young lady he was to marry would be
there with her mamma; but she did not express this idea.
"Thank you extremely," she contented herself with saying; "I'm afraid I
hardly know about Whitsuntide."
"But I have your promise--haven't I?--for some other time."
There was an interrogation in this; but Isabel let it pass. She looked
at her interlocutor a moment, and the result of her observation was
that--as had happened before--she felt sorry for him. "Take care you
don't miss your train," she said. And then she added: "I wish you every
happiness."
He blushed again, more than before, and he looked at his watch. "Ah yes,
6.40; I haven't much time, but I've a fly at the door. Thank you very
much." It was not apparent whether the thanks applied to her having
reminded him of his train or to the more sentimental remark. "Good-bye,
Mrs. Osmond; good-bye." He shook hands with her, without meeting her
eyes, and then he turned to Mrs. Touchett, who had wandered back to
them. With her his parting was equally brief; and in a moment the two
ladies saw him move with long steps across the lawn.
"Are you very sure he's to be married?" Isabel asked of her aunt.
"I can't be surer than he; but he seems sure. I congratulated him, and
he accepted it."
"Ah," said Isabel, "I give it up!"--while her aunt returned to the house
and to those avocations which the visitor had interrupted.
She gave it up, but she still thought of it--thought of it while she
strolled again under the great oaks whose shadows were long upon the
acres of turf. At the end of a few minutes she found herself near a
rustic bench, which, a moment after she had looked at it, struck her as
an object recognised. It was not simply that she had seen it before,
nor even that she had sat upon it; it was that on this spot something
important had happened to her--that the place had an air of association.
Then she remembered that she had been sitting there, six years before,
when a servant brought her from the house the letter in which Caspar
Goodwood informed her that he had followed her to Europe; and that when
she had read the letter she looked up to hear Lord Warburton announcing
that he should like to marry her. It was indeed an historical, an
interesting, bench; she stood and looked at it as if it might have
something to say to her. She wouldn't sit down on it now--she felt
rather afraid of it. She only stood before it, and while she stood the
past came back to her in one of those rushing waves of emotion by which
persons of sensibility are visited at odd hours. The effect of this
agitation was a sudden sense of being very tired, under the influence
of which she overcame her scruples and sank into the rustic seat. I have
said that she was restless and unable to occupy herself; and whether or
no, if you had seen her there, you would have admired the justice of the
former epithet, you would at least have allowed that at this moment
she was the image of a victim of idleness. Her attitude had a singular
absence of purpose; her hands, hanging at her sides, lost themselves in
the folds of her black dress; her eyes gazed vaguely before her.
There was nothing to recall her to the house; the two ladies, in their
seclusion, dined early and had tea at an indefinite hour. How long she
had sat in this position she could not have told you; but the twilight
had grown thick when she became aware that she was not alone. She
quickly straightened herself, glancing about, and then saw what had
become of her solitude. She was sharing it with Caspar Goodwood,
who stood looking at her, a few yards off, and whose footfall on the
unresonant turf, as he came near, she had not heard. It occurred to her
in the midst of this that it was just so Lord Warburton had surprised
her of old.
She instantly rose, and as soon as Goodwood saw he was seen he started
forward. She had had time only to rise when, with a motion that looked
like violence, but felt like--she knew not what, he grasped her by the
wrist and made her sink again into the seat. She closed her eyes; he had
not hurt her; it was only a touch, which she had obeyed. But there was
something in his face that she wished not to see. That was the way he
had looked at her the other day in the churchyard; only at present
it was worse. He said nothing at first; she only felt him close to
her--beside her on the bench and pressingly turned to her. It almost
seemed to her that no one had ever been so close to her as that.
All this, however, took but an instant, at the end of which she had
disengaged her wrist, turning her eyes upon her visitant. "You've
frightened me," she said.
"I didn't mean to," he answered, "but if I did a little, no matter.
I came from London a while ago by the train, but I couldn't come here
directly. There was a man at the station who got ahead of me. He took
a fly that was there, and I heard him give the order to drive here. I
don't know who he was, but I didn't want to come with him; I wanted to
see you alone. So I've been waiting and walking about. I've walked all
over, and I was just coming to the house when I saw you here. There was
a keeper, or someone, who met me; but that was all right, because I
had made his acquaintance when I came here with your cousin. Is that
gentleman gone? Are you really alone? I want to speak to you." Goodwood
spoke very fast; he was as excited as when they had parted in Rome.
Isabel had hoped that condition would subside; and she shrank into
herself as she perceived that, on the contrary, he had only let out
sail. She had a new sensation; he had never produced it before; it was
a feeling of danger. There was indeed something really formidable in his
resolution. She gazed straight before her; he, with a hand on each knee,
leaned forward, looking deeply into her face. The twilight seemed
to darken round them. "I want to speak to you," he repeated; "I've
something particular to say. I don't want to trouble you--as I did
the other day in Rome. That was of no use; it only distressed you. I
couldn't help it; I knew I was wrong. But I'm not wrong now; please
don't think I am," he went on with his hard, deep voice melting a moment
into entreaty. "I came here to-day for a purpose. It's very different.
