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Spectavi ego pridem comicos ad istum modum
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Sapienter dicta dicere atque is plaudier,
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Quom illos sapientis mores monstrabant poplo.
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Set quom inde suam quisque ibant divorsi domum
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Nullus erat illo pacto ut illi iusserant.
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'Quid tibi, malum, hic ante aedis clamitatiost?
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An ruri censes te esse? apscede ab aedibus.' Most. 6. 7.
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'Quantus sit Dossennus edacibus in parasitis.'
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'Horum causa haec agitur spectatorum fabula,
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Hi sciunt qui hic adfuerunt; vobis post narravero.'
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techinae, prothyme, basilicus, etc., etc.]
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'Praesertim in re populi placida, atque interfectis hostibus,
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Non decet tumultuari.'
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'Set sumne ego stultus qui rem curo publicam
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Ubi sint magistratus, quos curare oporteat?'
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Menander, is completely non-political.]
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'Et tu vale.
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Iniuriam illic insignite postulat:
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Nostro sibi servire nos censet cibo.
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Verum ita sunt omnes isti nostri divites:
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Si quid bene facias, levior pluma est gratia;
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Si quid peccatum est, plumbeas iras gerunt.'
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'Quom mi ipsum nomen eius Archidemides
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Clamaret dempturum esse si quid crederem.' Bacchid. 285.
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'Propterea huic urbi nomen Epidamno inditumst
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Quia nemo ferme sine damno huc devortitur.' Menaech. 264.
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'Non enim es in senticeto, eo non sentis.' Captivi, 857.
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'Atque mores hominum moros et morosos efficit,' etc., etc.
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'Laudem, lucrum, ludum, iocum, festivitatem, ferias.'
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'Vorsa, sparsa, tersa, strata, lauta, structaque omnia ut sint.'
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'Quid ego cesso Pseudolum
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Facere ut det nomen ad Molas coloniam.' Pseud. 1082.
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'Non omnes possunt olere unguenta exotica.' Mostell. 42.
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'Set, spectatores, vos nunc ne miremini
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Quod non triumpho: peruolgatumst, nil moror.
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Verum tamen accipientur mulso milites.'
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'Mihi quod credideris, sumes ubi posiueris.' Trinum. 145.
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'Nequaquam argenti ratio comparet tamen.' Ib. 418.
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Iovem se placare posse donis, hostiis:
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Et operam et sumptum perdunt: id eo fit quia
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Nihil ei accemptumst a periuris supplici,' etc.--22-5.
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dower, but chastity and modesty, and passion subdued, fear of
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the Gods, affection to my parents, amity with my kinsmen, a will
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to yield to thee, to be bountiful to the good, of service to the
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'Nam, meo quidem animo, si idem faciant ceteri,
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Opulentiores pauperiorum filias
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Ut indotatas ducant uxores domum,
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Et multo fiat civitas concordior,
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Et invidia nos minore utamur, quam utimur.'
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respectable man I never was nor will be.'--Capt. 956-7.]
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Highlander,' and the lines in one of Burns' earliest songs--
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'And then there's something in her gait
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Gars ony dress look weel.'
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The names of five or six comic dramatists are known, who fill
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the space of eighteen years between the death of Plautus and the
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Vincere Caecilius gravitate, Terentius arte--
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who often quotes from him, speaks of him as having written a bad
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style. He is also mentioned among those poets who 'powerfully
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moved the feelings.'
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He composed about forty plays. Most of them had Greek titles, and
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comedies by Menander. Two of the longest of his fragments express
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Serit arbores quae alteri saeclo prosint,
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quoted by Cicero in the Tusculan Questions, and this line--
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Saepe est etiam sub palliolo sordido sapientia.
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enthusiasm for Greek art and letters of the older generation,--of
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He was born at Carthage in the year 185 B.C., and became the
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His art is so purely imitative, that for any knowledge of his
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circumstances and character we have to trust entirely to his
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Eum adiutare adsidueque una scribere:
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Quod illi maledictum vemens esse existumant.
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Eam laudem his ducit maxumam, quom illis placet,
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Qui vobis univorsis et populo placent,
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Quorum opera in bello, in otio, in negotio
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Suo quisque tempore usus't sine superbia.
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he charges his opponent with having, by his bad style and literal
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Qui bene vortendo et easdem scribendo male
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Ex Graecis bonis Latinas fecit non bonas.
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interests, any sense of duty, or any high aspirations.
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Terence is, accordingly, in substance and form, a 'dimidiatus
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might be taken as its motto. The idea of 'human nature,' in its
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weakness and in its sympathy with weakness, may be said to be the
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'To step aside is human'--
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The motive of all the pieces is love. There is generally a double
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conclusion of the 'Asinaria' and 'Bacchides.'
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personality which they had to the poet himself is implied in the
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Non te dignum, Chaerea,
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Fecisti: nam si ego digna hac contumelia
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Sum maxume, at tu indignus qui faceres tamen;
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Non adeo inhumano ingenio sum, Chaerea,
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Neque ita inperita, ut quid amor valeat, nesciam.
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credibility. Parmeno and Phaedria are natural embodiments of the
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analysis, though with less vigour than those of Pseudolus and
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characterised and distinguished from one another; and Phormio is
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himself a type of the parasite, as distinct from Gnatho, as he is
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Hinc illae lacrimae. Amantium irae amoris integratiost.
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Quot homines, tot sententiae.
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Tacent: satis laudant.
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Nosse omnia haec salus est adulescentulis.
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Cantilenam eandem canis--laterem lavem,--etc. etc.
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him to correct his own faults by observing other men must have
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