It was vain for me to speak to you then; but now I can help you."
She couldn't have told you whether it was because she was afraid, or
because such a voice in the darkness seemed of necessity a boon; but she
listened to him as she had never listened before; his words dropped deep
into her soul. They produced a sort of stillness in all her being; and
it was with an effort, in a moment, that she answered him. "How can you
help me?" she asked in a low tone, as if she were taking what he had
said seriously enough to make the enquiry in confidence.
"By inducing you to trust me. Now I know--to-day I know. Do you remember
what I asked you in Rome? Then I was quite in the dark. But to-day I
know on good authority; everything's clear to me to-day. It was a good
thing when you made me come away with your cousin. He was a good man,
a fine man, one of the best; he told me how the case stands for you. He
explained everything; he guessed my sentiments. He was a member of
your family and he left you--so long as you should be in England--to my
care," said Goodwood as if he were making a great point. "Do you know
what he said to me the last time I saw him--as he lay there where he
died? He said: 'Do everything you can for her; do everything she'll let
you.'"
Isabel suddenly got up. "You had no business to talk about me!"
"Why not--why not, when we talked in that way?" he demanded, following
her fast. "And he was dying--when a man's dying it's different." She
checked the movement she had made to leave him; she was listening more
than ever; it was true that he was not the same as that last time. That
had been aimless, fruitless passion, but at present he had an idea,
which she scented in all her being. "But it doesn't matter!" he
exclaimed, pressing her still harder, though now without touching a hem
of her garment. "If Touchett had never opened his mouth I should have
known all the same. I had only to look at you at your cousin's funeral
to see what's the matter with you. You can't deceive me any more; for
God's sake be honest with a man who's so honest with you. You're the
most unhappy of women, and your husband's the deadliest of fiends."
She turned on him as if he had struck her. "Are you mad?" she cried.
"I've never been so sane; I see the whole thing. Don't think it's
necessary to defend him. But I won't say another word against him; I'll
speak only of you," Goodwood added quickly. "How can you pretend you're
not heart-broken? You don't know what to do--you don't know where to
turn. It's too late to play a part; didn't you leave all that behind you
in Rome? Touchett knew all about it, and I knew it too--what it
would cost you to come here. It will have cost you your life? Say it
will"--and he flared almost into anger: "give me one word of truth! When
I know such a horror as that, how can I keep myself from wishing to save
you? What would you think of me if I should stand still and see you
go back to your reward? 'It's awful, what she'll have to pay for
it!'--that's what Touchett said to me. I may tell you that, mayn't I? He
was such a near relation!" cried Goodwood, making his queer grim point
again. "I'd sooner have been shot than let another man say those things
to me; but he was different; he seemed to me to have the right. It was
after he got home--when he saw he was dying, and when I saw it too.
I understand all about it: you're afraid to go back. You're perfectly
alone; you don't know where to turn. You can't turn anywhere; you know
that perfectly. Now it is therefore that I want you to think of ME."
"To think of 'you'?" Isabel said, standing before him in the dusk. The
idea of which she had caught a glimpse a few moments before now loomed
large. She threw back her head a little; she stared at it as if it had
been a comet in the sky.
"You don't know where to turn. Turn straight to me. I want to persuade
you to trust me," Goodwood repeated. And then he paused with his shining
eyes. "Why should you go back--why should you go through that ghastly
form?"
"To get away from you!" she answered. But this expressed only a little
of what she felt. The rest was that she had never been loved before. She
had believed it, but this was different; this was the hot wind of the
desert, at the approach of which the others dropped dead, like mere
sweet airs of the garden. It wrapped her about; it lifted her off her
feet, while the very taste of it, as of something potent, acrid and
strange, forced open her set teeth.
At first, in rejoinder to what she had said, it seemed to her that
he would break out into greater violence. But after an instant he was
perfectly quiet; he wished to prove he was sane, that he had reasoned it
all out. "I want to prevent that, and I think I may, if you'll only for
once listen to me. It's too monstrous of you to think of sinking back
into that misery, of going to open your mouth to that poisoned air. It's
you that are out of your mind. Trust me as if I had the care of you. Why
shouldn't we be happy--when it's here before us, when it's so easy? I'm
yours for ever--for ever and ever. Here I stand; I'm as firm as a rock.
What have you to care about? You've no children; that perhaps would be
an obstacle. As it is you've nothing to consider. You must save what you
can of your life; you mustn't lose it all simply because you've lost a
part. It would be an insult to you to assume that you care for the look
of the thing, for what people will say, for the bottomless idiocy of the
world. We've nothing to do with all that; we're quite out of it; we look
at things as they are. You took the great step in coming away; the next
is nothing; it's the natural one. I swear, as I stand here, that a woman
deliberately made to suffer is justified in anything in life--in going
down into the streets if that will help her! I know how you suffer, and
that's why I'm here. We can do absolutely as we please; to whom under
the sun do we owe anything? What is it that holds us, what is it that
has the smallest right to interfere in such a question as this? Such a
question is between ourselves--and to say that is to settle it! Were we
born to rot in our misery--were we born to be afraid? I never knew YOU
afraid! If you'll only trust me, how little you will be disappointed!
The world's all before us--and the world's very big. I know something
about that."
Isabel gave a long murmur, like a creature in pain; it was as if he were
pressing something that hurt her.
"The world's very small," she said at random; she had an immense
desire to appear to resist. She said it at random, to hear herself say
something; but it was not what she meant. The world, in truth, had never
seemed so large; it seemed to open out, all round her, to take the form
of a mighty sea, where she floated in fathomless waters. She had wanted
help, and here was help; it had come in a rushing torrent. I know not
whether she believed everything he said; but she believed just then
that to let him take her in his arms would be the next best thing to her
dying. This belief, for a moment, was a kind of rapture, in which she
felt herself sink and sink. In the movement she seemed to beat with her
feet, in order to catch herself, to feel something to rest on.
"Ah, be mine as I'm yours!" she heard her companion cry. He had suddenly
given up argument, and his voice seemed to come, harsh and terrible,
through a confusion of vaguer sounds.
This however, of course, was but a subjective fact, as the
metaphysicians say; the confusion, the noise of waters, all the rest
of it, were in her own swimming head. In an instant she became aware of
this. "Do me the greatest kindness of all," she panted. "I beseech you
to go away!"
"Ah, don't say that. Don't kill me!" he cried.
She clasped her hands; her eyes were streaming with tears. "As you love
me, as you pity me, leave me alone!"
He glared at her a moment through the dusk, and the next instant she
felt his arms about her and his lips on her own lips. His kiss was like
white lightning, a flash that spread, and spread again, and stayed; and
it was extraordinarily as if, while she took it, she felt each thing in
his hard manhood that had least pleased her, each aggressive fact of his
face, his figure, his presence, justified of its intense identity and
made one with this act of possession. So had she heard of those wrecked
and under water following a train of images before they sink. But when
darkness returned she was free. She never looked about her; she only
darted from the spot. There were lights in the windows of the house;
they shone far across the lawn. In an extraordinarily short time--for
the distance was considerable--she had moved through the darkness (for
she saw nothing) and reached the door. Here only she paused. She looked
all about her; she listened a little; then she put her hand on the
latch. She had not known where to turn; but she knew now. There was a
very straight path.
Two days afterwards Caspar Goodwood knocked at the door of the house in
Wimpole Street in which Henrietta Stackpole occupied furnished lodgings.
He had hardly removed his hand from the knocker when the door was opened
and Miss Stackpole herself stood before him. She had on her hat and
jacket; she was on the point of going out. "Oh, good-morning," he said,
"I was in hopes I should find Mrs. Osmond."
Henrietta kept him waiting a moment for her reply; but there was a good
deal of expression about Miss Stackpole even when she was silent. "Pray
what led you to suppose she was here?"
"I went down to Gardencourt this morning, and the servant told me she
had come to London. He believed she was to come to you."
Again Miss Stackpole held him--with an intention of perfect kindness--in
suspense. "She came here yesterday, and spent the night. But this
morning she started for Rome."
Caspar Goodwood was not looking at her; his eyes were fastened on the
doorstep. "Oh, she started--?" he stammered. And without finishing
his phrase or looking up he stiffly averted himself. But he couldn't
otherwise move.
Henrietta had come out, closing the door behind her, and now she put out
her hand and grasped his arm. "Look here, Mr. Goodwood," she said; "just
you wait!"
On which he looked up at her--but only to guess, from her face, with a
revulsion, that she simply meant he was young. She stood shining at him
with that cheap comfort, and it added, on the spot, thirty years to his
life. She walked him away with her, however, as if she had given him now
the key to patience.
| Notes Henry Jamess sense of the dramatic helps him set the stage of the last scene of the novel. He places Isabel at the same bench in the gardens of Gardencourt at which she received Caspar Goodwoods telegram announcing he had followed her to Europe, and at which she had received Lord Warburtons proposal. Here again, she sees the two men. Here again, she sends them both away and goes to the alternative, Gilbert Osmond. It seems that at the end of the novel, these choices are still fixed. She still finds Lord Warburton kind but less than compelling and she still finds Caspar Goodwood too compelling. In fact, here, he kisses her against her will, sending her running for the house and, very soon, back to Rome and Gilbert Osmond. | analysis |